#knowing that the edgy teen demographics most interested in them *tend* to not have a lot of money + want to be ~counter culture~

[aro-culture-is]

Aro culture is going to spencers and seeing only ace pride merch and no aro pride merch

.

[kiisaes]

thoughts about bkdk being canon?

i sorta answered this already (here if u're curious) but i suppose i can answer again, this time more in depth and specific to bkdk :')

this turned out WAY longer than i thought so erm. more under the cut LOL

personally i don't think bkdk will be canon. before bkdks throw tomatoes at me, it's not because i dislike them as a ship — rather, canonizing them would be canonizing a main boy x boy relationship in an extremely popular shounen series. i've expressed my pessimism way more times than i should LOL but i truly don't think shounen jump would be willing to take this risk. let it be known that shounen jump has allowed canon lgbt ships and characters in their IPs — blue flag is perhaps the most well-known example of a main relationship being between two guys — but blue flag is not nearly as internationally famous as mha. the more eyes on an IP, the more cautious its choices have to be. it's why the most popular shounens tend to be "stereotypical", "cliche" and "cheesy"; this is what works with its main demographic (teenage/young adult males, to be exact), and if a series gets as big as the likes of mha, it's only smart to keep following that trend.

now, horikoshi does have a tendency to subvert expectations, even within his incredibly cliche hero school story.

bakugou is a subversion of the morally dangerous, edgy rival character by being one of the most heroic, straight-laced teens in the series (as well as genuinely apologizing for his faults that he recognizes are his own). even though he looks and acts like that, his motivations and aspirations are always admirable, even pure and childlike at times. unsurprisingly, people hate him for not being either fully evil or fully good, despite how horikoshi specifically wrote him to be a healthy balance between both his failures and his accomplishments.

deku is a subversion of the stereotypically boyish, emotionally stunted, shounen main character by being unashamedly emotional, awkward and sensitive regarding feelings other than anger or happiness. aka he cries a lot, so much so that average shounen dudebros genuinely hated him for being "soft" and "a baby", but praised him during his vigilante arc where he was ... well, for lack of better phrasing, far more similar to existing shounen protags for being less openly empathetic and more badass. you could honestly argue that deku's entire character isn't meant to be typically badass, flashy, or otherwise appealing to the standard shounen audience. his character arc literally deals with being the hero no one thanks or acknowledges, but he continues to selflessly help others despite the lack of appreciation.

ochako is a subversion of the one-note, intentionally-less-interesting-than-the-mc love interest character — it may not look like it at first glance, but ochako has her own arc that is both connected to deku, yet simultaneously not dependent on him that's been festering in the background since she developed her childish crush on him. the more i read this series, the more i'm convinced that she was never meant to end up with deku. she was only meant to play that role before she comes into her own skin and uses her attraction to deku as a way to be her own kind of hero. or horikoshi is going to shove them together last minute, in which, well, fuck me i guess.

all might is a subversion of the gary-stu archetype, because instead of being the perfect human specimen the way he always presents himself to the public, he's constantly physically deteriorating. not to mention he's a subversion of the know-all mentor character, because he honestly kind of sucks as a mentor. this comes from his own faults as a selfless hero, unable to properly learn from his own mistakes until it was too late. also because he's never taught anyone before so like duh. love him though. i am a toshinori supporter first, everything else second

there's other characters that have been subverted too but you get the idea. horikoshi is very good at writing characters, and to an extent, character relationships. that might be his biggest strength outside of, obviously, his art. and clearly he likes subverting our expectations, otherwise he wouldn't write his main characters like this. he knows what's the norm, uses those tropes as a baseline, only to go out of his way to overthrow those norms the further he develops each given character.

however! i don't think horikoshi will go so far as to subvert the stereotypical main ship (izuocha) and instead pick the relationship between the main two characters (bakudeku). rival relationships in shounen are pretty popular anyway, and mha is not the first shounen to have a deeply meaningful relationship between the male main character and the male main rival/deuteragonist. naruto and haikyuu both have oddly homoerotic friendships between the main two rivals and neither of these relationships are romantically canon.

the reasons why they aren't isn't ever explained why, but i sincerely think at least a sliver of the reason is because both characters are of the same gender. case in point: haikyuu only has a handful of canon boy x girl relationships by the time the series ended. so little that you could literally count the number on one hand, despite the amount of characters in the full cast. and yeah a vast majority of those characters were guys, but those guys were left presumably single, or at least their relationship statuses weren't disclosed. haikyuu did what naruto didn't, which was consciously understand that the most impactful relationships within the entire series were always between two men. for example, hinata and yachi are canonically close friends, and furudate could just pair them up without much thought. but they didn't, instead opting to keep hinata single and keeping his most important relationship with kageyama. likely somewhere there, no matter how faint, furudate didn't canonize kagehina due to fear of backlash, even though it'd make sense chemistry-wise.

bakudeku is in the same boat, where deku could be paired up with ochako if horikoshi just stopped giving fucks — they have a good friendship, with ochako having a crush, or at least a strong admiration, on deku — but he is decidedly not. at least not yet, but it'd be weird to canonize them after taking deku's long platonic feelings for her into account. deku has been entirely single this whole time with nothing aggressively romantic happening between him and ochako (except for the blackwhip situaiton, which ochako's VA herself mentioned as not inherently romantic, but as a chance for ochako to showcase her heroism). i'm inclined to believe this is part of horikoshi's subversions: specifically keeping deku and ochako away from heartfelt, desperate moments where their connection can be brought to the forefront. this makes it even stranger that horikoshi gives bakugou a lot of the standard damsel-in-distress roles, such as being taken hostage by the sludge villain, being kidnapped by the league of villains, and even being carried by deku during their fight with all might. granted he was carried over the shoulder, but he was specifically carried, lol. compared to ochako, bakugou is put in much more danger, consequently "depending" on deku to save him, as much as he hates that.

narratively, this makes bakudeku the most purposeful relationship, from their connection since childhood and having it develop slowly but surely during their adolescence.

their relationship is significantly meant to represent change and equality, as their relationship arc is parallel with many of mha's core themes. canonically they are the two students that inspire the rest of their class to be better heroes. the character deku interacts with most is arguably bakugou, if we put their history into account. even though bakugou was his bully for most of their lives, deku still unconditionally cares about him, even without bakugou asking him to. most times, it's actually against what bakugou wants, which is for deku to leave him alone. he also has the most emotional investment in bakugou, since he canonically sees bakugou as his image of victory, as well as someone who instantly triggers his emotional response as opposed to his logical response. literally like 80% of deku's "outbursts" where he acts utterly irrationally (and not always in a heroic way) are related to bakugou. see: sludge villian,

bakugou's kidnapping (in the original japanese version, i believe he says "give him back" in a distinctly possessive way, as if bakugou is genuinely his. but i could be wrong, idk how to read japanese),

deku vs kacchan 2 (instead of trying to talk down bakugou, he ends up fighting him even though it's against the rules, just because he can't exactly say no to bakugou's unconventional way of dealing with his feelings),

blackwhip's awakening (there is murder in his eyes. monoma insulted bakugou and deku was ready to kill him),

danger sense's awakening (same as blackwhip's awakening, but amplified to 100 given how bakugou was straight up stabbed in front of his eyes),

and bakugou's apology. (this one isn't deku being impulsive, more that bakugou appealed to his emotions and it worked way better than any of their classmates' attempts lol)

through a few of these given pieces of evidence, it's also evident that bakugou cares a hefty amount for deku, just in a more lowkey, less obvious way. this feeling gets distinctly more desperate when deku runs away, so much so that bakugou bluntly tells everyone that he knows deku best (something he probably would have never verbalized earlier in the series), mobilizes his class to chase him down, and eventually talks deku into coming back. so it's also canon that bakugou cannot stand the thought of deku not being near him — "it makes me wanna keep him at arm's length" and whatever.

in literally every story-related way imaginable, it makes sense for bakudeku to be canon. in terms of relationships, they have the most developed, dynamic, and interesting one. they get the most screen time. the proof is quite literally in the story. everything bkdks look at for bkdk proof is canon, a somewhat rare situation shipping-wise, where two characters that aren't together in canon already feel like they are together in canon. at this point, all they'd have to say to make it canon is "i like you". so why the hell am i such a fucking cynic about them?

i've already mentioned up there that it's already pretty damn hard for a shounen jump to canonize a gay ship. it doesn't matter how popular the ship is in the fandom; if the mangaka and/or the manga distributor doesn't want them to be canon, then they won't be canon. it's made even worse that deku and bakugou are the main characters; if they were background characters, they honestly might've had a better chance in my eyes.

because here's the thing: canonizing bakudeku means that mha (and to an extent, shounen jump) is now officially supporting the lgbt community. which it already techncially is with its side characters like toga (either bi or pan), magne (trans) and tiger (trans), but they're side characters. purposefully not as important as deku and bakugou, who are the poster characters for merch, advertising, and spin-off material such as movies and games. regarding the lgbt community, japan is more conservative than the US — they haven't legalized gay marriage, and the overall understanding and acceptance of it is lower than the western world. all of this combined makes it very hard for any canon lgbt content to be big, mainstream and serialized. this isn't to say that japan doesn't allow any shows involving gay characters, but those shows are considerably more niche, many of them falling under bl/gl instead of any other broad genre. even yuri on ice, which was a big hit for what it was worth, only got one season and a movie that is seemingly never coming out.

mha is, in every sense of the word, not a niche series. horikoshi would be risking a lot making his male main characters romantically involved with each other, because mha is not a series that can fly under the radar and be solely picked up by smaller groups that are more accepting of queer people and relationships. it'd be like making luffy from one piece canonically gay. and i have never read one piece but i'm pretty sure all the dudebros in both the west and in asia would flip their fucking shits. it doesn't matter how close deku and bakugou are. as long as both of them are guys, their canonization will be inherently "political". at best, people would complain about why romance should be in a story like this in the first place (a common homophobic argument against lgbt relationships, since they have nothing against the male mc dating the main girl). at worst, people would be outright homophobic, aggressive towards the direction the manga is moving, and horikoshi could face serious repercussions regarding funding and advertising.

shows in the west get screwed over constantly for including lgbt relationships. steven universe had to fight tooth and nail to include ruby and sapphire's romance, and even harder for their wedding. the owl house's lumity faced something much similar, and the show even got "cancelled" — i know it's a glass half-empty idea, but i think they got cut short partly because of lumity. kids cartoons always try sneaking in lgbt content, but either they get cut, hidden, or relegated to background characters where you'll blink and you'll miss it. we're getting better i guess, but the undeniable truth is that if even the US is this finicky about lgbt representation, then there's no way japan will fold so easily.

if bakugou were a girl, then bakudeku would be canon by now. if deku were a girl, then bakudeku would be canon by now. it's the same shit every time; shounen series write the most groundbreaking, mindblowing relationships between two dudes, only to never make them official due to their genders. instead, they're stuck with having the most important dynamic within the entire narrative, but it's strictly platonic. i don't think it's because shounen mangakas are inherently homophobic. i don't think horikoshi is homophobic at all. i simply think that they'd rather play it safe, knowing their main audience. shounen is not written for any fandom demographics. we're big, but ultimately we hold no power over the story.

when i say i don't think horikoshi is homophobic at all, i truly mean that, because — i think if he had it his way, he would've made bakudeku canon by now.

there's already so much shit. a baffling amount of shit to prove their loyalty to each other, how they affect each other and their arcs, how they're save to win, win to save. how bakugou is a key component of deku's character, and how deku is probably the most important character to bakugou's entire development. horikoshi is deliberate in how he writes them. he's deliberate in how he framed bakugou as "the girl" that "the hero" needs to save. he's deliberate in their complimentary personalities and values. he's very fucking deliberate in how he specifically makes their relationship the most changing, beneficial, and understanding. if horikoshi didn't care about these two and their connection, he wouldn't have done all this. he would've latched deku and bakugou onto other characters, or had them be standalone individuals. but no; their entire existence is about dependence. about finding that middle ground and growing together, intertwined.

he's also not afraid of adding lgbt characters into his series, as long as those characters don't get a large amount of screen time. like previously mentioned, toga is canonically not straight, having interest in both deku and ochako. and she's written pretty damn well too, with her attraction to deku and ochako playing a huge role in her characterization. like i said before, horikoshi is good at writing characters and relationships. i don't doubt that he's capable of writing lgbt relationships too, if given the opportunity. i'd actually shit bricks if horikoshi made togachako canon. somehow i find that more likely than bakudeku. sick and twisted.

he also made magne and tiger, who are both wholly unimportant characters and one of them fucking dies. but the point is, i believe that horikoshi would want to make more characters lgbt, he just very possibly cannot right now. there's too much at stake; he's a popular mangaka writing a hugely successful series, with an insanely wide outreach. there will obviously be a sized portion of his reader base that just absolutely hates the gays. i'm pretty sure he's aware of this.

all this said, i find it hard to believe that horikoshi doesn't like bakudeku as a canon duo. not a romantic relationship exactly, but at least as an official partner duo. they're constantly paired up promotionally anyway. it would take horikoshi zero effort to make them future pro hero partners. it would probably take him more effort to justify why they aren't. what i'm trying to say here is this: horikoshi is possibly trying, in the most subtle ways possible, to allude to their relationship deepening in the coming years. just, well, not strictly romantically. in the same way his fellow shounen mangakas either stuck to heterosexual romances or no romances at all, he will likely settle for a simple platonic relationship between bakudeku. but he won't confirm nor deny that bakudeku are more, the same way furudate didn't say shit about kagehina. it's up to your interpretation. they could be just friends or dating or married; just know that the mangaka himself likes the idea that his main two guy characters are this close with each other.

ANYWAY. THE POINT IS. i do not think bakudeku will be canon. i refuse to get my hopes up, and i will continue to be a pessimistic little bitch until i'm proven wrong. i hope i am proven wrong. i hope horikoshi decides to make them canon, i really hope he does. but i'm just not sure if he'll be allowed that chance, or if he'll want to do it in the first place. in the meantime, i am fully prepared to see bakudeku as yet another failed mlm relationship in mainstream shounen, one that could have been genuinely revolutionary. oh well. at least we still have fan content.

[thattimdrakeguy]

New 52 TEEN TITANS #3 Read Along - The fact this got made is still shocking.

It’s been a while since I done one of these. It’s probably been since last year or so. This isn’t so much of a formal review where I try my best to explain why something doesn’t work, with tons of back references, or interviews, and contexts, and such. I might do some of that, but I’m mostly just writing this along the same time I continue to read it.

I’ve already done the first two issues, and if I can I’ll link them in the post somewhere.

Basically, this series gets about everything wrong about the returning Core Four for this reboot. They made Cassie the tomboy a “girly” thief, Conner the punky flirt a creepy emotionally numb stalker, Tim the insecure dork a super genius that blew up part of a freaking skyscraper, and Bart the teen with an attention span problem into an arrogant jerkwad loudmouth.

With the origins later given in the series, the boys are revealed to not reaally be the characters we knew at all in a more literal sense. This Conner is a clone of an alternate version of Jon, not Clark and Lex. This Tim Drake, is literally only Tim Drake in name only, as that’s the name this teen got in witness protection. And this Bart Allen, isn’t even related to Barry.

So these are versions of the characters that are them in literally name only, bar Cassie (sadly). Although, they’d later retconned Tim’s origin back (which doesn’t make sense). But what else can I compare them to but the originals?

--

A really common criticism of this series, and one that’s pretty dang valid in my opinion. Is just how unlikable everyone is-- or at least the Core Four, because I feel like we can all be honest and say that most people just read this for the Core Four, and sometimes Bunker. (Like Bart’s condescending here. Like “I’m Kid Flash, girl.” Maybe I’m just reading it too 1940s, but it comes off as really dickish.)

I mean seriously, how many people do you know talk abut Skitter? The original characters that Lobdell came up with are really hit and miss for me, mostly miss. Because I find Skitter so forgettable, that even though I’ve read the first few issues of this series just for entertainment value, I still forget she exists. She could’ve been so much more interesting, but he just doesn’t give her much.

To me, a good character has a personality that you can notice, grab onto, and have lots of unique stories with, that simply work, not even because it causes a great drama, but just because the perspective the character will have in any situation depending on the circumstance will be interesting.

Which is one of the reasons why I find Tim an interesting character, because his perspective is one that’s very interactive with any given circumstances but will still work for me. An insecure, super hero fanboy, that’s doing his best to be brave, but is secretly scared, with the cleverness to do things, but the anxiety that he can’t. Which the circumstances they give him, like having to make sure he proves he should be Robin, having parents at home, not feeling like he’s good enough, constantly seeing others better them him. It’ll just make him an interesting perspective to read from that won’t get too repetitive in any way that interferes with the enjoyment, because there’s a lot of levels you can take his harsh feelings, or things to interact with, that it won’t always be predictable what’s going to happen with him, and you want to read to see more.

With this series and quite a bunch of other original characters made, they have soap opera writing. Which works with fleshed out characters like the iconic 80s incarnation of the Teen Titans, but when the new characters don’t have a well-formed personality that you can really grab onto and gain constant interest and intrigue from, you just have a lame duck.

When your main character’s traits are “I’m angsty and sad”. No one is going to be able to invest themselves with that. They need to be more third dimensional and genuine to make them a character you want to pick up each issue for.

This series even with the old characters fails at that, by making them into absolute butchered heaps of rotted rump rather than their full personalities.

At least the art is pretty creative early on in it’s second page, I will give it that.

--

Then there’s Bunker--

--who I really want to like, but just can’t find myself enjoying.

A lot of these characters I’m unfamiliar with I want to like. They’re minority characters with very interesting concepts, but writing so flat that it ruins any chance of paying attention to them. A common curse when it comes to POC and a bad writer like Lobdell.

But Bunker actually has a personality, but the reason why I can’t find myself attaching myself to him is because he feels like an uncomfortable stereotype character. An outdated one that you’d see in the 80s or 90s to either seem inclusive or use as a joke rather than a true deal character.

Bunker is a flamboyant, religious, fashion involved, gay, Latino. Something that feels like you’d really bet he wouldn’t be if he wasn’t gay or Latino, because it’s just all based in stereotypes. Like if the pages weren’t colored, and you didn’t have the context he was gay, you’d probably still guess what he’s supposed to be just because of how much they involve stereotypes with him.

However, despite the stereotypes, he is the one most people can remember from this series beyond the core four, because he at least has a personality, and they actually try to build up a unique mystery to him, that would make you want to continue to know them.

And there is something about his confidence and religious beliefs, and determination that does feel very genuine, and makes you actually like him despite the stereotypes.

You want to know what makes you able to tell he’s a better made character than the other relatively new, to straight up new characters? You can actually talk about him, and have a lot more to say about them then his backstory, two personality traits, and angst. Even if his personality seems limited at first, they still write it in a way that’s genuine enough that you can get more out of it, a lot like what I was describing with Tim earlier. 

He still feels like a character that you could write a solo about, and with a good enough writer and personal life, would actually make for a very rereadable series, because you just enjoy seeing him on his journey, because it won’t always be the same exact things. He has loyal personality traits about him, but depending on his circumstances, it won’t be the same side of him you’re seeing, and it won’t feel contrived. He has potential to become a true third dimensional character, and not one that just feels like he looks like one, but isn’t really.

But that depends on where the writing goes with him-- and I can’t remember where it goes. But take away the dated stereotypes and there’s actual good potential with Bunker. Making your character feel like another decade’s minority caricature is kind of a turn off when it comes to feeling comfortable reading them.

Which is why some don’t tend to like him.

--

There’s not a lot to say about this quick page of Cassie, besides the fact they make her come across as apathetic and nuts. She’s also mildly sexualized given it looks like she’s posing for a fashion shoot and not just closing a door, which feels pretty typical of the team that made this book.

--

And because of Lobdell’s bizarre writing and tone changes, I don’t know if this is supposed to be taken as serious or comedy, because of how abrupt it is, and how a fight broke out right after and we find out the old guy is Tim somehow convincing someone he isn’t like-- 15? I think he’d be either 14 or 15, not because that’s how Lobdell intended him to be, because I believe in a now lost interview he said Tim was “probably” 16 or 17. However, they didn’t settle on Tim’s age till Damian was near thirteen, meaning Tim would’ve been either fourteen or fifteen here, depending if Damian was eleven as I remember, or ten at the start of the New 52.

And here’s some more out of character Tim, because New 52 is what you get when you skim through Red Robin without any context, and being edgy is still really popular with the teenage demographic at the time.

This is a Tim that blew up a building, is an incel towards Cassie, and is overall an arrogant prick.

How Lobdell thought anyone thought any of a good idea is beyond me, but I figure he’s just not self-aware enough to realize that he just made one of the most unlikable protagonists I’ve ever seen, and absolutely bastardized who was once a mega-fan-favorite.

Although, this is pretty cute and in-character. It’s something that definitely fits in with a classic Tim comic, but down let this make you think Lobdell knows how to write Tim, because he makes it really obvious all the time that he doesn’t really.

--

And that’s basically everything relevant that happens in this issue-- not a lot when you actually read it, and not just me spouting off the proverbial mouth as I try my best to mentally process this freaking comic.

Conner doesn’t even show up, most likely because he was the only one with a solo, that Lobdell was also writing (you can probably guess accurately what the quality of that was too).

A lot of it is just more of the same, and it’s tedious, although it’s tedious nature is not so much on Lobdell, as he’s said in interviews before that it was editorial or a publisher (I can’t remember to be honest) that made him not have them previously know each other. So he had to work from that.

Which goes to show just how much DC knows how their characters and teams work, given the reason why Young Justice worked so well was because Tim, Conner, and Bart, already had stories where they duo’d up, and teamed up before they were even official. Which allowed them to have a preconceived friendship, they could build dynamics that were naturally built off of their unique personalities, which made everything feel natural and good to go when they did have an official team comic.

Here you have a Tim, that’s supposed to be very much a rookie of only one year, acting like he’s the greatest protégé talent ever, searching out for metahumans and coincidentally running into them, just to make some kind of story that would explain them being together for a team.

I’m not saying they have to redo the duo stuff again, because I’m pretty sure most readers already know their dynamics, and as for new readers, it doesn’t take a lot of time to say “We’re just good friends that like hanging out” does it? They have issue zeroes for each comic for a reason, they could’ve easily had a nice summary there if they wanted.

New 52′s obsession with trying to fit everything they can in, but have everyone still be relatively new, made everything a mess.

Like isn’t it weird that Superman only started being a super hero FOUR YEARS before Tim was? Doesn’t that sound entirely too squeezed in?

Then because they messed with the characters so much it works less for old readers as well. Like they have Tim, only a year in, acting like all the out of character elements of Red Robin, with an origin that’s a Bizarro styled mirror of his original one, with nothing that made him the popular character he used to be.

Same for the others.

New 52 is partially scary, because it shows just how little they know about what made them work.

I’m not against reboots in comics as a concept, they do need some modernization, and clean-ups every now and again, but you have to keep what works in there, or else the reboot will be a total failure. And paint-jobs and fan service like Rebirth aren’t gonna work either, when the heart of it all is still just so bad.

All this is a lot easier to say in hindsight, but DC Comics really has to work towards remembering their mistakes if they actually want to get better again. They’re doing a bit better at it, as forced and contrived as it can be sometimes. So they are getting somewhere.

But this is only the start of a Didio-less era. Looking like good things are coming, and little presents that truly make it seem true, is something that’s only going to last for a little bit. They have to still do the work, and learn what worked for their characters in the first place, and reremember who they all are.

Otherwise sales will just get worse again.

But I’m genuinely hoping they’ll at least begin to learn from mistakes. No one gets a win otherwise.

--

Oh, and he’s the entirety of the fight advertised on the cover. “Red Robin vs. Bunker”.

They stop fighting right after this.

It’s the comic book equivalent of clickbait if I’ve ever seen it in my entire life.

[mobius-prime]

107. Knuckles the Echidna #16

Reunions

Writer: Ken Penders Pencils: Manny Galan Colors: Barry Grossman

So this one's a bit different from the other three-part arcs we've encountered in this comic so far. Instead of one arc spanning three issues, right now we're getting a standalone issue, followed by a two-part arc. Despite this, this issue does tie into the next two quite a bit, setting the stage for future stories and conflicts with lots and lots of talking. I know I've touched on this before but I have to say it again - while I do actually find the plot of this issue very interesting personally, I'm also cognizant of the fact that this was supposed to be a comic aimed at kids and young teens, a demographic that tends to enjoy humor, fast-paced action sequences, and a protagonist filled with 90's cool-guy sass. An issue that spends most of its time talking about family history, politics, and social issues, is not going to be as interesting to that demographic. This is ultimately Kenders' biggest problem, the fact that he's clearly very invested in his characters, family trees, and worldbuilding, but invests himself in it to a degree that it's no longer a kids' comic. I mean, sure, there was never anything wrong with taking the comic in a more serious direction, and in fact I will always argue that the comic benefited greatly from it as the slapstick humor got old quick, but I do think the seriousness should be focused more in areas of, say, dire threats to the heroes' world, characters' changing alliances and such, not the politidrama tone that Kenders shifts more and more into the longer this sister series goes on. Thus, while I am very fascinated by the plots and the talking and everything that Penders brings to the table here, I can also set aside my own preferences and recognize that this is probably not the place for it all.

But enough of that, onto the story! Knuckles has just returned home from his adventures and arrived at his mother's apartment, when Lara-Le herself arrives after attending church alone, because… sure? I dunno, I don't get the feeling that Auroriums have like, organized services, they seem more like a place where someone goes to pray alone quietly. She's delighted to see her son back home safe, and Wynmacher offers her some milk in a wine glass, which is honestly such a mood.

While she asks her son for details on how his trip went, we see an aircraft approach the Floating Island and dock in a hidden hangar. It turns out to be flown by one Grandfather Tobor, one of the many Guardians still alive and kicking. More show up to greet him, and while they prepare for their meeting we go back to Knuckles and Lara-Le's conversation. Understandably, Lara-Le is kind of incredulous at Knuckles' claim about arriving home after creating a golden energy tunnel, but Knuckles was hoping she might actually have some answers. And thus, she launches into the tale of his birth, back when she and Locke were still happily married. Apparently, it usually takes three days between the mother echidna birthing the egg, and the egg actually hatching, but Locke took the egg from her right after birth in the hospital, and a day later, Knuckles had come into the world. At first, everything seemed normal, until Knuckles started spelling out "SEGA STUD" with his baby blocks and generally didn't act like a toddler, being far too intelligent. Locke leapt on this opportunity, of course, and started putting him through rigorous education, even teaching him Einstein's Theory of Relativity despite Einstein not being even slightly relevant to the echidnas' society! Truly remarkable, I must say!

As one might expect, Lara-Le was feeling very put out that she had no real say in the upbringing of her son, so she went to Knuckles' grandmother Jenna-Lu, Locke's mother, to get some advice. Jenna-Lu bafflingly informed her that relationships shouldn't bother with silly notions like "equality" or "fairness," and told her to essentially just let Locke do his thing and passively act as a good example of moral behavior for Knuckles in the background. Lara-Le tried asking her then if she was even happy with how her own life turned out.

Look. This… I said in my own rules that I'm keeping my blog PG-13, which means I'm allowed exactly one F-bomb over the course of reviewing the preboot. I'm trying very hard not to use it up right this second. Lara-Le is a good person who was screwed royally out of a relationship with her own son because of ancient, outdated traditions that she had no say in. This poor woman. You could say that perhaps she should have expected this, because she did choose to marry Locke after all even knowing who he was and what such a thing might entail, but as we'll see, the situation isn't as clear-cut as that. I feel truly, terribly sorry for Knuckles' mother right now.

We take a bit of a break from hearing about Lara-Le's hardships in marriage and motherhood to see what the Brotherhood is up to. There's a lot of names here that we've never heard before that just get dumped on us all at once, so I'll try to summarize everyone really quick. You should already know who Locke and Sabre are. Tobor is the wrinkly, ancient brown guy with the Geordi-La-Forge-esque visor over his eyes. The purple one with crazy anime bangs is Thunderhawk, because of course that has to be his name. The one who's basically just Knuckles with a green vest and some head jewelry is Sojourner, and lastly, the black echidna with red eyes wearing some kind of weird space helmet is Spectre. Three guesses who the edgy one is here.

They start by dumping all their own personal problems onto each other, which ends up giving some very valuable insight into what exactly the surviving members of the Brotherhood do with their time. Apparently, each one just kind of watches over a certain area on the planet, making sure their little domain claims are safe and stable. Now we're getting into really creepy Illuminati territory, where this super secretive society watches over and manipulates events all around the globe from the shadows. Hilariously, Tobor, Thunderhawk and Sojourner all start ranting about how much of a nuisance Sonic and Tails have been as they traveled through each of their territories in turn, but Sabre finally shuts them up. Things have been rougher on them lately, because while Robotnik was a global terrorist and all, at the very least his ever-present threat loomed over everyone to the point that he and his regime were basically the only threats anyone ever had to deal with. Now, with Robotnik gone, a huge power vacuum has opened up, and a bunch of his old sub-bosses are warring over various bits of territory across the planet, ironically causing even more chaos than before. The various Guardians are having trouble dealing with the situation, and decide to call on the council of fire ants who were apparently just listening in from another room and chilling the entire time. Presumably these guys are kind of like a miniature Brotherhood of their own, consisting of the fire ant advisors to all the previous Guardians - Archimedes, his father Semper Fidelis (are you sensing a pretentious pattern here with the fire ants' names?), and grandfather Deo Volente.

Semper Fidelis suggests that the Brotherhood, if they simply carry on as they always have, will only ensure that echidnas become irrelevant in the grand scheme of things - but that if they instead rise up and take control, that they can "lead the echidnas and the other species on this planet into a new golden age." Gee, that doesn't sound shady and supervillainy as hell! This literally is just the Mobius Illuminati, isn't it?

Back in Lara-Le's apartment, Wynmacher has just finished cooking dinner. Knuckles is confused as to what it is, as it appears to be just a fancily-garnished mound of brown crumbly… stuff, and Wynmacher tells him it's "canard á la exquisite," which is just French for "fancy duck." Dunno why he couldn't have just told Knuckles that in the first place, but then again, they may have French-ified it precisely because we have at least one recurring character in this comic that is a duck, and they wanted to avoid any uncomfortable cannibalistic implications. As they sit down to eat, Lara-Le and Wynmacher decide to announce something special!

…well, that backfired. Honestly, I'm not sure why Knuckles is so upset here though. He's just barely getting to know his mom again after like thirteen years away from her, and he already knew, I'm assuming, that she and Locke were no longer together. Furthermore, it was obvious to anyone who looked at Lara-Le and Wynmacher for longer than two seconds that they were in a relationship. I get that remarriage to a new stepparent can be hard on a kid, and that everyone handles these things differently, but seriously, why the freakout, man?

Well, whatever the specific reason, Knuckles is upset, and as he runs out the doors of his mother's apartment building he happens to run past Julie-Su and the rest of the Chaotix (minus Charmy, of course). He ignores them as they call after him, and Vector wants to go after him, but Julie-Su heads him off.

As Julie-Su rushes off to find Knuckles, we head back to the Brotherhood. They decide to set aside Semper Fidelis' advice for the time being to focus on speaking about Knuckles, specifically the unprecedented energy tunnel power that led him home. Thunderhawk and Sojourner want to dismiss it as the Guardian version of hitting puberty, essentially, but Spectre speaks up for the first time to angrily call out Locke for "tampering with the natural order."

Well, that settles it then. It was already implied by Lara-Le that Locke may have done something to Knuckles' egg right before it hatched, but Spectre's basically confirmed it. But what did he do, exactly? We'll have to shelve that for now, as Julie-Su catches up with Knuckles sitting on a dock looking out at the water. He tries to get her to go away, but she ignores him as expected and sits next to him. Then, unexpectedly, she gives him a quick peck on the cheek. He's outraged, rubbing the kiss off his cheek like a child, but she claims she's merely returning the favor from when he tried to cheer her up after she left the Dark Legion.

Young love! Or at least, teenage crushes! Come on, Julie-Su, you know the reason why - hormones! It's no surprise that these two are being set up together - you could see it coming a mile away, back when she was first introduced. The only question now is how Penders handles a slow burn… how graceful do you suppose it'll be? High hopes, anyone? I really shouldn’t be so hard on him, given that I actually quite like this ship, but I just can’t help making fun of the guy sometimes.