#lewis seiler

[gatutor]

Alexis Smith-Wayne Morris "The smiling ghost" 1941, de Lewis Seiler.

[artdecoandmodernist]

1936 Chorus girls on the set of Star for a Night. Costume Design by Herschel McCoy (as Herschel).

Blind Mrs. Lind comes to American to visit her three children whom she thinks are successful. 

[chicinsilk]

❤️❤️❤️❤️❤️

Marlene Dietrich, Pittsburgh American film directed by Lewis Seiler (Universal, 1942)

Marlene Dietrich, La Fièvre de l'or noir, Film américain réalisé par Lewis Seiler (Universal, 1942)

[newspdm]

The Great K & A Train Robbery (1926)

The Great K & A Train Robbery is a 1926 American silent Western film directed by Lewis Seiler and starring Tom Mix and Dorothy Dwan. The film is based on the actual foiling of a train robbery by Dick Gordon as related by Paul Leicester Ford in his book The Great K & A Train Robbery originally published as a serial in Lippincott’s Monthly Magazine in…

[erstwhile-punk-guerito]

[citizenscreen]

Carmen Miranda and Martha Stewart between takes on set of Lewis Seiler’s DOLL FACE (1945)

[emeraldexplorer2]

Jan Sterling as Brenda Martin in Women's Prison Lewis Seiler, 1955

[colored-comas]

No Rest For The Innocent.

" Falling asleep usually leads into dreaming or darkness, and thats held close as relief. Calming, safe, and wanted...

Though, for some, when they slip into sleep?

It's not the same peace and relaxation.

For some, it's a reenactment.

A WarZone for others.

Never getting to feel the grip of sleep, instead only waking into alternative realities. Replaying the familiar scrips of their own stories, beloved creativity and creation. Turning sour as they're forced to live it's story out at night.

Writing, recording, all expressions leading into those hellish nights.

Leaving,

No Rest For The Innocent. "

Colored Comas. Prequel, Completed.

Upwards Bound. Early Story, WIP.

WarZone.

No Rest For The Innocent.

After Hours.

HellBent.

[ TBC ]

While this is not the main or core part of the story, I feel the need to address it before continuing on:

This story covers incredibly dark topics, the storylines and characters are reflections and/or projections of the people writing the story. We do not support nor glorify any dark topics such as abuse, child experiments, or forms of extreme violence and harm. It's all in the name of fiction, or things that the authors are projecting from our own bad experiences.

This story is not aimed for those under 15 years of age, it includes dark and serious topics, possible adult content, and themes of harm. Be careful and take care of yourself, please.

The authors of this story are all 18 and older, despite the story not being focused on such themes mentioned above, they do appear within the text at times. Thank you.

Authors Info:

❤️Zachary Torres, he/it, age 19. @warpaint-sys

🩶Hosuh M., they/she, age 21.

💜Stephen Zhou, he/it/xe, age 19.

💚Beccah Scott, she/they, age 20.

🧡Cole Seiler, they/she/he, age 21.

🩷Kelly Basset, she/her, age 18.

🩵Siren Rae, he/void/xei, age 19. @siren--squid

🤍Sam Tamayo, it/he/they, age 20. @sammy--moh

Main Characters:

Adam Dyam. ☀️

Star Zhou. 🌟

Tyler Elijah. 🦇

Barney Yavuz. 🍃

Rory Brooks. 🌧

Maxwell Lewis. 🔥

Michael Sawyer. 🌈

Tobias Evans. 📺

Side Characters:

That would make this list so long.

Spotify Playlists for the characters!

Adam.

Star.

Ty.

Barney.

Rory.

Max.

Mike.

Tyler. { Side Character! }

Ramen. { Background Character! }

Songs are added either based on the character vibe, or we have connected the lyrics to the characters story!

DNI - proship, antiship, endogenic community, under age 15, believe in personality disorder abuse, and basic criteria you've read everywhere else.

[filmnoirfoundation]

Two rare noir playing tonight at NOIR CITY Hollywood, both screening in 35mm, 7:30pm at American Cinematheque: TO THE ENDS OF THE EARTH & WHIPLASH. Introduction by Alan K. Rode.

Full festival info and tix: https://bit.ly/3pJBmcV

7:30

TO THE ENDS OF THE EARTH (1948)

Screenplay by Jay Richard Kennedy

Directed by Robert Stevenson

One of the first post-war movies that attempted to deal seriously with the burgeoning narcotics trade in defiance of a Production Code that forbade nearly any mention of the subject! In true “docu-noir” style, Treasury agent Dick Powell trots the globe trying to pin down the leader of a diabolical heroin ring with a series of surprising occurrences culminating in a stunning denouement. Directed by Robert Stevenson, this fascinating period suspenser is almost never screened theatrically. Don’t miss this one!

FORMAT: 35mm

9:40

WHIPLASH (1948)

Screenplay by Maurice Geraghty and Harriet Frank Jr.

Directed by Lewis Seiler

Blend OUT OF THE PAST with BODY AND SOUL and what do you get? An artist who falls for a mystery woman, pursues her to the Big Apple, and ends up fighting for the middleweight championship! A contentious Dane Clark is artist/boxer Mike Angelo, Alexis Smith is his sexy siren, Eve Arden the sassy girlfriend, Douglas Kennedy the scar-faced gunsel, and best of all, Zachary Scott is the sadistic wheelchair-bound fight manager! “Whiplash” is what you’ll get keeping up with the breakneck plot pacing culminating in a smashing finale!

FORMAT: 35mm

[silver-stargazing]

Epilepticon 2022 Movie Marathon

The Winning Team (1952) dir. Lewis Seiler

Summary: A biographical film on Grover Cleveland Alexander, a pitcher for the New York Yankees, and the personal and professional struggles he faced after developing epilepsy.

Representation: Halfway through the film, Alexander develops epilepsy due to an exploding shell injuring him during his service in World War One. He is shown to have epileptic seizures including in front of hundreds of spectators.

He sees a private doctor about his epilepsy and describes having auras (or “seeing a bright light” as he calls them) before having “blackout” seizures where his body goes completely limp, causing him to faint. The doctor recommends that Alexander keeps this information private as it could harm his baseball career.

[Image ID: Four screenshots from The Winning Team (1952). All images are in black and white.

Image 1: A plaque to Grover Cleveland Alexander. Superimposed over the plaque is the sentence “This is the true story of Grover Cleveland Alexander”.

Image 2: Aimee Alexander (as portrayed by Doris Day) answers the telephone.

Image 3: Aimee and Grover Cleveland Alexander (as portrayed by Ronald Reagan) together. They’re both wearing their wedding outfits and Grover is carrying Aimee.

Image 4: Grover Cleveland Alexander up at bat during a baseball game.

/End ID]

[gatutor]

Kay Francis-Humphrey Bogart "El rey del hampa" (King of the underworld) 1939, de Lewis Seiler.

[elcinelateleymickyandonie]

''THE BAMBOO PRISON''

Año: 1954

Dirección: Lewis Seiler

Para ver el tráiler ingresa al enlace:

https://www.youtube.com/watch?v=wBc-q6wToo0

[pilgrim1975]

Peter Seiler and George Ricci, laughter in the Death House.

It is the evening of December 15, 1927. At Sing Sing Prison the convicts are putting on their regular Christmas show, a light musical comedy called ‘A Sweet Little Devil.’ Some 600 of New York State’s toughest convicts are enjoying the show, one of several reforms instituted by famed Warden Lewis E. Lawes. Probably America’s most famous and divisive prison official, Lawes sees it as his job to…

[citizenscreen]

Humphrey Bogart and the Dead End Kids for Lewis Seiler’s CRIME SCHOOL (1938)

[twittercomfrnklin2001-blog]

Women's Prison

Lewis Seiler’s WOMEN’S PRISON (1955), leaving The Criterion Channel at month’s end, seems to keep forgetting it has a plot, but the pieces making up the whole alternate between great fun and pure tripe. The film starts out focusing on the latter, with Phyllis Thaxter as a housewife doing one to ten for vehicular manslaughter Everything about prison sends her into hysterics, which gets old so fast that before long she’s thrown into solitary while the other more interesting stories play out. Audrey Totter, who has great eyes, is a woman whose husband (Warren Stevens) is doing time in the men’s prison just over the wall. He keeps trying to sneak in, with neither realizing that a little supply closet hanky panky could make it hard to cover up his visits. Meanwhile, sadistic warden Ida Lupino keeps locking horns with prison doctor Howard Duff, and floozy-with-a-heart-of-gold Jan Sterling steals everything but the guard towers. For all its silliness, the film has some fascinating touches, little godsends for the dedicated viewer. As awful as she is, Lupino is also presented as a victim of the ruthless warden of the men’s prison, who keeps threatening her job if she doesn’t crack down mercilessly on her charges. Sterling pulls off some impressive slaloms between brash tough-girl talk and vulnerable reaction shots, and she also lets herself get increasingly disheveled as her prison stay progresses. You also get Cleo Moore in a funny and endearing supporting role, Gertrude Michael as a sympathetic matron and Juanita Moore as a prisoner named “Polytechnic.”