#mae-is-crazy

[xplore-the-unknwn]

THIS SHOT OF NOA AND MAE! EXCUSE ME?! 👀🙈

The intense eye contact. The closeness. The hands around each other. PERFECTION!!! 😭😫

I can feel the intensity just by looking at it. I told yall the Director is intentionally making this tension between them!! 😫😫

Also where was this in the movie??? I NEED A CLIP OF THIS OMYGOD

[bookishdaze]

"Bree, you gotta stop making Nomae about Beauty and the Beast every chance you get. You're reading too much into it."

Ok ok, I'll stop.

...

But not today! ENHANCE IMAGE! 🔍🧐

LUMIERE CAMEO

This round thingy also reminds me of the spinning wheel from Sleeping Beauty.

And right now Mae is like Sleeping Beauty locked in a castle and the prince has to climb up a tall tower to save her. Just sayinggggg

[wonkasz]

GUYS!? WHAT THE ACTUALLY F***K?! HOW I SUPPOSE TO LIVE NOW?! FREYA POSTED THIS AND JUST LEAVE US FOR BECOME INSANE?!

NOAMAE SHIPPERS WE WON AGAIN!!!

Oh, what a wonderful day!!!

‘Tis pic gives me a reason to re watch the movie for the fifth time… I need to seen this scene in my vision.

Wes Ball I will not forgive you for deleting this hug!!!

[forlouren]

Not to be the first soldier on the frontless of the woobification of Qimir (he is a villain, we know this, and I love him for it), but the lack of nuance, or rather the one-dimensional angle people who don't like his relationship with Osha have taken with him, irks me so bad. I get it. He is Sith, right. Treachery is their way; and what are the darksiders, if not self-serving?

But I feel like the specific phrasing of "the Jedi like you would call me Sith" implies so much about his own unique characterization, and I don't understand why we are glossing over it. It's not a self-identifier. It shows it isn't as much as a title he'd give himself, but a badge he'll wear since in the black/white viewpoint of the Jedi, he is not allowed to be anything more or less. His almost catty, "semantics" hammers in this fact for me, personally.

He strikes me as one who takes what he wants of the Sith code, and disregards the rest. I don't think it's a mistake that even after his reveal, we don't see him with the signature dark side eyes.

I say all this to say; Qimir's ultimate goal is not power, it is FREEDOM. *That* is what he is driven by. He craves to live outside the confines he deems as constrictive/oppressive, and have by his side, someone who wants the same.

So even while disregarding Leslye's interview; I honestly don't know how with what we've been shown in the show so far, aside from him being a sith, makes people think otherwise.

[wulfhalls]

I LOVE U POSSESSIVE FREAK SITH MANNY JACINTO <3

[youareunbearable]

I've been thinking about Dionysus a lot, mainly as a god of madness and what that looks like, and ofc I've been taking my two favourite things and smashing them together so I come to you all with this: to mortals, the Sons of Feanor are remembered for their madness.

Feanor, of course, is remembered the most for his brilliance. And because of this, brilliance comes hand in hand with madness. A mad scientist of you will. Many mortals warn each other of not falling too far into the act of creation, to not get too lost into their work or else they might not find themselves whole and sane again.

Ambarussa are seen in duality, like expected. They embody both the panic and fear and crazed determination of: the coward that would do anything for life; the deserter who claws and screams at their chains begging for freedom at any cost ; the dying and their moans and pleads and horrible knowing laughter; but also of the slow, mindless, aching guilt of the survivor. For there is a madness there, a quiet consuming one, that comes with the knowledge of following orders of madmen, and doing nothing to free yourself. Of shaking the bars of your mind as you complete the same tasks over and over and over hoping for a new outcome when you know from the start what it will be. In both cases Ambarussa burns and they laugh

Caranthir is another one that mortals call upon often, for its the madness of rage, of speaking and acting without thinking. The kind of daily insanity of intrusive thoughts and his name would be a warning to not let them win. For its so easy to slip, to give into the mindlessness of instinct, of acting without thought or reason, to scream and rage and feel it flood over your body, ignite your cheeks. But it's always over before it starts, leaving you dizzy at the thought, the implications, the aborted actions.

Curufin is madness of loyalty. Blind loyalty, consuming filial loyalty, the desire for praise and recognition, to be the best. It strangles your heart and mind, his mindless loyalty, this overwhelming driving force. Cities and empires have fallen to this madness, for what is ambition if not its own brand of insanity. To believe you are larger than life, to be greater than your fellow man, to take whatever you want at the cost of everyone else- if that isn't madness then what is?

Celegorm would be that answer, for many mortals say he is the most blatant of the Sons, for he is the madness of the Kill, the lost of self in the Bloodlust, the driving force of the Hunt. With the third son, he is the true concept of Maenads- the frenzied rites. The losing of inhibitions, the fervent prayers to a God that is no longer listening, the thrill of tearing into your kill, feeling their life drip from your teeth as you laugh and laugh at an all seeing and uncaring sky. He would be the unruly madness, the one that follows you at the bottom of a bottle, laughing in your ear and filling your senses until you do something you regret, maybe even something you don't even remember at the end of the night

Maglor would be the most well known of the Sons, one mortals are aware of, and many aren't even afraid of. Many even sink into his embrace, as easy and willing as a hug from a longtime friend. Madness in grief is always easy to be enveloped by, for grief is something that is too easy to lose yourself in, and its something that lingers for years, decades, always ready to sink its claws into you when you least expect it. To ward him off from overstaying his welcome, mortals gift seashells to lessen the time his hysteria cloaks you, if not to ward it off completely. Its because of him, mortals say, that your tears taste of saltwater, its his unending grief at the seaside at work

And finally, the oldest of the Sons. Some mortals claim that Maitimo isn't a madness of his own, but Feanors perfect creation that was shattered into 7 fragments, never to be whole again and doomed to be imperfect forever, picking up after his broken pieces. Oh no, others cry out, Russandol is the insanity of doom relationships, of star-crossed lovers and falling into the insanity that is born of knowing you will never be happy and at peace together. Other mortals scoff at this, for they know that Nelyafinwe is the downward spiral one goes on when they have overwhelming and doomed expectations crushing their shoulders, the slip into consuming madness that no matter what you will never be able to meet them. Still others shake their head. You're almost right, they call, Maedhros is all of that and more. For the eldest of the Sons is the most madness inducing thing of all, the knowledge of failure.

[cha0ticdraws]

Adam Sandler’s Night in the Woods

[beauty-funny-trippy]

comedian Mae Martin (Moose Story)

[lyriumsings]

i just keep thinking about manny jacinto killing all the jedi like im kicking my feet for real like DKAJS he’s making some good points i swear it has nothing to do with arms

[mae-is-crazy]

I was wondering if you could do Kingdom of the Planet of the Apes one shot where Mae and Noa are sitting by a fire in a cave, like you know how some movies do like silhouette scenes where the light shines on them but you can only see their silhouettes and they're talking very softly I'm not really sure you can come up with something maybe it's something serious or like something touching or heartwarming. But I always imagine they would be tired and like exhausted or something or emotionally or physically but they're like getting closer to each other I mean they're Bond or something which eventually mae fall asleep on him and he feels all awkward X3

Okay, I'm being so serious right now what I say that I LOVE THIS REQUEST!! So frickin' wholesome and cute. I'm usually one to go into serious and darker content, but I couldn't miss the opportunity to write some fluff. I had a lot of fun writing this. I hope you have just as much fun reading the finished product :) :)

Signs of Constant (Noa/Mae)

Synopsis: A quiet night by the fire leads to sharing the beauties of two different world.

(This story is unedited. Edits will be conducted at a later date).

In the serene warmth of the fire in front of him, Noa observed Mae.

He studied her face like it was the last time he’d see it. And it very well could be; she’d been gone for two springs, off with who he assumed to be a group of intelligent ech- humans- so who knew how long she’d be gone for next time. When Anaya alerted him of her presence, Noa had felt this warm wave in his gut that pushed him to see her without a second thought.  

Through the limited lighting of the dancing flames, Noa took in her every feature.

Noa could see a faint scar on the bottom right side of her chin, one that hadn’t been there the last time she was around. Her hair looked different too. Darker? No, it was just the night. It did look shorter, but only slightly. It was still in that lose braid he last saw her with.

Something that hadn’t changed, however, was her eyes. Even with hues of orange engulfing the small cave the two were huddled in, its raging colors were no match against the cerulean shade in her eyes. Even before the two were formally introduced he’d first noticed the striking color, a color that shood out against the earthy browns and greens of his clan. They somehow seemed to shine brighter on the night.

As if reading his mind, Mae blinked in his direction. She smirked slyly as Noa quickly looked down at his lap. “Gotcha,” she teased lightly.

Noa silently prayed his dark pelt could hide whatever heat was radiating off his face. He turned to look behind him, instead focusing on the massive silhouettes on the rocky backdrop. It was clear enough the height difference between the two, but the fire only made it more obvious- almost monstrous.

An ape and a human. Two different species, two different worlds. Different ways of life and how they think the world should work. And yet they were at peace with one another.  It shouldn’t be possible, and yet here they were, sharing a fire.

Mae follows Noa’s field of sight. She watches the shadows behind them bounce across the rock wall. Noa side eyed her. A smile began creeping upon her face.

“My mom always did this when we had a fire,” Mae explained as eh shuffled herself to turn around, her back facing the fire. “You can tell stories with the fire.”

The put her hands up and together. She stacked her thumbs on top of each other and made a slight cup with her hands. She displayed it in front of the fire, and…

“It’s a bird,” Mae moved her hands in a fluid motion as if the creature was in flight. Noa couldn’t’ hide the amused chortle, only making the girl’s smirk grow into a toothy smile. Noa could feel a quickening sensation in his heart. Her eyes seemed to shine brighter through her smile- brighter than the flames in the pitch black night- because of her smile.

Mae changed her hands to form a new shape. This beast had a snout similar to that of a boar, but without jagged teeth or short, flappy ears- whereas this thing’s ears stood at attention. “It’s a dog.”

Noa gave her a confused glance. Mae put her hands down immediately after.

“The hands… are like sign.”

“I don’t know sign.”

Noa twisted his whole body to fully face Mae and she silently did the same. He put up one hand and took a deep breath before slowly twisting his fingers into different shapes. He’d tuck a finger into his parm or point to the side. He took a moment before moving onto each letter to let Mae absorb what she was seeing.

“Fire,” he whispered. Mae looked at her own hand. She glanced up at Noa’s hand and back down at hers before trying for herself. Noa watched the girl tale her time forming each character. When she’d make a mistake, he repeated the sign until she’d get it right.

Noa released a breath he didn’t know he was holding. He softly smirked. There was so much to learn from one another. So much to teach as well, it seemed.

Mae looked outside past the fire. The only thing visible in the dead of night was the celestial body of stars. It was a constant in this rapidly changing world. Noa found reassurance that, no matter what happened, he could as least look up each night and find that the stars hadn’t left him.

Noa signed without looking away from the girl. “Stars,” he murmured. She followed quickly in suit and mirrored his gestured. “Stars,” she mimicked quietly.

The ape nodded in approval. He raised his hand one more time, this time spelling out each word as he shaped it.

He tucked his thumb between his pinkie and ring finger. “M.”

Made a fist but being sure to keep his thumb exposed. “A.”

Noa’s fingers touched each other tightly and sat atop his thumb.

Mae beat him to finish the word.

“E.”

The two watched one another carefully. The silence that once brought Noa comfort now made him feel awkward, almost uneasy. Whereas Noa would stare at Mae, it seemed that she was doing it to him- thinking to herself, forming possible judgments. What did she see that he couldn’t?

The intensity in her glare suddenly shifted and her she relaxed her shoulders. Mae squeezed her eyes shut and dipped her head. She stretched out her arms and yawned. Before Noa could register what was happening, Mae leaned closer to him, resting her head against his shoulder.

Noa stiffened like a board. He heard his breath and eyed the fragile girl (though she was far from fragile outside of the physical scene). The fire was beginning to die down. Even so, Mae still did not shiver against Noa’s body.

He waited a minute, two, ten before settling on the idea that she’d fallen asleep. He tilted his head to catch a glimpse of her peacefully slumbering form.  The young ape felt truly honored to feel trusted with this precious girl’s life in such a vulnerable state.

Noa was just about to allow himself sleep when he heard a tiny voice against him:

“Tomorrow, I want you to each me your name.”

[sheena-isa-punkrocker]

so the acolyte having a twins is 'gimmicky' while the og trilogy having twins that kiss each other on the mouth is fine?

okay

[mae-i-scribble]

Seeing that one reblog of yours about the manhwa I Became The Male Lead's Adopted Daughter really intrigued me! Is it a good one? 👀

Funny story about that, after your reblog brought the post to my attention again and after talking with a friend on discord about stories that subvert tropes I just went back and reread that entire manhwa up to the end of season 2 so this is great timing XD. Im summary: It's absolutely worth your time if you're a fan of father/isekaied daughter fantasy, if you're an isekai manhwa fan in general, or if you just want a well made fantasy father daughter story. Its fantastical concepts are handled with a grounded maturity that most stories in the same genre just don't manage to pull off because it takes the time to truly flesh out its characters as human being first and any tropes last.

The long story is below the cut, I'll be discussing vague spoilers throughout seasons 1 and 2. (side note, im using the official TL names for this bc i like em better)

I Became the Male Lead's daughter has a lot going for it, first of which being Pelliot, the cold duke of the north who adopts Lionia from the orphanage. Most manhwa of this nature have the isekaied person be our main pov with brief glimpses into the parent's perspective, usually done more for plots sake or to comment on how strange the isekaied child is acting. Pelliot shares the protagonist spotlight with Lionia because this story is about both of them concurrently- in fact, we don't even get a look int Lionia's head to find out she's been isekaied until chapter 8(i think, either way its after chapter 5). Before that we get to know her from how Pelliot and the people at the estate see her. Which is such a refreshing take for me, especially when you consider that Pelliot while a stereotypical "violent and competent northern duke who becomes a parent" in theory, is actually played out in a grounded way. The reason he even wanted a child is because he's feeling lonely and he sees how his best friend (yes!! our cold duke has friendships!! and they're super sweet!!) is so happy with 2 children, that he goes about getting a child in the most pragmatic way possible. He is violent and regularly commits war crimes, but he isn't cruel to his staff or his knights as is standard fair for these archetypes. (Can't say the manhwa avoids classist tropes, but such is the way when you have noble protagonists and don't want to make them look complicit in a degrading class system but overall things are handled well enough in that regard). Pelliot, in his fatherhood, also avoids falling into trope traps yet again by being a very believable first time parent. He struggles to adjust to Lionia's emotional needs but is learning, he goes to his knights for advice, he's studying Lionia and trying to make sure she gets a proper childhood and does his best to protect her from further exposure to violence beyond what happens with the abusive orphanage staff. They have a believable banter and play off each other to a scary degree, and while he loves her and worries for her he isn't an overbearing protective trope either. I feel like this is already too long but like. He's such a cool protag to have in a genre that tends to have very narrow and singular dynamics of parent/child relationships. And this isn't even talking about the other relationships we see him have with his peers which are just as good.

Moving onto our other protagonist, Lionia, the post made by @living-as-the-enemy-prince HERE (which clearly you have read but in case other curious souls want to look at it) sums a large part of what makes her work. This is a story that fully realizes its concept to the most effective degree. And I love in turn the story addresses the trauma that comes with being reincarnated- not only from a "i miss my home and family and friends" but from the inherent trauma of being an adult only to one day become a child. Lionia didn't get a chance to rest, she was thrown into a life of abuse, all her agency stolen from her, forced to look after the other orphans because she was the only one who could thus she felt responsible. That sort of disruptive event isn't something that can be brushed off, and it shows in the way Lionia is deeply insecure about her relationship to Pelliot. In this way their dynamic is made equivalent from both sides- in many stories its almost one sided, with the parent figuring out this relationship naturally and the isekaied child playing things 'for the story' and only recognizing the relationship theyve built later (thank you wmmap for helping solidify that -_-). It's truly so well thought out and every aspect of the central relationship feels so natural.

As for the story at large, I'm very excited to see what the plot has in store. As of season 2 of the manhwa, we're only just starting to kick things off plot wise, up until now its been far more concerned with relationship building and giving us a foundation on these characters. But things are definitely cooking now that we've heard mention Baria- the protagonist of the novel Lionia read in her past life (I could probably write another blurb about how well that is being handled but this post is so long already so). On that note though, don't be worried about that "oh but i have to follow the original plot against all common sense and reason" trope bc that doesn't matter at all here. Lionia has her concerns when it comes to the story, some of her insecurities stem from the fact that Pelliot never had a daughter in it, mentioned or otherwise, but at the end of the day she doesn't give a shit, she just wants her dad to have a happy and peaceful life.

Tbh anyone who hasn't read this should absolutely give it a chance bc I haven't even mentioned half the things I find cool about it like all the side characters that I love or the empress storyline that I am eyeing with extreme interest, etc etc

[astrolaboo]

“i didn’t get attached to the twins story to care about them / i don’t get why kill yord and jekki so soon what was the point of them then”

in my honest opinion? skill issue on your side my dudes

[fulcrum-art-fox]

Can’t stop thinking about the way the twins both end up sacrificing themselves for each other, in the end

[aimseytv]

this won't stop until i die. but when i die, i want it to hurt. when my friends leave, when i have to let go, when this entire town is wiped off the map, i want it to hurt. bad. i want to lose. i want to get beaten up. i want to hold on until i'm thrown off and everything ends. and you know what? until that happens, i want to hope again. and i want it to hurt. because that means it meant something. it means i am something, at least... pretty amazing to be something, at least...

[chiistarri]

making hating a character ur whole blog is really lame btw!