#love that little riff

[hopscorched]

draw me like one of your japanese mango girls. feat. Mixed Media

[ohposhers]

Floyd looks like if you turned the NIN Pretty Hate Machine album cover into a gay troll and you bet your ass I’m gonna make this into a Fliff comic

[nothing-behindher-eyes]

happy father's day to mike and jonah for being the fathers to my children

[luck-of-the-drawings]

OOH YEAH BABY! PARTY TIME BABY! MUSIC! DRINKS! SOCIAL PRESSURE & A PSYCHEDELIC BREAK DOWN! WELCOME TO VAMPIRE SOCIETY MOTHERFUCKER! ARE YOU SCARED? DO YOU UNDERSTAND YET? ITS OKAY IF NOT. FIRE DISSOLVED IT! ITS ALL GONE NOW. HAVE FUN!

[pengu1n-flyer]

I don’t have an addiction u have an addiction 😔

[geelk]

AHHHHH IM SO OBSESSED WITH HOW THIS TURNED OUT!! The gaysest little guys! I remembered these songs existed and had to draw them singing them.

[psych0-r4tz]

I drew the silly guy

[candyfloss-esophagus]

sorry it's just that im obsessed with noir calling hobie 'doll' and 'darling' and 'sweetheart' and hobie calling noir 'love' and 'treacle' and 'pete' bcs they're affording themselves these little pieces of adoration and softness that their respective worlds never bothered to offer them

[anti-gravity-insanity]

Wish me luck, MCR girlies. I’m going to absolutely BUTCHER I’m Not OK tonight at my college’s battle of the bands. Trying to summon the power and grace of Ray Toro for the solo but I am most definitely only an embodiment of Frank Iero’s ferality and nothing more.

[avephelis]

me when the chip bass riff drops

[wuntrum]

i would love to do my own take on sir gawain and the green knight but in order to do so i'd have to make it like SO different from the original because i would just wanna make the green knight (2021) again. id have to make them all mermaids or somethin

[felixcosm]

130: Compound Storage Will Protect Us has some of the best voice acting performance ever.

The switch between comedic and witty, to terrifying and gut wrenching is something Dylan does so well in his writing, but then he and David took that script to a whole nother level in their acting

It's hands down one of the best woe.begone episodes out there

[wavesoutbeingtossed]

oh shiiiiiit her guitar playing is so delicious tonight

[nothing-behindher-eyes]

I ahve so many things to say about how mike faist is the finest, most beautiful, sexiest, kindest, purest soul on the planet and I'll DIE on this hill

he will be the death of me

[sounwise]

When Off the Ground was completed [Paul] decided he wanted dance mixes of a couple of the songs for release as 12-inch vinyl singles, hoping to reach a younger audience this way. To undertake the work he hired Martin Glover, founder member of the band Killing Joke, who, despite being 31 years old, went by the name Youth. Youth quickly established a rapport with McCartney, the two musicians sharing a similar hippyish mindset and manner of speaking. [...] [Youth:] “[So I] went down there [to Hog Hill Mill] and I started sampling … I said, ‘What would be great if you could just add a couple of other things to the loops I’ve taken off the multi-tracks and just take it a bit further,’ and he was happy to do that. I got him jamming, got him on his guitar, and all these other [instruments]. He’s got such a great collection.” One of the instruments Paul played on this very modern record was Bill Black’s double bass [...]. Youth took the tapes to his home studio where he assembled alternate versions of what he expected to be one final track. Then Paul came over with the family to listen. “He and Linda and some of the kids would come down and just sit in on the sessions until three or four, and got a real buzz out of some of the alternative mixes I was doing for the ambient ones and really, really loved it, and then he came back and he said, ‘I want to put all these mixes out’ [laughs]. I said, ‘They’re actually for editing into one mix.’ ‘No, no.’ He’s often like this [laughs]. So the first album was really all the different mixes from that one session.” By the ‘first album’ Youth means the collaborative CD strawberries oceans ships forest. ‘It’s basically a magical reference in the English folk tradition,’ Youth says of the curious unpunctuated title, declining to elucidate. Paul decided to put this enigmatic recording out under a pseudonym, [...] the Fireman, in honour of the fact that his father had fire-watched in Liverpool during the Blitz. ‘This was supposed to be an antidote to him doing commercial releases or songs with record company pressure,’ comments Youth. ‘It doesn’t take a lot of imagination to imagine how much of a box being Paul McCartney could be, and the idea of wanting to do things outside of that box, with no previous association, anonymously, can be very attractive.’ […] ‘It is a dance record, but it’s also ambient, and it’s a little esoteric [with elements of] electronica,’ explains Youth. ‘But it’s also none of those things, cos it’s stuff he’s all played, and it’s all originally recorded and that makes it different.’

[—from Fab: An Intimate Life of Paul McCartney, Howard Sounes]

[edge-oftheworld]

there's no feeling quite like attempting to play all the parts of thin white lies on piano and realising. there is A LOT to work with here