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#like....it contradicts the entire characters motive
upsidedowngrass · 1 year
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i will say one of my Biggest pet peeves in one fanworks is 'liam becomes the new airy.' like im sorry i respect u and ur interpretations and ur creative interests !!! im glad ppl have fun and have ideas about post canon one, theres a lot of potential there!!!! but also the moment that i see a work have liam do this i instantly stop paying attention
#not putting this in the tag cus i dont wanna make ppl feel bad!!!#and like. i HAVE seen works that mildly explore it but in a way that i kinda like#but its just. it bothers me So Bad#like it contradicts every trait liam has ever shown in the series AND all of his motivations#'ppl qct ooc under stress!' yeah but it doesnt make ppl act in ways Completely diff from who they r... like hes still liam#at that pt hes just a whole new CHARACTER#but its like. his ENTIRE motivation is that he wants to stop anyone else from going what he went thru. will do anything to prevent that#itd literally undo what makes his entire character him at all to have him go back on that. thats literally his most prominent motivation#its SO intrinsically tied to him as a character#like yeah!!! him and airy are both isolated in that world. there are strong similiarities between their characters#but they still went theu snth DISTINCTLY different.#airy died and was isolated. liam was kidnapped and then isolated. it feels just different enough that i CANT see how#liam would just end up as 'airy 2.' their experiences may be similar but theyre still extremely different#and its like. ive said it before but i think julien is meant to serve WAY more of a parallel to liam than airy is#if theres anything i think liam would do if he couldnt get home? it would be to try and try and try#until hes just... not going anywhere#his stubbornness (and juliens stubbornness for that matter) is vital to understanding his actions.#hed never stop even if it meant he REALLY never stopped. and i think thats just as emotionally impactful#and? even if he WERE to act ooc. uh#tbh? i think hes terrified of dying. he does NOT like it. i think esp after the waiting room hed dread it bc all he knows of it#is that hell just keep dying and dying. or end up just stuck there forever#but. if he were to start rly going against his established traits. i think hed more sooner off himself than start s3#ESP since it is his own concern for others that makes him act the most Against his own self in the entire series#when he tries to kill airy. bc he couldnt stand the idea of everything continuing#and airy doing this to more ppl. THAT is what is strong enough to make him go against his own personality#and i think its too deeply intertwined into his character for him to try to deal with isolation by kidnapping people#esp not owen.#suicide mention#ANYWAY. these tags r long#OK TO RB BTW if u want i just didnt tag it bc i dont wanna make any1 goin thru the tag sad or anything
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roseofcards90 · 1 year
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I just woke up from a nap and lowkey recovered from an ocd flare up but I truly do hate when fandoms downplay the relationships characters have with each other and water them down to fandom tropes/jokes it just fucking annoys me especially when said relationship has a lot of complexity and it ends up affecting the characterization of the characters involved too that they become misinterpreted/watered down/ flanderized in the process 😭
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velvees-archive · 8 days
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At 20 years old, Miles Edgeworth’s only mentor tells him never to step foot into his opponent’s territory lest he fail to crush them in court. 4 years later, Edgeworth enters Defendant Lobby No. 1 to warn opposing counsel Phoenix Wright about Redd White’s decisive testimony.
Some post-AAI1 reflections + how Phoenix unravels Miles from the very moment they meet again.
After playing through the original trilogy, up to 4-2 on Apollo Justice, and all of Ace Attorney Investigations 1, I couldn’t help but jot down my (admittedly incomplete) thoughts about Phoenix and Edgeworth’s relationship, especially as it pertains to Miles’ “unraveling,” or his departure from von Karma’s teachings.
We already know von Karma had no love for Edgeworth. Crushing the late Gregory Edgeworth’s legacy under the guise of mentoring his son (and eventually ruining his career at its peak) was von Karma’s last act of hatred towards the departed.
From Miles’ perspective, however, von Karma was an accomplished teacher to whom he owed his gratitude and career’s success. This is important because Edgeworth’s actions are fundamentally motivated by his desire to express his “gratitude,” repay debts, and honor legacies.
His debt to von Karma compels him to strive for the perfection his mentor obsesses over. Achieving perfection takes the form of absorbing von Karma’s teachings, among them the AAI1 screenshot from earlier: only face your opponent in court, and make sure you crush them when you do it.
We know for a fact that the “demon prosecutor” internalizes von Karma’s teachings. He follows them to a T.
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So, following 15 years of indoctrination, 4 years of putting the von Karma creed into practice, and an entire childhood AND early adulthood’s worth of gratitude, you’d THINK Edgeworth wouldn’t dare dishonor him…
Until he does, by coming to the defendant lobby to speak to his “enemy.”
Prior to playing AAI1, I thought the impetus for Edgeworth’s character development was 1-3, wherein he reevaluated the facts of the case and helped Phoenix get Dee Vasquez a guilty verdict. I still think 1-3 was the first time he consciously acknowledged the possibility (keyword: possibility) that his prosecutorial upbringing wasn’t..sound…(lmao!)
But with this AAI1 von Karma and Bratworth interaction, I now believe it was 1-2—with Edgeworth subconsciously disregarding his mentor’s teachings and Phoenix acting as the catalyst—that shows us when he first strayed from the path of a Von Karma.
An aside: Do I think AAI1 Bratworth was perfectly characterized? Not at all; he’s much too noble for that era of his life, though I don’t think it affects my case.
Edgeworth is a man full of contradictions. He comes to the defendant lobby to tell Phoenix his case is hopeless, though he has no obligation to disclose—nor has he ever set a precedent of disclosing—decisive witnesses’ information to his opponents.
He tells Phoenix he’ll do anything to get a guilty verdict, yet he warns the defense that his witness’s testimony will be considered infallible, prompting the player (Phoenix) to dissect the following testimonies with more care.
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He tells Phoenix not to expect any special treatment from him, yet his very presence in the defendant’s lobby is in direct opposition to his respected mentor’s wishes.
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It takes just one appearance from Phoenix for the filaments of von Karma’s indoctrination to unravel. 4 years into his career, Edgeworth has met many attorneys—most notably, Mia Fey—who embody Phoenix’s faith in his clients, yet none could shake his foundations like Phoenix Wright.
Edgeworth may have not been ready to turn a new leaf upon his first encounter with Phoenix, but the fact that a loose thread from his childhood (that’s emblematic of his innocence, his dreams, and dare I say his father’s drive) ultimately leads to his unraveling is poetry if I’ve ever seen it.
TL;DR Phoenix deconstructs Edgeworth like he was born to do so. The moment Phoenix decided to chase after him, Edgeworth had already lost.
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arowyn-m · 1 month
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I meant to do this ages ago but knowing the leaks exist is driving me insane so I’m devoting my energy to it now—
Obsessed with the idea of Arcane characters becoming their opposites in S2 so I’ve attempted to summarize each character in 3 words—a good quality or strength, a bad quality or weakness, and a neutral trait.
Vi: Protective, Hotheaded, Sentimental
Caitlyn: Empathetic, Naive, Perceptive
Jinx: Creative, Impulsive, Childish
Ekko: Nurturing, Aggressive, Distrustful
Heimer: Patient, Unresponsive, Pessimistic
Jayce: Charismatic, Shortsighted, Proud
Viktor: Self-sacrificing, Stubborn, Reserved
Mel: Wise, Manipulative, Perfectionistic
Singed: Calculated, Sadistic, Cryptic
Sevika: Loyal, Impatient, Honest
Ambessa: Cunning, Ruthless, Selfish
Assuming that these are solid descriptors for each character, and S2 will show these characters becoming their own opposites, we can expect good qualities to become bad ones and vice versa. Neutral qualities may also be turned on their heads:
Vi: Vulnerable, Apathetic, Repressing
Caitlyn: Cold, Experienced, Blinded
Jinx: Destructive (in maybe a different context than S1), Deliberate, Mature
Ekko: Neglectful, Avoidant, Trusting
Heimer: Impatient, Proactive, Lighthearted
Jayce: Unlikable, Farsighted, Humble (or Humbled)
Viktor: Selfish, Compromising, Outspoken
Mel: Foolish, Sincere, Self-accepting
Singed: Careless, Empathetic, Unambiguous
Sevika: Independent, Patient, Aloof
Ambessa: Candid, Merciful, Self-sacrificing
Further analysis below ->
A lot of these qualities are probably going to be tweaked. I don’t think we’re going to get a wildly empathetic Singed, but rather we’ll see some more of his personal motivations, which will show him to be more feeling than he seems.
I honestly don’t see us getting a straight-up self-centered Viktor, so part of me believes that he’ll be “selfish” in the context of his personal ambitions. He’s been working in tandem with Jayce for years; been willing to give up time for other projects that aren’t Undercity-centric. Viktor’s focus is going to be entirely on physically healing the Undercity—a project that only he seems to see the value in. That’s probably going to be the “selfish” aspect we see from him.
Or at least I really hope so.
Viktor’s selflessness is such an integral part of his character that it’s hard to imagine him suddenly becoming self-absorbed, but if the writers handle it well, then 👍
Similar issue with Jayce—I don’t see Jayce becoming humble so much as being humbled or put in his place (maybe by Ambessa, who looks poised to usurp Piltover’s Council judging by previous story beats and her strong presence in the S2 poster.
I like Jayce as a character and really think the fandom doesn’t give him enough credit for caring about those around him—but he’s pretty full of himself, and I only see him leaning further into that trait as those he trusts (Mel, Viktor, Caitlyn) are either pulled away or abandon him.
Sevika’s possible development in particular is quite interesting specifically because she is a follower by definition. In S1, Sevika would not have made a good leader, but maybe she will in S2.
Sevika could start acting independently to contrast her previous loyalty. Even when in an alliance she can have independent motives. We know she’s going to team up with Jinx but it’s unlikely that Sevika is going to be personally devoted to her, and maybe this alliance is a temporary, spur-of-the-moment decision.
If Sevika starts being independent, I’ve no doubt she’ll later become Renata Glasc.
okay that’s it! Feel free to add to this or take away or completely contradict me I’d love to continue to think about and discuss what defines these characters :)
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ironunderstands · 6 months
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2.1 was so good holy shit (spoilers, obviously)
GOD THEY ATE AND IM SPECIFICALLY GONNA TALK ABOUT HOW WELL THEY WROTE RATIO IN THIS BECAUSE IM FOAMING AT THE GODDAMN MOUTH IT CHANGES HOW YOU VIEW EVERYTHING BUT IN A GOOD WAY.
so, let’s start from the beginning in 2.0 I want to walk you through my experience of it
ratio mean to aventurine, everyone gets mad. I feel weird about it, pre-2.1 I come to the conclusion that he got used as a plot device in that scene, since being racist contradicts his core motivations and the dialogue is awkward and has no real reason behind it, I chalk it up to bad writing but ultimately forgive it because 2.1 seems centered around Aventurine so they need setup for that
2.1 drops, my bsf plays the update throughout the night and we are losing our shit. He gets to the part where Ratio “betrays” Aventurine. I fucking lose it, I try to reconcile this with my preconceived notions of ratio, they don’t match up at all, his behavior that whole time doesn’t in the slightest. I am confused, I wonder if I have been wrong about him this whole time, if his whole speech on the Space Station and his character quests were some kind of fluke. I mean it could be in character? Knowledge of how a stellaron works could save millions if not billions of lives, invaluable information which Ratio would have trouble turning down because of its value. It still feels deeply wrong, Ratio isnt a backstabber, and he wouldn’t so easily bargain with Sunday over information he has no confirmation of (and could likely obtain in some other way).
The story continues, me and Haseeb (aforementioned best friend) are still pissed, I’m losing it because my favorite character just did something so unforgivable and out of character and I feel like a complete and utter idiot for interpreting a character to be a good person when they so clearly weren’t. Well, I (luckily) was so so so so so so so wrong about that, as it was all a setup, a plan devised by Aventurine to distract Sunday and forward their goals. I’ve never been happier, and suddenly every weird behavior, every “this doesn’t make sense” goes from “bad writing” to perhaps one of my favorite retroactive twists in fiction.
Ratio belittling Aventurine for his background doesn’t make any sense, I mean we literally saw the guy give a whole ass speech about how he believes all people deserve access to knowledge and that everyone is capable of being creative and having intellect, but that they just have to try for it, and if they are incapable of it, he DOCTOR Ratio is there to lend a helping hand. To cure the galaxy of stupidity, something which he views as not the lack of knowledge but rather the misuse and misinterpretation of it, how he depises the Genius Society because they mostly do not try and use their intellect from the betterment of other, and actively guide/encourage other scientists (and in Hertas case the researchers at the space station) to view knowledge as some sort of prize or commodity rather than tool. This notion is what causes Screwellum to acknowledge that Ratio is more like a medical doctor than a scholar. And this notion is something Sunday Isn’t Aware Of.
Sunday doesn’t know who Ratio really is, he may have heard of his various exploits, but Ratio has a reputation for arrogance, bluntness and insensitivity, something which Ratio plays up to the nines. The 2.0 scene with Aventurine goes from seemingly massively OOC for Ratio to him actively playing up his negative reputation to play into Sundays perceptions of the pair for their plan. Ratio->
a) makes it seem like Aventurine fucked up and he’s mad at him for losing the cornerstones, something which Sunday would see and go “hmm they don’t like each other
b) this “oh I can drive a wedge between them” notion gets worse (although in their case better) when Ratio brings up Aventurine’s (not entirely accurate) background. Sunday now thinks he has leverage over Aventurine and even more of a chance of getting Ratio to betray him. Ratio also makes it seem like he just learned this information by stating he “did his homework” and this supposed unfamiliarity with one another would give Sunday more confidence to try and drive a wedge between them
c) this makes it seem like the IPC are unaware of the Families constant surveillance, as it looks like they are having an important conversation in a private room, which would make Sunday think they are unaware of his eyes and ears everywhere
Now let me qualify this notion with more evidence because you could still try and argue that the deal Ratio and Aventurine struck was post 2.0 argument
Topaz (my glorious Queen). At the end of the 1.4 (or was it 1.5?) Belabog quest she has a conversation with Aventurine in which he requests for her help in Penacony, and we do not get a confirmation on if she said yes or not. Until 2.1, in which the the Topaz (and Jade) stone in in Aventurines possession, meaning she took him up on that offer prior to 2.0 because how else would he bring multiple cornerstones there, which we know there are many because Ratio says he lost the cornerstones, not just his own. Topaz would not give this item up easily or on a whim in between 2.0 and 2.1, meaning she would have to be let in on his plan prior, meaning the plan was formed prior. Since Ratio was also assigned to this mission keeping him in the dark would make negative sense and actively undermine their collaboration, something which he brings up in their fake argument
2. The Final Victory Lightcone. I originally thought this scene to be after their argument for complicated reasons, the most important of which being the minor snippet of conversation we see between Ratio and Aventurine during the first time we meet Acheron. Aventurine mentions 3 chips, Ratio doubts him, and the lightcone description starts with Aventurine questioning his doubt and firing three shots, a perfect correlation that made me place the order of events in that way. However, we get to see the snippet of conversation between Aventurine and Ratio in game, right before they meet Sunday, not prior to the lightcone events. However, they are still clearly connected for aforementioned reasons, just in a different manner, let me explain. Now we know the three chips reference not bullets but the three cornerstones, and Ratio openly expresses his doubt because the family is always watching (something which I will get into) and because a part of him does doubt this plan will go well. However, Aventurine prior reminds him of the events of the lightcone with the three chips. My interpretation is that Aventurine took that gamble in the lightcone to convince Ratio to go along with his crazy plan since if he can win a game of Russian Roulette with an unwavering smile on his face he an insane gamble means nothing to him (ratio doesn’t buy it because it’s ratio but the sheer audacity or you could say the “charming audacity” makes him go along with it). In my opinion this scene only makes sense pre-penacony, due to the timeline of events, which is why I believe it the reason for the events in it has to be Aventurine trying to convince Ratio to join in.
3) The family is always watching. During the 2.1 story quest it gets brought up several times in many different ways that it seems like the family has eyes on everything and everyone. Sunday’s fuckass bird is everywhere, and the man himself (minus being a goddamn biblically accurate angel) is covered in eye shaped shit and possesses close ties with the Harmony, which lends itself well to a character that knows things considering the Aeon itself is a conglomeration of many different perspectives. He fucking perception checks Aventurine, when the crew goes to look for info on firefly they learn the dream pools monitor people’s vitals and everything, even producing a dialogue option where the trailblazer states they feel like their every move is being watched. Topaz gets stalked by bloodhound members upon arrival, I could go on. TLDR Sunday knows almost everything that’s going on in Penacony, this is what leads him to believe the traitor is within the family, and his access to knowledge is something the IPC 100% knows about. I mean they have been presumably attempting to try and get it back for a while, and they would reasonably extensively try and learn everything about it. The Family notoriously hates negotiating with them so the IPC either learning and/or coming to the conclusion that the Family is watching their every move isn’t a ridiculous notion. If this conversation was genuine, if Ratio truly wanted to discuss this matter with Aventurine, why would he do it in a likely wiretapped, not very soundproof room where any passerby could hear Ratio loudly exclaim that Aventurine lost the very important cornerstones and that he is also one of the most despised groups in the galaxy because that would really do numbers for both their reputations. If you think about it, this not being staged is an incredibly stupid blunder on Ratio’s end (minus the deliberate OOCness) because of all the places Ratio could set up a very important meeting he does it in one of the worst places ever.
4) The dialogue in the scene. It’s awkward, it’s so awkward and the whole “also my family died I didn’t get an education” seemed so tacked on the first time I watched it. Knowing now, it seemed so tacked on because it was, Aventurine had to shove the info in there somewhere and their incredible conversational skills decided that was the best part in there. Ratio fucking leaving before Aventurine is even done talking goes from a “huh weird” to a “wow he is really playing up this arrogant scholar role”. And if Ratio is playing the arrogant scholar, Aventurine is playing the dumb, helpless, blonde to a T. Losing the cornerstones and acting nonchalant about it, letting Ratio insult him so callously and letting the insults slide, talking absolute nonsense at the end about random things that don’t matter, sadly lamenting into the distance that he’s alone again. Bro is playing it up and I live for it. They also and play up these personas in their little adventure prior to meeting Sunday, Aventurine asks stupid questions like wondering about the species of the bird that make up the statues and talking about how he wants to play in the sandpit and even insulting Sunday a bit, behavior that would make Sunday think him unprepared and unserious rather than cold and calculating. If Aventurine does that well, Ratio plays up his arrogant, uncaring scholar persona to the nines. He insults any and every decision or thing Aventurine does, loudly sighing of how happy he is to finally have some peace and quiet when Aventurine leaves his sight for 0.00008 milleseconds, pointing out his sarcasm, beefing with a random Pepeshi bodyguard no reason, pointing out his sarcasm, just the exaggerated way he talks in general, and suggesting he admit Aventurine into the Genius Society (even Ratio wouldn’t stoop so low as to suggest Aventurine was worthy of that).
Moreover, this is really, really tragic because I do think there are several moments of genuine banter and fun the two share “Ratio, you’re huge!” was not added to the script to enhance the plot guys. And obviously Aventurine knows most of Ratios behavior is acting, however he has such severe trust issues, and Ratio is so damn straightforward and blunt that he worries the man was serious about some of it which just breaks my heart. Soft Ratio please add it give me one conversation, the note at the end of 2.1 doesn’t count it’s too short.
Ultimately, knowing what I know now I can’t help but view the 2.0 conversation with Aventurine as being anything but staged, it simply makes no sense otherwise, and it happily obsolescent Ratio of his sins. This was a bit incoherent I honestly just wanted to rant (if you couldn’t tell haha) but I hope you enjoyed it regardless. I need sincere Ratio more then I need oxygen and I’m not afraid to say it.
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blind-alchemists · 5 months
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the thing with Solas is that he's proud, and wise, and clever, and cunning, and regretful, and guilty, and honest when it'd be so much easier to lie, but while canon tells (and shows) us all of that, it doesn't tell us that the other deep-seated emotion that drives him is shame.
shame about what he did, shame about what he's going to do; shame about what he was, shame about what he is; shame about killing his friend; shame about viewing the people of the current Age as shadows; shame about not knowing better; shame about not wanting to know better; shame about a befriended/romanced Inquisitor, shame about the friends he made; shame about hiding in plain sight, shame about not telling the truth; shame about making the same mistake twice, knowing how it'll turn out; shame about his outbursts, shame about not being good enough; shame about feeling attached to the current Thedas, shame about not feeling attached enough to stop; shame about not having anything to be proud of anymore.
I was recently struggling with a scene that didn't go the way I thought it would, until I realized that neither pride nor guilt nor regret nor wariness was the the real motivation; they were just the result, the display, the cover: the real motivation was the shame.
and then everything kind of clicked into place, precisely because pride is such a focal point of Solas' character - if shame is a deep-seated emotion, it contradicts his pride, his wisdom, his intellect; if shame is a deep-seated emotion, it fuels his regret, his guilt, his determination; if shame is a deep-seated emotion, it's the one thing he's actually managed to conceal. (then again, I wonder if he's even aware that what he's feeling is shame.)
and, as I kept thinking about it, it kept making sense: to be ashamed is a grave sentence for someone like Solas, who's entire character revolves around his pride and his wisdom and his regret. he regrets enough of his mistakes to be disappointed, unsatisfied with himself, to be uncomfortable with what he's done; he's wise enough to know that he has no logical reason to feel ashamed for half of these things and yet even more reasons to feel ashamed for the other half; he's proud enough to loathe admitting to this shame. he gets wary if you poke at him, defensive if you manage to get to close to this sore spot, upset if you keep at it. his pride won't allow him to admit to his shame, and his wisdom won't allow him to not admit to it, and his shame won't allow him to speak about it, and that keeps him stuck in this vicious cycle.
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cosmicatta · 3 months
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One Piece Novel: Law — a short analysis
So, after a long time trying to get my hands on the Law light novel, I was finally able to read it recently! And, because I'm an obnoxiously intense person who can't just be normal about things, I found myself taking notes about everything I judged interesting.
And I thought I could share! So here's a mostly improvised essay about the Law novel, how it portrays Law and what it reveals about him as a character.
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Some notes before I start:
The edition I've read of this novel is the official Spanish translation by Planeta. When quoting and mentioning numbered pages, I'm referencing that edition.
I originally posted this on Twitter as a thread! If it sounds familiar, that might be why.
For those who haven't read the novel and might want to: be mindful of some trigger warnings, including gruesome medical descriptions, suicidal thoughts, mentions of abuse, and violence in general (I won't be touching on these subjects here though).
These are just my personal impressions, I'm not trying to tell anyone how they should interpret the novel or Law's character. I'm just doing this for fun!
The story takes place right after Cora dies, following young Law's journey as he makes it to Swallow Island and desperately tries to survive. There, he will meet Bepo, Penguin and Shachi, as well as Wolf, a novel-exclusive character that welcomes Law and the boys into his home as a family.
Overall, it's a very short read, agile and straightforward. The style is very juvenile, but that was to be expected, and I'd say it does a pretty good job at capturing the feeling of watching a One Piece episode. The novel does kinda feel like a mini arc.
I'm unsure if light novels can be considered 100% canon in general, but since the contents don't contradict anything from what we've already seen in the manga/anime, I'm going to assume we can at least take the events described in this one as canon.
But I'll leave the plot aside a little bit to focus more on Law's psyche, analyzing everything in the novel as material that helps us further understand him.
The entire book (save from a few specific passages) is written from Law's point of view and in first person, so it offers a more in-depth look at his way of thinking, motivations and ideals.
What I find most interesting in this sense is that the whole story is very centered around Law's kindness. Though he does admit several times that he had wanted to see the world burn when he was under Doflamingo's care (as we already know from the source material), the novel makes it very obvious that Law's true nature is compassionate. His inner voice even explicitly states that he enjoys helping and making others happy. (Quotes roughly translated from Spanish):
P. 27: "And I felt very comfortable collaborating with the task of helping others."
P. 92: "Knowing that I was going to free a person from their pain [...] gave me a joy I had never experienced before."
P. 136: "Just imagining the surprised faces of the Old Man, Bepo and the others brought a smile to my face" [when planning on getting fresh fish for dinner as a surprise].
And, despite living under Wolf's motto of "give to take," Law never expects anything in return for any of his good actions. In fact, he gets furious at Wolf himself when, after saving his life, the old man insists on giving Law anything he demands as compensation.
P. 120: "I didn't save you because I wanted a reward!" [...] They [Bepo, Shachi and Penguin] burst into tears of happiness when they realized that you had survived. That's more than enough for me! [...]" I won't let you belittle their tears!"
But even then, Law keeps arguing that he only saved Wolf "on a whim," much like he would say years later when asked why he chose to save Luffy's life. This is a common theme throughout the whole book (which is also pretty obvious in the manga)—Law doesn't recognize his own kindness.
It's not modesty or shyness, his inner monologue makes it very clear that he doesn't see himself as good-natured, and is often confused at his own motivations.
In their first meeting, when Bepo asks him why he is so nice to him, Law doesn't know what to answer; and after that, when Law finds himself wondering why he's trying so hard to save Shachi and Penguin despite their past history, he blames it all on "doctor's pride."
P. 48: "I wasn't even a good person."
Still, regardless of what Law might think of himself, living in Swallow Island seems to be making him progressively gentler. He was wary and hostile towards Wolf at first, but eventually lets himself trust people again, trying to honor Cora's memory and what he taught Law.
In Swallow Island he builds his new found family little by little, though never letting go of Cora and what he meant to Law.
P. 39: "Cora and I were family, that's what I felt at heart, I had no doubts. We had loved each other without saying it out loud [...] Would I feel the same for the Old Man and Bepo eventually?"
Slowly, he starts finding comfort and joy in community. He lets himself be carefree around his new friends, treating them with open affection, laughing and being surprisingly enthusiastic (although he quickly starts taking his role as a leader very seriously, and sometimes avoids showing weakness around them so as not to worry them.)
Law even gets to become an active part of life in Pleasure Town, where he and the other boys are cherished after 3 years living and working there. He's comfortable with his role in the community and appreciates the people in town. His sense of duty towards them shines especially when the pirates arrive to attack the town.
Again, this contrasts with how Law sees himself even in the manga/anime, where he insists that he acts mostly out of selfishness and only seeking his own benefit (or, in the best of cases "on a whim.")
But the truth is that Law's decisions are almost always related to other people's desires.
In this sense, the concept of guilt is also key to understand Law's motivations and his relationship with the world as a whole. This is especially obvious when it comes to Cora—Law even briefly wishes that they had never met, so that Cora would still be alive (p. 128-129.)
In a way, guilt is what moves Law forward, and what slowly starts transforming into a thirst for revenge, into rage and hatred towards Doflamingo and possibly towards himself too. It's a kind of tragic guilt born out of love.
His love for Cora still haunts him, his last wish for Law is the big enigma that he tries to solve during his 3 years in Swallow Island: be free. What is freedom to Law? How can he fulfill Cora's request? This is the question that gives meaning to the novel.
We know that Law wouldn't feel free until finally taking down Doflamingo and avenging Cora's death many years later, but he hasn't reached that point of determination in the novel yet. Maybe that's what gives the narration that hopeful and optimistic tone, with a young Law that's still finding himself, experiencing wonder in loving again, and learning what it means for him to be true to his values. It's the start of an adventure, and its core theme is love.
The ending illustrates this very well; I especially like the moment where Law names the crew as they're setting sail:
P. 243: "Cora's love that he showed me, Wolf's affection, the trust I had in my companions. One word embodied it all: Heart."
It is love that gives Law a reason to keep going. And I'm so glad that the novel doesn't shy away from this fact and isn't afraid of sounding "sappy" or "corny," because I do believe emotion is a very important part of Law's character.
The epilogue closes with a very interesting quote in the last page:
"You hear that, Cora? This is my... This is our pirate crew."
It is unclear if by "our" he is referring to himself and Cora, as if dedicating this new beginning to him, or if he means him and his crew. I'd personally like to think he means it both ways. But in any case, it's interesting that he openly shares the honor of "owning" his crew with someone else. He is the captain, but not the owner. It's another little way in which his generosity is evidenced.
Overall, it was a very enjoyable read, and it left me wanting more. Obviously, it's not a literature masterpiece, but it gives a lot of interesting material for character analysis, which is super fun.
Finally, here’s a few fun facts for those who can’t/don’t want to read the novel but enjoy the little trivia:
The Polar Tang was built and designed by Wolf.
Law’s first tattoo was "DEATH," and he got it at a local tattoo shop in Pleasure Town at around 15 years old.
Shachi and Penguin are childhood friends and likely met through their parents.
Shachi had always wanted to be a hair stylist.
Law is bad at cooking.
Both Shachi and Penguin are good at cooking, especially Penguin, who worked as a waiter in Pleasure Town.
The Hearts’ jolly roger was collectively designed by Law, Bepo, Shachi and Penguin days before leaving Swallow Island.
Law decided the name of their crew upon setting sail for the first time.
And I think that's all! ♥ I hope my rambling was enjoyable at least!
Edit: I've now posted an analysis of the Ace novels too!
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When you (generic, universal) talk about theories about the end of Season 2 and Aziraphale going to Heaven, you often run up against either:
taking everything at face value to the point of ignoring that some details contradict one another
or
accidentally nullifying major emotional, plot, and character beats by implying that they Didn't Really Happen.
A lot of the differences in analyses, especially ones that I like (LOL), can be explained by the fact that we're analyzing a character who is experiencing massive cognitive dissonance and believes a number of contradictory things at once.
Nobody is wrong to point out Aziraphale's need to Belong to a Good Cause, which makes his acceptance of the Supreme Archangel position entirely in-character; nobody is wrong to point out Aziraphale's anxiety around the Metatron, which indicates that he may have been coerced.
Did Aziraphale go back to Heaven because he's afraid of what will happen if he keeps refusing, or because the Metatron made an implicit threat? Did he go back to Heaven because he's vulnerable to flattery and wants to feel important? Did he go back to Heaven because he thought it would be a way to be permanently safe with Crowley? Or did he go back because he missed belonging to something Good, something bigger than himself? All of the above. It's all of them.
Yes, even though it's incredibly dissonant to believe a system that he KNOWS is dangerous and coercive can accomplish true Goodness, that is in fact his belief.
Admittedly, this is no one I follow - just random comments I see around from people I don't know very well - but it seems like some people out there are assuming Aziraphale can't possibly be making any plans to do anything remotely intelligent, because this would mean that he is already aware that Heaven is bad and would therefore leave no room for character growth.
Except no, that's not necessarily what it means. In fact, the cognitive dissonance is the main thing he is going to have to resolve. Having that dissonance - the belief that Heaven's ideals are genuine, along with the understanding that Heaven is dangerous and needs to be carefully manipulated - is what will move his plot forward. Mindless obedience wouldn't progress his story any more than magic brainwashing coffee would, and it would be equally inconsistent with his story and motivations so far.
The dissonance is the point. And part of the dissonance is that he already knows Heaven is dangerous - he just hasn't accepted what that means yet. It would make sense for him to simultaneously try to work within Heaven's system and watch his own back.
Also, only partly related: Neil might write a story about how the worst people exploit the need to belong and to be Good. He might write a story about how we have to become our own greater good. He might write a story about how to rebuild after you discover your greater good is not so great or good after all. He is not going to write a story about how having any faith or trust in something objectively bigger and stronger than yourself makes you a stupid clown who is wrong about literally everything and shouldn't have even tried.
Let Aziraphale fuck up. He needs to and he will. Whatever plans he was making in that elevator won't actually succeed. But give him credit where it's due.
Edited to add: And you know what? When he fucks up, he's going to get through it. And then he's going to do the right thing. And he's going to get it right when it matters the most.
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devilishchaos · 1 year
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Wildin', on a boat on an island | Rúben Dias Imagine
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Rating / genre: M (18+); smut, fluff
Pairings: Reader x Rúben Dias
Summary: Y/N and Rúben go on vacation..again.
Warnings: Explicit smut, explicit talk, oral (f receiving), unprotected vaginal penetration (don't do it!!! stay safe!), hair grabbing, use of pet names "baby", "babe", "princesa"
AN: manifesting this photos energy <3 enjoy x
Word Count: 5 871 words
This is a work of fiction. The story, names, characters and incidents either are product or the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Your eyes narrowed slightly as you analyzed the shirtless brunette standing in front of you, your arms were crossed firmly across your chest. His eyebrows were raised as he awaited your answer, his back pressed against the kitchen island. 
“You are suggesting we don’t sleep together for the vacation..why?” you questioned, waiting for a decent explanation. 
“Because..my parents room is literally 30 centimeters from ours.” he explained quickly as he shrugged his shoulders with ease “AND I didn’t say that we can’t sleep in the same room! Just no funny business while in it..”
For more context, Rúben had asked you to accompany him on a little trip, on this beautiful boat on his family vacation. And has decided that now - an hour till you guys go on the boat  - is the perfect time to let you know he didn’t want to have sex with you. 
“It’s not like that has stopped you before?!?” you questioned him, with some suspicion still. 
“Babe..in the house is different. It’s a big house. Practically no one can hear us.” he answered with obviousness, it was a simple but logical answer “Listen, I’m going to go upstairs to bring your luggage down and put it in the car, while you cool off a bit, yeah?” 
You already knew it was probably one of the worst ideas he'd ever had and considering it's impulsive, spontaneous Rúben we're talking about..it was indeed terrible. 
"No." you replied simply, with no further explanation or motives as to why. 
Rúben looked actually taken aback by your answer, not being used to getting a ‘no’, not even from you. Though, he knew the only reason you'd said ‘no’ was to contradict him, and you, having no apparent reason to refuse, was an open invitation for Rúben to keep insisting. 
“Come on, it'll only be three days out.” Rúben insisted, using the nicest voice he could “Out there in the nice sea, with perfect weather, with food, drinks and a nice AC system... yeah? Plus - the boat has a double jacuzzi! Yeah?” he questioned you with a raised eyebrow, and at that, you shut your mouth. 
“I-”
“Uh huh, exactly.” 
“I can live without it!” 
“Oh, come on Y/N..” Rúben sighed heavily, closing his eyes for a few seconds, as if recharging his patience before adding “I'll give you whatever you want, whatever it is, I'll get it for you..after those three days. The only condition is - no sex on the boat."
That really got you thinking. 
“I can’t believe you. You sound really confident in yourself right now! Why do you think it is going to be me that is going to initiate something with you first? But you’re lucky that I love João, Bernardete and Ivan and would love to spend time with them. Have a great day Mr. Dias.” and with that you went inside the house to get your luggage because you are an independent young lady, who is not going to let things play out like her boyfriend wants to. 
*
In no time at all, the five of you were out. Rúben told you it would take a couple of hours to reach the perfect spot and if everything went well the fun on the boat could start in the early hours of the next day. 
It didn't seem like a bad plan, so you saw no reason to complain, it seemed fair. And if it wasn't so many days together you could easily ignore him. 
Rúben had kept his word about the ship's commodities, there were all kinds of snacks, drinks, and he had brought other kinds of substances. It was actually very comfortable and a part of you was glad you'd accepted to join them. But you still weren’t able to relax knowing your man didn’t wanna sleep with you. 
To say you were pissed at him was an understatement, but you were at that point of anger where you didn't even bother to show it, you immediately resorted to ignoring Rúben, which was very hard to do considering the fact that he was walking basically naked around you, only wearing his stupid short shorts that you wanted to rip off of him so bad. 
You had had your doubts about it at first, but now you were more than grateful that you had packed your swimsuits. Since you were giving Rúben the cold shoulder, you would have to find another way to entertain yourself; and being that you were in the sea and the weather is so nice, the most logical and comfortable thing to do would be to lie down on your towel, put on your sunglasses on and at least get a good tan out of it. 
Rúben, on the other hand, was annoyed with himself. He knew it was among the possibilities that you would get mad at him and do just what you are doing now, which is ignoring him completely. 
He hadn't seen you since last night, when you two had an argument during dinner about sleeping in separate rooms, which you insisted on. Since he didn’t wanna have sex with you - you didn’t want to tempt him..yet. 
Rúben felt his heart almost leap out of his chest as soon as he saw you come out of the booth, in your red swimsuit, the one that accentuated every curve of your body. You'd worn it around him before, and the last time you did, he fucked you in the pool. 
You seemed not to have seen him, or if you had, then you did a very good job of pretending he wasn't there. Once you knew you were within his range of view and he could see you perfectly well, you bent over to lay your towel on the floor of the boat, feeling the fabric of your bathing suit slide slightly over your butt. It wasn't much, but just enough. 
Rúben’s jaw tightened so bad he feared his teeth would crack, to keep from letting out a groan at the sight, he closed his eyes shut and gripped the edge of the table until his knuckles turned white; focusing on what Ivan was telling him, trying to get the image of you, bent over a few feet in front of him in nothing but your bathing suit, out of his mind. 
Rúben knew you were doing it on purpose, you knew how much he liked that bathing suit on you. But today? Right now? You were playing very dirty games with his head. 
No matter how hard he tried, he couldn't take his eyes off you. The way your skin glowed under the sun, how well your swimsuit fit and the fact that you were doing this to provoke him, caused his shorts to feel too tight all of a sudden. 
Rúben didn't even know what to do with himself, so he decided to go take a cold bath; he wouldn't give you the satisfaction of messing with his head like that. 
He excused himself and exited the small cabin, leaving Ivan, and you lifted your head to see him walk away. Rúben looked a little uncomfortable and you noticed how he slightly tugged the front of his shorts as he walked. 
"What, do I make you nervous, Rúbes?" you teased in a loud voice, causing him to turn around and flip you off. Without saying anything else, Rúben entered another door and slammed it shut. 
And with that, a little victory smile appeared on your lips. 
*
Eventually, tanning got boring. You looked down at your own body and lifted the edge of your swimsuit slightly, the tan lines were just the way you liked them, on point. Full of satisfaction, you gathered your things and decided to go back inside, maybe to take a bath and eat something. 
You entered quietly, not wanting to attract anybody's attention. You walked down the hallway to the bathroom. Just as you grabbed the bathroom doorknob to open it - the door opened. Out of the bathroom came Rúben, with nothing but a towel tied around his hips. You stopped dead in your tracks in the hallway at the sight, which you couldn't deny was very good. The towel was wrapped around Rúben’s hips so low that his prominent V-line was visible to a rather dangerous point, one you didn't want to let your eyes get to. 
He was shirtless obviously, so you had a perfect view of his defined torso and muscular arms, some water droplets still rolled down his body, making a path from his chest, down his abdomen and getting lost under his towel. 
His hair was still wet, framing his face perfectly. His dark eyes were fixed on you, and you realized, too late already, there was a little smile on his lips, prompted by the way you were eyefucking him. 
“What, do I make you nervous, princesa?” Rúben questioned you, using the same condescending tone and smirk you had earlier, as he took a step closer to you. 
You genuinely felt your knees weaken at his voice and the way he looked, but you were too proud to let him know that, so you simply shrugged. 
“Come closer and maybe I'll tell you.” you teased with a low tone, letting your eyes travel down his body. 
Rúben’s smirk only grew and you thought that finally you two were on the same page, thinking about the same thing, and more importantly, that it would happen. He took a confident step towards you, so this way he was towering over you, his chest barely inches away from yours, his lips basically hovering over yours. 
You placed both hands on his body, letting them travel from his abs all the way to his chest, causing him to bite his lip at the feeling. Rúben leant down even more, his lips grazing with yours, breaths mixing and skin touching. 
And then.. 
You pushed him out of the way and locked yourself in the bathroom. By doing that, provoking Rúben in that way and then putting a door between the two of you - you had started a silent game, in which you were provoking each other in an obvious way, waiting to see who is going to give in first. And you were determined it is not going to be you. 
After hours of playing tease, any slight contact or brush from Rúben’s skin against yours had you biting your lip to silence a sound and any look you gave Rúben with your bedroom eyes had him on the verge of jumping your bones. 
The staring game got a little too heavy for Rúben, so he stood up from the booth and walked to the kitchen, pulling out a cold bottle of water to refresh himself. You knew you couldn't let him get away with it, at least not without trying, so you stood up and walked to the kitchen as well, if he asked, then being dinner time would be a perfect excuse. 
Rúben heard you walk into the kitchen, but paid no mind, deciding to focus solely on his water, placing a hand on the kitchen island and letting his head hang low. Funny enough, the drawer where pans are kept is right where Rúben is, by his left hand, and sure as hell you wouldn't ask anything from him. Which left you with only one choice. 
You walked to where he stood, which he noticed as he turned his head sideways to look at you, and right when he took a step back, you found the perfect opportunity to slip right between him and the kitchen island, your body grinding on him, in all the right places. 
The sound of Rúben’s breathing picking up gave you a sense of victory, as you remained in front of him and bent slightly to take out the pan you needed, only to walk away right when you felt him harden behind you and the ghost of his hand over your hip. 
He really thought he had you. Again. 
Your smile of victory didn't disappear, not even when the stove wouldn't turn on and you had to resort to chopping fruit and hoping that was enough to rid your hunger. Now is when Rúben found the perfect opportunity to tease you back, seeing as you were completely distracted while cutting fruit. He slowly walked back into the kitchen, making sure you couldn't hear him. You were completely clueless to his presence, even when he stood right behind you. 
However, as soon as Rúben took another step closer, you did become aware of his presence. Very. 
“Oh, don't mind me.” he mumbled in your ear. 
“Rúben, what are you doing?” you asked, pretending to be completely unbothered, while the reality is that you're screaming on the inside. His chest was pressed to your back, one of his hands had found its way to your hips, and his breath tingled in your ear. 
And right there was when he reached out to grab a glass, which was on the cabinet above your head. The reality is that he didn't have to stretch to reach the glass, it was just a matter of raising his arm. But where was the fun in that? 
As he stretched, his body pressed even closer against yours, you could feel him hard against you, his breath now in your ear. And in an attempt to avoid his lips, you bent over, a move that only served in Rúben’s favor, causing you to bite your lip in an attempt to silence the moan that would come from your lips. 
You both were thinking the same thing. Of just how easy it would be for him to take you right there and then. 
But you wouldn't give up just yet, no sir, you still had one ace up your sleeve. Which is why you picked up your fruit tray and slid out from the right space between the bar and Rúben’s body. 
Normally, you wouldn't care if Rúben decided to just watch you eat instead of eating something himself, but right now it had you on edge. 
You and his mother were sitting on the couch in the booth, while Rúben and Ivan were sitting opposite of you, their dad fishing on the other end of the boat. Rúben was sitting on the seat in front of you, his legs spread slightly, his hands on his thighs and his eyes fixed on you. He was basically manspreading, occasionally lifting his hips from the chair to ‘get comfortable’, but you weren't stupid. 
“Are you done flexing your muscles?” you asked him boredly, raising an eyebrow at him. 
He opened his mouth to say something, but closed again as you stood up, his eyes followed your hand closely, especially when you drove your fingers to your lips and sucked the remaining fruit juice off them. The sight almost made him roll his eyes, but not in annoyance. 
“I'm going to the jacuzzi.” you announced, letting your eyes travel over him. “You continue doing that.” 
Even though it had not been an open or direct invitation, you knew Rúben had understood the innuendo. 
You hurried to the jacuzzi, taking off your clothes as the water heated up, you poured the bubble soap while letting your hair down, knowing that Rúben wouldn't be long in coming, although he wasn't hot on your heels to disguise how desperate he was, you knew he was coming for you. 
As you stared at the steaming, bubbly water, a wicked idea found its way to your mind. 
Meanwhile, Rúben paced back and forth in the hallway, running his hands through his hair repeatedly, especially when he stopped and had that urge to open the bathroom door where he knew you were. 
You're just a door away and what's holding him back is his pride. Knowing that if he opens that door, he's admitting his need for you. Proving that chasing after you is more important than his pride. 
He cursed himself for what felt the longest time before giving in and opening the bathroom door. The first thing he saw was steam. Lots of it. It made him squint his eyes while they trailed over the place in search of you. 
His eyes fell on the jacuzzi, it was filled with small bubbles, the room smelt like you, white musk scent surrounding you. And there you were, your back pressed against the side of the jacuzzi, arms spread over the edge, the bubbly water covering your body, stopping right below your collarbones, just atop of your chest. 
His mind automatically went places, but Rúben kept his thoughts at bay as he took off his shirt without a word. You did nothing but stare at him, your eyes following his every move, from the way he gripped the edge of his shirt, to the way he slid it off his body and his torso came into view. 
Rafe took a step closer, but he felt something soft under his foot, so he looked down. And what did he find?
Your swimsuit. 
At first he didn't process entirely what it meant, but then his eyes widened. 
You were naked. 
In the jacuzzi that's just a couple of steps away from him. 
And he was just..standing there like an idiot? Rúben was embarrassed of himself. 
A soft giggle escaped your lips when you noticed how flustered Rúben suddenly got, he actually struggled while taking off his shorts and if you hadn't been so amused by the view, you would have offered to help. 
Eventually he stopped fumbling with its ties and right when he pulled it down his hips, you looked away. Your tongue glided over your teeth as you felt the temptation to look, but you were stronger than that. 
“Enjoying the jacuzzi you said you could live without?” Rúben asked in a calm tone as he got in it, sitting by your right side. 
“Very much.” you assured, running your hand through the water, moving the bubbles slightly, you really had no intention other than to distract yourself from how nervous you were, still, Rúben tried to see through the bubbles. 
He couldn't handle himself anymore, he had denied himself of you for so long that he wanted you now. Told himself he was crazy. But now that he has you in front of him - he will do anything to have you. 
And an idea popped up in his mind. He knew this would be pathetic, lame even, but it would work. 
As you both did nothing but enjoy the hot tub and tried to ignore each other's bodies, Rúben discreetly slid his hand to the side control panel of the hot tub. Although he would never admit it, he spends so much time in the hot tub that he learned the controls by heart. So he knew exactly which buttons to push to disable two of the hot tub jets, the ones on your side, for that matter. 
Your state of relaxation was interrupted as soon as you stopped feeling the hot water flowing on your side of the jacuzzi, the vibrations had stopped and you no longer felt the soft massages on your skin. 
You raised your head and opened your eyes, noticing that indeed, the water stopped on your side. “What the..”
“What's wrong?” Rúben asked, his eyes closed as he did his best to hide a little smirk. 
“The water just..stopped?” you replied in confusion, not understanding why he was so calm. 
“Oh, that's bad. My side is just fine.” he replied simply, opening his eyes. 
You rolled your eyes at his disinterested tone. You couldn't believe that you had actually gone out of your way to plan all this and he couldn't even stop getting on your nerves for a second. 
Utterly done with his bullshit, you slowly moved to the little steps that led out of the hot tub, the last thing you wanted was to slip and embarrass yourself. 
However, before you could even reach them, you felt long fingers wrapping around your wrist, his skin was soft and warm due to the hot bubbly water. You turned to look at him, doing your best to keep your eyes focused on his. 
“Come closer.” his voice was calm, his fingers softly tugged your wrist; as if wanting to pull you closer but not quite to make you uncomfortable. 
You complied to his request and walked slowly to where he sat, the bubbles doing all the work and covering your body from his. You kept getting closer, Rúben slowly opened his legs, so you could stand between them. 
The feeling of the skin of his thighs against yours was your cue to stop, knowing that if you took one step closer, you'd feel him against you. 
His eyes bore on yours. The hazel color of his eyes was darkened by the lust running through his body, his pupils were dilated, his lips plump and red. He was one hell of a handsome man. 
Your faces were inches away from each other, but neither of you would yield to the temptation. 
You bit your lip slightly as soon as you felt Rúben’s large hands resting on your hips, the grip was firm, showing he wasn't hesitating. 
Testing the waters, you took a step closer and he let you, the grip on your hips becoming firmer and more secure, you could even say you felt him pulling you into his body slightly. 
Keeping eye contact, Rúben’s hand began to slide lightly, brushing your hip with his fingertips. His hand moved down to your thigh, where he caressed your thigh with his fingertips, drawing imaginary circles, which moved closer and closer to the center of your legs. 
Knowing exactly what he was doing, you felt fire in the pit of your stomach. You wanted him. And you wanted him now. But you also didn't want to give him the satisfaction. Maybe after all you were as stubborn as he claimed you were. 
You motioned to move your leg, and immediately, Rúben took a hold of your thigh, stopping you. A smirk appeared on your lips. Without saying anything, you yielded to his touch and moved even closer, putting your leg over his thigh and quickly bringing the other leg up as well, straddling him. 
The direct contact of your skin with Rúben’s, your core brushing against his dick..made him let out an agitated sigh right in your ear. 
And you would have teased him about it, but the truth is that the contact of his hard dick against your body almost made you moan. He was right under you, all it took was for you to raise slightly and for him to align himself. 
Ignoring how much you wanted to grind on him, you put your arms around his shoulders, wrapping your arms around his neck in the process, moving even closer, your chest pressed against his and your chin resting on his shoulder, wanting to enjoy the warm water a while longer before the inevitable happened. 
Rúben’s arms wrapped around your body, your breasts pressed against his chest, your pussy brushing just the right places on his dick. If this is the game you wanted to play, then Rúben would be just as good at it. 
He lifted his hips slightly and at that you couldn't help but let out a gasp, which you prayed he hadn't heard, but he did and it only fed his ego. 
As his fingertips caressed your spine, Rúben moved your hair from your shoulders to get better access and brought his lips to your neck. He started with innocent kisses, little brushes of his lips against your skin, while his fingertips caressed your skin. 
However, he was determined to break you. He brought his lips to the small spot below your ear, where he sucked, receiving an audible moan from you. One of his hands had slid down your back until it ended at your left asscheek, which he squeezed and used to push your body against his, causing you to grind on him. 
“Fuck..” you mumbled, throwing your head back out of mere instinct. 
He had so many dirty comments to make, but he decided to concentrate on you. Since you had thrown your head back, he had more access to your neck. He brought his lips to your skin again, starting to leave little bites and kisses all over, while one of his hands traveled to your breasts, his fingers taking one of your nipples and giving it a twist. 
At this you squirmed slightly on top of him, your hips moving against his, rubbing his dick in such a perfect way that it made him growl against your skin. 
“You like that, meu amor?” he murmured against your skin, voice husky “Want me to do it again?” 
“Yes.” you mumbled breathlessly. 
His fingers moved deftly between your legs, as you grasped his jaw and moved his head to the side, so that you could have access to his neck and an efficient way to quiet the sounds he would elicit from you. 
His index finger slipped between your folds, while his thumb searched for your clit until he found it, and began to give circular notions. You accidentally left a little bite on his neck, which was welcomed by Rúben , as he started to speed up his thumb and slid his middle finger inside you. 
“Rúbenn..” you murmured, your walls automatically tightening around his finger. 
“Does this feel good, princesa?” he murmured in your ear as his thumb accelerated his movements, he slid his ring finger in as well, your walls clenching at his voice "Oh it does, you're already clenching around my fingers." 
Now he had two fingers inside you, which he began to move in a come hither motion, hitting your sweet spot instantly, the one he had found in a matter of seconds. 
“Oh, fuuuck, Rúb-” 
He could feel you, how your walls clenched around his fingers so tightly it was hard for him to move them, your kisses on his neck had become sloppy and wet and your eyes were closed. Just when you felt you would reach the tip of ecstasy, Rúben pulled his fingers out of you. 
You were about to yell at him, but he spoke first, taking your jaw with one of his hands, fixing his eyes on yours. 
“I want to make you cum on my dick, yeah?” 
And you swore you could've come right there. Just by his words. 
“Yeah?” he questioned again, making you realize it had been more of a way to get your permission. 
“Yeah.” you nodded your head eagerly and that was all he needed. 
Rúben wrapped his arms around you and stood up, you instinctively wrapped your legs around his torso, biting your lip in anticipation for what was about to come. 
Rúben knew the boat like the back of his hand, so in a matter of no time, both of you were in his room. Rúben placed you down on his bed, not caring in the least that you were wetting it. 
He was soon close to you again, his lips on your skin. Your breathing started to become erratic, unable to control yourself in the face of the new sensations. His kisses traveled all over your neck, part of your shoulders and even on your jaw. 
Without a word, Rúben grabbed you with moderate force by the jaw and caught your lips with his immediately. You lost yourself in the kiss completely, the sensation of his lips against yours stoking the fire within you even more. 
Unable to stay still and wanting to discover your whole body, Rúben began to leave kisses and little bites on your neck. You tried to grab his face to bring him back to your lips, but as soon as you tried, he pulled away from you, took your wrists and put them against the bed, his face was above yours, the room was barely being illuminated by the light that was filtering through the blinds, so you couldn't see much, only the shadow of his features. 
“You want me?” he asked over your lips, his voice hoarser than usual and his breathing was rapid. 
“I want you. So bad.” 
You saw the shadow of a victorious smile on his lips and felt them against yours again, he put both hands holding your wrists above your head, and held both of your wrists with one hand, freeing his other one. 
His kisses began to descend again, with a slowness that clearly had the sole purpose of driving you crazy. You lifted your hips off the bed so you could feel some more of him, while Rúben took advantage of this and positioned himself between your legs with ease. 
He stopped kissing you momentarily, you could feel his breath on your skin and without warning, he returned his hand in between your thighs and now pushed three fingers inside you, while his thumb returned to your clit, you inevitably ended up letting out a moan, as his fingers had hit the right spot again. Having located the spot already, he began to move his fingers faster and deeper, curving them from time to time, accelerating the speed of his thumb as well. 
His lips went lower and lower, until his head was between your thighs and your hand was lost in his hair. His lips concentrated on your clit, sucking and circling it with his tongue, making you let out an erotic moan that you were ashamed of, because of how loud it had been. 
His hand kept up that incredible rhythm, but what made you almost climax was the feeling after he sucked on your clit and bit down lightly. 
“Rú- Rúben..I'm gonna-” 
That was all he needed to know to remove his hand, he would keep up with his word. As soon as he moved his hand away from your pussy, you immediately felt the emptiness, but you were too busy getting back to normal to complain. 
Rúben brought his fingers covered with your wetness to his lips and licked them clean, the sight of that, combined with the ‘mmm’ that he let out, was mouth watering. 
Rúben pulled you closer to him, so that your legs were over his thighs, he placed his hands on the sides of your head. His dick rubbed against your entrance, which brought gasps to both of your lips. 
He leaned over you and you could hear his breathing fast and heavy in your ear, it was almost like he was waiting for something.
“What's wrong?” you asked. “Are you doubt- ” 
You didn't get to finish saying the sentence, because he entered you with a quick movement of his hips, making you moan immediately, it took a few seconds to get used to the sensation of having him inside you. It always did. No matter how many times you've slept together, he is just so big. 
He stayed still for a few seconds, letting out hoarse mumbles of how good you felt, directly into your ear. Once you felt comfortable, you tightened your walls around him, which made him let out a grunt and start moving his hips against yours. 
You brought your hands to his neck and pulled his face to yours, bringing your lips together in a desperate kiss, as his hips moved incessantly, one of your hands tangled in his hair and as if on reflex, he put a hand around your neck, squeezing the sides lightly, something that made you moan into his lips. 
“How could you do this to me? All that teasing..I’m not made from steel..” he whispered in your ear. 
“Rúben, oh my God..” 
“I love you so much.” 
His words and the movement of his hips made your eyes roll “Don't stop, babe..please.” 
He pulled his face away from yours and placed his weight on the arm he had placed at the side of your head, speeding up his movements. You wrapped your legs around his waist to deepen things. 
You noticed that he started to slow down, but his movements still had depth. You knew he was doing it so he wouldn't tire quickly, but maybe you could help.  You used a considerable amount of strength to be able to turn you both around, ending up on top of him, while he looked at you with his lower lip between his teeth. 
Just to tease him further, you slipped his dick out of you and moved away, your body hovering over his thighs. He sat down on the bed, waiting for you to do something, but you only smirked at him. 
Rúben sat there while stroking himself and being done with your attitude, grabbed you by the waist and pulled you back to him, starting to fill your breasts with wet kisses and hickeys, biting your nipples from time to time, while you put your legs around him, slowly positioning yourself on top of him, again. 
You knew you wouldn’t last too long, anyway. 
“Stop teasing me, princesa.” 
“Where’s the fun in that?” 
He used the grip he had on your hips and pulled you down, entering you again, a hoarse moan came from his lips. You pushed him down by the chest so he’d lay down and began to move on top of him, in circles and up and down while his hands were on your hips and yours on his chest. 
You knew those moves were only satisfying you, as you moved as you needed to, and Rúben was quick to notice that. The grip he had on your hips began to tighten, a sign that he was getting desperate. Until he finally sat down in a rush, and began to move you at the pace he wanted, as the hand he kept on your hip guaranteed him control. 
“You're so stubborn, you know that?” he emphasized every word with a hip thrust. 
“Fuck, fu- fuck, Rú- Rúb-..” you weren't even able to say his name, or speak at all. 
You placed one hand on his shoulder and another on his neck, starting to move faster. He left sloppy kisses on your chest and you scratched his back, sometimes even left bites on his shoulder to stifle moans, especially when he murmured things in your ear, along the lines of ‘you're mine’, ‘this pussy feels so good’, ect. 
It didn't take long before you two began to lose rhythm, his movements were erratic and your speed had slowed. Until he finally came inside you, seeing the way his eyes closed tightly, as heavy breaths came from between his pink lips along with the “Fuck, Y/N, you feel like heaven..” he mumbled, was what made you climax too. 
While you both came down from your highs, there was nothing but silence, Rúben was still inside you and remained like that, after he turned you over, collapsed on top of you and you wrapped your arms around his body, both of you falling asleep without another word. 
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doll3tt33 · 7 months
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୨ৎ Kai Anderson SFW headcanons
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Gonna start doing headcanons for the evans in between making bots cuz I’m bored lol. If you ever wonder how I perceive these characters while I make bots, then here you go!
A handful of these are just plain observations and maybe to some these are clear as day, but idk imma still include them either way
Warnings: misogyny.. duh, loaaads of Reddit mentions
• This might be indisputably obvious, but I feel like some ppl think of Kai as someone who always plans 10 steps ahead, which I personally don’t think so
Yes, he does have a goal in mind, but a lot of his “next moves” are just ideas that came to him in a fleeting moment. Of course, he’ll act as if he totally knew what he was doing this whole time, even though he was def freestyling 💀
I feel like calling him out on his lack of meticulous planning would be an absolute jab to his ego, and he’ll deny it big time
• Kai is the embodiment of what it means to be a pseudo-intellectual 😭😭. Like he isn’t stupid at all, no doubt about that (mans manipulated crowds). But his arrogant attitude, his shameless use of fallacies, AND the fact he’s a walking contradiction - all while trying to act like he’s the smartest guy in the room?? Bye-
Again, I think he’s smart but don’t tell me he doesn’t act like your average pseudo-intellectual guy who’d mansplain 24/7
• His tolerance to spicy food is actually weak, but he pretends like it isn’t. He could be coughing his lungs out from the tiniest hint of spice in his food, but he would refuse to drink a glass of milk to cool down. HES A MAN
• This is already kinda a given, but mans speech mannerisms is literally like the average Reddit comment section ((iykyk
I also feel like a rant he posted online has been made into a copypasta at some point lol
• Speaking of Reddit.. whenever he gets into an argument with another user on there (most likely a politically charged one), he’ll downvote every existing comment from that user and will proceed to do it to any of their future comments by keeping tabs on their account, all out of sheer spite
• He likes weird porn genres. Idk which ones exactly, but I just know they be really specific
• Says he likes submissive, obedient women whose sole existence is to serve him. But at the same time, he can’t stand people he deems as vapid, and would dispose of them once he begins to see them as more of a liability than an asset (especially if they’re just THAT annoying). He definitely would rather keep someone around who has more substance
• Kai would play devil’s advocate for any corrupt figure you could think of. He’s like… that guy
• This is also a given, but I’d like to stress that people don’t know how r/theredpill was his holy bible. The Kai we know today has applied all the must-know tips to his entire character and mastered the arts of misogyny 101
Oh and he has a bunch of motivational posts saved from there, and he rereads the crap out of them each time a “fEmAle” would piss him off
• If you knew Kai prior to his cult and were genuinely nice to him, he’d definitely have a teensy-weensy soft spot for you and would avoid killing you ((unless you end up in a situation like winter’s, cuz then…💀
You’d be like the Jean to his Patrick Bateman! 😭
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I'm not gonna lie, it doesn't really make a lot of sense to me when people say that Eden being the culprit doesn't make sense from a narrative/story perspective, or that they "don't see her killing someone" I mean to-each-their-own obviously, but like, at the same time...the entire theme of this chapter is that not everything is as it seems. Your preconceived notions of the people around you based on the parts of themself they present to you are bound to be contradicted by an action they take, or a side of themselves that's kept hidden away. This theme was set up in the first episode of Chapter 2 with J's secret, which I elaborate more on in this post, where she is revealed to have a completely different identity that nobody in the cast was aware of, and that identity of hers is met with spectacle and admiration when J's life is really nothing to admire. Another thing that sets up this narrative is also just the secrets motive in general. From a meta standpoint, I think the secrets motive is meant to challenge us the audience and the preconceived notions we have about these characters, what we believe they are capable of doing to others, to themselves, and in general who they are as people. I remember back when the episodes were still being released seeing paragraphs of defenses in comment sections in regards to David, how he wasn't a manipulator because of this that and the third, how he was only trying to help and that he couldn't had been malicious in his intention. And I can attest to that, because I was one of those people lmao. And as we know now, David did end up being the one with the manipulator secret and showing a much more ugly side of himself that many didn't take kindly to, because it contradicted what we knew about who he was, or more accurately, what we wanted to believe he was. And I use David as an example here, because this pattern can be seen with multiple characters throughout the chapter. Arei, who up until this point had been portrayed as nothing more than a mean, merciless bully, had her past and true-feelings spilled out on full display, leading to her allowing herself the chance to become a better person. This is almost the exact opposite of what happened to Nico, who was portrayed as a timid, defenseless individual constantly catching the brunt of Ace's assault, only to show that they are a much more nefarious person than you would first assume, more than willing to tie a wire around Ace's neck if pushed to their boiling point. And the funny thing about these two examples is that even after these sides of their characters were revealed to us, people still allowed their established notions of the characters to overrule it. People theorized that Arei was lying, or just putting on another manipulative show again. People theorized that actually Nico was just trying to take the wire off of Ace's neck, that Ace actually killed himself and was just pinning it on Nico, or that Hu was somehow responsible and that she was manipulating Nico into doing it, or was just straight-up the one who tried to kill Ace. And there's nothing wrong with any of these theories in the moment, even though I'd say with present information that all of them have been de-confirmed. The reason I'm mentioning them is that it goes to show that if you have a certain view of a character that you have become attached to, and something comes along and contradicts that view, your brain searches for ways to justify the previous view you had. Even in the case of Arei and Nico where, to be fair, the previous perspective wasn't entirely wrong, people still feel strange when they see something that contradicts it.
All of this brings us to David, who as I mentioned previously, was continuously defended in the weeks before CH2-11 dropped because people didn't want to believe he was as manipulative as a lot of the fandom made him out to be. And then CH2-11 actually dropped, and possibly the most unsavory side of David was revealed to us in full display. And despite the fact that the legitimacy of how much of David's true colors is being shown is still a big question mark to this day, and the fact that this side of himself gets approximately seventeen minutes of screen-time, a lot of people were incredibly quick, and I mean quick, to immediately dismiss it as bad writing. Instead of actually thinking for a moment about why this writing decision would be made, they wrote off David as a one-dimensional bad guy to the point of even calling him a cartoon villain. It's hard to believe now considering how much effort the community has put into the past year to dissect every aspect of this blueberry-haired motherfucker, but there were people who were genuinely pissed when CH2-11 dropped. "Hey, this is all well and good but uh...I thought this post was about Eden? Why are you bringing up all these other characters?" Well I'm glad you asked, voice that I made up in my head to transition cleanly to my next point. The thing that all three of these characters, Arei Nico and David have in common, is that they all serve to challenge what we know about these characters and introduce a side of them that goes against our current knowledge, and it's up to us as an audience to either accept this as part of who they are as a person, or deny it in favor of the narrative we've grown comfortable with. And I really do think that is an intentional part of the story being told within Chapter 2, especially when characters like Hu also exemplify these tendencies in how she defends David and tries to see the good within him, deflecting away from the uncomfortable truth that he is not all he presents himself to be. All that glitters is not gold, not everyone is as they appear to be. Which brings us, finally, to Eden Tobisa. And how a lot of the arguments against the theory that she is the one who killed Arei greatly confuse me, and why I think a lot of it falls along this line of thinking.
I see quite a few people implying that the idea of Eden being the CH2 culprit is inherently, as a concept, bad writing, how it doesn't fit with her character, and other things along those lines. It's actually very similar arguments that I saw used to deny the idea that David was manipulative. But I do not see this to be the case. In fact, I think out of everyone currently alive in the cast, Eden being the culprit is what would fit the best with the narrative and story that has been established. This chapter, as I've mentioned previously, has challenged our perspectives of these characters and what we know about them, emphasizing that what we see of them might not be the full-picture of who they are as people. So quite frankly, why wouldn't the culprit be the most positive, seemingly hopeful girl in the entire killing game cracking under it's pressure and resorting to murder? An aspect of Eden's character that I think goes overlooked quite often is that, though she is not by any means naive and her optimism is genuine, her positivity can definitely seep into toxic positivity on more than one occasion. Specifically when applying it towards herself.
(x) Teruko: You seem quite chipper this morning, even though you were distraught last night. Eden: ...Yeah, I know. I'm really sorry about yesterday. Eden: I was in a new, scary situation, and I let myself get too upset. But that was a mistake, I'm not going to let myself be weak like that anymore. Eden: I'll do my best to encourage everyone from now on!
(x) Levi: I suppose I could say the same for you, can't I? Today you're just as cheerful as you've ever been. Eden: I'm glad you think so. I'm wearing my brave face, see? Eden: Everyone is probably going to be sad for a while. For their sake, and for mine, I'll put on a happy smile!
(x) Eden: [Sniff] Whit: There, there. Pat pat. Do you want to sit down somewhere else? Eden: ....... Eden: I'm fine! I just... needed a second to deal with it. Eden: I'm super ready to investigate! I'll do whatever I can to help find Arei's killer.
I want you to pay attention to the third scene I linked especially, because I think it re-contextualizes the other two scenes mentioned. I hope this does not need to be spoonfed, but just to be clear: I am not at all saying that Eden's positivity is fake or fabricated, I think her optimism is a very real aspect of her. That being said, despite her believing that the best way to make it through this killing game is to express grief and rely on others and how she does acknowledge the severity of the situation on multiple occasions, she has never really allowed herself to grieve her current situation. She refers to her very reasonable response to the death game as a weakness, and she outright admits to Levi that she is putting on a brave face for herself and the others. And in the third clip, it's not even being hidden from the audience anymore, especially with how the line is voiced. It's like Eden's VA was specifically instructed to sound as if she were forcing a smile. What this all means, to me anyway, is that there is a lot of stress, fear, and sadness bubbling under Eden's skin that she's purposefully keeping hidden, for herself but especially for the others. That doesn't mean she is good at it, mind you, as Eden at the end of the day is still someone who's feelings are practically sewn into her sleeve, but she is trying. And it's clear it is having an impact on her. Couple that with the fact that Eden very clearly wants to escape really fucking badly, if her constant attempts to find a solution to end the killing game are anything to go by. Especially in Chapter 2. (credit to @/venus-is-thinking for pointing this out in their post)
(x) Eden: So uh... I've been spending a lot of time investigating around, looking for a potential exit
(x) Veronika: You know, Eden once thought of an interesting plan to end the killing game. Based on everything we know, it could theoretically work.
(x) Hu: Eden and I have a continuous alibi from 7 PM to 10 PM. It has become a bit of a tradition for the two of us to clean up after dinner together Hu: And after we were done, we talked for quite some time, brainstorming ways to deal with the motive.
Eden has been more obsessed than anyone else over the prospect of ending, dealing with, or escaping the death game. (just as a side note cause it goes outside the scope of this post, this is also why it doesn't make sense when I see people say that Eden doesn't have a motive to kill, because...she does? Fuck if anything she is probably the person who currently wants to escape this death game the most. I understand if that doesn't sound like a satisfying motive to you, but she does have a motive.) Also couple all of this with the constant arguing of the rest of the cast, and her literally witnessing Nico try to kill Ace in front of her eyes, all the while she is trying to put on a positive smile for everyone else and herself. I really do not see why it is so unbelievable that she would break and try to commit murder. And really, I do think it's primarily because of how the fandom as a whole views Eden, which is why I spent a large majority of this post talking about the themes of Chapter 2 and how they interact with how the audience sees the characters. Another theme that has been explored in this chapter is the idea of a Good Person. Specifically, what makes someone a good person, and the desire to become one. And how is this theme introduced into the chapter?
(x) Levi: Perhaps I messed up yesterday. But I want to move on. I want to keep trying to be a 'good person,' like you, Eden.
Through the existence of Eden. With every other character in the DRDT cast, there is at least one attribute about them or action they take, that would reasonably warrant them being disliked, or seen as not the best person. Even other characters serve a similar role in the narrative, like Whit and Hu, have things about them that could result in this opinion. Like Whit's insensitivity and uncaring behavior towards the dead, and Hu using other people to make herself feel useful. But Eden is viewed, both within the story and outside it, as an undeniable good person. There's a reason why you basically never see a genuine Eden hater in a wild because...well, what is there to dislike her for? She's kind, she's caring, she's helpful, and she tries her best for everyone around her. In the midst of a story where the characters are constantly being pushed to the brink and fucking up, Eden has done literally nothing wrong. She has been a victim of circumstance or other people victimizing her. And the one time she is antagonized in the story it's by a character who, up until a few minutes after, we have basically only seen as a mean bully. Eden has done nothing wrong. Eden is the picture-perfect presentation of a good person. But I think by the end of Chapter, as a climax to both of the themes that permeate it's narrative
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That will no longer be the truth.
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thyandrawrites · 9 months
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On (soccer) partnerships, commitment, and why Nagi and Reo are the poster children for always doing the opposite of what the series is about
Alright fellas, this started out as something completely different, so forgive me in advance if it feels disjointed, but.
Have you wondered why in chapter 18 of epinagi, Nagi’s inner monologue complains that his “heat is being stolen away”? Or why even in the main series Nagi can’t seem to win a single match even after he and Reo get on better terms? Well, if you have, this post might be a fun read for you. If you already have answers, I might sound like I’m stating the obvious because none of this is particularly subtle or particularly new. But since both series have hit the Nagi Flop Era, I thought it’d be fun to take a deep dive into his character and Reo’s, the themes of the story, and how their codependence contradicts the entire premise of blue lock, intentionally so. I’m going to go over why stagnancy is the entire point of their partnership, and why the fact that they keep failing and failing is instrumental to the type of story Kaneshiro is trying to tell. 
So, without further ado. Get comfortable, this will get long. 
So, as I anticipated, Nagi and Reo are very very often written to be at odds with the themes the story functions around, and I think their regression is another instance of that. In a manga that often underlines the importance of making soccer your “reason to exist” if you’re serious about it, Nagi and Reo are the only duo repeatedly singled out as more committed to each other than to the sport itself. This, the story tells us, being the root of why they so often fail. 
The premise of blue lock is that you can’t become the best in the world until you dedicate your whole self to the sport. Only that egoism will push you in the right state of mind to go above and beyond for a victory. 
Time and time again, we see the most outstanding goals happen in what gets called the hottest place in the field. This “center of heat” comes up a couple of times, and it’s usually represented by a person. According to Ego’s philosophy, the idea is that the world’s best striker possesses a soccer-specific kind of charisma. When he enters a state of flow and pulls off a world-class play, he’ll have a ripple effect on the players around him, pushing them to reach flow too and elevating the level of the game itself. We saw this happening in the U-20 match. Ego’s not really aiming to create a national team, or to foster the talent of the new generation. He only cares about nurturing one person into that role, betting it all on the fact that once that striker awakens from its “rough diamond” shell, they will fire up their teammates & lead Japan to victory. 
Because of this, ideally, everyone aiming at becoming the world’s best striker should strive to be that center of heat. To an extent, even Nagi does. His motivation is spotty at best, but whenever a game heats up, Nagi’s ego gets tickled awake the same as everyone else’s. This is not limited to the times Isagi challenged him, by the way. He reacted to Rin’s skill in much the same way. 
Problem is, neither Nagi nor Reo seem to know how to become that center of heat by themselves. They only react to someone else raising the stakes of a match. Even when Nagi feels fired up, his lack of creativity & playmaking sense fail him against any opponent who is more tactical than him. In a similar way, even when Reo starts going after goals alone in the wake of his split from Nagi, he still can't see his vision of a goal through to the end, or gets outsmarted and beaten to the punch by other playmakers. 
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The only times they really get their head into a game is when they're working as a duo. Compare for example Nagi losing grasp of his heated frenzy when he splits from Reo to how quickly he reaches flow when they go back to playing together.
So why is this an issue? If Nagi's limit is his over-reliance on instinct, and Reo's is the lack of self-centeredness that's key to scoring, then shouldn't teaming up solve the problem and make them a powerhouse? How come, even after somewhat resolving their communication issues, their soccer still is no match to that of the blue lock elites? 
Well, before I can begin to unpack the answer to that… A big theme driving the soccer partnerships is that you won’t go very far if you rely too much on the other person to carry your weight. This is the reality Bachira faces in the 4v4, when he “disappears”, swallowed by everyone else’s growth. This is also the lesson Rin learns from Sae when his brother returns from Spain a completely different, overwhelmingly superior player. The series tells us that relying on others to pick up your slack makes you less sharp and prone to noticing your weaknesses because someone else will cover your back. 
For a practical example of this, Rin's style when he played with Sae mirrors Nagi's around Reo: they both relied on instinct, trusting that the ball would always come if they just positioned themselves in the right spot to score. And for a time, it did. But that's not the level the rest of the world plays at. Nagi and Reo's winning streak ends when they face an unpredictable, explosive talent like Isagi, who doesn't operate according to any predictable patterns. Similarly, Rin's playstyle gets wrecked in a matter of minutes by a Sae who got to experience the "real" soccer played overseas. 
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The point, then, is that Nagi and Reo never really assimilated any of Ego's lessons, instead resisting his philosophy to a fault by choosing each other. From the start, they’re not very good at being apart, given how their strength draws from being a team. Both of them are noted to only ever increase the level of their plays when they are working together, but not as much when alone.
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Nagi’s the brawn to complete Reo’s brain, and their dynamic too often falls back on that codependent partnership. In fact, they default to their roles even when they're not playing with each other. During the second selection, Nagi replaces Reo with Isagi, continuing to rely on someone else's creativity and game sense, while he just follows. And in the 3v3, we similarly see Reo fall back on playing the midfielder to Kunigami and Chigiri's forward, offering up the perfect passes to make them shine and get all the scoring options they want. 
But what about when they're together? Aren't they strong then? Didn't Nagi score a crazy super goal thanks to Reo's assist? What do we make of that? 
You'll probably remember how Ego got a sense of foreboding from Nagi's five shot revolver. Of course, you might say, Ego never liked their soccer! He was cussing them out for playing together since day one! Of course he's a hater! 
Well… Yeah. But Ego's also an authorial insert, and he's there to tell us the themes of the story, and comment on the characters growth. Or in this case, their stagnancy. Nagi's returning to his reliance on Reo's brains and Reo's willingness to entertain it are both framed as a bad thing because it specifically contradicts the idea the series is based on: that a real striker is an egotistic, self-reliant existence that doesn't bend to other people's rules, but instead dictates their own, and makes everyone follow or fall through in their wake. 
There are several players this definition already applies to. Rin, Barou, Shidou and of course Isagi all come to mind. Isagi's growth in particular has been rotating around this concept. Isagi not only believes in his (meta) vision, but he also possesses the sharp-wit and the cutthroat resourcefulness to see it through no matter the odds, at times even to the detriment of his teammates. Nagi and Reo, on the other hand, can pull off some incredible plays, but it’s never enough to land them a solid victory, especially in the NEL arc. Usually, in a story, when a character fails enough times to become stagnant, the author is making some kind of point. In this case, as the narrative itself points out through Isagi first and Agi later, it’s the concept that relying on their teamwork is actually making Nagi and Reo’s soccer worse. 
Sure, Nagi might've caught Isagi off guard with those feints once and managed to score, but that's still him relying on instinct over brains. If you dissect that match, you'll see that aside from the fake volley itself, which is the product of a non-replicable state of flow, there isn't a single move Nagi and Reo made during that game that Isagi didn't see through, expect, and match their pace at. This is by design, of course. It's meant to indicate that while Isagi grew, learning from stronger players and assimilating new elements in his arsenal of weapons, Nagi and Reo are still stuck playing the same way they did in the second selection. With Reo as the heart, brain and anchor directing Nagi around, and Nagi as the leg kicking the ball into the net following a momentary burst of inspiration. 
The fact that this is intended as a setback in their path towards a more egotistical soccer is made more obvious by the timing. It's not a coincidence that Nagi went back to Reo the moment he got frustrated by how hard creativity and tactics come to him when he's on his own, without a "handler" like Reo (and later Isagi) taking care of all the hard parts. 
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Nor is it a coincidence that Reo was faced with the choice to go back to helping Nagi out right when Reo was beginning to go after his own goals, without help. Nagi comes up to him and shakes him up literally one (1) panel after Reo's dramatic, resolute decision to prove himself alone.
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Had they gotten anywhere in their quest to polish their individual skills during the split, maybe their partnership could’ve aspired to become more like Isagi and Bachira’s, eventually. However, they weren’t apart long enough to master their respective strengths, or to consolidate their egos as something separate from their status as partners. Thus, when they resume playing together, they instead hold each other back. 
So is their ego the problem here, then? Ever since that five shot fake volley, we see Nagi’s dissolve, leaving him unmotivated again, grasping for answers he can't seem to reach no matter how many people he asks. And surely, its disappearance is significant, much like how Reo's ever changing definition of his own ego is also significant. But I think the real issue is something else. Egos can take many forms, and Nagi and Reo aren't the only players whose so-called “protagonism” isn’t rooting for their own success. Most recently, Hiori gained an ego too, and it was framed as a good thing even though it doesn’t strictly lead to him becoming the best striker in the world. 
My idea, then, is that it's less that they lack the "correct" ego, but more like they lack the correct attitude towards soccer to begin with. From the start, they're both motivated by something that is not inherent to soccer itself, but only tangential to it: the World Cup—or rather, their promise to each other that they'd win the World Cup. Because of this, I think, they center their football more around their partnership & their shared dream than any genuine passion for the sport, unlike pretty much the rest of the cast (now including Hiori. Yay!). In other words, the problem is that neither of their egos is really about themselves, yet. So it fails them because it's not conductive to "protagonism", but centered around an "us" that drags them off course.
Let's go with Nagi first. On the surface, "commitment" and "Nagi Seishirou" don't seem to go well in the same sentence. Nagi doesn't do anything excessively. He's content to coast through life doing nothing more than he strictly needs to survive. As long as he can put in minimal effort and still have time to play video games and nap, he's happy. When his teachers asked him to fill a form about his future, he couldn't think of anything he wanted to do. He's the embodiment of living one day at a time cause it's too much work to figure out his life past that. Yet, he genuinely commits to soccer. 
Or does he? 
Sure, he agrees to not only playing the sport, but to dedicating several years of his life to becoming pro. That’s dedication, for sure. But is it really for soccer? I would argue that no, Nagi’s commitment is to his partnership with Reo, not to the sport itself. And okay, you can’t have one without the other, but the distinction is important to understand Nagi’s (and Reo’s as well) resistance to character growth. 
So, Nagi had no passion for the sport until he saw the level some other elite blue lockers played at, and got curious and frustrated enough to put real effort in it himself. But until then, soccer was simply something he tagged along in. In fact, he was pretty unenthused with the idea of playing until Reo promised him an easy life and made it so Nagi wouldn’t have to work hard for it. Nagi signs up for blue lock with the expectation that he’ll be the one to flunk out first, without being too torn up about it. Clearly, it’s not a career as a professional soccer player he has an attachment to. I’d argue it’s more the fact that he feels comfortable around Reo, and he is invested in what only their agreement can bring forth. That is, a life more exciting than any nap or game. 
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The excitement part is the focus here. At their core, both Nagi and Reo’s characters are motivated by the wish to escape boredom. So much so, the epinagi movie made that its tagline. Thematically, dissatisfaction with boredom is the catalyst for every choice they make. While everyone else is motivated by an ambition that is inherent—that draws from their wish to excel—Nagi and Reo are more prize-oriented, lacking the conviction that they’re special on their own. It follows that the challenge of bringing home the World Cup represents just that—for Nagi, it’s the thrill of a final boss with the prospect of an easy life afterwards, and for Reo, something hard to obtain that he’d conquer by his own merit. In both cases, soccer for soccer’s sake is not the end goal. It’s just a tool to achieve what they really want. 
Neither of them ever really dreams of becoming the world’s best striker, and neither swears their entire life to soccer, either. Not even Reo ever brought up a career in the sport, past winning for Japan for the first time. This is why I say their commitment is more to each other than to football, and also why they struggle to advance in the program. 
Let's think about it. The Cup was never really Nagi's dream; beating Isagi was. Yet, when their partnership all but crumbles down, Nagi keeps making choices with the Cup in mind. The boy who never fought for anything becomes determined to honor his promise to Reo even if he's not certain that Reo still cares about it. By his own admission, he chooses Isagi and then England because both of those things bring him closer to their original goal, and Nagi's resolve for that has never waned, even if for a time he thought Reo's had.
It's like he clings to inertia to avoid thinking what the sport means to him. Despite how Reo seemingly turned his back on him, Nagi doesn't want to give up on what made them partners. To him, soccer never stopped being something they shared (to a fault). That's why, I think, when they make up, a big part of their reconciliation is going back to sharing a dream. This time, with Reo helping Nagi out instead of the other way around. And I'm saying that's a flaw because his subconscious need to seek answers and help from others made it so that whenever he's alone, he doesn't have a very defined idea of how to move forward. But again, a striker should be self-reliant, and have the capacity to evolve on his own even as the match is unfolding. But Nagi didn't even believe in himself until Reo convinced him he was special, so how can Nagi have the right mindset to seize his protagonism?
Similarly, Reo’s drive is also not based on anything inherent. From the start, he doesn’t believe he was “chosen by football” the way geniuses like Nagi and Rin are. Because of this, he never bought into Ego’s striker philosophy, nor has he been a very fitting candidate for it yet. Much like with Nagi, his set up as someone willing to step away from the spotlight positions him in defiance of the story’s themes. While Nagi has the talent and instinct to become a powerhouse but lacks conviction, Reo is a born leader outside of the facility, but within blue lock’s rules he can only make it to the U-20 bench, and so far no further. 
The point here is that Reo’s readiness to be Nagi’s crutch is lowkey framed as a voluntary burden he places on his potential growth, a fact that the narrative condemns. 
Reo was born for success—bred and raised with every luxury to make sure he'd step into his father's shoes and be one of Japan's wealthiest and most capable businessmen. And Reo takes obvious pride in his social status, too. We can see it in the flaunted wealth of his spending and daily habits, as well as in the way he interacts with his peers. He funds his Hakuho soccer team and easily seizes captainship. Blue lock teams don't have captains, but he still rises to a similar position even within an environment designated to promote violent competitiveness and a wolf-eat-wolf mentality. Heck, he asks Nagi to call him "boss" and demands Zantetsu recognizes him as "super elite". Pride in being the best and excelling at everything he does is written into Reo's code.
Yet, the moment Ego suggests that there is no such thing as cooperation within his training program, Reo is quick to bargain—take him, he’s the real star. I will tag along and ensure his success. 
Ever the businessman, right? Problem is, renouncing his pride for someone else is the opposite of the attitude he should have. Same as Nagi, Reo puts a lot of weight on their shared dream. Too much weight. Somewhere along the line, “I want the World Cup” became “If Nagi’s at my side, we will win the World Cup”. Being partners until the end became so entangled with Reo’s dream that he can no longer separate the two. When Nagi leaves, Reo’s image of that finishing line crumbles. Iirc, he doesn’t even mention the World Cup as his goal anymore until Nagi comes back to him. When asked to put into words what he wants to achieve with his soccer, Reo tells Chris that he wants to go after goals alone. It’s only later, when Chris questions what happened to his solitary resolve in the wake of Reo’s restored friendship with Nagi, that Reo is like “well, my actual dream was the World Cup anyway, so this still counts.” 
That is both true and a deflection from the truth. Yes, Reo’s real goal has always been the cup… but he also subconsciously sees it as something inseparable from his promise with Nagi. He can’t have one without the other. Or he thinks he can’t, is the point. Partly because of that, and partly because Nagi is his best friend, Reo is very resistant to Agi’s criticism. The story’s trying to nudge Reo towards personal growth, telling him that the only way out of this impasse is to quit what isn’t working. However, because Reo’s meant to resist the themes of the story, the choices he makes are rarely the right ones. That is, the choices a real egoist would make in his place.
This isn’t anything recent, by the way. For this same reason, for example, winning Nagi's trust back becomes his main motivation to survive past the loss in the 3v3. By his own admission, Reo is the only guy in blue lock who not only has a safety net outside the program, but a very comfortable life to fall back on if a career in football doesn't work out for him. But when push comes to shove and he faces the chance of dropping out, Reo resolves to improve by thinking of Nagi and their shared dream.
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Let’s compare that to Barou, who was similarly broken down and had to crawl his way up again. Barou goes the egoist way and finds his resolve within himself, vowing to double down on his king shtick and devour Isagi back. To Barou, the simple idea of passing a ball is akin to defeat. When he envisions a future of normalcy, with football as something to only watch on tv, Barou’s hunger to reign the field like a king rears its head again and motivates him forward. Reo, instead, never reaches a point where he embraces the series’ trademark selfishness. In fact, he does the opposite. When he vows to step up his game, he doesn’t do it because he thinks he’s the top dog like everyone else. The root of his despair is not a wounded pride, or a desire to prove himself further, to “devour” others back and rise to the top, but just the loss of his fix against boredom. Remember, chasing an exciting life is both Reo and Nagi’s main motivator so far. To put it simply, Reo doesn’t want what awaits him outside of blue lock. 
That’s the seed of his actual ego, by the way. Not the Cup, not making Nagi the best, but rather obtaining something by his own merit. But because of his reliance on Nagi (and Nagi’s on his), Reo hasn’t yet reached the point where he can realize this and use the knowledge to better his plays. In that sense, their partnership holds both of them back from exploring their inner motivations and individual strengths further.
And I said that this is instrumental to the kind of story Kaneshiro’s telling because it’s meant to show us all the ways a striker can’t be. This is not a manga where the power of friendship will get you anywhere. No matter how stubborn you get about having it your way, obstacles will materialize in your path and set you back the longer you refuse to play for your own sake. 
Yet, Reo doesn't want to advance in the program for the sake of becoming the world's best striker. He never did. He wants to move forward because Nagi left first, and he wants to meet him on the other side (quote, "beyond our dreams"). In other words, to return to being friends, even if he fears that Nagi might've replaced him with Isagi and "forgotten" about him. It doesn't have anything to do with soccer per se. It's more like Reo sees soccer as his chosen tool for self-determination. It was the trial to prove to himself, as well as his father, that his "worth" wasn't handed down to him by circumstance, but was inherent. He could achieve something worthwhile thanks to hard work, and not just reap the benefits of his last name. 
And the thing is…If he were literally anyone else, at this point he would’ve already channeled that into individualism, but because it’s Reo, he doesn’t. Despite possessing that seed of egoism, Reo doesn’t water it. His ambition doesn't make him an egoist in the way Ego Jinpachi intended, but instead becomes something that's meant to be carried by two people, contradicting the story.
Reo’s resolve is then always a bit off from falling in line with the rules of blue lock. Even when he gets something right, he does it for the wrong reasons, stumping his development. For example, his resolve after the 3v3 is both a step forward and two steps back. The positive is that he "engraved despair". He faced his shortcomings, realized his powerlessness, and took measures to improve to avoid being left in the dust again. The negative part is that being on his own should've given Reo a taste for real egoism, a hunger for self-reliance, but it does the opposite instead: it makes him long for what he had, and put all his willpower into restoring that partnership however he can. If the issue was that Nagi's improved enough to no longer be satisfied by the level of Reo's plays, then Reo's solution is to make his soccer exciting again in Nagi's eyes to, quote, "be enough to satisfy" him.
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Because of that, however, the moment he has Nagi's trust back, their partnership back, Reo pretty much stops trying to improve. His chameleon style is still a go, but it becomes yet another tool to assist in Nagi's goals. It didn't start that way.
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Initially, it was what Reo intended to use to score alone, remember?
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Yet, even after coming up with a style that's solely his, that focuses on his strengths and brings no value to Nagi's, Reo keeps committing to stagnancy. In different but similar ways, both do. 
Teamwork and passive codependence are the two things Ego asked all the blue lockers to leave behind, but Nagi and Reo make it their job to bring typical shonen manga dynamics into a series that sets out to break from the norm. And that’s the point! 
In this sense, Reo is more at fault than Nagi, who instead realizes that sometimes being apart makes you better, and doesn’t mean the end of your friendship. If I were to pin down Nagi’s role in the narrative, then I’d say he’s meant to show that talent doesn’t equal success without discipline, self-awareness and determination. So the world’s best striker can’t just be good. He needs to know what he’s doing, and when and where he can do it to make the most of every play, since nothing happens by chance on the field. Whereas Reo’s role is that of showing us the mindset of a real striker. Because Reo enters the program without accepting or even understanding Ego’s rules, Reo’s faulty beliefs get challenged at every turn, with the author basically spoonfeeding us the correct path to soccer stardom. 
So in the end, since they struggle so much to even understand what they should be doing, their fumbling around makes it so the story goes more into depth about its own themes. Their job is to be incompetent, basically, but in a way that doesn’t rule out eventual growth. They just need to come to terms with the rules of the competition they entered first. So far, they’ve been content to just live in a bubble and coast through the increased stakes of the selection. If they’re serious about their dreams, however (and we’ve established that they are!), they will have to make a choice between what’s comfortable and what’s necessary. Cause, to quote Ego from epinagi chapter 2, in blue lock there’s no place for self-conscious babies who don’t want to ever get their feelings hurt. 
So what will they choose? Each other again, or the only way they can make it past blue lock and thus actually chase their dreams? 
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grifonecoronato · 13 days
Text
Hot Take: Oshamir is One-Sided
[Spoilers for The Acolyte]
Star Wars fans know that Osha and Qimir’s relationship is doomed to end tragically. The Sith is a culture that eats itself: the apprentice either kills the master and takes their place, or is killed by the master in the attempt. So even if Qimir kills Darth Plagueis (and we know this won’t happen), he’s just going to have to deal with Osha attempting to kill him one day.
(Side note: I have a sneaking suspicion that Qimir is not actually Sith, since he never calls himself one, he just says "a Jedi like you would call me, Sith." But that's a topic for another day...)
Given what I know about The Acolyte fandom, a doomed romance is hardly something we'll shy away from; we’ll revel in the tragedy of it all, and the sadder it is and the harder we hurt, the more we'll love it!
No, I want to discuss something else; something I don't think many Acolyte fans really want to acknowledge... that the “romance” as shown at the end of series is one-sided: Qimir's side. The last shot of the series implies that Qimir and Osha are ready to face the galaxy together, hand-in-hand, but...
Qimir cares for Osha; Osha does not care for Qimir.
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Hey! HEY!
Put your pitchforks down and just hear me out, please!
What Qimir Desires and Fears
Qimir -- his arms muddy, his dark hair slick against his sweaty brow, holding Mae hostage with his lightsaber threatening to ignite through her skull at any moment -- explains his motivation to Sol:
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"[I want] freedom: the freedom to wield my power the way I like, without having to answer to Jedi like you. I want a pupil. An acolyte."
Qimir wants acceptance and connection, to be seen and appreciated by someone else. But he mentions several times that he wants a pupil, which by definition would put him in a position of power and authority over someone else, even if it's to help build them up.
This presents an underlying contradiction in what Qimir says he wants, versus what he really wants:
Does he want an equal who sees and cares for him?
Or does he want a pupil that he can teach from a position of power?
The show leaves the answer ambiguous, but nestled in this contradiction lies Qimir's biggest fear.
Qimir fears opening up and being seen. He wears a mask to conceal his identity, but he also hides his character behind his personas: the buffoon, the nervous helper, the murderer, the teacher, the seducer...
From Qimir's point-of-view, he's been betrayed before, and that betrayal left scars...
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"I was [a Jedi]. A long time ago... [...] It was a really long time ago."
...so he needs to protect himself from getting so close to someone that they harm him again.
Betrayal and Murder on Khofar
So, on Khofar, when Mae reveals that she was only ever using "The Stranger" for her own revenge, Qimir chooses to kill her.
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He could have chosen to run back to his ship and let Mae rot in Jedi jail (or wherever they take murderous Force-users...), rather than risk discovery. Attacking Mae and the Jedi was not a smart move if he feared being seen. But that doesn't matter: he's Sith, and he finds strength in his emotions, including his own fear.
So, he resolved to commit murder against Kelnacca, then slay the whole Jedi posse hunting Mae, and then deal with Mae.
But here's the thing: Qimir likes to frame his actions as self-defence...
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"I killed Jedi. I killed those who threaten my existence."
..but this isn't actually true, is it? He didn't need to kill Kelnacca in his home -- Kelnacca, who knew nothing about Qimir, or Indara's death, or Torbin's death, or any recent event really, and who was absolutely no threat to him -- nor didn't need to face off against the entire Jedi posse.
He chose to commit murder and engage in combat because he couldn't stand the fact that Mae used and betrayed him.
Osha Sees Through Qimir
The conversation between Qimir and Osha seems to be him slowly convincing her that the Jedi are terrible, and that she should find her own path to power.
And, of course, that he can be her guide.
After all, he answers nearly every one of her questions with a question of his own, in a kind of socratic method designed to make her question her own judgment.
All the while, Qimir uses a gentle voice and gentle touch to signal that he yearns for her, that he craves her acceptance, that he can help her if she just accept it, that she can trust him.
To make her feel safe, he even lets her hold his lightsaber...! (😏 ...ladies...!)
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This seems to work since Osha is engaging him in conversation. But Osha has seen Qimir in action, and knows that there is no possible way for her to defeat him directly.
Osha has the lightsaber, but Qimir holds all the power here.
Despite that, Osha calls him out many times on his choices.
"You killed Jecki."
"You killed Yord."
"I'm not my sister. I'm not so easily corrupted."
Osha never takes her eyes off her objective: to escape Qimir, get back to Sol, and confront her sister for her crimes.
Osha's Fatal Flaw
Mae and Osha are binary opposites in their personalities and motivations. Where Mae is community-minded, Osha is independent. Where Mae values tradition, Osha values freedom. And where Mae tries to repair frayed relationships, Osha does not forgive those who cross her.
It is this last trait that proves to be the fatal flaw that leads her down the Dark Side.
Osha. Does. Not. Forgive.
When Osha first saw Mae as an adult, she shot her!
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She didn't try to reason with her. She didn't try to help her escape. She didn't say "how did you survive?" or "I missed you."
She just fired.
But you know what? Maybe emotions were running high, right? The moment was very heated, so spontaneous violence like that could just be a one-off thing, surely?
Except that the second time they meet, Osha tries to arrest Mae without listening to her story.
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And the third time they meet, Osha is downright raging and trying to kill Mae...
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... which is a little confusing to Mae because she's trying to help Osha!
And it is Osha's inability to forgive which leads her to committing her first murder, when she finally learns that Sol had lied to her for years.
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Osha falls to the Dark Side all by herself, of her own volition.
Doomed Romance
After she kills Sol, Qimir continues to use gentle touch with Osha, pursuing his seduction of her.
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But when Mae asked Osha "what do you want, Osha?", she didn't reply with "I want to be with Qimir."
She said:
"Let [Mae] go, and I will train with you."
It was a bargain, for which she offered Qimir what he wanted most: a pupil who accepts him.
Osha is signalling that she cares for him. But she doesn't.
Osha cares for her sister. And Osha does not forgive.
She remembers that Jecki and Yord were her friends, and they had nothing to do with Sol's crimes. They were innocent, and he killed them when he went out of his way to engage the Jedi in combat.
Osha is playing Qimir, just as Mae did. She will learn from him to use the Force, and then take those teachings to fulfil her own goal of rescuing Mae and restoring her memories.
Qimir will learn the truth of their relationship one day, and on that day, like all Sith masters and apprentices, he will kill her, or she will kill him.
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(because that is not the face of a happy couple)
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PROPAGANDA
PADMÉ AMIDALA (STAR WARS) (CW: Pregnancy)
1.) From the beginning, she only existed to be Anakin's love interest and Luke and Leia's mother. Although she's an important political figure in all three prequels, her characterization in being Anakin's crush/maternal figure in Phantom Menace, Anakin's love interest in Attack of the Clones, and Anakin's wife and baby mama in Revenge of the Sith. She literally dies of a broken heart when Anakin turns to the dark side in RotS, right after giving birth to the twins, because her whole purpose in that movie was to motivate Anakin's fall and be the twins' incubator. What's more, she didn't even know she was carrying twins until after Luke was born because George Lucas apparently gave no thought to what prenatal care would have been like in a universe with futuristic technology despite the whole main plot revolving around Anakin thinking Padme was going to die in childbirth. There was also a subplot cut from RotS where Padme helped found the rebellion with Bail and Mon and then goes to Mustafar to kill Anakin after he falls, but it was apparently deemed not important enough to keep.
2.) Her characterization was drastically forgotten about in the prequel films in favor of her husband's (despite her being one of three main characters in the prequel franchise). She went from queen of an entire planet to a senator of a galaxy-wide political body to dying of a broken heart. She does not question the actions of those close to her despite them contradicting her character morals (which her character was built on!!). Plus, she is rarely mentioned outside of the animated series. The show, Kenobi, doesn't even mention her name, only that she was essentially kind and brave. Also, she was not approached for a cameo in any of the largest related media while the men have.
3.) oh boy. she basically dies because apparently George Lucas doesn’t realize that women’s healthcare exists??? like you could argue that she wouldn’t have died if she just had an OBGYN. in 2/3 of the movies she’s basically just used as a tool for the main male character’s development. then there’s this whole plotline in The Clone Wars (aka TCW) series where there’s all this gross stuff with her ex who literally tries to kiss her when she’s actively saying no, then her husband proceeds to lowkey victim blame her??? it’s just so unnecessary. I could go on
BUMBLE (WARRIOR CATS) (CW: Domestic Abuse)
1.) Back with another Warriors submission, I bet you’ll be getting a lot from other people too LMAO. Bumble is a kittypet (housecat) who befriends the male protagonist Gray Wing’s girlfriend, Turtle Tail, and lets her stay in her house. This gets Gray Wing all pissy because he’s controlling of Turtle Tail and shares most of the wild/clan cat’s proclivity for looking down upon kittypets. Turtle Tail gets pregnant by another kittypet, Tom, who tries to control her by hiding the fact that humans take away kittens after they’re born. Eventually Bumble comes clean about it so Turtle Tail returns to the forest. Some time later, Bumble is found in the forest seeking refuge because Tom has been physically abusing her, scratching her where the humans can’t see. So, she’s CANONICALLY ACKNOWLEDGED as a domestic abuse victim (unlike Squirrelflight who meets all the textbook signs but the narrative and authors deny it). How do you think our good guy protagonists, i.e. Gray Wing “The Wise” and Turtle Tail, respond to an abuse victim seeking refuge? They tell Bumble to go home, thinking to themselves that she’s fat and soft and therefore would be useless in their group. Bumble stands up for herself and asks to speak with the leaders of the group. One of them asks if Bumble could just get along with Tom better (bro???) and when Bumble says it’s not within her control, the leader suggests being nicer to the humans instead. Another rival leader butts in and verbally abuses Bumble again by ripping into how fat and lazy and useless she would be. Despite Turtle Tail having been friends with Bumble and Bumble had helped her through her own hard times, to Gray Wing’s approval Turtle Tail chooses not to intervene as Bumble is forcibly escorted back to her abuser. But that’s not all. Later Bumble is found in the forest maimed and dying, and it seems likely that Gray Wing’s brother Clear Sky, a male with a long history of violence, is the culprit. Rather than mourn the dying innocent cat, Gray Wing’s primary concern is how other cats might be mean to Clear Sky if they think he’s a murderer, and reassures himself that refusing to help Bumble in her time of need was still the right decision.
2.) I have no idea how she managed to be written so horrifically from an abuse victim and woman (/she-cat I guess) standpoint but here we are. Okay so my memory is a bit fuzzy but basically Bumble was a character in Dawn of the Clans and a close friend to Turtle Tail, a major character, as well as a character who lived close to Tom, an abusive dickhead of a cat. Bumble was largely depicted as just a really sweet cat. Turtle Tail was very briefly the mate of Turtle Tail, but once she got pregnant, he became super violent towards both her and our gal Bumble. Tom actively hid the fact that, once her kits were old enough, Turtle Tail’s kits would probably be taken from her, and made Bumble keep quiet about this too, but Bumble eventually told Turtle Tail the truth, Turtle Tail left and Tom became extremely violent towards Bumble because of this, and was extremely abusive towards her. Eventually, Bumble ran away from him to where Turtle Tail and co were and begged to stay, since the wilderness as a whole was genuinely more safe than being around Tom was. Naturally, this meant kitty xenophobia from cats who had only arrived in that area recently, because everybody was insistent than, since she was a kittypet/house cat, things wouldn’t work out, and even her friend Turtle Tail denied her on this, insisted she was too soft to live in the wild and only sent her towards a cat Bumble wanted to convince because she was absolutely certain she’d be denied. Also our good old protagonist Gray Wing got to spend this scene being all upset about this soft cat wanting to join them to escape an abuser and was all bitter about the fact that Turtle Tail lived with her for a short period of time, and he also got to have a sweet romantic moment with Turtle Tail after denying an abuse victim an escape from her abuser. Also as much as I like Tall Shadow usually she sucked ass in the following scene because she was essentially telling Bumble to go find a way to make peace with Tom as if she was not the one being abused (Bumble pointed out that Tom was the one who would need to make peace for it to happen, not her) and that she should just make life better by going back to being a housecat and being spoiled despite the fact that she was actively at risk with her owners because of Tom. Then she leaves after being threatened by several cats there and is called soft on the way out. The next time she appears she is literally dying, and her death is just a plot device to create a stupid little mystery which is solved in a very stupid way. Also her abuser does continue to be a shithead and for some reason is fully permitted to kidnap his own children but he also gets a heroic death and the only reason I will not rant more about him is because this is too long already. Long story short Bumble deserves the world and everybody who decided not to let her escape her abuser just because they thought she was soft sucks
3.) Is nice to the group of starving, feral wild cats that left the mountains so their friends and family could have more food to eat and befriends one of them to the point of opening her home to her after she leaves the group because the guy she likes is too dumb to notice she likes him and keeps falling for his brother’s love interests.
Unfortunately, because Bumble is a house cat who lives in a house with people and not a Wild and Free cat, this is a grave and horrible crime (luring a wild cat into the safety and comforts of domesticity) and is villainized for the rest of the arc, including for things wildly out of her control
I.E.
Her owners taking in an aggressive male cat that bullies and abuses the two female cats already living there
When Bumble’s friend leaves and goes back to the wild cats, Bumble leaves her home (as the abuse as has gotten worse) to see if she could either get help or have her friend return so the abuse isn’t as bad again)
Bumble eventually dies in the wild because the feral cats all hate her for ‘stealing’ their friend and tricking her into becoming a kittypet for awhile and refuse to help Bumble adjust to wild life or even teaching her how to hunt.
They are littl e to no hard feelings at her death beyond 'good riddance’ but the aggressive tomcat that chased her out of her home is later regarded with good feelings and regret at such a 'good, heroic cat’ passing when he dies despite him literally never doing a good or kind thing in his life and actually causing trouble for the wild cats right before dying
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canonizzyhours · 9 months
Note
What nobody wants to admit is there’s a reason OFMD fandom has a big divide over how to interpret Izzy and it’s simply that Con is playing against the scripts.
Con DOES play Izzy like he and Ed have a profound warrior’s bond and their relationship was actually a positive thing up until Stede appeared and Izzy’s jealousy made him briefly go a little bit insane, but once he recognized that Ed truly needed to be with Stede to be happy Izzy was able to let go because his love for Ed is genuinely selfless. People who see that in Con’s performance aren’t wrong.
However this makes no sense as an interpretation of the actual STORY. The scripts write Izzy as someone whose “love” for Ed has been selfish and controlling and abusive (in ways that, yes, echo Ed’s relationship with his father) since long before Stede was in the picture, and is mostly based in the fact that he craves power and manipulating Ed is how he achieves and maintains a position of power – plus the whole deal has this creepy undercurrent of psychosexual obsession. This was obvious back in season one but there’s zero remaining ambiguity about it at this point now that the show literally had Izzy tell Ed “I’ve been terrible to you for years” and “it was me who needed Blackbeard.” 
The way he’s written, Izzy has to let go of both his ambition for power AND his fucked up crush entirely before he can stop obsessively trying to control Ed’s life and be normal enough about him to start building an even remotely healthy relationship, which the two of them never had before. Both djenks and other writers have said this in interviews - what Izzy needed was not to realize Stede was good for Ed, it was to let go of his obsession with controlling his boss’ love life entirely before he even COULD realize that.
This contradiction isn’t Con’s fault, or really anyone’s. If you’re an actor it’s your job to come up with headcanons that make sense of your character’s motivations even if they’re not super clear in the scripts, and the scripts do not focus all that much on Izzy’s internal motivations. (It’s clear from his interviews that he got only vague high-level overviews from the writing team about their intentions for Izzy’s overall arc too, which is normal for a supporting character - not only has he mentioned scenes where he struggled to figure out the motivation on his own, he didn’t even know the show was gay for four episodes, meaning the writers and directors didn’t tell him about Izzy’s gay crush on Ed, the thing he plays as Izzy’s core motivation!) And it’s usually a good idea as an actor to come up with an interpretation that lets you sympathize with your character. So Con went with the most sympathetic read of Izzy he could come up with. It doesn’t make sense of the overall narrative arc of the show, but that’s not his job, his job is figuring out a motivation that gives him a foundation for feeling like he understands Izzy’s perspective in the scenes he’s playing.
So if you pay the most attention to Con’s performances and ignore the narrative framing of the scripts, you end up with basically the canyon read on Izzy’s character. If you pay the most attention to the story the scripts suggest and mostly ignore the performance, you end up with the non-canyon one where Izzy’s a really really bad guy up till s2e5 and he’s manipulative and emotionally abusive toward Ed. Neither one of those is really “canon Izzy.” They’re both present in canon and they directly contradict each other.
This is what led to the fandom getting incredibly weird. Because people most interested in Con’s performance take it as the primary lens through which they interpret the whole show - but it’s an interpretation that fundamentally cannot make sense of the story as a cohesive whole, so they keep running into cognitive dissonance, and they try to resolve it by coming up with increasingly contorted interpretations of the entire narrative arc of the show (including parts that aren’t even directly about Izzy) and getting angry when other people bring back the cognitive dissonance by pointing out how nonsensical those interpretations are. 
People who prioritize the scripts as their main interpretive lens don’t have quite the same problem, because if they notice what’s going on in Con’s performance there’s an easy way to integrate it: assume that the way Con acts is expressing Izzy’s own point of view, BUT IZZY IS WRONG ABOUT ALL THAT. Izzy THINKS he really understands Ed but he doesn’t. Izzy THINKS his feelings for Ed are selfless love but a lot of abusers think that, it’s him lying to himself about his motives being benevolent. And the thing is, this angle makes Izzy look REALLY FASCINATING but also WAY WORSE than the basic read where he’s just being selfish, it turns him from an ambitious manipulative schemer with a weird little crush into a horrific obsessed stalker with a creepy daddy-knows-what’s-best-for-you complex about Ed, a grown-ass indigenous man who never asked his white employee to control his life “for his own good.”
It’s no wonder everyone’s fighting all the time.
#88.
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muffinapologist · 1 year
Text
Hey, hey, look at me. Look me in the eyes. Listen.
Ace Attorney au where everything is the same up to Turnabout Sisters at which point things go wildly off the rails and Redd White succeeds in getting Phoenix convicted for Mia’s murder
And theoretically Edgeworth should be satisfied another criminal in prison and his record is maintained. But something keeps bothering him about the case. And he convinces himself it’s the motive, they never figured out *why* Phoenix Wright would kill Mia Fey. (Spoiler alert it’s actually bc deep down he knows Phoenix didn’t do it and he’s got, you know, unnecessary feelings)
So he goes to visit Phoenix in detention, to ask him what his motive was. And Phoenix is like"You want my motive?" "yes?" "i'd love to tell you, really I would, but since I didn't fucking do it; that's kind of a tall order"
But Phoenix is also kind of in a bind because he’s in prison and Redd White isn’t and now White knows that Maya knows who he is. And Phoenix is worried she’s going to be his next target.
So he strikes a deal with Edgeworth. Edgeworth investigates Redd White (not for Murder but for his many financial crimes) and Phoenix will give him access to his entire life basically, his apartment, Mia’s office, etc, so that he can figure out Phoenix’s motive
Featuring (but not limited to):
Edgeworth’s slow descent into a morality crisis as he realizes Phoenix is innocent and White isn’t; therefore also throwing his previous cases into doubt
Maya and Miles worsties to besties with Maya helping Miles with his investigation with the goal of helping Phoenix and eventually bonding with him through their shared family trauma
Guilt nightmares and general spiraling
“Everything I’ve learned about Wright has been against my will” -Edgeworth, lying
Phoenix’s depressing personal life and Mia being Important
Edgeworth having Phoenix consult on the Will Powers case while in prison and Phoenix of course finding the key contradictions
Demon prosecutor Miles Edgeworth breaking his own perfect record by helping Phoenix file an appeal and being a proxy in his retrial
A surprising amount of April May character development as she turns on White and testifies in Phoenix’s retrial
Eventual wrightworth because you know how I be
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