#like no that isn't Really how her family died but being out there with them??

[miraculouslbcnreactions]

While I don’t think the senti-kid story necessarily works if the writers wanted to keep the show focused on kids, I think it would’ve gone over a bit better if it was just Felix who was the senti, rather than also Adrien and Kagami (especially Kagami, she was a complete retcon in that regard).

Picture this:

Gabriel, Emilie, and Natalie find the Miraculous (Butterfly and Peacock) because they have an expensive hobby (archeology/collecting rare items, as wealthy people like to do), not because they need the magic at all. They just heard a rumor of an old Tibetan monastery and wanted to check it out, got lucky in finding the two jewels. The Peacock doesn’t even have to be broken.

We can keep the basics of the backstory shown in Representation- minus the detail of Adrien being made with the Peacock. Gabriel and Emilie conceive Adrien normally, but Colt and Amelie aren’t able to like in canon, so Colt has that same jealous outburst at Gabriel. Because Emilie feels bad for her sister, and Gabriel sees an opportunity to make a deal, they lend, or maybe trade, the Peacock to them to create a child. As in canon, Colt uses it, and his jealousy makes Felix a physical copy of Adrien.

Emilie gets sick for non-magical reasons. (I wouldn’t mind having her use it for funsies and not realizing it was broken, but it’s very obviously cracked, and I can’t imagine at least one of their two kwamis not giving them a warning.) As for what happens to Colt, I’m on the fence about him being alive in present times because that kind of abuse is really heavy, so maybe he just dies for unsaid reasons (though I vote Amelie poisoned him or something).

This version would allow for a really cool contrast between Adrien and Felix’s stories and characters. You have Adrien, a normal human, capable of disobedience, but who bends easily under others and is a people-pleaser. Versus Felix, a senti being magically compelled to obey orders of whoever has his amok, but fights to be free every chance he gets. That contrast would also further Felix’s frustration and jealousy of Adrien, in addition to his own father’s hatred of him and being identical to his cousin, because Felix would kill for Adrien’s free will, but he squanders it. But then there’s also the issue that he’s essentially victim blaming Adrien, not realizing that magic isn’t the only way to force obedience- not to mention ignoring the times that Adrien did stand up for himself (like running away to school). I think that would be a really great discussion of free will, how jealousy can blind you, family conflict (and resolution), and how different kinds of abuse/trauma aren’t automatically better than each other just because they’re opposites (ex: someone with heatstroke shouldn’t be jealous of someone with frostbite. Both suck.) The intensity might be worse for each circumstance (since Felix has magical abuse and physical+verbal abuse), but he would be in the wrong for saying Adrien has it easy.

(I think at this point my ADHD is over-explaining, so I’ll leave it at that lol)

Do you think a route like that would’ve improved the show at all? I’d love to hear your thoughts!

The sentiplot has many issues and one of the big ones is that it's not a great fit for a show where Marinette is the one and only main character. They've given Kagami, Felix, and Adrien this massive weight that begs for them to take center stage for at least a few episodes, but probably a whole season or two. The show isn't going to do that, so it's near impossible to really fix the sentiplot without truly massive changes to canon.

That being said, I think that this idea would have vastly improved the sentiplot in its current form! Right now, the senti thing truly doesn't matter to Adrien's character. His mom could have gotten sick for any random reason and the only meaningful change would be that Gabriel couldn't use the rings to keep Adrienette from kissing that one time. Outside of that, Adrien's status has no meaningful effect on the story. It doesn't even keep him out of the final! He does that on his own! The senti thing is just there for cheap drama.

There's also the issue that the current storyline makes the Agreste's look awful which is clearly not the story's goal. Emilie is supposed to be an angel and Gabriel is supposed to be a grief-stricken man who loves his family. That doesn't fit with the kind of monsters who would make a magical designer slave to be their child and then wear his control rings around as daily accessories. Remember, they picked their freaking wedding rings for his slave collars! Most people wear those every day. The implications are nasty!

It makes way more sense for the Agreste's to have the peacock for more mundane reasons and for Colt to get it somehow. Maybe even have him steal it after he finds out about it to really remove the Ageste's from the perfect slave child issue. This allows for the contrast between Gabriel and Colt that canon so clearly wanted, but failed to write. It also makes Felix's actions towards Adrien make way more sense. It feels like canon Felix hates Adrien and we still don't know why that is.

As nebulous as Felix's character is, he still feels like the kind of character who needs to be tied to something like the sentiplot. It's part of the reason I don't think I can use him in my own stuff. The sentiplot is - or at least should be - such a major, defining thing for him that the only possible way to use him is to keep that plot or to give him a plot about freeing the Kwamis since they're also slaves and his abusive childhood could make him feel a bond with them.

Focusing the sentistruggle on Felix instead of spreading it out to include Adrien and Kagami would also keep the sentistuff from dominating the story. Making the male romantic lead an artificial being without true free will whose creation killed his mother is a massive thing that needs to be the focus of his character for the rest of the story. People are on the edge of their seats waiting for Adrien to learn the truth and want this to be a big plot. I do not think they're going to get that, but they should.

Having a side character be the artificial human allows this to be something that is dealt with and then Felix either leaves or fades into the background once his story is over because his story allowed to have an ending whenever they want it to. That's not true for Adrien. Adrien's ending is happily every after with Marinette and the sentiplot needlessly complicates that plan because it means that Adrien's character is always going to be center stage, making people want the sentiplot to mean something since it's apparently impossible for him to ever be a real boy who has true free will. That's such a massive thing that it begs for Adrien to be the main character, which is an asinine writing choice. I have no idea why they keep giving Adrien all this massive narrative weight. You don't do that if you want the female romantic lead to be the main focus! You do it if you want them to be true costars or if you want the male lead to get the majority of the focus. This is writing 101!

As you said at the top, I'm not sure how well this works for a show aimed at five-year-olds because it's still a pretty heavy stuff, but as a general idea, I'd be down to watch it! I didn't have a ton to add to this one because your pitch was already excellent!

[shewolfofvilnius]

There is a huge part of me that is curious about dragon age because I love BG3 so much. But idk anything about it? Also none of the characters strike me as interesting (or attractive....) Maybe you could tell me what you like so much about ? maybe talk about the characters so I can give it a chance? I want to like it! but I just don't know!

I DIDN'T FORGET

So for me the first draw of Dragon Age is the incredible lore and worldbuilding that goes on in the games and books. It's arguably just as fleshed out as a setting like the Forgotten Realms despite just being three (soon four) video games and about a dozen books/comics. There's centuries of history. Ancient ruins. Environmental storytelling for days. A little visual cue in the first game that's referenced in optional banter in the third that pays off in the fourth (FIFTEEN years apart). I really appreciate that the first game, Dragon Age: Origins, only exposes you to part of the story. The game's set in a pestilence known as the Fifth Blight, and you're the plucky young adventurer that the grizzled old veteran manages to recruit out of a bad situation just before the end. And you and your friends are all that stand between victory and oblivion. But right off the bat there's storytelling about love and loss and prejudice and honor. There's a noble character who dies, leading to a coward being killed as the stakes are built. (There's also a dog you can pet, and moments to show kindness during armageddon, like a prisoner who just wants a sandwich before he dies, he hasn't been fed.)

And the banter is funny (if some of it's aged a bit unwell), and the gameplay really encourages you to get in the head of whatever character you want to build. Yes you can be the cliche prince charming. You can also be the sibling of a prostitute to pay the bills until your sister lands a high profile john who catches feels for her. From the start it's equal measures hopeful and bleak at the same time. (And as you invest in YOUR character emotionally, you inevitably emotionally invest in your companions too.) And gradually the world gets bigger. A character whose town you watch get destroyed becomes the protagonist of the second game, and they hook you in to. They're a refugee, a very timely story, and if they're a magic user, then they're an especially persecuted refugee. But you still make friends amidst the hopelessness. More of the world gets revealed. You have FUN, somehow. Characters from past games recur, either as cameos or in one very specific case as a high profile recurring character in 3 out of the 4. And you become so glad to see them as they represent continuity of story.

It's a game about family and faith and the lack thereof and prejudice and love and how one counters the other, about how persecuted people often pay the price of things that happened before their ancestors' ancestors were born, and that tomorrow should always be better than today.

That's thematic, though. Maybe you take a shine to Isabela the Pirate and Aveline the Guard Captain (maybe Merrill the blood mage elf, too). The three women basically form one of the best depictions of big/middle/little sister trios I've ever seen in a game. What starts out as cold hostility becomes banterful compassion and love. A lot of folks fell for Solas, an elven apostate whose every word is couched in three mysteries and two half-truths but seems to know way more than he's letting on. When you find out a horrible secret about the honourable Grey Warden Blackwall, do you leave him to his fate, try to redeem him, deliver a sufficient consequence, or outright torture him.

And you won't like everyone. The odds of you liking both the spirit-possessed mage Anders and the anti-magic elf Fenris in the same play of the same game are low unless you metagame it. And sometimes the games even rewards you for someone hating your ass or vice versa, and THAT'S organic. But being mean or having a negative interaction isn't some edgelord thing either, it's just "sometimes people don't get along" or "something you just need to punch someone"

You get to laugh at the tough stern warrior Cassandra getting absolutely beside herself wanting to know what happens in a book that it's writer, another of your companions, hated writing - and that even Cass herself calls smutty literature. Another character, The Iron Bull, is faced with a choice: His found family and the freedom to be who he's become, or the belief system he's known his entire life and that expects him to conform.

Does your character sacrifice? Does your character make the streets run red with blood? Is all you want to make people feel inspired and in something bigger than themselves? Even playing three (soon four) wholly new characters, you get to truly role-play and emotionally invest in these little blorbos, maybe even more strongly in Baldur's Gate. When a character returns you weren't expecting, is it joyful or melancholy? Can your character handle a confrontation of everything they've ever known.

And in the newest game, there's a baby griffon.

I love Dragon Age. The lore is expansive beyond sanity for a franchise with it's commercial output. The characters feel alive, and the game tasks you to emotionally invest in order to reap the maximum reward and suffer the strongest heartache. Plus, in many cases, when the game doesn't tell you, say about your character? You get to roleplay and use your imagination so, so strongly.

[ow1et]

literally if owlet is being a pest all you have to do is throw her in the closest body of water and she'll sink like a rock.

[hauntingblue]

Oh now the villagers know..... and arlong burned the town to punish her..... for some reason

[faethfigueroth]

.

[inkskinned]

it's because the bear wouldn't kill me just for being a woman. the bear doesn't kill me for fun. the bear can be shouted at, and will leave me alone. the bear won't make a tiktok complaining about how i crossed to the other side of the path when i saw him coming. if a bear kills me, it's just being a bear: it cannot understand logic. it is not acting out of malice - just fear or hunger.

bell hooks once wrote about how porches might be the only outside space left for women - it is still the domain of the house while it is also outside-but-safe. when i am in the woods, i am in the bear's home, and he has a right to defend his property. outside spaces - anywhere at night, certain parks in the day - those are often implicitly "owned" by men. i cannot explain the feeling of knowing when you have entered a man's "territory." you walk into a place and just know you are in their space. you get a sick sense - you're in danger.

the other day a group of about 8 men were fooling around in the woods while i walked my dog. i had to go around, take the extra 3 miles just to avoid them. it's okay, i like walking. this wasn't even a #feminism moment. it was just a tuesday.

what a plain and easy question. only one of the situations is seen as a tragic accident. i would rather die and have a park bench erected in my honor rather than have my family questioned about why they let me, an adult, walk in the woods in the first place when i should really be at home in the kitchen.

i worked in retail and food service. i have had women say and do absolutely heinous and abusive things to me - not because i was a woman, but because i was there, and they were angry. the way men treated me when angry was different - it was because i was a woman. you can always feel the difference, how there's an undertone of i'd hurt you worse if i could get away with it. i keep seeing people try to cite stupid statistics. why is there always a strange rage whenever women agree on things? like men can argue their way out of our lived experiences? it isn't a buzzfeed quiz - which of these traumas are you? 10 super cute ways not to fear strange men.

i have actually (thrice!) seen a bear in the wild, by the way. i died each time, obviously, and am a ghost writing to you. (it was scary but completely and utterly fine). the second encounter was a black bear with her cub. she looked at me like - do we have to do this or are we good? my dog was busy sniffing a bush, completely nonreactive. i felt like i was in a sitcom: feminist poet reacts - does she actually mean she'd choose the bear? my only thought was - she's so beautiful. her paws are massive.

and there's a part of me that feels the rage spinning out in a corner. why do we have to come up with quippy little comments in order to teach men empathy. would you rather die in a car accident or due to a mugging? and would you rather your house burn down due to an electrical fire or due to arson? gee willikers - it's almost like we're human people, and want to risk the accident versus the intention.

i would rather my last thought be oh shit, a bear rather than i'm a person too. why doesn't that matter? why don't you care?

[ambrosiagourmet]

I love Izutsumi. She's got a great design, she's a fun addition to the main party, she adds some new tension, and she's honestly one of the reasons I read dungeon meshi in the first place. I mean, "the most cat to ever girl" is an extremely appealing hook to anyone who loves cats and girls (me, I love cats and girls).

However, while I have always liked Izutsumi, I finished the story kind of feeling like I didn't really get her. I felt like I had a decent grasp on her character an character arc (she's a traumatized teen given space to feel safe and open up, and because of that she realizes that she can't grow without letting go of the coping mechanisms she once needed). But I didn't feel like I really understood her role in the story as a whole.

She follows the group of her own accord, after a coincidental meeting and a misunderstanding of what they can do for her. She's never super invested in saving Falin, at least not compared to the rest of the group. Though they do help her escape Maizuru's shackles, and are clearly good for her in general, she doesn't really have a healing Moment with the group the way that Senshi does with the hippogriff soup.

And yet, she gets an entire chapter, the third-to-last chapter, dedicated to exploring her growth and future. She's the one who frames much of the falling action, who lets us check in with everyone. She's the one who helps talk Laios into accepting his role as king. She may join the story part way through, but she is there for most of it. So Izutsumi! What's your deal!?

Well, I think I've come up with an answer, at least for myself, that I really like. Two of them, even! Though they both really work together to form the overall point - Izutsumi is the character that most helps the story face towards the future. Here's why I think that.

So the first of these "ah-ha" moments was when I realized that Izutsumi really is the best supporting evidence for Laios' point about the good things that wouldn't have happened if Falin hadn't died.

If Falin hadn't been eaten by the dragon, Izutsumi probably would still be a slave. It was because of Shuro and Laios' parties both being in the dungeon to rescue Falin, as well as Marcille's use of ancient magic in the resurrection, that she got the chance to escape. None of that would have been the case if Falin hadn't died. Shuro wouldn't have separated from the group and joined up with his retainers, Marcille wouldn't have revealed her knowledge of ancient magic, and Izutsumi never would have even met any of them. They are only part of her life because of Falin's death.

Though this isn't explicitly pointed out by Laios or Izutsumi in the scene, I do think you can very much feel the presence of it. For one, when Marcille reflects on the journey and how much it made her realize she didn't want to lose everyone, her relationship with Izutsumi is prominent:

It's the main original group at the top and center, but when you read it right to left, it’s Izutsumi and Marcille who might catch your eye first. And it's specifically Marcille and Izutsumi's relationship on display here, not just Izutsumi's presence in the group in general.

Also, after Laios' statement about how none of their adventure would have happened without Falin dying, it is Izutsumi who gets the final word:

Izutsumi is also the one here who is the most forward-facing. Chilchuck is trying to correct Laios, Senshi is focused on the immediate future, and Izutsumi is talking about her new goal.

And I want to talk about that goal in general as well, because it’s also interesting how it comes up. In that moment, everyone is trying to remind Marcille of her less destructive desires - to eat food, to share it with them, and to meet Chilchuck's family. All of which are previously established, existing desires. When prompted by Chilchuck to join in, however, Izutsumi offers something new:

That's interesting, isn't it? It's kind of funny, of course, to see her rambling on about a completely new thing, her own personal motive, in the middle of everyone working together to reach out to Marcille. Izutsumi doesn't even know who Yaad is! But at the same time, it’s kind of meaningful. Amidst the focus on desires that everyone already had, she adds a completely new one to the mix. It’s even the final bridge that lets Laios reach Marcille.

It is, in fact, even an idea that comes back later to help out another lord of the dungeon. The idea of finding new goals and feeling new desires... this is exactly how Kabru reaches out to Mithrun, after the Winged Lion is gone

So yeah, Izutsumi's presence here, both in what she's actively choosing to say as well as what she represents of the consequences of Falin's death, supports the story's ideas of moving forward. Of accepting the past, and finding new reasons to live.

Which is all really good, and that alone works pretty well as an answer to what Izutsumi's role in the story is.

But oh, oh. There's more. Something I realized after having thought of all this, because I still couldn't let go of the feeling that there was still something I was missing.

And as I reviewed the things I loved about Izutsumi - her sometimes unhealthy ways of coping with trauma, her struggles with isolation, her skill with fighting, her selfishness contrasted with the ways she grows to care for and protect the group, her perpetually guarded nature, born from the seeming impossibility of ever fitting in or finding a safe place to just be herself - I realized something.

Izutsumi...

is a foil to Falin.

Where Falin copes with isolation and trauma by being eternally caring and struggling to say no to people, Izutsumi copes by constantly saying no to everything she can. Falin is often considered selfless, but does have selfish desires that she can’t easily express until a moment of crisis. Izutsumi is delightfully selfish, but chooses to stick by her friends when they need her. They are both transformed, against their will, into partly monstrous hybrids, and they both will have to live with that - there is no undoing what has been done to them.

Falin anchors the group in the past. Izutsumi pulls them towards the future. Neither would find freedom without the other - it is Falin's death that leads to Izutsumi joining the party, and likewise, it is Izutsumi who inspires the realization of how they can save Falin.

And Falin is her future, as much as Izutsumi is Falin's. Both learn to be a little more like each other, even though they never meet. Falin gets a little more selfish. Izutsumi gets a little more willing to bend.

In this context, I feel like I have finally started to understand just how important Izutsumi is to the story. She is a proof that they cannot just go back, and she is a clawed, happy-to-scratch-anyone-who-pisses-her-off reminder, at that. In any conversation about what the group wishes would have happened with Falin, she cannot be ignored or brushed aside.

She is a reminder that, even in the midst of a tragedy so big it feels like a shadow you will never escape, you have yet to met all the people you will love. Hell, some of those people might even be catgirls. We should all be so lucky.

[ckret2]

So a while ago some friends were talking about fans who claim the Same Coin theory is canon. And I made the mistake of saying:

Do you know who also has tons in common with Bill? Mabel. Yet nobody claims Bill reincarnated as Mabel. …wait now I want a "same coin but it's Mabel" AU. Funniest Bill reincarnation option. The all-seeing arsonist is making macaroni glitter art. The omnipotent tyrant is crying because a unicorn called her a bad person.

And then I overthought it for two months.

So—AU where after death, Bill's soul shoots 13 years into the past and reincarnates as Mabel. I'll call it ✨ Sparkly Coin AU ✨

Don't leave yet. Lemme show you why it works. Behold the eerie amount of parallels in their personalities, dialogue, behavior, mannerisms, tastes...

I could have kept going but my attention span ran out. All right, we all on board now? Convinced we could segue from one personality into the other? Great. Now here's why you should be interested: the juicy post-Weirdmageddon angst potential.

As long as a small fringe of the fandom still thinks Weirdmageddon is Mabel's fault, why not amp that up x100 and have some fun with it?

Is everyone sold now? Great. Let's get into the details. I've got 8 more pieces of art under the read more.

So the AU starts the instant Bill dies. Thanks to invoking his deal with the Axolotl—one way to absolve his crime, a different form, a different time—the Axolotl gives him a new shape and shoots him thirteen years into the past. Apparently, the Axolotl thought it would be very funny to stick Bill in the family that defeated him.

Which probably made for a jarring transition.

(It's fine, she's like 10 minutes old, she probably can't even tell who she's looking at. Not being able to tell who she was looking at is what got her into this situation ayyyy)

When Dipper & Mabel come back from Gravity Falls complaining about this triangular jerk Bill, their parents mention that Dipper's name was nearly Bill. See, after they knew they were going to have a boy, one night their mom dreamed about a visitor—some kind of magic pink salamander??—calling her child "BILL." Then at the next sonogram they found out they were having twins, the girl must've been hidden at a weird angle the first time, and they wanted matching names, so they thought, Bill and Bell. But they didn't really like Bell; but eventually they stumbled on Mabel, so to keep the names matching they switched from Bill to Mason. Isn't that the darnedest thing?

(Of course, Mabel and Dipper assume Bill harassed their parents to try to trick them into naming a kid after him. To be a jerk.)

When Bill meets Mabel, he's unaware that she's his future self—Bill's notably bad at doing things like, say, double-checking to see whether he's going to die anytime soon—but like... he can tell something's up.

Naturally, before visiting Gravity Falls, there were echoes of who Mabel used to be—but nothing anyone would be able to identify without context. All her Bill-ish quirks either smoothed out with time (see: how between second grade and fourth grade Mabel went from being the "freak" to the popular girl in class), or else they were accepted by her family as Mabel-ish quirks.

After they meet (and kill) Bill, they have the context to understand some of Mabel's behaviors... and unfortunately, some of Mabel's latent Bill-ness starts surfacing after she's been directly exposed to her prior incarnation.

The part of the Pines family familiar with Bill thinks the worst case scenario is that maybe Bill's survived and is slowly possessing Mabel; but far more likely, they think this is just some weird way of trying to subconsciously process last summer. Mabel doesn't think she's being weird, you guys are being weird, stop giving her weird looks. They get attacked by one triangle and now she can't wear yellow or pick up macrame as a hobby??

(It's not all red flags and uncomfortable triangle imagery, though. When Stan asks her what she'd like as a gift for some important event, she shyly admits that she thinks she's starting to outgrow her plastic gem jewelry and maybe she's old enough to get her first piece of real gold jewelry, if that's not too expensive? And Stan's never been so proud of her. Thirteen years old and already thinking about buying gold!)

But of course, the real fun starts when Mabel finds out.

That's the face of a girl who's just discovered that she tortured her great uncle. Now imagine running into the brother she possessed.

But I've already spent a million words and thirteen images on this post. If enough folks are interested in the AU maybe I'll expand on it later. Let me know what y'all think.

[haematoclan]

Leo's relationship with death

Leo really doesn't like to think about death.

I mean, we all saw how much impact Karai's death had on all of Mad Dogs but Leo was the only one that had to be dragged from her, yelling after her, he really, really didn't want to lose her.

And I think when he lost her it left a deep scar.

I saw posts talking how Leo wants for things to get back to normal and pretend nothing happened, which I completely agree with. I think it's in big part because of his fear of repeating losing a close one.

He REALLY doesn't want to even acknowledge death.

Here Raph seemed to be getting through to Leo-

-but the moment he mentions possibility of his family dying?

Nope, time to deflect, joke and feign ignorance.

Leo's aware that death is a big part of being a responsible hero and that's why he'd rather goof off with his brothers and not train.

Because obviously when you ignore something it just dissapears, right? So if they ignore severity of certain situations and possibility of dying it won't happen, right?

If they don't treat it seriously they'll be fine! Totally!

Then Raph shields Leo from the Krang and sends him away.

And it's as if Karai's death stared right in his eyes.

So Leo picks up the slack of leadership in order to save Raph. He behaves carelessly during this time but can you really blame him, he desperately wants to save his brother, to stop yet another family member from death that he is so scared of.

He still tries to be positive and nonchalant, that "pfff obvioulsy everything will turn out alright!" but at the end of the day, it's not that simple.

Casey's speech had hard time to really hit Leo, he's still avoiding confronting resposibility, literally and metaphorically turning away from it. But the moment Casey says Leo's whole family died?

Now that made an impact.

And every time his family is in terrible danger he looks absolutely terrified and basically every time Leo has to be dragged away to not just return and try to save them again.

And when there's nobody to drag him away?

First thing he does is sacrifice himself. Because I don't think Leo is scared of his own death, or at least he is not as scared of him dying as his family. He'd rather give away his life than live through another grief.

Obviously I'm not sayin that the rest of the fam isn't terrified of close ones dying. But while they seem less aware (Mikey) and/or more ready for the possibility (Raph)...

Leo's wholly aware but he'd rather not be and ignore his fears until he can't anymore.

[golden-cherry]

deal - cl16 (31/?)

Pairing: Charles Leclerc x Reader

Series Summary: Your whole life has gone to shit. Your boyfriend broke up with you, you just lost your job and the Monegasque, who suddenly stands in your doorway, claims that it’s his apartment.

Chapter Summary: The promised back massage - and friends help each other.

Warnings: 18+ (thigh riding, inexperienced!reader)

Word Count: 3.6k

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A/N: I'm so proud. Charlie won his home race! I'm still crying. feedback is appreciated!

"So?" asks Charles as you move further and further away from the beautiful house. "What do you think of them?"

You smile at him. "You have a really great family, Charles. Maybe a little wild, but it's obvious how much you love each other."

He looks at you briefly before returning his gaze to the road ahead. "I love them more than anything. Ever since my father died, we've taken every opportunity to spend time together." He swallows briefly. "We appreciate each other. And that's worth a lot."

You carefully reach for his hand, which is resting on the shift stick, and turn it so that you can interlace your fingers with his. You place it on your lap and stroke the back of his hand in gentle circles with your thumb. "Thank you for taking me here. It means a lot to me."

"Actually, I didn't have any other choice. I think my mother would have kicked down our front door if I kept you from her." Charles has to grin. "I definitely wouldn't have survived that."

"So that's how it is," you grin and let go of his hand with mock outrage. "So you only took me with you out of pure self-protection."

Before you can cross your arms in front of your chest, he grabs your hand again and brings it up to his mouth so that he can tentatively blow a kiss on your knuckles. "Do you believe me when I tell you that it's incredibly important to me that you know my family? And that you like them?"

You feel the heat rush to your face as he brushes his lips over the thin skin of your fingers. You take a quick breath and stare at him before nervously - and slightly turned on - looking away from him. "Maybe." You try to sound as nonchalant as possible and hope that Charles doesn't notice the tremble in your voice. "I'm definitely glad Arthur didn't do anything to you. I bet he was a kid back then who just bit other children."

Charles has to laugh at that. Loudly and fervently, and you don't know if he does it on purpose, but he presses your hand firmly against his muscular chest and holds it there. You feel the vibration under your fingertips and air rushing through his lungs, and his laughter is so infectious that you can't help but join in.

When he finally lets go of your hand, he wipes the tears from his face. He takes another deep breath before letting out one last laugh and then places his hand on your thigh like it's the most normal thing in the world. The warmth of his skin almost burns through the fabric of your clothes. You try not to let it show. "Believe me, mon amour. I should even have a scar from his teeth somewhere."

When you stop at a traffic light, Charles leans forward a little and pushes his back through. When you hear a few of his vertebrae crack, you grimace. "Does your back hurt?"

"A little." He leans back into the seat again, but stretches his neck to the side. "Not being able to lean back for hours is more uncomfortable than you think." When he glances at you out of the corner of his eye and smirks, you lightly punch his shoulder. 

"You idiot." Charles laughs in response. "You're just after a back massage!"

"You take what you can get." His hand squeezes your thigh. 

You roll your eyes. "You could have just asked for a massage, you know? I imagine the stool isn't the most comfortable piece of furniture."

Charles shrugs. "I didn't want it to be weird in any way."

Your gaze focuses on his slender fingers on your leg. "Do you mean because of this morning?" you ask meekly. 

"Actually -" Charles clears his throat. " Because of Arthur, actually. He was hinting at something and - I don't know." He steers the car onto the street where your apartment is. When he takes his hand off your thigh to change gear, you miss his touch. Without another word, he parks the Renault in the building's underground garage and without looking at you, you take the elevator to your apartment. 

The silence between you is a little awkward. The fact that you brought up the incident from this morning has somehow killed the mood and you'd like to slap yourself for it. You could have left it at that - after all, you had spoken to each other and agreed that everything was fine between you - but you had stupidly cast it in a different light.

You get ready for bed in separate rooms in silence. While Charles brushes his teeth in the bathroom, you change in the bedroom and slip into comfortable shorts and a shirt that you're not sure if it belongs to you or Charles. When you run into each other in the hallway, you don't look at each other, but pass each other with lowered eyes. 

In the bathroom, you splash cold water on your face and are about to bang your forehead against the porcelain of the sink. Until just now, the day had been wonderful. You met his wonderful family, had a fun evening and although you had a little slip-up this morning, Charles and you got on really well. Your friendship hasn't been tarnished and apparently you've been so good to each other that the Leclerc family think you're a couple. 

That's another thing you need to sort out. Between the two of you and definitely with his family. Even though you've only got to know the Leclercs properly since today, you've already grown fond of them and it doesn't feel right to fib to everyone. Above all, it doesn't feel right to Pascale, who has invited you into her home and insists that you spend Christmas with them. Pascale, who has such a big heart and didn't hesitate for a moment to take you into the family. 

It's not fair to her - even if a small part of you wants to keep things the way they are. Even if it doesn't reflect reality, the word girlfriend doesn't ring false in your ears. The thought of it makes you feel warm and somehow the blood tingles in your veins. 

You blame it on the long day you've had and the fact that you're too emotionally exhausted to put one and one together. How crazy would it be if you were actually Charles' girlfriend?

You immediately push the thought aside when you return to the bedroom and see Charles lying on the bed. He continues to scroll through his phone without looking at you and doesn't even glance at you as you slip under the covers on your side of the bed. 

You want to press your face into the pillow and scream, but you can't do that because it definitely wouldn't ease the tension in the air. You could also cry quietly to yourself, but Charles would notice even that. But you could also -

"Am I still getting the back massage?" Confused, you look over at your friend, who puts his cell phone aside and looks at you. He shrugs and then runs his hand through his hair. "You said I should just ask. And I thought I'd try my luck." His hand wanders over the comforter and when he finds yours, he intertwines your fingers. 

"Charles -" you begin, but you don't know how to finish the sentence. You're relieved that he doesn't take offense at your comment and wants to ease the situation by pretending nothing happened. You would love to kiss him for it. The thought sends a warm shiver down your spine.

"Sorry," Charles apologizes as he mistakes your awkwardness for hesitation. "It was a stupid idea. I just thought -"

"It's okay," you interrupt him and squeeze his hand, whereupon he squeezes back twice. "Apparently the stool was super uncomfortable. And friends help each other, don't they?" 

The Monegasque returns your gentle smile. "Friends help each other," he repeats, his gaze flickering briefly from your eyes to your lips and back again. " 'Um - should I take my shirt off? I think that would be smarter, don't you?"

Before you can say anything back, his hand disengages from yours and in one elegant movement he pulls the garment over his head and throws it to the other end of the bed. You watch the muscles in his back flex as he slides down the bed a little and lies on his stomach without hesitation, as if he can't wait another second. 

You have to strain to tear your gaze away from him. "I think I still have some body lotion somewhere." You quickly run back to the bathroom, where you spot the cream on the shelf next to the door, and sprint back to Charles, who has put his head in his hands and is smiling at you. You stand uncertainly in front of the bed, swaying from one foot to the other. "Where - I mean - how -?"

"Just sit on my legs," he says gently and pulls the blanket off him so that you can sit on top of him. "I think that's easier than from the side. Isn't it?"

"I - I don't know," you reply quietly and stop in your tracks. Of course, it would make more sense to sit astride his legs, but then you would also be sitting on him. And you definitely don't want things to get weird between you again. 

"Just sit down, please. I won't bite." Charles reaches out and grabs your hand to pull you towards him. He doesn't let go until you swing your leg over his and get comfortable on the back of his thigh. "See? It's not so bad, is it?"

You're glad he can't see how hard you're swallowing. The fine hairs tickle the soft skin on the inside of your thighs and heat shoots into your face as you slide your butt around to find the best possible position. When you finally find it, you remove the cap from the body lotion. "Careful, it might be a bit cold."

"It's okay, it can't be that bad - oh fuck!" Charles exclaims as you pour the contents of the bottle onto his back. Goosebumps immediately spread across his back and arms and you have to stifle your laughter. "Don't you dare laugh at me. My goodness, you could have warmed up the cream in your hand!"

"Sorry," you grin and close the bottle again before placing it on the bed next to your knee. "I thought it would be easier this way."

"It's definitely meaner," Charles replies, glancing over his shoulder at you. "You owe me a longer massage for that. At least half an hour." 

"No problem," you smile. You hope he doesn't notice your hesitation, because it takes a few seconds before your head commands your hands to rest on his broad back and spread the cream. With your fingers spread apart, you glide over his spine, his shoulder blades to his neck, where you feel the first lump under your fingertips. Slowly, but firmly, you press your thumb over the spot. 

And Charles moans shamelessly. "Fuck, that feels good." He closes his eyes as you continue to work on his neck. "I think you've missed your profession."

"You think so?" you ask softly. Your fingers glide to his hairline, his muscular neck and back over his shoulders. "Maybe I wouldn't be unemployed right now."

"I'd hire you in a heartbeat." As you press the side of his left shoulder blade with your thumbs, he exhales audibly. "Yeah, right there."

Smiling, you look at him before returning to your task. "I think you're too old for that stool. I'll sit on it next time."

"You're only saying that because you're hoping for a massage too." Charles' voice sounds rough and deep, completely relaxed. With his eyes closed, he enjoys your touch and misses you biting your lower lip. 

Your mouth goes dry at the thought of feeling his hands on your bare skin. You'd be only too happy to repeat this morning's incident if it meant that nothing would change between you. That you would remain friends. 

Nervously, you slide around on his legs. "Maybe."

You don't receive an answer. In comfortable silence, you run your hands over his back, pressing certain points in his muscles that make the Monegasque hum and moan softly. It's nice to know that he can let himself go with you and that you seem to be doing him good. 

Your hands wander down to the hem of his shorts and before you can really think about it, your thumbs slide just underneath so that you can massage the marks the shorts leave on his skin too. Charles takes a gasping breath and for a moment you think you've gone a step too far, but Charles doesn't even open his eyes as he speaks. 

"I miss this."

You tilt your head, even though he's not looking at you. "What do you mean?"

"Being touched," he answers your question quietly.

You pull your fingers out from under the hem and let them glide over his spine. "We touch each other."

Charles lets out a sigh. "I know. But - I don't know." His mouth twists into a thin line. "That's something else."

"Explain it to me." 

"It's been months since I've touched anyone, or vice versa. And I'm not talking about friendly touching. What we do," he explains. You don't know why your heart tightens as if it has heard bad news. 

Your fingers trail over his shoulders and then down his arm. Goosebumps spread under your fingertips. "Okay."

"Not that I don't think it's nice," he tries to get his act together. "I love it when I hold your hand or when we cuddle in bed. That's not even up for debate." When your fingers reach his wrist, he grabs them and squeezes them twice. "I don't know how to describe it." 

"What exactly do you mean by 'touch'?" you try to draw him out. "I mean, apparently there must be a difference between what you mean and what we do."

Charles shrugs and lets go of your hand so you can continue. "I miss having my hair played with. Or having my legs rubbed." Lying down, he runs his hand through his hair once, "I don't know."

You chew the inside of your cheek. "Do you mean - I don't know - like more intimate touching?" When you hear yourself say that, you try to turn it around again. "I mean - I'm not talking about sex. But rather that emotional connection? That you feel close to someone and touching them, like playing with your fingers or rubbing your arms, feels different?"

Charles turns his head in your direction so he can look at you. "I miss being touched more intimately. I really crave it." He turns under you so that he is now lying on his back. He leans on his elbows. You don't know where to put your hands, which is why you hold them strangely in the air. You try to fix your gaze on his face, but it flickers briefly to his abs. Something that doesn't escape Charles' notice. "What about you?"

"What about me?" 

"My relationship went down the drain months ago. It's obvious I'm touch starved." He sits up straight and reaches for your hands, placing them tentatively and hesitantly on his chest. "I can't stop thinking about this morning."

You can feel his heart beating under your palm and there's a sparkle in his beautiful green eyes. "We're friends," you state the obvious. The one you agreed on. 

Charles nods. "And I don't want that to change either. I really don't." He exhales and you feel his warm breath on your face. "But don't you miss it? Being touched? Being touched intimately?"

As he licks his lips, your brain shuts down for a moment. "I've never - I don't - I -" you stumble over your words and heat rushes to your cheeks. You don't know why you're confiding in him. You don't know why your hands are wandering from his chest up to his shoulders. The only thing you can feel is Charles' arm around you, pulling you closer to him. His one leg slides between yours so that you're sitting on his bare thigh. You just hope he can't feel your arousal pooling in your shorts.

"Mon amour," he whispers and brushes a strand of hair behind your ear with his other hand. From there, his fingers glide along the soft skin of your neck, over your collarbone, along your arm, until your fingers intertwine again. "Your shorts are pretty thin." He leans forward slightly and lays a feather-light kiss on your neck. You blow all the fuses. "I can feel you dripping for me. Let me help you." His hand settles on your hip and gently he pushes you back a little on his leg, but only to pull you forward again. Electricity shoots through your veins as you moan shamelessly into his face. "Friends help each other. All you have to do is say yes."

Something primal flares in his eyes as he brings your hand to his mouth and places his lips on your knuckles. A gentle gesture that is in complete contrast to how you feel inside. Fire blazes under your skin, heat coursing through your whole body as he places your hand against his cheek, then presses a kiss to your palm. "Nothing changes," you murmur, to which Charles nods. 

"Nothing changes," he confirms. "We stay friends." His hands slowly slide under your bottom, under the hem of your shorts. You feel his hot skin on yours as he rocks you back and forth on his thigh. "I promise."

Your crotch rubs against his leg with such relish and when the hem of your shorts catches on your clit, you burn out all your fuses. "Yes."

Charles' lips find your neck as his hands cup your ass and guide you over his leg. With your mouth open and your eyebrows furrowed, you dig your fingers into his shoulder blades. Pleasure pulses through your body as his mouth moves over your neck, sucking lightly on the thin skin but not lingering long enough to leave a mark. Each kiss is gentle, the complete opposite to his grip on your ass and the way he rubs you over him. 

"Charles." Your voice is little more than a sigh and you think you can feel his raging boner against your leg, but the thought quickly fades as one of his hands pulls away from you. Instantly you miss his touch, his skin on yours, but before you can do anything, his fingers reach into your hair to gently pull your head back. 

"I'm here, mon amour," he breathes against the newly won space on your neck. Gently, he sucks where your pulse is, and you think you feel his teeth against your skin for a moment. "I'm here."

You don't know where to put your hands, so you just use them to press his face closer to you. You feel his tongue at the point where your neck meets your shoulder and arch towards him. "Please."

You don't know what you're asking for, but Charles knows all the better for it. He rocks you over his leg, which is wet and slippery from your arousal, and as your knee gently bumps against his cock, he moans into your ear. 

Absently, your hands disengage from his hair and scrape down his chest to the hem of his shorts, but before you can go an inch further, his thumb and forefinger curl around your wrists. "Mon amour, today is about you," he murmurs, kissing your cheek as he notices your disappointed look. "Don't pout. Otherwise we'll stop here and now." 

You move over his thigh on your own and, without taking the chance, you nudge his boner again with your knee. "But you said -" you begin, but Charles lets go of your hands, only to hold them behind your back. 

"Nuh-uh." His lips find their place against your collarbone. Apparently he notices that you close your eyes, because his free hand rests gently against your throat. "Look at me, mon amour." His voice is no more than a gasp as you open your eyes and look up at him pleadingly. You want him closer, want to feel his lips on yours, his cock splitting you in half. You want him to ruin you for any other men.

You approach the cliff, willing yourself to plunge down it, but when you close your eyes again, Charles merely presses your lap against his leg, preventing you from moving any further. You look at him in shock. "Charles."

"Fuck, I love it when you say my name." He holds you tight, chest to chest, and you try to move somehow, to rub against him. And he lets you. His hand loosens from your wrists while the other continues to rest on the column of your throat, but doesn't squeeze. "Look at me, mon amour," he repeats to himself, shamelessly sliding his hand inside your shorts so he can cup your ass. With one final movement, he pulls you forward, the hem of your shorts rubbing perfectly over your swollen bundle of nerves and white lightning flashes through your veins. "Look at me when you come for me."

And you do.

[ohnoitstbskyen]

Could you talk more about sephiroth and clouds dynamic/relationship? Especially about sephiroths feelings towards cloud since I personally haven’t seen many people talk about that aspect.

Well, it sort of depends which version of the Final Fantasy VII story you're talking about, because certainly in the original game, Sephiroth actually doesn't care very much about Cloud at all.

During the events in Nibelheim, Sephiroth has a relationship with Zack as a friendly coworker (arguably an actual friend), but Cloud is just some Shinra goon nobody whose name and face Sephiroth doesn't even know. It's not until Cloud confronts him in the Mako reactor and successfully kills him that Sephiroth even sees his face for the first time. Sephiroth doesn't even know Cloud's name in the last few moments of his life, he just sees this enraged kid suddenly find the strength to overpower him and throw him into the reactor core out of nowhere.

After Cloud kills him, well... I would make the argument that Sephiroth never actually comes back. He dies in the throes of a psychotic break where the Jenova cells inside of him are using his emotional anguish to manipulate him towards her own ends, promising him all the love and family and fulfilment and sense of identity that Shinra violently abused out of him. And when he dies, whatever parts of Sephiroth's mind that were left are fully replaced with Jenova's single-minded superobjective to consume the planet and move on to parasitize again.

And so the version of Sephiroth that haunts Cloud for most of the narrative isn't actually Sephiroth the man. Almost every part of that person is long gone. Just like how Jenova used the psychological hook of Sephiroth's mother to control him, "Sephiroth" is mostly the Jenova cells using the hook of Sephiroth's influence over Cloud to try and control him.

And that's why Sephiroth seems so fixated on Cloud - not because Sephiroth the Person actually cares about him, but because the Jenova cells that are spread out across a thousand organisms are calling for Reunion, and they will use whatever psychological hook or crook that can manipulate their hosts to make it happen. The other Jenova victims presumably saw visions just as vivid and personal, urging them on towards the Northern Crater.

Sephiroth seems obsessed with Cloud because Cloud is obsessed with Sephiroth. Sephiroth is this avatar of his trauma, his self-hate, and his deep internal identity crisis, the representation of his every doubt and insecurity. Hence Sephiroth's gleeful constant accusation that Cloud is merely a puppet, Cloud has no personality, Cloud isn't real - these are Cloud's own fears being verbalized against him by the Jenova cells. And it's deeply ironic because the only puppet here is Sephiroth, being piloted by Jenova like an ant by cordyceps.

Hence the very final battle with Sephiroth which takes place not in the depths of the Northern Crater with the party confronting Safer Sephiroth, but in a black and undifferentiated void-space at the end of a psychedelic mind-trip, that Cloud undertakes alone to confront the ghost of Sephiroth in his mind and banish his influence forever. Like, that final moment really is the most This Is Only Happening In Cloud's Mind-ass final boss confrontation imaginable.

But that's the original Final Fantasy VII. The extended FF7 universe pivots hard off of the popularity of Sephiroth as an Iconic Villain and goes about building out him as the central antagonist of the entire universe, and centering him almost obsessively in the extended narrative of Final Fantasy VII.

Advent Children basically retcons the end of Final Fantasy VII, where it turns out oops Cloud didn't actually fully reject Sephiroth's influence over him, here's some Geostigma to represent the haunting malice of this singular villain and here's a 1-to-1 recreation of the final scene from FF7 where Cloud destroys Sephiroth with Omnislash extended out to a gratuitous anime fight scene that ends with an even more awesome ultra-final ultimate Super Omnislash... but then even THAT isn't enough as Sephiroth promises ominously to "never become a mere memory" and he's going to haunt Cloud forever and ooooh maybe he'll be coming back for another seven sequels or something, because the franchise is never ever ever going to let Cloud move on, heal or get better, not so long as Sephiroth is this popular.

Same deal with Kingdom Hearts, which represents Cloud's character as basically revolving entirely around Sephiroth, and Sephiroth as almost romantically obsessed with Cloud, while games like Crisis Core get into the Star Wars Extended Universe business of attaching portentous mythological weight to originally inconsequential objects like the Buster Sword, and building out a grand conspiracy of gene manipulated One Winged Angel People all chasing the coat-tails of Sephiroth's popularity.

All of this comes together in the Final Fantasy VII Remake games, which try to reconcile the extended post-FF7 narrative with the original Final Fantasy VII story, adopting the idea of Sephiroth as the singular operatic puppet master villain of the story, rather than Shinra or Jenova who were the original game's thematic central villains as representations of parasitic and extractive capitalism.

So in these games, Sephiroth is obsessed with Cloud, and seems to see Cloud as his own best chance of salvation from his fate, and there's deep homoerotic tension between the two as Cloud struggles between wanting to kill Sephiroth, and wanting to be with or become him.

Oh, and to be clear, I do love the extended FF7 universe and all the post-original fluff that gets attached to it, I do love Sephiroth and Cloud as this pair of Doomed By The Narrative romantic lover-enemies fated to Toxic Yaoi each other to death forever, and I'm very fond of my good boy Zack, who deserves all the love the games have shown him. I cackled like an absolute hyena when I realized just how far the Final Fantasy VII Remake was going to go in rewriting the story.

It's just also hard not to see Square's treatment of Final Fantasy VII after it became The Iconic JRPG™ as anything other that corporate self-mythologizing and Star Wars style brand management, obsessively building more a marketable facade around the original game focused on its most popular surface-level features, at the cost of obscuring a lot of the subtler themes and ideas of the original game.

Sephiroth is not the main villain of Final Fantasy VII. Extractive capitalism is, and it is embodied by Shinra in the first half, and Jenova in the second half, and both of those antagonistic forces use Sephiroth as a puppet to do their bidding, and a veil to hide the primitive brutality of their consumption. But nobody would ever think that seeing how Sephiroth has been elevated as King Bad Guy of Villain Mountain in the aftermath.

I'm sorry I think this went kind of off the rails from the question you actually asked lol

[moonriverrise]

Steve has a secret, well “secret” may not be the correct way to describe it. He has something for himself, thats what. Ever since he stopped playing basketball and doing swim competitions once he graduated he's had way more free time, which at first he filled with shifts at Family Video, or bothering Robin.

Then, when she started school he started doing art more. Which, may come a surprise to many, as he never really talked about his interest in paintings and old art.

Greek sculptures that are able to show life in a still ethereal way, while still being able to twist it at their will. Renaissance oil paintings, capturing tragedy yet still being able to portray it as beautiful, in their own terrible twisted ways.

He likes sketching on paper, painting on canvas. His paintings aren't usually too different from the things he sees around him. Honestly thats the only things he paints, people, his friends, places he goes, things he sees that stick with him, dreams, moments that play on repeat in his head.

Around his Junior year, after the Demogorgon, Steve had turned the sad basement in his sad empty house, into his own space. A place where he can go and do his art, hang it, play music on his walkman, or using the record player he got from a pawn shop a few months prior. Somehow the basement is the only space that actually feels like his in his house, not even his bedroom.

Steve’s art was not very consistent to be honest, mostly the kids and Robin, landscapes that he liked, the Demogorgon/dogs, the Mindflayer (he needs some way of getting those out of his head, and somehow drawing them down feels freeing.) He does have a few paintings of Nancy from when they were together, she’s become less of a model for his work after everything though.

The last time he painted her in a painting alone, was one of that bathroom in a girl he barely knows’ house, a spilled drink on Nancy’s dress, and red solo cups littering the counter.

Steve’s art shifts though, after a moment that will never leave his mind. He knows who Eddie Munson is, obviously. How could he not? Honestly Steve isn't that surprised Henderson and the others befriended the guy, he does run a DnD club.

But then, Henderson needs a ride home after their club meetings because his mom is working late, and then Lucas and Mike’s parents are also asking Steve to pick them up too. Babysitting duty, as per usual.

Steve arrives a bit earlier than he planned. He didn't have any project to consume himself into, hitting an art block begrudgingly. But then, Steve sees Eddie Munson, sitting on a fake throne, watching the kids and other club members argue, he has his chin rested on his fist, and he's wearing a white tank top, showing off his shoulders, given the fact it’s still September.

The lighting of the small theater room captures Steve’s interest like a moth to the flame, and he is regretting having left his sketchbook at home, even though he never draws around the kids or anyone he knows.

Eddie Munson’s face and curly locks fill up the pages of Steve’s journal and some canvases for months after, and Steve rarely genuinely complains about coming to pick the kids up.

Afterwords, months later from that day. Chrissy Cunningham dies, and Eddie Munson almost goes with her. God, or whatever deity that was looking down upon him, was on Steve’s side in that moment, when he was able to revive Eddie and then drag him out of the Upside Down.

Steve gets closer with Eddie after that, they become actual friends. Steve was so used to witnessing his muse from afar, it was so…exciting, to see Eddie in all his glory, just a few feet away, and his smile being directed at him.

“Do you even have any hobbies, Harrington?” Steve blinks. Him, Eddie, Robin, Nancy, and the party, are all hanging out by the pool. Steve is lounging on one of the chairs, sunglasses over his eyes as Eddie talks beside him.

“What?” Steve responds.

“I mean…I like barely ever see you do anything besides sort Movies at Family Video, or boss around the kids. Like, what do you do when we're not all together?” Eddie asks, moving his hand a little as he talks. Steve thinks for a moment.

“Funny,” Steve answers instead. Eddie scoffs.

“I'm being serious, man! What do you do?” Eddie laughs a little, most likely at the ridiculousness of it all. What would Steve know, Eddie is like a puzzle, and Steve has to take every minute slowly, deciphering everything he lays out for him, via tongue or action.

“I don't know, what do you do?” Steve says, almost carefully.

“Band stuff, DnD, Writing,” Eddie lists. “And I guess saving the world now, but thats a bit of a side hussle.” Steve scoffs.

“Whatever, man.” And thats that, they don't talk about it again. But it sticks with Steve, because his friends really do think he doesn't do anything with his life. It's not like he has college classes to study for, so what does he do?

Later, maybe two or three weeks after, Steve decides he wants to show Eddie his space. The two of them are alone, Robin is in Nevada, visiting her grandparents, so the trio’s usual movie night is cut down to a duo’s movie night.

Although Steve finds himself mostly focusing on Eddie and his beautiful hair sitting next to him, than watching ET. The little alien scares him a bit anyway. Eddie notices him staring though, his eyes flickering to meet Steves, then a smirk spreading across his lips.

“We are watching a movie, lover boy.” Eddie says. Steve goes red, his gaze shifting to his lap. Steve furrows his eyebrows then stands and shuts the TV off. “Woah! Hey!”

“I want to show you something.” Steve says, it's a bit quieter than he meant it to be, but his tone indicates something to Eddie, which has him staring at Steve, starstruck.

Steve walks out the room and hears Eddie follow him. He gets to the basement door and opens it, flicks on the stair light.

“Basement- woah- okay, guess I'm getting murdered. Thought I’d go out in a more metal way than this.” Eddie says as they walk down. Steve laughs a little and shakes his head.

“I just think you should see this.” Steve says. “Nothing life threatening, I promise.”

“Alright, I trust you, Stevie.”

“Good.”

Steve turns and flicks on the light as they step onto the concrete. The lights flicker on, revealing the paintings on the walls and art supplies on the tables and counters.

“Woah-” Eddie says. “Is this, all your stuff?” Steve sighs, he folds his arms and faces Eddie. He looks shellshocked.

“Yeah.” Steve says. “You said I don't have any hobbies, I do, actually.” Eddie looks around, walking slowly.

“Is that Henderson? Why is he wearing yellow gloves?” Eddie asks. Steve walks over to a painting of Dustin from Steve’s angle while they were walking on the train tracks, a bucket of raw meat is in one hand and he's wearing the headphones for his radio.

“D’Art,” Steve says. “That was when we were leading him away. I made that one after everything happened. I was trying not to think about the Demogorgon stuff and everything, so I just drew him. I have one of Max from that day I never finished painting in a stack I think too.” Eddie doesn't say anything for a minute after Steve is done explaining.

“You can paint.” Eddie says, though not like a question. “These are beautiful…” Eddie looks around and walks to another one he sees. It's one of the Byers and Hopper’s, all hugging while laughing. El looks the happiest. Steve had painted that after they had all gotten together after everything. “Why…didn't you tell anyone?”

“About what?” Steve asks, folding his arms as Eddie brings up a hand to touch the painting.

“This- Steve, you're amazing at this. These are…” Eddie trails off as something catches his eye, he slowly starts to walk towards a big painting propped up behind one of the tables laid out in the middle of the room. Steve walks to him to see which one he's looking at.

An angel, knelt over a puddle, crying as it stares at his reflection, which is blurred and dark. He stands in a forest, his wings are long and huge, sprawling out above him.

It’s one of Steve’s bigger ones, the inspiration came from a dream he had after they had read about Icarus in his english class back in Highschool.

“It’s… magnificent.” Eddie whispers. Steve smiles gently at Eddie’s reaction. Eddie backs up a bit and looks away from the painting. “Is that me?” Steve follows his eye, to the painting. Eddie walks towards it, Steve stays behind him. It’s the first one Steve ever made of Eddie, the one of him on the throne.

“Yeah, it is.” Steve says. “I made that the first night I came to pick up the kids.” He says. “The first time I met you, actually met you.” They share a look.

“You are incredible, Steve Harrington.”

[yanderenightmare]

ooo just in general who do you like in got/hotd? you mentioned aemond but I'm curious lolz

Spoilers for both GOT/HOTD! Don't read if you aren't caught up with either series!

♡ TW: nsfw, noncon/dubcon, incest, GOT/HOTD in general

♡ fem reader

My favorite character, above all else, is Ramsey. If I get really into writing for this universe, he's definitely gonna be one of my regulars. I love him. So much yandere potential. And he's terrifying. Paired with his little pet Theon. Mmmh. Ramsey makes him lick all the wounds he inflicts on you. Tugs his cock to the sight of it. Cums on you both. Tying you up on the Bolton cross, he makes Theon kneel between your legs to lick your clit until you pass out. You're both his little pets.

Joffrey was also one of my favorites, but I don't know if I could write for him. I find it hard to imagine him being sexual. I'll have to think about that one.

Tommen, on the other hand! Yes, please. Virginal goodie-two-shoes with the power of a King. Yes, God. You may think he's harmless, but no, though a different breed, he's a little psycho, just like his brother. And you're just a poor chambermaid doing your job. He'll apologize when his arousal gets the better of him. But the stress gets to him, you know? It's not easy being the new King. All this responsibility, the realm in shambles, threats to his life left and right. You'll be good for him, won't you? Obey him and let him use you to blow off some steam—you can do that for him, can't you?

The Hound, or Sandor Clegane, is also one of my favorites. Massive and strong as all hell. He has a moral compass, but he doesn't care how he goes about following it. And the journey's long, and the ground is rough, and the night is cold, and he's had to fight twice already to keep you safe. So just shut up and let him make use of you. It's not as if he can't tell you're enjoying it as his fat cock drills your tight cunt. You make all his clothes wet with how much you soak. So don't bother lying.

Jamie and Cersei are also hot. Thinking about being their younger sister. How awfully possessive they are of you. Bringing you to bed with them. Telling you it's only right for family to stick together. How your big sister uses her pretty finger to prep you before Jamie fills your snug cunt up. They coo as you fuss—insisting it's right while making you cum for them.

Tywin is even better. You're his youngest daughter, but he fucks you like you're a common whore and tells you he loves you the most. He'll rant about how immoral the other three are and make you promise you'll never become like them—that you'll stay his good girl and do what he tells you without ever questioning him.

Tormund. He picks you as his wife, and you have absolutely no say in the matter. Scrawny little wildlings that can't even hunt for themselves have no rights. You'll keep him warm in the cold night, and he'll provide for you. Of course, his stamina makes it no easy arrangement. Making you squeal until your out of breath and then some.

Littlefinger. You're a new bird in his brothel, and he's decided you're worth training himself. Yes, he'll teach you everything you need to know about pleasing a man. Make you accept you're nothing but his whore, eager to do everything he tells you without hesitation. A subservient and devoted little slave to your master.

Bronn. If his gold coins can't buy you, he isn't a stranger to getting the things he wants in other immoral ways. Threatening your pretty neck with his knife actually only makes his cock harder. Don't worry. He'll leave you the gold coins anyway.

One of my favorite characters from HOTD is Ser Otto Hightower. What an unbelievably scummy old man! He has you tied up in his bed and doesn't even allow you to wash off his filth without his presence. He's taking all your holes for himself. After all, he's a noble tied into the Royal family, and you, a lowly servant, are his property. Just as he makes use of a washcloth, he'll make use of you. There is no difference.

Ser Criston Cole, as well, uses his gold cloak to make threats. If you know what's best for you, you'll strip on his command, kneel at his feet, and kiss his silver boots before he loses patience.

You obviously try your best to avoid King Aegon. Any pretty chambermaid might be his next victim. And you know, if anyone finds out what he does to you, you'll be the one who's banished from the castle, not him. And that's why, when he has you pressed against his bed, cock already tearing through your tight cunt, you don't say a word. Keeping quiet, you allow him to do whatever he wants each and every time, and then you go about just as silently as if nothing had happened. And that's why you're his favorite. You know your place, and you never forget it.

Larys freaks me the fuck out, but... Allowed little power elsewhere, he makes certain to exercise the vast depth of his power-hunger with you. Yet in the most unorthodox and gross ways possible. Playing with your feet while you cry for him to stop. He looks at you with the most innocent eyes while protruding his tongue, licking your soles slowly before closing his mouth around your toes and sucking fiercely while tonguing the gaps.

Aemond. So much potential here. You're a dragon keeper and one of the very few Vhagar allows in close without burning. You have no idea if it's the dragon or its rider that likes you first. All you know is that Aemond's grip is strong as he takes you hard against the rough old scales of the largest dragon in the world.

Daemon. There's a sadness in his you don't dare provoke. Shivering as you do what he tells you, in all hope it can soothe the dragon within him before it decides to burn you. He can be gentle at times. If you approach carefully enough. But most of the time, he's got trouble in his mind and only one outlet.

[charmwasjess]

Still thinking about Galidraan, about the Legends vs Canon treatment of Dooku’s character, namely his exit from the Jedi. 

It’s funny how much it matters to me and improves Dooku’s story that he didn’t leave the Jedi out of growing disillusionment with the Order itself. In the current canon, it’s all framed around a very Padme-esque disenchantment with current political makeup of the Republic, the Jedi being used by the Senate and political machines inappropriately, and how planets with little wealth or influence are left out. In the penultimate moment of crisis, he leaves for Serenno, not because he can’t be a Jedi any longer. Because of a conviction that he could truly make something better. 

And I don’t mean to suggest that he never expresses any criticism of the Jedi or particularly, the Council. He seems to have founded that characteristic trait within the Disaster Lineage. (Ironically, the person in Dooku’s story who should have the most legitimate reason to have a personal problem with the Jedi Order is fucking Sifo-Dyas, who never seems to have considered leaving and literally dies telling the camera he did it all to save the Jedi, but that’s a different post.) But that isn't what compels Dooku to leave. In fact, he remains close with the Order for years afterward.

Why it matters to me is because that detail makes Dooku ultimately betraying the Order SO MUCH MORE FUCKED. 

Because they weren’t an old score he was settling. It wasn't seething resentment that boiled out into revenge years later. They were innocent collateral damage of his decisions. His family. His lineage. His legacy. It makes his treachery so much more personal. He had a wager, power for a horrible cost, and he took the power and paid the horrible cost. Sidious really gets him with:

If Dooku hated them and had always thought they deserved to be destroyed, it wouldn’t have been a true Sith bargain, the trade off wouldn’t have tallied. In the same way that Vader could not have existed if Anakin hadn’t loved Padme and yet still killed her.

If Dooku was just a horrible, conceited, power-hungry ass who expectedly traded the kinda shitty people in his life for a shot at more power, it wouldn’t be a very good story. If he really didn’t give a shit, why would Sidious make that his initiation? But if he does - does care deeply about Sifo-Dyas, does love Qui-Gon like a son, is touched by Yaddle’s kindness and sympathy, begins to see Asajj as a true apprentice, consistently tries to save Obi-Wan out of affection, still considers the Jedi his true family - and yet still dooms them all, how much more tragic and horrible and sickening and real and interesting is his story?

[coupleoffanfics]

teehee I have a small thought (batfam related, yk that one where y/n gets killed)

imagine if y/n was brought back by the pit, but instead of being a "shell" in that hc u made, she becomes completely stoic, like just blurts out what she was feeling back when she was neglected with the most blank expression ever, I imagine it being more focused on bruce and Damian since yk..bruce was the shittiest parent ever, and Damian with his sparky ass insults.

You…God, damnit Anon. You summoned me and I suddenly have the motivation to write after reading your two requests.

I don't know if you wanted a one-shot or HC. So I just went with a HC because it's much easier to push out. Though if you want me to make a one-shot feel free to ask. I'll take 7 years to write it. Though at the end I did sort of a one-shot.

Damian should have known something was wrong when y/n didn't start thrashing around and attacking anything that moved after crawling out of the pit. She just stared at her hands, clenching them into firsts and then unclenching them slowly.

Maybe Damian was too relieved to see y/n breathing and moving to really care. Maybe he thought that she was just in shock. Coming back to life isn't always expected and it can take a real toll on someone.

Not to mention that y/n was, compared to her brothers, far weaker. Not just physically, but mentally as well. So it's not surprising that she was so docile, right? It's only a matter of time before that effect wears off and she'll be normal. Or something close to normal.

Okay, maybe deep down Damian knew that there was a chance that he wasn't getting y/n back. Everyone knew that there was no getting her back, but he was willing to take the risk. He came this far and it didn't take long for Bruce to pick up on what his youngest was doing.

Damian has his big sister back and he's not going to let her go again. It's only a matter of hours before Bruce comes breaking down the door to drag them back to Gotham. So Damian took the time to clean up y/n.

She was still in her funeral clothes for goodness sake. She reeked of death, but that didn't stop the boy from hugging her tightly.

While getting cleaned up, she doesn't say a thing. Or even make a lot of noise. It was almost like she was still dead.

By the time Bruce gets there, he's not surprised by Damian's actions. He thought of doing the same thing, but he couldn't bring himself to do such a thing. He couldn't disrespect her life by bringing her back. How could he dare think of that when she looked so at peace when she died.

He remembers how her body was tense before it became horrifyingly relaxed. There was a fear of death in those [eye color] eyes, he knows because he saw it. But it was so quick and fleeting that he could have missed it if he wasn't so close.

In a twisted way he wished y/n had clung on to him just like she did when she was a wide eyed little girl and cried. Cry that she didn't want to die. Cry that it was too early to leave now. Cry that she didn't want to leave them.

But all she did was give a crooked smile and mumble to herself as blood dribbled down her chin. She spoke incoherent things to herself. A name or two slipped from her cold lips, but they weren't ones of her family. From what he gathered it was just a close friend and her significant other's name. She died thinking of those who cared and loved her back. Not of the family that she couldn't stand to be around.

Even when her own adopted father held her dying from close, they were far from her line of thought.

So seeing y/n alive was gut reaching for Bruce. There was no pain, anger, sadness, or joy on her face. She was just there. Staring at him with an uncomfortable indifference.

Damian was ready to start a fight with Bruce. Not a physical one, but he would cross that line if he needed to. He was ready to defend himself in what he thought was best for y/n. Yet Bruce lets out a quiet sigh and tells that it's time to come home. How anticlimactic.

The plane ride back to Gotham is long and quiet. It also felt cramped by how close Damian was to y/n and unwilling to give her too much space.

By the time they made it back to the manor, everyone was caught up to date. The development is surprising to some while others not so much.

Everyone is in the bat cave. Gathered around to see y/n back from the dead. The silence is deafening as they wait for something. Just something from her, but she walked past them all. Out of the cave and to where her room was. Nothing was out of place in her room, though it was mostly empty after she had moved out a few years ago. She laid on her bed and slept as if nothing was amiss.

That's where the family infighting starts. Question of was this the right thing. What are going to do now? Why the hell did you think this was a good idea? There's going to be a lot of hash words being shared, but at the end of the day what was done was done and they had y/n back. They weren't going to mess up the second time.

Did they really get a second chance because it didn't feel like it. A week would pass and y/n has yet to come out of her room. She's alive and breathing because the trays of food left outside her door are always empty.

The camera's installed while she slept showed that she was doing nothing. All she did was lay in bed. She'd get up to use her private bathroom, but other than that there wasn't much. She was rotting away alone in her room.

This rang familiar bells in Alfred, Bruce, and Tim's head. y/n wasn't prone to long depressive episodes, so this could be something similar. The lack of socializing and excessive oversleeping was typically a big red sign for them to do something. In the past they would not force, but push her into doing social things or at least being out of her room.

They could approach this situation the same way, but they'd have to be extra careful. This was a unique and tricky situation to be in. It was also odd if not worrying that she hasn't succumbed to lazarus fever.

They could try to bribe y/n out of her room with activities that have to do with her old hobbies.

"Alfred is baking today, he said might need some help."

"I just stole the keys to the batmobile, you wanna take it for a ride?"

"Hey, do you want to…um, play a video game with me. I remember we used to play Hellflight Deadcraze a lot. They came out with the 3rd game. I just bought it today, so...Yeah."

Though the likelihood of that working is low. If they're really desperate to interact with her, they might as well just bust down her door.

At some point all the poking and prodding is going to irritate y/n. Whoever popped her bubble is going to be on the receiving end of pent up emotions.

I don't believe y/n would ever intentionally say how much the family's treatment harmed her. Again it would bubble up and fester for a while before she explodes. The thing about y/n is that she has an inferiority complex. In her life she aimed to please and help.

She understands that Gotham is dangerous. A lot of people need help and she couldn't bring herself to pull them away from their job. To her it would be like pulling a fireman away from a fire to chat as people burned alive. Even if the fire was out the fireman would be tired and need to rest, so she couldn't just pull them wherever she wanted to go. She shouldn't pester them.

In y/n's eyes, she was never worthy of being a hero because she wasn't good enough. She was never worthy of being with the family because she wasn't helping enough. She should do this to prove her worth. She's not worthless because she can do this for you and this as well!

She embodies inferiority and self-loathing. Someone that feels insignificant and has the strong urge to do more. She has- or had in this situation, hope. Hope that she'll be worthy of love. Love, affection, praise is what drives her and will seek it out if she's desperate. If she does ask or seek it out she'll be feeling guilty since she didn't really do anything to get it. In her mind she was being greedy and she couldn't help herself.

Bonus

"Just stop. Leave me alone." Her voice was almost pleading as she gripped the wrapped gift box. The gift was a symbol of peace, almost a treaty. That's all it was supposed to be, but she acts as if she had been spat in the eye.

Seeing that Bruce wasn't listening to her, she dug her nails into the gift. Almost tearing into the [favorite color] wrapped paper. He stood before her like an unmoving entity. The longer he stood by the more she wanted to snap into herself. She didn't want to slowly curl into a ball. She wanted to snap herself together with a violent and almost sickening crack. This just wasn't fair.

Clenching her jaw, her voice became much colder. It wasn't as cold as the middle of winter, yet it still had a chill to it.

"I thought you'd get it that I didn't want this. I shut you out, but you- all of you just keep buzzing. None of you are getting the hint. You just keep coming back louder than before. Why can't you let me be alone? Why can't you act overworked and tired? Why can't you just leave things the way they were?"

Bruce was conflicted upon hearing her say that and would try to claim that everything is going to come around. Everything always comes around in the end and this wouldn't be any different. They are going to get through this as a family.

y/n's frown would deepen and her eyes would furrow at his attempt at comfort. She looks as if she just ate something that was expired, leaving her mouth with nothing but a nasty sour taste.

"Because we're family." She whispered to herself before almost grimacing at the words. Her voice became sharp and cold as a blade, "I don't understand why you'd suggest that I was still a part of the family. I don't think I've been family for a good while now."

She clicked her tongue as she dropped the gift box while looking Bruce in the eyes. "Come on, you can't say you cared about me after I stopped being useful. When did you realize that I wasn't anything special? Was it when I kept crying about punching villains or when I was too slow to teach."

Seeing the conflicted look in his blue eyes confused her. Why would the truth conflict someone unless it was pity. Even after all this she's just a pitiful little crybaby to him. One good hit and she's out wailing on the floor for someone to kiss her boo-boo away.

Somehow this hurt her. Her pounding heart felt like it was twisting on itself. She wanted to cry and laugh at how she thought things couldn't get any worse. Then somehow it did. The universe, the world, the Wayne had proved her wrong yet again. It was as funny as it was sad.

She could have broken down there, but she needed to hear it. She had to hear the truth, so she kept twisting her heart with her own hands. It didn't matter how much it hurt.

"Or maybe you were in denial? You had wasted a lot of time and resources on a dud. Then Damian threw cold water on you and left you shivering, right? I'm just leeching off of you and the others. Then…Then you choose them over me. I was an afterthought, or is that being too generous? Did I ever circulate in your mind before this?"

Her voice was becoming shrill and gruff like she was on the verge of tears. "When did you realize that I was dead weight, Batman? Did I make Bruce Wayne look more caring to the people when I talk about how much I love my family? Did my life serve any use or was I always just a speck of dirt on your shoes?"

Those words were far from the truth, yet with how she spoke Bruce knew that she believed in all that she was saying. Each and every word was true to her. Honestly he didn't know what to say. This was all too much. Having to hear your own child degrade themselves with such honesty was heartbreaking.

Taking his silence as a sort of confirmation, y/n ordered him to leave and of course he did. He'd fix this somehow. He just needed time. They needed time.

I cut off the ending because I didn't want to write too much. Anyway I hope you enjoyed it. I haven't proofread this, Google Doc says there aren't any errors (probably a lie), and it's 3 in the morning. Goodnight.

[goldfades]

could you write some Caitlin hc?

𝐑𝐄𝐋𝐀𝐓𝐈𝐎𝐍𝐒𝐇𝐈𝐏 𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍𝐒 ─ CC²²

─ warnings | fluff, mention of arguing/VERY SLIGHT ANGST, best friends to lovers, just a bunch of yap... sorry in advance <3

─ taglist | @xocherishxo @iienstein @yazmunson @euphternal @hello-nah817 @wanderlusturous @plushkhiii @ilovepaigebueckerss @ajcuteee @vi0lentb3rry @paigeszn @brynsreads @delicateray and here's a link to my taglist if anyone would like to join!!

PRE-RELATIONSHIP

i feel like caitlin just gives off childhood best friends to lovers + high school sweethearts, like you guys knew each your entire lives and were like super duper close

and then one day it kinda just like hit caitlin like SHE IS **IN LOVE** WITH YOU

she's definitely the first one to "catch feelings"

i use that term VERY loosely because both of you guys were idiots and didn't realize you'd loved each other the first time you met

but she's the first one to realize it

which i feel like would cause a slight rift between you two because up until that point, it was "platonic"

she just wouldn't know how to go about her feelings and it would just stress her out, so she just began to distance herself

and in the years you've known her SHE'S NEVER DONE THAT TO YOU, so obviously you notice

and you try and talk to her about it but she reassures you and tells you it's nothing, that she's just stressed about school

which you don't buy so you just keep bugging her about it, cause she's ur best friend ur not about to lose her!!

eventually you give up after realizing that maybe she just doesn't wanna be friends with you anymore, and after you didn't show up to her game, caitlin knew she FUCKED UP

so after the game, she goes to your house and tells you that she messed up

and you both go up to your room and talk about it, she's SO emotional and just stressed out but she pours everything out to you

and you're confused at first, caitlin likes YOU????

and when you hug her and tell her it's alright, that you liked her back, baby was taken aback cause she's like WHAT

she expected you to just be okay with it obviously but she never expected you to tell her you LIKED HER BACK????

it's just so cutesy rom-com-y and just... ADORABLE and sweet

RELATIONSHIP

queen of cuddles, oh my lord this woman is always on top of you

she doesn't really process her size sometimes cause she'll just lay on top of you and she forgets that she's literally 6ft with a bunch of muscles

you've almost died multiple times

she's super duper touchy all the 24/7 EXCEPT AT GAMES

pda is cute and all but not at games because she has to keep up an appearance and being overly touchy with your girlfriend at a game isn't exactly a great image

but she'll do it anywhere else!!!!!! but of course not too much cause again, the whole image thing

she loves taking pictures and videos to everything, her entire camera roll is just you and her atp

like vlogs GALORE to send to her family and stuff, because they adore you and her relationship!!!!

and obvs the team but they get rly sick and tired quicklu

"caitlin we get it u have an amazing healthy relationship" *attachment: 8 photos of you guys giving a thumbs down with frowns* "did we rly need 8 photos?" "yes!!!!!!!!"

and she vlogs everything, like every moment with you, she's got recorded

but those are usually very sacred to her, she doesn't show them to anyone and she hearts them so that she can look at them anytime she misses u :(

she loves showing you off on her instagram stories!!! but she gives everyone crumbs, like your back with her jersey and a cutesy little heart and you two holding hands

she has posts of you guys from high school still on instagram but she doesn't really post you a lot just because she wants to be professional

but whenever she can, SHE DOESSSS (like that whole 1yr post but with u.......)

you're at every single one of her important games!!!!! since yall have been together for so long, you guys make time for each other (ofc), she'll fly you out, pay for your hotels and everything

you're her number one supporter and fan!!!! oh my gosh

because she can't respond to weird comments, YOU def can

especially the ones that are like "i can def beat her in a 1v1" and it's just some random man

"most mens players at college level couldn't even beat her, i guarantee a random guy on tiktok could🤗" "you're 5'7, think again 💀"

caitlin just laughs at the comments but you will never let anyone shit talk your girlfriend????

she finds your protectiveness so endearing like it makes her fall more in love w you (if that's even possible?"

rom-com nights are like the ideal date night - caitlin cooks the food and you pick the movie, you guys cuddling on the couch as you eat and watch the movie is like every free saturday/sunday for yall

caitlin hates being away from you, she just wishes you could be with her 24/7

if she's away from you, expect 10000+ messages from her and 10 minute snapchat vlogs of her just at the gym while she speaks into the speakers quietly as if she's being followed (shes just dramatic)

some of the vlogs are just her in the hotel room very bored, trying to think of something to talk to u about and ITS SO CUTE

"so uh... i heard that squirrels can't burp. isn't that weird and like.... kinda sad? imagine living your whole life without being able to burp, i think i would die. speaking of that, i tried making your mom's cupcakes the other day, but i accidentally used salt instead of sugar! and that's exactly why i stick to cooking, baking is too damn hard. oh shit, kate is calling me, i gotta go but uh i hope you're having a great day. i miss you like crazy and can't wait until we're together again. i love you!"

yeah she's a yapper

she loves when you do her hair because i feel like she's more of a outfit person

so she would like if you braided her hair or like curled it or something, it makes her feel good and like pretty

the one time she curled her hair without you, she burned her arm and she swore she'd never again🫠

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↳ thank you for reading all the way through, as always ♡