#lol I've been waiting to say that-

[dafry-shenanigans]

HAPPY BIRTHDAY TO REIGEN!

I made this comic for the occasion (I had to rushed it a bit because i only had a day to plan so) XD

Ahshsbdndjkd don't look at my writing-

I haven't really been able to draw them together so why not-?

Also inspired by this-

[yazthebookish]

In my thirty, flirty and thriving era 🎂🥳

[polux-aka-hyakunana]

It has been forever since the last time I played with drawing screenshots

and some extra doodled ones

[that-spider-fan-over-there]

BNHA 428: This chapter made me annoyed and yet it was still somewhat better than I expected?

Himichako. I like it, it's a good ship- not one I'm crazy about, but the vision is compelling. I mean, the loved girl on hard times who admires honesty but represses her feelings + hunger motifs, and the formerly wealthy and rejected girl who's honest to herself but masks her sadness from others + drinking motifs? Being so similar at their core from selfishness, bleeding love, admiration and imitation? Yeah, why not, sign me up, it looks fun.

(plus Ochako needed a subplot that would shy away from Izuku because oh boi her writing is messy-)

Then the ending annoucement happened and I immediately went "oh no" when I remembered that tidbit. But. Yesterday, I remembered this page from 424, which in hindsight makes sense:

Shoto moving forward and choosing to not dwell on his past anymore, because he wants to know the man he wants to become alongside his family of choice.

Spinner feeling so much grief for Tomura inside his room, his extra Quirks add up to it. Further gut points as it was all because of AFO, but the wrong person is getting the blame.

Ochako looking lost and dissatisfied, not really saying anything about Himiko's status; then her hidden injury which left a scar that'll never go away, nothing can change that.

And then, well, a sky with a chance to fight for a "bright future". Which is the most ambiguous you can get for anything, really, sequel or not.

(sidenote: is it me or the panel where she's touching her stab wound looks like a tangent line?)

Okay so, I went into the chapter, with Pikahlua's translations. It was A Chapter alright-

If it wasn't the antepenultimate chapter, the "filler" would've been welcomed. But I guess it means we should focus on the smaller details, I guess? Like that 1st year saying Izuku filled him with courage and Izuku immediately thinking of Spinner's pain? Yeah he hates himself and that people call him a hero, when he considers himself a murderer, and will never forgive himself for failing Tenko, therapy for him and everyone in Class 2-A please- yeah it was a fun detail. Also the throb of hiding your pain of "defeating" someone you wanted to save but in the end everything is miserable but everyone else is happy and you don't wanna be a bother. Fun.

Also I wasn't the one to point the out, but looking at the uniform (U.A. uniform blazer for boys + the tie with a dot for girls), the student who's a Izuku fan is probably trans/gnc, which I appreciate a lot :D (Damn Izuku attracts so many queer people I wonder if that's a sign- /hj)

Also, I guess Class A stating "[Bakugou], Midoriya and Todoroki were at the heart of it all" then focusing on Ochako is good foreshadowing on how her own battle wasn't fully recorded? It's like saying in the end her fight didn't matter, but the other ones went "well", so she's trying (and slowly failing) to keep her sadness at bay because, well, everyone's happy, so who cares? Another "throb".

I thought since the Todoroki family issues are out in the open, didn't they record the whole thing? Then I re-read it, they only saw the family stopping Touya from exploding. So they didn't see Shoto trying to talk to Touya, which means none of the LoV were humanized. Fuck's sake.

After that, I get focusing on the first years and civilians wanting to help and all, but it feels like a repeat of everything seconds before Jakku, so I assume it's a way for them to pretend things are normal? But not-quite-quoting Katsuki (<- which I will point out for my sake is very much alive and well and- oh boi LFtR will kill me) and Edgeshot here because it made me smile:

"Will you...go back to the way you were?" "I plan to attain something greater than what I was originally!"

So, yeah I suppose he'll be fine eventually. (Best J. really loving Edgeshot even as a worm, honestly, goals)

Again with Izuku remembering saying "[He'll] bring it all back" and apologizing for "not keeping his promise" and others telling him to not blame himself and they can reconstruct as many times as it takes. Again, gave me a little smile, but not for long-

Finally, Ochako pretending things are fine. Hello there, Sports Festival/Provisional License!Ochako I missed you- /hj (I miss the dorms era in general, actually.)

So... *sigh* Full disclosure: I wasn't looking forward to Himichako as we were getting 5/10 pages for the "conclusions" in the previous two, I thought Ochako would be off about Himiko being depressed about the League. But since she's MIA, red flags are now red herrings, and it's better than the dead outcome. If Ochako got another person dying in her arms that'd just break her character.

A blood transfusion takes hours, she couldn't been doing that for more than 20min, if it was gonna kill anyone it'd be Ochako. Either Himiko ran away or got arrested, and Ochako feels guilty because she doesn't know if she's dead or not. Not great, but until I see a corpse she ain't dead. Besides: Touya, Shoto, Edgeshot, Katsuki, Toshinori, Ochako herself, all physically hurt unlike her, and yet they live.

And then we have Izuku showing up. I'm upset he used OFA embers for this, but eh, it's Izuku, do I expect anything else?

Rolling with the assumption Himiko died (like our POV characters), Izuku would need to face his own failure in Ochako- Failed to save two people like she failed Himiko, but it'd be so. Empty. Ochako was true to herself, while Izuku gave nothing but "I want to save that crying kid" while fighting Tenko. The most they can do is bond with "failing" and "this isn't what we fought for". This is not really a moment where he can be a shoulder to cry on, it'd come across as hypocritical /neg.

The only way it could make sense it without being shallow on Mr. Control = Repress Your Heart's part (as he didn't open up to the two people who died in "his watch") is Ochako telling how Himiko loved yet seeing him repressing this part of his is idiotic? She likes people who are true to themselves, which Izuku hasn't been for ages, leading to him realizing something. I thought it'd be through a DvsK3 but. I'll take it, two chapters left, I just want his thoughts (and for them to talk but that can happen in the last one).

They only recorded Shoto stopping Touya from being a suicidal bomb, Ochako floating a bunch of Twice!Himiko clones and Izuku entering a coccon, popping out armless, getting them back, punching Tenko to death. The "I want to save [them]" wasn't registered, it makes sense they're (well, Izuku and Ochako mostly) weirded out about this, dissatisfied like most readers are (sidenote: why when it comes to the trio either Ochako or Shoto get sidelined? So much could tie their stories together and yet-)

It's still a tough pill. I'm not a villain stan, just wondering if those fights were for nothing- the humanity of Tenko and Himiko? Can't be proved for anyone else, since they weren't recorded.

And I don't know if anyone saw the same thing, but those "city lights" look like the bubbles from Ochako's awakening, maybe we'll get a Blackwhip or Entrance Exam callback? Maybe it's what the tagline meant by "hidden feelings", since she unlocked it to reach Himiko and doesn't think anyone would understand why. I hope it's just a nice visual though.

If Himiko is truly dead though... You know, I headcannoned the characters were telling the story through confessionals/recordings to register it to the world so they'd learn from that, but I guess the interviews Aizawa was talking about seemed more likely, which. Well it's something, but I thought it'd be everyone instead of just Class A. Idk. The idea the LoV didn't change anything, or that they did change things but don't get to see it, is bitter.

So uh. Yeah, those are my thoughts. I'm not sure how to feel about it, on one hand I want Izuku to finally open up but on the other, it feels like it'll be at Himiko and Ochako's expense by involving him in something that's theirs now. And there's a chance we'll get the "nothing is fine" from Ochako- god I'm fearing the discourse next week already :DDDD

... Man, and this is a bad timing to be in the fandom, considering the LFtR episode airs this Saturday (which will be yesterday by the time this post goes up and I'll be crying about that instead-), so uh. Yeah, this fandom will be emotionally devastated for two reasons XD

Okay, so I'll try ending this on a more optimistic note: I think Himiko is alive, and Ochako just doesn't know it, which is why we're getting 0 confirmation and a breakdown. Izuku's confrontation with her can make or break this plot, but as long as 1) we acknowledge the emotional, different stakes between the Himichako fight and Tenko vs. Izuku one and 2) it doesn't end in a confession (and let's be real, it won't), then we're probably good (sadly, if you disregard the LoV status). I still think it's an ass pull for the camera battery to go out though.

But no matter how this goes: C'mon, two chapters left now, this one was wasted on the first years, smh, let this sequel hopium be a reality I wanna know who's the 425 guy, not the poor first year who's gonna replace Shindo Yo in fanfics- /hj

[nerdallwritey]

I'm in the home stretch of writing this fic but.......how to end it.............

[swordbending]

I'm over people saying "give the live action a chance before you criticize it" like trailers are mostly a marketing tool to convince ppl to watch smth but they're also there to let viewers decide whether they think smth is worth their time. if people look at trailers & promo and decide they aren't gonna like it based on that that's no one's problem but the marketing team's

[fairweathermyth]

ROBIN HOBB’S REALM OF THE ELDERLINGS The Farseer Trilogy + images from the glossary

[thesapphiresoul]

got struck with divine inspiration and now i'm writing a fic for the first time in years

[cranberrymoons]

.

[kuromi-hoemie]

feel like I've genuinely spent at least a quarter of my day too horny to think. i was going to do some kind of art today but I've been thinking about the boy...

[nihilismtrcit]

hi i am annoying and lazy but does anyone know if the September 18 update broke a bunch of mods or what? i stg every time i start enjoying playing there's an update and it breaks all of my must-have mods 😩😩😩

[dawnthefluffyduck]

Sunday doodles

[ageless-aislynn]

Mass Effect: Andromeda - That time where Sara Ryder became an adopted mom to a Fiend 🤔🤣😉

This is the Elaaden mission where you're supposed to "tame" a Fiend by setting a smoke lure. It draws a Fiend and you fight it but instead of it dying, it's supposed to sit down by the smoke and ignore you after that. This Fiend, though, really wanted some Pathfinder skritchies and cuddles and followed Sara all of the way back to the NOMAD.

And then... Okay, please imagine the hysterical laughter I gave at the NOMAD part. You've got to see that for yourself, lol!

Sorry, as usual, for the lack of nice editing. This is the raw footage since I still have no Vegas to work with. I initially just wanted to capture how the Fiend was weirdly following Sara around and then it became one of my favorite moments so far in my over 600 hours in this game! 😍🤣

I seriously wish Sara could've kept her Fiend pal and brought him back to the Tempest to hang out in her quarters with her hamster and Pyjak, lol!

I love Vetra at the end of that clip, commenting about the crazy rock formations as if we hadn't just had a FIEND sitting on top of the NOMAD, lol! 🤣🤣🤣

Love you, FiFi, I'll never forget you, bud! 🤗🤗🤗

[beautifully-lumpy]

words cannot even begin to express how much i adore this man

[imminent-danger-came]

i am so glad theres someone else who also thinks lmk executes its ideas and themes much better than toh. rip belos you will never be lady bone demon

TOH wasn't that strong in the themeing department in general (though I'm not well-versed in that show). I remember finishing the finale and being like....damn. What was the overall message of this show? ("Weirdos stick together" maybe?) Does toh have any consistent motifs or symbolism? If memory serves, not really?

Like, you rewatch episode 1x01 of LMK and MK goes "Well...I am invincible. *sigh* Anytime I try to do anything, I just gunk everything up!", and you're like. Woah. The Sun Wukong parallels are that strong from episode 1x01? Invincibility/Immortality and hurting the people you care about? No matter what you do, it leading to pain? Holy shit.

Contrast that with TOH where it's like, in episode 1x02 Luz learns she's not "the chosen one" and that the boiling isles are very different from the magical realms she imagined...which is kinda undone by the reveal that the Titan chose to show Luz the Glyphs. And while Titan Luz is very fun, it's not thematically sound—which is just kinda that whole show, you know? If you're not thinking about it that deep, then it's like "holy shit cool concept!" (which is totally valid of people), but if you do it's pretty empty. (Hi Hunter getting flapjack-based teleportation powers. What was the point of this.)

Which, I think this becomes super apparent with the Luz and Belos foil. Luz and Belos had a lot of interesting parallels (both of them being humans in the isles, each coming there wanting to fulfill a certain "role", for Luz being the "Great Witch Azura" and for Belos/Philip being a "Witch Hunter General", the whole "protecting the things you love" deal). And then, where does this all go?

It leads to Luz being told "no. You're the good guy and Belos is the bad guy! You could never be the same! Belos is motivated by his own 'need to be the hero'" (which was definitely what Luz was motivated by over the course of the show, even if it was more innocent, but whatever), and riding off of tdp s4's "In the name of love, you will do things so dangerous and vile—you will never be able to forgive yourself" and the lmk s3's "to pain" scene, it fell really flat for me—like it's not bad, it's just really mid.

(Post where I go on a rant about Luz's s3 arc being kinda lame)

And then, you have the LBD & MK foil. You have MK's s4 arc. The "to pain" scene is such a unique "you and I are not so different" moment—but it's also relevant to the whole show. And LBD is right, doing what you think is right does lead to pain. Like, even looking at MK's journey over the seasons, every action has had it's consequences.

Saving Pigsy and Tang in 1x04? Spider Queen snagged MK's hair and that let her dominate the city later. Stopping DBK in 1x10? That freed LBD. Stopping SQ in ROTSQ? That gave LBD access to the trigram furnace. MK trying to gain more power in s2? Well, "Now do you understand? From the start you never had what it took to defeat me. All your power could do was make me stronger." SWK leaving in s2? "You're the one always running off, trying to get more power or more sources of immortality." Trying to get the Samadhi fire in s3? Opps, now Mei has this uncontrollable flame within her. Monkey King running off to fight LBD alone so MK doesn't have to? He get's possessed. Freeing SWK from possession? Now LBD has the power to fulfill destiny. Attempting to free your friends from the scroll? Now Peng and Azure are also free. Trying to get SWK back? His scroll piece has been split in half. Stopping Azure from destroying all of reality? Now the Jade Emperor's power is without a host, flower fruit mountain is destroyed, and you can't help but feel they played into the puppet master's hands.

It's thematically consistent and banging. Like....anytime they try to do anything, they just gunk everything up. Like....sometimes you hurt the people who care about you the most. Like....whether you want to help people or not, everything you do can just make things worse.

AND MAYBE. Just maybe, you can also leave the world a little better than you found it. The pain that's been caused doesn't undo the good that's been done. And I guess I think that's more interesting that just like..."no! you're intent was good and theirs was bad!", you know?

[brittlebutch]

Desperately trying to make sense of Alex's motivations in Season Two and you know, I do eventually have to wonder if maybe Alex wasn't actually lying in the majority of those tapes.

Like, we tend to assume that Alex's motivations have been a consistent throughline since the college years, but do we actually know that that's the case? Do we know for sure that Alex was acting in deliberate, calculated ways in 2006; or could it be that he's telling the Truth on those olds tapes when he says he's blacking out and can't remember what's happening to anyone? After all, if we're assuming that Season 2 Alex's motivations are the exact same as his motives in Season 3, then it doesn't make any sense at all that he spend months working with Jay to try to find Amy; Season 3 Alex would have attempted to kill Jay like, on sight just to get things over with as quickly as possible and contain the spread of contamination as best as he could.

But, maybe, if Alex really had been separated from Amy after the events of the 04-04-10 tape, and if he really doesn't know where she is, then maybe that could make things start to make more sense. Maybe he really had been watching Jay's channel, and seeing Jay start going through the same things he went through in college without things devolving into violence and disappearances, and wondered if things maybe could play out differently this time. Maybe he really did send that tape to Jay to ask him for help, maybe he really was just trying to find Amy.

But then, instead of actually being helpful, Jay makes it extremely clear that he's a lot more interested in stalking Alex than he is in finding Amy. Alex asked for help, and instead there's a bunch of masked dudes on Jay's heels that keep attacking him, Jay is breaking into his house, stealing his things, leading the Operator right to him all over again, keeps trying to get other people (namely: Jessica -- if Alex is being honest when he says that his call reassuring her that Amy had been found was an effort to make Sure she stayed away from everything that was happening) involved; and instead of anything getting better, instead of anyone finding Amy, things are just getting worse all over again.

It's not until after the incident at the tunnel that things seem to start rapidly devolving. Rather than a calculated attempt to finally follow through with his need to curb the spread of contamination, this is very clearly an outburst of rage and terror. Alex's "I told you not to follow me" line in conjunction with Jay speculating that Alex didn't know who that guy was, to me, pretty firmly seems to speak to Alex having mistaken that stranger for Jay. From his point of view, Alex knows that Jay and totheark know where he live, have broken in before, he suspects that Jay stole a key to make it easier to get into his house, and he's been followed on the daily for months -- Alex is sitting at the tunnel because he doesn't know where else he can go without being constantly surveilled, hunted, and assaulted. And instead of getting a moment by himself to breathe, Jay followed him out there all over again (it feels like Alex looks directly at the camera in Jay's footage of him from this day; he knew for a fact that Jay was there), and then to make matters worse now 'Jay' won't even keep his distance anymore.

So Alex lashes out. And it's not until afterwards that he looks down and finally recognizes that this wasn't Jay -- it was someone completely innocent. Things have finally reached the low point he was at in college all over again; maybe even worse this time. If Alex doesn't remember attacking anyone in college, but he was at least partially conscious of it this time, then things have reached an entirely new rock bottom, they've reached an absolute point of no return.

He has no idea what happened to Amy, and he's spent months trying to find her with no hint of where she could be; he doesn't know where Jay actually is or what additional trouble he could be causing at this point; he does know that now innocent people are getting caught in the crossfire (in regards to the stranger in the tunnel, and also Jessica now that Jay has her phone number, and the untold number of people Jay got involved when he started posting videos to the Marble Hornets channel); things are spiraling out of control and there's no one left to ask for help. The situation isn't getting better, it's getting worse; things aren't getting easier to handle, they're just getting more out of hand; the negative impact is spreading and who knows how much further it can still go?

So, Alex decides to go scorched earth. He disfigures the body with the rock either to hide evidence or to make sure the guy would actually stay dead and not just get back up to start his own cycle of contamination in a few years. He tries to give Jay one last chance to back off, and Jay instead admits he's been talking to Jessica, acts obstinate and lies about not having Alex's spare key, and then breaks into Alex's house a second time (minimum). If Alex doesn't stop him now, who will? Alex met with Jay planning to kill the others, and then himself, so he could put a stop to this once and for all and keep things from getting any worse than they already were.

Maybe it makes a lot more sense if, rather than being a strangely incomprehensible detour on what should have been a straight path, the events of Season Two were the breaking point that put Alex on that path to begin with.