#lady lucy audley

[nymph-of-water]

They [women] are Semiramides, and Cleopatras, and Joan of Arcs, Queen Elizabeths, and Catherine the Seconds, and they riot in battle, and murder, and clamour, and desperation.

- Lady Audley's secret, Mary Elizabeth Braddon

[mxcottonsocks]

Lady Audley: god forbid women do anything 🙄

[arrynnat]

Bold of Victorian society to assume that they can gatekeep a girlboss from gaslighting her way up the social ladder smh

[p1325]

The 'Timeless Classics' series by RBA stands as a commendable collection of 85 literary masterpieces, predominantly drawn from English literature, with notable inclusions such as Madame Bovary and Anna Karenina from diverse cultural landscapes. This curated anthology transcends geographical boundaries, making its enriching content accessible not only in various European countries under the names of ''Storie Senza Tempo'', ''Romans Eternels'', and ''Novelas Eternas'' but also in South America. RBA's commitment to delivering these cultural gems on a global scale reflects a dedication to fostering a profound appreciation for literature across diverse audiences.

Here are all the titles of the following collection: Jane Austen - Pride and Prejudice

Emily Bronte - Wuthering Heights

Louisa May Alcott - Little Women

Charlotte Bronte - Jane Eyre

Jane Austen - Sense and Sensibility

Edith Wharton - The Age Of Innocence

Jane Austen - Emma

Gustave Flaubert - Madame Bovary

Jane Austen - Northanger Abbey

Edith Wharton - The House of Mirth

Jane Austen - Persuasion

Louisa May Alcott - Good Wives

Nathaniel Hawthorne - The Scarlet Letter

Charlotte Bronte - The Professor

Leo Tolstoy - Anna Karenina (Part 1)

Leo Tolstoy - Anna Karenina (Part 2)

Jane Austen - Mansfield Park

Anne Bronte - Agnes Grey

Thomas Hardy - Far from The Madding Crowd

William Makepeace Thackeray - Vanity Fair (Part 1)

William Makepeace Thackeray - Vanity Fair (Part 2)

Pierre-Ambroise-François Choderlos de Laclos - Dangerous Liaisons Alexandre Dumas fils - The Lady of the Camellias

Henry James - Washington Square

Louisa May Alcott - A Garland For Girls

Henry James - The Portrait of A Lady (Part 1)

Henry James - The Portrait of A Lady (Part 2)

Jane Austen - Lady Susan. The Watson. Sanditon

Anne Brontë - The Tenant of Wildfell Hall

Thomas Hardy - Tess of the D’Urbeville

Edith Wharton - The Mother’s Recompense

Daniel Defoe - Moll Flanders

Henry James - The Wings of the Dove

Edith Wharton - The Customs of the Country

Kate Chopin - The Awakening

Jane Austen - Juvenilia

George Eliot - Middlemarch (Part 1)

George Eliot - Middlemarch (Part 2)

George Sand - Nanon

Henry James - The Ambassadors

Elizabeth Gaskell - Cranford

Thomas Hardy - Under The Greenwood Tree

Edith Wharton - Summer

George Sand - Indiana

Henry James - The Bostonians

George Eliot - Silas Marner

Henry James - The Golden Bowl (Part 1)

Henry James - The Golden Bowl (Part 2)

Edith Wharton - The Twilight Sleep

Emily Eden - The Semi-Attached Couple

Edith Wharton - The Glimpses of the Moon

Mary Elizabeth Braddon - Lady Audley’s Secret

George Eliot - The Mill on the Floss

Elizabeth Gaskell - Mary Barton

Fanny Burney - Evelina

George Sand - Little Fadette

Emily Eden - The Semi-detached House

Charlotte Brontë - Shirley I

Charlotte Brontë - Shirley II

Daniel Defoe - Lady Roxana

Theodor Fontane - Effie Briest

Edith Wharton - The Cliff

Thomas Hardy - Two on a Tower

Frances Hodgson Burnett - A Lady of Quality

Louisa May Alcott - Moods

Lucy Maud Montgomery - The Story Girl

Elizabeth Gaskell - Ruth

Thomas Hardy - The Woodlanders

Elizabeth Gaskell - North and South

Matilde Serao - Fantasy

Thomas Hardy - A Pair of Blue Eyes

Emilia Pardo Bazán - Sunstroke

Ann Radcliffe - The Romance Of The Forest

Louisa May Alcott - A Long Fatal

Charlotte Bronte - Villette

Sybil G. Brinton - Old Friends and New Fancies

Edith Wharton - The Bunner

Sisters Virginia Woolf - The Voyage Out

Margaret Oliphant - The Chronicles of Carlingford

Edith Nesbit - The Incomplete Amorist

Virginia Woolf - Day and Night

Guy de Maupassant - Our Heart

Frances Trollope - The Widow Barnaby (Part 1)

Frances Trollope - The Widow Barnaby (Part 2)

Elizabeth Gaskell - Half a Lifetime Ago

[papermoonloveslucy]

ANIMATED LUCY!

Lucille Ball & Animation

Lucille Ball worked with many performers, and many of them were just as famous for their voices as their faces! As well as working for Desilu, actors worked for Warner Brothers, Disney, and other producers of animation - some of which is still popular today.

DISNEY

Walt Disney himself turned up on "Hedda Hopper's Hollywood" (1960), one of the gossip columnist's television specials that also featured Lucille Ball, among many others.

VERNA FELTON

Verna Felton (1890-1966) made her professional stage debut at the age of 10 as ‘Little Verna Felton,’ working extensively on stage.  On “I Love Lucy” Felton portrayed Mrs. Porter, the no-nonsense housekeeper in “Lucy Hires a Maid” (1953). and Mrs. Simpson in "Sales Resistance” (1953), a housewife to whom Lucy tries to sell a Handy Dandy vacuum cleaner - only to find out that she has no electricity!  She received two Emmy nominations for her role in the Desilu series “December Bride,” playing Hilda Crocker from 1955 to 1959 opposite Spring Byington as Lily. In one episode, producer Desi Arnaz guest-starred as himself. 

For Walt Disney, Felton voiced three elephants: Elephant Matriarch and Mrs. Jumbo in Dumbo (1941), as well as Winifred in The Jungle Book (1967). She played two Queens: The Queen of Hearts in Disney’s Alice in Wonderland (1951) and Queen Leah in Sleeping Beauty (1959). Her more human characters included Aunt Sarah in Lady and the Tramp (1955) and - a rare non-Disney female - Pearl Slaghoople, Wilma’s mother, on “The Flintstones”. She also voiced two wand-wavers: Flora in Sleeping Beauty and - perhaps most famously - The Fairy Godmother in Disney’s Cinderella (1950), where she introduced the song “Bibbidi-Bobbidi-Boo” to the world.

Her son, Lee Millar Jr., made four appearances on “I Love Lucy" and one episode of "The Lucy Show." He appeared with his mother in the 1955 animated feature Lady and the Tramp as Jim Dear and the Dogcatcher. Felton's husband and Millar's father, who did not appear with Lucy during his career, was most famous as the voice of Disney's Pluto from 1930 until his death in 1941.

ELEANOR AUDLEY

Eleanor Audley (1905-1991) played Lucille Ball’s mother-in-law on “My Favorite Husband.” She would later play Eleanor Spalding, owner of the Westport home the Ricardos buy in “Lucy Wants To Move to the Country” (1957) as well as one of the Garden Club judges in “Lucy Raises Tulips” (1957). She was seen as a Society Reporter on a 1965 episode of "The Lucy Show."

She is probably best known, however, as the voice of two of Disney’s most memorable animated villainesses: Lady Tremaine, the wicked stepmother in Cinderella (1950); and the evil Maleficent in Sleeping Beauty (1959). She served as the physical model for both characters. 

HANS CONRIED

Hans Conried (1917-1982) first worked with Lucille Ball in the 1942 film The Big Street and played a myriad of roles on her radio show “My Favorite Husband.” On “I Love Lucy” he had just played Mr. Jenkins, used furniture salesman (above), a month earlier in "Redecorating" (1952) and returned to play Percy Livermore, "The English Tutor" (1952).

Early in the episode, Ricky reads from a children's book. While the story he reads is Little Red Riding Hood, the book cover is definitely Peter Pan. Coincidentally (or not), Conried had just finished voicing Captain Hook / Mr. Darling for Disney's animated feature Peter Pan, which would be released just a month later, in February 1953. That same year he voiced Thomas Jefferson in Disney's animated short, Ben and Me. Perhaps his best loved voice was that of Snidely Whiplash on the Bullwinkle and Dudley Do-Right cartoons starting in 1959. Conried made two appearances on "The Lucy Show" (both as acting / voice coach Dr. Gitterman) and on "Here's Lucy" with his long-time co-star Danny Thomas.

PINTO COLVIG

Pinto Colvig (1892-1967) was the original voice of Disney’s Pluto and Goofy. He provided the neighs for Gulliver the horse in "Horseback Riding" (1949), an episode of Lucille Ball's radio series "My Favorite Husband". He also did all the dog barks for “Lucy is Her Own Lawyer” (1964).

GINNY TYLER

Ginny Tyler (1925-2012) voiced Clementine the sheep in “Lucy Buys a Sheep” (1962), Greenback, Mr. Mooney's cockatiel, in "Lucy Gets the Bird" (1964), and Polly the Parrot in "Lucy in the Jungle" (1971).  She also did the voices of the sheep in Disney’s Mary Poppins and the singing squirrel in The Sword in the Stone. She started out narrating record albums for Disney, including “Bambi” and “Babes in Toyland.”

JUNE FORAY

June Foray (1917-2017) was one of Hollywood's most famous and busiest voice actors. She did the voice of Lucifer the cat in Disney's Cinderella (1950), and voiced a mermaid and a squaw in Disney's Peter Pan (1953), among others. In 1957, she did the barks of Fred the dog on "I Love Lucy." She is probably best remembered as Rocky the Flying Squirrel and Natasha Fatale in the "Bullwinkle" cartoons.

CLEO

When "The Ricardos Change Apartments" (1953), Lucy fills the flat with as many toys as possible, including a bathtub toy called Cleo, the goldfish from the Disney Pinocchio (1940). When Ricky squeezes her, Cleo spits in his face!  

SNOW WHITE AND THE SEVEN DWARFS

In 1938, Lucy modeled ladies' hats based on the characters Prince Charming and Sneezy from Disney’s Snow White and the Seven Dwarfs. Needless to say, she looked “charming”. 

In a 1949 episode of "My Favorite Husband," Liz and Iris bemoan that they won't be going anywhere sunny for summer vacation. They say their goodbyes.

LIZ: “Goodbye, Paleface!”

IRIS: “See you later, Snow White!”

The Paleface was a Bob Hope / Jane Russell film released at the very end of 1948. Snow White and the Seven Dwarfs (1937) featured the voices of future “Lucy” cast members Pinto Colvig and Moroni Olsen. 

"LUCY AND THE MONSTERS" (1965) involves a shared horror movie dream. To find out who is the prettiest witch, Lucy and Viv ask the magic mirror: “Mirror, mirror on the wall; Who’s the fairest of them all?” This is the same query the Evil Queen asks her magic mirror in the Disney film Snow White and the Seven Dwarves. In the film, the voice was that of Moroni Olsen, who played the Judge in the "I Love Lucy" episode "The Courtroom" (1952).

CINDERELLA

“Bibbidi-Bobbidi-Boo” a song written in 1948 by Al Hoffman, Mack David, and Jerry Livingston for the 1950 Disney animated film Cinderella, was heard in a 1950 episode of "My Favorite Husband" titled "Liz Writes a Song". For inspiration, George suggests they listen to the radio and hears "Bibbidi-Bobbidi-Boo”.  Mr. Atterbury (Gale Gordon) questions what the nonsense lyrics mean. In "CHER...AND OTHER FANTASIES" (1979) a Cleaning Lady (Lucille Ball) pushes a cart and sings “Bibbidi-Bobbidi-Boo,” Cher just wants to get out of the building. The Cleaning Lady suggests she wait till midnight when her white mice and pumpkin turn into a coach and horses. The special also includes a reference to....

BAMBI

Winding her way through the warehouse, Cher encounters Shelley Winters, a purveyor of movie memorabilia.

CHER: “Do you have 'Bambi’?”

SHELLEY: “I don’t have that in stock, but I’ve got a rifle from 'Winchester 73.'”

Winchester 73 was a 1950 film about a prized rifle that starred Shelley Winters and James Stewart. Shelley fires the rifle in the air and Cher takes on the roles of Bambi’s mother and father.

DUMBO

"Liz and the Green Wig" (1950), an episode of "My Favorite Husband" includes a mention of Dumbo, Disney's 1941 animated film about a flying circus elephant.

KATIE: “Well, maybe he’s forgotten.”

LIZ: “Not George. He has the memory of an elephant.”

GEORGE (from the other room): “Liz, is that you?  Come on in the breakfast room.”

LIZ: “There’s Dumbo now.”

In a 1948 episode of the radio sitcom, Sarah Selby played Louise Elliott, Liz’s Mother. Selby made her screen debut voicing Prissy the Elephant in Dumbo. 

DONALD DUCK

"LUCY, THE DISC JOCKEY" (1965) Mr. Mooney deems any voice contest between him and Lucy like comparing Walter Cronkite to Donald Duck, one of Walt Disney’s most enduring cartoon creations. He first appeared in 1934 and his squawking raspy voice was provided by Clarence Nash.  

Other "Lucy" performers who voiced Disney animated characters:

Paul Winchell (Winnie the Pooh / The Aristocats / The Fox and the Hound)

Phil Harris (The Jungle Book / The Aristocats / Robin Hood)

Buddy Hackett (The Little Mermaid)

James Hong (Mulan)

Charles Lane (The Aristocats)

Ruth Buzzi (The Aristocats)

Mickey Rooney (The Fox and the Hound)

Nancy Kulp (The Aristocats)

Hal Smith (several roles)

Joseph Kearns (Alice in Wonderland)

Norma Zimmer (Alice in Wonderland)

WARNER BROTHERS & OTHERS

ARTHUR Q. BRYAN ~ ELMER FUDD

Arthur Q. Bryan (1899-1959) had appeared with Lucille Ball in Look Who's Laughing (1941). He is best remembered as the original voice of Elmer Fudd in the Warner Brothers cartoons. He played Mr. Chambers, new owner of the Tropicana, in "Ricky Loses His Voice" (1952).

"MOTHER OF THE BRIDE" (1986) ~ The final episode of Lucille Ball's final sitcom, "Life With Lucy."

LUCY: "When Margo was little she found my dress in the attic and she called it 'the most bootiful dwess in the world'!  When she was little she talked a lot like Elmer Fudd.”

MEL BLANC ~ BUGS BUNNY / PORKY PIG

One of the most famous voices in show business belonged to Mel Blanc, who was most famous for voicing Bugs Bunny. Lucy worked with Blanc in her 1950 film The Fuller Brush Girl portraying a parrot. Blanc and Ball had also teamed for an Armed Services Radio broadcast in 1944.

"LUCY GETS AMNESIA" (1964) involves a rabbit fur coat, causing Viv to say "What's up, Doc?", which was Bugs Bunny's famous tag line. Lucy's last line of the episode also mentions Bugs Bunny.

"LUCY AND TENNESSEE ERNIE'S FUN FARM" (1969) Doing a commercial for the farm, Lucy plays a slovenly housewife who calls her husband Porky Pig and the Jolly Green Giant.

In 1969, Mel Blanc did ADR (automatic dialogue replacement) for two characters on location footage in "LUCY GOES TO THE AIR FORCED ACADEMY: PART 2".

Elvia Allman, who made multiple appearances on "I Love Lucy" and "The Lucy Show", did the voices of several cartoon characters for Warner Brothers, most notably Little Red Riding Hood.

In 1960, Blanc joined Alan Reed, Bea Benadaret and Jean Vander Pyl (all of whom had worked with Lucille Ball) as Barney Rubble in TV's first animated sitcom Hanna Barbera's...

"THE FLINTSTONES"

Although ostensibly modeled on "The Honeymooners," "The Flintstones" owed a great debt to Lucille Ball. Many of the Bedrock storylines were borrowed from Lucycoms. Wilma Flintstone bore more than a passing resemblance to the famous redhead. Others who acted live with Lucy that loaned their voices to prehistoric characters: Janet Waldo, Harvey Korman, Howard Morris, Hal Smith, Verna Felton, June Foray, Howard McNear, Herb Vigran, Sandra Gould, Jerry Hausner, Paul Winchell, and many others.

"THE JETSONS"

In the wake of the success of "The Flintstones", Hanna Barbera rocketing to the other end of the spectrum - from caves to space - with "The Jetsons"(1962). Leading the cast as Dad George Jetson was George O'Hanlon, who had played Charley Appleby on "I Love Lucy." His daughter Judy was played by Janet Waldo, who played Peggy Dawson on "I Love Lucy" and Lucy's sister Marge on "The Lucy Show". Jean Vander Pyl and Mel Blanc turned up as Mr. and Mrs. Spacely.

"TOP CAT"

Allen Jenkins appeared with Lucille Ball in the film Five Came Back.  He then did three episodes of "I Love Lucy," all as policemen. It was natural that his animation legacy was as Officer Dibble on the Hanna-Barbera TV cartoon, “Top Cat” (1961–62).  Other Lucy alumni who appeared frequently on the show included Jean Vander Pyl, Bea Benadaret, Hal Smith, Gege Pearson, and Herb Vigran.

Select episodes of Lucille Ball's radio sitcom "My Favorite Husband" have been computer animated and are available to view on Vimeo. They were animated by Wayne Wilson using the soundtracks of the original broadcasts.

In “Lucy and the Soap Opera” (1965), soap actor Mr. Vernon (John Gregory) brags his daytime drama role of Roger Gregory is the best part he’s played since doing the voice Oink-Oink in the [fictional] “Piggy Pete” cartoons! Lucy says she’d like to say Richard Burton go from playing “a pig in a poke to a teller in a bank.”

Oh, and don't forget "The Simpsons"! Lucille Ball has had several representations on the long-running show, including as Oyster Shell Lucy, a handicraft sold by Moe in “Homer’s Barber Shop Quartet” (1993).

Lastly, Lucy herself was an animated character. The original opening credits and commercial intros for "I Love Lucy" featured stick-figure animation of Lucy and Desi. The tradition continued during "The Lucy-Desi Comedy Hours", adding Little Ricky. "The Lucy Show" also opened with stick figure animation, but it only lasted for one season. "Here's Lucy" took animation to the next level, with a stop-motion doll of Lucy presenting the opening credits.

[hello-delicious-tea]

I posted 1,715 times in 2022

That's 1,535 more posts than 2021!

215 posts created (13%)

1,500 posts reblogged (87%)

Blogs I reblogged the most:

@pathless-wood

@waxjism

@icryyoumercy

@unfavorableinstigation

@dduane

I tagged 650 of my posts in 2022

#babytea - 94 posts

#jane austen - 13 posts

#lady audley's secret - 12 posts

#mary elizabeth braddon - 12 posts

#dracula daily - 12 posts

#photo - 9 posts

#persuasion - 9 posts

#flowers - 8 posts

#gardening - 8 posts

#teaching - 7 posts

Longest Tag: 137 characters

#emma woodhouse handsome clever and rich with a comfortable home and a happy disposition had it seemed little in the world to distress and

My Top Posts in 2022:

#5

Here is BabyTea’s soup recipe from yesterday, with the changes we made. It cooked up quickly and was easy - we used the frozen shiitakes I buy in bulk from the Asian grocery, plus some dried porcini mushrooms I had in the pantry. I think any combination of mushrooms would be delicious.

If you want lots of broth, keep half a cup of barley, but I like a thicker soup. Also easier to feed babies.

21 notes - Posted October 19, 2022

#4

B. Dylan Hollis’s peanut butter bread - toddler approved!

38 notes - Posted August 4, 2022

#3

Also, it’s a stroke of genius that Sir Walter Elliot is a baronet - he has exact one title below him he can look down on. He’s not a peer. He doesn’t sit in the House of Lords. There are richer landed gentlemen - Mr Darcy, if they happened to meet, could buy Kellynch Hall as a cute little investment property.

This article suggests that the cost of an estate would be about 30x the amount it generated in a year. A different article suggested it probably cost about £600/annum to rent Netherfield (and thus presumably Kellynch Hall, plus or minus some). If Sir Walter’s income was £1000/annum, he would apparently be in the 1%, which does rather put into perspective the Bennets, doesn’t it? And I doubt his estate is well managed.

Anyway, while he would definitely be a super rich dude by the standards of his day, it’s like fancy doctor rich, not top tier basketball player rich. Everything he has, from his title to his land to his income to his history (not very long, in the grand scheme of things) to his appearance, is relatively substanceless for the amount of weight he and those around him accord it. He’s a very little man, and Austen’s readers would very much be able to pick up on just how little he is. Which is, incidentally, why he’s also such a fucking sycophant to anyone even slightly higher up the social ladder.

87 notes - Posted June 20, 2022

#2

…Jonathan, you do realize if you have a letter dated June 29 it doesn’t mean you have to be alive then? Like once you’ve written them you could be dead any old time. I don’t think that’s how the date of your death works.

109 notes - Posted May 19, 2022

My #1 post of 2022

Poor Van Helsing - he gives two very simple instructions: don’t leave Lucy alone and make sure she wears the garlic flowers around her neck all night. And over the course of ONE FUCKING WEEK literally no one not even the dudes who are in love with her can manage this. They’re not even getting whammied, unlike the maids and Lucy!

Van Helsing, initially: well this isn’t fucking ideal but it’s early enough in the process, we can definitely -

Van Helsing by the end: I think you just want to fuck around and find out and by god you have found out.

Poor Lucy.

129 notes - Posted September 22, 2022

Get your Tumblr 2022 Year in Review →

[howardhawkshollywoodannex]

Eleanor Audley was the voice of Lady Tremaine in Cinderella (1950). Eleanor was also the voice of Maleficent in Sleeping Beauty.

Eleanor was frequently seen on tv in the 50s and 60s including three episodes of Father Knows Best, I Love Lucy (two episodes), The George Burns and Gracie Allen Show (4), The Twilight Zone, The Untouchables, Dennis the Menace, Perry Mason (2). The Many Loves of Dobie Gillis, Have Gun Will Travel (3). The Dick Dan Dyke Show (4), Wagon Train (3), The Beverly Hillbillies (3), Mister Ed (2), The Man from UNCLE, Peyton Place (2), Hazel (4), The Lucy Show, The Big Valley, Honey West. Green Acres (15 episodes as Eunice Douglas, Oliver's mother), and My Three Sons (9).

[1864-66readingproject]

Ok, so in my introductory post for this blog (currently my pinned post) I mentioned that one thing I wanted to pay attention to during this project was:

The characters of Cynthia Kirkpatrick (Wives and Daughters) and Bella Wilfer (Our Mutual Friend)... W&D and OMF are the only two books of the above that I've read before, and I don't think it would really have occurred to me to compare them as they are so different in setting and tone, but actually - once I began thinking about it - I realised that both of them explore, in different ways, the psychological effect of financial insecurity on lower-middle class young women, and how that affects their approach to life and the choices they make and so on, so l think that will be an interesting thing to consider as I read. I will also consider if characters in any of the other works also explore similar ideas.

And

Class more generally, and all the different things that contribute to class and perceived class (wealth, posessions, income, occupation, education, birth & family, company & connections, 'manner', 'respectability', etc)

From this month's reading (Feb 2024, so reading Feb 1864's installments of The Doctor's Wife and Luttrell of Arran) I definitely think I'm going to get a lot of these themes...

In terms of "the psychological effect of financial insecurity on lower-middle class young women" I think there's some of that already in Isabel Sleaford (TDW)... she's certainly a lower-middle class young woman who is financially insecure... but at the moment (TDW part 2) her psychology is primarily being explored through her sentimentality caused by her reading habits and the contrast she sees between her current life as a nursery governess and her ideal storybook life, rather than explored through her financial insecurity... (it's also, possibly, in part her reading habits which have caused her financial insecurity... I remember in chapter 3, which was in the first installment of the novel, it was mentioned that after she left school it was up to herself to educate herself and she mainly just did that by reading novels... which is probably why she's a nursery governess rather than a governess for older girls (like OMF's Cynthia Kirkpatrick, and Lucy Graham from Braddon's earlier novel Lady Audley's Secret), where she could have commanded a higher wage - she isn't accomplished enough for that.

I also think Catherine / Kitty from Luttrell of Arran will play into these themes. She isn't lower-middle class (not yet anyway), she's a "peasant", but judging by Vyner's 'project' mentioned in chapter 13 (LoA part 3) she's going to have an interesting class journey... Though possibly with more similarity's to Pip's journey in Dickens's Great Expectations than any of the books I'm directly looking at as part of this project...

[fainne-geal-an-lae]

Reading Lady Audley's Secret and I just think Lucy and Robert should get it over with and screw each other!

[stickytidalwavetaco]

This beautiful Victorian gown first appeared in the 2000 made-for-television adaptation of the 1862 Mary Elizabeth Braddon novel 𝑳𝒂𝒅𝒚 𝑨𝒖𝒅𝒍𝒆𝒚’𝒔 𝑺𝒆𝒄𝒓𝒆𝒕. Neve McIntosh wore the costume as the lead character, Lucy, Lady Audley. The costume was used again in 2002 by Greta Scacchi as Lydia Glasher in the mini-series 𝑫𝒂𝒏𝒊𝒆𝒍 𝑫𝒆𝒓𝒐𝒏𝒅𝒂. Finally, in 2006 it was seen a third time in 𝑹𝒖𝒃𝒚 𝒊𝒏 𝒕𝒉𝒆 𝑺𝒎𝒐𝒌𝒆 on Haley Atwell as Rosa Garland. . . . . . . . . . #movies #costumes #moviecostumes #recycledmoviecostumes #costumehistory #costumeideas #dress #costumedesign #movie #gowns #moviedresses #ladyaudleyssecret #nevemcintosh #danielderonda #gretascacchi #rubyinthesmoke #haleyatwell All intellectual property rights vests with the owner of the copyrighted material. Recycled Movie Costumes, is not Copying, Distributing and using these materials except for Entertainment purposes only and deems itself to be protected under the regulations of mandatory law (such as the right to quote), unless otherwise stated for certain material.The films/television shows/books and other media represented in the images on this website do not necessarily reflect the viewpoints of Recycled Movie Costumes. Said media may contain mature content. Viewer discretion is advised at all times. We are happy to take down any material that the copyright owner/trademark owner feels is a violation of their statutory right. Before proceeding with the legal measures, we request the alleged aggrieved to contact us at submissions@recycledmoviecostumes.com for us to assist them with our cooperation.

[heartofstanding]

Finally started reading Lady Audley’s Secret and so far it might be the monstrous feminine in me speaking but I think Lucy has done nothing wrong.

[nymph-of-water]

“I AM MAD! because my intellect is a little way upon the wrong side of that narrow boundary-line between sanity and insanity”

- Helen Maldon Talboys / Lucy Graham Audley

[mxcottonsocks]

The thing about Robert Audley and Lucy Audley is I get a sense that under different circumstances they would have been great friends

[costumeloverz71]

Lady Lucy Audley (Neve McIntosh) Blue gown... Lady Audley’s Secret (2000)... Costume by Pam Downe.. 

[nellygwyn]

BOOK RECS

Okay, so lots of people wanted this and so, I am compiling a list of my favourite books (both fiction and non-fiction), books that I recommend you read as soon as humanly possible. In the meantime, I’ll be pinning this post to the top of my blog (once I work out how to do that lmao) so it will be accessible for old and new followers. I’m going to order this list thematically, I think, just to keep everything tidy and orderly. Of course, a lot of this list will consist of historical fiction and historical non-fiction because that’s what I read primarily and thus, that’s where my bias is, but I promise to try and spice it up just a little bit. 

Favourite fiction books of all time:

The Mermaid and Mrs Hancock // Imogen Hermes Gowar

Sense and Sensibility // Jane Austen

Slammerkin // Emma Donoghue 

Remarkable Creatures // Tracy Chevalier

Life Mask // Emma Donoghue

His Dark Materials // Philip Pullman (this includes the follow-up series The Book of Dust)

Emma // Jane Austen

The Miniaturist // Jessie Burton

Girl, Woman, Other // Bernadine Evaristo 

Jane Eyre // Charlotte Brontë

Persuasion // Jane Austen

Girl with a Pearl Earring // Tracy Chevalier

The Silent Companions // Laura Purcell

Tess of the d’Urbervilles // Thomas Hardy

Northanger Abbey // Jane Austen

The Chronicles of Narnia // C.S. Lewis

Pride and Prejudice // Jane Austen

Goodnight, Mr Tom // Michelle Magorian

The French Lieutenant’s Woman // John Fowles 

The Butcher’s Hook // Janet Ellis 

Mansfield Park // Jane Austen

The All Souls Trilogy // Deborah Harkness

The Railway Children // Edith Nesbit

Favourite non-fiction books of all time

Catherine the Great: Portrait of a Woman // Robert Massie

Love and Louis XIV: The Women in the Life of the Sun King // Antonia Fraser

Madame de Pompadour // Nancy Mitford

The First Iron Lady: A Life of Caroline of Ansbach // Matthew Dennison 

Black and British: A Forgotten History // David Olusoga

Courtiers: The Secret History of the Georgian Court // Lucy Worsley 

Young and Damned and Fair: The Life of Katherine Howard, the Fifth Wife of Henry VIII // Gareth Russell

King Charles II // Antonia Fraser

Casanova’s Women // Judith Summers

Marie Antoinette: The Journey // Antonia Fraser

Mrs. Jordan’s Profession: The Story of a Great Actress and a Future King // Claire Tomalin

Jane Austen at Home // Lucy Worsley

Mudlarking: Lost and Found on the River Thames // Lara Maiklem

The Last Royal Rebel: The Life and Death of James, Duke of Monmouth // Anna Keay

The Marlboroughs: John and Sarah Churchill // Christopher Hibbert

Nell Gwynn: A Biography // Charles Beauclerk

Jurassic Mary: Mary Anning and the Primeval Monsters // Patricia Pierce

Georgian London: Into the Streets // Lucy Inglis

The Prince Who Would Be King: The Life and Death of Henry Stuart // Sarah Fraser

Wedlock: How Georgian Britain’s Worst Husband Met His Match // Wendy Moore

Dead Famous: An Unexpected History of Celebrity from the Stone Age to the Silver Screen // Greg Jenner

Victorians Undone: Tales of the Flesh in the Age of Decorum // Kathryn Hughes

Crown of Blood: The Deadly Inheritance of Lady Jane Grey // Nicola Tallis

Favourite books about the history of sex and/or sex work

The Origins of Sex: A History of First Sexual Revolution // Faramerz Dabhoiwala 

Erotic Exchanges: The World of Elite Prostitution in Eighteenth-Century Paris // Nina Kushner

Peg Plunkett: Memoirs of a Whore // Julie Peakman

Courtesans // Katie Hickman

The Other Victorians: A Study of Sexuality and Pornography in mid-Nineteenth Century England

Madams, Bawds, and Brothel Keepers // Fergus Linnane

The Secret History of Georgian London: How the Wages of Sin Shaped the Capital // Dan Cruickshank 

A Curious History of Sex // Kate Lister

Sex and Punishment: 4000 Years of Judging Desire // Eric Berkowitz

Queen of the Courtesans: Fanny Murray // Barbara White

Rent Boys: A History from Ancient Times to Present // Michael Hone

Celeste // Roland Perry

Sex and the Gender Revolution // Randolph Trumbach

The Pleasure’s All Mine: A History of Perverse Sex // Julie Peakman

LGBT+ fiction I love*

The Confessions of the Fox // Jordy Rosenberg 

As Meat Loves Salt // Maria Mccann

Bone China // Laura Purcell

Brideshead Revisited // Evelyn Waugh

The Confessions of Frannie Langton // Sara Collins

The Intoxicating Mr Lavelle // Neil Blackmore

Orlando // Virginia Woolf

Tipping the Velvet // Sarah Waters

She Rises // Kate Worsley

The Mercies // Kiran Millwood Hargrave

Oranges are Not the Only Fruit // Jeanette Winterson

Maurice // E.M Forster

Frankisstein: A Love Story // Jeanette Winterson

If I Was Your Girl // Meredith Russo 

The Well of Loneliness // Radclyffe Hall 

* fyi, Life Mask and Girl, Woman, Other are also LGBT+ fiction

Classics I haven’t already mentioned (including children’s classics)

Far From the Madding Crowd // Thomas Hardy 

I Capture the Castle // Dodie Smith 

Vanity Fair // William Makepeace Thackeray 

Wuthering Heights // Emily Brontë

The Blazing World // Margaret Cavendish, Duchess of Newcastle

Murder on the Orient Express // Agatha Christie 

Great Expectations // Charles Dickens

North and South // Elizabeth Gaskell

Evelina // Frances Burney

Death on the Nile // Agatha Christie

The Monk // Matthew Lewis

Frankenstein // Mary Shelley

Vilette // Charlotte Brontë

The Mayor of Casterbridge // Thomas Hardy

The Tenant of Wildfell Hall // Anne Brontë

Vile Bodies // Evelyn Waugh

Beloved // Toni Morrison 

The Murder of Roger Ackroyd // Agatha Christie

The History of Tom Jones, A Foundling // Henry Fielding

A Room With a View // E.M. Forster

Silas Marner // George Eliot 

Jude the Obscure // Thomas Hardy

My Man Jeeves // P.G. Wodehouse

Lady Audley’s Secret // Mary Elizabeth Braddon

Middlemarch // George Eliot

Little Women // Louisa May Alcott

Children of the New Forest // Frederick Marryat

I Know Why the Caged Bird Sings // Maya Angelou 

Rebecca // Daphne du Maurier

Alice in Wonderland // Lewis Carroll

The Wind in the Willows // Kenneth Grahame

Anna Karenina // Leo Tolstoy

Howard’s End // E.M. Forster

The Secret Diary of Adrian Mole, Aged 13 3/4 // Sue Townsend

Even more fiction recommendations

The Darling Strumpet // Gillian Bagwell

The Wolf Hall trilogy // Hilary Mantel

The Illumination of Ursula Flight // Anne-Marie Crowhurst

Queenie // Candace Carty-Williams

Forever Amber // Kathleen Winsor

The Corset // Laura Purcell

Love in Colour // Bolu Babalola

Artemisia // Alexandra Lapierre

Blackberry and Wild Rose // Sonia Velton

The Bloody Chamber and Other Stories // Angela Carter

The Languedoc trilogy // Kate Mosse

Longbourn // Jo Baker

A Skinful of Shadows // Frances Hardinge

The Black Moth // Georgette Heyer

The Far Pavilions // M.M Kaye

The Essex Serpent // Sarah Perry

The Seven Husbands of Evelyn Hugo // Taylor Jenkins Reid

Cavalier Queen // Fiona Mountain 

The Winter Palace // Eva Stachniak

Friday’s Child // Georgette Heyer

Falling Angels // Tracy Chevalier

Little // Edward Carey

Chocolat // Joanne Harris 

The Watchmaker of Filigree Street // Natasha Pulley 

My Sister, the Serial Killer // Oyinkan Braithwaite

The Convenient Marriage // Georgette Heyer

Katie Mulholland // Catherine Cookson

Restoration // Rose Tremain

Meat Market // Juno Dawson

Lady on the Coin // Margaret Campbell Bowes

In the Company of the Courtesan // Sarah Dunant

The Crimson Petal and the White // Michel Faber

A Place of Greater Safety // Hilary Mantel 

The Little Shop of Found Things // Paula Brackston

The Improbability of Love // Hannah Rothschild

The Murder Most Unladylike series // Robin Stevens

Dark Angels // Karleen Koen

The Words in My Hand // Guinevere Glasfurd

Time’s Convert // Deborah Harkness

The Collector // John Fowles

Vivaldi’s Virgins // Barbara Quick

The Foundling // Stacey Halls

The Phantom Tree // Nicola Cornick

The Seven Deaths of Evelyn Hardcastle // Stuart Turton

Golden Hill // Francis Spufford

Assorted non-fiction not yet mentioned

The Dinosaur Hunters: A True Story of Scientific Rivalry and the Discovery of the Prehistoric World // Deborah Cadbury

The Beauty and the Terror: An Alternative History to the Italian Renaissance // Catherine Fletcher

All the King's Women: Love, Sex, and Politics in the life of Charles II // Derek Jackson

Mozart’s Women // Jane Glover

Scandalous Liaisons: Charles II and His Court // R.E. Pritchard

Matilda: Queen, Empress, Warrior // Catherine Hanley 

Black Tudors // Miranda Kaufman 

To Catch a King: Charles II's Great Escape // Charles Spencer

1666: Plague, War and Hellfire // Rebecca Rideal

Henrietta Maria: Charles I's Indomitable Queen // Alison Plowden

Catherine of Braganza: Charles II's Restoration Queen // Sarah-Beth Watkins

Four Sisters: The Lost Lives of the Romanov Grand Duchesses // Helen Rappaport

Aristocrats: Caroline, Emily, Louisa and Sarah Lennox, 1740-1832 // Stella Tillyard 

The Fortunes of Francis Barber: The True Story of the Jamaican Slave who Became Samuel Johnson’s Heir // Michael Bundock

Black London: Life Before Emancipation // Gretchen Gerzina

In These Times: Living in Britain Through Napoleon’s Wars, 1793-1815

The King’s Mistress: Scandal, Intrigue and the True Story of the Woman who Stole the Heart of George I // Claudia Gold

Perdita: The Life of Mary Robinson // Paula Byrne

The Gentleman’s Daughter: Women’s Lives in Georgian England // Amanda Vickery

Terms and Conditions: Life in Girls’ Boarding School, 1939-1979 // Ysenda Maxtone Graham 

Fanny Burney: A Biography // Claire Harman

Aphra Behn: A Secret Life // Janet Todd

The Imperial Harem: Women and the Sovereignty in the Ottoman Empire // Leslie Peirce

The Fall of the House of Byron // Emily Brand

The Favourite: Sarah, Duchess of Marlborough // Ophelia Field

Night-Walking: A Nocturnal History of London // Matthew Beaumont, Will Self

Jane Austen: A Life // Claire Tomalin

Beloved Emma: The Life of Emma, Lady Hamilton // Flora Fraser

Sentimental Murder: Love and Madness in the 18th Century // John Brewer

Henrietta Howard: King’s Mistress, Queen’s Servant // Tracy Borman

City of Beasts: How Animals Shaped Georgian London // Tom Almeroth-Williams

Queen Anne: The Politics of Passion // Anne Somerset 

Charlotte Brontë: A Life // Claire Harman 

Goddess: The Secret Lives of Marilyn Monroe // Anthony Summers

Queer City: Gay London from the Romans to the Present Day // Peter Ackroyd 

Elizabeth I and Her Circle // Susan Doran

African Europeans: An Untold History // Olivette Otele 

Young Romantics: The Shelleys, Byron, and Other Tangled Lives // Daisy Hay

How to Create the Perfect Wife // Wendy Moore

The Sphinx: The Life of Gladys Deacon, Duchess of Marlborough // Hugo Vickers

The Life and Death of Anne Boleyn // Eric Ives

Dancing in the Streets: A History of Collective Joy // Barbara Ehrenreich

A is for Arsenic: The Poisons of Agatha Christie // Kathryn Harkup 

Mistresses: Sex and Scandal at the Court of Charles II // Linda Porter

Female Husbands: A Trans History // Jen Manion

Ladies in Waiting: From the Tudors to the Present Day // Anne Somerset

Ghostland: In Search of a Haunted Country // Edward Parnell 

A Cheesemonger’s History of the British Isles // Ned Palmer

The Butchering Art: Joseph Lister’s Quest to Transform the Grisly World of Victorian Medicine // Lindsey Fitzharris

Medieval Woman: Village Life in the Middle Ages // Ann Baer

The Husband Hunters: Social Climbing in London and New York // Anne de Courcy

The Voices of Nîmes: Women, Sex, and Marriage in Reformation Languedoc // Suzannah Lipscomb

The Daughters of the Winter Queen // Nancy Goldstone

Mad and Bad: Real Heroines of the Regency // Bea Koch

Bess of Hardwick // Mary S. Lovell

The Royal Art of Poison // Eleanor Herman 

The Strangest Family: The Private Lives of George III, Queen Charlotte, and the Hanoverians // Janice Hadlow

Palaces of Pleasure: From Music Halls to the Seaside to Football; How the Victorians Invented Mass Entertainment // Lee Jackson

Favourite books about current social/political issues (?? for lack of a better term)

Feminism, Interrupted: Disrupting Power // Lola Olufemi

Revolting Prostitutes: The Fight for Sex Worker Rights // Molly Smith, Juno Mac

Why I’m No Longer Talking to White People About Race // Reni Eddo-Lodge

Trans Britain: Our Journey from the Shadows // Christine Burns

Me, Not You: The Trouble with Mainstream Feminism // Alison Phipps

Trans Like Me: A Journey For All Of Us // C.N Lester

Brit(Ish): On Race, Identity, and Belonging // Afua Hirsch 

The Brutish Museums: The Benin Bronzes, Colonial Violence, and Cultural Restitution // Dan Hicks

Things No One Will Tell Fat Girls: A Handbook for Unapologetic Living // Jes M. Baker

Hood Feminism: Notes from the Women White Feminists Forgot // Mikki Kendall

Denial: Holocaust History on Trial // Deborah Lipstadt

Yes Means Yes: Visions of Female Sexual Power and a World Without Rape // Jessica Valenti, Jaclyn Friedman

Don’t Touch My Hair // Emma Dabiri

Sister Outsider // Audre Lorde 

Unicorn: The Memoir of a Muslim Drag Queen // Amrou Al-Kadhi

Trans Power // Juno Roche

Breathe: A Letter to My Sons // Imani Perry

The Windrush Betrayal: Exposing the Hostile Environment // Amelia Gentleman

Happy Fat: Taking Up Space in a World That Wants to Shrink You // Sofie Hagen

Diaries, memoirs & letters

The Diary of a Young Girl // Anne Frank

Renia’s Diary: A Young Girl’s Life in the Shadow of the Holocaust // Renia Spiegel 

Writing Home // Alan Bennett

The Diary of Samuel Pepys // Samuel Pepys

Histoire de Ma Vie // Giacomo Casanova

Toast: The Story of a Boy’s Hunger // Nigel Slater

London Journal, 1762-1763 // James Boswell

The Diary of a Bookseller // Shaun Blythell 

Jane Austen’s Letters // edited by Deidre la Faye

H is for Hawk // Helen Mcdonald 

The Salt Path // Raynor Winn

The Glitter and the Gold // Consuelo Vanderbilt, Duchess of Marlborough

Journals and Letters // Fanny Burney

Educated // Tara Westover

Bookworm: A Memoir of Childhood Reading // Lucy Mangan

Why Be Happy When You Could Be Normal? // Jeanette Winterson

A Dutiful Boy // Mohsin Zaidi

Secrets and Lies: The Trials of Christine Keeler // Christine Keeler

800 Years of Women’s Letters // edited by Olga Kenyon

Istanbul // Orhan Pamuk

Henry and June // Anaïs Nin

Historical romance (this is a short list because I’m still fairly new to this genre)

The Bridgerton series // Julia Quinn

One Good Earl Deserves a Lover // Sarah Mclean

Nine Rules to Break When Romancing a Rake // Sarah Mclean

The Lady’s Guide to Celestial Mechanics // Olivia Waite

That Could Be Enough // Alyssa Cole

Unveiled // Courtney Milan

The Craft of Love // EE Ottoman

The Maiden Lane series // Elizabeth Hoyt

An Extraordinary Union // Alyssa Cole

Slightly Dangerous // Mary Balogh

Dangerous Alliance: An Austentacious Romance // Jennieke Cohen

A Fashionable Indulgence // KJ Charles

[recycledmoviecostumes]

Recycling gowns is hardly new. It has been in practice in film and television since its invention and has been a common practice in theatre productions for hundreds of years.  In addition, it is also sometimes seen in paintings. Many artists have been known to reuse clothing that they painted. For example, a yellow housecoat trimmed in ermine appears in several paintings by Vermeer. Sometimes the artist owned the actual garment they painted (almost certainly in Vermeer’s case), while other times it may have been an example from a woman’s magazine that they copied over and over again.

This beautiful striped Victorian gown is especially interesting because it is actually based on a gown from works of art by French artist James Tissot. The reproduction gown itself has been seen in at least five productions. It was first worn on Rya Kihlstedt as Lizzy Elmsworth in the 1995 production of The Buccaneers.  It was seen again Maite Yerro as Juliet on a movie screen in the 1996 film Evita. In 2000 it was worn by Neve McIntosh as Lucy, Lady Audley in Lady Audley’s Secret. In 2001 it was worn by  Valerie Koch as Sophie Charlotte in Sophie - Sissis kleine Schwester. Lastly, it was worn by Isobel Pravda as Camille Monet in the 2006 mini-series The Impressionists.

The original gown on which the costume was based was not only painted by James Tissot - it was painted by him numerous times. Tissot was an artist who was mostly known for his paintings of women dressed in their elaborate gowns, and while it is not known if Tissot owned some of the gowns he repeatedly painted or not, the fact that his parents were both in the Fashion Industry might lead one to believe that his owning them would not have been out of the realm of possibility. In Professor Lou Taylor’s book The Study of Dress History, he writes:

Tissot reused favorite garments over periods of two or three years. Thus the notion that his 1870s paintings reflected the most up-to-date fashions may be flawed.

Five paintings in which Tissot painted this black and white gown include: The Captain and the Mate (c.1873), The Return from the Boating Trip (c.1873), Boarding the Yacht (c.1873), Still on Top (c.1874) and  Holiday (c.1876).

To see a full gallery of Tissot’s paintings and the beautiful gowns they showcase, go here.

Costume Credit: Katie S., Kiteflier, Shrewsbury Lasses

E-mail Submissions: submissions@recycledmoviecostumes.com

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