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You stand above your brother in his bed, occupied now by more than just pillows and blankets, for the woman at his back is fair and terrifying, even in sleep. You look between them, and you stand above your brother and think -
Is it too late to kill him now?
There are no ships on the horizon - yet - and if you present a body along with the stolen wife when the husband turns up, will that break the omen your mother dreamed?
Is it too late to kill him now?
You drop your hand down - perhaps to close around his throat, another already clutching one of those many, many pillows, and in the dark it'd be easy, wouldn't it? All you do is caress his cheek, your fingers digging stiffly into the pillow. He exhales, a tender shallow ease of breath, and there is this little smile on his lips.
You stand above your brother in his bed, there are ships on the shore, and you have cursed him for a plague, a bane, a cruelty raised by the Olympian to bring your house down, and -
it's too late to kill him now.
It'd be easy to do it, however. You carry a dagger at your belt even now, having left your own bed. Or you could perhaps stir up one of your other brothers, the city, some of your father's council. The baby was almost killed once, after all; what would it matter if it was realized now? Kin-blood believed to have been spilled is surely no less polluting than it being done in reality. The attempt might only have been in the handing over of a fragile infant into another's hands, handed over into the bosom of a mountain, wild and no place for such a tender little being.
But the mountain had been merciful, and nurtured instead of torn asunder, and now you're standing above your brother in his bed.
It's too late to kill him now, but would anyone blame you, blame anyone at all they might suspect, as much as they hate him, a hatred unsaid? Simmering. You don't know how he walks through the palace, the city, his life and not cower from the knowledge; he can't not know.
Your brother - pretty, soft, laughing, shining - doomed and dooming all of you from the start. What does an infant know of causing death? Your father tried to kill an innocent. Some of your brothers attempted it next, an innocent only wishing to reclaim what he thought belonged to him and them not knowing who the slave they felt so insulted by was.
Perhaps it's only fair he will kill you all, merely by existing, by batting those ridiculous lashes to lure the woman still sleeping at his back out of her home, her marriage, her life, and into yours.
You stand above your brother in his bed, and brush your knuckles down his cheek.
It's too late to kill him now, and no matter that you've cursed him and wished him dead - to his face, to your parents' faces, but never to anyone else's - with every angry word to spit at him there's always this echo of the wide, wide eyes, the trembling hand in yours as you help him up from kneeling next to the altar in your head.
Your little brother, that you failed to protect when he was born. And what are you if you don't protect? It's too late to kill him now, anyway. Was always too late.
You meet the gleaming whites of Helen's gaze in the darkness, watching her smooth her grip on your brother's arm into a stroke. Both of you can feel the relief staining the air as you turn away, pretending like she wasn't ready to help you.
You leave your brother in his bed.
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Xmas night walk



#lightart#citylights#xmas#city lights#glow#city photography#phorography#digital photography#original content#missedmilemarkers
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Rosa H. LightArt
Coming out...
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Sneak-peak of a light art group exhibition at Fénydóm Budapest/ my cell/part - 'instinct - ancestor' (omnisphere 2017 animation variant/adapted to the given space) from 01.03.2024 - 17.03.2024, another projection-mapping installation.
#sneak peek#artists on tumblr#media artist#visual#loop#budapest#ivo3d#projection mapping#video art#videoprojection#lightart#biodom#fenydombudapest#fénydóm#zoo#generative
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Individual prints are available at Pictorem: https://aniimaillussiya.pictorem.com
#AIArt#DigitalArt#Illumination#ArtificialIntelligence#AIGenerated#Art#Artwork#Creativity#MachineLearning#NeuralNetworks#VisualArt#LightArt#ModernArt#DigitalCreativity#FuturisticArt#TechArt#AIEffects#ArtOfLight#InnovativeArt#GlowingArt
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Light Artist Robert Irwin
Installation
"Dusk to Dawn"
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Dundu — Valomies, Valonkaupunki 2024, Jyväskylä, Finland
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Inner Space • Made with Touchdesigner
Exploring philosophy through art.
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Being in union with our inner soul requires finding inner tranquility to sense its presence.
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The flickering blue flame symbolizes the gentleness of our inner soul/inner voice.
#audiovisual#digital art#touchdesigner#lightart#generative art#philosophy#spiritualgrowth#spiritual awakening
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Pissed off I had to get an idea and had to write it down. Anyway, something something about Odysseus, the Hesiodic children by Kalypso, and what he might be pushed to contemplate in the direst of straits.
He was content to merely recover, at first.
Seventeen days tossed at sea, starving and thirsting, had been hard, and Kalypso's cave was well-appointed, the goddess-nymph herself welcoming and soft. A respite after such despair. A soothing of both mind and body, in food, in sleep, in her soft arms.
But a year passed, and unlike with Kirke, he didn't need Polites to urge him to ask Kirke to aid them in leaving. Kalypso, however, ignored him. She might well have missed his musing at first, spoken in half-sleep desire against her breast one night; he had been distracted, and so, perhaps, had she. But when he presented the request days later at breakfast, she blinked, staring at him with large, luminous eyes, blue-gray like the storming sea, and then put a cup of wine in his hands.
A full year later many more requests voiced, her stomach was curving under his hand.
He left her cave for the day for the first time, refusing intending to stay away.
But while her island was a gentle respite, and he had seen many bushes and nut-bearing trees, and a fair few rabbits earlier (they were providing the meat she served at meals; there were no other animals aside from birds and fish in the shoals around the shores), when he went looking to make himself a meal near sunset, he could find nothing. The next morning, nothing, either.
The third day, he went back to Kalypso, and she welcomed him like he hadn't been gone.
He left the next morning, but unwilling to suffer an empty stomach and carving away at his strength, he comes back at night. To her table, and, even though he doesn't want to any longer, her bed.
There was a winter storm tearing at the cold, gray sea, not yet into the third year, when Kalypso gave birth.
"Your son, my Odysseus," she proclaimed as she came into the main room of the cave, tired but practically singing, a glow about her as she handed a swaddled bundle over. "Nausinous."
The infant was an infant, small in his arms. He didn't look like Telemachos, Odysseus was sure, but memory was a little fuzzy on the matter. He sat there, staring down at the sleeping boy, until dark lashes fluttered open. Huge, luminous blue-gray eyes meet his with the unfocused wont of babies, and Odysseus was relieved. The boy really didn't look like Telemachos.
That was what he told himself, anyway, as the months passed.
As he saw - though he tried to ignore him and Kalypso, but he had to go back in the evenings after the weather and season turned and he could flee for the day outside once more - the infant grow, past the age he'd last seen Telemachos. Those luminous eyes remained, declaring firmly who the child's mother was, and that made it - easier. But Nausinous had thick, curling dark hair and chubby cheeks and---
"Papa!"
The delighted cry cut through the air, and Odysseus stormed out of the cave to avoid his tottering infant son attempting to walk to him.
He had never gotten to see Telemachos try to walk. He'd just about begun to crawl when the second muster was called.
Hunger and a comfortable place to sleep ever drew him back to Kalypso's cave, no matter his attempts at avoiding the cave's inhabitants. He could not avoid the child in truth, and it was hard to ignore him, to harden his heart against those huge eyes and chubby little fingers whenever they shared a table. Nausinous was quickly put in his own chair in preference of his mother's lap (he'd made it himself, Kalypso seemingly not realizing the boy couldn't sit in a regular chair just yet and growing impatient with the boy), and he was the one to dry off child-sticky chins and cheeks, he was the one to have to put the boy to bed. Odysseus knew Kalypso was partially forcing him into doing this by ignoring the child intentionally - he knew she wanted him to spend time with their son - but she also seemed to have lost interest quite quickly, as Nausinous grew out of his first few months and into his first year.
He could not imagine that happening with Penelope, and after that there would also be Eurykleia. But here there was only he and Kalypso, and Nausinous couldn't take care of himself.
"Hi."
Odysseus choked on a wet, half-groaning sob, dragging a hand down his face. Nausinous plopped himself down on the sand beside him, chubby, not-yet-five year old legs stretched out in front of him. He hadn't expected the boy to come all the way over here, but he was a stubborn child. And maybe he was realizing his mother didn't have much patience for him; those huge eyes seemed to be everywhere, Nausinous more quiet than he talked, watching. Odysseus didn't want to think it, but it reminded him of how both Eurykleia and his mother had described him as a child.
Had Telemachos been like that at Nausinous' age? Was he still so? Was his nature something else entirely?
"You should go back," he managed, sucked in a breath through his nose. It pushed back the tears. Kalypso was pregnant again. She'd told him this very morning. He couldn't deal with this right now.
"Papa's here," the little boy said, patting the sand into a vague tower, but they were too far up on the beach for it to hold shape. "Why?"
"… I'm missing home."
"Home?" Nausinous looked up, those huge, luminous eyes impossibly piercing for a child not quite yet five, and this was an infant, a child, yet Odysseus' heart quavered under the stare, reminding far too much of his mother.
"I came from elsewhere, before you were born," he said shortly, because he wasn't going to sit here and talk to a little child about what he missed, of Ithaka, Penelope and his son; what he was missing as the years passed - Nausinous' growing an aching reminder of that fact, and Kalypso's not-yet showing second pregnancy.
Kalypso named their second son Nausithous.
Odysseus felt like he was drowning though he was breathing sweet, clear air, ever salty with the sting from the sea. He ended up shouting at Nausinous the once, to leave him alone; to get back home, and then he regretted it as he watched the child grow pale, his eyes even larger, and try to hold back swimming tears. Regretted it even as he resented not knowing if Telemachos had ever looked like that, resented it even as he caught up with the sobbing boy and lifted him up in his arms - he was getting heavy. Regretted it, because it's not Nausinous' fault he was here, that either of them were were. If anything, it was his fault the boy was here, caught between a father weeping on the beach and a divine mother growing ever more distant as she cooed over the babe-in-arms.
And then Kalypso said she was letting him go.
He didn't believe it at first. Made her swear an oath, but she swore it willingly and gave him everything he needed to build a raft and hope sung in his breast for the first time in years.
At least until Nausinous came to watch, standing there quietly for a long while, intently watching, before he spoke up.
"What are you doing?"
"I'm going home," Odysseus said, then regretted that too, watching the luminous eyes grow hooded in the edge of his vision. Of course Nausinous would understand what he was saying out of what he wasn't saying. But he couldn't take the boy with him. Kalypso's distant face as she watched Nausinous play with a toy horse he'd carved for their son intruded on his mind. Odysseus closed his eyes. "Do you want to help? I can tell you about Ithaka."
He wasn't sure what he was doing, but distracting Nausinous with tales of home got them through three days without tears, got them through his own indecision. It wasn't a good idea, not knowing what he'd do when - if - they both came to Ithaka unscated, but he couldn't imagine leaving Nausinous here. Kalypso could keep Nausithous - at a couple months, the infant barely knew more than his mother's breast, anyway.
And surely now that she'd had one child she might be more ready to deal with her second. Not that Odysseus had ever considered it possible a woman wouldn't want her own children, whether she had a nurse for them or not. But Kalypso was a goddess-nymph - what did he know of the workings of divine women?
The raft was packed, he was half a breath from stepping onto it, and turned around.
Kalypso caught her breath, her eyes shining, but Odysseus held a hand out to his five year old son.
"Do you want to come with me?"
"Yes!"
The boy flew over, colliding with his legs and Odysseus could only hope this wasn't a mistake. Could only push down the sour resentment over never having had Telemachos do something like this to him, forcing him to try to catch his balance.
"Well," Kalypso said, her voice tight, a storm in her eyes. "If you're taking the one, you can take the other, too."
Odysseus didn't get a chance to say anything as she shoved their baby son at him, and the wind pushed him and Nausinous onto the raft, as well as the raft out into the water.
It went… fine, at first. Despite that he had an armful of baby and a five year old with him.
Then came the storm. Odysseus wasn't sure how he survived that, even less how he still had both children with him, Nausithous against his chest and Nausinous clinging to the mast with him. Especially when he'd had to tear both his and the boy's clothes off to ensure they weren't too heavy and got dragged down.
The problem, in the end, wasn't the storm or the rough sea; there was land so very close by. The problem was that the storm refused to abate, the sea refusing to calm, and he was only a single man with two arms. Nausinous eyes were so very huge, even larger in his tired, pale face. There was no way he'd be able to hold on, and the mast wasn't really large enough to support both of them easily. It kept dipping at the ends, in the middle, with each and every wave. If it sank, they were both lost. And the baby in his arms made it harder to both cling to the mast himself, as well as keep Nausinous from slipping off the mast and into the waters.
Odysseus stared at the distant, yet so very close shore. Stared at his sons, one beside him, one against his chest.
It'd be so much easier if he was alone.
It wouldn't guarantee he would survive, but it would be easier, and neither of these two children were Telemachos.
Nausinous cried out, choking on sea water, as a wave slammed over and into them. Odysseus, heart hammeing in his chest - guilt, anger, frustration - shoved his hand under the surface and caught his son by the hair, yanking him up and holding him there until he was clinging to the wet, water-swollen wood again.
It would've been so easy to not snatch him back.
It would have been so much simpler and easier to let Telemachos die to the plough, too; it would've kept him home for these decades, would've kept him away from the sea, away from all of this. That had been unthinkable then, and he still couldn't imagine doing that to Telemachos now. Odysseus glanced down once more, to the baby and the five year old beside him.
He was so tired.
He had done what he had to, with Iphigenia. And he had done what had seemed necessary, when it came to the son of Hektor; they were, after all, killing all the men of Troy, and letting the son of the man who'd been so troublesome, the heir to king Priam himself escape merely because some had sympathy to his wife, who undoubtedly was a worthy, stalwart woman and mother was foolish. Not safe. He would do what he had to, to ensure Troy could never retaliate.
Others' children, that.
And now, if he only had both arms, he could keep himself as well as Nausinous on the mast more easily. If there was only him, he wouldn't have to worry about the weight on the mast being too much. If he---
"Unhappy man!"
Odysseus almost drowned himself in his surprise when a goddess rose from the sea.
He did not need to follow his line of thought to the end, or his growing willingness to do so for his own sake. Not even when Poseidon sent yet more waves at them; the veil Leucothea gave him helped keep the boys safe and his strength sure enough, even when struggling until the nearby river god at his plea stilled the waters close to his outflow. And as he staggered onto the shore, both children still with him, Odysseus ignored the guilty weight in his heart with grim determination, for he needed to see both to himself and the boys, and could not linger on the revelation that in the end, it wasn't just other's children he might have been willing to sacrifice.
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I love this neat tunnel with its ever-changing lights! Each time you pass through, the colors shift, giving it a dynamic, almost magical atmosphere. It’s such a cool detail that makes an ordinary walk a bit more special.
#UrbanDesign#ColorfulArchitecture#LightArt#PublicArt#TunnelPhotography#CityVibes#NeonAesthetic#UrbanExploration#ColoradoLife#MissedMileMarkers
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Sneak-peak of a light art group exhibition at Fénydóm Budapest/ my cell/part - 'instinct - ancestor' (omnisphere 2017 animation variant/adapted to the given space) from 01.03.2024 - 17.03.2024, another projection-mapping installation.
#fénydóm#fenydombudapest#biodom#media artist#visual#loop#artists on tumblr#budapest#ivo3d#3d#lightart#light art#installationart#new media#projection#primordial#projection mapping#videomapping#video art#generative#generative art
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{ 𝓃𝒾𝑔𝒽𝓉 𝒻𝒶𝓇𝓎𝓉𝒶𝓁𝑒 }
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Light & Dark
#art#artists on tumblr#artwork#digital artist#contemporary art#artist#original work#my work#my art#my post#work art#woman#dark art#lightart#digital art
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Starchild By Jeff Stanford, 2023
Buy prints at: https://jeff-stanford.pixels.com/
#© jeff stanford#midjourney#midjourneyart#ai#discord#digitalart#aiart#fineartamerica#starchild#child#Luminous#Pointillism#human#forms#light#lightArt#amber#delicate#stars#stardust#figurative#portrait#artists on tumblr
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FRIEDENSLICHTER
PHILIPP GEIST
LICHTKUNST-INSTALLATION
ERFURT ST. SEVERI KIRCHE
KATHOLIKENTAG 2024
30.5-01.06.2024 21:30-23:00
#erfurt #stseveri #katholikentag #philippgeist #videogeist #katholikentag2024 #friedenslichter #projectionmapping #videogeist #lightart #videoart #lichtkunst #digitalart #contemporaryart #pattern #Structures #zukunfthatdermenschdesfriedens #berlinartist
#philippgeist#videogeist#berlin#abstractart#painting#berlinartist#malerei#lightartist#lightart#projectionmapping#video mapping
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