#laburu

[mistawolfie]

When you’re out drinking with your coworker and find out you both of have a crush on the blond freak white boy

[pharaoh-khan]

𓂀♠️🥷🏼🌈

[villkat-arts]

While here in Spain for the time being I’ve been inspired by the Celtic history & Art... this Pyrography & paint mini trinket box is inspired by some of the art of the Basque Country with its popular symbol of the #laburu ...110w x70d x55h mm is available to buy 😎 thanks for looking #pyrography #pyrographyart #woodart #woodcraft #pyroart #fireart #trinketbox #celticart #basqueflag #basquecountry #laburu #basqueflag #celticspain #celtiberia #ancientiberia #españacelta #spiralart #celticspiral https://www.instagram.com/p/CJv-MCoDDR5/?igshid=pwe0lgxv3zw8

[illyrian-gods]

Illyrian gods

↳ Illyrians never functioned as a unique ethnic entity. Rather, each tribe had their own set of gods which explains a lack of a clearly set pantheon. Some gods were more widely spread - like Medaurus, Bindus, Vidasus and were worshipped by more than one tribe.

↪Liburnians believed in gods that weren’t mentioned elsewhere in the Illyrian region:

Ika (goddess of water and olives)

Sentona (goddess of fertility, agriculture and health)

Latra (also known as Great Mother, goddess of love and fertility)

Anzotika (goddess of love, motherhood, fertility, guides souls to underworld)

Aitika (goddess of agriculture, plants)

Heija (goddess of lands, justice, animals and female sexuality)

Irija (Creator Mother)

Jutosika (unknown)

↪Colapiani mainly worshipped Vidasus and Tana (protectors of forests, grasslands, wild animals and water springs) (Vidasus is the god of forests, Tana is the goddess of hunt)

↪Iapodes mainly whorshipped Bindus (god of water)

↪Histri worshipped:

Eja (goddess of fertility and love)

Trita (goddess of health)

Nebrama (goddess of darkness, fog, spells, storms)

Boria (goddess of wind)

Histrija (goddess of peace, protector of Histria)

↪Dardani worshipped:

Andin (god of family and home's fireplace)

Dardanija (personification of Dardan land)

Zbeltiurdus (supreme god)

Divine Couple Dracco and Draccena (snake gods)

Ata (personification of a house spirit which protects the home, often a fallen warrior)

Mundrit (unknown)

Taton (unknown, possibly protector of warriors and god of water)

↪Paenians worshipped Dualos, god of wine.

↪Almost all Illyrians worshipped Medaur (god of war, medicine and health), Sedat (god of mining, protector of craftsmen) was worshipped by most tribes as well.

Since Illyrians didn’t leave traces of literacy, most information about their religion was written by Romans. Romans saw characteristics of their own gods in the Illyrian ones and therefore gave them romanized names. Such examples are Silvan and Diana. Some Illyrians also started calling their gods with a Roman name so Bindus was called Neptune and Anzotika was called Venus.

Other gods which aren't tribe specific or gods with little to no information: En (fire), Perendi (thunder), Prende (love), Liber (wine), Nautrika (children), Armatus (war), Aecorna (lakes), Laburus (sailing), Redon (travel).

**I will update this list regularly, there is a lot of information that is still to be uncovered.

[chrislaburu]

Find the Best Home Lending Advisor near You - Chase

Are you planning a second home or a first-time home buyer? If yes then consult the best home lending advisor in Los Angeles, CA. Chris Laburu is a professional Senior Home Lending Advisor with 10 years of data experience and specializes in pre-qualification, lending to self-employed clients, VA mortgages, fixed-rate mortgages, adjustable-rate mortgages, and home equity lines of credit. He is fluent in Spanish and can help you with your mortgage process by keeping you informed and guiding you through every step of the process. So let us help you make your home lending experience a positive one. Click here to visit our website - https://bit.ly/3WJD7lZ

[oaxaseotest]

Con esos amigos Con esos amigos para que quieres enemigos?

[mistawolfie]

They’re yuri to me

[denrele]

I'm from the F.B.I; the Fine Body Investigators, and I'm going to have to ask DENRELE to assume the position. 📸: @omoadedibu_ for @trybesstudios 💄: @_.farian_ 💇‍♂️: @_hairgod 🪡: @styledbynaskii 👚: @tiannahsplacempire 👢: @ellen_nigeria (Xmas came early) P.S: Threw a lil Spin on Lady @solasobowale 's Opening Outfit in KOB. (Yes, I'm wearing the EXACT outfit LABURU wore when she landed in town to shake her naysayers). Funny how my body fits into any ensemble! (at Lagos, Nigeria) https://www.instagram.com/p/Clel0qhLKBx/?igshid=NGJjMDIxMWI=

[infohubs]

Peace Akinyode: How "King of Boys (2)" Broke Certain Nollywood Sterotypes With its Female Characters

Peace Akinyode: How "King of Boys (2)" Broke Certain Nollywood Sterotypes With its Female Characters King of Boys is inarguably one of the best movies to grace the Nigerian screen in recent years. The story, its execution, the actors, costumes, and production were just right for the movie. However, beyond the unconventional storyline and action-packed production is a solid representation of women in politics.   Firstly, Sola Sobowale playing the king of boys is an affront to the unspoken rules of this make-believe world, where it is believed that women who are given lead perky breasts, flawless skin and mortar-board hips. Usually, Sobowale would be a clingy mother-in-law, a mourning widow at the mercy of her husband’s relative, an evil witch wreaking havoc on the story’s protagonist for unreasonable reasons – she would be anything but someone who wields as much power as Oba did. Kemi Adetiba had other plans. With Laburu, she shows that it is possible for women of older ages to be the pivotal characters of movies without having to squeeze into the casing of a conventional female protagonist in Nollywood. There is no shying away from the fact that Laburu is approaching her later years. In the first episode of the series, she is stripped of her make-up at some point, her wrinkles are allowed to show, her hairline is allowed to recede. She is allowed to be Laburu: the old woman who has no limits to her ambition despite society’s brackets for someone of her gender and her age.   King of Boys also challenges a culture that sees marital status as the most important aspect of a woman’s life, even if she has achieved just as much as her male counterparts. In episode three, we see how Laburu deals a team member a dose of her eyes-pop-plus-dangerous-squint move when the lady suggests they leak a false story of Laburu’s engagement to the press. The move, which was to feed traditional voters the idea that Oba is “settled” enough to be the next governor of Lagos state, reveals the Nigerian culture of refusing to see a woman as worthy, no matter her achievements, until she has a “crown over her head.” Laburu’s question, “Would we be discussing this if I were a male candidate?” challenges gender equality in the society and leaves us to think if truly men would be treated as unworthy if they had achieved all that but had chosen to remain unmarried. King of Boys as a headline itself is a slap in the face of patriarchy, especially as the king here is a woman. When the matter  of late Prince Philip having the title of “prince” as opposed to “king” was discussed on social media platforms, a lot of comments played around the lines of how women never really have something to offer men. However, the situation only seems to further expose patriarchy as a structure that regards women in terms of “less than.” The truth is that femaleness in patriarchy does not measure up to masculinity even where it carries the cloak of power. It would make sense that if by virtue of her marriage to King George VI, Elizabeth Bowes-Lynn is conferred the title of Queen, and Prince Philip, by virtue of his marriage to Elizabeth II, should carry the royal title befitting the spouse of a Queen – which is King. But where a kingship exists, a queenship  becomes a sit-and-look-pretty position. This will explain why a lot of women on social media today carry the title ‘king’ instead of being ‘queens’, because in a way, they are aware that queenship, even with legitimate power, is only half of king in many ways. For one, it is not powerful enough to confer kingship to the queen’s husband. And as Laburu has shown, for an increasing number of women, sitting pretty and cutting ribbons without real powers to make a change on the tables, is simply not enough. Another subtle feminist stance taken by Adetiba in the writing of KOB2 is having two female characters go head to head for something other than male validation. Cat fights are not new in movies, however, these feline powers are usually channeled at winning the attention of one man who stands as the sun of the story. Conversely, Laburu and Jumoke Randle make political power their own sun, and ruthlessly battle for the governorship of Lagos State instead. They both want power, and whether they wield it directly – as Laburu has always done, or indirectly through a man – in Randle’s style, for once, the man is not the bone of two women’s contention in the story. That, in itself, is another of Adetiba’s contributions to the representation of women as stand-alone beings, not merely accessories to men’s existence. Also, we see female characters in the worst of behaviors without their gender being an extra tag of shame or a cause of sympathy for their crimes. When women are of bad character, there is usually judgment from the puritan standpoint which berates them, not for being evil, but for being women and evil. Sentences like “She stole? And she’s a woman o,” ”That lecturer is wicked, and she is somebody’s mother,” are demonstrations of this perspective. On the other hand, sometimes when a woman rapes, or steals, or kills, there is some form of sympathy for her which stems from this same women-are-saints ideology. While it tries to look benevolent, this sympathy is patriarchy’s way of telling women “we would not put you on the same scale with every other human being, because, again, you are not a man.” In the end, this ideology is not only fundamentally invalid, it is a disservice to the justice system which should pay no respects to a person’s status before delivering its verdict. Therefore, Eniola Salami, especially in The Return of The King, depicts women as round objects of humanity, capable of the beautiful, bad and ugly, seeking redemption or choosing to wallow in the murk of blood and power that men of their kind dwell in, with judgments based on their person rather than gender. With Laburu, Adetiba proclaims that women are not automatic goddesses of purity, or saints, or angels – women are human beings equally capable of good and gore. If women are to truly become equal, they must be portrayed and allowed to exist in all the possibilities of what it means to be human, and this is what Adetiba has done with Laburu in KOB. King of Boys pushed a lot of boundaries and overturned tables not only in terms of filmmaking, but also in respect of the definitions of womanhood. Little wonder one Nigerian actor (who has tried to ride on Adetiba’s shine with his 2019 YouTube movie series, also titled King of Boys)   said, “A woman can never be King of Boys”, shortly after The Return of the King was released. Rightly, a colleague of his fired back accurately, “a woman can be anything and whatever she wants to be.” The impact of KOB is one which will remain for years. From inspiring the creation of stronger female characters, to rewriting the overall portrayal of women of different ages in the industry, there lies a promise to gradually warm the Nigerian society to the idea of true equality for women. Cheers to more years of breaking archaic cages for women on the Nollywood scene and the Nigerian society at large. https://infohubs.com.ng/peace-akinyode-how-king-of-boys-2-broke-certain-nollywood-sterotypes-with-its-female-characters/

[tonimining]

PARAISO - SADAELS from Hernan Corera on Vimeo.

✺ ♞ ✺ PARAISO ✺ ♞ ✺

Directed by: Hernan Corera

Created by: Hernán Corera, Martín Holzman & Juan Daels Written by: Hernán Corera & Martín Holzman

Produced by Mamá Hungara, Argentina Cine,  Stink & JVVENAL

Cast: Sunrise Singer: Vida Uniqua Spinetta Sunset Singer: Virginia Correa Dupuy Mercy Team, Legendary Malambo Dancer: Fabian Serna Mercy Team #1: Rosalba Menna Mercy Team #2: Ornella Karen Noelia Hermida Mercy Team #3: Josefina Seoane Mercy Team #4: Lourdes Nair Gaurisse Vignera Severity Team Pythoness: Analia Pisano Severity Team #1: Ailin Sofia Barsanti Severity Team #2: Luna Gonella Severity Team #3: Victoria Vexina Severity Team #4: Isabella Ferri Soria Laud: Igor Herzog Gambling Girl: Irune Porcel Laburu Referee: Roberto Paredes Priest: Waymallen Kalen Card collector: David Duarte  Accountant: Juan Manuel Damperat

Spectators: Camila Lamaro - Justo Benitez - Federico Solimando - Jordan Lescano - Mateo Balgane - Ana Mendoza - Juan Manuel Damperat - Matias Hernan Caseros - Nahil Gelené - Carlos Sallete - Saul Garderes

Executive producers Juan Saravia Luca Macome Hernán Corera Belisario Saravia   Cinematographer Luciano Badaracco Edited by  Manuel Dondas

Production Designer Valentina Luppino Costume Designer Juan Daels Fashion Image and Concept Designer Joaquín Diaz & Josefina Roveta Stylist Joaquín Diaz & Josefina Roveta  Costume assist  Alberto Romano Gil Costume assist  Agustina Arful  Malambo costume design by Nilda Beatriz Aguiar Hair & Makeup Yamo Zarlenga for Niche Studio Hair & Make up team Mora Burset Hair & Make up team Abril Fumo

Music Director: Daniel Schnock Music: YYYY, Virginia Correa Dupuy, Igor Herzog & Vida Uniqua Spinetta

Color Correction Alejandra Lescano Graphic Design Los Caballos Card Design Maximiliano Manso y Mariano Calvo VFX Prosthetics Marcos Berta Casting CRUDO Post-Production Coordinator Aldo Ferrari

Sound Design and Mix BAMBA Sound Engineer: Matías Yúdica Bartels Foley: Diego Marcone Producer Bamba: Tomás Becú & Juan Manuel Marín Fraga

"Pueblo de Orfalese" by YYYY  Composed by M. Yaya & P. Yaya Eerie Records

"En la vida siguiente"  by YYYY  Composed by M. Yaya & P. Yaya Eerie Records

"Lo que hay detrás del miedo" by YYYY  Composed by M. Yaya & P. Yaya Eerie Records

"En que nos parecemos" Composed by María Elena Walsh interpretada por Virginia Correa Dupuy & Vida Spinetta

AD: Florencia Poggi 2nd AD Barbara Terasani Set Decorator Carmen Rivoira Production Manager Esteban Budassi Production Assistant Franco Charnas Production Assistant Santiago Perusin Propmaster Emanuel Fernandez Propmaster assist. Fabián Santiago Enríquez Focus puller Sofia Sarasola 2nd Camera assist. Francis Farrell Video Assist Florencia Scosceria Gaffer Julian Badino Electrician Martin Poleri Electrician Leandro Rocha Electrician Hector Abel Villalva  Key grip Pablo Bejarano Grip  Maximiliano Tolosa  Sound Juan Luis Bianchi 

Press: Malena Souto Arena Photos Johanna Ekonen Translator Emma Reardon

Animal Wrangler Fabricio Salvador Elissetche  Security  Emanuel Enresto Dominguez

Catering Alexis Damian Cabilla Catering Daniela Dalto Santillan Catering Maria Eugenia Rodriguez Catering Martin Andrade  Catering Mauro Aboy 

Rental AJAF Seguros ART Risk Media Alq. Varios de producción Produtech

Hotel Baló Yamay Ecoturismo

Trucks Pimba Production Nicolás Vicchio Production Cristian Rossi  Bus TRASLADA

Con el Apoyo de la municipalidad de LAS FLORES "Generando un nuevo polo de servicios audiovisuales"

Special Thanks to:

Secretaría de Cultura de Las Flores and staff - Secretaría de Desarrollo Productivo y Sustentable and staff - Delegación de Pardo - Capilla Nuestra Señora del Perpetuo Socorro - Club de Football Social y Recreativo Unión Deportiva Pardo - Asociación de Bomberos Voluntarios Las Flores 

CIVILES - LEVELS - ADON - PINK  

Bar vieja estación - Alfredo Ariel Valiante  - Mario Harrison – Lisandro  Paggi - Emilia Acosta - Camila Lamaro- - Julieta Spina - Dante Spinetta - María José Carnero - Pablo Bernst - - Nahil Gelené  - Facundo Saravia

[brotherhoodmuzik]

Do you know that LABURU is coming again but not to us, but to the Netflix, you know I just love to support good things and great effort, everybody dey hustle in many ways only God crow efforts, God bless us as Kemi Adetiba has announced the return of ‘King of Boys 2’, the sequel to the multi award winning 2018 blockbuster movie @kemiadetiba @kaffy_adeola_orieuro https://www.instagram.com/p/CRYiQw-Hp6J/?utm_medium=tumblr

[cjc]

Laburu https://www.instagram.com/p/CJljU2Ij2ZuJj3O44sT7fK_GAx5k6z2bDMx2rU0/?igshid=7rmhn823jd5

[tererenews]

Indivíduos são presos com arma de pressão adaptada para calibre 22, contrabando e venda de medicamentos pela Polícia Militar na região central de Campo Grande – MS na primeira Operação Laburu do ano

http://dlvr.it/RNkQYd

[goldmynetv]

All Hail Sola Sobowale, The King of Boys and A Woman Of Virtue! The Nollywood industry has a retinue of beautiful, talented and very strong willed women. One of them is Sola Sobowale: an Icon, a role model, a role interpreter and a disciplined actress. Sola Sobowale's sojourn into the movie world did not start today, she is one of the veterans we have in the industry. Her dexterity as an actress is not limited to a particular role. Sola Sobowale can act a lover girl as well as she would act a loving mother. She can go from being a cruel mother to being a devoted and loyal wife. That is how good she is. _ Some of her unforgettable roles in nollywood can be found in the movies: Jokotola, Lagidigba, Oun Oko Somida, Diamond ring, Wedding Party to mention just a few. Just when we thought we had seen her best in The Wedding Party, the talented actress swept us off our feet with her eclectic performance in Kemi Adetiba's King Of Boys, a role which many have said will win her an 'Oscar'! _ Asides being a very prolific actor, Sola Sobowale is a woman of virtue, respected beyond words in the industry, a family woman, who puts her family first all the time. Sola Sobowale has laid the foundation of acting well in her home so much that her twin children are now movie producers with a number of movies to their credit. _ Sola Sobowale has a very soft exterior which sometimes belies her disciplinarian stance... yes, this woman of virtue might look so soft because of her beauty but you still don't joke with her! This does not mean she is "Laburu"... Lovable, talented, witty and very funny... you can't help but love and crush on Mrs Sola Sobowale our woman of Virtue! #Womanofvirtue #Wov #GoldmynetvWov #Wcw #Womancrushwednesday #goldmynetv — view on Instagram http://bit.ly/2APKTml

[nollywoodmoviesreview]

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King of Boys! Looking good! So many movies to check out on my next trip to Lagos! Love the screen performance! 😍👏👏👌👌👌👌 @Regran_ed from @solasobowale - “The slow crawling of a leopard is not due to fear” - Laburu 🔥🔥👑👑👑 #KingOfBoysMovie is out in cinemas on 26th October. You do not know what is about to hit you #kob #thekingiscoming @kingofboysmovie - #regrann WE ONLY FEATURE THE BEST NOLLYWOOD MOVIES! Hundreds of Nollywood movies reviewed on our website! Hundreds of Actors and Actresses! It's all about the best in Nollywood! https://nollywoodmoviereview.com #nollywood #nigeria #africa #africanmovie #yorubamovies #africanfilm #hollywood #movie #nollywoodmovie #igbo #hausa #yoruba#nigerianmovieindustry #epicmovies #lagos #ibadan #unitedkingdom @nollywood_movies @nollymovies @nolly @nollywoodmoviestv #nigeriansinthediaspora #nigerianblogger #newmovie #instanews #newfilm #camera #filmyou #screen #review #adult #news (at London, United Kingdom) https://www.instagram.com/p/Boq3ZsnFxFx/?utm_source=ig_tumblr_share&igshid=1mrxy0l9dy1d8

[spartint-blog]

King of Boys: Watch trailer of new Kemi Adetiba's movie featuring Sola Sobowale, Adesua Etomi, iLLBLISS

King of Boys: Watch trailer of new Kemi Adetiba's movie featuring Sola Sobowale, Adesua Etomi, iLLBLISS

Kemi Adetiba's 'King of Boys' is clear example of wealth, affluence and power struggle.

Kemi Adetiba Visuals has released the trailer for the movie "King of Boys."

Kemi Adetiba's movie 'King of Boys' is a suspense-filled movie which has Sola Sobowale star as 'Laburu' a rootless matriarch who would do anything to get what she wants.

We also get to see Adesua Etomiplay a different and more…