#mads' director's commentary

[autisticandroids]

CASTIEL: Stop. What's the point if you don't mean it? You fear me - not love, not respect, just fear.

[youtube with closed captions]

a godstiel pity party. i'd like to thank an anon i got way back in february of 2021.

[handwrittenhello]

i think its kind of ridiculous to think that homestucks are seriously using bots in this poll because why the hell would they bot this poll instead of the tumblrwoman poll which was the poll EVERYBODY in the hs fandom was actually making a big deal out of . also because im going to be real but i dont think anyone cares about polls enough to rig one? even the bayonetta/miku poll turned out to actually not be vriska voter fraud (most people in the homestuck fandom voted miku anyway) i think people are just unable to comprehend that a lot of people are still dormantly into homestuck & probably just saw vriska serket at the front of the trending disco elysium tag and thought it was funny. like oh my godddd no one cares enough about the outcome of this poll to bot it . somebody with a lot of followers probably just posted about it on twitter or something mundane like that its not that deep . a lot of people on tumblr have read homestuck its not extraordinary that a lot of vriska voters exist. disco elysium fans im sorry your blorbo is losing you’ll probably be back in the lead in a couple hours anyway all of you need to chill out‼️‼️‼️

answering only this ask about the cheating/botting, and no others, because i'm getting a lot of asks about it. congratulations, this contest has officially had all the fun sucked out of it.

here's data i've been collecting for every poll i've run. it's organized by votes the character received per round, then the total number of votes on that poll, for all five rounds. then there are two columns for totals.

the next five columns, Notes 1-5, are the number of notes on each poll. i've highlighted two posts that were circulated with a greater-than-average frequency even after the poll ended (the loki/JC one because people were memeing on JC, and then HDB/Howl one because it gained popularity following a popular blogger reblogging it.)

V/N is the votes to notes ratio for each poll. it was taken by dividing the number of votes when the poll ended by the number of notes on each post. one limitation is that this was not taken at the same time each day, and so older posts will have slightly higher notes. however, i believe this uncertainty isn't enough to discount the conclusions i'll come to.

i've highlighted vriska's V:N ratio in red at the top. as you can see, round vriska's V:N ratio wasn't even the highest; she beat kaeya alberich easily, and the comments in the notes reflected that.

in round 2, things started to get interesting. this is where i and other people noticed a sudden flip, but i didn't think much of it. she was up against izzy hands. izzy was leading all day, and when i queued the next day's poll and went to bed, izzy was leading by 60%. when i woke up, it had flipped to 53/47 in vriska's favor. it's not a HUGEamount, but it is a NOTICEABLE amount.

keep in mind that every single day, there have been other, closer polls, that hovered around 49-50-51 all day, and which also flipped at the end of the day, or remained 50/50 and could only be determined by tumblr. in these cases, the notes also reflect the split. these polls also never swayed more than one or two percent.

in round 3, when vriska faced zuko, there was a clear and immediate lead for zuko, with him leading by 80%. keep in mind that by this point, all 28 other polls i ran, besides vriska's the day before, never swayed more than 1 or 2% once a clear lead had been established.

this poll went from 80/20 zuko to 59/41 vriska. that's RIDICULOUS. the only way that's possible is if an OVERWHELMING amount of people voted vriska and NO people voted zuko. for such a thing to happen, this post would need to spread really rapidly, right? surely this post had tens of thousands of notes and comments!

the V:N ratio for round 3 is TWENTY-SEVEN to one. that's the most out of any poll. the standard deviation for the round 3 polls is 9.0, compared to 4.8 and 4.9 the days before. not to mention reading those notes also does not get us an overwhelming amount of comments rooting for vriska.

today has also been highly suspicious. it started out with an 85/15 lead for harry. i wouldn't necessarily expect it to hold exactly at that percentage, but the flip was immediate and drastic. you can see the trend being tracked on this post. not at all suspicious, right? also note that the comments all day have been 95% rooting for harry and maybe 5% for vriska.

please also look at the GRAND TOTAL column, which has reliably predicted the winners of future polls each day. vriska has received 49,064 votes over the course of the whole contest. harry has received 64,644. that's 24% more votes. and yet the poll is locked at 50/50?

and if this isn't enough evidence for you, then remember the tumblr sexywoman poll. it is a FLAT FUCKING FACT that those polls were spammed by bots. out of respect for their privacy i won't go into detail, but they outright admitted it.

TO CONCLUDE,

it's pretty fucking obvious that something is up, and although i admit that there's simply no concrete way of proving it, there would have to be a really standout explanation for this.

and besides this being super lame, it's also removed all the fun from this contest. it's a stupid tumblr poll that wins literally nothing, congratulations!

also, to everyone making death threats in the notes, BOTH SIDES, you've failed my secret challenge of not being rude which means i'm judging you personally. be fucking nice.

[king-crawler]

@servonium for some reason I missed your tags earlier but Oh my God.

I’VE NEVER ACTUALLY THOUGHT ABOUT THE IMPLICATION THAT TURBO SPED ACROSS GAME CENTRAL STATION AND THEN THROUGH THE CORD TUNNEL WITH HIS CAR!!??

First off. INSANE visual

Perhaps it was similar to how Ralph’s hijacked spaceship flew everywhere in GCS except it’s Turbo in his racecar screaming OUT OF MY WAY!!!! And clouding up dust everywhere .. and then characters are like. Was that Turbo ?? Oh no…

But It would be SO COOL to see that event play out real-time in the game world instead. Cuz the flashback is Highly Condensed. Did it really all happen at once? Probably not, maybe over the course of a day or two ..? But I find it so interesting that the sequence is all from the perspective of the outside world… there’s just something about that that presentation that made him all the more mysterious and unnerving.

(It was also probably to prevent spoiling what his 3D model looks like but Yeah)

Also some more speculating ..

Do you think he was able to get out of that Terrible Fiasco he caused because running into the other racer corrupted them both into Glitches ? The Roadblasters guy was probably corrupted too badly.. but maybe Turbo somehow glitched out to escape and then tried to alter his code to repair himself- Maybe in some old debug menu where nobody would notice. Maybe THAT’S where he realized he could code himself into whatever he wanted.

FOR BEING A MAIN VILLAIN (twist villain to be fair. But Still .) THERE SURE IS A LOT OF MYSTERY AROUND HIM.. but maybe if we knew more he wouldn’t have been as mysterious and the twist wouldn’t have worked . BUT I NEED ANSWERS!!!!!!!!???

[xx-emowarz-xx]

Honestly I could try to run these polls without revealing my bias but it's probably much more entertaining if I impotently reblog propaganda for the bands that I like while you all vote for a band that qualified for the dad rock bracket, justly or otherwise.

It's just funnier if I piss and shit myself when my favs lose

[melodic-operator]

me: why do i associate the sandman with echo & the bunnymen

dream of the endless:

[ironmanstan]

I cannot read people actually talking ab american psycho bc anyone actually invested into it has a 75% chance of subscribing to like 2 of the three readings of it that are wrong

[stepintothelimelight]

▄▀▄▀▄▀▄▀▄▀▄ SPITFIRE TITLE POST

▄▀▄▀▄▀▄▀▄▀▄ SPITFIRE [SERIES MASTERLIST]

[SCROLL DOWN FOR EXCLUSIVE CONTENT!]

2017

don’t stop me now! - Abu Dhabi 2017 ╰┈➤ Spitfire’s first F1 race hasn’t every little christmas wish been sent? - xmas 2017 ╰┈➤A blue Christmas in Monaco

2018

i feel alright, i’m gonna take on the world ╰┈➤ in honor of Spitfire’s graduation

she can go home, but she’s not going to ╰┈➤ a home race that doesn’t feel like home anymore

▄▀▄▀▄▀▄▀▄▀▄ THE MAIN CHARACTER

╰┈➤ You are the first female driver to hold a permanent seat in Formula 1. This is a personal documentary on pivotal moments in both your professional and personal lives.

[fem!genz!reader x f1 grid, eventual reader x ln4]

▄▀▄▀▄▀▄▀▄▀▄ THE CONCEPT ART

╰┈➤ loading ….

▄▀▄▀▄▀▄▀▄▀▄ FEATURING

╰┈➤ SEBASTIAN VETTEL as ‘MENTOR-SLASH-GRID MOM’

╰┈➤ LEWIS HAMILTON as ‘TEAMMATE-SLASH-GRID DAD’

╰┈➤ CHARLES LECLERC as ‘BOY BSF #1: THE HIMBO AND 1/3 OF F1 GOLDEN TRIO’

╰┈➤MAX VERSTAPPEN as ‘BOY BSF #2: MAD MAX AND 1/3 OF F1 GOLDEN TRIO’

╰┈➤LANDO NORRIS as ‘SLOW BURN LOVE INTEREST’

╰┈➤ DANIEL RICCIARDO as ‘BIG BRO DANIEL’

╰┈➤KIMI RAIKKONEN as ‘EVERYTHING Y/N ASPIRES TO BECOME’

╰┈➤ OSCAR PIASTRI as ‘GRID SON-SLASH-PROTEGE’

╰┈➤ FERNANDO ALONSO as ‘OVERPROTECTIVE GRID UNCLE’

and much much more!

▄▀▄▀▄▀▄▀▄▀▄THE SOUNDTRACK

2017

╰┈➤ Don’t Stop Me Now - Queen

╰┈➤ Oh Noel - I DONT KNOW HOW THEY FOUND ME

2018

╰┈➤ Take On the World (Theme Song From “Girl Meets World”) - Rowan Blanchard, Sabrina Carpenter

╰┈➤ Graceland Too - Phoebe Bridgers

▄▀▄▀▄▀▄▀▄▀▄HEADCANONS, REQUESTS AND MORE

╰┈➤ loading ….

▄▀▄▀▄▀▄▀▄▀▄ DIRECTOR’S COMMENTARY

╰┈➤ THIS IS A WORK OF FICTION. IN NO WAY, SHAPE OR FORM DOES THIS DEPICT ANYTHING OTHER THAN FICTIONAL EVENTS! DON’T READ TOO DEEPLY INTO ANYTHING WRITTEN HERE BECAUSE IT’S FICTIONAL!

╰┈➤ I honestly don’t know how many parts this is going to end up being

╰┈➤ I don’t really have a set updating schedule - it’s just based on when I’m feeling it

╰┈➤ What to expect/ CONTENT WARNINGS: SMAU, written work, cursing, F1 inaccuracies, OOC people, eventual smut or suggestive content, Physical violence, complicated familial relationships, mommy issues, daddy issues, character death, familial death, historical inaccuracies, sexism, implied/ referenced child abuse

╰┈➤ EVERY ENTRY WILL HAVE ITS OWN CONTENT WARNINGS!! YOU ARE RESPONSIBLE FOR MONITORING THE CONTENT THAT YOU CONSUME

╰┈➤ sorry for yelling :D

╰┈➤ if you want to be tagged either hmu in the inbox or comment on one of the posts for this series

╰┈➤ requests regarding this series are open!

╰┈➤ tag for this series: #juliette….spitfire

[freckleslikestars]

“...we developed, shortly after, I think, the battle pony, which became famous apparently in playgrounds. Ian Watson, one of our directors, was saying that his daughter had taken the expression to school and everyone would go out and play in their battle ponies. À la Aeryn. Little Aeryn Suns running around everywhere.” ~ Claudia Black

FARSCAPE | 1x09 DNA Mad Scientist Audio Commentary

or Aeryn Sun's Battle Pony Appreciation Post

[trashcanlore]

Kabbalah in the Worldbuilding of Genshin Impact; Part 2: Descending to the Garden

Written by Sabre (@paimoff on twitter) and Schwan (@abyssalschwan on twitter)

This theory assumes you’ve completed the Fontaine Archon Quests, as well the Narzissenkreuz questlines. If you haven’t, you will be a) very confused and b) very spoiled. 

A Tale of Four Descenders 

Four entered the pardes (orchard/garden)...one looked and died, one looked and went mad, one looked and cut down the saplings (apostatized), and one came in peace and left in peace [1]. 

This Jewish legend appears in multiple locations throughout the Talmud and its commentaries, and is associated with two pre-Kabbalah schools of Jewish mysticism known as Merkabah (chariot) and Hekhalot (palaces) mysticism. Both depicted visions of the throne of God (chariot) and the heavenly palaces, and provided instructions for how one might ascend to heaven to receive some kind of revelation or knowledge. The orchard/garden represents esoteric Torah (Jewish law) knowledge; this is why the euphemism for apostatizing is to “cut down the saplings.” (I know he says “blasphemy” (which is different), but this is reminiscent of what Dottore says at the end of Winter Night's Lazzo.)

The pardes legend first appears as a warning to scholars about the consequences of teaching about the “chariot” to disciples who are not ready. Though it's not mentioned in this specific text, this process of meditating to ascend to the palaces of God is referred to as “descending” in the writings of the Merkabah mystics [2]. In other words, this legend tells the story of four descenders. 

In the conclusion of the Sumeru Archon Quests, Nahida tells the Traveler about the existence of the “Descenders." Based on the information she got from Dottore in exchange for her Gnosis, she shares that:

Descenders are “external beings, ones that don’t belong to this world”

There are at least four of them, and the Traveler is the fourth 

According to the Fatui, the Traveler's twin is not a Descender

The Traveler is not recorded in Irminsul, but their twin is 

Nahida speculates that the First Descender is the Heavenly Principles, but the identity of the second and third are unknown to her. At that point though, we still didn’t know what it was that Descenders do, or what the exact criteria for being one is, only that it couldn’t be as simple as just being from outside Teyvat. 

The Fontaine World Quest series about the Narzissenkreuz Ordo fills in some pieces of the puzzle; specifically an additional criterion to be a Descender: they must be someone with a will “that can rival an entire world.”

In retrospect, Inversion of Genesis also hinted at the role of a Descender; The Traveler witnesses the results of someone attempting to change fate and/or the world and failing.

Nahida: Changing the world, changing the past, changing the fates of other people... These are not simple things to accomplish. Nahida: What you were looking for is complete annihilation... But this is just a fantasy. Even if The Balladeer is removed from existence, the world will not heed your will. (Inversion of Genesis)

For most people, actually “changing the world” is impossible. But for a Descender, it might be different. 

Will 

...Though the results are nothing impressive, this is because the object they chose was pure elemental force, which lacks any will whatsoever. Like the difference between the Director (Lyris) and a Hydro Slime, perhaps?  ...Actually thought of a possible breakthrough during the process... Even though the calculated result is unchanged, but if the refinement method is reflected... If the power of... then maybe we can extract the "will" within. Using this method... resist the impact… (Excerpts from Rene's Investigation Notes)

...The true source of the mysterious power unique to this place that the locals call Khvarena is unknown. But based on its ability to eliminate or reverse the influence of the Abyss (in fact, it is a type of annihilation reaction), the two powers are of the same level, that is to say, they are of the same order in terms of rules... ...In other words, both possess the power to "re-write the rules"... ...Regrettably, be it Abyss or Khvarena, all current users are stuck in an "unconscious" stage of being influenced and overwritten by their power… (Bizarre Transcript)

The Gavireh Lajavard region of the Sumeru desert introduced us to the writings of Rene, a precocious researcher with world-saving ambitions and not nearly enough adult supervision, as well as his only slightly Abyss-corrupted bestie Jakob. Like the Khaenri'ahns before him, Rene was searching for a power that had a “will,” believing it necessary to save Fontaine from an unspecified disaster that we would later learn is The ProphecyTM. During their time in the desert (which was right after the cataclysm), Rene determined that both Abyssal and Khvarena power have a will, but pure elemental energy did not. 

Some time after their trip to Sumeru, Rene and Jakob would found the Narzissenkreuz Ordo, with the goal of finding a way to save Fontainians from being dissolved in the primordial sea-laced floodwaters. They would do this by dissolving all humans in Fontaine with primordial seawater in a controlled manner, melding everyone together into one Oceanid-like being to survive the apocalypse (think Human Instrumentality Project from Evangelion).  Rene had predicted the coming apocalypse with something he called his “world-formula,” and in addition to predicting the doom of Fontaine, it also informed him that “unlike the world depicted in these ancient texts, there will be no more new civilizations born.” The only way this could be changed would be by introducing a new “‘variable’ from outside the system” into the formula (Enigmatic Page 1). Rene’s goal was to become this variable, i.e., a Descender.

Four Worlds 

The Tower of Ipsissimus comes from an old concept from the ancient Fontainian kingdom of Remuria, and was used to describe a powerful will that could rule, sustain, and destroy the world. This tower was designed by the Narzissenkreuz Ordo, and it represents the evolution of the human soul and the infinite mysteries of the world. The Narzissenkreuz Ordo believes that people continuously refine themselves through samsara cycles. These include Hyperborea, Natlantean, Remuria, and the first half of the fourth samsara (Khraun-Arya), which we are presently experiencing. Please take note that these are just names given to these eras by the Ordo based on ancient texts, and this evolution refers to spiritual evolution. There is no intent here to antagonize any research results obtained by the Akademiya. The human spirit undergoes the loss of paradise, the defeat of evil dragons, the original sin and baptism, and finally, freedom from the gods.

The term samsara is typically used to refer to the cyclic nature of reality, and can be used to describe concepts like reincarnation. It is not, however, referring to time loops. There is A Lot to unpack about this note, but for the purposes of this theory we will be focusing on the concept of these “four samsaras” and their relationship with the concept of a Descender, specifically that there seems to be the same number of samsaras as Descenders.

You may be wondering - this is Kabbalah world structure theory and we’ve yet to discuss Kabbalah. Well, it’s time now! But before we can get into specifics, we first need to review some terms discussed in Part 1 and then go through some basics of Lurianic Kabbalah.  Ah, the irony of calling anything about Lurianic Kabbalah “basics.” Caveat that what follows will be a simplification of concepts that are very difficult to grasp (I definitely don’t know what’s going on). 

Creation of the World, Kabbalah Edition  Previously, we compared the “limitless light” emanated by God to create the world to the power of elemental energy, and compared the sefirot of the Tree of Life to the seven elements. The sefirot are components of this divine light (like light passing through a prism and refracting) and represent attributes of God that are used to create the world. The sefirot are traditionally depicted together in the form of a tree, which maps out their relationships with each other. For more details on the similarities between Kabbalah and Genshin worldbuilding, consult Part 1 (link) if you haven't read it yet. 

Kabbalah focuses on describing the relationship between the infinite God and the finite universe and how it was created, with variations between different schools of thought. In this theory, we’ll be primarily focusing on the ideas of the Kabbalist Isaac Luria. The central idea of Luria’s philosophy was a concept he called Seder Hishtalshelut, or “Order of Evolution,” which refers to the cycles of “exile” and “redemption” (creation and destruction) the world is eternally experiencing. In the Lurianic system, time isn’t linear; the world was created in the past, but it’s also being created now. 

The beginning of this Order of Evolution is referred to as the Tzimtzum, or Contraction. This refers to the contracting of the infinite God to make a space where reality could be created. Once this is created, a ray of divine light enters the void and begins to emanate reality. This is similar to the concept of the Pleroma in Gnosticism. The further the divine light gets from the source, the more it starts to break down into separate parts. More specifically, it breaks down into the Four Worlds, which represent stages of the evolution of reality, but also stages of the spiritual evolution of the human consciousness. 

The Four Worlds are:   0. Adam Kadmon - Primordial (Original) Man  1. Atziluth - Emanation   2. Beriah - Creation 3. Yetzirah - Formation 4. Assiah - Action Material reality is distinct from these four worlds; the ‘real’ world emanates out of the fourth world, Assiah. Each of these four worlds have their own sefirot structure, which in themselves contain additional sefirot, on and on, like a fractal. Luria called these recursive structures “tree systems” [3].  In Genshin terms, this is like how we have Irminsul, the world tree, but also the other smaller Irminsul trees in domains.

(Fun Fact: this schematic is sometimes called Jacob's ladder) The system of the Four Worlds and their nuances are very interesting in themselves, but for the purpose of this theory, we’ll be focusing on the 0th world, Adam Kadmon, and the symbolism associated with this concept in both Kabbalah and general Jewish philosophy. 

Primordial (Hu)Man

The concept of an ‘original man’ is discussed in Philo’s commentary of Genesis, where he describes this being as androgynous, connected to the concept of Logos, and the Idea/Form of humanity in contrast to the ‘earthly man.’ Philo’s definition of the Logos was something closer to the concept of a demiurge-a being responsible for creation of the world. Logos literally means ‘word’ or ‘reason’, and otherwise typically refers to divine reason, or the word of God.  It’s important to note that here the use of the word ‘man’ refers to a human being, not specifically a male person. Though often described as a man, the Primordial Man of Kabbalah is considered androgynous (like the Primordial One of Genshin).

The Zohar (a foundational work of Kabbalah) describes the Primordial Man as the “image of everything that is above [in heaven] and below [upon earth]; therefore did the Holy Ancient [God] select it for His own form.” The Primordial Man is the personification of the 10 sefirot together and represents a microcosm of the universe (macrocosm) [4]. 

Narzissenkreuz: I... I sense "reason." Visitors, are you the successors to Narzissenkreuz, or are you a threat? Narzissenkreuz: Is "Reason" that which grants you such strength? Narzissenkreuz: No, I have noticed. Have you always been in that realm that I pursue? O, you who are equal to a world! (Waking From the Great Dream) Man, as he was before his fall [first sin], is conceived as a cosmic being which contains the whole world in itself (Trends in Jewish Mysticism, pg. 215)

Lurianic Kabbalah considers the Primordial Man to be the highest level manifestation of God that can be conceptualized by humans. The world of Adam Kadmon precedes the emanation of the lower Four Worlds, but each of these worlds have their own corresponding anthropomorphic figure as well [5]. In contrast to the worlds that follow Adam Kadmon, the sefirot of Adam Kadmon are not in a Tree of Life configuration, but rather in the configuration known as “upright,’ arranged in the shape of the human body.

The concept of a Primordial Man exists in other religions and mythologies as well. There’s the Gnostic Anthropos, Adam Kasia of Mandaeism, the ‘Universal Man’ (al-Insān al-Kāmil) of Sufism who functions as an Axis Mundi, the world-soul of Platonism, Gayomart of Zoroastrianism, and more. The symbolism of the human body as mediator between the divine and the material world is not unique to Kabbalah. Kabbalah’s version of the World Tree and Primordial Man both function similarly to the Axis Mundi; they are the same emanations of the divine, just arranged in different configurations. 

Will and the Primordial Man In Kabbalah, Adam Kadmon represents the will of God, specifically the will to create. The blueprint for the creation of the world is contained within this being/world, all superimposed together into a “primordial thought.”  Within Adam Kadmon, there is no distinction between the individual sefirot, or rather, between anything at all. Everything is contained with this world/thought, but there is no time, no space, and no limitations. WIthout limitations, individual beings and concepts cannot be created. Therefore, the unity of Adam Kadmon had to be broken; specifically into the 10 sefirot, which could then assemble themselves into new configurations and continue the process of creation [6].

Narzissenkreuz: The witness of all, the recorder of all, the designer of all. Narzissenkreuz: Only one who is worth a world can bear that title. (Waking From the Great Dream) If the righteous wish to do so, they can create a world. (Babylonian Talmud, Sanhedrin 65b) 

Back in Part 1, we compared pure elemental energy to Kabbalah’s divine light of creation and the ten sefirot to the seven elements. If we apply this analogy to Adam Kadmon, doesn’t a being that could (theoretically) resonate with all elements and would eventually meet their end by being broken up into many pieces sound familiar? 

At the end of Act V of the Fontaine Archon Quest, Skirk tells Neuvillette that the Gnoses are actually the “remains of the Third Descender.” Neuvillette, the Traveler, and Paimon speculate that this is possible because as a Descender, they would have also had the same unique compatibility with the elements as the Traveler. Neuvillette’s character stories refer to the remains of the Third Descender as the “seven remembrances,” which were used to create a new “order” for the world, with “all fragments of the primordial…driven to devour each other.”

Rene’s notes in the Tower of Ipsissimus directly tell us that there is a connection between the concept of the Primordial Man and Descenders:

"Lies beneath the great sea" is, itself, an interesting phrase. It comes from ancient Sumeru texts, and should be read as "Narayana*," which also means "primordial human." This, too, is my goal, for not all that comes from beyond may be as one that "descends." That title belongs only to wills that can rival an entire world. That is what I seek, the way to become just such a will, one that can protect the world, sustain the world, destroy the world, and create the world.

[*Narayana (Sanskrit: नारायण, romanized: Nārāyaṇa) is one of the forms and names of Vishnu, depicted as sleeping under the celestial waters, and is associated with creation. This reference aligns with Rene’s goal of using the power of the Primordial Sea to make himself a Descender. ]

In summary, we have four Descenders, we have four samsaras, and we have four symbolic worlds that are only able to exist due to the destruction of a 0th world known as the Primordial Man, who represents the totality of the divine Will to create the world and the Idea of humanity. 

Keep all this information in mind, because before we can discuss the connections between samsaras, Descenders, and the Primordial Man, we must take a detour into alchemy and psychology.

Primordial God Impact 

Genshin Impact has always been about the primordial - it’s literally in the name: 原神, or yuan shen, which means ‘original god.’ Many other in-game items share this descriptor, including primogems (原石), Primordial Seawater (原始胎海之水), and the Primordial One (原初的那一位). The same characters are also used in the note from the Tower of Ipsissimus when referring to the ‘primordial human’:  原初之人, which as it turns out, is exactly the same word used for the Primordial Human Project.

The Primordial Human Project has been mentioned exactly once, in a cutscene from the Shadows Amidst Snowstorms event in version 2.3. There, Albedo refered to his doppelganger who had been wreaking havoc on Dragonspine as the “failure of the Primordial Human Project.” Albedo implied that he is the “survivor” of an experiment associated with the Primordial Human Project and considers it to be related to his origins as a creation of Rhinedottir, aka the alchemist Gold. 

We know very little about Rhinedottir and her motivations. She’s a practitioner of the Art of Khemia, a member of the Hexenzirkel, is labeled a sinner and blamed for the appearance of monsters during the Cataclysm, made a dragon named Durin and sent him to Teyvat during said Cataclysm, where he caused destruction everywhere he went while thinking he was playing, and might have also made Elynas, who had a similar fate. According to Skirk, she, like Skirk’s master, is “pursuing some form of perfection.”

The Great Work

 Rhinedottir’s alchemical research was focused on the creation of new life and she was familiar with an alchemical text called the Opus Magnum, which she left behind for Albedo to study. The Opus Magnum is a reference to the real life Magnum Opus, or Great Work, which refers to the alchemical process of creating the philosopher’s stone from the prima materia (original matter). The process typically goes as follows: nigredo (blackness), albedo (whiteness), citrinitas (yellowing) and rubedo (redness). Later Western alchemy would merge the citrinitas and rubedo steps into just rubedo, or include additional steps, such as the peacock’s tail stage between nigredo and albedo. Notably, the order of the last two steps in this process is reversed in the version of the process Albedo learned from Rhinedottir: rubedo is third, with citrinitas last.

This reordering isn’t universal in Teyvat: Rene’s notes disparage this choice, saying that Khaenri’ah is distracted from the true goal of the process:

..."Red" is the foundational principle, the philosopher's stone*, while "yellow" represents gold and mortal temptation. Yellow is simply bait. Red is the final goal. However, Khaenri'ah would likely seek the truth for gold's sake before turning that truth into a bread production pipeline…

[*This is the first and so far, only, time the phrase “philosopher’s stone” has been directly mentioned in-game.]

Rene has a somewhat ironic take on the Khaenri’ahn alchemical philosophy, given that Albedo’s character stories specifically say “Khaenri'ah was an underground realm, with precious few natural fauna. As such, its alchemy focused more heavily on the creation of life.” Rene often has strong opinions - but why would he care about the order of the Magnum Opus?

The Chymical Wedding of Rene de Petrichor

A recurring motif of the Great Work is the ‘chemical wedding.’ This refers to a union of opposites; male and female, sun and moon, fire and water, sulfur (Red King) and mercury (White Queen), etc, and is often depicted as taking place in a fountain. Here, in this drawing from a copy of the Ripley Scroll, sulfur and mercury wed and form the androgynous (like the primordial man) ‘philosophical child,’ which is philosophical mercury. 

Philosophical mercury is the underlying principle or “divine flow” that makes alchemy and transmutation possible. Therefore, the goal of the Great Work was to pin down this mercury into matter through the four (or more) stages of the Great Work and make the philosopher’s stone [7,8]. 

"The Stone that is Mercury, is cast upon the Earth, exalted on Mountains, resides in the Air, and is nourished in the Waters." (Michael Maier's Atalanta Fugiens. 1617.) The cubes represent prima materia. ;)

The chemical wedding is also used as a motif throughout the story of the Narzissenkreuz Ordo. The Book of Revealing includes a schematic of the “Seal of Chymical Marriage,” which consists of a “Tree of Emanation'' and the “Four Orthants,” and was used to seal the Primordial Sea. The Tree of Emanation component is, of course, a version of the Kabbalistic Tree of Life - for more ramblings, feel free to check out my twitter thread here.

The Narzissenkreuz Ordo is likely intended to be a reference to the real life Rosicrucian Order, and the name of the seal a reference to an important text for this order called the “Chymical Wedding of Christian Rosenkreutz.”  Other possible references to chemical weddings include Lyris being referred to as the ‘Red Empress,’ Rene using her power to dissolve himself and be reborn through the water, and Mary-Ann and Lyris fusing and eventually producing “pure water” aka Ann.  Actually, when you dig into it, there are many suspicious interactions between sun and moon-coded gods in Genshin lore, as well as the doomed wedding of the Seelie and the traveler from afar. My Name For Now made a really interesting video about this, so if you would like more information and speculation, check it out here.

The Philosopher’s Stone and the Self

The philosopher’s stone is the Holy Grail of alchemy: an alchemical substance that can transmute base metals into silver or gold, make someone immortal, cure all illness, make a homunculus, and more. The stone represents perfection and spiritual refinement, either of nature through alchemy, or of the self (the alchemist) [8]. 

Carl Jung, the founder of analytical psychology, considered the steps of the Magnum Opus to represent the process of the individuation of the self from the collective unconscious. The similarities between his interpretation of alchemical symbolism and the ideals of the Narzissenkreuz Ordo deserve their own separate analysis, but in brief: Jung defined the collective unconscious to be the shared unconscious mind between humans, full of basic instincts and archetypes, which are primordial symbols that exist in many mythologies throughout the world. Jung compared the collective unconscious to the alchemical symbolism of water, which he describes as “wisdom and knowledge, truth and spirit, and its source was in the inner man [9].” The process of individuation separates aspects of the personality from the unconscious (the water) and then eventually integrates all components together, to form the individual self, which can now bring “order” to the unconscious (at least on a personal level)[10]. In other words, the Jungian interpretation of the Magnum Opus is that the final product, the philosopher's stone, is the Self. 

If we apply this symbolism to Rene’s journey, it appears he was attempting to refine himself into a philosopher’s stone, which would explain why he was so interested in the work of the Khaenri’ahn alchemists. As he stated multiple times, his goal was to become a “primordial human,” whose will “can rival an entire world.” Rene’s philosopher’s stone is a Descender. 

The Primordial Human Project

After Rene’s failed attempt to dissolve himself in Primordial Water and be reborn using Lyris’s power, Jakob turned to his own research to try to save Rene and complete his rebirth. In his log of this time period, Jakob wrote: 

...I've been interpreting the data in search of a solution and sharing the results with Rene. There has still been no response, but I can already envision his response with perfect clarity: criticizing the Universitas Magistrorum for putting the cart before the horse, neglecting the fundamental principles underlying everything, and diving straight into the details of how to put those techniques to use... How they inverted even the alchemical stages for other purposes… ...It seems that there was an alchemist from Khaenri'ah named "R" who joined a secret order. From what fragmentary records exist, it appears that they made significant headway. 

There are two items of note here; the first is the mention of Universitas Magistrorum, which previously had only been mentioned in a namecard description. The card description reads "O Almighty Sovereign, the Universitas Magistrorum has provided the predictions you requested: The two stars have been captured by the world's gravity…” which may be referencing Khaenri’ah’s summoning of the twins (Inversion of Genesis). From the context of Jakob’s notes, we can infer that this organization was also utilizing some form of the Magnum Opus for an unknown purpose.

The second item of note is the mention of the alchemist “R,” who is almost definitely Rhinedottir, and the “significant headway” that she and this mysterious “secret order” made. It’s very likely that Jakob is interested in Rhinedottir’s work simply because he wants to make a new body for Rene; the log also mentions Remurian golems and experiments with prosthetic limbs. However, the mention of her and the Universitas Magistrorum in the same context, with Jakob’s commentary on the reversed order of the Magnum Opus, gave me the idea that sparked this whole theory (descent into madness): Is it possible that Rhinedottir’s Primordial Human Project was intended to make a Descender? 

Sometimes, very important lore gets buried in character stories. For example, the first time the term “primordial (hu)man” shows up - which is in Albedo’s fifth character story. 

This art of creation was known as "The Art of Khemia." Albedo had learned of this in his youth from reading his master's notes. The next stage after "soil" is "chalk," which was also something his master had mentioned. "Chalk is the spotless soil, and was used to make primordial man." Now, Albedo understands alchemy in far greater depth than he did in the beginning, and his knowledge on the subject is far more comprehensive. "From soil was birthed chalk." The profundity of this statement is well understood by Albedo now.

Albedo is also the “chalk”; Rhinedottir gave him the title of Kreideprinz, or Chalk Prince. She seems to have a habit of naming her creations after types of soil. Durin was ‘humus,’ the Riftwolves are ‘alfisol,’ and Albedo is ‘cretaceus’. According to her, earth is “the basis of all life” and the “accumulated memories of time and lives,” so it makes sense she’d use soil as the starting material for her alchemical creations. 

Albedo seems to be aware of the Traveler’s unique status, although he never names them as a Descender. During his Story Quest, Albedo studies the Traveler to get insight on how to help an alien flower bloom.

Albedo: The only other life form that, like you, has come here from afar, is the seed that I mentioned. Under the effects of Teyvat's natural laws, it isn't even able to sprout, let alone bloom. Albedo: But after I observed you, I had another idea. Albedo: Imitating you helped to inspire my alchemy, and so... Albedo: Is not nurturing otherworldly life also nurturing the world itself?

Following the experiments he performs on them, he reveals to the player that he lied about some of their test results, and even compares himself to the Traveler. 

Albedo: I made a point throughout of telling them how ordinary the results were... Albedo: But what was that sediment I saw forming at the bottom of the vial? It should not have been there... What could it mean? Albedo: Those born of earth are bound by its imperfections, but those born of chalk are free of impurities... You and I are alike, both composed of a substance that has yet to be fully defined...

This leaves us with questions. Assuming Albedo is similar to the ‘primordial human’, what is his role? Is he a Descender, or is he meant to work to become one eventually, like Rene tried to do?

Let’s return for a moment to the Primordial Man and Adam Kadmon. Earlier, we discussed the symbolism of Adam Kadmon; this being represents the divine will to create, also known as the “primordial thought,” as well as the Idea of humanity. Adam Kadmon is the potential for creation unified together, with no distinctions between any concepts. Hermeticism and alchemy have a similar concept, succinctly summed up in the phrase “the all is one,” which can be found written on one of the earlier alchemical drawings of an ouroboros by Cleopatra the Alchemist [11]. 

In Gnosticism and alchemy, this symbol refers to unity of all material and spiritual things, as well the eternal cycle of destruction and re-creation as things change form [12]. 

Rhinedottir shared this philosophy, as evidenced by the description for Cinnabar Spindle, Albedo’s sword.

Separate the dust in the flames with joy, and extract the exquisite from the crude. For all in the universe comes from a single source, and all things may be derived from a single thought.

The weapon description also contains instructions for Albedo that likely tie into his expected role as a success of the Primordial Human Project. 

You must pursue that which your elder brother, the one-horned white horse, could not accomplish. Reach the far side of philosophy, and create a new destiny for myself and your brothers…

Albedo’s final assignment from Rhinedottir is to learn the “truth and the meaning of this world,” a phrase echoed by the Abyss Twin in We Will Be Reunited. Knowledge is literally power in Teyvat: both Nibelung the Dragon King and later, Deshret, utilized Forbidden Knowledge, also referred to as a “power of darkness from outside of this world”, believing it to be the only effective power to defeat the Heavenly Principles. In fact, it’s even possible that the Dragon King was one of the Descenders despite presumably being native to Teyvat. The process of acquiring the Forbidden Knowledge could have evolved him to true Descender status, although this power appears to be incompatible with Teyvat, especially in the wrong hands. The power of the Forbidden Knowledge is similar to the metaphorical garden of the pardes myth, where out of four “descenders,” only one was able to safely leave, with the esoteric knowledge gained. The philosopher's stone also represents knowledge-it is the lapis philosophorum; literally the 'stone of wisdom'. Knowledge is also how one ascends in Gnosticism, i.e, achieving gnosis. 

Perhaps this is the true method to create a Descender and Albedo’s future role: once he reaches the far side of philosophy (learns the truth and meaning of the world) and ‘evolves’ and ‘refines’ himself from albedo through rubedo and citrinitas to the philosopher’s stone, he can change destiny. 

This sounds familiar…

Fortuna and Evolution 

Rene’s calculations of the world-formula predicted that following the fulfillment of Fontaine’s prophecy, there would be no new civilizations formed from the ruins, as there presumably had been in the past following similar disasters. Rene believed the only way around this was for him to become a Descender, and save Fontaine from the disaster, beginning a new age. It’s implied in the text of the Book of Revealing (the version in the WQ) that the fulfillment of the prophecy would spell disaster for all of Teyvat, not just Fontaine, but even if that were not the intent of Celestia, we can use this example as an analogy for the world-formula of Teyvat. 

Rene directly compared the world-formula to the Remurian concept of Fortuna: 

Kingdoms rise and fall, and when a civilization is annihilated, a new one will be born after from the ashes, which these books refer to as "Fortuna"... It's somewhat rudimentary, but theoretically at least, it bears striking resemblance to the computational scheme I have formulated and termed "world-formula"...

Let’s spin the wheel of Fortuna and return to the beginning, where we first discussed the four samsara cycles of spiritual evolution and the Four Worlds. Although the samsara cycles don’t refer directly to actual historical events, their names are based on ancient texts. It’s not a large leap in logic to suggest that each of the four samsaras refers to eras in Teyvat’s history- what others in the lore community have been referring to as ‘root-cycles.’ For example, the defeat of evil dragons associated with the Natlantean samsara could refer to the war between the Primordial One and the vishaps described in Before Sun and Moon, or the war between the Heavenly Principles and the Dragon King (which might be the same thing!). The events associated with each samsara must be what ends the samsara, since the fourth, Khraun-Arya, is the current, and represents freedom from the gods, which has not happened yet. 

Given that the Descenders can (theoretically) change the result of the world-formula/Fortuna, it can’t be a coincidence that there are the same number of Descenders as there are known samsaras. In addition, if the four samsaras of Teyvat function like the Four Worlds of Kabbalah, that means that a samsara-ending event would be something that results in the evolution of the world. Apep says that during the war between the Dragon King and the Heavenly Principles, Teyvat was in danger of collapsing, and that the victor of the war would “inherit the right to shape the world”. This sounds a lot like Rene’s definition of a Descender: one that can protect the world, sustain the world, destroy the world, and create the world. The death and disassembly of the Third Descender led to a significant change in the “order” of Teyvat when the Gnoses were created to replace the “ruined” functions of the Heavenly Principles. Put another way, Descenders are able to evolve Teyvat into its next stage of evolution.

The fate of the Third Descender and ruined functions of the Heavenly Principles suggest another, alarming component to the relationship between samsaras and Descenders. It could be that as part of the process, a Descender must replace or repair an aspect of the mechanisms that maintain Teyvat. Don’t worry about the Traveler though; the fourth descender of the pardes legend gets to leave the garden in peace. 

On the other hand, the first Descender in the legend is the one who dies, and in Genshin it’s the third, so maybe the list isn’t exactly in order. Of course, this comparison to the legend is partly a joke, but it is very interesting that the metaphor for apostatizing is uprooting trees….

Khaenri’ah’s World-Formula

We know from Rene’s notes that Khaenri’ah had their own version of a world-formula, or at least, their records contained information Rene could use to reverse engineer their predictions. We don’t actually know what he found there, but based on the name he gave the fourth samsara and the whole “freedom from the gods” thing, it seems they were trying to evolve Teyvat into the next samsara and make this freedom a reality. We also know that the Khaenri’ahns were searching for a specific kind of power, a power they referred to as both a “perpetual” energy source and a “secret from beyond the skies” that could “throw off the shackles imposed by this world's laws.” This power from “beyond the skies” is thought to be some form of Abyssal power, and the Khaenri’ahns who used it seem aware of a will contained in that power, a “dogma from beyond the heavens.” In fact, it’s possible that this power is the same as the Forbidden Knowledge brought in by Nibelung, which also had an influence on Apep’s behavior when they were infected with it after eating Deshret.

It appears that Khaenri’ah was familiar with something similar to the concept of a Descender, which makes Chlothar’s words to the Traveler in Caribert all the more impactful. 

Chlothar: I never imagined that you, of all people, would deny the Abyss... How ridiculous! Chlothar: We once believed that you would bring new strength and hope to Khaenri'ah. Chlothar: To us, you were the Abyss... A wondrous mystery far beyond our imagination and comprehension... Chlothar: ...And the one who controls the Abyss can control everything! Chlothar: We yearned for that future. We looked to you to take us there.

The Future

As mentioned previously, the Four Worlds of Kabbalah are all precursors to the actual material reality, which will be emanated (created) from the fourth world. Luria believed that our world was not yet completely realized and needed another spiritual push from humanity to be actualized. (The mechanics of this won’t be discussed here - so consider this a teaser for Part 3 of Kabbalah theory.) Therefore in Kabbalistic terms, this fifth samara, this fifth world, would be the final and true reality for Teyvat.

This would be why Khaenri’ah needed a Descender or even merely a power that could defy the Heavenly Principles. That was why they summoned the twins, and why projects like the Primordial Human Project existed. It’s ironic that in their desire to remake the world in the image of their dreams, where they were free from the gods and the Heavenly Principles, they chose in the end to bind themselves to a will from beyond the sky, which ended up in catastrophe. 

As the letter in the Khaenri’ahn ruins of Gavireh Lajavard says: “The gods are untrustworthy and the demons, ineffable. If there is one thing that can pry open the corners of this hollow world, then it can only be human will.”

Congrats on making it to the end! As you can see, this was already reaching a ridiculous word count, so there were some things I had to leave out, or only briefly touch on. So here are some people and concepts I pretended didn't exist so this didn't get (more) convoluted, but you should read about them: Crowley and True Will, Nietzsche and the overman, Zoroastrianism as a whole, but particularly their version of the Primordial Man, William Blake's prophecies (his Auguries of Innocence is a big inspiration for the artifact lore), Schopenhauer and Will, Atman and Brahman, Plato's concept of the world-soul, SWORDS (in Genshin lore), the Holy Grail legend, and shoutout to Otto Apocalypse the real First Descender. I do want to point out that some of the (real) people on this list, like Crowley, either were terrible people who believed terrible things, or had their philosophy used for terrible things. This also applies to other inspirations for the Narzissenkreuz Ordo. Please keep that in mind when engaging with these people's work.

On a lighter note:

Sabre’s Fun Fact Science Corner aka Miscellaneous Stuff I Need to Put Somewhere 

I didn't want to have to get into explaining the lore of another piece of media but yes, this theory was inspired by a binge watch of the last arc of Fullmetal Alchemist: Brotherhood, transmutation circles and philosopher’s stone and all 

On the topic of FMAB, the The Black Serpent Knights archive description states: “The long years and a curse seems to have robbed them of their reason and memory. Now, all that remains within that armor is the will to ‘fight for something, someone, and some matter.’” Funnily enough, the subtitle of the Knights is ‘Aldric’ - Alphonse Elric, anyone?

Caribert becomes the Loom of Fate to “weave his own destiny anew”, Albedo has the Cinnabar Spindle and instructions to create a new destiny - I’m sensing a theme here 

Rene believed that getting a Vision was a bad thing in the process of actualizing your Will, and resulted in you selling your fate to the world. So he developed a ritual to remove a Vision from an allogene (this is only mentioned in passing by Caterpillar). So even though Albedo has a Vision, he’s not out of the running to become a Descender. But also Rene was wrong about stuff so ¯\_(ツ)_/¯  

The anthropomorphic imagery in Lurianic Kabbalah can get pretty bizarre, but in a fun way if you're into Genshin lore. Adam Kadmon is described as emanating divine light out of his face, specifically his eyes, to create the next world. Genshin eyeball lore is my roman empire.

As a full elemental dragon, Apep had a “world” inside their body. Rhinedottir seems to like dragons a lot; I wonder if she considers them to be similar to the primordial human. Also, there's evidence that the Traveler's elemental abilities mimic those of the elemental dragons, rather than the archons.

References:

Toseftah Hagigah 2:2 Babylonian Talmud Hagigah 14b, Jerusalem Talmud Hagigah 9:1.

Introduction to Kabbalah and Jewish Mysticism - Part 3/14 - Merkabah Shi'ur Komah & Sar Torah

Introduction to Kabbalah and Jewish Mysticism - Part 10/14 - Christian and Lurianic Kabbalah

https://www.jewishencyclopedia.com/articles/761-adam-kadmon#anchor10

https://www.jewishvirtuallibrary.org/adam-kadmon

https://www.chabad.org/kabbalah/article_cdo/aid/380321/jewish/Chaos-and-the-Primordial.htm

https://dpul.princeton.edu/alchemy/feature/the-chemical-wedding

https://www.scribd.com/doc/11441835/The-Four-Stages-of-Alchemical-Work

Jung, Collected Works vol. 14 (1970), Mysterium Coniunctionis (1956), ¶372 (p. 278) via Wikipedia

https://en.wikipedia.org/wiki/Analytical_psychology#Individuation

https://en.wikipedia.org/wiki/Chrysopoeia

https://www.britannica.com/topic/Ouroboros

https://www.gla.ac.uk/myglasgow/library/files/special/exhibns/month/april2009.html

https://alchemywebsite.com/rosary0.html

https://www.alchemywebsite.com/rscroll.html

[anthurak]

One of my favorite things about Control is just how completely and utterly nuts/bonkers/GONE the FBC is as one of these ‘secret government blackops’ groups.

Like this is a trope we’re all fairly familiar with at this point; some secret government organization formed to monitor, contain and research all kinds of weird shit and keep it secret from the public. Also they may or may not have kinda gone totally rogue somewhere along the way and might now answer only to themselves at this point in a ‘who watches the watchers?’ commentary on the need for oversight.

But the more you find out about the Federal Bureau of Control, the more it becomes clear they just so utterly past ANY of that by the time the game begins. And have been for basically the last fifty some odd years.

Like here is a basic overview of the FBC that you learn within the first thirty or so minutes of the game: They are a secret government organization dedicated to the containment, cataloguing and research of supernatural artifacts and events. They are headquartered in what they call ‘The Oldest House’, a tall, imposing yet utterly nondescript building in the middle of New York City that is literally impossible for anyone to enter or even notice unless they already know about it. And the interior of the building is actually a twisting extradimensional labyrinth that also opens up to other dimensions/realities and might actually be the World Tree Yggdrasil. It also kind of hates any technology made in the last twenty years. And apparently Number 2 Pencils.

Oh, and the FBC doesn’t really report to the US Government. They report to a floating, inverted black pyramid that exists in a space outside of known reality that might also be the collective human subconscious. The pyramid is colloquially referred to as ‘The Board’ and they are an extradimensional entity/group of entities that appoints the Director of the FBC via the use of a physics-defying geometric gun called ‘The Service Weapon’ that is probably Excalibur/Mjolnir/every other legendary weapon in human myth. They also speak in word-salads and probably know they are in a video game.

See, back in 1964 when the FBC first discovered The Oldest House, they basically decided ‘WOW, this place is cool! Let’s make it our new headquarters!’ and promptly moved in. This was also when the current Director at the time found the Service Weapon within The Oldest House, made contact with/was chosen by The Board and from the point on the FBC really hasn’t answered to the US Government anymore.

Also, the Government basically doesn’t even know the Bureau even EXISTS anymore. Remember how The Oldest House has this kind of ‘Perception Filter’ that prevents almost anyone from entering it or even noticing it, which is how basically nobody can find it despite the fact that it is right in the middle of New York City? Well, after they moved in and became effective ‘residents’ of the house, this filter started applying to the FBC itself. They basically CAN’T be noticed or remembered at this point by anyone who isn’t part of the organization. The reason this secret organization can operate entirely off the grid and can’t be tracked is because they literally have freaky extradimensional reality-warping covering their tracks.

This is what I meant when I said that the FBC is just so far GONE. At this point, the FBC is itself a crazy, supernatural thing in and of itself.

Other fun details about the FBC include:

The Bureau facilities in The Oldest House are not powered by coal, oil or nuclear power. No, instead the lights are kept on by a former director who went a tad power-mad and lost control of his pyrokinesis, so the Bureau locked him up in a giant ‘Sarcophagus Containment’ unit and now use him as a power-generator.  He also sometimes talks through the waste-disposal furnace to try and get people to bring him human sacrifices.

The maintenance sector of the FBC includes an area called the ‘Black Rock Quarry’. The so called ‘black rock’ is an extra-dimensional mineral that, among other things, blocks and dampens supernatural effects and abilities. Needless to say, the Bureau mines the stuff extensively. Now, despite being within The Oldest House, the Black Rock Quarry is an open-top quarry. To space.

One of the ways Bureau personnel get around is via pull-strings that show up all over The Oldest House. Pull a string three times and you are transported to the Oceanview Motel, a quaint little motel that probably exists outside of known reality because no one has ever been able to actually go or see outside the motel. Once you’re there, you just ring the bell on the front desk three times, do some random task and procure a room key. The key opens a door, but only one with an inverted black pyramid. From there, you pull another string and are transported back to somewhere else in The Oldest House. So basically a rather convoluted teleportation system. There are also doors with other symbols that probably go to other realities, but the Bureau hasn’t figured out how to open them. Though one does seem to lead to a void of malevolent darkness that feeds off human creativity and is currently holding one Alan Wake.

Also, the bureau’s janitor is probably a Finnish Sea God.

[lutawolf]

My Stand-In Episode 10 Commentary

I received a special request to do this post, and as promised, here we go. To preserve authenticity, I have observed spoilers on both this site and TikTok; however, I have yet to view the show. Until now, that is.  

Here we go! Let's all take a moment to recognize the talent behind this show besides the actors. The build up to the scene and setting of the tone is gorgeous. We are apprehensive even before we see where the van pulls up to. Then the melody continues to convey depth as we enter into Joe’s old home. 

The artwork in Joe’s home! It gives you an idea of his depth, it really does. Joe is just circling and taking everything in, while Ming is just casually exposing himself. Presently, they are both so vulnerable, but unlike in the past, it's Joe trying to build walls while Ming is now showing patience.

Teary-eyed Joe as he looks out, while Ming cooks. Now they're in complete contrast. One is at peace while the other is in utter turmoil. 

“If you’re going to give me your all. Why not use our couple mugs? Oh, I forgot, a man like you wouldn’t use broken things.” He is trying to remind Ming of their class difference. But unlike before, Joe doesn’t get mad. The tables turned. He extends to Joe what Joe once extended to him, namely tolerance and consideration. He tells him, never mind that, I still have our couple’s pjs. 

“Come here.” It’s a clear command. A command that Joe responds to but half-heartedly. Yet, Ming knows this is not the time and with a sigh restrains himself and instead meets Joe halfway. Look at them communicating. Joe didn't mean to, he's just trying to keep that wall up, but rather than denying any accusations, Ming responds to Joe's distrust with open communication. 

When Ming discusses recognizing Joe within this body, it is evident that Joe reluctantly allowed a portion of his inner wall to fall. Ahhh, I could scream over all the communication but most importantly, Ming’s growth. Before he would have been an ass about Joe avoiding the kiss, but this time he handles it with understanding and resilience. Not resistance but resilience. What’s the difference? He isn’t forcing the issue, but is still capable of a capacity of recovery.

Ming isn’t the only one who has changed. I love Joe’s face as he realizes it is Tong calling. It becomes determined. Then that smile when Joe tells Tong he isn’t his servant! Also… YAY!!! I HATE TONG! Good on you, Joe.

Okay, so after Ming smiles and says, “Joe, I made you pan-fried eggs.” You see a quick smile from Joe. It’s so fast that I had to rewind to verify, but it’s there. This slight smitten smile.   

Ahh, look at all the communication. If it were before, Ming would have told Joe to mind his business, but not now. Now he is sharing it all, which Joe recognizes, you can tell by the forced harshness. He steels himself for Ming getting mad about him hanging up on Tong, but to his surprise, Ming doesn’t. Instead, he makes comments on how Joe has changed, but he says it with admiration. You can see the softening and then the sadness cover Joe’s face. He expresses his emotions to Ming, however, rather than expressing anger, we once again observe Ming's newly acquired skill of composed endurance.

Now, if you watch carefully. Ming hasn’t given up his Dominance, he’s just more selective about where he uses it. Such as the car and drawing the ketchup design. Joe said no, but this is where Ming shows resistance and determination. It’s just we are finally seeing him do it with fucking charm. 

The actor who plays Joe is fucking spectacular. The way you see Joe’s wall of resistance breaking. Just chefs kiss. I need to look up the director and see their other work because this is usually a sign of an outstanding director as well. Those little nuances take teamwork to create. 

The kitchen scene really showcases whose Dominant and whose submissive. I love mom and son’s relationship! Mom was scoping out the guy for him, I love it. How adorable. 

Oh, Ming, that was a smooth lie. Fuck, but I love Ming. I love a villain with a soft spot for their love. Those conniving bastards have a way of wiggling their way into my heart. And the way they're both so vulnerable and communicating. I’m not okay. 

Ahhh, and Ming comes in with the love making. Joe would have pushed him away had he come in strong, but he doesn’t. This is Ming making love to Joe. He weakens Joe until he can just push him down and take control, “You know you can’t stop me.” Notice that Joe doesn’t argue, but Ming needs to do this. It’s cementing some really necessary things. It’s showcasing his feelings for Joe and making a statement. Not only is he making love to him, but he is making love to him face to face. Proving to Joe that he has changed. Yet, notice, who holds the complete control during the entire love making session. Ming.

Joe telling him he’d have to marry him first is my favorite. Ming like, sure, no problem. Time and place? Love it! HAHAHA, I’m dead. First the blanket and then the curtains. Mom’s face is all of us. Like, come on now. The way Joe pulled him back to cover his boxers. OMG, I’ve laughed so hard at this scene. It’s going down as one of my favorites. 

The way that Joe smiles at Ming at the table. So cute! I love how the mom breaks everything open. I also love that Joe protects Ming in his own way. 

You know what I love the most. Ming is not a good person. He has made numerous mistakes with Joe, but unlike other shows, we are actually seeing character development that can give us hope for the future. Ming is giving honesty to Joe, even when he knows it could work against him. He isn’t shying away from the ugliness but using it as a stepping stone for communication. This isn’t who Ming normally is, but he’s becoming a better man for Joe and only Joe. 

Tong really doesn’t realize the thin ice he is skating on, does he. Look at Ming standing up for Joe to Tong. Say it with me peeps. Character development. Ming not Tong. Tong couldn’t even spell character, much less the rest. 

And Joe proves once again that he loves Ming, and so does Ming. “Joe, regardless of what body you are in. You are still Joe.” Now, Joe knows that Ming got into the entertainment industry so that he could get exposure to reach Joe. They are so cute again! Let me enjoy it for this brief moment. Soak it in for the second it’s going to last. 

Proud boyfriend moment. He wants their names on video. Oh! Ming was ready to throw down for his boy! You played with the wrong one, Tong. Tong, you are about to find out that Ming is a villain. You only think you are. It might not happen in this episode, but I promise, you will feel it and when you do, I’m gonna enjoy it. 

The communication!!!

I hate Ming’s family. Despite Ming not wanting to, he did let Joe go. He knows he has to solve this. In the past, he would have manipulated, but he doesn’t here. He is thinking of Joe and not himself. 

Tong who is a douchacanoe whose too stupid to see he has created a disaster for himself. Meanwhile, Ming is such a badass. Yes, he is. Hope in the next episode we see more of the badass Ming. 

[handwrittenhello]

Tbh I think Dream should have won if people were honestly being subjective/knew the source material :'( I know every single fandom on the list and Dreams not even my blorbo and I know he invented poor little meow meow

i know it's you neil gaiman

[k-s-morgan]

Hey K, have you seen the controversy around Hugh Dancy’s answers to hannigram-related questions at the Fan expo? Some fans are mad saying he’s a Hannigram denier but I’ve been in this fandom for 11 years now and honestly, reading his answers, he’s still saying the same stuff he always did though? So I’m a bit confused as to why people are angry with his answers?

He always acknowledged they loved each other, that it was a romance, but platonic. Also, I think he’s got a very British sense of humor and is sarcastic and ironic a lot and was never really into discussing hannigram as an openly gay romance, but more so because he is a literal guy in the way he communicates. Tons of Brits are like that. Especially actors, they’re not keen on doing fan service or saying what people like to hear. Mads on the other hand, loves enticing the audience and talking about Hannigram the way they want to hear.

All in all, maybe it’s bc some of these people are new to the fandom, but I literally think that this was just Hugh being Hugh and he gave mostly the same responses as he’s done in the past. It’s a mix of his sense of humor and the tone of the fan expo which is light and not necessarily a proper interview where he’d be more serious and give long answers.

Overall, what do you think?

Hi! Yes, I know a lot of people were unhappy with Hugh's responses - I'm not watching the fandom as closely as I used to, but I'm still keeping an eye on it.

I agree with you in that I heard nothing new. In my opinion, the problem lies in the reputation of 'Hannibal' fandom. We're known as a (mostly) cozy place where the biggest M/M ship is canon and actively supported by cast, writers, and the director. They all said so many wonderful things over the years, things that keep being repeated and are taken as a fandom Bible.

That's why people might still be unpleasantly surprised when they hear Hugh's reserved, distant replies, or Mads' weirdly shallow answers, or Bryan's ideas that are all over the place.

The truth is, ten years separate these people from their work. Hugh in particular hasn't even seen S3 as a complete product, at least from what I lasted heard. Besides, they all have been inconsistent even when the show was airing - Hugh has an interesting habit of saying different things depending on what kind of interview he's giving and who he's with. As an example, in the commentary to S3, he agreed with Bryan that Will was jealous of Bedelia and snapping at her because of it, but then later, he said Will disliked Bedelia for basically being a bad person, with jealousy being unrelated to it.

I'll be the first person to admit that some of Hugh's (and others') answers make no sense or contradict the show, but over the years, I got very used to it, to the point where it doesn't faze me any longer.

Hugh thinks it would take Will 7 season to fall in love with Hannibal, even though 7 seasons haven't been in the plans for over a decade (as Bryan has settled on 5 ages ago), and Will's silence to Bedelia's question and his further choices clearly meant to show he reciprocates? Ok. Hugh things Will's feelings for Hannibal are unrelated to his feelings regarding his own darkness? Fine - at least he acknowledged Will is dark because sometimes there are some denials about it. He thinks Will's decision to betray Jack and Alana and get a bunch of innocent people killed has nothing to do with his love for Hannibal? Lol, but all right.

I don't believe S4 will ever happen. Now, if it's announced, and then I keep hearing the stuff I really don't like, I might get worried, but as it is, I just save the things I agree with and ignore the rest :D The show is over, and we are all invited to come up with our own version of Will and Hannibal's future life. I'm also absolutely certain that we, passionate fans, know the show much, much better than people who were involved in it a decade ago. I mean, if I finished writing a fic 2 years ago, then a reader who just read it will probably know it better than I do at this point. It's natural.

Also, during this reunion, so many wonderful things were said, too. About Hannibal inviting Molly 'for dinner' and Will describing him as a 'therapist' to her, Hannibal urging Will to lose at least a dog or two out of the thousand when they are on the run, Will being annoyed by Hannibal's fussy kitchen habits, etc.

Basically, I don't think we heard anything new or bad. Some answers might have been frustrating, but the good still tops the bad, in my opinion - and the bad isn't all that relevant.

[neopoliitan]

RWBY Evermorrow Ep.7 Director's Commentary (or something)

The newscast segment was a late addition, we decided it was best to move a scene to a later episode for a better sense of narrative. I even already animated that whole scene so we don't need to worry about it!

We were gonna use Lisa Lavender here, but decided it was better to use Cyril due to availability of existing cast members as the scene was kind of last minute. We see it as Cyril being the guy in the studio, and Lisa being the reporter in the field.

Khaki's prison number is funny if you can decipher it.

Originally this episode was a big ol scene of RWBYCRDL recounting the mission to Oz and Glynda, then the punishments being dished out, but I was having such a dull time writing it that we decided it was best to cut the recap of the immediate previous episode and hope the teams' reactions did the work. I think it was for the best, a glorified recap episode seems like it would've been a waste of production; if it wasn't fun to write it wouldn't have been fun to watch.

It was a good time to bring in Glynda as she's always been Beacon's voice of reason around Oz's more whimsical tendencies. She's to-the-point and will make no excuses, which sells the teams being reprimanded more. Plus the added questioning of what exactly Ozpin is saying to Cardin offscreen is an interesting question in the viewer's mind.

(Also our Ozpin VA was kinda unavailable but for a very good reason lol)

Let's talk Dove. You've probably noticed he's very much the reasonable one on EM CRDL at this point, which is very intentional as going in I wanted to make them more interesting than Cardin and the Cardins. CRWBY once said Dove was the most skilled of CRDL, which is an interesting angle, and Doves are a symbol of peace which inspired me to make him the """nicer""" one, albeit a bit embittered by his lot in life. This episode has a montage of the moments in ep5-6 that really lay it all out that he's a little better than the others on his team, which is why Ruby vouched for him.

There was going to be a decent focus on family in this episode, but eventually we whittled it down to just Russel's and Dove's. Being like "oh and here's a character's parent being funny and mad" worked twice, but three to eight times might have gotten old lmao

Why did I pick Bertilak for Russel's guardian? Green. Mohawk. Moody. Not a big Faunus fan.

Okay so that's only part of it. Russel has been consistently portrayed as a bit of a doormat in EM, following Cardin's orders or deferring to the next biggest fish if he's not around. His actions around Bertilak imply that the latter is the source of all that behaviour.

Dove offers Ruby an "Olive Branch". I don't know if I can get more unsubtle than this.

Don't ship them they literally feel nothing about each other. That's canon.

Why did I pick Shopkeep for Dove's grandpa? Closed eyes, and Shopkeep is everywhere. That's literally the joke.

Pyke Rite from The Grimm Campaign.

There were a few characters I really wanted to get involved sooner. Can you believe it took us till Ep7 for Ren or Nora to say anything? It felt good to have all of JNPR and OP(A)L fully animated in the same scene, and was fun to set up dynamics like Oscar being a fanboy, Alyx being a little shit and the two teams generally getting along.

In comparison to 6 this episode was a lot calmer and a lot more talk-y, but hopefully we managed to make it fun. The animators and VAs did amazing as always (the former has basically eclipsed my efforts at this point), and I'm looking forward to ep8 very much! Bigger and better!

If you have extra questions about this ep you can shoot me an ask, I'm always down to self-indulge lmao

[brokehorrorfan]

Howling II: Your Sister Is a Werewolf will be released on 4K Ultra HD + Blu-ray on October 29 via Vinegar Syndrome. Chris Barnes designed the cover art for the 1985 werewolf sequel; the original poster is on the reverse side.

Philippe Mora (Communion) directs from a script by The Howling novel series author Gary Brandner and Robert Sarno. Christopher Lee, Annie McEnroe, Reb Brown, Marsha Hunt, and Sybil Danning star.

The film has been newly restored in 4K from the 35mm original camera negative with Dolby Vision HDR. Special features are listed below.

Special features:

Commentary track with director Philippe Mora and author/screenwriter Kelly Goodner (new)

Commentary track with director Philippe Mora

Commentary track with composer Steve Parsons and editor Charles Bornstein

Lights, Camera, Werewolves? - a conversation with director Philippe Mora and filmmaker Michael Mohan (35 min)

A Romp Through Czechoslovakia - an interview with actress Annie Pressman (15 min)

Thrown to the Wolves - an interview with special make-up effects artist Steve Johnson (11 min)

A Life Collaboration with Philippe Mora - an interview with Pamela Krause, Philippe Mora's wife and artist consultant (11 min)

Freaky, Sexy, Mad - an interview with composer Stephen Parsons (16 min)

Lord of the Stricken Field - film historian Jonathan Rigby on Christopher Lee and Howling II (25 min)

Queen of the Werewolves - an archival interview with actress Sybil Danning (17 min)

Leading Man - an archival interview with actor Reb Brown (14 min)

A Monkey Phase - an archival featurette with special make-up effects artists Steve Johnson and Scott Wheeler (15 min)

Theatrical trailer

Still gallery

Ben is mourning the recent death of his sister, Karen, whom he believes to have been killed in a savage wolf attack. At her funeral, Ben is approached by the mysterious Stefan, who warns him that a cult of werewolves had attacked Karen and that she too will become an undead lycanthrope. Although dismissing his claim as mere superstition, Ben’s girlfriend Jenny convinces him that he should take Stefan’s warning more seriously, and, sure enough, Karen is soon back from the dead, covered in fur and complete with a deadly set of K9s. After being narrowly saved from a fatal bite by Stefan, Ben is persuaded that he’s telling the truth and volunteers to join him on his mission to destroy the increasing hoards of beastly creatures ravaging Europe. But as their journey takes them to Transylvania, where werewolves from around the world are gathering for their ritual, Ben and Stefan fear that they might be in over their heads, mainly once werewolf queen Stirba receives news of their arrival…

Pre-order Howling II: Your Sister Is a Werewolf.

[janerogan]

not to think of pride and prejudices directors commentary of the 'im very fond of walking.' 'i know' scene, where joe wright says "he could have said 'you' there, it could have been 'i know you'" whilst watching far from the madding crowd, but! the way she pauses after saying 'i wish i could go, too' and they have a moment of just looking at each other in their own world. and im not the director but god. she could have said 'with you' there, there was an unsaid 'with you' and its absence was felt in the weight of the moment after. 'i wish i could go, too. with you.'