#long post yikes

[tharkilm]

Which of your guys are doms?

Which guys r subs?

Which guys r switches?

I mean this spicy (nsfw)

Okay, I could have made this short and simple since I don't want to write long answers when there's more than four characters mentioned, but we might as well get this done and over with. It would have been a hassle to have it spaced out between several asks anyways...

NSFW under the cut. ♡

Dominants

Orion just has a massive thing for you being so small compared to him, so seeing you beneath him, vulnerable, spread open… It makes his blood boil with excitement. If you’ll allow it, then he’ll manhandle you a bit, lift you up every now and again to play. The fact that just a single phalange can make you whine with need… He needs to take a breath to collect himself. It wouldn’t do with losing control. You need to be good and wet before he’ll have his way with you, after all.

Lantana isn’t very sexually active, but he prefers to be the one in control, and he, too, has a thing for you being so small compared to him. He likes it when you sit on his lap, squirming, flushed, panting hard… The fact that he can easily keep your hips still with his hands is exhilarating, though he really likes it when you cling to his neck and whine into his skull. He always needs to catch a deep breath to compose himself when that happens.

Blue might be smaller than you, and he might be seen as “cute”, but this man is feral, and the intense energy he displays in the bedroom is enough to make you tired for days. Even out in public, if he gives you that look, that ‘I will have my way with you when we return home’ stare, then you know you’ll be sore for the remainder of the evening. He will take good care of you, though.

Peony could be put in as a switch, as he doesn’t really mind being at the bottom from time to time, but he truly is such a people pleaser, and he just wants to see you unravel in pleasure before him. It gets him off seeing you writhing and releasing your voice like that, and to have the honour of touching your skin… Ah, the image makes him feel pleasantly warm. Continue to ride his fingers, pretty swan. He likes the way your hips roll like that.

Reaper is a massive flirt who occasionally barks more than he bites, but he can be sultry and downright possessive at times, and even though he may spread himself out for you to play with, he often prefers to hover over you; have you under his watchful sockets as he shamelessly admires your naked body. You’ll notice that he’s somewhat different when you’re together like this, with you being so vulnerable. There’s a certain tremble in his hands, and they rarely leave your body, as though he’s afraid you’ll disappear if he lets you go. You have no idea how far he’ll go to keep you safe; with him.

Submissive

Lilac could technically be a switch, but he honestly prefers being the one taken care of. He just wants to be gone in a blissful haze, to have your hands gently trail soft touches over his skull and cheeks, to have you tell him how good he’s been, how wonderful he feels, how wet he is, or how warm he is inside of you. Truly, the only time you’ll know that he’s properly enjoying himself is when he’s putty in your hands, for when he tops, then you know his mind isn’t fully in the right place.

Stretch isn’t really a super sexual guy. His libido is low, there’s too much work and too much sweat that comes with sex, and so he’s too lazy to do much if you first get him to bed. Sure, he may participate by having his hands on your hips and jerking his hips upwards, but unless you really get him hot and bothered, then he’ll practically just be a pillow princess. Besides, he likes the view from down here. You don’t really know how beautiful you are in this position, do you? He’d love to watch you like this forever.

Switches

Charm doesn’t care whether he’s on top, on the bottom, the one pinning you to the wall, or the one being pinned—all that matters to him, is that you both have as much fun and receive as much pleasure as possible. He truly doesn’t lean either way, he likes them both, they have equal amounts of benefits after all! That being said, if you’re the one taking the lead, then the best way to make him putty in your hands is to be as romantic and slow as possible. He loves—no, adores it when you’re treating him as though he’s made of glass, touching gently, yet persistently.

Garnet likes it rough. Either he has you screaming in ecstasy, or you have him drooling with need as you deny him yet another orgasm. He can form whatever it is you want of him, and he’ll teach you commands that make it clear what you want that day, whether it be him tied up, or you receive his downright cruel hands sometimes (in a pleasurable sense). Still, he isn’t incapable of being gentle in the bedroom. If you want him to be slow and soft, then he’d gladly be that, too. If you are the one treating him gently, then he might start behaving a little oddly, though have no fear, he’s just not used to it; yet.

Dream is the type of lover who’ll be influenced by the amount of positivity he’s recently received. If he’s somewhat tired after finding too little positivity, then he’s shy and easily pushed down; eager to please you with his small, but soft and delicate body. However, if he’s had his fill, then you can expect him to treat you like the exquisite fruit you are, and he’ll gently move you to his desired position; beneath him. Being small and delicate doesn’t mean he cannot take the lead and be dominant in bed. You shouldn’t underestimate his pretty face. He’ll make you scream so that the whole multiverse will know to whom you belong.

Nightmare might be the King, but you are his Queen, and for that sole reason he will occasionally let you be the one in control. Now, this isn’t something he’ll give out willingly. You’ll have to fight him for it, not a real fight, mind you, but a play on touch, on words, on seduction and longing gazes. If you can make him flush that pretty cyan magic of his, then you’ve won. On any other day he’ll manipulate your body with his tentacles and have his way with you; making you sing and call his name, but on the nights when you’ve put him beneath you, then he’ll try and keep his voice silent, try and not whimper as you make him feel oh so good. Keep going, you’ll have him begging in no time.

Error started out as the one who absolutely had to be always in control during sexy hours. You were not allowed to touch him, at all, or else he’d crash and then the evening would have been ruined. Now? Oh, now that he’s used to your hand against his bones, he’s willing to let you take the reins; sometimes. Often, he’ll still want to top, but be a little persuasive and butter him up with praises and compliments, and soon he’ll be a moaning mess who’ll beg you to touch him.

[huginsmemory]

Ideology of Exceptionalism and Gravity Falls; meta and character analysis

I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.

Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships. 

The Ideology of Exceptionalism 

First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional. 

For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given. 

This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.

Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people. 

However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.

This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.

Ideology of Exceptionalism and Gravity Falls

The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism. 

Ford and Exceptionalism

Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously; 

“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”

Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.

Image id: Stand and Ford when they were children, both clearly enjoying each other's company.

Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised. 

Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.

Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.

In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.

Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'

Ford and Bill

All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?

And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life? 

And then it's better than that. 

A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.

Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all. 

Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.

So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.

All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.

Ford’s Exceptionalism and Wider Relationships

Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.

For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself. 

As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.

Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.

It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it. 

And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.

Bill and Exceptionalism

Now of course, that's only on the Pines; what about Bill? 

While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'. 

This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone. 

Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.

Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).

Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.

In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows. 

And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism. 

Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.

Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.

They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.

Stanley Pines, and the Refuting of Exceptionalism 

Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.

But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back. 

And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.

In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.

And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.

Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.

TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.

Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me

If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)

[vocalmocha]

When you miss your Mad Maggie ult and it rebounds

[watchinghallmark]

[pocketramblr]

Absolutely love your writing for all the AU/5 headcanons asks. Can I ask: AU where Rei cheats on Endeavor with All Might? It happens after AM's injury, so she doesn't recognize him, and he ofc doesn't know that she's married in the first place, much less to whom

you make this very difficult for me by giving me a window of 6 and half years for them to have an affair and for every single moment of that window, Rei is institutionalized. how am i supposed to get them to meet, much less take their clothes off. ok. think. there are other fic writers who specialize in this kind of thing, surely. what would they do....

1- ok so. The fire alarm at the hospital goes off. Rei doesn't know if it's a drill or not, but she's been there for seven years and generally does not need a lot of support during something like this like other patients do, so the nurses wave her out and she stands around outside a bit waiting for the fire alarm to stop and them to go back in. (It isn't a drill, they wouldn't have evacuated everyone if it was, but Rei is on the other side of the building and facing away from seeing any smoke) (This smoke is from a villain attack that All Might is taking care of, though he's only got seconds left of his power to use that day. he quickly rushes off, deflating and stumbling out on the other side of the hospital. Where Rei is.)

2- Rei is like "huh that guy doesnt seem to be in good shape" and kinda waves attention at him, and a nurse who's passing out water to patients and keeping an eye on the road gives Toshinori some too, getting more concerned when he dazedly answers that he's All Might and coughs up blood, but the nurse figures he's concussed since he smells of smoke and must have been closer to the fight, and is just reeling from being able to see the number one hero in person. Then they get distracted and wave Toshi to wait nearby, where Rei offers to chill his water and asks if he's alright, if he breathed in any smoke.

3- They chat and then go back into the hospital as it's un-evacuated together, Rei hanging out in the lobby where he sits as the hospital staff focus on getting everyone else back to their rooms. It pays to be low priority sometimes. Eventually she tells him her name is Rei and that she's in room K18, if he ever wants to visit or call. She doesn't get to talk to anyone except doctors, family visitors, or other paitients, and most of them don't stay nearly as long as she does. It's been seven years, and she's very lonely. Toshinori is lonely too, and when he's out of time for a day and feeling useless with nothing to do, he likes to talk to a friend.

4- Rei has been in the hospital for eight years when it gets physical. At that point, Toshinori knows a bit about her family. She has kids, mentions visits from a son and daughter, and then quietly mentioned when her son turned seventeen- her daughter's already twenty. She's been there for so much of their lives. He asks if she's married, and she admits she isn't sure how to file for divorce in a hospital like she is, if she even can, if she wants to because she'd lose custody, if it matters when she's not raising them anyway. He doesn't ask much more, knows there is a dead child and a baby she says isn't safe with her there. Toshinori never called Nana 'mom' to her face while she was alive, and had a reason for it, and has a similar reason for not asking more, not asking for the other names when he gets Fuyumi and Natsuo's. Yes, the doctors and nurses all know Rei has a boyfriend who visits. they don't say anything. who would they even tell, anyway. I debated the humor of reusing the bit from candlelight shoto that Toshi and Rei could have a kid with a fire quirk, but yeah here? Rei ain't getting pregnant, absolutely not.

5- When Natsuo turns eighteen, Rei does actually file for divorce, or at least tries to get the ball rolling on that. Toshinori's trusted her that her marriage is over in all but name, but he's more at ease with it ended fully. Fuyumi is crushed but burying it all deep inside. Natsuo is like 'what are you talking about. divorce is the most normal possible outcome here.' But anyway, Rei also begins to bring up being discharged- something she never bothered with earlier, when it seemed like she'd never be able to go home while Shoto was there, and never would want to go back anyway. (Her parents are absolutely not an option either so where would she go once discharged? the hospital was her only security.) Toshinori then tells her at this point about his diagnosis, that he's supposed to be terminal, in a way. He doesn't have a lot of time he can give her. Rei says that's ok, she'll take what she can get. She moves in. Fuyumi still goes out to eat with her once a week, though Rei doesn't say she's moved in with a boyfriend, just says she's in a safe place and it's not Fuyumi's job to worry about it, please, let her do that, relax, be her daughter instead of a mother. Natsuo adds her to his cellphone plan and gets her one. Rei doesn't tell Toshinori her ex's identity. Toshinori doesn't tell her about OfA, though she does know he's mentoring a student for heroics and is very proud of him. (Toshinori is a secretary at Might Tower, he's a great mentor. Oh huh, he got a job position at UA at the same time as All Might, she wonders if they carpool.)

+1- OK THE REVEAL so the reveal is. Toshinori gets home from the SF. And Rei almost knocks him out by the door, eyes wide and panicked, asking if he's ok, if Shoto's ok. Toshinori is like "... young todoroki? yeah he's alright? i know his fight with young bakugo looked bad but- Rei???" And that's when it all clicks for him, he's having dozens of horrible realizations at once, all while Rei weeps over her youngest. Toshinori's been a hero for a very, very long time. He's felt hopeless, before. But even then, he's known what needs to be done, he just isn't able to do it. But now? he's at a complete loss with no idea what he should do.

[remusjohnslupin]

harry potter + book chapters → BOOK V: the order of the phoenix (remake)

[past-the-pines-by-the-shore]

I keep seeing this narrative that Zeus saved Thalia’s life and not Jason’s, and I’ve decided to come back from the grave to offer my two cents (that no one asked for).

Zeus absolutely did not save Thalia. She was never meant to come back out of that tree. Ever.

It was pure coincidence that Luke poisoned the tree and Ananbeth decided the Golden Fleece would save it. It wasn’t an action that was ordained by the gods, it hadn’t previously been foretold in a prophecy. It was simply a demigod solution to a demigod problem. Equally, no one at camp thought that the Fleece purging the poison from the tree would bring Thalia back, at all.

I definitely agree that Zeus turning Thalia into a tree was a deliberate act to prevent her going to the underworld. Though I would argue that this was as much (if not more so) to spite Hades as it was to stop Thalia being sent to eternal damnation in the underworld.

But to say that he saved Thalia’s life and then let Jason die is giving Zeus entirely too much credit. Jason is a proven hero, who was good friends with Nico, and died at a point in time where the sting of Zeus breaking The Pact had mostly worn off. There isn’t any concern that he’ll be sent to the Fields of Punishment. Thalia, at the time of her death, had only done this one big act as a hero, Nico and Bianca were still in hiding, and Hades was clearly pissed about her existence.

If Hades gets Thalia’s soul then he’s won. If Zeus smites the monsters that are attacking her, then Thalia lives but that runs the risk of her destroying Olympus when she’s 16.

Zeus wanted to contain her.

Trapping her spirit in a tree stops Thalia from ending up in the Field’s of Punishment, yes, but it does not save her life by any stretch of the imagination. And I’m a little tired of people pretending that what Zeus did was an act of kindness. It was literally less than the bare minimum. He was saving his own skin just as much as Thalia’s.

[anghraine]

[For context, I'm an agnostic lesbian raised Mormon with some scattered Catholic influences from summers with my bio dad and his family. I have buckets of religious trauma and associations as a very predictable result, though not everything was terrible.]

So I was waiting for my best friend and his girlfriend to get home from dinner with my BFF's mother—this is the first time his girlfriend, who was a close friend of mine before meeting him, had met his family. Ash had gone downstairs to change and wipe off her make-up when someone knocked insistently at our door.

The doorknob is a bit persnickety so I rushed to let in my BFF, only to find myself facing down an unexpected but very familiar sight: young male Mormon missionaries.

me: Oh ... hi. missionaries: Good evening, ma'am. Would you like to hear news about Jesus? me: Um, I'm not—I'm a member, actually. I was raised in the Church. missionaries: Really? me: Yes :) I was the pianist for the primary in our old ward for years :) missionaries: Oh, what ward was that? me: St Helens. I didn't really go when I was in grad school and I just graduated. missionaries: Ahh, I see. Well, if you want to go back, [directions to the local church]. me: Thank you. missionaries, after a very awkward pause: Do you need any help with anything? me: Oh, we're... [*resists the urge to point out that the other household members who just happened to be absent are a Jewish atheist socialist, a devoutly Muslim bisexual post-colonial scholar, and an Exvangelical trans woman still processing her rage, and none of them would have the slightest desire to get help from Mormons*] We're good, really. My parents are the ones who would need help from the Church, I think, and they live over in [town], so their closest ward is actually the one in [other town] and they can reach out to them. Thanks, though :) missionaries: We could just leave our number with you in case you ever needed anything. me [very conscious of the temptation to call on the Church when a crisis strikes and I desperately need help, and how trapped and shitty I feel afterwards]: That's really nice, but I think we're fine. There are several of us here. I hope you have a good night, though! :)

[shinonomekei]

I gave up on the coloring but luckily the placeholder bg color I was using worked well, so ig that’s that

[chevanlier]

just sword leaders as johan deckmann’s unhinged one-liners

via: @johandeckmann & @thashyne on instagram

[nilusanimationworld]

Since we're close now to get KFP4 updates soon...hoping next month (or april) I wanna talk/discuss about something(s)

So I was re-watching all the 3 movies & the shorts I actually realized & noticed couple of things 

Since we all know Oogway in the third movie tells Po about how he saw the future of Kung Fu the day they met right? And we see both Po & Tigress in his vision right? 

Followed by Oogway passing the torch (which is the staff in this case) saying Po is his true successor

Firstly let me start of by saying I love Po okay? Besides being Oogway's successor Po is definitely Shifu's golden student by achieving the Dragon Warrior title and all BUT here's the big question. Does Po also deserve to become Shifu's successor? Yes BUT ALSO NO! Po has got enough titles & credits at this point. Besides Po there is also one more character that deserves at least one title & that is none other than TIGRESS!!!

TIGRESS (DESERVES) SHOULD BECOME SHIFU'S TRUE SUCCESSOR!!

Before anyone decides to attack me let me just point out couple of hints given in the movies itself why Tigress should have Shifu's true successor title

Shawls & Clothing pattern.

Remember the whole drama & discussion we all had & still having about Tigress outfit suddenly being changed? I think I might've figured that reason out too. Both Oogway & Shifu have a similar green shawls right? Which for some strange reason I always thought it was the same shawl just passed down to Shifu after Oogway's death. But turns out both have very different pattern design at the back of their shawls

And SURPRISE BEHOLD it actually matches Po & Tigress. Oogway has almost a Yin Yang pattern which is Po who represents Black & White warrior which Oogway himself tells Po that he represents both sides of yin & yang.

As for Shifu & Tigress's case its the floral & vine patterns. What does the floral & vine pattern has connection to do with Tigress? Well if you watch all the movies including the the shorts her vine patterns actually are representing 'growth'

You'll notice carefully you see no patterns on her vest when she was a kid PLUS also on the brown robe which she used to wear as a teen which also closely represents Shifu's way of dressing since Tigress was desperate to become just like Shifu

But once she finally decides to unleash her real true strength after ripping the robe you finally spot a sapling like pattern on her vest indicating & representing she's finally growing & is out of her shell which later one as she grows older you notice her vine patterns also keep growing & finally her golden hanfu also has a little Lilly/Lotus pattern fully bloomed representing Tigress is a fully grown warrior of her own. Plus the whole growth theme fits very well for both Shifu & Tigress since both have come out from their cold shells & are showing more warmer & compassion sides

Po & Tigress are literally the next Oogway & Shifu 

Even their relationships!!

Despite Shifu & Tigress both question Oogway’s & Po’s decisions or plans they still remain extremely loyal & trust their masters. 

Heck! Not to mention BOTH Shifu & Tigress has watched Oogway & Po (sorta) dying into petals!! 

Shifu passing the staff to Tigress

Okay let’s just say GOD FORBID Shifu’s time comes to end there’s 70% chances Tigress could get his staff since Po has already got Oogway’s special yin yang one. Plus it would actually mean a lot for Tigress & something really special to cherish. Not only it would mean Tigress being the next master of the Jade Palace but also a way of Shifu finally able to express his feelings to Tigress as a father since both Shifu & Tigress aren’t too good in expressing in openly about it. 

PLEASE FOR THE LOVE OF GOD DREAMWORKS GIVE US ONE GOOD HEART WARMING FATHER-DAUGHTER MOMENT BETWEEN SHIFU & TIGRESS! PLEASE I BEG YOU!!

Plus if you watch the third movie Shifu actually looks completely shocked not expecting Po to get gand looking staff from Oogway. There could be chances that Shifu may have thought of passing his current staff to Po but after seeing the staff given by Oogway himself to Po Shifu might change his mind to give to Tigress? Or at least I’m hoping!! 

Also Fun fact the original storyline for KFP3 besides Mr. Ping & Li Shan fighting over Po whether he should become a noodle master & run his goose dad’s restaurant or choosing becoming a farmer & returning back to secret panda village with his biological dad. Shifu was also included in the fatherly fight as he wanted Po to be the next master to run the Jade Palace but the idea was completely scraped off! So fingers crossed Tigress is in the line on getting to be master to run the Jade Palace since Po already has enough titles & responsibilities to handle as Dragon Warrior & a Teacher 

And lastly Po & Tigress both have grown as warriors under Shifu’s training & Oogway’s wisdom. They’re both are perfect balance 

In conclusion! There is still hope for Tigress to also play a very important role in the franchise & I am PRAYING EVERYDAY KFP4 does justice to the franchise!! 

Anyways what are your thoughts? Feel free to discuss y’all! I really missed the whole pandom discussions!! :)

[usermoon]

e&a

if i wanted to know who you were hanging with while i was gone i would have asked you it's the kind of cold, fogs up windshield glass but i felt it when i passed you there's an ache in you put there by the ache in me but if it's all the same to you it's the same to me

[craftlands]

oop sorry! i did come across one of your mor pankh posts regarding the designs and such about the characters and i do have some points to lay out on their accuracies and inaccuracies, as an indian myself, though i cannot say my word for it will be wholly accurate since again, india as a subcontinent is VERY chaotic and the cultures within different states and a lot of times, certain villages and territories vary drastically. a lot of my points could be disagreed with by another indian and if some of my points ARE incorrect, i'm open to being corrected.

i know it's also pretty late, considering this was one of your older posts but i did give it some chew time. sorry if i'm bothering you.

1) first up is kaalaa baunaa. she IS wearing a saree but the draping and style is pretty reminiscent of modernized styles of saree draping. we do have the traditional drape but the generations right now have gotten to mixing and matching western clothing and experimenting with saree drapes. her outfit, while not culturally inaccurate ( because we HAVE the short/pant combo with the saree ) is grossly inaccurate to the time and setting.

there's also the fact that her outfit screams 'bollywood' in a sense. the blouse in particular is something you'd see on actresses during burner movie shoots ( and even those were a little less provocative...but again the blouse does hold a lot of callbacks to colonial oppression and wearing sleeveless blouses back then was considered 'rebellious' ). in my opinion, if i were to change up her design, i would just omit the saree and put her in a salwaar, since that is the usual go to in northern indian states ( unless in formal events ).

but for the stuff i loved about the design? is the design itself XD. it's just grossly inaccurate to the timeline, but in a modern context, it does have a very stylish flair to it. i just wish she reserved those for festivals rather than everyday living ( because from experience, sarees are HARD to walk in depending on how you drape it which is why my college uniform is a salwaar ). unless they were trying to hammer home how alien she is perceived to be, as an arcanist, which in this case? it works thematically. just tone down the sexualization.

her second outfit is a little more accurate though and i have a preference to that. mostly because of the jewellery she uses. mh. the bollywood style outfit? the embroided saree? the baithale bottu? MH. y e s.

tldr ; the design is pretty good but contextually, for the timeline and for her occupation? it's not the most accurate. but i wouldn't call it a travesty and completely inaccurate either. in a modern setting, her outfit would have passed well in a get together or a friend's party.

2) shamane. okay so the imagery and his outfit WAS something i needed to do my research on. but the 'connection to nature' thing is pretty common here too in tribal societies. my own community, while centuries far removed from it's initial tribal roots, still worships familial sprits and natural objects alonsgside the usual practice of hinduism. i kind of liked that aspect about him tbh because it did reflect of the few vestiges that were left over in my community XD. hell a good chunk of his design was very steeped in tribal influence, though differentiating it is a little difficult ( which again is my critique, but that could also be me not being as well versed in indian tribal culture. it's probably in part because of ignorance. ).

the closes i can get to the influence of his outfit would be naga tribes in nagaland with a mix in of a few others. i'll try to do more research and get back to you on that. i'm just wondering how he got all the way to nagaland???? that's like in the far east...though if were to narrow down the locations, it would be in the few locations where it snows...HMMMM. but yeah the feather motif? tribes here seem to tout it too, depending on what tribe it is.

he does wear your typical sherwani with a large coat on top, something that is, in fact accurate to men's fashion at the time. most middle class or well to do families ( the ones who were not a part of the 60% - 70% below the poverty line ) did hold that similar style of traditional wear with western influence, or straight up turn to western clothing as a whole. its a very small nod to the fact that he was from a well to do family at least. then the eye imagery on the prosthetic arm could be a reference to the nazar, though it's not blue.

tldr; his outfit holds heavy tribal influence but i really need to do my research on which ones in particular.

3) kanjira.

okay. i'm a little upset with her. the fortune teller aspect is rooted in how astrology played a huge part in indian culture. the coffee readings could have been an aspect carried over by cultural mixing through islamic trade and invasions as well. kanjira is another aspect that is a little more of unsure territory. there are parts of her outfit that i can recognize. but together it does feel a little disjointed. and confusing. her jewelry is recognizable. her kamarbandh for one and her skirt.

the blouse though? that confuses me. for one it's more in line with 1910s fashion. the blouse was initially not a part of a lot of traditional indian dresses and were introduced by the british due to extreme discomfort ( aka they didn't like that indian women didn't cover up their chest ). the earlier blouses strongly resembles victorian blouses, with puffed sleeves and ruffles. but then there is that older the shoulder thingie and i'm like ??? HOW DOES THAT WORK-

the snake motif could be a reference to the irula tribe from south india. even her name is a reference to an instrument in south india ( which resembles a tambourine ). i don't think her base outfit is based on accuracy due to the mismatched nature of it. it seems like she just took what clothes she could and made do with that, which given her economic status, makes sense. her alt outfit does glean into what influences she took after, perhaps the banjara tribe. i will need to look into it some more. but it is admittedly, facing a similar problem to kaalaa in how it's so heavy stylized. it's not accurate save for the motifs and yes, it could do with some better work in both versions.

now for the stereotype. i'm very on the fence in this sense with how i could understand that the 'thief' stereotype is referenced. but kanjira is however, a product of some very real stuff that happened ( and still goes on even now ). the unfortunate reality is that people who are considered beneath the lower caste and obc umbrella face their share of discrimination as hooligans and thieves amongst the indian majority as well, even today. it's harmful, but she's the reflection of the struggles of a lot of communities who lived in poverty post colonial india. the british left a lot of scars and the governments after did very little to help and kanjira, as a child with no parents did what a lot of kids back then turned to. it's circumstances deeply rooted in systemic oppression, casteism and so many other issues. i've had family members in similar situations ( my mother's side in particular ).

so i do wince at the fact that she's labelled as a 'stereotype' even though i do see WHY she's a stereotype when the context is removed. her spoken english is also another wince. i know you didn't mean to be offensive and i'm sure to a lot of indians you might not be but kanjira's english is the way it is simply because she was never formally educated in it. she does refer to asking for help to read english words and it's fairly obvious she picked up on the language by listening to others speak it. matilda however, did have to learn it from a pretty young age in the foundation. she was educated in it, whether she likes it or not ( a lot like my case ).

a bit of a breakdown here. english is mostly learned in india for the sake of convenience. it's used in our parliament because it's culturally neutral and doesn't show favor to certain state languages ( and native language in itself is a very culturally sensitive topic in india ). you learn it in case you need to study in foreign firms or if you travel abroad. it also means that if you and a good chunk of other indians speak in english, it allows some leeway to communicate in other states. because again, different languages and dialects are spoken in different parts of india. i myself have a better chance of communicating with a different people from different states in english, no matter how broken it is than having to learn a separate language every time.

i know a lot of people in my college who didn't start learning english till grade 11 and speak pretty similarly to kanjira. so alluding to her imperfect english as a 'not great thing' kind of rubs me the wrong way due to personal gripes of mine, mostly in part due to how eletist it tends to be at times. the mindset of janjira not being good at english being considered 'really not great' kind of fuels into a still ongoing problem of insecurity and a lot of other issues i'd rather not clog the post with.

she's fluent in hindi and it's obviously her preferred language and she can certainly write and read hindi as well. it's kind of similar to making fun of an american for not knowing fluent french they picked up from a few classes, while they're still in america. again, i doubt you meant any harm saying that but my gripe with how learning english is so desperately seeded in some families just to appease how the west views us ( that stereotype you mentioned? yeah ) and the constant perpetuation of the stereotype, has a lot of ramifications.

i don't know how to explain it but it's kind of like this : you call broken english a stereotype, we're afraid of being stereotyped, we try to avoid being stereotyped. but there are people here who can't. maybe their medium of education wasn't english for a good few years, even if their family is well off. that leads to further discrimination from us to them and from you to them.

yes english is a neutral language, but it's also horrifically overrated due to the imbued belief that it also alludes to being educated. i lost chunks of my own mother tongue trying to learn english, simply because it was given more priorities at my home and at my school because of us moving and the imbued fear of seeming uneducated.

i know you meant no harm to that.

but on a cooler note, punji literally means 'money'. kanjira named her snake 'money' and with the drip it has? it's strangely cute XD. it's like that one meme.

also kanjira's accent, kind of reminds me of a few annoying girls in my school ( it's a very common accent in north india and my hindi speakers tbh ). she's literally the valley girl's take in india. the drawl, the lilting tones every time i listen to her, i hear that one girl from fourthe grade and i'm like "n o." because it has that condescending edge to it. i love it XD.

tldr ; kanjira is both 'it kind of makes sense' and 'fuck it we ball'. she could do with reworking. i like the thought that her outdated blouse and her clothing was a mix and match, possibly picked up from charities as well but...yeah XD.

these are mostly my takes. overall, i thing r1999 actually has some of the better depictions of indian culture compared to a lot of other stuff out there ( and there is a LOT of bad stuff ). the fact that there was variation in their accents, the casual switch between english and hindi, the story of mor pankh itself and shamane's incessant need to feed us ( which is a thing in our families btw )...i'm pretty happy with it. and yes, even we fuck up aspects of our own culture. aka, adipurush exists and i will shit on that way more.

sorry for bothering you and thanks for reading through it all ( and i hope i didn't come across as rude in that segment about language )!

hiya! sorry for taking so long to get to this ask -- i was out of town for like a week and had absolutely Zero energy on coming back for like another week afterwards. i want to head this off by saying you're not bothering me in the slightest, i'm genuinely delighted to get to be able to talk about things like this in more depth and i really appreciate you taking the time to write this out! (peek behind the curtain: i have gotten up several times and paced around excitedly in the course of writing this. i REALLY love discussion and critique and Learning Context in general.)

i think time's been pretty kind to the Mor Pankh update, all things considered -- having several months to sit on it (and also no longer playing CROB -- good god Centipede and Black Pepper are an absolute mess of racist/Orientalist tropes, and that was pretty recent at the time of Mor Pankh), it's definitely better than i initially gave it credit for. a lot of things you've mentioned here -- especially a good deal of the further context on Kaalaa Baunaa and Shamane's clothing, as well as further context on Kanjira -- is something i truly don't have much to add to other than "i didn't know that, and this makes me a lot more favorable towards them than before".

definitely Kanjira is still someone i find myself heavily split on. i think a lot of what you mentioned about the way i treated her speaking broken English very callously is probably right on the money and thank you for the correction on that end -- given the context of the story that seems to be one of the more thoughtful aspects of her overall characterization and design. the thief/fortuneteller stereotype is something i'm a little more hesitant to dismiss at face value, though; while it may be a coincidence, there's definitely a history of stereotyping Rromani people in particular as like... scantily clad fortunetellers who steal from people, and it's something that feels really prevalent in Kanjira's design for me. from an in-story perspective i think rev19 does a great job of contextualizing and fleshing her out as a character, but from an overview of the character it rings eerily similar to Orientalist tropes about both Indian and Rromani people in a way that i will probably never be fully comfortable with.

i do think it's hilarious that her snake is named Money though. that's beautiful and i can't complain in the slightest.

Kaalaa Baunaa is a delight to read about in terms of where her outfit might be drawn from. i genuinely don't know a good 90% of the fashion/clothing context when it comes to basically anything in rev19, so for a lot of it i'm definitely deferring to you in terms of whether or not her outfit is accurate. i do definitely like her second outfit better as well (it also looks a lot more comfortable. we're under a heat advisory where i am right now and i WISH i had something like that to wear when i eventually have to go out and walk the dog). i don't really have much else to say here, though

finally for Shamane i will fully admit to being woefully out of my depth and being very attuned to looking for First Nations stereotypes owing to that be a particular trope i'm very used to seeing (gods the feather thing happens SO MUCH). that said, i am absolutely kicking myself for not researching things first, i think learning more about the context of his specific design and beliefs makes me come around a lot more positively to some of the aspects of his design -- especially what you mentioned about it being historically accurate, as that's something i did not consider initially and is really cool to hear about wrt what the design process may have been! (also i love his arm design, like, a lot. no idea if connecting it to nazar designs makes sense or not, it does appear that those are almost exclusively blue though maybe in the context of rev19's worldbuilding red eyes would have developed as the "evil eye" instead? idk, but i can probably count on one hand the amount of prosthetic users in gacha games whose missing limbs are actually given thought and treated as aspects of the story rather than just visual flavor.)

in conclusion: yeah, i think after learning more about the context behind these character designs i was definitely a bit harder on Mor Pankh than i needed to be -- relative to other games that take a swing at depicting SWANA and/or Indian cultures i think rev19 is doing way better in that category than most of them. i will say part of why i am so frequently critical of rev19 is that i also love the game a lot -- i don't put much time or effort into critiquing things that are just straight up bad, and if i'm hard on something that's usually because i really want to sink my teeth into it and talk about what works and doesn't work within its story and broader cultural contexts.

(and also -- thank you again for taking the time and thought to send me this! i can't express enough how much i appreciate being able to learn more about the context of a lot of these characters and the story and just, like, talk about it openly. it rocks! thank you!!)

[doctorsiren]

New video tomorrow on my channel! I had an idea yesterday for a short animation, and I finished the sketch layer and decided that I’m gonna post that and then also post the finished version once I do finish it

This is to give me more content but also to help me remember that it’s okay if not everything I post is polished/finished/cleaned (I’m stuck in a really bad mindset when it comes to posting on my YouTube channel and I put a lot of pressure on myself to have clean and polished work, and so I’m trying to feel okay about my videos on there again)

[maid-of-the-golden-deer]

im sorry but "kill the villainess" (story by your april and art by haegi, included those because there wre Many similarly named stories lmao) is what ALL those other bitches THINK they are

the repeating pattern of all the men around her becoming obsessed with her not because of their Real relationship, but what they projected onto her- mirroring the common "heroine picks up 5 dudes nobly obsessed with her" trope in a much more realistic, gross way. the one guy who is Genuinely in love with her is a bit Obsessive with it but it still is genuine a result of her Actions, not whatever he made up in his own head

the way all the named characters, important or not, got a short and sweet (or. very Not sweet. the dressmakers story hit me with such powerful melancholy i had to put my phone down) backstory that explains who they are and why they act a certain way. down even to the "super supportive maid" all these stories have, who usually only get paired off with a spare man if theyre lucky, being revealed to being one of the most integral characters to the narrative

the Hints of lore but All of that lore doubling back to serve a purpose beyond a single relevant arc- maybe its just me but a lot of these generic female oriented fantasy novels love to drop a lot of keysmash-named lore dumps that arent rlly thought out that well. but here, for one example, jareds dragon killing story that helped the eris figure out the rules of causality coming back to be his karmic punishment? gold

and related to that, how they really went into the functionality of the fantasy world, how its real and not- milennia of history and legends and stories and people (awful as 90% of them seem to be lol) doomed to die, with medea dedicating her life to finding way to avert that? finding a new "author" within the story, a side character who before anyone else decided to change their own narrative by giving themselves a new name, changing fate before "eris" ever arrived?

helenas arc not being the now kinda overdone twists of "the perfect heroine from the story is actually a huge BITCH" or "the perfect heroine also transmigrated", but instead a woman who acted ignorant to survive learning that they may help you in the moment, but not forever, and finally Properly standing up for herself at the end

and to tie it all together, the premise itself. "eris" not wanting to just Accept her new life, not having a dramatically terrible life that one would want to escape, just a normal ho hum one with normal trauma and baggage anyone might have. addressing the "realities", as it were, of escapist fantasy- some people probably truly do want a whole new life, but 90% of people would end up desperately, achingly missing what they used to have

tldr kill the villianess feels like it stepped back, saw all the overused tropes of the genre good and bad, and decided it wanted to tackle them and tackle them well

[faislittlewhiteraven]

A nice little collection of snippets/one shots I've had in my head collecting dust a while but figured might be nice to post for Siffrin's birthday.