#lucille watson

[giraffe44]

Waterloo Bridge, 1940, Is Playing on TCM on September 1 (USA)

Waterloo Bridge, 1940, is playing on Turner Classic Movies on Friday, September 1 at 10:15 a.m. This was both Robert Taylor’s and Vivien Leigh’s favorite film.  Waterloo Bridge cost  $1,164,000.00 to make and made a profit of  $491,000.00. Robert Taylor was an inspired choice for the role… Not only does he have an imposing screen presence, but he brings the perfect mix of enlightenment, humor,…

[twittercomfrnklin2001-blog]

Ivy

The credits for Sam Wood’s IVY (1947, Criterion Channel) play over an image of an urn containing flowers. At their end, the urn becomes a skull. That sets the tone for this gothic noir set in Edwardian England (the original novel by Marie Belloc Lowndes took place in the 1920s). It’s a visually scrumptious film, with producer William Cameron Menzies, a frequent Wood collaborator, supervising production design and even some of the camera set-ups. Joan Fontaine, often in white, looks the perfect young innocent. But she’s actually an ambitious schemer. Having run through husband Richard Ney’s fortune and tired of doctor lover Patric Knowles, she comes up with a plan to rid herself of both so she can seduce wealthy businessman Herbert Marshall. In the 1940s, her evil was so shocking it cost the film at the box office. Today, it seems like fitting revenge for saddling her with three such unmagnetic leading men. Charles Bennett’s screenplay starts with Fontaine presented as a Gothic victim. She’s covered in shadows when she visits a fortune teller (Una O’Connor) whose spooky presence seems to terrorize her.  But when O’Connor advises her to dump her lover because she’s about to meet a man who can solve her problems, Fontaine perks up, and you realize how amoral she is. The actress looks terrific and has some fascinating flirtation scenes, though when she’s being duplicitous, she strays into the Joan Crawford school of energetic overstatement. None of the men are a match for her, but the film has some intriguing character women who more than hold their own, including Lucille Watson as Knowles’ mother, Sara Allgood as his nurse and Rosalind Ivan as Fontaine’s maid, a woman who can find the laughs in a mourning scene. Russell Metty did the moody cinematography, Orry Kelly and Travis Banton created the costumes and composer Daniele Amfitheatrof pours on the harpsichord whenever Fontaine does something particularly evil.

[problematicgirlbosses]

the problematic girlboss bracket: round two!

propaganda is encouraged!

[citizenscreen]

The Charles family from THE THIN MAN GOES HOME (1944): William Powell, Myrna Loy, Lucile Watson, and Harry Davenport

[ediths-shades]

Costumes in LITTLE WOMEN (1949) [6/7].

Costume design by Walter Plunkett.

[erstwhile-punk-guerito]

[claudia1829things]

"LITTLE WOMEN" (1949) Review

"LITTLE WOMEN" (1949) Review

Louisa May Alcott's 1868 novel is a bit of a conundrum for me. I have never been a fan of the novel. I have read it once, but it failed to maintain my interest. Worse, I have never had the urge to read it again. The problem is that it is that sentimental family dramas - at least in print - has never been appealing to me. And this is why I find it perplexing that I have never had any problems watching any of the film or television adaptations of her novel.

One of those adaptations proved to be Metro-Goldwyn-Mayer's 1949 adaptation, which was produced and directed by Mervyn LeRoy. It is hard to believe that the same man who had directed such hard-biting films like "LITTLE CAESAR", "I AM A FUGITIVE FROM A CHAIN GANG" and "THEY WON'T FORGET", was the artistic force behind this sentimental comedy-drama. Or perhaps MGM studio boss, Louis B. Meyer, was the real force. The studio boss preferred sentimental dramas, comedies and musicals. Due to this preference, he was always in constant conflict with the new production chief, Dore Schary, who preferred more realistic and hard-biting movies. Then you had David O. Selznick, who wanted to remake his 1933 adaptation of Alcott's novel. One can assume (or not) that in the end, Meyer had his way.

"LITTLE WOMEN", as many know, told the experiences of the four March sisters of Concord, Massachusetts during and after the U.S. Civil War. The second daughter, Josephine (Jo) March, is the main character and the story focuses on her relationships with her three other sisters, the elders in her family - namely her mother Mrs. March ("Marmee") and Aunt March, and the family's next-door neighbor, Mr. Laurence. For Jo, the story becomes a "coming-of-age" story, due to her relationships with Mr. Laurence's good-looking grandson, Theodore ("Laurie") and a German immigrant she meets in New York City after the war, the equally good-looking and much older Professor Bhaer. Jo and her sisters deal with the anxiety of their father fighting in the Civil War, genteel poverty, scarlet fever, and the scary prospect of oldest sister Meg falling in love with Laurie's tutor.

Despite my disinterest in Alcott's novel, I have always liked the screen adaptations I have seen so far - including this film. Due to the casting of Margaret O'Brien as the mild-mannered Beth, her character became the youngest sister, instead of Amy. Screenwriters Sally Benson, Victor Heerman, Sarah Y. Mason and Andrew Solt made other changes and they left out some of Alcott's memorable plot points from the novel's narrative. But these changes, however regretful a few of them were (namely Jo and Amy's conflict over the former's manuscript) did not have any real impact on Alcott's original story. Ironically, both Victor Heerman and Sarah Y. Mason wrote the screenplay for Selznick's 1933 film. This should not be surprising, considering that this adaptation bears a strong similarity to the earlier version. I thought Mervyn LeRoy's direction injected a good deal of energy into a tale that could have easily bored me senseless. In fact, MGM probably should have thank its lucky stars that LeRoy had served as producer and director.

As much as I admired LeRoy's direction of this film, I must admit there was a point in the story - especially in the third act - in which the pacing threatened to drag a bit. My only other problem with "LITTLE WOMEN" is that I never really got the impression that this film was set during the 1860s, despite its emphasis on costumes and the fact that the March patriarch was fighting the Civil War. Some might say that since "LITTLE WOMEN" was set in the North - New England, as a matter of fact - it is only natural that the movie struggled with its 1860s setting. But I have seen other Civil War era films set in the North - including the 1994 version of "LITTLE WOMEN" - that managed to project a strong emphasis of that period. And the production values for this adaptation of Alcott's novel seemed more like a generic 19th century period drama, instead of a movie set during a particular decade. It is ironic that I would make such a complaint, considering that the set decoration team led by Cedric Gibbons won Academy Awards for Best Art Direction.

I certainly had no problems with the cast selected for this movie. Jo March seemed a far cry from the roles for which June Allyson was known - you know, the usual "sweet, girl-next-door" type. I will admit that at the age of 31 or 32, Allyson was probably too young for the role of Jo March. But she did such a phenomenon job in recapturing Jo's extroverted nature and insecurities that I found the issue of her age irrelevant. Peter Lawford, who was her co-star in the 1947 musical, "GOOD NEWS", gave a very charming, yet complex performance as Jo's next door neighbor and friend, Theodore "Laurie" Laurence. Beneath the sweet charm, Lawford did an excellent job in revealing Laurie's initial loneliness and infatuation of Jo. Margaret O'Brien gave one of her best on-screen performance as the March family's sickly sibling, Beth. Although the literary Beth was the third of four sisters, she is portrayed as the youngest, due to O'Brien's casting. And I feel that Le Roy and MGM made a wise choice, for O'Brien not only gave one of her best performances, I believe that she gave the best performance in the movie, overall.

Janet Leigh, who was a decade younger than Allyson, portrayed the oldest March sister, Meg. Yet, her performance made it easy for me to regard her character as older and more emotionally mature than Allyson's Jo. I thought she gave a well done, yet delicate performance as the one sister who seemed to bear the strongest resemblance to the sisters' mother. Elizabeth Taylor was very entertaining as the extroverted, yet shallow Amy. Actually, I have to commend Taylor for maintaining a balancing act between Amy's shallow personality and ability to be kind. The movie also featured solid performances from supporting cast members like Mary Astor (who portrayed the warm, yet steely Mrs. March), the very charming Rossano Brazzi, Richard Stapley, Lucile Watson, Leon Ames, Harry Davenport, and the always dependable C. Aubrey Smith, who died not long after the film's production.

Overall, "LITTLE WOMEN" is a charming, yet colorful adaptation of Louisa May Alcott's novel. I thought Mervyn LeRoy did an excellent job in infusing energy into a movie that could have easily sink to sheer boredom for me. And he was enabled by a first-rate cast led by June Allyson and Peter Lawford. Overall, "LITTLE WOMEN" managed to rise above my usual apathy toward Alcott's novel.

[milksockets]

lucile duff gordon, 1917 in vogue fashion: 100 years of style by decade + designer - linda watson (1999)

[theersatzcowboy]

The Women (1939)

The most accidentally sapphic film of all time?

Director: George Cukor

Cinematographers: Joseph Ruttenberg and Oliver T. Marsh

Costume Designer: Adrian

Starring: Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard, Joan Fontaine, Lucile Watson, Mary Boland, Florence Nash, Virginia Grey, Marjorie Main, Ruth Hussey, Virginia Weidler, Butterfly McQueen, Theresa Harris, and Hedda Hopper.

[barkingbonzo]

The Women 1939

The Women is a 1939 American comedy-drama film directed by George Cukor. The film is based on Clare Boothe Luce's 1936 play of the same name and was adapted for the screen by Anita Loos and Jane Murfin, who had to make the film acceptable for the Production Code for it to be released.

The film stars Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard, Joan Fontaine, Lucile Watson, Mary Boland, Florence Nash, and Virginia Grey. Marjorie Main and Phyllis Povah also appear, reprising their stage roles from the play. Ruth Hussey, Virginia Weidler, Butterfly McQueen, Theresa Harris, and Hedda Hopper also appear in smaller roles. Fontaine was the last surviving actress with a credited role in the film; she died in 2013.

The film continued the play's all-female tradition—the entire cast of more than 130 speaking roles was female. Set in the glamorous Manhattan apartments of high society evoked by Cedric Gibbons, and in Reno, Nevada, where they obtain their divorces, it presents an acidic commentary on the pampered lives and power struggles of various rich, bored wives and other women they come into contact with.

Filmed in black and white, it includes a six-minute fashion parade filmed in Technicolor, featuring Adrian's most outré designs; often cut in modern screenings, it has been restored by Turner Classic Movies. On DVD, the original black-and-white fashion show, which is a different take, is available for the first time.

Throughout The Women, not a single male character is seen or heard. The attention to detail was such that even in props such as portraits, only female figures are represented, and several animals which appeared as pets were also female. The only exceptions are a poster-drawing of a bull in the fashion show segment, a framed portrait of Stephen Haines as a boy, a figurine on Mary's night stand, and an advertisement on the back of the magazine Peggy reads at Mary's house before lunch that contains a photograph of Douglas Fairbanks, Jr.

In 2007, The Women was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

[onefootin1941]

''MY REPUTATION'' (1946) Directed by Curtis Bernhardt. Starring Barbara Stanwyck, George Brent, Warner Anderson, Lucile Watson, John Ridgely, Eve Arden, Jerome Cowan, Esther Dale, Scotty Beckett, Bobby Cooper.

Barbara Stanwyck portrayed Jessica Drummond, an upper-class widow from Chicago who innocently falls in love with an army officer (George Brent), much to the consternation of her gossipy friends and domineering mother (Lucile Watson) who causes scandal in her conservative community feeling it's too soon. Her romance also pits her against her two teenage sons (Scotty Beckett and Bobby Cooper).

The film was made in 1944 and generally released in 1946. Edith Head was borrowed from Paramount to design Barbara Stanwyck's costumes. Barbara considered this her favorite film.

Kevin Wedman, Warner Bros.—First National Pictures group, Facebook

[thealexandrianroyals]

Palace releases never before seen pictures for Princess Eliana and Kaleb Watson's 5 year wedding anniversary

Ashington Palace (home of Princess Eliana The Princess Imperial, Marchioness of Aellyn and Kaleb Watson The Marquis of Aellyn) released never before seen photos from their wedding. The pictures show the new Marquis and Marchioness of Aellyn with their families in the throne room of Ashington Palace which has been the Princess' official home and office since she came of age.

back row L-R HIM The Dowager Empress, HIM The High King, HIM The High Queen, HIH The Marchioness of Aellyn, The Most Honorable The Marquis of Aellyn, Mrs. Lucille Watson (groom's mother), Mr. Byron Watson (grooms father), Miss Leanna Watson (grooms sister) Front Row: HIH Crown Prince Reginald

Kaleb Watson who has chosen not to use the title Marquis of Aellyn unless accompanying his wife on her official duties has continued to work as a lawyer and was just recently made partner at the law firm he has worked for since before meeting the Princess. The couple does share one son His Royal Highness Prince Kaidan.

(Eliana and Kaleb have their own blog! Check it out @theaellyns)

[mlc-raspberry]

FEMALES THAT I ABSOLUTELY LOVE!!

I know that no one asked but I just wants to share this with ya :D

🗝 ⚉ 🪡 🐈‍⬛

The Little Memaid - Ariel played Halle Bailey

Beauty and the Beast 2017 - Belle played by Emma Watson

Snow White and the Huntsman - Snow White played by Kristen Stewart

Arcane - Caitlyn voiced by Katie Leung

Arcane - Vi voiced by Haillee Steinfeld

Arcane - Mel voiced by Toks Olagundoye

Arcane - Cassandra Kiramman voiced by Abigail Marlowe

Avatar - Neytiri played Zoe Saldana

Avatar - Ronal played by Kate Winslet

Crimson Peak - Lady Lucille Sharpe played by Jessica Chastain

Guardians Of The Galaxy - Gamora played by Zoe Saldana

Mitchells vs. The Machines - Linda Mitchells voiced by Maya Rudolph

Hansel and Gretel: Witch Hunters 2013 - Gretel played by Gemma Arterton

Turning Red - Ming Lee voiced by Sandra Oh

Sleeping Beauty 1956 - Auror voiced by Mary Costa

The Little Prince - the Mother voiced by Rachel McAdams

Ruby Gillman, Teenage Kraken - Agatha Gillman voiced by Toni Collette

Treasure Planet 2002 - Captain Amelia voiced by Emma Thompson

Boku no Hero Academia - Momo Yaoyorozu voiced by Marina Inoue (en: Colleen Clinkenbeard)

Lion King - Nala voiced by Moira Kelly

[jewish-ship-showdown]

Ships that have already qualified (read before submitting):

Jude Lizowski/Jonesy Garcia

Tyler Kennedy "TK" Strand/Carlos Reyes

Peter Parker (Spider-Man)/Gwen Stacey

Willow Rosenberg/Winifred "Fred" Burkle

Francine Frensky/Muffy Crosswire

Susan Ivanova/Marcus Cole

Kate Kane (Batwoman)/Renee Montoya

Barry B. Benson/Vanessa Bloome

Jake Peralta/Amy Santiago

Willow Rosenberg/Tara Maclay

Jack Zimmermann/Eric "Bitty" Bittle

Justin "Ransom" Oluransi/Adam "Holster" Birkholtz

Danny/Reuven

Larissa "Lara" Bogdan/Jasmine

Kelsey Pokly/Isabella "Stacks" Alvarado

Rebecca Bunch/Audra Levine

Rebecca Bunch/Greg Serrano

Rebecca Bunch/Nathaniel Plimpton

Samantha "Sam" Manson/Danniel "Danny" Fenton

Bruce Wayne (Batman)/Selina Kyla (Catwoman)

Bruce Wayne (Batman)/Clark Kent (Superman)

Clark Kent (Superman)/Lois Lane

Harley Quinn/Pamela Isley (Poison Ivy)

Barney Guttman/Logan Nguyen

Leah/Chanan

Shay Goldstein/Dominic Yun

Marvin/Whizzer

Trina/Mendel Weisenbachfeld

Perchik/Hodel

Tzeitel/Motel

Monica Gellar/Chandler Bing

Molly McGee/Libby Stein Torres

Rachel Berry/Noah Puckerman

Fiddleford McGucket/Stanford Pines

Cristina Yang/Owen Hunt

Cristina Yang/Preston Burke

Levi Schmidt/Nico Kim

Rose Lalonde/Kanaya Maryam

James Wilson/Gregory House

The Baker and/The Baker's Wife

Kim Possible/Ron Stoppable

The Jewish People/The Shabbat Bride

Alec Hardison/Parker

Max Eisenhardt (Magneto)/Charles Xavier (Professor X)

Steve Rogers (Captain America)/James "Bucky" Barnes

Arnold "Arnie" Roth/Michael Bech

Arnold "Arnie" Roth/Steve Rogers (Captain America)

Billy Kaplan (Wiccan)/Teddy Altman (Hulkling)

Bobby Drake (Iceman)/Hank McCoy (Beast)

Bobby Drake (Iceman)/Johnny Storm (The Human Torch)

Layla El Faouly/Mark Spector (Moon Knight)

Matthew Hawk (Two-Gun Kid II)/Clint Barton (Hawkeye)

Peter Parker (Spider-Man)/Betty Brant

Peter Parker (Spider-Man)/Eugene "Flash" Thompson

Peter Parker (Spider-Man)/ Felicia Hardy

Peter Parker (Spider-Man)/ Harry Osborn

Peter Parker (Spider-Man)/Katherine Anne "Kitty" Pryde

Peter Parker (Spider-Man)/Mary Jane "MJ" Watson

Peter Parker (Spider-Man)/Wade Wilson (Deadpool)

Steve Rogers/Bernadette "Bernie" Rosenthal

Wanda Maximoff/The Vision

Midge Maisel/Susie Myerson

Hal Emmerich (Otacon)/Solid Snake

Casey Goldberg-Calderon/Lunella Lafayette

Fran Fine/Max Sheffield

Ben Gross/Devi Vishwakumar

Winston Schmidt/Cece Parekh

David Jacobs/Jack Kelly

Seth Cohen/Summer Roberts

Scout Touzani/Elias Wyrick

KJ Brandman/Mac Coyle

Lavinia Asimov/Poison Oak

Phineas Flynn/Isabella Garcia-Shapiro

Anon's Mom/Dad

The person reading this & their partner

Jerry Seinfeld/Cosmo Kramer

Simon Lewis/Isabel Lightwood

Danielle/Maya

Bram Greenfeld/Simon Spier

Miryem Mandelstam/The Staryk King

David Rose/Patrick Brewer

James T Kirk/S'chn T'gai Spock

Worf Rozhenko/Jadzia Dax

Kanan Jarrus/Hera Syndulla

Brian Jeeter/Krejjh

Bobby Singer/Rufus Turner

Jonah Simms/Amy Sosa

Reish Lakish/Rabbi Yochanen

King David/Yonatan

Devorah/Barak

Moses/Tzipporah

Ruth/Naomi

Yaakov/The Angel

Rowan Roth/Neil Mcnair

Klaus Hargreeves/Dave Katz

Cecil Palmer/Carlos The Scientist

Josh Lyman/Donna Moss

Little Ash/Uriel

Lucille "Lucy" Kensington/Dr. Edison "Ed" Tucker

Fox Mulder/Dana Scully

Anshel/Avigdor

Alec Hardison/Parker/Eliot Spencer

Wanda Maximoff (The Scarlet Witch)/Jericho Drumm

Bruce Wayne (Batman)/Shondra Kinsolving

Bruce Wayne (Batman)/Talia Al Ghul

Ben Grimm (The Thing)/Alicia Masters

Velma Dinkley/Daphne Blake

Velma Dinkley/Marcie Fleach

Didi Pickles/Stu Pickles

Velma Dinkley/Coco Diablo

Babushka (Tatiana)/Dedushka (Ivan)

Kitty Pryde/Illyana Rasputin

Natasha Romanoff/Wanda Maximoff

Marc Spector (Moon Knight)/Clint Barton (Hawkeye)

Hillel/Shammai

S'chn T'gai Spock/James T Kirk/Dr. Leonard "Bones" McCoy

S'chn T'gai Spock/Dr. Leonard "Bones" McCoy

Frankie Bergstein/Grace Hanson

Annie Edison/Jeff Winger

Maxine Myers/Paula Cohen

Baby Houseman/Johnny Castle

Tevye/Golde

Michael "Mike" Wazowski/Celia Mae

Talmudic couple having gay sex in the attic

Tim Drake/Kon El (Conner Kent)

Violet Baudelaire/Quigley Quagmire

Reuben Kent/Feliks Kaufmann

Anshel/Avigdor/Hadass

Amram/Zelikman

Anshel/Hadass

SUBMISSIONS ARE OPEN UNTIL MAY 8, 2023 @ 12:00 AM EDT

[citizenscreen]

Lucile Watson (May 27, 1879 – June 24, 1962)

[princesssarisa]

"Little Women" Posthumous Reunion: Final Resting Places of the People Behind the Novel and Its Adaptations

As a fan of the YouTube channel Hollywood Graveyard and the "Posthumous Reunion" pages on FindAGrave.com, I thought I would make a similar tribute to the people behind Little Women and its best-known screen adaptations. This is a guide to the burial sites (if they exist) of all the adaptations' leading actors and creative team members who have died, as well as those of the Alcott family and their friends, for anyone who hopes to visit them someday.

@littlewomenpodcast, @joandfriedrich, @thatscarletflycatcher

Arlington National Cemetery – Arlington, Virginia, USA

John Davis Lodge (John Brooke, 1933 film)

Cementerio de Benalmádena – Benalmádena, Spain

Paul Lukas (Friedrich Bhaer, 1933 film)

Ceder Hill Cemetery – Hartford, Connecticut, USA

Katharine Hepburn (Jo, 1933 film)

Cimitero Flaminio – Rome, Italy

Rossano Brazzi (Friedrich Bhaer, 1949 film)

Cimitiére Communal de Montrouge – Montrouge, France

May Alcott Nieriker (real-life Amy) (site unknown)

Forest Lawn Memorial Park, Glendale – Glendale, California, USA

Edna May Oliver (Aunt March, 1933 film)

June Allyson (Jo, 1949 film)

Elizabeth Taylor (Amy, 1949 film)

Robert Young (Mr. Laurence, 1978 miniseries)

George Cukor (director, 1933 film)

Mervyn LeRoy (director/producer, 1949 film)

Max Steiner (music, 1933 and 1949 films)

Adolph Deutsch (music, 1949 film)

Forest Lawn Memorial Park, Hollywood Hills – Los Angeles, California, USA

Jean Parker (Beth, 1933 film)

Leon Ames (Mr. March, 1949 film)

Holy Cross Cemetery – Culver City, California, USA

Mary Astor (Marmee, 1949 film)

Inglewood Park Cemetery – Inglewood, California, USA

Samuel S. Hinds (Mr. March, 1933 film)

Kensico Cemetery – Valhalla, New York, USA

Henry Stephenson (Mr. Laurence, 1933 film)

Mortlake Crematorium – Richmond, Greater London, England

Pat Nye (Hannah, 1970 miniseries)

Mount Hope Cemetery – Hastings-on-Hudson, New York, USA

Lucile Watson (Aunt March, 1949 film)

Oak Hill Cemetery – Lawrence, Kansas, USA

Alf Whitman (real-life Laurie)

Pleasant View Cemetery – Lyme, Connecticut, USA

Joan Bennett (Amy, 1933 film)

Savannah Cemetery – Savannah, Tennessee, USA

Elizabeth Patterson (Hannah, 1949 film)

Shiloh Cemetery – Shiloh, Illinois, USA

Mary Wickes (Aunt March, 1994 film)

Sleepy Hollow Cemetery – Concord, Massachusetts, USA

Louisa May Alcott (author and real-life Jo)

Abigail May Alcott (real-life Marmee)

Amos Bronson Alcott (real-life Mr. March)

Anna Alcott Pratt (real-life Meg)

John Bridge Pratt (real-life John Brooke)

Elizabeth Sewall Alcott (real-life Beth)

Henry David Thoreau (possible real-life Friedrich Bhaer)

Sparkman Hillcrest Memorial Park – Dallas, Texas, USA

Greer Garson (Aunt March, 1978 miniseries)

St. Leonard’s Churchyard – Hove, East Sussex, England

C. Aubrey Smith (Mr. Laurence, 1949 film)

Valhalla Memorial Park – North Hollywood, California, USA

Mabel Colcord (Hannah, 1933 film)

Westwood Village Memorial Park – Los Angeles, California, USA

Janet Leigh (Meg, 1949 film)

Cremated, Ashes Held Privately or Scattered

Frances Dee (Meg, 1933 film)

Douglass Montgomery (Laurie, 1933 film)

Peter Lawford (Laurie, 1949 film)

Patrick Troughton (Mr. March, 1970 miniseries)

Jean Anderson (Aunt March, 1970 miniseries)

Dorothy McGuire (Marmee, 1978 miniseries)

Richard Gilliland (Laurie, 1978 miniseries)

William Schallert (Mr. March, 1978 miniseries)

Virginia Gregg (Hannah, 1978 miniseries)

Angela Lansbury (Aunt March, 2017 miniseries)

Michael Gambon (Mr. Laurence, 2017 miniseries)

Sarah Y. Mason (screenwriter, 1933 and 1949 films)

Victor Heerman (screenwriter, 1933 and 1949 films)

Merian C. Cooper (producer, 1933 film)

Donated to Medical Science

Spring Byington (Marmee, 1933 film)

Unknown (Not Made Public or No Information Online)

Ladislas Wisniewski (real-life Laurie)

Richard Stapley (John Brooke, 1949 film)

Stephanie Bidmead (Marmee, 1970 miniseries)

Frederick Jaeger (Friedrich Bhaer, 1970 miniseries)

John Welsh (Mr. Laurence, 1970 miniseries)

John Neville (Mr. Laurence, 1994 film)

David Hempstead (screenwriter, 1933 film)

Elmer Bernstein (music, 1978 miniseries)