i will never get over how perfect the Doctor and Rose's ending is. Rose, who made her choice a long time ago and promised to stay with the Doctor forever, who always found a way to return to him no matter how impossible it was, because she loves him and she needs him almost as much as he needs her. Rose, who was willing to sacrifice everything to be with the Doctor so he wouldn't be alone, so he would always have her, and in the end, it was the Doctor who made the sacrifice, who left immortality and his universe behind, who stayed with her in a parallel universe, who chose her to spend his human life with.
the Doctor, who had lost so much and so many people in his life, who often dreamed of having a normal life and growing old with someone, who yearned to have that kind of life with Rose, because he loves her and he needs her, because she's everything he believes in and his hope in his darkest moments, and in the end he finally gets his wish in Tentoo.
it's a perfect ending because they both get their wish, they both get their happy ending and they get to spend the rest of their lives together, and it's also a bittersweet ending because it's a sort of paradox where the Doctor has to go on with and without Rose at the same time. the Doctor and Tentoo are the same man in two different journeys: in one he gets to have the life he's always dreamed of with Rose, and in the other he has to live on without her, but carrying her forever in his hearts and in his memory, and with the comforting knowledge that he is and will always be with her
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Dressrosa would obviously be quite different in the CoraMiShanks AU, given that, well, Rosinante is there to help kick Doffy's behind, but I'm not sure if I want to touch the happenings in present day canon yet.
HOWEVER! I am once again thinking about how in canon Zoro dragged Law into the party after---
Zoro dragging Law along to have a drink and they inevitably talk about swords (it's Zoro and Law carries an interesting blade, what did you expect?) when Zoro, slightly tipsy, lets slip that he trained with old Hawkeyes for two years.
Law, already fully sloshed (seriously he should have known better than to try matching Zoro for drinks), immediately goes: "Does Hawk-san's 'training' still include tossing you across the entire island and letting you fend against the stupid monkeys for yourself?"
And Zoro just absolutely loses it. What do you mean Law knows that he's spend most of those two years traipsing around lost on that stupid foggy island?? What do you mean Hawk-san???
And drunk Law long-windedly explains that he grew up with Mihawk around, even lived in his dilapidated castle for a while with Cora-san, before they returned to the North Blue so Law could finish school. He even had extended dealings with the Red Emperor during that time, and don't belive what anyone tells you, they're both stupid powerful, but also stupid dorks, it's unbelievable how Cora-san is so attached to these idiots...
And while Law drunkenly prattles on, Zoro is sitting there, head in his hands, realising Hawkeyes actually did a good job with Law, even though his technique is disappointingly reliant on his devil fruit; which means that Hawkeyes probably also did a good job with him, and that on top of that, he might actually really care..?
Druing the trip from Zou to Wano with the Heart Pirates, Zoro learns that they all know Hawkeyes, or Hawk-san as Law calls him and they copy; because when they first set out he showed up all intimidating with his huge sword and unwavering stare and icily told them to "stay safe" and "don't bite off more than you can chew" and "here is my contact, do not use it" and he has shown up somewhat regularly since, especially after Cora-san officially joined the crew when they entered the New World.
Zoro is left sitting there with the knowledge that Hawkeyes apparently has at least three vaguely adopted children, and that he does care. And Zoro has no idea how he is supposed to feel about the knowledge that he is one of those children now.
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now that my friend pointed it out i cant stop thinking about the design of the tardis in the tv movie because 1) it was gorgeous but 2) that was a home. that was his home. he had a chair to lounge in and a record player. seeing the tardis in the tv show, that one huge console room, bigger on the inside and yeah, it’s impressive but it’s functional. (i’m assuming this is a budget thing, because it would probably be extremely impractical to have the kind of set they put together for the tv movie for every episode of an actual show lmao.)
there’s just something so. i think it’s the first time i’ve really looked at the doctor in the tardis and thought, right, he lives in there. rather than it just being his car. it is very funny to think of the doctor as a guy living out of his shitty van, but no, the tardis can be a home. it can be warm and comfy and full of knick-knacks.
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you know, i kind of wonder if ruby, having grown up with a Black mother and grandmother (and foster siblings??), might have picked up on the racism before the doctor did. cause like, the doctor has been white for, in their perspective, their entire life (what with their memories of being the timeless child and ruth!doctor having been wiped, and i think it's reasonable to assume this is still very very early days for 15). whereas, ruby probably had to have at some point as a child picked up on the fact that people were treating her differently from her family, right?
come to think of it — is ruby actually aware that the doctor didn't realize until the end? like — she doesn't still know about regeneration yet, right? cause if she doesn't, then it would make sense for her to have assumed that 15 did pick up on the microaggressions and just wanted to save these people even with that knowledge. really adds another layer to why this sucks for him
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UMMMM DOCTOR AGREEING WITH DONNA SAYING ISSAC NEWTON WAS HOT?!!!!!!! AND THEN WHEN HE ASKS IF HE DOES THINGS LIKE THAT DONNA WAS SAYING SOMETHING ABOUT HIS SEXUALITY ALWAYS BEING ON THE SURFACE?!!!!!!!!!!!!!!!!!!
Hoo, boy. Well, I just watched the second of the DW 60th anniversary specials ("Wild Blue Yonder"), and let me say...that was fucking awesome. As I've mentioned previously, I am a very casual Doctor Who viewer, but this felt so much tighter and stronger than "Star Beast" by several orders of measure. I know everyone talks about DW being owned by Disney now and how that has affected the budget, but this episode more than proved that you do not need fancy special effects or over-the-top action sequences when you have two actors who can just do what David and Catherine did.
I've only seen a few other DW eps, but I was amazed at how creepy this was, and having it be so intensely character-driven--that is, having the antagonists be copies of the Doctor and Donna and allowing David and Catherine to create two completely different other characters so that it felt like there actually were four different people on screen--was sheer genius. Absolutely brilliant and hilarious but also wildly unnerving at the same time.
Which then brings me to the moment you mentioned, which is thoroughly delicious on its own:
Right off the bat, what surprised me is how very not surprising this is, at least to anyone paying attention. We know the Doctor is an alien who transcends time and space, so there is no reason to think that he/she/they wouldn't also transcend sexuality. And again, not having seen as many episodes of other incarnations (Nine, Eleven, etc.), I have always seen Ten as being bi or pan, without any question. There was something about Fourteen saying this, however, that felt very akin to 57 academics punching the air, and I am just beyond thrilled that this made it into the show.
What's also been interesting to me is seeing the negative response to this development on Twitter, and the subsequent pushback to said response. I've seen a lot of folks saying the Doctor can't possibly be gay (nevermind that being into men doesn't necessarily make the Doctor gay, since bi/pansexuality is A Thing That Exists) because of Rose, and then other folks responding with examples from Ten's era showing all the ways in which Ten is not/has never been 100% straight. But as easy it is for these pushback people to see this as a possibility for fictional characters, they seem to have a very difficult time seeing that same possibility in real people.
To wit: I saw a tweet yesterday from someone who thought that Russell T. Davies was straight--much to my disbelief--and a subsequent reply on that tweet from another person who thought he was married to Julie Gardner. And sure, I'll grant you that not everyone is interested in the personal life of a DW showrunner/writer...but we are talking about the man who wrote the UK version of Queer As Folk, and gave the world Captain Jack Harkness, for crying out loud. The same man who made David/Ten look and act like the biggest bottom ever to bottom and earned the moniker "Russell T. Daddy" for a reason. Yet the grip of compulsory heterosexuality is so strong that all of these things (as well as the fact that he had an actual husband, who sadly passed away a few years ago) ceased to matter.
But...it also suddenly makes sense why so many people are oblivious to the fact that David (and Michael) are most likely not 100% straight.
If we are going to say that the Doctor is not necessarily automatically straight because of having previously dalliances with women, then it makes sense to say that David is not necessarily automatically straight for the same reason. I've talked previously on my blog about how assuming straightness when someone hasn't come out as straight or because someone is in a straight-passing relationship is a problem, and that people don't need to label themselves specifically to be who they are. Yet as willing as so many fans are to let fictional characters step outside of that confining box, those fans are equally willing to push the actors right back into it.
I still see people calling David a "straight man" when that very well might not be the case. When this year in particular, David has been more vocal than ever before about numerous facets of queerness in a multitude of forms (wearing badges, gay pride boots, t-shirts, etc). I've talked about how the clothes David wears seem to be reflecting who he really is more and more, and thinking about the roles he's played this year--Crowley, Fourteen--I see a similar pattern. And I keep thinking about that little boy in Paisley who was afraid to ask for a DW Leelah doll because he didn't want to be a "sissy." I keep thinking of David likely being told that his career would be destroyed if he was anything other than publicly straight, and especially while playing a beloved character like the Doctor.
For him to come back as the Doctor now--in the midst of a deeply charged period in history, with homophobia and transphobia spiking dramatically in the UK--and to mention finding another man hot in the most completely casual way is nothing short of astounding. And what better vehicle to potentially guide David toward opening up about himself than something he has loved for so long? What better show to serve as a lighted pathway, of sorts? Nothing Russell writes is not deliberate. Nothing being done in these specials is not deliberate. And if 900 years isn't too old to discover or become more open about a part of yourself, then why should 52 be?
So yes, those are my thoughts on this new DW 60th anniversary special, and this particular moment with Fourteen (Ten-Four) and Donna. It really does feel as though this is all leading toward something, and I am definitely looking forward to seeing the third and final special next weekend...
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I originally queued that "practice surgery" bill with the intent for Vasso to gain some medical experience, but I really like the idea of Bella becoming Doctor Darlington-Whit, so perhaps she will see more surgery in the near future.
Yay Magic Man!!!!!! I love him so much I am going to get so sick of drawing his wings he is so cool and badass
Magic Man, as my colonist with the highest melee ability (level 9), gets the honour of having a magic sword judge his every action until the end of time <3
M.M. is the best colonist, sorry everyone. I don't make the rules.
Unfortunately, we only managed to snag one of the bionic thrumbos (his name is Poison). His lady friend wandered off the map before M.M. could reach her.
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Thinking about the convolution of Eleventh Doctor's expressions of love for River Song in Season 7B. He does not trust Clara. He is utterly (wrongly) convinced that he and Clara are playing a grand manipulative game together. “What are you, eh?! A trick? A trap?!!”
So naturally, the last thing he should do in this game is to clue his opponent in on something that could be used to hurt him. Something like River, so painfully near the end of their time together, whose data ghost he can always see, who “it would hurt too much” to acknowledge. He can't let Clara know of the loss which constantly floods his senses; (“You are always here to me. And I always listen, and I can always see you,” he professes, once Clara has vanished into his timestream).
And yet. River fills his every moment (irregardless of any sneaking out for dates with increasingly-young Rivers while Clara is asleep like he did while the Ponds slept, which would explain his absence when the TARDIS is hiding Clara's bedroom). Even though it's not strategic, he can’t help but tell Clara about her. The best defense he can manage is to phrase it as if River isn’t as important to him as she is. Not only is avoiding her first name in his grief; he's also completely avoiding pronouns; which seems extreme given that he's still mentioning her as often as: “Oh yeah, of course he has! Professor Song! Sorry, it's just I never realized you were a woman.”
Leave out the emotion — leave out the details — don't show the cracks in the armor — play the part — win the game.
“Well, there's no point now. We're about to die. JUST TELL ME WHO YOU ARE.”
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