#literally what happened in that scene

[ickypuppi3]

[khaleesiofalicante]

“Well, I can’t let Asmodeus kill him now,” Magnus points out. "He's one of us."

this made me love so hard idk why.

HELL YEAH HE IS ONE OF US.

Magnus: We gotta kill him

Alec: He's gay

Magnus: We gotta protect him

[cattnipt]

Fucked up looking dog you got there

[royalphantompain]

[amaranthdahlia]

[we can always meet again within one for all. romantic, right?]

[eternallovers65]

Just saw someone on Twitter complain about the lack of Japanese people in Oppenheimer, and what did you expect??? Did you want the final act to be the bomb dropping and see people burning alive???

The reason why we don't see a Japanese perspective is because one, including a Japanese perspective, just to see how bad the suffering was would be exploitation. Two, to see an accurate and sensitive take on how the japanese felt about Oppenheimer, Christopher Nolan (as incredible as he is) isn't the right person to do this. And three, it's based on Oppenheimer's biography

Oppenheimer, the movie, literally shows you people (mostly the superiors, because by the middle/end of it you see Oppenheimer regretting his creation) doing something dubious and inhumane because they removed themselves away, both emotionally and physically, from the people they are hurting.

Nagasaki and Hiroshima only exist in those men's distant thoughts and imaginations. One guy literally asks to take a city off the bombing because that's where he had his honeymoon. It's disturbing and unsettling, as if those people were not real human beings. The lack of Japanese people drives the entire point home.

Also, Japanese cinema is right there. Barefoot Gen, Grave of the Fireflies, or Hiroshima (responsible for showing to many Americans the effects of the bombs for the first time) are just a few of the many, many decades of post-war Japanese movies we have

[gunsatthaphan]

"I will let you know."

[zer0point5ive]

[leatherluxe]

I LOVE Aabria playing a 16 year old girl. she’s incredibly powerful. she’s rotting. she has a crush on Deli. she has a million secrets. what teenage girl doesn’t? she wants to murder the bishop in cold blood. 

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[puppyeared]

I just skimmed through the art part of your blog and holy bajeebus your LMK art is so beautiful and the headcanon ideas you come up with are so good I wanna steal em-

Kinda wanna see like a part 2 of the little angst you did between MK and Macaque a while ago. It's so interesting and I wanna see Macaque's reaction in your art style. (You don't have to of course, it's just a suggestion [idk if i spelled that right])

Thanks for reading and hope you have a good day/night!

Hope this is to your liking ^^

Part one here

[hylianane]

And when OPLA calls back to Zeff telling the crew to read stories to Zoro so he can hear their voices and recover faster, by having Sanji sit by his bedside on Thriller Bark and read him a book about the All Blue. What will you do then?

[chirpsythismorning]

Welcome to a series I'm calling:

Yes, that scene did foreshadow Mike's monologue was disingenuous

Because you'd be surprised how many times the show (even prior to s4) has poked fun at Mike's monologue in the most random ways.

The Bingham's Beautiful Performance

First we have Suzie's sister on the floor, bedazzled and sporting a veil all while her brother is filming. This is basically the kids attempting to present a tale of a romance ending in gruesome tragedy.

Our bride here is El. The edition of the veil could be a nod to the loud majority's series long assumption that Mike and El are going to end the show together, preferably getting married.

Unfortunately, this is the closest thing they'll ever get to it, with the acknowledgement of that possibility in and of itself being mocked.

This next shot makes the likelihood that these scenes are connected pretty much indisputable, that being the edition of the record player behind the bride's head.

The only reason they made a point of having Will push the radio out of El's way, was to subtly connect this moment in Surfer boy to the beautiful performance we saw at the Bingham's only a few episodes prior (scenes that are widely known to be filled with foreshadowing for the season's ending).

A few bylers have already talked about these parallels, so this isn't new knowledge per say. But I do know some have dropped it altogether as possible foreshadowing for whatever reason, while most fans outside of the byler fandom insist it only foreshadowed Eddie's death. However, I think there are too many details that equally, if not more connect it to Mike's monologue than to Eddie's death.

Some fans have also noticed how Will was missing in quite a few shots at the Bingham's, which is interesting, but not all that surprising. Especially in this case...

Will. Will is the director

Director Will: GET THAT RADIO OUT OF MY SHOT!

Will directed the monologue when he used his feelings to inspire Mike, with the reminder of it (literally in the moment) directing Mike to confess to El, just like Suzie's brother directed that beautiful performance. Both performances convincingly left its audience thinking that the performers feelings in that moment were believable and...

genuine...

[1v31182m5]

[lbhslefttiddie]

youve heard of sex flowers get ready for the flower that makes you into a celestial shoujo herione complete with particle effects you cannot turn the fuck off and creates a wifebeam so powerful it can incapacitate and maim and keeps making you burst into tears and fall on your ass which makes the wifebeam More Powerful and you also cannot turn this off either. and is also still, sort of, a sex flower

from one of my favorite fanfictions, Celestial Afterglow by elanor_pam, a fic that defies description in the best possible way

[kittykatninja321]

Constantly thinking about that post that’s like “people think Talia was controlling Jason in lost days, Jason could barely control Jason let alone Talia” because literally one of the first thing he does after regaining consciousness is outmaneuver league agents to run back to Gotham. If he wanted to leave he could that’s why she brings up the idea of training in order to stall his plans to kill Bruce (at some point he does clue into this). To me the dynamic of Talia manipulating Jason while Jason is semi aware of this and consciously going along with it is a much more interesting dynamic to explore than “Talia is an evil temptress and Jason is hapless to her whims” you constantly see in fanon. To me their post Lazarus pit dynamic is like if you took in an injured wolf and now that it’s healed it may bite you or fuck off at anytime but it sticks around for food and company also it keeps on bringing you dead prey animals