#love death and robots netflix

[refinedstorage]

4 0 0 B O Y S

Love, Death + Robots (2025) / dir. Robert Valley

"Old Mother decides how the Galrogs roll"

[movies-tv-more]

LOVE DEATH + ROBOTS vol. 4 posters

[gebo4482]

How Zeke Got Religion - Love Death + Robots Volume 4

[parasiticdaydreamer]

THAT'S IT?! THAT'S THE SEASON OF LOVE DEATH AND ROBOTS THAT TOOK THREE YEARS??

YARR THAT'S A RED HOT CHILI PEPPERS MUSIC VIDEO!!!

[comet-cantina]

Love, Death & Robots - Zima Blue 2019 - directed by Robert Valley

[proselles]

What I don't get is why news outlets and Netflix are trying to convince us that arcane was expensive to make. 250 million usd for both seasons they said, and obviously that's a lot of money, but they make the mistake of comparing it to big budget movies like Tangled. So you're telling me that I got an animated masterpiece that combines multiple different art styles fantastic voice acting and creative and passionate writing, that's 6-7 hours LONGER than major animated movies, and its the same fucking price?? And you're expecting me to agree with the corporations outlook, that it's too expensive? Yes, tangled is considered one of the most expensive animated movies, but arcane is like FOUR Tangleds. Many other 3D animated movies fall within the 160 million mark, but again, they're hours shorter than arcane was. I think the prices are comparable. I believe in saw someone (on reddit maybe?) divide the cost down to minutes of screen time for each show or movie and it becomes really obvious. I'm also pretty sure that many of these movie budgets do not include marketing in their overall expenses; arcane does.

This isnt even bringing live action tv shows into the equation; i dont think arcane even touches like the top thirty of those. And yet it's framed as such an expense!! Bitch its an incredibly successful tv show!! Ik Netflix is cheap as shit and has its own reputation to grapple with, but is the disdain for animation so much? Is it disdain for female lead action, for poc representation, for LGBT rep on screen? For the animation medium as a whole? I know the answer of course. But it's still very upsetting to acknowledge and think about.

Separately, arcane is absolutely crushing it. Ik act three is going to knock it out of the ballpark. Keep crushing corporate execs expectations please.

[gsnoveladventures]

THANK GOD IT'S BACK!

Tráiler de la temporada 4 de la serie animada Love, Death and Robots. Se estrena el 15 de mayo en Netflix.

Love Death + Robots Volume 4.

[demifiendrsa]

Love Death + Robots VOLUME 4 | Official Teaser

Season 4 of Love Death + Robots will stream on Netflix on May 15, 2025.

Poster

[curatorofthisdigitalmorass]

Love, Death + Robots: Volume 4 (2025)

[refinedstorage]

4 0 0 B O Y S

Love, Death + Robots (2025) / dir. Robert Valley

[gebo4482]

400 Boys - Love Death + Robots Volume 4

[treehouseoffhorror]

[comet-cantina]

Love, Death & Robots - Zima Blue 2019 - directed by Robert Valley

[thecanadianowl]

If only the T-Rex ate Mr.Beast's character...

[meduse555]

Alberto mielgo

Alberto Mielgo is an artist, movie director, and animation professional. He was born the 29th of April 1979 in Madrid, Spain, where he was born and raised. He then traveled to Paris, Tokyo, Berlin, London and Los Angeles where he now lives and works.

Mielgo’s personal purpose in his art is to “bring a better and smarter animation for a more target audience.” He has received a Prime Time Emmy award in the year 2013 and then an Annie in the same year under the title of best production designer for the movie “TRON UPRISING”

Alberto Mielgo has worked on a plethora of different projects during his career, but my personal favourites are Jibaro and The Witness for the show Love Death & Robots, and his concept art for the movie Spiderman: Into the Spiderverse.

The Witness

The Witness is a short film Mielgo made for the Netflix series Love Death & Robots. He describes it as being one of his most personal films.

The Witness starts with a woman looking out from her hotel window in Hong Kong. From her window she sees a disturbing scene unfold; a ma from the hotel opposite of hers kills a woman that appears to look exactly like her. After witnessing this murder, the woman tries to get as far away as possible contacting a friend or colleague “Vladimir” to let him know she’s coming over. She arrives at this sex-filled sabbath party where she seems to work at. The unnamed murderer follows her in and proceeds to chase her all the way to his own hotel room. In the end, the woman manages to kill him out of self defence, before she peers out the window to see a man peering out of the hotel room opposite of her, who is identical to the dead man that lay on the floor in front of her.

The style of this film is incredibly captivating, each frame is so packed with visual information and detail. The background design is very thought out; cluttered and packed but somehow always guiding the viewers’ eye to the character in the scene. One thing I noticed in this short film is how most scenes seem to be desolate, there are no characters other than the 2 individuals participating in the chase. There is of course an exception, the brothel scene is the only scene where there appears to be more than two people interacting with each other. Another interesting element of the cinematography in this episode is the camera work; the camera seems to shake and move to give the audience the impression that they are in the same stressful situation as the characters.

[demifiendrsa]

LOVE DEATH + ROBOTS VOLUME 4 | Official Trailer

Season 4 of Love Death + Robots will stream on Netflix on May 15, 2025.

Poster

Volume 4 episode guide

CAN’T STOP

Synopsis: A unique take on the Red Hot Chili Peppers’ legendary 2003 performance at Slane Castle, Ireland, with band members Anthony Kiedis, Flea, Chad Smith, and John Frusciante recreated as string-puppets. Directed by David Fincher, who originally made his name with music videos in the 1980s and early ’90s, before segueing into unforgettable feature films. Director: David Fincher Music, Lyrics and Performance: Red Hot Chili Peppers Animation Studio: Blur Studio. Voice Cast: Anthony Kiedis, Flea, John Frusciante, Chad Smith

CLOSE ENCOUNTERS OF THE MINI KIND

Synopsis: Tiny terror is unleashed in this mini alien apocalypse as directors Robert Bisi and Andy Lyon pay loving tribute to classic sci-fi stories of alien invasion and human stupidity using tilt-shift techniques that make the end of the world look almost cute. Director: Robert Bisi & Andy Lyon Writer: Robert Bisi & Andy Lyon Animation Studio: BUCK

SPIDER ROSE

Synopsis: A return to the fantastic cyberpunk universe of “Swarm” (Vol. 3), created by visionary sci-fi author Bruce Sterling and directed by Jennifer Yuh Nelson. On a remote asteroid mining operation, a grieving Mechanist gets a new companion and has a chance to avenge herself against the Shaper assassin who killed her husband. Director: Jennifer Yuh Nelson Writer: Joe Abercrombie, based on the short story by Bruce Sterling Animation Studio: Blur Studio Voice Cast: Emily O’Brien, Feodor Chin, Piotr Michael & Sumalee Montano

400 BOYS

Synopsis: In a post-apocalyptic city where warring gangs follow a bushido-like code of honor, a new gang, the 400 Boys, forces them to unite. A blend of beauty and brutality from Canadian director Robert Valley, whose LDR episode “Ice” won the Emmy for Outstanding Short Form Animation. Director: Robert Valley Writer: Tim Miller, based on the short story by Marc Laidlaw Animation Studio: Passion Animation, a Division of Passion Pictures Voice Cast: John Boyega, Ed Skrein, Sienna King, Dwane Walcott, Rahul Kohli, Pamela Nomvete & Amar Chadha-Patel

THE OTHER LARGE THING

Synopsis: From the mind of prolific writer John Scalzi comes the story of a cat who plans world domination. Sanchez, as his puny human “pets” know him, is helped by a new robotic butler (voiced by Last Week Tonight host John Oliver) who can hack into the World Wide Web and is eager to help his new master. Director: Patrick Osborne Writer: John Scalzi Animation Studio: AGBO Voice Cast: Chris Parnell, John Oliver, Fred Tatasciore & Rachel Kimsey

GOLGOTHA

Synopsis: In a rare live-action entry in Love, Death + Robots, a conscientious vicar – played by Rhys Darby, (What We Do In The Shadows) – plays host to an emissary of an alien race who believes their messiah has been reborn on earth… as a dolphin. So, uh… yeah, Dolphin-Jesus. Directed by Tim Miller. Director: Tim Miller Writer: Joe Abercrombie, based on the short story by Dave Hutchinson Animation Studio: Luma Pictures (VFX) Voice Cast: Rhys Darby, Moe Daniels, Graham McTavish, Phil Morris, Michelle Lukes & Matthew Waterson

THE SCREAMING OF THE TYRANNOSAUR

Synopsis: On a space station orbiting Jupiter, decadent aristocrats gather to witness a brutal contest of genetically modified gladiators — fierce combatants riding deadly, engineered dinosaurs. A tale of visceral violence and unlikely emotion, directed by Tim Miller, based on a short story by Stant Litore. Director: Tim Miller Writer: Tim Miller, based on the short story by Stant Litore Animation Studio: Blur Studio Voice Cast: MrBeast & Bai Ling

HOW ZEKE GOT RELIGION

Synopsis: B-17 Flying Fortress Liberty Belle has the oddest mission of World War Two: a journey into occupied France to bomb a church before the Nazis can raise an ancient evil. John McNichol’s short story of blood, fallen archangels, occult magic, and ultraviolence is directed by Diego Porral (lead animator on previous LDR classic “Kill Team Kill”). Director: Diego Porral Writer: J.T. Petty, based on the short story by John McNichol Animation Studio: Titmouse Voice Cast: Keston John, Braden Lynch, Roger Craig Smith, Gary Furlong, Bruce Thomas, Andrew Morgado & Scott Whyte

SMART APPLIANCES, STUPID OWNERS

Synopsis: From an angry toothbrush to an overworked smart showerhead and an intelligent toilet, various household appliances divulge tales of bemusement, scorn, and wonder about their human owners. Directed by Patrick Osborne, of Vol. 3 favorite “Three Robots: Exit Strategies.” Director: Patrick Osborne Writer: John Scalzi Animation Studio: Aaron Sims Creative Voice Cast: Melissa Villaseñor, Ronny Chieng, Amy Sedaris, Kevin Hart, Josh Brener, Nat Faxon, Niecy Nash-Betts & Brett Goldstein

FOR HE CAN CREEP

Synopsis: London, 1757. A poet confined to an insane asylum believes Satan wants him to write a verse that will end the world. And the only thing standing between him and the Prince of Darkness (voiced by Dan Stevens) is his cat, Jeoffry. Emily Dean directs this wildly inventive period adaptation of Siobhan Carroll’s short story. Director: Emily Dean Writer: Tamsyn Muir, based on the short story by Siobhan Carroll Animation Studio: Polygon Pictures Inc. Voice Cast: Dan Stevens, JB Blanc, Jim Broadbent, Nika Futterman, Jane Leeves & Dave B. Mitchell