#kristina nigel

[deerinthefield]

Minttu modeling Balenciaga's Fall 2022 Couture Collection for Re-Edition Magazine. Photographed by Kristina Nigel. Styled by Jo Barker. (2022)

[ulkaralakbarova]

An unsuspecting, disenchanted man finds himself working as a spy in the dangerous, high-stakes world of corporate espionage. Quickly getting way over-his-head, he teams up with a mysterious femme fatale. Credits: TheMovieDb. Film Cast: Morgan Sullivan: Jeremy Northam Rita Foster: Lucy Liu Finster: Nigel Bennett Callaway: Timothy Webber Virgil C. Dunn: David Hewlett Diane: Kari Matchett Amy: Kristina Nicoll Digicorp Technician #1: Joseph Scoren Digicorp Technician #2: Stephen Brown Pilot In Mensroom: Arnold Pinnock Stewardess to Buffalo: Jocelyn Snowdon Fred Garfield: Boyd Banks Buffalo Speaker #1: Dan Duran Buffalo Speaker #2: Valerie Buhagiar Stewardess to Omaha: Roberta Angelica Rita’s Agent #1: George Santino Rita’s Agent #2: Nelson Tynes Speaker Omaha: Denis Akiyama Desk Clerk Boise: Vickie Papavs Hotel Janitor Boise: Murray Furrow Convention Waiter Boise: Scott McLaren Speaker #1 Boise: David Bolt Speaker #2 Boise: Len Carlson Man In White Coat Boise: Les Porter Businessman Boise: Bruce McFee Elderly Woman In Elevator: Judy Sinclair Gate 15 Clerk Boise: Shanly Trinidad Stewardess Boise: Anne Marie Scheffler Sunways Security Guard: Mike O’Shea Sunways Neuro Technician: Andrew Moodie Sunways Technician #1: Malcolm Xerxes Sunways Technician #2: Matthew Sharp Vault Security: Peter Mensah Pilot #2 In Washroom: David Bryant Digicorp Technician #2: Alec Stockwell Digicorp Technician #3: Matt Cooke Jamison: Marcus Hutchings Tomas Street (uncredited): Sevaan Franks Waiter Buffalo: Steve Jackson Film Crew: Director: Vincenzo Natali Screenplay: Brian King Executive Producer: Shebnem Askin Producer: Paul Federbush Executive Producer: E.K. Gaylord II Producer: Wendy Grean Producer: Casey La Scala Producer: Hunt Lowry Original Music Composer: Michael Andrews Director of Photography: Derek Rogers Editor: Bert Kish Special Effects: Brock Jolliffe Stunt Coordinator: Alison Reid Movie Reviews: AirGordon: A very unique spy / corporate espionage film. I don’t want to give too much away due to the way the plot unfolds. This movie is one of those hidden gems that many look over or miss; don’t be one of those people!

[urbanwronski]

CPAC's travelling show can pack up and go home. And stay there.

CPAC’s travelling show can pack up and go home. And stay there.

“I’ve been to the border,” Fox TV’s Judge Jeanine Pirro says. US citizens living there talk of “rape trees”upon which the clothes of rape victims are hung she says. They talk of children having their hearts cut out with machetes. The US, as Donald Trump regularly tweets, is under siege; its way of life threatened by an invasion of rapists from south of the border. Trump’s re-election campaign…

[lvdbbooks]

※2021年4月10日【再入荷】しました

2021年3月5日

【新入荷・新本】

A Magazine Curated By Maison Martin Margiela (2004 - 2021), 2021, A Magazine

230 x 295 mm. Color. Limited edition of 3,000 copies. Including one of six prints (from Mark Borthwick / Anders Edström / Marina Faust / Jonathan Hallam / Ola Rindal / Ronald Stoops)

価格：5,000円（＋税）

/

『A Magazine Curated By』のバックナンバーの中でも、特に人気を博して長らく絶版となっていた『A Magazine Curated By Maison Martin Margiela』の限定復刊版。2004年に初版が発行された本誌は、「アントワープ・シックス（Antwerp Six）」と呼ばれる、ベルギー人ファッションデザイナーのグループの一人であり、また教育者でもあるウォルター・ヴァン・ベイレンドンク（Walter Van Beirendonck）が、新しい世紀の始まりに生み出したベルギー発の雑誌『A Magazine』のルーツを辿ることが出来る一冊である。

本誌は、創刊号から『N°A』『N°B』『N°C』『N°D』『N°E』 と続いた後に、初めてタイトルにメゾンの名前が冠された号である。これは、チームとしての活動を重んじたマルジェラの精神を表すものでもあった。マルジェラの示唆に富んだキュレーションによって、舞台裏で匿名的に活躍したメゾンの創作に欠くことが出来ないコラボレーター達の存在が、誌面を通して明らかになっている。本誌は、マルジェラ本人だけに注目するのではなく、スタッフ、インターン、モデル、アーティスト、フォトグラファー、ミュージシャン、セットデザイナー、フィルムメイカーなど、メゾンに関わるあらゆる人物が残した言葉、写真、映像によって、メゾンのチームとしての活動を誌面上に蘇らせようとしている。こうして、初版の発行から20年近く経った今でも復刊が待ち望まれていたことは、『A Magazine』が、タイムレスなコンテンツを発信し続けてきたことの証でもある。また本誌は、服、写真、キャスティング、コミュニケーションに至るまで、メゾンのあらゆる活動に貫かれていた「古い構造を破壊し、新たな構造を生成する」というダダイスト的な脱構築の表現が、現代においても、その独自性を失ってないことを明らかにする。また、紙から印刷に至るまで、初版を完全に再現しており、裏表紙には現編集部による今回の再版企画の解説文を記載している。

更に今回の復刻版には、マーク・ボスウィック（Mark Borthwick）、アンダース・エドストローム（Anders Edström）、マリーナ・ファウスト（Marina Faust）、ジョナサン・ハラム（Jonathan Hallam）、オラ・リンダル（Ola Rindal）、ロナルド・ストゥープス（Ronald Stoops）によるフォトプリント（240 mm x 180 mm / サインなし）いずれか1枚が付属。本誌の売上の一部は、地中海を渡りヨーロッパ諸国に逃れてくる移民や難民を支援する「Sea Watch」及び「RIACE」のチャリティ団体に、出版社を通して寄付される。

2009年にブランドを去ったマルタン・マルジェラは、現在はベルギーで彫刻を主媒体とする���ーティストとして活動。ブランドは2015年に「メゾン・マルジェラ」へと名前を変え、イギリス人ファッションデザイナーのジョン・ガリアーノ（John Galliano）がメゾンのコードをアップデートし続けている。

復刻版の刊行に合わせ、フランス人映画監督のアレクサンドル・シルバースタイン（Alexandre Silberstein）による5部作の映像作品が『A Magazine』のウェブサイト及びSNS上で公開される。2004年の初版制作の舞台裏を撮影した貴重な映像のほか、「メゾン・マルタン・マルジェラ」のオリジナルメンバーによるナレーションも収録。また、復刻版を被写体にした、日本人写真家のオトベ・ケイスケによるスチルライフ写真も同時公開される。

コントリビューター： Åbäke, Ali Mahdavi, BLESS, Bob Verhelst, Claudia Riedel, David Ballu, Dorothee Perret, Elisabeth Broekaert, Eric Traoré, Frank Pay, Gerdi Esch, Hilde Bouchez, Hilde Decock, Inge Grognard, Jacques Habbah, Jane Birkin, Jonathan Hallam, Julian House, Kanako B. Koga, Katerina Jebb, Kristina De Coninck, Kyoichi Tsuzuki, Laurence Passera, Laurent Mercier, Lutz Huelle, Marina Faust, Mark Borthwick, Nigel Bennett, Nigel Scott, Ola Rindal, Patrick Scallon, Paul Boudens, Paul Helbers, Peter Pilotto, Pierre Gayte, Ronald Stoops, Roxane Danset, Sébastien Meunier, Sherald Lamden, Tetsuya Kitayama, Violeta Sanchez, Yung

（twelvebooksによる本書紹介文）

https://amagazinecuratedby.com/

[stainedglassgardens]

Favourite films watched in 2020

In no particular order:

Katalin Varga (Peter Strickland, 2009) The Gleaners and I (Les Glaneurs et la glaneuse, Agnès Varda, 2000) Land of Silence and Darkness (Land des Schweigens und der Dunkelheit, Werner Herzog, 1971) Post Tenebras Lux (Carlos Reygadas, 2012) The Return (Возвращение, Andrey Zvyaginstev, 2003) The Grand Bizarre (Jodie Mack, 2018) Transnistra (Anna Eborn, 2019) Ghost Town Anthology (Répertoire des villes disparues, Denis Côté, 2019) The Petrified Forest (Archie Mayo, 1936) Viy (Вий, Georgiy Kropachyov & Konstantin Ershov, 1967)

Complete list of all 323 films watched in 2020 under the cut!

January

Angus, Thongs and Perfect Snogging (Gurinder Chadha, 2008) Blade (Steven Norrington, 1998) Who Among Us! (Abhishek Prasad and Rebecca Kahn, 2019) Brotherhood (Meryam Joobeur, 2018) Disctrict 9 (Neill Blomkamp, 2009) Hair Love (Matthew A. Cherry and Karen Rupert Toliver, 2019) Kitbull (Rosana Sullivan, 2019) Sister (妹妹, Siqi Song, 2019) Nuts! (Penny Lane, 2016) The Judge (Erika Cohn, 2017) The Ghosts of Sugar Land (Bassam Tariq, 2019) Amazonia (Dominic Hicks, 2018) Dearborn Ash (Hena Ashraf, 2018) Pineal (Jenny Rinta-Kanto, 2019) Headcleaner (Nick Scott, 2019) Rattlesnake (Zak Hilditch, 2019) The Neon Demon (Nicolas Winding Refn, 2016) Skin (Audrey Rosenberg, 2018) The Banishment (Изгнание, Andrey Zvyagintsev, 2007) F is for Friendship (Shaya Mulcahy, 2016) Paradise Hills (Alice Waddington, 2019) Road House (Rowdy Herrington, 1989) Hustlers (Lorene Scafaria, 2019) I Believe in Unicorns (Leah Meyerhoff, 2014) Ghost Train (Lee Cronin, 2014) Troop Zero (Bert & Bertie, 2019) For the Love of God (Pour l'Amour de Dieu, Micheline Lanctôt, 2011)

February

Sitting Next to Zoe (Ivana Lalović, 2013) Dark Places (Gilles Paquet-Brenner, 2015) Nocturnal Animals (Tom Ford, 2016) The Limey (Steven Soderbergh, 1999) Side Effects (Steven Soderbergh, 2013) Good Sam (Kate Melville, 2019) Anima (Paul Thomas Anderson, 2019) What Did Jack Do? (David Lynch, 2017) Fleur de tonnerre (Stéphanie Pillonca, 2016) Parasite (Bong Joon-ho, 2019) The Field Guide to Evil (Peter Strickland, Veronika Franz & Severin Fiala, Katrin Gebbe, Yannis Veslemes, Ashim Ahluwalia, Agnieszka Smoczynska, Can Evrenol, Calvin Reeder, 2018) Devil (John Eric Dowdle, 2010) 37 Seconds (Hikari, 2019) The Falling (Carol Morley, 2014) Grave of the Fireflies (火垂るの墓, Hotaru no Haka, Isao Takahata, 1988) Elena (Елена, Andrey Zvyagintsev, 2011) The Lighthouse (Robert Eggers, 2019) Baskin (Can Evrenol, 2015) In Fabric (Peter Strickland, 2018) Leviathan (Левиафан, Andrey Zvyagintsev, 2014) Suffragette (Sarah Gavron, 2015)

March

The East (Zal Batmanglij, 2013) Solaris (Солярис, Andrei Tarkovsky, 1972) Mamma Mia! (Phyllida Lloyd, 2008) There Will Be Blood (Paul Thomas Anderson, 2007) Io (Jonathan Helpert, 2019) The Death and Life of Marsha P. Johnson (David France, 2017) A Bump Along the Way (Shelly Love, 2019) Color Out of Space (Richard Stanley, 2019) Divines (Houda Benyamina, 2016) Vanishing Waves (Kristina Buožytė, 2012) Mirror (Зеркало, Andrei Tarkovsky, 1975) Zama (Lucrecia Martel, 2017) Swallow (Carlo Mirabella-Davis, 2019) Joy (Sudabeh Mortezai, 2018) Good Time (Josh and Benny Safdie, 2017) Quarantine (John Eric Dowdle, 2008) The Reflecting Skin (Philip Ridley, 1990) Three Billboards Outside Ebbing, Missouri (Martin McDonagh, 2017) Leto (Лето,  Kirill Serebrennikov, 2018) The 39 Steps (Alfred Hitchcock, 1935)

April

Queen of Earth (Alex Ross Perry, 2015) Black Christmas (Sophia Takal, 2019) Dogs of Chernobyl (Léa Camilleri & Hugo Chesnel, 2020) Firecrackers (Jasmin Mozaffari, 2018) Les Misérables (Ladj Ly, 2019) The Evil Dead (Sam Raimi, 1981) The Daughters of Fire (Las hijas del fuego, Albertina Carri, 2018) The Fallen Idol (Carol Reed, 1948) The Wailing (곡성, Gokseong, Na Hong-jin, 2016) Inherent Vice (Paul Thomas Anderson, 2014) Sorrowful Shadow (Guy Maddin, 2004) Mistery Lonely (Harmony Korine, 2007) The Grand Bizarre (Jodie Mack, 2018) Zombieland: Double Tap (Ruben Fleischer, 2019) Waves '98 (Ely Dagher, 2015) Uncut Gems (Josh and Benny Safdie, 2019) The Last Séance (Laura Kulik, 2018) Too Late to Die Young (Tarde para morir joven, Dominga Sotomayor Castillo, 2018) Room (Lenny Abrahamson, 2015) Queen & Slim (Melina Matsoukas, 2019) The Holy Mountain (La montaña sagrada, Alejandro Jodorowsky, 1973) The Chaser ( 추격자, Chugyeokja, Na Hong-jin, 2008) Made in Dagenham (Nigel Cole, 2010) The Color of Pomegranates (Նռան գույնը, Nřan guynə, Sergei Parajanov, 1969) Lost Girls (Liz Garbus, 2020) Ghost Town Anthology (Répertoire des villes disparues, Denis Côté, 2019) And Then There Were None (René Clair, 1945) Doctor Sleep (Mike Flanagan, 2019) Meshes of the Afternoon (Maya Deren and Alexander Hammid, 1943) Circus of Books (Rachel Mason, 2019) Catfish (Henry Joost and Ariel Schulman, 2010) Wildling (Fritz Böhm, 2018) Delphine (Chloé Robichaud, 2019) The Strange Love of Martha Ivers (Lewis Milestone, 1946) The Red Balloon (Le Ballon rouge, Albert Lamorisse, 1956) Nona. If They Soak Me, I’ll Burn Them (Nona. Si me mojan, yo los quemo, Camila José Donoso, 2019) The Lodge (Veronika Franz & Severin Fiala, 2019) Invisible Man (Leigh Whannell, 2020) Sans Soleil (Chris Marker, 1983)

May

A Russian Youth (Мальчик русский, Alexander Zolotukhin, 2019) Sicario (Denis Villeneuve, 2015) Fedora (Billy Wilder, 1978) LoveTrue (Alma Har'el, 2016) The Platform (Galder Gaztelu-Urrutia, 2019) Water Lilies (Naissance des pieuvres, Céline Sciamma, 2007) The Assistant (Kitty Green, 2019) The Half of It (Alice Wu, 2020) Tomboy (Céline Sciamma, 2011) The Last Man on Earth (Ubaldo Ragona and Sidney Salkow, 1964) Beanpole (Дылда, Kantemir Balagov, 2019) Mommy (Xavier Dolan, 2014) The Fall (Jonathan Glazer, 2020) Girlhood (Bande de filles, Céline Sciamma, 2014) Carnival of Souls (Herk Harvey, 1962) Marguerite & Julien (Valérie Donzelli, 2015) Portrait of a Lady on Fire (Portrait de la jeune fille en feu, Céline Sciamma, 2019) This Magnificent Cake! (Ce Magnifique Gâteau!, Emma De Swaef & Marc James Roels, 2018) Romantic Comedy (Elizabeth Sankey, 2019) Transnistra (Anna Eborn, 2019) Eraserhhead (David Lynch, 1977) The Farewell (Lulu Wang, 2019) Emma. (Autumn de Wilde, 2020) Late Night (Nisha Ganatra, 2019) Charlie's Angels (Elizabeth Banks, 2019) Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (Cathy Yan, 2020) The Ancestors Came (Cecile Emeke, 2017) Suicide by Sunlight (Nikyatu Jusu, 2019) Anthropocene: The Human Epoch (Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier, 2018) A Perfect 14 (Giovanna Morales Vargas, 2018) Westwood: Punk, Icon, Activist (Lorna Tucker, 2018) Free Radicals (Len Lye, 1958) Aniara (Pella Kågerman and Hugo Lilja, 2018) Vivarium (Lorcan Finnegan, 2019) La Pointe-Courte (Agnès Varda, 1955) Diary of a Pregnant Woman (L'Opéra-Mouffe, Agnès Varda, 1958) Salut les Cubains (Agnès Varda, 1964) Uncle Yanco (Oncle Yanco, Agnès Varda, 1967) GUO4 (Peter Strickland, 2019) Atlantiques (Mati Diop, 2009) Sitara: Let Girls Dream (Sharmeen Obaid-Chinoy, 2019) Lions Love (Lions Love... And Lies, Agnès Varda, 1969) Živan Makes a Punk Festival (Živan pravi pank festival, Ognjen Glavonić, 2014) Plastic and Glass (Tessa Joosse, 2009) The So-Called Caryatids (Les Dites Cariatides, Agnès Varda, 1984) The Octopus (La Pieuvre, Jean Painlevé, 1928) Hyas and Stenorhynchus (Hyas et sténorinques, crustacés marins, Jean Painlevé, 1929) Sea Urchins (Les Oursins, Jean Painlevé, 1929) Bernard-L'Hermite (Bernard-l'Ermite, Jean Painlevé, 1930) The Sea Horse (L'Hippocampe ou "cheval marin", Jean Painlevé, 1934) Voyage to the Sky (Voyage dans le ciel, Jean Painlevé, 1937) Le Vampire (Jean Painlevé, 1945) Freshwater Assassins (Assassins d'eau douce, Jean Painlevé, 1947) How Some Jellyfish Are Born (Comment naissent des méduses, Jean Painlevé and Geneviève Hamon, 1960) Shrimp Stories (Histoires de crevettes, Jean Painlevé and Geneviève Hamon, 1964) The Love Life of the Octopus (Les Amours de la pieuvre, Jean Painlevé and Geneviève Hamon, 1965) Acera, or The Witches' Dance (Acera, ou le Bal des Sorcières, Jean Painlevé and Geneviève Hamon, 1972) Pigeons of the Square (Les Pigeons du square, Jean Painlevé, 1982) The Slumber Party Massacre (Amy Holden Jones, 1982) Jane B. par Agnès V. (Agnès Varda, 1988) The Cranes Are Flying (Летят журавли, Mikhail Kalatozov, 1957) Crystal Swan (Хрусталь, Darya Zhuk, 2018) Take Me Somewhere Nice (Ena Sendijarević, 2019) Microhabitat ( 소공녀, Jeon Go-woon, 2017) The Unforeseen (Laura Dunn, 2007)

June

Funny Games (Michael Haneke, 1997) Louise Bourgeois: The Spider, the Mistress and the Tangerine (Marion Cajori and Amei Wallach, 2008) Wodaabe: Herdsmen of the Sun (Werner Herzog, 1989) Bells from the Deep: Faith and Superstition in Russia (Glocken aus der Tiefe - Glaube und Aberglaube in Russland, Werner Herzog, 1993) We Are the Best! (Vi är bäst!, Lukas Moodysson, 2013) Olla (Ariane Labed, 2019) Return to Reason (Le Retour à la raison, Man Ray, 1923) Ghosts Before Breakfast (Vormittagsspuk, Hans Richter, 1928) Sissy Boy Slap Party (Guy Maddin, 2004) The Republic of Enchanters (La République des enchanteurs, Fanny Liatard and Jérémy Trouilh, 2016) Sullivan's Banks (Sullivans Banken, Heinz Emigholz, 2000) Black Panthers (Agnès Varda, 1970) Asparagus (Suzan Pitt, 1979) America (Valérie Massadian, 2013) The Fall (Tarsem Singh, 2006) The Watermelon Woman (Cheryl Dunye, 1996) Douce Menace (Ludovic Habas, Yoan Sender, Margaux Vaxelaire, Mickaël Krebs, Florent Rousseau, 2011) Curling (Denis Côté, 2010) Trouble Every Day (Claire Denis, 2001) The Return (Возвращение, Andrey Zvyaginstev, 2003) Maillart's Bridges (Maillarts Brücken, Heinz Emigholz, 2000) Two Years at Sea (Ben Rivers, 2011) The Creeping Garden (Tim Grabham and Jasper Sharp, 2014) Homo Sapiens (Nikolaus Geyrhalter, 2016) A Radiant Life (Une Vie radieuse, Meryll Hardt, 2013) Shirley (Josephine Decker, 2020) Disclosure (Sam Feder, 2020) Baghead (Mark Duplass and Jay Duplass, 2008) Lahemaa (Leslie Lagier, 2010) Closeness (Теснота, Kantemir Balagov, 2017) Touki Bouki (Djibril Diop Mambéty, 1973) Daughter (Dcera, Daria Kashcheeva, 2019) Human Nature (Sverre Fredriksen, 2019) 1 Dimension (一维, Lü Yue, 2013)

July

Post Tenebras Lux (Carlos Reygadas, 2012) Something to Remember (Något Att Minnas, Niki Lindroth Von Bahr, 2019) Gegenüber (Ewa Wikiel, 2019) The Claudia Kishi Club (Sue Ding, 2020) Villa Empain (Katharina Kastner, 2019) Fata Morgana (Werner Herzog, 1971) Some Like It Hot (Billy Wilder,1959) Breakwater (Quebramar, Cris Lyra, 2019) Y a-t-il une vierge encore vivante? (Bertrand Mandico, 2015) Virus Tropical (Santiago Caicedo, 2017) The Tribe (Племя, Miroslav Slaboshpitsky, 2014) Integration Report 1 (Madeline Anderson, 1960) Tribute to Malcolm X (Madeline Anderson, 1967)

August

The Stopover (Voir du pays, Delphine and Muriel Coulin, 2016) Our Time (Nuestro Tiempo, Carlos Reygadas, 2018) Never Rarely Sometimes Always (Eliza Hittman, 2020) Land of Silence and Darkness (Land des Schweigens und der Dunkelheit, Werner Herzog, 1971) Continental, a Film Without Guns (Continental, un film sans fusil, Stéphane Lafleur, 2007) Spaceship Earth (Matt Wolf, 2020) The Go-Go's (Alison Ellwood, 2020) First Cow (Kelly Reichardt, 2019) Light of My Life (Casey Affleck, 2019) Wadjda (Haifaa al-Mansour, 2012) Spinster (Andrea Dorfman, 2020) Love and Anarchy (Film d'amore e d'anarchia, ovvero: stamattina alle 10, in via dei Fiori, nella nota casa di tolleranza..., Lina Wertmüller, 1973) Shapito Show (Шапито шоу, Sergey Loban, 2011) Charade (Stanley Donen, 1693) Cat People (Jacques Tourneur, 1942) Radioactive (Marjane Satrapi, 2019) Tabloid (Errol Morris, 2010) The Mourning Forest ( 殯の森, Mogari No Mori, Naomi Kawase, 2007) Lilya 4-ever (Lilja 4-ever, Lukas Moodysson, 2002)

September

The Nightingale (Jennifer Kent, 2018) Babyteeth (Shannon Murphy, 2019) Let the Corpses Tan (Laissez bronzer les cadavres, Hélène Cattet & Bruno Forzani, 2017) Wings of Desire (Der Himmel über Berlin, Wim Wenders, 1987) In My Room (Mati Diop, 2020) Katalin Varga (Peter Strickland, 2009) Les 3 Boutons (Agnès Varda, 2015) Somebody (Miranda July, 2014) Öndög (Wang Quan'an, 2019) Strasbourg 1518 (Jonathan Glazer, 2020) Mermaid (Русалка, Anna Melikyan, 2007) The Lighthouse (Маяк, Maria Saakyan, 2006) Phenomena (Dario Argento, 1985) That One Day (Crystal Moselle, 2016) Brigitte (Lynne Ramsay, 2019) The Wedding Singer's Daughter (Haifaa al-Mansour, 2018) Shako Mako (Hailey Gates, 2019) Carmen (Chloë Sevigny, 2017) The Summer of Sangailė (Sangailės Vasara, Alanté Kavaïté, 2015) Hello Apartment (Dakota Fanning, 2018) Seed (Naomi Kawase, 2016) Beyond the Visible: Hilma af Klint (Halina Dyrschka, 2019) Matthias & Maxime (Xavier Dolan, 2019) The Gleaners and I (Les Glaneurs et la glaneuse, Agnès Varda, 2000)

October

American Murder (Jenny Popplewell, 2020) Hereditary (Ari Aster, 2018) Ghostland (Pascal Laugier, 2018) Triangle (Christopher Smith, 2009) The Amityville Horror (Stuart Rosenberg, 1979) The Visit (M. Night Shyamalan, 2015) The House of the Devil (Ti West, 2009) Misery (Rob Reiner, 1990) The Exorcist (William Friedkin, 1973) Coherence (James Ward Byrkit, 2013) Metamorphosis (변신, Kim Hong-sun, 2019) Errementari (Paul Urkijo Alijo, 2017) I Am a Ghost (H.P. Mendoza,2012) The Changeling (Peter Medak, 1980) Witching and Bitching (Las Brujas de Zugarramurdi, Álex de la Iglesia, 2013) Thirst (박쥐, Park Chan-wook, 2009) V/H/S ( Adam Wingard, David Bruckner, Ti West, Glenn McQuaid, Joe Swanberg, Radio Silence, 2012) The Autopsy of Jane Doe (André Øvredal, 2016) Overlord (Julius Avery, 2018) Häxan (Benjamin Christensen, 1922) Viy (Вий, Georgiy Kropachyov & Konstantin Ershov, 1967) Amulet (Romola Garai, 2020) A Bucket of Blood (Roger Corman, 1959) The Wasp Woman (Roger Corman, 1959) Mother! (Darren Aronofsky, 2017) Suspiria (Dario Argento, 1977) The Open House (Matt Angel, Suzanne Coote, 2018)

November

The Damned Don't Cry (Vincent Sherman, 1950) Notorious (Alfred Hitchcock, 1946) While the City Sleeps (Fritz Lang, 1956) The Man Who Wasn't There (Joel Coen, 2001) The Naked City (Jules Dassin, 1948) The Petrified Forest (Archie Mayo, 1936) Croupier (Mike Hodges, 1998) In a Lonely Place (Nicholas Ray, 1950) Elevator to the Gallows (Ascenseur pour l'échafaud, Louis Malle, 1958) Key Largo (John Huston, 1948) Dial M for Murder (Alfred Hitchcock, 1954) The Long Farewell (Долгие проводы, Kira Muratova, 1971) The Killers (Robert Siodmak, 1946) Gun Crazy (Joseph H. Lewis, 1950) Alphaville (Jean-Luc Godard, 1965) Laura (Otto Preminger, 1944) The Third Man (Carol Reed, 1949) Dark City (Alex Proyas, 1998) Night and the City (Jules Dassin, 1950) Ace in the Hole (Billy Wilder, 1951)

December

Nimic (Yorgos Lanthimos, 2020) Elsa la rose (Agnès Varda, 1966) Le Bonheur (Agnès Varda, 1965) Little Girl (Petite Fille, Sébastien Lifshitz, 2020) Cold Meridian (Peter Strickland, 2020) The Fiancés of the Bridge Mac Donald (Les Fiancés du Pont Mac Donald ou (Méfiez-vous des Lunettes Noires)) (Agnès Varda, 1961) Along the Coast (Du côté de la côte, Agnès Varda, 1958) Vic + Flo Saw a Bear (Vic + Flo ont vu un ours, Denis Côté, 2013) Zootopia (Byron Howard, Rich Moore, 2016) It's a Wonderful Life (Frank Capra, 1946) Paddington (Paul King, 2014) Miracle on 34th Street (George Seaton, 1947) High Life (Claire Denis, 2018) Paddington 2 (Paul King, 2017)

[take2intotheshower]

Blindspot 30 Day Favorites Challenge

Day 10 - Favorite Male Characters (Guest): #2 Best of the Rest

Robert Borden aka Nigel Thornton - Borden’s shock return gave Patterson closure and a chance to move on with her life. What a pity that his resurrection came courtesy of an undercover CIA operation, meaning that Patterson was betrayed again - this time by her best friend Zapata. At least Kurt got payback for his previous attempt to stop Borden, when Weller had ended the chase locked in his own handcuffs.

Clem Hahn - I liked Clem, and he would have been a character I’d have welcomed back in Season 4 - if only the writers had not made yet another serious mistake and allowed Jane to spend a night of passion with him. I’m glad he and Weller parted as friends, Clem conceding defeat in the love triangle that should never have been.

Daschelle Watkins - Dash, the conspiracy theorist, was smart, cute and funny. He may have got a few key details wrong in his theory about the Golden Rhino, but Patterson did right to boost his ego. After all, without Dash’s help they would never have captured Hank Crawford’s scary WMD.

Bill Nye - I was unable to share the fandom’s rapture over Bill Nye’s appearance. He is completely unknown in my country, and the first time I’d heard his name was when Reade rolled up in a bow tie in Season 1. The humor in the S3 episode seemed forced, although Kurt’s fanboy turn was hilarious. But Bill Nye made the perfect father for Patterson, and at last gave us some insight into her background.

[theurbanhippieswe]

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And it’s a wrap. Thank you to everyone who donated to the cause Ael, Boye, Diana, Andrew, Drew, Elayne, Gareth, Hari, Jeff, Jem, Joanna, Jonathan, Lena, Marilena, Miles, Miranda, Nicholas, Olly, Patsy, Paul, Raghu, Raine, Ross, Sachin, Sean, Wee Kiang, Yuri, Avinash, Dina, Divya, Erwin, Eugene, Faizal, Grace, Halyn, Huichuan, Jerrold, Jervis, Jie Shun, Nathan, Nigel, Nikki, Peixian, Peter, Rainer, Rifki, Samantha, Shan, Toshi, Georgienne, Kristina and Yishu Special thanks to Eileena for sponsoring a sports massage to our top 5 participants - Nathan, Jervis, Jieshun, Rifki and Faizal. You guys are legends. Together we raised $4325 for @childrens_cancer_foundation .. pitpersonaltrainer.com.sg The PIT Singapore - personal trainers and group exercise classes for strength, conditioning, fat loss and all round awesomeness #thepitsingapore #pitmaster #pitbullathlete #123Devonshireroad #sgfitness #fitfam #personaltrainer #personaltraining #personaltrainersingapore #exercise #hiit #metcon #barbells #kettlebells #clubbells #strengthandconditioning #fatloss #nutrition #strengthtraining #weighttraining #weightloss #fitness #corporatefitness #corporatewellness #mobility #fitnessandnutrition #fitness #childrenscancerfoundation (at The PIT Singapore at 123 Devonshire Road) https://www.instagram.com/p/B4429feHZap/?igshid=xbw0j96d8i58

[sytycdrankings]

NY Auditions #2 & Not Vegas #1

Magda and Kiki: They are so awkward lmao. Why does Nigel always have to ask dance partners if they’re dating? Stop. All that being said, that was probably my favorite ballroom audition thus far. They have a lot of chemistry, and I just love cha-chas in general. I think I like Kiki a little better than Magda tho.

Hey, haven’t we seen Allen before? I feel like I remember him from a previous auditon cycle.

Zachary Downer: I don’t remember him at all. He must not have been shown before. His flexibility is out of this world, and he has really good musicality. I’m a little over the hyper aggressive animal contemporary auditons that we see all the time, but I would love to see him do Sonya’s choreography or something.

Ramita Ravi: That was really cool! She has really good control, but I think I would have liked to see more. I feel like she was just getting started when Nigel stopped her. I think they should have sent her straight to Not-Vegas since she’s clearly classically trained, but what do I know.

Peter Mangione: I’m scared. I hope he’s secretly amazing. Oh my god. Okay he’s not. Why are they showing this. Why. I’m so embarrassed for him. Please stop. He’s literally doing bad cartwheels omg why. @_@ But you know what? I’m glad that the judges aren’t mean to people who are bad anymore. At least there’s that.

Arielle Disciascio: She and her mom look like the same person. So she’s really talented and has a lot of control, but I don’t think I liked that very much? I agreed that Nigel sent her to choreography, but I’m not mad that she went to Not-Vegas. I just wanted to see her try to emote a little better and do something more than lift her leg maybe. 

Romainson Romain: (Is that his real name? Omg.) Okay, so I’m normally not into the sob stories before auditions, but I really felt that performance. When he did the pirouettes and then did the flares?? I completely agreed with what Vanessa said about wanting to take the sadness off of him. For once, I wasn’t mad at Mary for crying and I love what she told him. 

Claire Rathburn: Oooh, a ballerina. K, so the music sounds like Irish river dancing and I don’t know how I feel about that lol. She was also like “my personality is huge!!!” and then didn’t show any of it in the dance. I kinda wish she wouldn’t have said that beforehand. I like her though.

Lex Ishimoto: K, I think he wins the New York auditions. It’s so nice to see a style fusion that actually fuses styles! You can tell that he’s always aware of the music. And when he did that...what do you even call it, when he just like...jumped and landed on his toes, what the hell was that. Put him in the top 10 now.

---------------------------------

This opening to Not Vegas is super extra. Did they do this last year with the kids? It’s pretty cool that everyone got to take part in something big before the cuts start, though. I especially enjoyed the tap dancing and the ballroom sections.

Logan Hernandez: What sort of song...lmao. I thought my headphones broke. The way this kid moves his body is wild, though. Like what was even half of that. You know he’s not going anywhere.

So do they have to pick someone in their style? Because Gaby has like 5 people to choose from if that’s the case lol. K, so it was really fucked up that they cut Tristan by himself. He does disappear behind Jensen, but most people would, to be fair. 

Lex Ishimoto: Is he my favorite? He might be. Good lord. EVERYTHING HE DOES IS AMAZING. HE’S SO CLEAN. HE’S SO FAST. I can’t deal with him. I will be legit upset if he doesn’t make it. (Though I feel like they’ll fight over him unless he totally sucks at something. Which I doubt.)

Kristina and Vasily: So my question is, what is it gonna be like when they don’t dance with each other? It kind of seems like most of their charm is dancing together tbh.That being said, I liked that wayyyy better than their audition.

Ryan Bailey: Omg this guy. I have to know what they’ll say. Why did he pick this fucking song though. Dude. I’m not even gonna lie, I had severe secondhand embarrassment watching that. I understand that he’s doing his own thing, but...no thanks. 

Sad about Romainson. :(

Kaylee better be good at hip-hop or I’ll be upset. She’s still my other favorite. AND SHE’S GOOD. YES. Dassy was also awesome, but Kiki...yeah no. Sorry bro. There were people straight up doing other shit during some of those rounds lmao. 

KEVIN PICK COMFORT. PICK HER. PICK--oh damn it. But Allison was a smart choice, I’m not mad. 

Dassy should pick Cyrus! Pick Cyrus! But alright, I get the Fik-shun pick. Nobody is going to do what I say, huh?

Logan should pick Robert. Damn it. Of course he didn’t listen and picked Allison. 

Kaylee picking Cyrus was a little odd, but I can see why she did that. Poor Robert though lmao.

I knew everybody was gonna fight over Lex lol. His Gaby pick was a little weird. I figured he would go with like Alison or Jasmine or somebody.

Robert is clearly getting desperate lol. I don’t remember who this Sydney girl is, but I woulda picked Paul too lmao.

I love Comfort lol. Good choice Mark.

...I don’t know how I feel about them keeping Kiki. I feel Jenna on not wanting to give up the talent, though. he really is amazing at what he does.

[mariocki]

Classic TV round-up

*Simply Media have announced plans to release several early BBC adaptations of Charles Dickens’ novels. These include Great Expectations (1967) starring Gary Bond, Dombey & Son (1969) with John Carson as Dombey, and a 1958/9 version of Our Mutual Friend headed by Paul Daneman. More releases are expected to follow. Any release of early BBC material is exciting but the cast and crew of these shows make for a role-call of the very best of British talent from that era. (https://archivetvmusings.wordpress.com/2017/05/30/bbc/)

*Network have been quietly working away on a new range of DVDs, launching ‘Forgotten TV Drama’ last month to almost zero fanfare. Curated by a team at the University of London, the range celebrates neglected dramas from the ITV archive. The first release is the exciting sounding The Frighteners, a 13 episode series of individual plays around the theme of psychological horror. Not much has been announced for the future of the range but the next release, excitingly, is Nigel Kneale’s The Crunch, originally shown in 1964 and one of only a handful of single plays Kneale wrote that survives. (https://forgottentelevisiondrama.wordpress.com/2017/04/25/forgotten-tv-drama-dvd-range-launched-in-association-with-network-distributing-ltd/)

*In less happy news, the BBC have announced plans to close their BBC Store. Launched only 18 months ago, the Store was the BBC’s attempt to break into the ‘download to own’ market and provided huge amounts of the company’s archive to stream and download, many unseen in decades. From Doctor Who to early Dennis Potter plays, documentaries and interviews of historical significance, and that version of Our Mutual Friend I mentioned earlier, the wealth of material sounded pretty exciting - but the market is a tough one and the BBC were never going to compete with the likes of Netflix and Amazon. The site may be closing down but here’s hoping these shows aren’t just shunted back into storage. Simply Media’s range of Dickens releases provides some small hope. (http://www.telegraph.co.uk/business/2017/05/20/bbc-close-tv-download-store-18-months-streaming-dominates/)

*Finally, the World recently mourned the passing of Sir Roger Moore (14.10.1927 - 23.5.2017), movie star, but several news outlets neglected to celebrate the life of Roger Moore, star of classic TV. Beginning with Ivanhoe (1958 - 1959), Moore became a leading man and gleaned the experience he would need for his later career as a big screen Action Man. In the USA he starred in The Alaskans (1959 - 1960) and lent support to Maverick (1960 - 1961) before returning home and cementing his place as a TV icon, playing the definitive Simon Templar for seven years in The Saint (1962 - 1969). Although his film career was beginning to take off, a promise of one million pounds on a handshake from Lew Grade convinced Moore to take one more starring role for ITC. In The Persuaders! (1971 - 1972) Moore shared top billing with Hollywood heavyweight Tony Curtis. The two didn’t hit it off instantly and tensions behind the scenes, coupled with the expensive production and relatively disappointing overseas performance of the show, meant only one series was ever made. This more or less marked the end of Moore’s British TV work, but he would go on to even greater success as a film star, becoming the longest serving James Bond in cinema history. Roger Moore is survived by his wife, Kristina Tholstrup, and three children. (https://www.theguardian.com/film/2017/may/23/roger-moore-saint-persuader-and-the-suavest-james-bond-dies-aged-89)

[justaddpictures]

Mother and Child

Photographed by James Hall Modelled by Kristina and Storm Karlsen from the Ugly Agency, and Jo Turner Styled by Claudia Oliver of Falcieri Designs   Nigel Lawson famously quipped that the National Health Service is the nearest thing we have in Britain to a national religion. It is a subversive quip with enough truth to be worth exploring. It is notable, for example, how the NHS and the public at…

[topbeautifulwomens]

#Stewart #Copeland #Biography #Photos #Wallpapers #babymodel #canon #creative #eye #haircut #lit #modellife #star #sunsets #whattowear

Stewart Copeland was born on July, 16th 1952 in Virgina (USA), but very soon moved with his family in the Middle East, Beirut, where he grew up and where he started playing drums. Following the footsteps of his brother Ian, who started playing drums in a local band in Beirut, Stewart soon realised ‘that’ was his job, having the chance to join a band and started playing; everybody realised ‘that’ was his job! Learning music in a professional way, thanks to his father who already played in an orchestra, Stewart decided that was the aim of his life; the family moved to England and that gave Stewart the opportunity to enter the world of rock’n’roll, first working as a journalist for a drummer magazine, then as a roadie for some local bands, including Curved Air, and when the band needed a new drummer, Stewart got the place in 1974/1975. A couple of releases saw the name of Stewart Copeland on drums: ‘Midnight Wire’ (1975) and ‘Airborne’ (1976), two succesful albums for the prog-rock UK band, where Stewart met Sonja Kristina on vocals, who later became his wife.Punk days were coming and Stewart was on his way to form a new band, following the vibes and energy of punk; he wanted to create a trio based on drums, guitar and bass, and already had a guitar player available to follow his project; Henry Padovani joined Stewart new project called THE POLICE, a provocative name for that time in the UK, but a good marketing choice, as that name was everywhere in the streets of London, due to everyday fights between punks and policemen! A concert for Curved Air in Newcastle gave the chance to Stewart to go and see a local band called Last Exit, a jazzy band, invited by a journalist (Phil Sutcliff) who wanted him to see the band live; the bassist player was Sting, who later was introduced to Stewart through Phil; the presence of Sting on stage was the only thing that caught the attention of Stewart that night, and he could see that was the bassist player who could be part of THE POLICE project. Stewart gave his phone number to Sting and told him that if he ever would come to London looking for a place to stay and a band to join, that was his contact. Sting later decided it was time to leave definetely Newcastle to go to London and make it, without having a clue about what was going to happen, only with a phone number on his pocket, and with a wife, the actress Frances Tomelty, and a little kid. Stewart got the phone call and was happy to invite that charismatic musician he met in Newcastle, but at the same time was afraid that Sting and Henry would play together, because of the different kind of approach to the music and to the instrument; Sting was a more sophisticated musician, with a jazzy background, while Henry was the classic punk guitarist, with lots of energy but nothing more to give. Punk needed that vibe and that energy, and soon Stewart realised it wasn’t exactly what Sting was looking for, but that was the mainstream on those days. Songs were written by Stewart, with a littel help from his brother Ian; ‘Fall Out’ and ‘Nothing Achieving’, included in the first Police single, were written by both. Sting realised he could do better that the average punk musicians and started giving ideas to Stewart, writing some new stuff and in some cases, employing some of his older stuff to be included in the Police repertoire, with some changes in the structures. A Gong reunion in France saw the band playing as a quartet, with another guitar player called Andy Summers, asked by Mike Howlett to join the Police for the show and to listing some material he was working at; they soon realised that this experienced guitar player could be perfect for the band, and when Andy Summers asked the band to be their guitar player, after he saw them playing live at the Marque a few weeks later, Stewart, Sting and Henry accepted him in the band; Stewart project was now a quartet, and kept on working like that until the more complicated songs written by Sting became an obstacle for Henri; it was time to take a decision and Henri was asked to leave the band because of a different direction taken by the Police. Early days weren’t that straightforward and the ‘punk’ label didn’t fit to the Police at all; Stewart could easily see his project was becoming something different but at the same time he was extremely optimistic about the evolving situation; Sting got even asked by Billy Ocean to join his orchestra to tour, and was convinced by Stewart to give up that idea, and to believe in his project. Money were the main problem for the band who couldn’t find a decent producer. Andy Summers still had an older commitment with a German avant-gard electronic musician, and asked him to bring his new band mates to play; Eberard Schoener was more than happy to have the band and asked them to tour on his laser theatre; this gave The Police the chance to get some money to invest in the recording of their first album, designed by The Police with Nigel Gray, who could find the right way to the new sound played by the band, with lots of reggae influence, pop-rock and still some punk vibes. Another important technician who gave the band an helping hand with the sound was Kim Turner, who followed the band live; this gave the Police a different impact on the crowd, used to listen to dry punk guitar riffs. With this whole new improved sound, Andy, Stewart & Sting were ready to make history….but it wasn’t that easy!’Outlandos D’Amour’ came out on October 1978, on A&M; Miles Copeland, now the manager of the band, soon realised there was a ‘classic’ among their songs, while listenings to the band rehearsing; ‘Roxanne’ was eventually brought to A&M in Los Angeles and Miles got a deal they couldn’t refuse, without asking for money, but simply let them release the album; all the rest of the promotion was in his hand and Ian Copeland arms in the US, where the band got the opportunity to tour twice at the end of 1978 and the spring of 1979. The original sound of the Police became a trademark and record by record the band located its own place in the music history. ‘Reggatta De Blanc’ saw the Police touring the world, from Asia to Australia, from Europe to North-Africa, from South to North-America; the Police exploded with ‘Message In A Bottle’ where the recognisable Stewart drumming gave him a place of great respect among the world of drummers, and his original flavor is still one of the most influential for rock bands. TAMA drums, in his early years, adopted Stewart as main artist, and the Japanese society became a big name in the business. Fame and fortune at last arrives for Stewart project The Police: ‘Zenyatta Mondatta’, the third album of the band released in 1980, mark the status of the most important rock band of the world, and songs like ‘Don’t Stan So Close To Me’ and ‘Dedododo Dedadada’ becomes hymnes. But the Police now have to face the predominant image of Sting as indiscussed leader of the band; he writes most of the songs, his image has now become an icon in the music. Nobody denies the importance of Stewart drumming and Andy guitar sounds that make the sound of the Police, together with Sting voice and his reggae influenced dub lines, but the band seems to suffer an over-exposure after the last four years spent around the world and in studio recordings. The recording of ‘Ghost In The Machine’ saw the band moving to Montserrat Island in the Caribbean Sea, away from everybody, in entire relax with themself, but this turns out to be more complicated as the band started arguing about songs and about different kind of issues; just like brothers, the members of the Police sorted out all their different egoes and the new producer Hugh Padgham found himself in the condition of leaving the studio sessions after a few days of work; he then decided to remain, but the situation wasn’t that easy. ‘Ghost In The Machine’ was released and became another great success. The final chapter arrives with ‘Synchronicity’, recorded in the winter of 1982/1983, and released in July, but the tour found the band taking the decision of give up the project at his peak; The Police are now first in the charts everywhere, and every thing they do is a succesful move; the concert at the ‘Shea Stadium’ in New York City has to be considered the main chapter in the story of the band who realised there is no more than that, and that the project of the band should be stopped, in order to come back in case there would be more things to say and to give to the music, instead of repeating the same old formula and have an easy but inevitably boring succesful episodes to come. The three of them found the decision to a momentary split as a new door to open, as a new challenge, as a bit of fresh air in their career as musicians; Stewart has always said that leaving the Police was like leaving school, enter a new ‘adult’ world, like abandon the golden cage, and this could only represent a growing step in the life of a musician; not so many artists could easily face a decision like this, and it wasn’t easy at all for the three members of the band, but year by year they realised that the decision taken at the select of their career was like giving the Police the status of ‘legend’ in the rock music history.In 1984, after the last concert with The Police in Australia in March, Stewart Copeland consider the momentary split of the Police as ‘leaving school’! It’s time to leave the ‘family’ that brought him fame, success and a lot of money; his own project has become a golden cage, and the chance to work on something different is giving him the strenght to experiment on new sounds, new directions. There is no doubt that the years spent with The Police will remain the most important step in his musical career until today, like the most important soundtrack of his life. And it’s exaclty the world of soundtracks that will give Stewart the opportunity to start a new career in the movie business; the first chance arrived a couple of years before, while recording ‘Synchronicity’; in the same days Stewart was working on the soundtrack to a Francis Ford Coppola movie called ‘Rumblefish’, a amazing album that will open the doors to several movie productions to follow. In 1985 Stewart releases a movie on his own, based on a journey to Africa to explore the roots of rhythms, called ‘The Rhythmatist’; these kind of project were impossible to follow while on tour with the Police, or recording a new album with them. More offers arrive on Stewart table, and day by day, Stewart becomes one of the most requested musician in Hollywood. In 1986 The Police reform to play on a three day tour for Amnesty International, in the US, and this gives the chance for the three of them to work together again, but everything failed, as while re-recording some of the tracks to be included in a ‘best of’ album, tensions between members arise again, and Stewart got injured while playing polo; that won’t allow him to play for some time while Sting has to come to Italy to act in a new movie at the same time. All of these reasons let the band decide to stop recording together again, and put out a ‘Greatest Hits’ album with only one song re-recorded (“Don’t Stand So Close To Me ’86”). Stewart keeps on working for some other soundtracks, but in 1988 a new project brought him to start touring again and working as a drummer for a rock band!. On the decade that follows the Eighties, the most prolific period in Stewart Copeland life, the world of soundtracks keeps on being the main job for the drummer, now better know as composer. Not only movies are involved: a major request from the Cleveland Opera already commissioned an opera to Stewart in the past, called ‘Holy Blood & Crescent Moon’, and now ballet scores. This is so interesting for Stewart that his name becomes awarded in the Hollywood scene as one of the most important composers. Stewart has always been a prolific composer, even before the Police emerged (he already released a few singles in 1978, and a following album under the name of ‘Klark Kent’), but the Police needed a different touch brought by Sting. Stewart has always had a certain music culture and knowledge that allowed him to work on different projects, from classical to jazzy and all of that surfaces in the several releases during the Nineties.In 1999 Stewart got asked to produce a song in the Primus album, an alternative US rock band whose bassist Les Claypool is known as one of the most interesting musicians of the decade. Stewart got involved and find him so impressive that made him play with Les on some improvised stuff; they both jammed and asked Trey Anastasio, from Phish, to join for a Festival to be held in New Orleans in 2000, where Les has been invited. The three of them rehearsed on some classic tunes, like ‘House Of The Rising Sun’ and some Led Zeppelin tracks; at the same time some original songs were written and that concert remained an unforgettable night. It took some months to see the guys play together again, as some of the tracks written in 2000 resulted very good, and the critic was so enthusiastic the Stewart, Les and Trey decided to record an album, under the name of Oysterhead. The band released and album in October 2001, and a tour of the US saw the band playing in front of screaming crowds, all waiting to listen to thee wonderful musicians on the same stage. Stewart is so impressive on drums that people still think it’s too bad that a band like the Police couldn’t reform to play again and to show there is still a great potential coming from three musicians like Andy Summers, Sting and Stewart Copeland. None of the three musicians has ever said that The Police have broken up, and this is a hope for every fan, but it seems like none of them is doing anything to bring them together.

Name Stewart Copeland Height 6' 2″ Naionality American Date of Birth 16 July 1952 Place of Birth Alexandria, Virginia, USA Famous for

The post Stewart Copeland Biography Photos Wallpapers appeared first on Beautiful Women.

source http://topbeautifulwomen.com/stewart-copeland-biography-photos-wallpapers/

[carlos85barragan]

THANK YOU EVERYBODY!! 🎹😊🎸 ¡¡MUCHÍSIMAS GRACIAS A TODOS!! 🎉🙌🎤 MERCI BEAUCOUP!! // VIELEN DANK!! // MANGE TAK!! 🥁🎶🍀 For the crowd founding campaign with @psychic.equalizer Melanie Ceko, Bogdan Nicola, Rosa Casuso, Mario Pianno, Danyela Tellez, Nigel & Anna Sweeting, Borja Ubiaga, Pedro Calderón, Anni Syrjäläinen, Jane Giles, Sara Pérez, Keith Gumery, Rebecca Fionna, Alejandro Moreno, Lauren Butterworth, Francelini Antunes, Blanca Sellés, Ernesto Barragán, Miguel Ángel Barragán, Rodrigo de Vera, Los18.org, Javier Uriarte, Isabel González, Sven Riondet, Hugo Fernández, Andrea Corcuera, Margherita Hooi, Lucía Martínez, Kristina Socanski, Toni Soriano, Steffen Mews, Florence Villesèche, Gudrun Gorka-Reimus, Adriana Gómez, Matthew Lykos, Aloysius Hooi, Neisy Amparo Rojas, Sergio Mayoral, María Carolina Rodríguez, Heidi Von Buchwald, Luis Ubiaga, Elena Manteca, Alberto Vaquero, Rodrigo de Castro, Lina Osorio, Aydan Dogan, Juan Carlos Barragán, Celia Espí Galbis, Santiago Barragán, Enrique Bueno, Gorka Hermosa Sandra Barragán, Ligia María Vega, Hew Wagner, Marta Aguiar, Miguel Andrés Florez, Isabel Vallejo. CHEERS! 👍 @hugo.selles , @guitarist_carlos_barragan , India Hooi, Morten Skøtt, @adrianuper . . . . #dreaming #rockband #rockstar #albumrelease #keyboardplayer #guitarist #drummer #singer #progressiverock #progressivemetal #tour #musicfestivals #music #bandaderock #copenhagen #madrid #adelaide #bogota #colombia #españa #roskildefestival #rockalparque #wacken #festival #tuskafestival (at Copenhagen) https://www.instagram.com/p/Bq5RCWuBChB/?utm_source=ig_tumblr_share&igshid=16dxddyexw9i1

[writerkingdom]

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[snelvindbaar]

Deze week in Paradox: Kristina Fuchs LINDEN ft. Jeroen van Vliet & Mete Erker, Tini Thomsen MAXSAX ft. Mark Haanstra, Tom Trapp, Joost Kroon & Nigel Hitchcock en meer …

http://www.beterbrabant.nl/midden-brabant/tilburg-e-o/548-deze-week-in-paradox-kristina-fuchs-linden-ft-jeroen-van-vliet-mete-erker-tini-thomsen-maxsax-ft-mark-haanstra-tom-trapp-joost-kroon-nigel-hitchcock-en-meer

[bencornish]

Lucky Chicken from Gulliver Moore on Vimeo.

Starring Will Merrick, Marek Larwood and Naomi Stafford

Directed by Gulliver Moore

Written by Matthew Stallworthy Produced by Nick Coupe Director of Photography: Oliver Clubb Executive Producer: Jonathan Bairstow Original Score by Jim Hustwit Edited by Brin Production Design by Anna Papa Costume Design by Joscelyn Webb Puppet Designer and Operator: Jess Kay Supporting Cast Reporter: Dan Gaisford Florist: Sarah-Jane Worrall Horror Movie Heroine: Brigitta Frances Crew 1st AD: Danielle Lethbridge Hair & Makeup: Alice Kenneth and Bethan Shakespeare Focus Puller: Dougie Benge Clapper Loaded: Charles Donnelly Gaffer: Danny Germain Design Assistant/ Stills Photographer: Alice Weston Carpenter: Markus Fischer Cakes: Amy Powell Yeates Eggs: Deborah Farr and Damon & Kate Moore Catering: Kate Moore Horse & Cart Provided by JM Carriges Missing Chicken Poster: Max Dorey Post Production Sound Design: Danny Quinn Colour Grade: Jamie Welsh at Lipsync Post Chicken Rotoscoping and VFX: Gulliver Moore & Oliver Clubb Character Illustration & Animation: Jack Iffla Credit Illustrations: Damon Moore SPECIAL THANKS TO MATT LUCAS Extras Jack Barton Damon Moore Pepita Collins Dickon Moore Andrew Davies Kate Moore Sian Davies Alice Weston Tchad Findlay Harry Foreman Mhairi Milligan Jenny Weston Orion Ackroyd Otto Saner Runners Fergus Williams Toby Trillo Harry Foreman Alex Woolley Otto Saner Musicians (Lead by Jim Hustwit) Cristiano Castellittio Santiago Piqueras Sam Edington Phoebe Wright-Spinks Thanks To Lipsync Post Production Eleanor Thompson Nigel at HE Williams and Sons Adam Robinson Grace at Bramble and Wild Jo and Hannah at Inner Beauty Adrian at Cayfords Butchers Philip de Glanville Migs Jacques Ben Cornish Damon and Kate Moore Chris Wooton at Little Angel Theatre Jennifer Granville The Garden Café Becki and Rachel at Millie Moon Hilary and Mark Coupe Sophie Chapman & Becca Kinder at Troika Lorna Fallowfield at United Agents Jane Llewellyn and Mark Brookes at Frome Town Council Charlie Higgins at Somerset County Council Our Kickstarter Backers Peter Larking Mark Allen Jonathan Bairstow Nick Baum Max Clendaniel Tara Cook Chris Coupe Hilary and Mark Coupe Kristina Ellis Anna Fywell Laura Yeates Tom Gault Katharine Murray-Clark Jordan Philips Amy Powell Yeates Max Prior Adam Robinson Paul Russell Elizabeth Swaffield Anna Wiseman Alex Woolley Chole Graham Ideas Tap, Sheriff's Office Films, Cineworks, New Day Pictures gullivermoore.co.uk