#Anyways. Sorry for the big post.

[anyoldfandom]

I am actually. I am so emotional over the Salazar parents and I need to share this to tumblr too.

A lot of stories where the MC is adopted I feel. Either dismiss the biological parents and the impact they have on the kid's life, or makes them evil and abusive, framing the loss of the bio parents as a good thing, or at least something we shouldn't think about just look at this new family.

But Genrex doesn't do that. From the start, Rex wanted to find out more about his parents - it's one of his primary character motivations, next to helping people. He loves them, even though he doesn't know them.

And the more he finds out about them, the more he realizes they loved him. Rylander is consumed by guilt but as Rex's first connection to his pre-Event life, the first thing he does is hug him. And when he tells Rex about his parents, the two things Rex knows is that 1) they were scientists, and 2) that when he was in danger, they were desperate enough to use their secret, experimental technology to save him. Technology built from their desire to help the world, to save countless lives and end countless suffering.

And then. When he finds out that they were dead, he doesn't stop caring. It'd be so easy, too, to tie it up there - his parents were good people, he got his answer about them, the end. But they don't. He doesn't. Because the show is saying once again that they are his parents. He still calls them mom and dad, even as the show makes it clear Holiday and Six adopted Rex as their son. Even as the show even parallels Six and One with Rex and Six (and I will talk about that more later if I don't forget, trust me), to really drive home how much they're family. Rex even says he considers the two of them family, and later that he considers Noah, Claire and Annie family.

He has new family, the show tells us, but his old family still matters to him. He's upset that he never has the chance to meet his parents, that everything he hears about them, about his time with them, is secondhand knowledge. It tells us clearly that not only does Rex still love them, but that he still wants to know them. And everything we find out about them reinforces the love that they had for each other.

We see Abuela and the family in Mexico, who connect him to his birth family and tell him that he was so loved back then, and still is now. We see their office in Abysus through Rex's eyes. The picture of him and his dad on his desk. The drawing Rex drew, proudly pinned to the wall.

We see it in the familiarity of the drawing. That that robot, that build, was what Rex created when he was lost and scared and alone - that it was made to keep him safe. That it first appeared in his mind in a place he felt safe.

The show says, tenderly and softly, that the love is still there. That the fact these people died was nothing but a tragedy, that their love is a big part of what made Rex who he is today - that every molecule in his body is filled with their final gift to him. That every time he cures someone, every time he uses a build, every time he makes a machine - we see the love that they had for him.

And the way he quietly absorbs his father's face. The way he freezes and whispers "Mamá?" when he finds out Zag-Rs has their mother's voice. The fact that she even has her voice as a testament to Caesar's love, too - that it was meant to bring comfort and safety. The way Rex yells at Caesar when he finds out they have a family property, a connection to their past, the way he fights to protect it.

And, none of this takes away still from Six and Holiday being Rex's family too. None of this removes the work either set of parents did for him, the love either set has - the show says that it was unfair that the Salazar parents were lost. That Six and Holiday are not replacements, that they still love him as parents but play different roles in his life. They can not, and have no desire to, replace the Salazars. But Rex needs parents, he needs protectors, and so they will do what they can for him - at first out of necessity, to keep this kid they barely know safe, but then out of love. They aren't replacing what was lost, but are doing their best to do what Rex's bio parents would do. And they do mess up in it - they mess up in ways Rex's bio parents might not have. Six is clearly bad with showing affection, affection we saw the Salazars give Rex so easily, and Holiday is overworked and stressed constantly, sometimes breaking under the pressure and snapping at Rex and Six, things we never saw the Salazars do.

It's just. It's about how sometimes things will not be the same. They will be different. That doesn't mean the people you lost aren't still with you.

[porrigens]

pegoryu valentine :3

[naturecalls111]

[linoguy]

skz smileys

[michuyox]

South park shenanigans (P1???)

[samipekoe]

woke up w a vision today

[muffinlance]

Do you get the impression the live action is treating us like utter morons?? Like I thought that making it aimed at an older audience would open the doors for more subtle story telling, but no, they're just using monologues to tell us eveything! Like in the second episode Katara's like 'oh his power isn't that he's the avatar, it's that he ~connects~ to people'. Girl we're not idiots we can see that!! And the first episode with Aang's goddawful 'I don't want this responsibility' monologue

THIS, YES. The word that keeps coming to mind is definitely "subtlety". The show for literal children? Had it. The remake for adults? Not so much.

[reineydraws]

so there's this post that talks about how people call jason's curved knife a kris but it's not a kris 'cuz why would he have a southeast asian knife? and op's tags say if you're gonna give him an 'exotic' weapon at least make him malay or something. a later reblog adds a filipino kris as an example, and then i was like, 'omg, jason in a barong tho.' SO i tried designing a bat-barong inspired by his hood logo, for a filipino jason haha. and now here we are! 😊✨️🇵🇭

[ashenberry]

[ID in alt]

hi hey hello. you should go check out @u3pxx 's piece for the mea culpa zine I just made a fun and silly continuation of it because im normal about it <3

more fun and silly shenanigans under the cut

[ID in alt]

[couch-house]

some echidnas and a jackass

[manichewitz]

an essential part of being an obsessive fan of an emo band is believing those two guys with wives and kids are gay for each other. if you don't think those two guys are gay for each other you're just not doing it right

[swallowprettybird]

while I'm preparing screenshots for the cursed chronicles, I brought you some footage from the shoot of Willow and her colleagues 🙃

thank you sm @kalino-thesims for this beautiful animal 🦓💛

What would you call a zebra?

[samarecharm]

I wish the thieves had SOME kind of reaction to the Satanael awakening. Kinda wish we at least had RYUJI react to it….

I think its sooooo compelling to have Ryuji be the only person to witness BOTH awakenings; to see how much Akira and his will has grown since they first met. There was a raw, burning fury in Akiras core that recoiled at the injustice before him, and when given the tools to punish said injustice, eagerly accepted it with a wild, almost manic kind of intensity. I think it would be difficult for the others to truly grasp just how scary that was; that for a short moment, Ryuji couldnt pinpoint the cause of that rage, and the target of it. Akiras mellowed out alot since then, but its always in the back of Ryujis head; theres a side of their leader literally none of the thieves have or will ever see, and he doesnt really know how hes supposed to feel about that.

And now the airs charged in the same way he felt back in Kamoshidas palace; right as Akiras eyes widened at seeing him slammed against the wall. The blazing, untamed ferocity in his eyes from back then is replaced with a cool, calm, steely conviction. He knows his purpose; understands completely what his will screamed at him to understand back when it first started. This is the Akira the team knows, and its definitely the one Ryuji is used to now, but its insane to see the shift; insane to see the kind of power that simmered in Akiras core, literally too big and too overwhelming for past Akira to grapple with and set free.

Satanael comes down, and theres a moment, through all the excited screaming and hollering, where Ryuji can see it look right at him, and Ryuji is taken back to the floor of Kamoshidas Palace; not to the fear he felt when Arsene came forth incinerating everything, but immediately after, when Akira comes to with wide eyes and an outstretched hand- that bizarre feeling of safety, of knowing that this kid would have his back, and that hed never have to worry about where his place would be (its right beside him, obviously.)

[kaeya-senpai]

AU brainrot teehee

[ajaxpilled]

something so special about the pet name big guy. like yeah,, big boy with an even bigger appetite. the trashcan of his friends, the bottomless pit who seems to be able to eat for a family of five and then ask what's for dessert - but even he sometimes manages to overeat and needs a belly rub. probably a little embarrassed about it bc he's been warned this will happen with the large amounts he regularly eats. hell yeah i love me a big guy <333

[geodenes]

can someone PLEASE be insane with me about them