#love has a lot of shapes

[poorly-drawn-mdzs]

You keep telling yourself that Namari.

[fiskael]

Made my very own tiny dungeon meshi dragon plush, that’s based on the version that only appears in the very last chapter for five pages and then is never seen again. I think it turned out pretty well.

I used this pattern to make it with some minor tweaks to the body, tails and legs and then just made some tiny cones for the horns at the end. If anyone would be intersted I might post the alterations and where to apply them but go check out the original pattern! I stuffed it both with acylic stuffing but also some plastic pellets for a bit of extra weight. The eyes are done with french knots.

Going to be adding manga spoilers below the read more with pictures of what I tried to get it to look like.

[beatcroc]

pest control TWO!!!!! heres the first one

adn heres the obligatory bonus bc i can't help myself :')

[sysig]

You keep underestimating others and it’ll come back to bite you (Patreon)

[rustytrident]

seeing all these mixed opinions ab nightbringer and here i am giggling and kicking my feet cause we get to rizz up the demons all over again

[tswwwit]

I feel like if Dipper were ever reincarnated as a demon, he wouldn't fit in super well with the others. Yes, he's been raised to vie for power and step on everyone in his way using whatever means is necessary - it's the same toxic bizz as when he was a human, appealing to gender norms. He's tougher, scarier, more powerful (than ordinary humans, that is), but when it comes to asserting control - being Evil - he doesn't have it in him. Given enough time, I think he'd grow pretty vocal about leaving living things alone. NOT torturing organisms for the hell of it, or stealing people's souls, or conquering planets. Sure, he's a demon. That's no excuse to be a MONSTER.

It's a VERY unpopular opinion amongst neighboring demons, and rumor spreads fast about the Goody Two-Shoed Activist imp raining on everyone's blood-splattered parade, so much so that it makes it to Bill, who's immediately intrigued. Call it intuition, but only one soul's capable of overriding goddamn demon nature for some preachy bullshit about "Doing Good." Lucky for him, demons occupy the same plane of existence, so all it really takes to verify the guy is a snap of his fingers, and POOF! He's floating right next to him. Sure enough, Dipper's fashioned himself a new and improved demonic form, and it is lovely!

No one likes Dipper's kumbaya "Can't We All Just Get Along" ideology, but Bill's almost instantly smitten with the guy, whoever he is, so he's gotta be at least somewhat powerful. Demons take notice when the all-powerful Bill Cipher starts lending his time (and magic?) to some low-leveler like Dipper. Is he being blackmailed? Are they working together? No. Not possible. Bill doesn't "work" with anyone, save for whatever human catches his eye every few decades. Doesn't look to be doing him any benefit, either. The opposite, even. Lending power to a saint like Dipper only makes it harder to cause chaos, after all. Why would he actively go against his OWN best interest to cater some imp's? It's almost like he's. He's.

A henchmen.

(Bill's also 30% more affectionate the first month they reunite, because he still can't believe that his adorable little human husband came back as the same SPECIES as him! He'd never complain over having a sweet human to squeeze, but one with teeth and claws and cute pointy ears doesn't hurt).

[feroluce]

So Sampo is canon described as the only person who can travel between the overworld and underground, but it's never actually revealed HOW he gets around.

I'd like to believe part of the reason he's so secretive really is just because of business. One of the best ways to keep your customers is by being the only one to offer something, and Sampo stands to make a pretty nice profit if he's the only one able to smuggle in supplies. Gotta protect the trade routes ☆

BUT the other part is because he's probably one of the only ones that could SURVIVE it. I'd like to think a lot of his routes enter the overworld either in places like Backwater Pass, where it's technically in the city but is overrun by Fragmentum, or on the frontlines, where it's frigid cold and crawling with Silvermane Guards.

If someone manages to get all the way up, and even if they manage to sneak past all of the Guards/monsters and not freeze to death, there's still the possibility of getting caught in the city proper by regular civilians.

And if Cocolia heard word of someone caught in the overworld, I can't imagine there's any way she would just leave that, she separated the halves for a reason. This person would be interrogated, and then the route sealed off, and then the Undergrounders would lose a vital supply route. Sampo has to be extremely careful to not get caught and not be tailed.

And I'm sure he does a lot of shady trading in Belobog proper, but I think a lot of it also comes from him looting the Fragmentum-corroded areas, too. After all, in the Cyrille the Fool quest line, when the trailblazer sees something strange in the Fragmentum, the first person they think to consult is Sampo.

So I love the thought of Sampo being like extremely disciplined and being able to be out there for like days at a time.

Looting is easier in the beginning, but eventually Sampo has to go farther and farther out for supplies. Sometimes he'll be out there for days, and it's not exactly a safe place to sleep, but he can stay awake and alert for absurd amounts of time if he needs to be. Going for 24+ hours isn't unusual for him on a big supply run; Sampo will be awake for a day or two, he'll bring back everything he finds to Natasha, then sleep for a solid 8-12 hours and be back up again. He takes a couple of low key days where he rests or does easy work, then he's ready to plunge into the fray again!

On the rare occasions he sleeps in the Fragmentum, it's not for very long, less than an hour, and Sampo has traps he sets all around him while he sleeps sitting up with daggers in hand. Caelus finds out about this habit the hard way because he gets restless and decides to go explore (I'd like to think with the Stellaron dwelling within him, he's largely immune to any kind of Fragmentum corrosion), and he sees Sampo curled up in a corner, head down. So of course he approaches to see if he's ok, and-

A trap pops and hisses

There's a bright flash of pink

Caelus blinks

His back hits the wooden wall behind him

There's the sound of reverberating metal-on-metal right next to his ear

Caelus blinks again

...and is shocked to suddenly find that Sampo is looming over him, pinning him to the wall, one dagger sunk into the wood and the other blocked by his metal bat.

And they both just stand there for a beat, until Sampo blinks the bleariness out of his unfocused eyes, and then he yawns obnoxiously right in Caelus' face and tells him he shouldn't interrupt people's beauty sleep! How is Sampo supposed to stay so handsome otherwise!?

Caelus only notices shortly thereafter that there's a thin line of blood on his neck, and he belatedly realizes that Sampo really would have taken his head off by pure instinct if he weren't also incredibly quick with his reflexes. No wonder he's the only undergrounder surviving out in the Fragmentum; anything that approaches in his sleep thinking they have easy prey is almost instantly demolished.

[uniquezombiedestiny]

"your other fragments went off to see a new galaxy. i bet they've turned into a big, beautiful comet by now."

"you think so?"

different text placement + no text versions :)

[icecreampizzer]

Well, it's Solaris's turn! Here's a cleaner set of design notes I've got for her. Giving her some alternate outfits and a cane for good measure (though I've also considered making more mobility aids for her in the future weehee)

[beanghostprincess]

When Usopp realizes he has a crush on Sanji, he doesn't draw Sanji himself despite what everyone thinks. He starts sketching the sea more. Sea creatures. Food, too. He keeps drawing beautiful pictures of what he thinks the All Blue is. Of all the things Sanji has described. He gets kind of obsessed artistically with the idea of fishes and corals and all the animals Sanji loves. He uses the color blue so much that he actually runs out of it and needs to go buy more because no inspiration comes when he doesn't draw thinking about Sanji, and Sanji is just all blue.

And Sanji keeps looking at his art in awe, completely in love with how he portrays the sea, wondering why Usopp likes this concept so much. But he never thinks it's because of him. So Usopp has the perfect chance to make Sanji smile with his paintings and make him feel what he does for him, without actually telling him the truth. He even gifts some to Sanji, of course, and Sanji keeps them close. He buys frames to hang the paintings in the kitchen, and even if Usopp says it's too much and a bit embarrassing, Sanji says most of his strength when cooking comes from looking at Usopp's art. That makes Usopp have a tiny heart attack.

Then, Usopp draws something that finally makes everything click. He thinks he'll get away with this one too, Sanji loving his art but never realizing what it's about. But Sanji knows. It's a painting of hands. His hands, obviously. Holding what is the whole ocean, different sea creatures swimming inside the bubble, Sunny and Merry right there. And it's a simple painting that doesn't have to be romantic, but it just makes everything make sense for Sanji, and it makes his heartbeat follow Usopp's to the same rhythm. Sanji doesn't say anything but decides to stop cooking for a while only to see Usopp painting. To sit next to him and watch him create.

[brother-emperors]

‘Is there a point to any of this or do you just want to see how much more I can take?’ snaps Crassus. ‘Oh, I knew there was still some bite left in you,’ says Cethegus, thrilled. Cethegus teaches Crassus the art of politics and the ways of business. Sulla is not a fan.

Sulla: the Last Republican, Arthur Keaveney

Crassus, Catilina, and the Vestal Virgins, Ronald Syme

Sulla: the Last Republican, Arthur Keaveney

[poorly-drawn-mdzs]

A collection of Poorly Drawn Cats

[anyoldfandom]

I am actually. I am so emotional over the Salazar parents and I need to share this to tumblr too.

A lot of stories where the MC is adopted I feel. Either dismiss the biological parents and the impact they have on the kid's life, or makes them evil and abusive, framing the loss of the bio parents as a good thing, or at least something we shouldn't think about just look at this new family.

But Genrex doesn't do that. From the start, Rex wanted to find out more about his parents - it's one of his primary character motivations, next to helping people. He loves them, even though he doesn't know them.

And the more he finds out about them, the more he realizes they loved him. Rylander is consumed by guilt but as Rex's first connection to his pre-Event life, the first thing he does is hug him. And when he tells Rex about his parents, the two things Rex knows is that 1) they were scientists, and 2) that when he was in danger, they were desperate enough to use their secret, experimental technology to save him. Technology built from their desire to help the world, to save countless lives and end countless suffering.

And then. When he finds out that they were dead, he doesn't stop caring. It'd be so easy, too, to tie it up there - his parents were good people, he got his answer about them, the end. But they don't. He doesn't. Because the show is saying once again that they are his parents. He still calls them mom and dad, even as the show makes it clear Holiday and Six adopted Rex as their son. Even as the show even parallels Six and One with Rex and Six (and I will talk about that more later if I don't forget, trust me), to really drive home how much they're family. Rex even says he considers the two of them family, and later that he considers Noah, Claire and Annie family.

He has new family, the show tells us, but his old family still matters to him. He's upset that he never has the chance to meet his parents, that everything he hears about them, about his time with them, is secondhand knowledge. It tells us clearly that not only does Rex still love them, but that he still wants to know them. And everything we find out about them reinforces the love that they had for each other.

We see Abuela and the family in Mexico, who connect him to his birth family and tell him that he was so loved back then, and still is now. We see their office in Abysus through Rex's eyes. The picture of him and his dad on his desk. The drawing Rex drew, proudly pinned to the wall.

We see it in the familiarity of the drawing. That that robot, that build, was what Rex created when he was lost and scared and alone - that it was made to keep him safe. That it first appeared in his mind in a place he felt safe.

The show says, tenderly and softly, that the love is still there. That the fact these people died was nothing but a tragedy, that their love is a big part of what made Rex who he is today - that every molecule in his body is filled with their final gift to him. That every time he cures someone, every time he uses a build, every time he makes a machine - we see the love that they had for him.

And the way he quietly absorbs his father's face. The way he freezes and whispers "Mamá?" when he finds out Zag-Rs has their mother's voice. The fact that she even has her voice as a testament to Caesar's love, too - that it was meant to bring comfort and safety. The way Rex yells at Caesar when he finds out they have a family property, a connection to their past, the way he fights to protect it.

And, none of this takes away still from Six and Holiday being Rex's family too. None of this removes the work either set of parents did for him, the love either set has - the show says that it was unfair that the Salazar parents were lost. That Six and Holiday are not replacements, that they still love him as parents but play different roles in his life. They can not, and have no desire to, replace the Salazars. But Rex needs parents, he needs protectors, and so they will do what they can for him - at first out of necessity, to keep this kid they barely know safe, but then out of love. They aren't replacing what was lost, but are doing their best to do what Rex's bio parents would do. And they do mess up in it - they mess up in ways Rex's bio parents might not have. Six is clearly bad with showing affection, affection we saw the Salazars give Rex so easily, and Holiday is overworked and stressed constantly, sometimes breaking under the pressure and snapping at Rex and Six, things we never saw the Salazars do.

It's just. It's about how sometimes things will not be the same. They will be different. That doesn't mean the people you lost aren't still with you.

[canisalbus]

I love the shapes you use to draw machete, or really any character!! The way you draw noses, ears, bodies, fur, it looks like of I were to reach my hand out I could actually feel it, the bumps in the skin the squish of the flesh the softness of the hair. Not to mention the colors you use are very pleasing to the eye. So lovely... keep up the phenomenal work!!!

Ah, thank you so much!

[sysig]

Some highlights from a tense but still very Winterkov-y scene (Patreon)

[kurokmask]

*aqua voice* TERRAHHH

there is no greater pain that being unable to draw ur fav. terra for whatever reason has just been SOOO hard for me to draw. n i finally after over a yr have made something i think i actually like YAY

terra baby i love you so much