Are you Marxist?
Right now I’m a teacher- and I know that isn’t the answer that you wanted but listen-
Ideologically I don’t care what we call it, I will support my kids getting food every day and my classroom being funded so the kids can have the materials they need.
I will support any programs that complete fund public transportation, and which will actually put roofs over the heads of the people I pass on the street every day. I support the radical dismantling of government programs like the military and the police and the redistribution of those funds. I support the private dismantling of monopolies and large corporations hoarding wealth and food and homes.
I support not having to work myself to the bone every single week- coming home so dead tired that I fall asleep in my work clothes at 7:30 because I feel my body breaking from the five day/ eight hour work week. I support the death of the landlord class and the model, by which, a public City of Boston employee who works 40 hours a week for the city can’t afford to actually LIVE in the city on my salary (I have four roomates)
I support the complete reconstruction of the Forster care system, which in many cases takes children from loving parents for lack of funding, rather than just giving the parents access to food and clothes and a home to call their own and raise their children in. As wealth isn’t an indicator of morality and responsibility, and certainly not a reason to separate children from families who love them.
I support free and accessible educational for the brilliant black and brown children I see every day who have been barred from higher education due to the costs of privatized education- I support the fully funded public schools, community centers, libraries, and museums as safe spaces for all people of all ages to go, as knowledge should never be only accessible to a certain class.
I support gutting the private medical and pharmaceutical industry and instead building up public healthcare in which people will have access to medication which they desperately need without having to pay thousands of dollars. Where people can access mental health care, elder care and senior homes drug and alcohol abuse care (and yes that includes safe sites to dispose of sharps, and inject drugs without fear of dirty needles and ODing I know for whatever reason people can’t stomach that one) , rehabilitation for addiction, mental illness, and eating disorder without being in crippling debt for life. As a kid I had to ration my inhaler as they were close to $100 USD each. As an adult I want to make sure that no child - or person in general- has to do that with something that they NEED.
Everyone deserves to live in comfort and dignity, and no one man or company should have the power to sway politics or hoard property, food, or medication while the people are in need of care.
I have read a little bit about communist theory, and know all The Hits (hello communist manifesto), and yeah ideologically I suppose I agree with a lot of it on the surface level, but frankly I’ve read a LOT more about Socio Emotional Leaning, and teaching phonetics to ELL students, and textbooks on Ancient Civ as that is how I spend my whole day.
It would be arrogant and ignorant to call myself a Marxist, as I am know knowledgeable enough about the difference between Marxism, or Marxist Leninism, or Maoism, or all the nuances between the different communist and socialist political and ideological movements. And frankly, at this point in my life I don’t care about the label that you use- I care that food gets on my kids lunch trays and that they all have a warm bed to go home to and a place to learn and all their health needs met. Weather that is achieved by voting or by revolution, I don’t care. Weather it’s the marxists that get it done or the Maoist’s, I don’t care. Fuck if the Democrats were advocating for all that I’d be first in line to the polls (though even now please still vote, both in national and local elections- not voting is used to silence you and is a tool of the oppressor).
I really honestly don’t know shit about anything, and it would be sooooo much easier to give you a sound bite and respond “FUCK YEAH MARXISM BASED!!!!” With gif of a hammer and sickle flag…. But that feels reductive and unrepresentative as I honestly and truly am not intelligent enough about the subject to talk about it at length. What I am knowledgeable enough about is working full time in public education in a low income school. And working for a non profit organization in rural communities. And volunteering to get my boots dirty doing non profit work during what little free time I have. I know a lot about the world that I WANT to make better and if Marxism can get it’s shit together all the better- but a revolution WONT just be peacefully standing around discussing ideology. It starts in your classrooms and food banks and your streets. So I suggest that any real Marxist get themselves a pair of practical shoes.
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pairing: hoshina soushirou x gn!reader (no prns)
summary: in which he realizes you were the one for him
warnings: none i think !
wc: 1100
Hoshina wasn't a player. He wasn't one to say yes to everyone who came his way nor was he one to lightly pursue just about anyone who slightly interested him— not to mention he didn’t fall easily to begin with. He was a busy man in a dangerous line of work so having a relationship simply didn’t make sense most of the time.
However, this is not to say he hasn’t had a few relationships here and there. He loved those he dated, he really did. He did not believe in dating for the fun of it nor did he believe in starting a relationship he knew would end at some point, but subconsciously he tried not to get attached. He kept his distance and locked away his heart to keep from getting hurt. Was it unfair? Well yes, but he was scared. Everyone has something that terrifies them greatly, this just so happened to be Hoshina’s.
Yet, recently he could tell that something was different with you. It had only been a few months since you started dating, but he feared the shift in his feelings. He knew what it was— he knew very well, but as soon as he admitted it, it would be over. There’d be no going back for him. He knew he was being rather irrational, he knew that if he sat down and confronted these emotions he’d realize they weren’t that big of a deal, but he couldn’t. He’s never been able to.
However, while fighting this kaiju, it became plain obvious that he was simply in denial.
It upset him how important you were to him, but more than that it upset him that he knew he was important to you. You had made it so painfully clear that he meant the absolute world to you and that broke him to pieces every single time.
To him it was easy being alone— he just had to make sure his job was complete before he died. If he could ensure everyone’s safety or at least help Mina out, there was nothing more he wished for. Yet while fighting Kaiju no. 10 today, when he saw his life flash before his eyes, his immediate thought was of you. If he died you’d cry. And that alone was going to get him home alive.
He’d rather die than make you cry. Especially not alone.
As he stood up again, he could see his blood dripping from his wounds and immediately it made him chuckle. You’d cry anyways when you see the state he’s in.
I’ll have to be around to wipe your tears at least, he said to you in his head.
He was incredibly lucky that you didn’t work on the battlefield, his heart simply would not be able to take it. But he did, and for you he’d have to get home safe. Even if no one else cared that much, not even himself, he knew you would.
All of a sudden, it was easy to admit. He was hopelessly in love with you, in a way he didn't know he was capable of. He wished that he would spend the rest of his life with you and he hoped you would spend the rest of yours with him. Perhaps he was just afraid and a little flustered to admit that he was important to someone, especially someone special to him too. He had seen how painful it was for those left behind, a little too often.
But there was an easy solution to that, he’d just get back to you safe every time. He just won’t make you worry and he’ll be there for you. This was supposed to be a dilemma, something he thought he'd stress over, but in the moment he felt eerily relaxed, definitely not like he was fighting an identified grade kaiju. The rest of the fight was a blur, he couldn't remember much. His head was clear but the fatigue had taken over at that point, but before he knew it, the kaiju laid in front of him still.
He was faintly conscious as they rushed him into an ambulance and patched him up. Once he was properly treated and awake, they had warned him to stay put and take it easy, but all he wanted to do was see you.
As soon as he left his assigned room, he immediately bumped into you. You had been waiting to be let in to see him. You took one look at the way he was patched up and tears welled into your eyes. He could tell you didn't mean to, you didn't want to worry him.
“Please don't cry,” he said softly, wiping your tears away. He couldn't help but smile at the sight of you. “I'm perfectly fine.”
“I'm not crying,” you said with a scowl on your face, but the way your voice cracked was not very convincing. “I'm so glad you're back.”
“Can't live without me?” he teased. He knew you couldn't live without him, but he couldn't either. Yet, now he even hated the thought of you living without him, let alone with someone else, so here he was. And here he always will be.
“Shut up,” you said. “You know I can't.”
He knew, but hearing you say that still made his heart flutter. He reached out with his right hand to grab your left and held it carefully. He leaned in to kiss you, but it was so much sloppier than the careful ones he usually gave you. Forgive him, he was terribly exhausted.
“I can't either,” he said, snuggling his face into your shoulder.
“You can't?” you asked, a little surprised. It broke his heart that he had possibly made you feel such way.
“Not for a second,” he said, still avoiding eye contact. “I'd rather die than wake up without you next to me, actually.”
You wouldn’t reply, so he brought his head back up to look at you.
“Oh, don't cry,” he said and chuckled a little, wiping your tears away as he kissed you again. “I didn't mean to make you cry.”
He hadn't let go of your hand and although he was gentle, he held it firmly. He didn't say anything, but he vowed to himself that he'd put a ring on it someday. He wasn't letting go of you ever.
You were the one for him.
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“Tgcf is like the trolley problem except it’s Xie Lian’s fault that everyone dies because he wants to stop the trolley.” No, Tgcf is “like” the trolley problem if the problem was that every time Xie Lian attempted to stop a trolley, the trolley owner builds another trolley and sends it hurtling down another track to mass murder another set of people to prove to Xie Lian that the only “reasonable” response to witnessing mass death occurring is to stand to the side to watch the trolley kill the people you think least deserving of life, maybe while asking the trolley driver—who wants to kill—to slow down a little (but only maybe). In that regard, the op of that wretched take and the trolley owner seem to be on the same wavelength.
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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
She was as excited for Marcille's milestones as Donato was.
She didn't tell Marcille much about elven food
(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
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cold fruit in a hot kitchen (so i had this great watermelon last weekend)
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Hello, can i have a modern sylvain pls??? PS: i love how you draw scrimblos
Finally another Wheel Spin and thankfully modern equals I get to draw someone with fish somewhere on their outfit. (Overlay layer my friend how I missed you)
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OH. okay so normally i dont touch discourse with a 20 ft pole, but this has been niggling at my brain tonight and i finally realized why
the people who are mad at qbbh for the memory loss and “dodging consequences” dont understand that he doesnt want to dodge consequences. Like they cant know that, they werent focused on him when he was literally feeding himself to the soul vultures and planning his eventual imprisonment and also. The Many Many Many hints he made towards suicide/sacrifice/Just Fucking Dying.
ccbbh is a subtle roleplayer, he’s been building this shit up for two whole months- it was day FIVE of the eggs going missing that he resolved to do whatever it took (hurting his friends) to get the eggs back. It was day three that he followed in dapper’s footsteps and started feeding himself to the soul vultures (and gaining a Massive headwound beneath his hood in the process- you can only see it if you go on namemc and remove the layers). He’s got impaired judgement. Even the memory issues arent a new thing- i cant remember exactly when they started, but one of the first big moments i remmeber was september 30th where he spent an hour falling into a delusional frenzy searching his base for cameras that he forgot he asked aypierre to plant.
The super murder of purgatory and the memory loss afterwards probably all feels very sudden for people who havent been following his story, but as someone who has been- all of this has been true to character. The only cheap swings he’s made have been combat-based in purgatory, and even the motive for those was built up in rp.
People are calling for consequences, but he has alrwady been experiencing self-inflicted consequences for months. The blue on his usual outfit is blood. This recent memory loss isnt a restart to get away with the atrocities - it is yet another consequence of his egg-protecting complexes and the ways he punishes himself for failing them.
he is NOT a moral character. he’s a demon hiding in plain site. he has eaten people. he has killed people. he understands the cruelty of his actions, and the consequences of them for the loved ones of his victims. but it matters when that harm is being done to his loved ones. he’ll still do it, because he will do anything for the eggs, but it matters, and that means that he has already started the process of self-inflicting those much-demanded consequences
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sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'
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According to the artist, when it was suggested that a smile might benefit the look of the finished portrait, Attaché Nohell reportedly replied, "I thought the purpose of this was to be honest."
Super fun commission of @waterloggedsoliloquy's OC Sicely Nohell (they/them) and their terrible, horrible, no good, very bad lusus figure Commanding Officer.
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WAAAAAH..... Little boy Ryan knowing deep down he can't save both Homelander and Butcher, he's eventually gonna have to chose between them for the last time, because when he makes that final decision something horrible is gonna happen to the other </333 he knows how they're at each others throats, he knows how often they try killing each other (bro I will pay for their couples counselling JSKJFKJ)
This boy is only 12 and he already knows he can't save everyone, no matter how hard he tries!!! he couldnt save his mom, and now he feels like he cant save butcher!!
He spent most of his life in a very sheltered fairytale where he knew nothing but love and kindness!!! Till he met these men, and whether or not they meant to, they just ruined his life T.T
He should be having fun and playing, but instead he's just forced to chose over and over again and know that anything can happen, and he's helpless to stop it
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hi! your blog is one of my favourites and i absolutely adore reading your thoughts. my grandfather recently passed away and it feels like i lost myself with him. how do i continue living after this? there is this constant weight on my chest and it feels like an emptiness has made a home inside of me. how do i go on when it feels like the world crashed on my shoulders?
hello, love! this is so very sweet and kind of you, and i hope you're treating yourself gently and kindly right now - there aren't words for a loss like this. that heaviness is difficult, and hard, and painful. it's okay if things don't feel okay, right now, or even soon - i think that's something that a lot of the people i know that have gone through similar grief feel: like they should be able to get back to a relative 'normal' in a [insert far too short period of time].
but it's okay if it hurts. that's where i'd like to start. you're allowed to feel that emptiness, that world-crashed feeling that goes beyond words, beyond time. don't feel like you have to rush this to feel some sort of better. things get easier with time, i promise you this, but sometimes painful feelings are important to feel, too. cry, scream, feel your emotions. they're a part of you. grieve.
it's perhaps a little silly, but when i think about death i always think about a couple of space songs: mainly drops of jupiter by train and saturn by sleeping at last. there are perhaps others that speak to the emotions better, but these two have always hit something a little deeper for me, and are popular for a wide-reaching reason.
and while personally i don't know much about grief like this, i do know a lot about love; and i think they're a lot of the same thing.
the people we love are a part of us, and this is why it takes from us so deeply when we lose them, because it does feel like we've lost a part of ourselves in the wake of it. but it's because they were so central to our experiences of living - our lives, that the separation introduces a hollowness - a place where they used to be. a home that now goes unlived in.
an emptiness, like you said.
but just because they're not here physically, doesn't mean he's not still there, in your heart, in your life, your memory. you can hold him close in smaller ways, as well: steal a sweater, or cologne/scent for something a little more physical and long lasting for remembering. hold onto the memories you cherish, the things that made you laugh, the ease of slow mornings and gentle nights. write them all down, slide a few photographs in there, go through it and add more when you miss him. keep them all close, keep them in your heart.
you're not alone, in this. he's still there, with you, it's just - in the little things.
he's with you in the way you see and go about your daily life, in doing what he liked to do, in the ways he interacted with the world that you shared with him. the memories you recall fondly when the night is late or the moment is right and something calls it into you like a melody, an old bell, laughter you'd recognize anywhere.
but i think, perhaps most importantly above all others - talk about him. with your family, your friends, his friends, strangers; stories are how we keep the people we love alive. the connections they've made, the legacies and experiences they've left behind, and so, so many stories.
how lucky, we are - to love so much it takes a piece of us when they go. grief is the other side of the coin, but it does not mean our love goes away. it lives in you. it lives in everyone who knew him, in the smallest pieces of our lives.
the people we love never really leave us, like this: they're in how we cook and the way we fold our newspapers, our laundry, in the radio stations we tune in to and the way we decorate our walls, our photo albums. they're in the way we store our mail, organize our closets, the scribbled notes in the indexes of our books. the meals we love and the drinks we mix, the way we spend time with one another. they've been passed down for generations, for longer than history - and we are all the luckier for it.
think about what you shared with him, and do it intentionally. bring him into your life, like this, again. whether it's crosswords or poetry or sports or anything else. if one doesn't help, try another. something might click.
i hope things feel a little easier for you, as they tend to do only with time. i hope you find joy in your grief, even if it is small and hard to grasp at first. know that your hurt stems from so much love that there isn't a place to put it properly, and that it is something so meaningful and hurting poets and storytellers have been struggling to put it into words and sounds that feel like the fit right for eons, and that it is also just simply yours. sometimes things don't have to make sense. sometimes they just are - unable to be put into words or neat little sentiments, as unfair and tragic as they come.
but i promise it will not feel like this forever. your love is real. and perhaps, on where to begin on from here - i think it's less on finding where to begin and just beginning. and you've already started. you've taken the most important and crucial step: the first one.
wherever you go, after that, from here? you'll figure it out. you always have, and you always do. it'll come, as things always do. love leads us, as does light - and you're never alone in your hurt. in your grief, your missing something dear to you. i think if you talk about it with others, you'll find they have ways of helping you cope as well - and they have so much love of their own to spare, too.
as an aside, here is the song (northern star by dom fera) i was listening to when i wrote this, for no other reason more than it makes me think of connections, and love, and how we hold onto the people we love and how they change us, wonderfully and intrinsically. it's a little more joyous than the others i've mentioned, and plays like a story, and it made me think of what is at the core of this, love and stories and i am here with you, and maybe it'll bring you some joy, if you'd like it. wishing you all my love and ease 💛
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Journey to Mor Pankh rerun already so I can write a piece on Kumar and Shamane and how they never could’ve been happy siblings but Kumar would’ve had a breakdown over not being able to direct her anger at him.
Shamane genuinely wanted nothing more than to be by Kumar’s side and grow up with her the second he found out she was his sister. In his flashback talking about her you could really tell that he was so dazzled like “huh I don’t really get why this cool researcher is here” but rationalized her as a friend of the family. Hell she IS his driving point. And he’s her driving point too. The second he found out that she was his SISTER? He ran away and that’s where his character story started. Which is such an important and noteworthy choice because not every character event is a backstory or tells you what a characters bond to another was.
And Kumar’s arcanum WAS strong. She MADE it strong. She wasn’t born with a gift like KB or Matilda and grew it, she had to start from what was implied to basically be nothing. Then she still became such an incredibly strong arcanists and diviner that she discovered a star far before anyone who was born with strong arcanum did. She needs more time and steps to channel a strong arcanum but KB inherited her techniques and her ability and she’s a POWERHOUSE. She throws a STAR at people and she learned that from Kumar!!! She didn’t start with talent but she built it up so far that it took basically two people on the level of someone she taught and raised from childhood to bring her down!! Even then Kumar didn’t suffer extreme of injury considering how bad a rebound on a spell like that has to be on the mental state.
Shamane was driven to the city purely because he sought out Kumar who sent him that letter. After living and learning his entire life out there he went out to find and her and I can only imagine how stoked he was. Cause he likely knew that Kumar would’ve resented him and looking at how she turned out he was the first one to understand and accept that the bridges between them were already burnt.
At the same time I can’t imagine how Kumar must’ve felt learning that the prodigal child her family tossed her aside for left them. I couldn’t begin to explain the kind or visceral bite that news must’ve had. She could’ve had everything with them and in a way she must’ve built up her arcanum, at least at first, so they might accept her one day. I would’ve grown to hate everything too.
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