Anthem of the Angel - Eiichi's comments on the lyrics
Eiichi's comments on his song "LIFE~with thanks~" in the Anthem of the Angel album
I do NOT own the image. Source is below.
I'm not fluent in Japanese so there may be mistakes in the translation. Please correct me if I'm wrong. I used DeepL and Google Translate.
Translation:
I wanted to express the future I want to walk with Angel in my music. The bright and fast melodies give courage and hope to those who listen to them. The simple and straightforward sound is pleasant to listen to and seems to go deep into the heart. The lyrics express the desire to cherish the connection with Angel. Don't let fate be the end of your encounters with everyone. Always remember to be grateful. What I can do to make our relationship more solid is to be the leader of HE★VENS, to be the one who embraces the members and Angels, and to sing about my love for everyone. I carved that determination into the lyrics. That is my life. The last part of the chorus, "Can you hear it?" "Can you feel it?" I sang as if I was talking to you. I want my thoughts to reach Angel. And when they do, I want you to raise your voice and respond to them.
Source of image: https://ameblo.jp/cunextsession/entry-12451713576.html
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The best piece of advice I ever got was not meant as advice, but as an edict. If I was going to threaten people as a joke, it had to be so far out of proportion with what happened that it would be obvious I was joking. This changed how I expressed frustration with others. It then changed how I expressed frustration with myself.
Not “I’m going to hit you” but “I am going to buy a tuna sub from the gas station and hide it under the seat of your car”
Not “I’m going to kill myself” but “I am going to walk into the desert and let the scarabs take me”
The other side then happened. When I mess something up, instead of saying it’s bad and perpetuating negative thoughts, swing hard the other way.
Not “this art is terrible” but “this shall be framed and mounted on the wall in my museum exhibition as testament to the suffering I had to overcome”
Have been doing this since high school. It was my drama teacher who asked me to please stop scaring the actors. The other half of the edict was that I had to say it in a polite tone, and end it with either please or thank you.
Life changing. 10/10 Mr Muëller. Highly reccomend.
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poetry and musical theater get similar accusations leveled at them in terms of not being realistic, i.e. “no one fucking talks like that” or “people don’t randomly burst into song in real life” and sometimes i just want to take people by the shoulders and say. there are forms of art that are not aiming for perfect realism. are you capable of handling that
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this comment on a tiktok where theyre crying because their dog isnt gonna live forever slaps
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lead balloon (the tumblr post that saved me)
if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.
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no creative notes because this isn't that kind of comic.
I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.
I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.
If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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