#machinery takes over

[icewindandboringhorror]

On average, what is the total MONTHLY amount that you spend on dining out*?

*(This doesn't only count going out to restaurants, but also stuff like picking up fast food to bring home, getting a coffee on the way to work, getting a premade sandwich from a grocery store deli during lunch, buying a quick snack from a convenience store or food cart whilst walking somewhere, ordering a pizza or any other food to be delivered to your home, etc.)

*(If you often dine out in groups/as a household: calculate and divide the costs so that you get a Per Person average. This is for YOU individually, NOT the total household/group costs)

(I'm sure polls similar to this have been made before (very common topic), I just haven't personally seen one that I can remember, so, I was curious to do my own! I was discussing this with a group of people today and it was very interesting to see how widely the number varied between individuals. :0c )

(Reblog for bigger sample size if you can, and feel free to explain your answer in tags if there's anything extra to add!)

[weidli]

i know i won't be leaving here with you

[peapod20001]

If you’re curious what is smth that legitimately pisses me off, this music situation is it

[kengi-bengi]

Im working on a fun self indulgent anolog horror animation- it is still VERY MUCH in the wip stage

And Discord corrupted THE SHIT OUT OF IT when I sent it to my friends

Funniest fuckin shit, the animation wasnt horror enough so discord fuckin put my baby in a blender!

[avalior]

While it was strongly claimed during Cosmic Turnabout that Clay caused Solomon's unconsciousness by overdosing him on his anxiety medication, this was not the case.

Solomon's PTSD would likely be treated with SSRIs, with the most likely prescriptions being venlafaxine, sertraline, or paroxetine. Of these three, only sertraline has an explicit side effect of potential loss of consciousness -- however, experiencing this side effect would be cause for hospitalisation and would not be conducive to space travel once Solomon was conscious. The only other alternative would be to cause serotonin syndrome by forcing Solomon's serotonin levels to spike beyond control, through either a medication overdose or combining his existing medication with other tablets to raise his serotonin.

However, serotonin syndrome would also run considerable risk of seizures and arrhythmia, which again would not be conducive to space travel and would be far too inexact as to how much of the medication to give Solomon without a) killing him b) causing him to be entirely unfit for space travel, rather than just knocked out for the launch and c) causing any of the other side effects of serotonin syndrome instead of unconsciousness in isolation.

This also does not tally with Simon explicitly stating that traces of medication were found in Solomon's system -- presuming Solomon had blood drawn shortly following Clay's attempted murder being discovered and police arriving, there is no feasible way that Solomon's unconsciousness could have been induced by his medication as the volume needed to cause the unconsciousness would show in far higher quantities in bloodwork than just "traces".

In truth, Clay assisted Yuri in 'managing' Solomon's anxiety with the launch by including generic sleeping tablets in his usual medication, passing them off as additional vitamins and assisting in this deception by taking visually similar actual vitamins himself. It was these tablets which caused Solomon's loss of consciousness for the HAT-2 launch; far safer than hamfistedly overdosing Solomon on his medication until he caused unconsciousness.

Clay worked under the assumption, with Yuri's deceitful confirmation, that the drugging was consensual and Solomon was aware of this potential plan, with Solomon being consensually unaware of the details as to avoid further anxiety. Following his recovery from the Phantom's attack, once he is medically cleared, Clay does stand trial for Solomon's spiking on charges of infliction of bodily harm.

[caracello]

i was walking around the lodge a bit trying to decide which room would be deimos's and i can't decideee. i know which is keene's and marcus's is marked. and there are beds in the lab, so i think calamity and doc henry sleep in there... maybe the one with the pinball machine LOL but i feel like that's supposed to be someone elses. maaaybe lily's? i'd have to look at it a bit closer, and i'm off to bed again.

[carewyncromwell]

“That rhythm of town starts calling me down... It's like a message from high above!”

x~x~x~x

HPHM Cardverse developed by @ariparri​ // image inspiration from a scene in Disney’s The Princess and the Frog // original background photograph 

x~x~x~x

Well now, who’s this dashing person? No way could this upstanding man ever be the type to ditch his comfortable position on the court of Spades and become a Joker -- right?

Hahaha, yeah, this is Jacob Cromwell, long before his Escape Artist days, back when he still happily worked for the infamous “Counselor,” the Jack of Spades, Duncan Ashe! Looks like he’s just about to head into work, getting off the trolley so he can walk the rest of the way through the capitol to see his OTL buddy, Ashe. Today he’s by himself and looking chipper, but trust me, on those days he could bring his little sister Carewyn with him into the capitol, you’d find Jacob in an even more cheerful mood. It was not uncommon back in those days for Jacob and Carewyn to end up entertaining the passengers of the trolley with their singing, since Jacob would be so thrilled to share his work with his sister and spend time with both her and Ashe, and Carewyn would just feed off of Jacob’s enthusiasm. ^.^

Music accompaniment while working on this piece included The Trolley Song from Meet Me in St. Louis, Merry-Go-Round of Life from Howl’s Moving Castle, We Built This City by Starship, Why Should I Worry? from Oliver and Company and Down in New Orleans from The Princess and the Frog. Jacob’s outfit, if colored, I see following Duncan’s color scheme quite a bit -- Jacob even has an ascot similar to his boss’s. You also may notice that if you count up all the spades in Jacob’s outfit -- including the fingerless Spade-themed gloves -- that he’s wearing exactly nine spades, which corresponds to the card I associate with him! 

Much love, all! Hope you have a magical day! ♠️

[zenmai--jikake--no--komoriuta]

hrlfnsdfcndsbl I don't want to go to work today..... "enjoy your quiet week" they said on christmas eve, sike, it's been really fucking busy ever since and the store's a complete mess and we're out of everything and there's no time to restock or do dishes or even have a fucking drink of water............. I stayed back half an hour on boxing day because we were getting overrun during shift handover, came in an hour early on tuesday to cover a sick teammate, lost my fucking day off and had to work the evening shift last night because of another sick teammate (in the 3 customer-facing hours I had I think I got a combined total of <5 minutes to do anything except serve a literally endless stream of people), back in again tonight with a worse team on and then again tomorrow morning, meanwhile the rest of out staff have all gotten to have at least one day off in all of this and I'm the only dumbass stuck working it all... and then I have one day of rest on sunday and then back in again new years' day and the next...

[aromanticasterisms]

ah. hm.

[bufus]

Random hc because the last few posts reminded me, i think if cum or pussy juice (whatever that is called in english) come into contact with Aigis' papillon heart it acts like an aphrodisiac to her

[keikakudori]

i am feeling like a person again today so maybe i'll work on drafts & asks after i get my new laptop set up. i can't wait.

[bitegore]

Moth Jedao has suffered more than god huh

[sedgewick-gayble]

roaring twenties tumblr simulator pt. 2

🎙 fancy-nancyboy Follow

men be like "i would never succumb to homosexuality" and then hold a mans face tenderly as he lights his cigarette with his own. okayy pansy we see you

( 655 notes )

💄 thewhoringtwenties Follow

art deco more like art dicko! aaaand post

( 27 notes )

🎥 claras-bowtie Follow

attended a petting party last saturday and there were no animals not even at all :(

#WHY WOULD THEY CALL IT THAT

( 12 notes )

🕯 tuberculosiswarrior Follow

i lov my mother and father so nuch forever i cannot wait to attend my new job at the dubious factory where there have never been any machinery incidents evr before

( 73 notes )

🎩 Rate-my-setup Follow

Submitted by anonymous.

( 3,887 notes )

thebeesknees Follow reblogged 🔁 jazzcat Follow

🎺 jazzcat Follow

The cocaine in coca-cola just doesnt hit the same anymore....

📰 itsallcopacetic Follow

OP they took out the cocaine

🎺 jazzcat Follow

WHAT DO YOU MEAN THEY TOOK OUT THE COCAINE

🕰 thebeesknees Follow

tumblr heritage post

( 13,985 notes )

🚬 runrummer Follow

Hes so puppycoded

( 8 notes )

moonshiningitup Follow reblogged 🔁 moonshiningitup Follow

🥃 moonshiningitup Follow

The eroticism of the machinery incidents at the dubious factory

🥃 moonshiningitup Follow

Easy website

( 12,109 notes )

🥂 cake-eater Follow

There is a gang war in Chicago. The first gang to get to 100 kills, gets to take over that part of the city. You NEED to be careful, Babe Ruth. You could be at high risk because of your high status. PLEASE be safe, everyone in or around Chicago, and please reblog this to get it to the celebrities in Chicago

( 20,098 notes )

[sophiamcdougall]

I am never going to complain about Greek Duolingo again

I mean, I am. But still.

So, as some of you know, my family has been coming to this tiny Greek seaside village for several years. Just over a week ago I came out here with my mum, under the impression that early September, after the height of the summer heat, would be a good time to have a holiday. ANYWAY Storm Daniel had other ideas about that. Locally things are improving (I'm actually really pissed off about the disaster-porn tone of most English-language media coverage, but that's another post). The power is back on, there's running water most of the time, and though the latter is not drinkable, a truck from the government came and handled out free bottled water yesterday. But we are currently kind of stuck. Can't do tourist things. Can't go home. There aren't any local flights out until Saturday and the road to Thessaloniki is still closed.

So this evening, feeling kind of aimless and depressed, I go down to the nearest beach with a couple of binbags and start cleaning up in an effort to at least do something positive. I always try to do this at least once out here and obviously, after the storm, there's a lot more plastic and rubbish than usual.

At some point I find this large, round bit of metal - some kind of machinery part, I think -- that's too big for the bag, so I take it to the bins on its own, leaving the rubbish bag on the beach. And when I come back for it, something among the stones beside it moves.

Specifically, it pulls its head sharply inside its shell

So, meanwhile I've been trying to learn some Greek with the help of Duolingo.

I currently have a 33-day streak and... I have questions. Shouldn't I be able to use the past or future tenses by now? Shouldn't I be able to say "x is like y"? I can't do those things. But one thing I absolutely can say all day long is έχω μια χελώνα : I have a turtle.

This is far from the limit of Duolingo Greek's turtle-related content. "An obsession with turtles" is my mother's characterisation. I can inform you that the turtle is not a bird, and, improbably, that the turtle is drinking milk. I can introduce you to a turtle in company with a horse and an elephant. As far as Duolingo is concerned, it really is turtles all the way down.

Now this, you may be able to see, is not a turtle. It has claws rather than flippers. It is a tortoise. I know there are wild tortoises in Greece: my aunt once rescued a pair of them shagging in the middle of the road -- but that was up in the mountains. I've even seen one myself, but it was also on a road and very dead.

I am 95% certain they don't belong on beaches. There's nothing for it to eat, except, unfortunately, a lot of plastic. Even if it gets off the beach it will immediately find itself on a road where it could get hit by a car. I'm pretty sure it must have been washed down by the floodwater and has been just sitting there, dazed, ever since.

Now obviously the first thing I want to do on encountering this unusual animal is to go and tell my mummy, so I do. The tortoise immediately brightens her day. She agrees that the tortoise is not happy on the beach and needs to be taken somewhere safe. it gets surprisingly wriggly when picked up so we put it in a carrier bag with some grapes and cucumber and go looking for somewhere to rehome it.

We find a path leading up between the houses towards a likely-looking field, but before we get very far a dog in a yard goes berserk and a man's head pops over a fence and demands to know what we're doing. He does this in English, as evidently we're just that obviously tourists.

"I found a tortoise on the beach!" I explain. "We want to find somewhere to put it."

"A what," he asks.

"It's like a, you know," I begin and then to my astonishment I find myself saying... "μια χελώνα"

"Oh! A turtle!" he says.

"But from the land. δεν είναι χελώνα", [it is not a turtle,] I say, as I am worried he will tell me to put it back near the sea where I found it. As it turns out it actually IS a χελώνα, Greek does not distinguish between turtles and tortoises, but I don't know that; I can't even name the days of the week or identify any colours other than pink yet, give me a break.

The man's entire demeanour changes and thaws. He does not worry about my turtle-that-is-not-a-turtle conundrum. He knows where οι χελώνες come from and where η χελώνα μας belongs. He leads us through a gate into a courtyard area.

"[somethingsomething] μια χελώνα," he explains to the assembled onlookers, of whom there are, suddenly, a surprising number.

"ΜΙΑ ΧΕΛΩΝΑ!!!" crows the throng of delighted small children, who are, suddenly, everywhere.

"μια χελώνα!" I agree, accepting that at least for current purposes, that is what it is.

"Μπορούμε να δούμε τη χελώνα σας; [can we see your turtle?]" asks an adorable little girl, shyly, and I understand??

The children fucking love looking at the χελώνα and showing it to them is kind of magical?

I finally put the tortoise down on the grass of this wild area off to the side of the courtyard, and marvel aloud that it is weird that I barely know any Greek except how to say μια χελώνα.

"I think she will soon run off," a kind lady called Aspasia assures me, seeing I remain slightly anxious about its fate. "I don't know why I'm saying 'she'. I suppose because χελώνα is feminine in Greek."

"Yes! I know that!" I exclaim, thrilled.

"Well done!" she says. And also she asks if we are OK for drinking water after the storm and if we need any help with anything and is just generally incredibly lovely and now we know more of the neighbours!

So "μια χελώνα" has just become, by a long way, my most-used and most understood and all-around most conversationally successful phrase in Greek. So I guess I have to admit I was wrong to doubt Duolingo's wisdom: it is correct to be obsessed with turtles. And I concede that prior to learning how to count to ten or to distinguish right from left, the simple ability to yell the word TURTLE over and over again is, it turns out, a crucial element of the responsible traveller's social skills.

(I am pretty fluent in Italian and turtles haven't come up in conversation even once?)

[lale-txt]

❥ falling asleep besides you for the first time ↳ w/ Toji, Naoya, Gojo, Geto, Nanami, Higuruma, Sukuna & Choso

a/n: this came over me like a fever dream during another episode of insomnia. some of those drabbles are a little sad, i apologize. it's what you get with all those tragics characters. reader is gn!

word count: 1.4k

𝐓𝐎𝐉𝐈 doesn’t even want to fall asleep; it’s not like he had a good night of rest ever since… well. He tells himself he’s just gonna close his eyes for a bit, stretched out on the couch next to you, his weary head in your lap. There’s still blood on his hands and on the side of his face, he’s gonna get cleaned up in just a bit, he mumbles, but the words come out heavy and drowsy, and your fingers are tangled in his hair now and your voice is this sweet whisper, baby, I love you anyway, and Toji–Toji just gives in. For the first time, sleep doesn’t come over him as a heavy veil, as if he’s drowning; for once it’s something peaceful, something quiet. Something he welcomes. Next to you, you with your fingers woven between his, you who loves even the broken parts of him, you with quiet love and reassurance that you’re still gonna be there when he wakes up again.

𝐇𝐈𝐆𝐔𝐑𝐔𝐌𝐀 hasn’t had another warm body next to him under the covers in a long time. He doesn’t realize how much he missed this until your body melts into his, one leg swung over his thighs, your arm sneaking around his waist and your head finding its spot in the crook of his neck. His cheek falls softly against your forehead when he pulls you closer, breathing in the scent of you that’s the closest to home he ever felt, pressing kisses on the crown of your head. It’s not just lust–oh, he wants to devour you, but there’ll be time in the morning–it’s the absence of loneliness and unspoken confessions. Higuruma can tell when he’s falling in love and in this moment he’s wading deep, deeper through his feelings for you, biting his tongue so they don’t spill out all over the pillows and into you. You already know anyway, and when the sun comes up again, you’ll lick them from the cave of his mouth like a prayer.

𝐍𝐀𝐎𝐘𝐀 can’t fall asleep, not on his wedding night, not when your mouth is whispering all those words he’s demanding from you. His cheek is pressed against your palm while he’s pinning you down, almost nuzzling into it like a touch-starved stray, golden eyes lingering on you. Say you’re mine. Again. Say who you belong to. Mine. Mine. All mine. He isn’t aware how pleading he sounds, how raspy his voice gets the more you obey, every time you sigh his name so softly into his open mouth. Naoya doesn’t care if you’re lying, as long as you wear your wedding band on your ring finger for everyone to see. You’re his to keep now, and if he could have it his way, you would be forbidden to leave this bed forever; he wasn’t aware just how much he had craved the presence of another being by his side at night, one who doesn’t leave once he had his share of pleasure. No, you’re his now, and before sleep eventually finds him, he’ll make sure to sink his teeth into you till his name rolls off your tongue like a lullaby. 

𝐍𝐀𝐍𝐀𝐌𝐈 doesn’t let go of your hand; he’s afraid it’ll go cold if he allows himself to let his guard down even for one second. This isn’t how he had imagined spending the first night with you. Not under the fluorescent lights of the infirmary, not with your body wrapped in gauze and machinery monitoring your heart rate. It dawns on him as he’s sitting on your bedside–how attached he’s gotten to you, then: How he had almost lost you today. He squeezes your hand tighter and sighs, his weary head sinking down on the mattress. Your fingers twitch and find their way into his hair, combing through it weakly. As if they say, it’s okay, I’m alive, you’re not to blame. So please don’t leave and take all your love with you. And Nanami takes your hand once again and kisses your fingertips, pressing promises against your skin, promises of a future where you and him can just be, one where he can finally put all of these feelings down, down in your open and gentle palms for you to keep.

𝐂𝐇𝐎𝐒𝐎 is clingy throughout the day, but even more so at night. He doesn’t like the eerie quiet that settles in once the sun has sunken, not when he can listen to your steady breathing next to him instead, so naturally he feels a rush of joy when you push your futons together for the first time. His heart is beating way too fast to find sleep now, his eyes taking in everything about your sleeping figure, from the way your chest rises and falls to how your nose scrunches slightly for a moment. Choso wants to know what you’re dreaming about, what colors your dreams are, and if he’s ever in them. He wants to engrave himself into your being, wants to keep you wrapped in his arms forever. His kisses feel light against your skin, careful not to wake you but enough to fill his desire. Choso loves you with his entire being, and sleep is merely an obstacle, cutting away from your time spent together–though he must admit, his eyes flutter shut quite easily in your embrace.

𝐆𝐎𝐉𝐎 realizes that his idea of ‘sweets in bed’ now has a double meaning, seeing you sprawled out in his sheets with candy wrapping paper clenched between your fist and more of it lying on the floor. Cute, he can’t help but murmur as he lays down next to you on his side, mustering you with an amused smile on his lips. When he told you to knock yourself out on the sweet souvenirs he brought, he didn’t assume you would take it that literally. His thumb brushes over the corner of your mouth, collecting some of the powdered sugar that’s still stuck there, and Gojo could swear he never tasted anything sweeter than this when he brings it to his tongue. He gently replaces the trash you hold onto in your sleep with his fingers, woven between yours, and pulls you close to him, his tall figure embracing you; and for the first time in a long time, Gojo feels a wave of calm wash over him, allowing him to exhale and sink into a dream almost as sweet as you.

𝐒𝐔𝐊𝐔𝐍𝐀 doesn’t know why he keeps entertaining your antics. Sharing a bed, sleeping together side by side? How utterly foolish, but as to be expected from a mere human; they’ve always been like this, seeking comfort and warmth when they’re the most vulnerable. Of course a predator like Sukuna wouldn’t have to worry about sleeping safe and sound. Yet still; he can’t help but let his gaze linger on you, wrapped up in his embrace, four arms holding you in place on top of him. Everyone else would freeze in fear, but you? You snore quietly without a single worry in the world, knowing you have a king watching over you in your slumber. Sukuna huffs but still brushes a strand of hair out of your face. Maybe he’ll tell Uraume that you’re off the menu, for now. As long as you know your place–in his embrace, wearing his marks with pride, providing a sense of comfort Sukuna had never known before. Fool, he mutters and rests his chin on top of your head, not sure if those words were for him or you. 

𝐆𝐄𝐓𝐎 doesn’t question when you knock on the door of his dorm room, asking for shelter after a particular nightmare. He hasn’t found any sleep yet anyway. When he lifts up the covers for you to slip under, he’s surprised that you don’t even hesitate to do so, wrapping yourself around his body as if it was molded for that only. Geto can tell that you’re trying not to tremble, but the nightmare still lingers. He knows it all too well. His fingers brush through your hair when he pulls you closer to his chest, as if this could prevent you from falling apart–though deep down he’s aware that he might be the one on the verge of breaking. You know it too, don’t you? Geto is tired, oh, so tired. The kind of tired sleep can’t fix, and he can’t help but wonder if this would also be the last time that you’re in his arms, clinging onto someone who is long gone; a version of him that he shed together with his dream of letting himself love you.

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.