#long ballad

[palehorsemen]

[mengyan]

i love it when infamously cold and heartless men that have people cowering in fear from a single glare fall in love and suddenly they’re smiling 24/7 and following their wives around hanging on their every word

[januaryisnotanartist]

What are group watches like - No context edition

aka some edits I made for my group watch discord Long Ballad Long Ballad Snow Sword.... Snow Stride... Sword Snow Stride

[nataliescatorccio]

LUCY GRAY BAIRD'S RAINBOW DRESS The Ballad of Songbirds and Snakes (2023) Costume Design: Trish Summerville

[timeturnerz]

The Hunger Games, 2012 (Gary Ross) and The Hunger Games, 2008 (Suzanne Collins)

It's so interesting that, from the very beginning, Gale is established as someone who has a disregard for human life, and who does not truly view those different from him as "people." We see this here, where he dehumanises the children Katniss will have to fight in the Games. We see this in Gale's vocal resentment of Madge Undersee, in how he despises her for the privilege she was born with and grew up with.

This "us vs. them" infighting and mentality that Gale falls for (a mentality that the Capitol propagates, and that the Games act as a metaphor for) is one that eventually leads him to kill innocent children.

This thinking is also something Katniss must learn to break out of -- when she grapples with killing her opponents in the Games, who are truly just children, or when she realises "who the real enemy is" at the end of Catching Fire.

But Gale is unable to grow past this. He's willing to kill children (!) who are innocents, who haven't committed any crime other than being born in the wrong place at the wrong time -- just like Madge, who Gale despised in Book 1.

And Gale obviously DOES feel bad about "killing" Prim. But what's worse is the thought that, if it wasn't Prim who died, if it was just some random faceless people, would Gale still care?

I think Gale is a really interesting character whose development is so tragic yet still makes so much sense. It's a shame to see people write him off so quickly without seeing the analytical, thematic, and political value that we can gain by exploring his story and ideology.

[charmzero]

Happy birthday Wanderer! …except it’s scaramouche because i started this drawing before his release LOL

[casualhedonists]

✩ it don’t need your loving, it just needs attention ✩

pairing: Coriolanus Snow x Reader

warnings: NSFW (18+), snow being snow, themes of sex work (not the reader), cuckolding, eventual smut, fake relationship, unprotected sex, themes of voyeurism & mild exhibitionism (lmk if i forgot anything!) murder mention (but no actual murder) (not yet at least?), MAJOR manipulation/gross power dynamics + generally darkish themes, some power play, oral sex, thigh riding, eventual piv, i’m new to full on smut bear with me here

chapter: 1/? (chapter 2 here)

MASTERLIST

i do not give permission for my work to be reposted/translated anywhere, under any circumstances.

A/N: this is what happens when i let my brain loose to do whatever tf it wants (title is from attention by doja cat as is the general theme)

Show you how to touch it Hold it like it's precious It don't need your lovin' It just needs attention

You were getting tired of this charade.

Snow was courting you, or so it would seem. In truth, it was all for show. He was seen with you on his arm at public events, just enough to make it look like you were together. Marriage was probably further down the line, but Snow was in no rush for that to happen. For now, he was pleased with the positive attention he received for appearing like a reliable, loving, doting partner.

“There’s a science behind it,” Cordelia, Snow’s preferred public relations manager - and one of the Capitol’s best - had told you in a meeting between the three of you, discussing strategy, coordinating events, and how best to make the relationship seem authentic. “The more the public see you as grounded, committed, and warm, the more respect they hold for you. The more open they are to your ideas, and any changes you make as president.”

You’d concealed your smirk well enough for it to go unnoticed upon hearing that.

Snow was a lot of things, but he was never warm. The name itself decreed it. He was cold, calculating, sharp witted, manipulative. Power hungry.

You were fine with the arrangement at first. It suited your thirst for power; despite coming from one of the richest families in the capital, Snow’s power was of a different breed. You wanted in, and so when your social circles crossed over and the proposition was made, you’d risen to the occasion.

The reality was this: it was a good arrangement. Coriolanus was adored and admired by any outsider with a pair of eyes, and you got anything you wanted. You got to live in the manor house Coriolanus occupied, eating good food while being waited on hand and foot. You got to network with powerful people in the highest of society. Even if you wanted someone executed, it would be carried out in turn, without question. Name it, and it was yours. Snow was a generous host and ally to you.

It was everything you wanted.

Almost.

Somehow, despite it all, all the custom gowns shipped in from the expensive designers, the buffet spreads and the silk sheets, the way that people had begun to stare in respect as soon as you walked into a room, there was just one thing that itched at you, one thing you knew wasn’t part of the plan.

It was Snow.

Somewhere, between the light kisses in front of expectant eyes, the gentle hand on yours at dinner, that was hurriedly removed once you were behind closed doors again, you’d grown a gnawing, incessant want towards the man that had given you almost everything you could ever hope for.

Eight months, this had been going on. Eight months since Snow suggested this business proposal. Sex was never a part of the deal. And of course, you couldn’t sleep with anyone you pleased; that would be catastrophic for both of your reputations. And so it had been eight months since anybody had touched you other than yourself, biting your pillow so nobody could hear Snow’s name on your lips as you gripped the sheets. Even if you wanted to sleep with other people, you couldn’t. Truth is though, you’d developed rather expensive taste. A taste for only him. Even if you had the choice, nobody else would do.

You wondered if he ever thought of you while he touched himself. That thought slipped into your head every so often, when your hand was between your thighs. Then it became a more frequent occurrence. Then it became a nightly one, and by then, you were pretty sure you’d started going crazy.

You weren’t a romantic - this arrangement would never have worked if you were. You were like him; power hungry, relentless, impatient. And most of all, when you wanted something, you got it. And you wanted to seduce Coriolanus Snow.

So you’d started leaving breadcrumbs. Put an extra glint in your eyes when you glanced over at him, in public, first, and then in private more and more. You’d thrown out dozens of your more conservative dresses, keeping only the shortest ones that hugged your hips and dropped tantalisingly low on the neckline. Started wearing them more around the house, pretending to drop things just so you could bend down in front of him.

You estimated this act would last for a good week or two before Snow folded.

You were wrong.

If anything, it seemed to render Snow even more indifferent to you than he’d been before you started playing your little games. And each time he ignored you, glanced unimpressed at your outfit then looked away, or full-on walked right past you out the room, you started to simmer even more.

A normal girl in a normal situation would take a hint, cut her losses. But you were no normal girl, and this was no ordinary situation.

You had to be in the same boat, surely. Snow was still just a man, after all. A man with similarly limited options, and you knew he must’ve at least found you a little attractive, else he wouldn’t have chosen you to parade around on his arm in public, in pretty dresses and expensive jewellery.

Snow’s indifference only fuelled your fire. Sure, an ordinary girl would just give up. But eight months of this torture and you were at your breaking point. Besides, it was either him, or nobody. You weren’t giving up. Not in this lifetime.

So you got more obvious. Started taking breakfast in your nightgown each morning instead of getting dressed, sitting opposite Coriolanus with several feet of the mahogany table between you, biting into grapes from the fruit bowl and letting the juice trail down your chin, wiping it off then sucking your fingers clean, humming with your digits in your mouth, glancing at him with full-blown bedroom eyes when he’d look over at you from behind his paper.

It was no use. Nearly a month had passed and he’d barely even looked at you for more than a second at a time. Your conversations were short, lacklustre and strictly business related. You’d even tried playing on his heartstrings, asking about his day and work and his family. You were lucky if you got more than blunt, one-worded answers every time.

You’d exhausted yourself with all these failed attempts, until one Thursday night you heard footsteps walking past your bedroom door. This wasn’t abnormal - Snow kept extensive household staff - except for the sound of these were different. You recognised the faint clicking of heels against the hardwood, a sound you heard all the time at galas and balls, but never in these halls, when an event was nowhere on the radar. And this was one such night.

Your curiosity led you off your bed and to the door, gently opening it to glance outside. Whoever it was had turned the corner, the clicking fading down the hallway. You carefully closed the door behind you and began to follow the sound. A chill ran up the backs of your legs as you walked; it was getting slightly colder as winter closed in, and your bedroom attire wasn’t exactly fit for the weather, given that you picked out the laciest, most impractical slips to sleep in, ready for your performance the next morning at breakfast.

You paced down the corridor, winding past the door to each room, a study, a small library (the larger one was downstairs), Snow’s office, and then finally, at the end, the door to Snow’s bedroom.

Oh.

This room was always enigmatic to you, as you’d never been inside. Your obsession with Snow had led you to wonder, day in and day out, what lay behind that door. The color of his bedsheets, what sat on his dresser, the contents of his closet, what aftershave he wore that had caused you to develop a practically pavlovian reaction anytime he got close to you.

You paused, a few feet away from the door, fearing Snow’s response if you crossed that line, if he were to walk out and find you hovering between his office and his room, clearly attempting to eavesdrop.

You heard shifting, then voices inside as you focused all your attention onto listening, trying hard to pick up on the conversation. You took another tentative step forward, practicing in your head what you would say if he stepped outside. I just wanted to ask what you wanted me to wear on Monday’s gala, I was thinking the white dress with the gold detailing. It wasn’t too late in the evening for that to be a viable excuse, if you could make it sound convincing enough.

But as you got closer you noticed something. There was a soft light spilling out from behind the door, which was in fact, just slightly ajar.

Snow usually kept the door locked at all times, you knew that from testing the handle - admittedly more than a few times - when he had been out of the house, and you were certain he wouldn’t be home for hours. This was something different. This felt dangerous, like walking a tightrope that was about to get cut, but the thrill of adrenaline pushed you forward.

You’d stopped hearing voices by then. You snuck ever closer, ears starting to ring as you found yourself drawn to the open door, taking silent steps towards it until there was no going back, and your body was practically flush to it. Holding your breath, you peeked through, pushing it ever so gently, praying that it wouldn’t creak. You had to crane your neck slightly to see any movement in the room, but it didn’t take long to see it, and when you did, you certainly didn’t feel cold anymore. Any curious whims on the color of his furniture and walls were long pushed to the side, because you couldn’t have focused on anything else in the room if you tried.

Snow was sat on a deep red velvet ottoman at the foot of his bed, shirt buttons undone and pushed behind him, leaving you with a full view of his chest. Your eyes panned down to see his usually pristine dress pants rolled carelessly down, pooling around his ankles. His sleeves were rolled up to his elbows in a similarly rushed manner. One hand was behind him, propping himself up, and the other was tightly gripping a handful of blonde hair, belonging to a girl that knelt at his feet in nothing but black underwear and stiletto heels - the culprit of the footsteps - moving her head up and down as Snow roughly guided her, lips parted, head tipped back, eyes firmly shut, breathing roughly. A few strands of damp blonde hair had fallen to his temples, just enough to make him look disheveled, yet somehow still regal, like a greek god.

You stood there, frozen. A million emotions battling for dominance in your head, anger, panic, fear, raging jealousy. Desire.

That was the one that stuck with you in the moment. It was a good thing Snow’s eyes were closed and the girl’s back was facing you, because your feet were firmly planted on the ground, watching this scene unfold, and you wouldn’t be able to go anywhere even if you tried. Watching as Snow’s breathing got heavier, as his grip on the girl’s hair got tighter and more forceful. Watching as her one arm gripped his thigh, and the other moved to where her mouth was, out of your eyeshot, and the obscenity of this was made somehow worse by the fact that you couldn’t see exactly what was happening.

Firstly, because it allowed your brain to fill in the blanks as Snow hissed through his teeth and dropped his head back. Secondly, because from this angle, you couldn’t see the girl’s face, and you were able to picture yourself in her place, wet mouth wrapped around him, being the cause of his undoing.

Come to think of it, there was another reason you were glad you couldn’t see her face, and it was purely for her sake. Because if you could’ve seen her, you would’ve had no excuse not to kill the bitch then and there.

You could hear, though. You could hear her soft moans and the lewd wetness of her mouth as her head moved even faster, before Snow took full control as his hips started to jerk, holding her head in place. There was a fire in the pit of your stomach and your lips were parted, staring. Knowing that if even for a second, Snow opened his eyes just for a glance, he’d see you immediately. You’d be hanged, probably. Or worse. And yet you didn’t run; you couldn’t. Nothing on God’s earth could’ve caused your feet to turn you around and leave the room. It was like you were suspended in some dream-like state, hearing going fuzzy, head spinning.

Then Snow started groaning, breath hitching in his throat as he got closer to the edge, you could hear it. Your brain began melting, and you didn’t have time to think through what would happen after he was finished and he saw you. If you were going to be hanged for this, it would be worth it, you thought, as his hips started to jerk even faster and his groans turned into strained whispers. Fuck and that’s it and good girl, and finally, as his eyes squeezed shut even tighter, and he came into her mouth with a strangled cry, you heard a name.

Yours.

[lenateliier]

Wanderer

[catastrxblues]

everything about coriolanus and sejanus is sick. because to sejanus, coryo was his everything. his best and only friend, his only companion, the only person in the academy who cared enough for him that he had even risked his life to bail him out of the arena. in district 12, when sejanus appeared in the brink of snow’s hopelessness and brought hope and familiarity to his life, coryo immediately embraced him, and then practically telling him that sejanus just saved him from committing suicide— which obviously only solidified sejanus’ belief that his best friend treasured him and loved him and cared for him unconditionally. (which i believe snow did, just to some extent).

but most of the times, to coryo, sejanus was just a friend. a friend that he tolerated every once in a while, a friend he resented lots of time because of his background, and a friend he really cared for, but not enough. never enough when the other choice was his country. and sejanus died not knowing that. he died without the knowledge that it was his best friend who betrayed him, and that he was still referred to as a “traitor” by him on an occasion with the dean.

and what’s so fucking sick is that coryo did care and mourn about it yes, but then he moved on and took on the ladder by taking pieces of what was left of his friend’s life with his blood on his hands and used it to his advantage.

he was taken in under the care of his dead friend’s family, loved and cared for, never had to worry about money anymore. ma and strabo plinth would never know that the reason their beloved son wasn’t alive, why their son wasn’t there anymore for his 19th birthday was because of his best friend they had just taken in. and no one would ever ever fucking find out.

and coryo. just. doesn’t. care. about. sejanus. anymore. in a snap. because now he has won, taking over panem one step at the time, and that has always been his biggest motivator. he might’ve cared for sejanus, like he cared for lucy gray, but that has never been enough. not when at the end of it all, the only person he has always been striving to save was himself and the glory of his family name and he ends up getting both. all’s well that ends well

[transrevolutions]

While overall I felt like the tbosas movie was well done, there's one part that really bothered me. When Sejanus gets involved with the rebels in the book, he's fully on board, stealing them ammo and weapons from the base, and planning to hold guards at gunpoint to free the prisoners. In the movie, however, he just wants to run away and then is surprised and upset by the fact that the rebels were planning an act of violence.

This doesn't seem like a major change, but from a political standpoint (as tbosas is a very political book), it's a big one and one I very much do not like.

In the text, Sejanus plays the role of the moral compass. Whereas both Coriolanus and Lucy Gray having complex and subjective motivations, Sejanus is always driven by wanting to do the right thing, even if it costs him. He acts as a baseline, keeping the readers from getting lost in endless loops of justification for atrocities just because Coriolanus's internal narration is rhetorically persuasive.

So when Sejanus (who up until this point has been relatively pacifist) joins up with the rebels in the book and agrees to participate in an act of revolutionary violence, the text is pointing out that that act of rebellion is morally permissible. That even violence against the oppressor class can be an altruistic action. Sejanus planning to fight the guards with the rebels is not a sign of his corruption, it's a sign of the fact that his society has become so corrupt that not doing it would be morally worse than doing it. After all, someone's going to die either way, so why not have it be the oppressors?

If movie!Sejanus is still occupying the role of the moral compass (which he seems to be), then his dismay at the possibility of the rebels using violence acts as a narrative condemnation of the violence, when the opposite is true in the book. The movie tries to make a distinction between the "good" dissenters (pacifist, nonviolent, morally superior) and the "bad" dissenters (violent radicals/terrorists). In the current political climate, this idea and narrative is extremely unsettling. And I'm disappointed they did this, but not surprised. Like the other Hunger Games movies, it was produced by a large media company, and they can't follow the satire of the book too closely lest people realize the fundamental irony of it. People in positions of power do not want to tell a story where violent activism is portrayed as moral--at least when it's against a society that obviously mirrors our own. (The brutalist architecture style is another complaint that I have, but that can be discussed in another post.)

Changing that seemingly small detail about Sejanus's involvement with the rebels doesn't do much to change the continuity of the storyline, but it does a lot to change the underlying message of his character and the story. This was almost certainly intentional, because the same sort of thing was done in the original trilogy movies as well. Companies are scared of subversive media because it makes them look like the 'bad guys' too, so they wrap rebellion in a lens of fantasy and moderatism.

[jessmalia]

Cause there we are again when I loved you so Back before you lost the one real thing you've ever known

[i-upset-to-dead-65]

How I imagine Snow's progression of being reminded of Lucy Gray throughout the Hunger Games trilogy

1. Katniss volunteers. How cute. She has no chance of living past the bloodbath. Her name sounds familiar.

2. Katniss scores an 11 in training. So what she shot an arrow at the game makers. Well, that 11 will put a target on her and she's no match for the rest.

3. Peeta reveals he is in love with Katniss. What an interesting angle. Definitely some kind of ploy. Viewership will be up, as well as sponsors. Interesting to see how this plays out.

4. Katniss is trapped by the careers and Peeta. Aw, look, she dropped a hive on her boyfriend. Looks like she doesn't like him after all.

5. Katniss allies with Rue. Odd, and a terrible choice for an ally.

6. Rue mentions her pin, a mockingjay. The connection is made. Katniss, that swamp potato dug up by Lucy Gray and her mockingjays that still infest the districts. His dislike for Katniss grows.

7. Rue dies and Katniss sings the Meadow Song to her. A jolt runs up his spine. That old song, sung to Maude Ivory by Lucy Gray. It's still around in District 12 and now it's on national television. Snow knows how much the Capitol loves singing tributes.

8. The new rules are announced. This will be interesting. Of course, there's no way Peeta will live long enough for there to actually be two victors.

9. Katniss and Peeta are in the cave, and Peeta begins to recover. The huge influx of sponsored gifts is concerning. Katniss will hopefully die at the Feast trying to get medicine.

10. Peeta makes a full recovery. That wasn't supposed to happen, but the Capitol loves it.

11. Cato dies. Seneca didn't think they'd get this far. Time to revoke the rule change. Katniss will kill Peeta or vice versa. These children barely know each other, and in the Games they resort to their basic human nature of violence. Oh look, she's even pointing her bow at him.

12. The berries. The double victory. Seneca Crane is a dead man. They have outsmarted the idiot game makers. Snow is once again reminded of his cheating in order to help Lucy Gray win. How well that turned out for her in the end.

13. After the games. Snow is certain they are putting on an act to survive and meanwhile, defy the Capitol. Peeta is good with the crowd and is quick witted. So much like Lucy Gray. Katiss is impulsive and heartfelt. So much like Sejanus.

14. Snow learns Katniss hunts in the woods, he possibly traces her lineage, and he finds out everything he can about her. Snow takes measures to quell the rebellion brewing and control Katniss and Peeta throughout Catching Fire.

15. Katniss's wedding dress burns away into a Mockingjay dress. That damn bird again.

16. The force field gets blown out, and tributes escape. Snow recalls when the 10th Hunger Games arena was bombed.

17. Katniss's first propo is televised in the districts, declaring herself the Mockingjay. He should have killed all those birds when he had a chance.

18. The Hanging Tree propo airs. He'd almost forgotten Lucy Gray's songs. How could this girl, now, know them? The song was banned, Lucy Gray was dead. She was dead, right?

19. The rebels in District 5 sing the Hanging Tree while blowing up the damn. Chills run up his spine as he watches the live feed. A crowd of an indiscernable number flood the walkways to the hydro dam. They're singing a song they didn't know yesterday. A song no one knew until now. A song that was as dead as Lucy Gray. Except, she wasn't dead. How could she be, if her song is still sung? The dam blows and the lights go out in the Capitol. Snow half expects the ghost of Lucy Gray herself to appear before him.

20. The war is over. The Mockingjay has won. She appeared from nowhere, echoing the songs of Lucy Gray like the birds themselves. Well played, Lucy Gray. Well played.

[scandalouslamb]

Festus Creed and Sejanus Plinth Sassing Each Other at the 10th Annual Reaping Ceremony

—The Hunger Games: The Ballad of Songbirds and Snakes (2023)

[introcoryo]

— au where you’re reaped as sejanus plinth’s tribute from district 2, and he breaks into the arena to get his final goodbyes in.

coriolanus can see the brunette’s jaw tighten in his peripheral vision when highbottom announces that he’ll be mentoring one of the district 2 tributes. that tightness is followed by a deep, deep scowl when the reapings are aired, and your sweet, lamb-like face is shown on the now, sejanus notices, glaring screen. he has half a mind to storm out, but instead swallows thickly to fool his brain into thinking he’s calm and collected.

he remembers you, as if a remnant from a previous life. sejanus knows this is a shameful way of thinking. he’s no capitolite. they can throw as much money as they want at him, keep his stomach full and plump of steak and apple pie, give him the so called luxury of attending the academy, but he knows his name will metaphorically never leave that reaping bowl. for each year the hunger games have commenced, three names were picked from district 2. a boy’s, a girl’s, and sejanus’s. he is in that arena with them, although not physically. and that is what hurts him most. his name, although not verbally chosen and spoken into a microphone, is amongst that litter, and yet he has the privilege, like every capitolite, of leaving the arena every year when the victor is announced, when his fellow district 2 tributes do not have that option.

upon first greeting you at the capitol zoo, a stinging pang shoots through his throat. he has absolutely no idea how he’ll be able to mentor you without completely destroying himself in the process. it’s eating him up inside; this hope that the academy has indirectly forced you to place in him. how that hope, crushed, would leave as you, god forbid, would have to take your final breaths in that arena, with nothing to attach to that despair but sejanus’s face.

you’re timid at first. you too, remembered this familiar face. the big brown eyes, never dull of emotion. long, fluttering eyelashes. he’s much taller now, with curly hair that looks like raw hazelnut under the sun. with the way he’s looking at you, you figured he did not outgrow his tenderness. it was no look of pity, though, but a look of understanding. of sharing your fear, instead of accepting your fate. that made you feel a comfort you haven’t felt since standing in your district’s square.

after a few minutes of silence, of examining each other wordlessly, communicating with shared gazes, sejanus decides to speak up first, albeit everyone knowing it is his heart that speaks for him.

“i am so, so sorry for—”

he begins, but you stop him. there wasn’t a point to this, you think. unless he was the one who picked out your name specifically, why would he even feel the need to apologize? that certainly won’t change anything.

“it’s fine. it’s not your fault. i know, big elephant in the room, i’m behind bars at a zoo. the odds just weren’t in my favor. i’m not sure they will decide they like me later, either.”

sejanus clenches a hand around one of the steel bars at your pessimism, but how can he blame you? he has no hope himself, how could he even possibly think you would? he wishes he could effortlessly bend the barrier separating you two with his palms, grabbing you by the hand and running off somewhere else. somewhere safe. somewhere hopeful. he knows he can’t, and that leaves a shake in his voice as he chooses his next words delicately.

“i just… if there’s any way i could help you, guarantee that you would… walk out of there unharmed…”

“well, i saw the district 12 girl with her supposed mentor in here. inside the zoo. you’re mine, i assume? do what a mentor has to do. mentor me out… and some food won’t hurt, either.”

at the mention of that, sejanus’s face slightly lights up, and he reaches into his scarlet colored blazer pocket, taking out a wrapped napkin and handing it to you. you reach through the bars to take this mysterious item from him, fingers lingering just a bit, and unwrap it to find a sandwich, diagonally cut. you smile wistfully at the simple meal before you, this being the very first act of kindness you’ve been on the receiving end of since coming to the capitol. so much for hosting etiquette.

“thank you, sejanus, really… here,” you say in an unanticipated small voice, holding out one of the pieces.

the brunette freezes. you’re still kind. all of this, and you’re still kind. perhaps that’s all you’ll ever be. perhaps that’s what will be what dooms you in that arena. you will try to speak heart to heart, not sword to sword. he loathes that he’s thinking this way. he absolutely despises that he knows you will not be able to walk away from this without staining your hands red, but what has made a home in his chest is the miserable feeling of not knowing whether you’ll be able to do that. he’s district. he will forever be district, a vow he made at birth. but here he is, standing in front of you, free. here he is, handing you food as though you truly belonged in that zoo. he is everything you wished you could be in that moment, and yet you still decide to share your meal with him, despite the rumbling coming from your stomach. he wants to take it. wants to act like this is a normal picnic that you two are having together, but he knows you need that full sandwich. he knows you should take all you can get.

and so he declines politely. you begin to talk about the changes in district 2 since he’s left, and how life continued, yet everyone was stuck. sejanus emphasizes. he listens. but the dread has not left his system. he starts to think about how he’ll see you in another life if this one wasn’t enough. there’s so much time on the other side, and here it all feels like a constant countdown. never knowing if your time will be cut short. he mentally chastises himself; he needs to be optimistic. he needs to be here for you, now. he needs to think about the life you’ll have when he gets you out, not if. soon enough, you’ll believe it too.

to say that sejanus was a complete wreck watching you enter that arena would be an understatement. the cameras capture your soft features so well that you look displaced. lost. you shouldn’t be there, he thinks. no one should be there. the tears that built up in a split second blur his vision, and when the bell rings, he is there, running as a district 2 tribute.

sejanus watches as you take his advice, as you run and hide immediately, and he is kept at bay through at least that. he can’t lose it now. not when you’ve placed your entire life bare in his hands.

but sejanus is weak, too. he feels too much too often. his thoughts are frantic, and he finds himself in that arena the following night. the thumping in his chest intensifies as the voice at the entrance pleads him to enjoy the show, and he scoffs at that. he checked the cameras before coming, so he knows exactly where you are, and he’s so overwhelmed with the thought of seeing you that it doesn’t register that he has now, momentarily, taken the path he very well could’ve lived if he had not moved to the capitol. sejanus plinth, district 2 tribute.

light footed, he makes his way across the arena, and up the stands. he saw you come out of hiding when it was safe out, when most of the tributes were either asleep or in the tunnels, gathering a weapon or two from the cornucopia then settling on high ground. he figures you were startled once you heard the automatic greeting that played when he walked in, so he whispers your name.

he whispers it again. so delicately. laced with so much sweetness, it feels wrong to say it here.

and then a third time. the syllables now come out desperate. overwrought. he can’t leave without seeing you. touching you. it will break him.

“sejanus?” his ears perk up, and he looks around, frenzied, trying to distinguish the direction your voice came from. you peek out from one of the stands, and when you find those big, brown eyes looking back at you, you pick yourself up entirely and run to hold the man before you. the man who rushed into the possibility of death head on just to wrap his arms around you. he’ll face it all, just for that. oh how he wished you knew how badly he wanted to swap your places.

“you’re… but how? why? it’s dangerous here—” sejanus wastes no time, cupping your cheeks and diving in to kiss you. his hands are holding on to you for dear life, as if his knees will give out without the support. his eyebrows are knit together, focused on the feel of your lips on his. they’re dry, chapped, and cracked, but he doesn’t care. he swipes his tongue along your bottom lip to give you some relief, making a mental note to send you some water as soon as he leaves.

he kisses you until it hurts him. until his lips are swollen and red. until the way you’re tightening your hands on his broad shoulders feels as though it’ll leave bruises. when you break the kiss to breathe, he tries to take you all in. to memorize everything. he desperately needs a pen and paper right this moment so he could draw you as accurately as he can, lest his memory fails him later.

the automatic voice sounds again, and only you turn your attention to the entrance. slowly comes coriolanus snow, the district 12 girl’s mentor, and his eyes scan the arena before they land on yours. you nudge sejanus lightly to direct his gaze to his friend, but he wants more. he can’t leave now. he can’t leave you. not like this.

“it’s okay, sejanus. i’ll be okay. help from the outside, and we’ll see each other again in no time.” you whisper, a tiny bit unconvincingly, eyes glossy. “just take care of yourself, okay?”

sejanus’s lips quiver, and he too whispers. you don’t believe it’s because of the other tributes, but because if he were to speak normally, only a sob would come out.

“you are myself. please take care of me.” you glance down and nod at that, tasting the saltwater that came rushing down your cheek. he wipes the trail that settled along your face, and begrudgingly makes his way to the blond.

sejanus is motivated by the thought, the need, to get you out of there. no matter the methods he uses. no matter the consequences he faces. he has the resources to buy you more time, and he finds himself not above exploiting them.

[starbylers]

After spending some time listening and re-listening and thinking a lot, I think I finally have my head wrapped around all these songs. This post is an exploration of what they could tell us about Mike’s story, and also a sort of theory I noticed once I saw the full picture. This playlist is—in my opinion—the story we’ve been theorising for the past two years reflected in 12 songs. That might sound hyperbolic but it’s simply what I heard and interpreted, and wanted to share because I enjoyed writing it. I hope this is an interesting read!

If you didn’t see my last post about why I do believe this is Finn’s Mike/ST playlist despite the somewhat ambiguous title you can read that here. It’s totally okay if you disagree but I’m not interested in debating it, and this analysis is coming from a perspective of assuming we've guessed correctly that the playlist relates to ST (obviously we can't 1000% verify that, but for the purposes of this post that’s my stance).

I’m going to focus on themes and overall meanings in the songs because in my opinion that’s where any connections are going to lie, rather than specific lines holding anything important (aside from a few which I’ll highlight) because I feel like that’s closest to how Finn would’ve thought while making it. Basically a macro level representation of Mike and what he goes through next season, something that would help a person get into the headspace of a character. Oh and my larger point is about the playlist as a whole, which will come together at the end :)

➠ Track 1 | Ballad of the Texas King

The first song is an anomaly in that I think it’s meant to set the tone more than anything else. These explain better than I could hope to:

"Itʼs a murder ballad, and as is common in murder ballads, deals with promise and innocence being snuffed out.” [link]

"Clarke sings of a chance encounter with an ominous figure that feels akin to selling your soul at the crossroads" [link]

Hey kid come along, something is wrong, I believe you now / All this to say only one way that this can go / Come with us for a ride / Don’t it feel like hell? Boy let me tell you, that’s where you are

• • •

A nice little coincidence, Finn himself is quoted as saying season 5 is a “crossroads”. I can see this song being an allusion to inevitable big choices with life-altering consequences next season, and also more mature themes being tackled within Mike’s story. I mean he’s stepping back into his role as leader, and now they’re older that will come with a lot more weight and responsibility in situations where the fate of the world is likely hanging in the balance. Not to mention how his personal struggles will be tied up in that, it’s probable that a slightly darker, more self-reflective—and transformative—tone is waiting for us in regards to season 5 Mike.

➠ Track 2 | What You're Doing

A simple song about a turbulent relationship where one person is unhappy because their partner is messing them around, and they're pleading with them to stop.

Look what you’re doing, I'm feeling blue and lonely / You got me running and there's no fun in it / Please stop your lying, you've got me crying, girl

The partner is the one holding control in the situation, while they feel at the mercy of their partner’s careless choices. The mood here is one of helplessness and desperation while still remaining open-hearted, hoping they’ll change.

I've been waiting here for you wondering what you're gonna do / If you should need a love that's true it’s me / Why should it be so much to ask of you what you're doing to me?

• • •

This is heavily M!Ieven coded. What do we know about their dynamic? Mike is always the one chasing El (trying to “win her back” in s3, terrified of her not needing him in s4, stressing about her being in danger all the time). El is consistently seeking autonomy (choosing to learn about her identity over pursuing romance with him in s2, choosing to break up with him in s3, choosing to leave him behind in s4, and I’m willing to bet she’s the one who removes herself from his storyline in s5). We know their separation will happen early season, and naturally things between them must be unstable leading up to this. El being the one to pull away while Mike stresses over it checks out considering these past patterns, and also the end of s4 with her already closing herself off while Mike appears at a loss.

➠ Track 3 | After The Earthquake

A song reminiscing on a relationship and the failure and death of it, with a sense of lingering nostalgia and unwillingness to let it go. It’s set to the backdrop of a metaphorical car crash.

It wasn't built to last / If you wake up you’ll remember the awful things I said / Looking back to the vibrant days / Those days I'd never let you fall apart but things fade / Why would I ever fall in love again when every detail’s over the guard rail? / Velvet curtains drawn, flowers at your feet / Say you’ll climb your way out of your wake now / Are you awake now?

• • •

In simpler terms…this is a break up song. The longing tone makes sense to me for M!Ieven because I’ve long suspected the initial split between them is not going to be super clean cut (this should make more sense later). Mike and El were together for a long time for their age, and have a lot of intense shared memories. El was also his first and only experience of relationships; it’s going to be difficult to detach. It being the right decision to end something doesn’t mean it’s easy or simple. Even if Mike is gay and didn’t truly like her romantically, he still loved her and in my opinion that distinction isn’t something he’s going to have figured out and made peace with the second it ends.

➠ Track 4 | Promises I've Made

Very straightforward and repetitive, and follows on seamlessly from the last song: this is about having trouble moving on from someone who’s left your life.

Ever since you have gone the days don't seem so bright and I wish I could forget you but I can’t / I have promised myself I wouldn't dream of you but I find that awful hard sometimes to do

• • •

Based on what I’ve seen people might fight me on this, but to me it’s M!Ieven coded mainly because of its positioning in the playlist (directly after a struggling relationship song + break up song) but also because it is technically about an ex love. Could we say it doesn’t need to be interpreted that specifically? Yes. I suppose it could be Byler coded too but personally...the way I would interpret it is as Mike moping over whatever happened with El. There’s not any intense emotional pining going on; if you listen it has a very laid back, chill sort of mood and is honestly very upbeat. There’s no deep heartbreak. It’s just about missing someone. Plus it sort of perfectly closes out the process we see over the last two songs of being unhappy with someone, to breaking up and grieving, to the typical post-break up struggle of navigating this hole in your life and naturally missing what once filled it. This is a whole sub-arc for Mike.

➠ Track 5 | Angst In My Pants

We’ve reached the gay section! This song is about trying to fit yourself into an acceptable—aspirational, even—life but never feeling content, and continuously trying to squash this troubling Feeling, the titular phrase: angst in (your) pants. Some people think it’s a reference to literal physical arousal but others including me think that in context it’s intended more as a metaphor for sexual frustration/dissatisfaction.

I hope it doesn't show, it'll go away / It's just a passing phase / When you’re all alone, you and your head / When you think you’ve made it disappear it comes again, hello, I’m here and I’ve got angst in my pants

The queer subtext here is very clear, I don’t think I even have to explain (check out the cover art too lol). The song closes with a realisation/acceptance that no, this “phase” won't ever go away i.e. it’s just who you are.

Give it a hundred years, it won't go away

I also thought one of the opening verse lines was an interesting segue from the last few songs:

But when you’re all alone and nothing bites you’d wish you stayed at home with someone nice

• • •

Angst In My Pants may aswell be titled Forced Conformity the thematic parallels to ST are that blatant. Another point for team Mike Wheeler actually is connected to the main themes of the show like all his other friends, and no it’s not because he’s somehow oppressed for being a nerd. Also rather than being about feelings for another person the song is about personal struggle with sexuality which excites me to think about in relation to Mike because we’ve been saying he needs to explore his own identity outside of being a love interest.

➠ Track 6 | The Better Side

A very sweet, slow, slightly melancholy song. I’ll be honest I cannot decipher more than 2/3 of the lyrics but here are the most meaningful ones of those I could:

I know you cry and I’m trying to keep you by my warmth

You’re never gonna see my eyes, you’re coloring all the skies you want to / I tried staying alive, keep my head on the better side when you’re far away

You’re on the better side you’re always the better one for me

You’re all that I need, I’m not gonna miss you anymore

My understanding is it’s about pining over someone who is a “better” choice, whatever that means in this context. Deciding you want someone, someone who you don’t currently have, someone who is maybe distracted, distant or physically absent? But vowing to change that because you recognise that you need them.

• • •

This directly follows the Gay Thoughts song, and precedes the Gay Thoughts song 2.0 so I feel safe interpreting it as Byler coded and about how it’s Mike’s turn to pine. (Also because “better” implies that there’s a “worse” i.e. this is a situation where you’re differentiating between two things i.e. in Mike’s case, Will vs El). I can envision Mike and Will getting moments together away from whatever chaos is surely going on, having the space to connect more where Mike starts becoming conscious of his feelings, realising slowly that Will is the “better” one for him. And as the song also suggests, perhaps Will has pulled away from him in the beginning. I think this is possible because the torment Will's likely going to endure from Vecna could understandably cause him to push Mike away, fearing his safety or him finding out how Will feels, and also I just don’t think he’ll be able to stand the pain of being M!Ieven’s couple’s counsellor for much longer without cracking. But I think Mike “it’ll be easier if we’re a team” Wheeler would make it his mission to fix any rift between them, the final line literally being I’m not gonna miss you anymore.

➠ Track 7 | Don't Ask Me To Explain

As far as I can tell, this song is about being afraid to face queer feelings for another person who is also hiding this about themselves, and being conflicted about whether to confess because you're not sure how they feel.

How will I ever know you enough to love you if you're hiding who you are? / How am I supposed to let it show when I don't even know? / Don’t move on without me, who will be watching my body when I sleep? / I don't want to be the one who's coming out first, I'd really like to but I'm just too shy

The end is an admission of…something. I’m not sure whether to interpret it as wishful thinking over this queer relationship you believe you can’t have, or as an offhand comment about forcing yourself to love someone you can’t because of your sexuality. Interesting either way:

It’s so easy to lie to myself and pretend that I could love you but I can't

I did do some research and the alleged true explanation of this song is it’s from one queer friend to another (man to woman, I assume both closeted, maybe a failed romance?) but I could only find one uncited source for that and everywhere else seems to agree with my interpretation so it seems when listening to the song that’s the story people hear. (Plus either way the song is about being queer. Undeniably so).

• • •

It’s not Byler coded we’re way past that, it literally just…is them. It does seem to suggest a level of internal conflict in Mike regarding coming out that I can’t say I expected (yes I have no doubts about canon Byler but I’m also a pessimist by nature—that should tell you how obvious their endgame is though lmao—so I assumed the Duffers would go wrong somewhere). I always thought he would be almost consciously clueless about himself until he finds out Will loves him, and the focus be more on him liking Will back rather than him liking boys (and obviously wasn’t a fan of that), but the prospect of Mike actually being aware and grappling with his sexuality is what we’ve been praying for and builds on the more low-level thrum of sexual confusion in Angst In My Pants. Oh and the song also could suggest Mike suspecting that Will likes him/is queer too before anyone confesses.

➠ Track 8 | What Do You Want Me To Do?

Another straightforward one. It’s quite angsty, a big contrast to the more sad feelings about a relationship from the earlier songs. This is about someone who left you for someone else/someone who walked out on you, who decides they want you back.

You walked out took your chance, turned your back on our romance / You said the change would do you good / But then the bubble burst your dream, turned into a nightmare scream / You came crawling to me your knees, and you were asking me to love you please

The main message of the repetitive chorus is basically: you want me to need you, but that’s not real love. You’re just using me to feel better about yourself.

What do you want me to do? Say that I need you more? Is that what real lovers do? Or only what you use me for?

• • •

I mean isn’t that last part how we’ve always described M!Ieven’s dynamic—all about aligning with the other’s needs whether for safety, validation or feeling ‘normal’, rather than genuine romance? I don’t think there’s any chance at all of El leaving Mike for someone else lol, as I said I don’t think we need to interpret these songs super specifically. But it does make me wonder: could we possibly see a moment of regression for El at some point in the season, after they separate? The focus here in my opinion is frustration at someone trying to re-enter your life when you know they don’t truly love you. Reflecting on their dynamic I talked about with earlier songs and their history in the show (El walking away, Mike scared to lose her), is it possible the break up could leave Mike struggling initially then he progressively understands why it was the right choice (especially after spending time with Will), meanwhile for El it’s the opposite—she’s more sure about breaking up but something happens later on that shakes her belief in herself. Her having one last hurdle to overcome in her dependency on Mike to finally break that pattern of hindering her growth by retreating to him could make sense. And based on this song…Mike would not be receptive to being El’s safety net. Growth for both of them.

➠ Track 9 | Substitute

Again, very angsty compared to earlier. It’s about a relationship characterised by false perceptions (focused on class), and those being what is holding it together. One partner is pretending to be something they’re not, cosplaying as someone else, and the other is also being dishonest/fake.

You think we look really good together / My fine looking suit is really made out of sack / The simple things you see are all complicated / Substitute your lies for fact / I see right through your plastic mac

The relationship breaks down because of this and their partner doesn’t truly want to fix things, and ultimately trades up.

Those crocodile tears are what you cry / It’s a genuine problem, you won’t try to work it out at all, you just pass it by / Substitute me for him / Substitute my coke for gin

Essentially: your partner not knowing the real you because you’re putting on a facade—the facade being the version of you they really like, the thing that was making you compatible—leads the relationship to fail. The literal title suggests neither of them as they are are what the other truly wants or needs.

• • •

Obviously this does not directly parallel M!leven in terms of the topic of the lying but in terms of the themes and core relationship issues…yeah. To me this could be about point Mike has reached after gradually coming to realisations about the nature of their relationship after it’s over, like I mentioned before. I can envision a mid-late season confrontation (or something less aggressive sounding lol) between them, pairing perfectly with the topic of the previous song. El scared trying to fall back on Mike and he’s like…no, we don’t work, I can’t be that for you anymore and this is why: betraying who he is (nerd) to impress her, trying so hard to play the “boyfriend” role (yet they never successfully emotionally connect), if he’s gay then there’s also the facade of straightness, etc. I think it would show a lot of emotional maturity from him honestly, and I really need him to have a strong grasp on what went wrong with El for them to have a shot at forming a healthy friendship, and also to psychologically process all that stuff before getting involved with Will.

➠ Track 10 | The Rebel Kind

A short song about life being tough when you don’t have much (this one is class-focused too), but still craving the freedom that comes from not following societal rules and pressures for how to do life “right”, and instead living on your own terms. Basically the struggle is worth not having to conform. The first verse sums it up pretty well:

They call us the rebel kind but they don’t understand the things a man must do to prove that he’s a man / It’s not easy but I don’t mind, I just wanna run with the rebel kind

• • •

Again, obviously the specific topic is not relevant to ST but the thematic parallels blew my mind, I mean the entire show is about people being outcasts and learning to find strength in that, and the final season is going to majorly drive that point. We know this from the fact that Will “being different” Byers is the one who’s arc is said to tie up the whole show. Now in regards to Mike…if this doesn’t scream forced conformity and deciding to reject it for your own happiness I don’t know what does. It perfectly captures the thematic end point of his arc next season (and not just his but probably the entire party’s in one way or another). Also the toxic masculinity reference in that one line applies heavily to Mike with his history of trying so hard to do what he thinks he supposed to do in going from boy to man i.e. We’re not kids anymore. Did you think we were never gonna get girlfriends?

➠ Track 11 | Block Rockin’ Beats

Another one I think is mainly to set a tone; no real lyrics just beats. In my opinion it comes after The Rebel Kind for a reason. Somehow it just makes sense, it’s got this really loud, frenzied, unrestrained energy to it.

➠ Track 12 | Just What I Needed

We end off with a love (or desire?) song. It’s interesting because it’s quite aggressive sonically but at the same time it talks about being with someone in a simple uncomplicated way:

I don’t mind you coming here and wasting all my time / I don’t mind you hanging out and talking in your sleep

…but it’s also very intense how you feel with them.

Cause when you’re standing oh so near I kinda lose my mind

There’s a repeated line that stuck in my head. It’s obviously written about a female subject, but there is such a rejection of the feminine going on:

It’s not the perfume that you wear, it’s not the ribbons in your hair

It’s saying those feminine attributes are not why this person is attractive—and yeah logically that means the subject must have those things, but as I’ve said I don’t think these songs need to be interpreted on such a specific level. The point being made is about a deeper connection. The line is just intriguing to me from the perspective of Mike being into boys, I mean he could’ve picked literally any other romance song.

I needed someone to feed / I needed someone to bleed / I guess you’re just what I needed

The message here is basically: I was craving the rawest form of connection/intimacy with another human being (that doesn’t have to necessarily mean sexual it’s just those visceral words feed, bleed in comparison to perfume and ribbons which sound very fluffy lol)…and now I’ve found you and it’s exactly what I was looking for.

• • •

With all the themes through the songs of rejecting fake relationships and conformity, and accepting and exploring queerness…Will Byers is obviously going to be the thing Mike needed. I’ve been saying (and so have many) but Byler isn’t happening till the end. Also the playlist finishing with this song is telling in my opinion. Aside from the Castle Byers Classics link, the title itself implies searching for something which is now found, a journey being over. I say this for the purposes of pushing my agenda about this playlist painting a narrative. Hear me out:

Personally……that’s not accidental. It just isn’t. Even if my more specific interpretations aren’t correct, I just cannot believe that this wasn’t curated to draw a particular picture. I believe in coincidences and if the playlist had been titled as it was with a bunch of random unconnected irrelevant songs I’d be the first person to file it under that. But the title and the inclusion of a song from Will’s official playlist and these specific songs in this specific order? Yeah it’s about s5 Mike and I cannot wait to see him! If you made it this far thanks for reading <3

[beedalee]

🥀 Martyr of Rose 🥀

This is the final time I'm waking up Inside a dream that doesn't break enough- of the soul that I once was; In the light I once loved...

04.07.2024

(bonus wip gif)