#man i have more ideas than i thought

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[shikai-the-storyteller]

I've been thinking a lot about Leonarda's not-death ever since it happened back in April.

("What death?" you might ask, to which I say: "EXACTLY!")

Back in mid-April, Vegetta and Leonarda were mining together in a one-block wide tunnel. A mob (a Petriman) got between the two of them, and Vegetta told Leonarda to step back while he took care of it. At this point, they'd spent enough time together that he trusted Leo to listen to him.

Instead, she was killed by the same sweeping edge bug that killed her siblings.

-

Vegetta's reaction here is what's really interesting to me. Unlike most other parents on the Island, there are no shouts or tears – only a very brief "Hmm" and then silence. He very quietly takes stock of the situation, saying "Vegetta, no" and wondering aloud why Leo didn't defend herself. In chat, Foolish says "It was a bug, right? LAG" to which Vegetta slowly responds "Yes, lag. Bug." (Despite this, Foolish still asks "WHAT HAPPENED" in chat, though Vegetta doesn't reply).

Instead, he creates a slightly wider space in the tunnel where Leo's body is. He continues quietly taking stock of the situation, wondering why Leo didn't defend herself (which is what necessitated his intervention). She'd been lagging a lot that day, and he figures that must be the cause, and eventually when Leo re-appears out of thin air in the middle of the cave and collects her stuff, she confirms that the lag got to her and that's why she didn't fight the mob.

Now here's where things get interesting:

Vegetta checks the tab list. Online, it's just him, Leonarda, Roier, and Foolish. He quietly tells Leonarda "The body has already disappeared, and without a body, there is no crime. Nothing is happening. Did you die?" Leo shakes her head, and Vegetta shakes his head too, and in the kind voice he uses sometimes with Leo, he says: "I believe you have not died. Where is the body? It isn't anywhere, no mija. If it was a mistake, it was a mistake."

Leo says: "I saw Diosito (God) pa, and I was scared. God, what am I doing here?" and Vegetta laughs, telling her it's alright. Leo says "No pasa nada (don't worry / nothing happened)" and Vegetta says: "And the people who are watching us have not seen it either." To Foolish and Roier, he messages: "Secreto."

And the funniest thing about this is it worked.

Not a single person spoke about it. I saw this entire event go down live and I didn't see a WHISPER of what transpired among fans. I can't even remember if the QSMP official accounts talked about it (they sure didn't mention it in Vegetta's recap of the day). We could discuss this in meta terms of course– Leo was having known lag issues that day, Vegetta's beloved by the admins so of course they're willing to turn a blind eye rather than slap a "?" over Leonarda's life on the Eggstatistics, but meta talk isn't what I'm interested in here.

I'm interested in q!Vegetta, the weird "god-adjacent" aura he's got, and the way the universe bends to his will.

Before he took a break from the server, Rubius seemed to be a caretaker for the Eggs who died (for example, he was present when Maxo, Quackity, and Mariana & Slime said their final goodbyes to Trumpet, Tilin, and JuanaFlippa). Because of his role as an "angel" and some of his dialogue during the early days of the server, it's not a stretch to say he probably came to collect any Egg who lost a life. I can imagine he did the same when he saw Leonarda die – that is, until Vegetta said "And the people who are watching us have not seen it either." Realistically, we know Vegetta was saying this to Chat (and possibly the admins as well), but again, we're looking at this from an "in-universe" perspective.

I wonder if Vegetta was aware of Rubius' role, and this was his way of telling Rubius "No. I won't allow that to happen." We know Rubius has a soft-spot for Vegetta (and we also know that Rubius was cast out of heaven several months later) so it makes me wonder if these two instances are connected.

Either way, this isn't the first time the laws of the QSMP universe have bent for Vegetta, and I certainly don't think it'll be the last.

Rubius or no, Leo didn't die that day.

Vegetta made sure of it.

[shmorp-mcdurgen]

gee wiz, it sure is cool that Gordon survived the resonance cascade, I sure hope he's doing well

Finally decided to give Gordon a ref for my au Aftermath (which i've talked about here. Once.)

Also bonus:

[the-fandom-fuckup]

I found a new pair so I was legally obligated to draw memes, you're welcome

[incorrect-fnaf-quotes]

I have no idea if I’ll write it, but I started thinking of Springtrap x reader plots, and then I started talking to @ravenmccookies about like... the main idea that I have.

So, imagine: Y/N is one of those people who likes to restore old things. They never worked at the attraction, and never actually knew about it, either—but they heard about something burning down.

While out walking, they end up discovering Springtrap, and they’re like: “Oh, a cool robot bunny. I’ll take it back with me and fix it up. Should be fun.” And they drag him back home.

And they basically start streaming on what they plan on doing—and when they go to the room that they were sure they left the rabbit in... he’s just gone.

Y/N manages to find him, but in a panic, ends up hitting Springtrap with a bat that they happened to have brought with them.

And that’s just how the two actually meet. I have a ton of other ideas involving this potential thing—including ideas for how it could actually end. Something angsty, I’m thinking.

But anyway: shenanigans occur.

[jerreeeeeee]

i don’t know if i’m ever gonna write the fic but i’ve been thinking abt like. the eternal stockade. the implications. lup, a lich who was trapped in a dark featureless cell for a decade completely isolated with nothing to keep her sanity but her own mind. she has to put people in the eternal stockade. how many liches does she see herself in. how many liches started out just like her. how many liches are truly too far gone. and the only liches we ever see other than her and barry are edward and lydia. they’re certainly evil, but mad? they seem pretty sane. they’re not, like, tattered echoes of souls, they’re definitely still people. even as much of a grudge as lup surely has against them, wouldn’t they remind her incredibly strongly of herself? do they deserve to be trapped just like she was? for eternity? isn’t eternity what turned john to existential despair in the first place?

[normal-person-i-promise]

slurred teases and sweet kisses

arataka reigen/female reader

tw for drinking, bars, intoxication

You roll your eyes as he takes another sip of his drink, his mouth set in smug grin as he swirls the liquid in his glass and watches as the ice clinks against the walls of his cup. With each sip he takes, his face gets more flushed, his words get more slurred.

Arataka has an embarrassingly low tolerance to alcohol, and you're witnessing it firsthand. He's feeling it too; that urge to kiss you is a lot stronger than usual...

★ ★ ★

...Should he invite you? You're just his employee after all, and the both of you would be alone in the bar...

Arataka glances at you for a moment, looking up from the newspaper he was reading at his desk. He's not actually reading it, of course — he can barely concentrate on breathing when you're in the room with him. You're just so... Distracting, he can't help it.

The slow rise and fall of your chest, the motion of your hand as you tuck a strand of your hair behind your ear, the way your eyes would flit between him and the window — Arataka could watch you for hours and not grow bored.

If Arataka invites you to just... Go to that bar he used to be a usual at, then the two of you would be alone. Like a date, which it— it isn't, of course— that would be crazy! There's no way you'd want to date Arataka, of all people, it just doesn't make sense for you to like him!

You think of him as an employer, a friend, maybe a close one, but just that! Nothing more, nothing less!

Arataka exhales sharply through his nose, flipping the page to look like he's reading the paper. He can feel the grain of the grey newspaper between his fingertips as he rubs his finger absentmindedly on the edge, pick up that faint scent of printed paper in the air.

You risk a glance at him, and your eyes shimmer with the evening sun's light as you study his features: his disinterested gaze, his relaxed posture, his incurious expression. He's... Mesmering to look at in this state, this boredom, especially since he's so expressive usually.

He also looks rather attractive, but that doesn't really matter.

You can see him stiffen, trying to ignore how hot he feels with your eyes roaming all over his body, but... Not that he doesn't enjoy it, of course — Arataka adores when you study him, just like how he studies you. You've noticed a lot of things about him by now; the way he'd adjust his grip on the newspaper, the way his eyes skim over the text, the way he leans back in his chair, his posture relaxed; bored.

You quickly avert your gaze, and Arataka feels a pang of sadness at the loss of your attention.

You, yourself, are not doing much. You're just... Sitting quietly at the little couch in the corner of the room, waiting patiently for the customers to come in. You're staring out the window, watching as the pedestrians on the streets walk along back to their homes or to the restaurants and bars, watching the way the trees sway in the light breeze, some of their vibrant green leaves falling off the sharp brown branches.

It's your job, after all — the job Arataka is paying you for — to be whatever customer service is needed when he's too busy exorcising the client's spirits or helping talk through their worries.

You take a slow, deep breath, inhaling that familiar scent of salt and incense, of sweat and cologne.

Arataka doesn't need you, not really. He just wants an excuse to see your face day after day after day, hear your darling little voice call his name when you need help.

He likes it most during that little frame of time when Mob has left to go back home, but you're still in the office — alone — with him, simply coexisting in eachother's presence. This is the time that he'd talk to you, joke with you, spend time with you — but just because he enjoys talking to you for every second of the day you're with him doesn't mean that he isn't content in settling into a comfortable silence with you. He likes... Coexisting with you, whether you're on your phone or looking out the window, whether he's reading the newspaper or watching the little TV in the corner of the room.

It's... Nice, in a way, to have someone care about you just as much as you care about him.

"The sky's pretty nice, isn't it?" You say to Arataka, tapping on the glass with your finger and bringing his attention to it.

It is rather pretty; golds and oranges are strewn across the sky like an artist's first experimental brush strokes on their canvas, the colours shifting with every minute that passes as the sun goes lower and lower on the horizon. The clouds are rimmed gold — a delicate, thin outline to show its form, shimmering and soft as the light bounces off it.

It's not sunset yet, no, but — oh, how that golden light spills into the room, how it makes Arataka's eyes sparkle—

"Yeah, it is pretty."

His words are simple, but it's evident that he's fighting himself to keep his tone disinterested. He doesn't want to show interest in you: he'd look like a fool. He doesn't want to look like a fool in front of the girl he likes.

You clear your throat (you always do that when you need to distract yourself from your thoughts, Arataka's noted), and you settle back in your seat. He grins, an opportunity to tease you coming to his mind, the words already beginning to brew.

"You what looks nicer, though?" He asks, his tone playful as he looks you up and down, feeling pleasant shivers run down your spine. It feels so... Good, to be the object of his attention, to be the subject of his praise.

"What?" You ask, crossing your legs as you lean back in your chair. You're grinning pridefully, knowing that he'll most definitely say you're prettier.

Arataka's thin smile widens noticeably, his eyes narrowing in delight.

"Me, of course."

You roll your eyes, though it's clear you mean nothing malicious by it. "Oh, please, Arataka," you say, your tone teasing, "you're full of yourself. You're a lot uglier than the sky."

A lie. To set off any suspicions that you like him.

He just grins wider, settling into his seat like a proud king.

Even though it's nothing more than light, playful banter, every second Arataka spends with you feels like a moment in heaven — your voice the angel's songs, your hair their shining halos. You never refuse any of his silly little jokes, always laugh at those half-wit puns he makes, and it... It sends waves of butterflies to his stomach, knowing that you enjoy being around him, knowing that you like being his friend.

And vice versa — every second you spend with Arataka is such fun, such enjoyment, that you lose track of time and go back home hours later than intended. He's just so... Fun to talk to, what with his witty replies and clever jokes, his carefully placed puns and playfully sharp remarks. He's such a joker, always able to make you laugh, and he likes it. He likes hearing your laugh. He likes it a lot.

The newspaper crinkles loudly as Arataka folds it, placing it on the desk. Struggling to keep his expression neutral and his voice level, he asks you a simple question.

"Wanna go out for drinks later?" Grinning, now, "I'll pay."

Please say yes. Please, please say yes.

You hum in thought as if you don't know your answer already. Your voice is light; playful, and Arataka can hear the grin plastered on your face when you reply.

"I don't know... I don't drink."

You don't, that bit is true: you've tried, and failed, to enjoy alcohol and intoxication. It's just so... Sour, and overwhelming, and it feels so horrible the next day.

Arataka lets out an exasperated groan, but the both of you know it's fake.

"Come on— please?"

He leans on the desk, his whole upper body resting on the wood, trying to get as close to you as he can to you without getting up. His eyes almost seem to sparkle as he smiles wide, trying as hard as he can to convince you, knowing you can't say no to that god forsaken smile. "Pretty please? It's my birthday!"

He's almost pleading as he tilts his head innocently, his cheeks resting comfortably in his hands, his elbows planted on the desk. "You don't wanna upset the birthday boy, do you?"

You sigh, though you aren't annoyed. You can't say no, the both of you know that — especially since it's his birthday. And, unbeknownst to you, it's the first birthday Arataka will be spending with a friend in a long, long time. He's ecstatic, Especially since it's you.

Even if it's just one friend, and even if that friend is a girl he really likes is his employee, it's still counted, right?

You... Are a friend, right?

Because the way your pretty little lips would curl into a grin whenever you'd tease him, the way your words would cause him to erupt into fits of laughter, the way you always enjoyed the little games of banter the two of you often shared certainly made it seem so.

You roll your eyes at his display.

"Fine, fine, okay. I'll go celebrate your birthday with you or whatever."

Arataka has to hide his excitement, struggling to keep himself from smiling ear to ear, struggling to ignore how his heart flutters, struggling to ignore that familiar feeling of butterflies in his stomach.

He always feels this way when he's with you though, so he's gotten pretty good at ignoring it.

"When do you say we should go?"

Arataka tilts his head more heavily to the side as he asks you that question, his eyes roaming around the room as he thinks. You watch as he shifts in his chair, trying in vain to get comfortable in the god awful position he's sitting in.

His grin widens. "Now?"

Flitting your eyes to the clock and reading the time quickly, you answer him, your voice level; though there's a slight undertone — barely even there — of a playful, almost accusational chide. You're just buying time to annoy him, giving him pointless excuses.

"It's still ten minutes to closing."

Arataka sighs in dramatised exasperation, putting such an emphasis on the rolling of his eyes that it makes you scoff in playful annoyance. It makes his heart flutter, knowing that you're entertained by him. God, how he loves that voice of yours... How he loves you...

Spinning his hand so fast that it's a blur, he stops abruptly, pointing to himself as he grins proudly. "I'm the boss, here. I can close this place any time I want."

He gets his elbows off the desk, kicking his feet onto the wood as you hum in response to his words. Nodding as you speak, you agree with him. "Good point, good point."

Arataka and you clean up the office a little, sweeping the corners here and dusting the chair over there. The two of you are in a comfortable silence, content enough with the fact that you're in each other's presence.

As you clean, Arataka can't help but notice — he always notices — all those little things you do: the way you place one foot in front of the other to the beat of the song stuck in your head; the way you hum softly to yourself, quiet enough to think he can't hear; the way your eyes would catch glimpses of his every so often.

More often than not, he'd get lost in all your little habits. It's just... The minor ways you'd entertain yourself as you clean, the manner in which you would tuck your hair behind your ear, the way you'd roll your sleeves up before doing anything, is so... Cute, you're so cute...

It's not long before the place is as good as new, and Arataka is switching the lights off and taking the keys to the door.

"After you, m'lady," he says in an unnecessarily posh voice, bowing slightly as he opens the door for you. You nod, thanking him as you step out, bathed the hot summer night air — it's humid, the air thick with moisture as you breathe in the scent of moist pavement and soaked leaves from the rain that had happened a few hours earlier.

The more you walk, the more you can hear the bustling of the shopkeepers in their kitchens and behind their counters, pick up the buzz of the neon signs just beginning to flicker on, listen to the indistinct chatter of the night life starting to settle into the bars and night clubs. Though it's faint, it's most definitely there, and it's getting louder and louder with each minute that passes.

The walk to the bar isn't quiet; it's never quiet when the two of you walk together. The air is always filled with friendly conversation, laughter and giggles peppered in here and there, occasional glimpses at his soft, pink lips...

Arataka is taking in every little thing about you, from the way your smile would form to the tapping of your shoes on the pavement. You're... Perfect, you.

He tries his best to match your pace, making sure that his footfalls are in tandem with yours, making sure that you both are walking as one.

If someone was looking on at the two of you, they'd think you were a couple.

A few minutes later, Arataka is pushing open the door of the Happy Trails bar, gesturing for you to enter. The floor is sticky, the air thick with the sharp smell of alcohol and sweaty office workers. The lights are dim; warm, inviting, as you take a seat after Arataka pulls one out for you.

"So what'll you have?" He asks, flashing you the most charming grin he can muster. He settles into his seat, getting more comfortable: unbuttoning his suit jacket, loosening that pink tie on his neck, undoing the top buttons of his immaculate white dress shirt. God, he's so hot—

It's hard to keep from staring, but you manage.

You shrug. "Just soda."

Arataka nods, not questioning it as he calls the bartender over and ordering for both you and him: an iced cola for you, and a lemon sour — extra sour — for him. He always orders that, and, based on the few times you've gone out drinking with him, you don't think he drinks anything else.

He settles into his seat, and you struggle to get your voice to pierce through the indistinct conversations of the other patrons.

"So, Arataka," you nearly shout, your tone playful, "how do you feel now that you're 28?"

He hums in thought, bringing a fist to his chin as he thinks about his answer.

He shrugs.

"So-so, but—" he pauses for dramatic effect, the shadow of a grin ghosting on his lips —"I'm feeling a whole lot better since you're here to help me into my old age."

You laugh slightly at his little joke. Arataka's dopey little grin widens with pride, having made you giggle yet again.

Your drinks arrive a little after this, and you can't help but notice the bartender giving you an accusational side eye as he slides the both of you your glasses, seeming to doubt the fact that you and Arataka aren't dating.

"Oh, come now, Arataka—" his heart flutters at the sound of your voice saying his name —"you're not that old." Your grin widens, your tone teasing. "You look a lot older, though."

He lets out an offended half laugh, shoving your shoulder playfully in mock offence. "How mean!" He cries, trying in vain to make his voice sound offended.

It's quiet as you sip your cola slowly, and you're not blind to the way Arataka's eyes follow your tongue as it darts out to get whatever droplets of your drink missed your mouth.

...God, how he wants to taste that sharp, teasing mouth of yours, feel every crevice and crease of your lips as they press into his... How he wants to run his hands through your soft hair as he combs it out of the way of your perfect face, how he wants whisper sweet nothings into your ear as you fall asleep in his arms...

"You should... Really watch that tongue of yours," he warns playfully, his words beginning to slur, fighting to ignore his thoughts. He's barely even had a sip of his drink, and he already looks like he's about to pass out.

He wags a wobbly finger in your face like a mother reprimanding her child. "I might get tired of you and fire you."

You roll your eyes, scoffing.

"Oh, Arataka," you tease, leaning in close — close enough to smell the scent of his expensive cologne, close enough to smell the alcohol on his breath, close enough to feel just how hot he is. He grits his teeth, struggling not to close the distance between the two of you as you speak lowly, quietly: for his ears only.

"We both know you like me too much."

And he— he blushes, oh, and he pushes you away with the tip of his unsteady finger to your forehead. You swallow the slight hurt you feel as Arataka replies, his response clumsy as always — more so now that he's drunk. "And we... Both know you like me too much to let yourself... Get fired."

You roll your eyes as he takes another sip of his drink, his mouth set in smug grin as he swirls the liquid in his glass and watches as the ice clinks against the walls of his cup. With each sip he takes, his face gets more flushed, his words get more slurred.

Arataka has an embarrassingly low tolerance to alcohol, and you're witnessing it firsthand. He's feeling it too; that urge to kiss you is a lot stronger than usual...

And though the motion is wobbly, unbalanced, now it's his turn to lean in close. He almost falls on you.

His grin is wide, and though it's lopsided from the alcohol, it still manages to be annoyingly smug, and... Wonderfully endearing, too, like he's trying to make you happy regardless of how his vision blurs and his head pounds. "I'm... Doing you a favour for not... Firing you, you know."

You scoff mockingly at his words, drinking your soda as you grin. "Please, Arataka"— another rush of butterflies to his stomach —"I know I'm far too important to you to just... Get rid of."

You're grinning smugly now, leaning in closer to his face. Your noses are almost touching, and you can almost taste his lips now — the sweetness of alcohol mixing with the sharp mint of his mouthwash, his saliva thick as Arataka swallows. You're not blind to how his unfocused eyes fall down to your mouth for a moment, licking his lips like he's looking at a freshly cooked meal, ready for devouring.

"Ah, but you need to... To remember," he says, leaning away from you, gripping the table in tight hands to stop himself from falling off his barstool. He squints as he talks, trying hard to form the words. "I could totally just do it right now. Nothing's... Stopping me."

You sigh, smiling, rolling your eyes but staying quiet.

Arataka downs the remainder of his drink in one swift gulp, slamming the cup down onto the wooden bar table with a loud thud.

He doesn't order another one, thankfully, because at the rate he's getting drunk, he's bound to pass out or vomit anytime soon. His cheeks are an almost bright red, his eyes half-lidded and glossed over, unfocused as he stares at you; when he breathes, you can smell the alcohol on his breath.

"Hey, Arataka."

You sip your soda, licking the glass a little to see how he reacts get the drops that missed your mouth. Arataka watches your tongue, almost hungrily so, his gaze unblinking and his breathing shallow.

You want to try and get as many secrets as you can get out of a drunk Arataka, just to have something to either a) tease him about, or b) blackmail him with.

"What do you think about me?" You ask, grinning.

Arataka shifts in his seat, thinking hard about his answer, and doing it for a suspiciously long time. A plan to avoid your question brews, half-finished in his mind.

He gives you a lopsided grin, leaning in with a shaky, unsteady motion, before abruptly jerking away and pressing his hands to his mouth as if he's trying to prevent himself from vomiting. As he hunches over on himself, your face immediately shifts to one of concern, your brows furrowing and your grin disappearing.

"...Arataka? You okay...?" You ask gently, rubbing his back. You've seen him vomit aggressively after taking so much as a sip of alcohol, and you're definitely preparing to wipe bile from the corners of his mouth.

It's quiet for a moment, save for the clinking of glass and the chatter of overlapping conversation.

"I... Eugh." He wipes his mouth with the back of his hand, grimacing as he feels his head pound — and that plan, that drunk one that sober Arataka would definitely not approve of, starts forming more clearly in his mind.

You grow more worried the more you watch, his movements shaky, his words all blending together. He thinks he's doing a pretty good job at looking like he's going to vomit — and since you're acting so worried about him, then he'd wager that his plan is working.

"Arataka, are you okay?" You ask again, your voice firmer, though still retaining that soft, quiet worry. You rub what you hope are soothing circles on his back, and you can see him visibly relax, letting out a long sigh.

"'M fine," he mumbles, swatting your hand away, his eyes struggling to open.

It's working, it's working! Keep going, Arataka!

Just as you're about to speak again, Arataka opens his mouth, faking a retch, and you panic. He falls — definitely not accidentally — straight into your lap, and it takes a moment to register that no vomit has come from his mouth before you hit him playfully on his forehead. His heart skips a beat when you don't push him off, merely just hitting him.

"Ow!" He exclaims, his grin crooked as he struggles to fake a grimace of pain, rubbing the spot you hit him.

"Even when you're drunk, you still manage to annoy me," you grumble, though the amused smile on your face gives away what you're feeling.

You ruffle his hair a little, tangling your fingers in between the delicate golden strands — and he lets out a sigh at your touch, closing his eyes in contentment. Your heart beats faster as you look at him: his flushed cheeks and content, closed eyes, his relaxed body resting in your lap — god, you have to fight yourself not to plant a kiss on his low, pointed nose.

Arataka pries open his eyes when you stop combing through his hair with your fingers.

"What... Can I say," he says slowly, looking at you with a gaze that can only be described as one of a lover's: sweet, tender, and affectionate. "I love... Seeing your smile."

Your heart flutters.

The two of you stay in this position for a while, a position a lot like a couples'. Neither of you complain — if anything, the both of you enjoy it — and it's not long before Arataka's eyes slowly shut, his breathing slowing as he starts to fall asleep in your lap.

You feel butterflies in your stomach when you gaze upon his calm expression: his eyes closed firmly shut, his kissable lips curved in a slight smile, his face relaxed.

The bar is almost empty now, save for three or four people having a conversation at one of the tables in the corner. You can pick up their mumbling: they're talking about the two of you, how Arataka didn't vomit yet, how he used to be a usual at this bar, how he never brought any girls with him until today, and what a surprise that he managed to pull such a pretty one.

"Happy birthday, Arataka," you say — and, smiling, you push those golden bangs out of the way with a hand and plant a firm, chaste kiss on his forehead. It's a kiss you've wanted to give him for a long time, but also one you're forced to keep short, just in case you're overstepping boundaries.

Arataka's eyes snap open and widen considerably, his face flushing even more than you thought was possible. He's speechless for a moment as he brings a shaky hand up to feel where your lips touched him, his heart beating a million times a minute, his breathing quick and shallow.

He just... Stares at you, starry eyed, for a minute, his mouth slightly agape.

He snaps back to reality.

"Again," he says impatiently, his tone demanding as he brings his hand down to rest, clasped with the other, in his lap. "As... The birthday boy, this is... Is my birthday gift from you. Kiss... Me, again."

You smile, letting out a slight chuckle at his slurred demand.

"You're sure you won't regret it tomorrow...?" You ask slowly, playfully, as you rake your fingers through his soft, blonde hair. You know he most definitely will.

Arataka shakes his head vigorously in your lap, though stops immediately when he starts to feel his head pound, wincing.

You just watch him for a moment, combing gentle fingers through his hair, smiling in amusement at his impatience. He whines when you don't do what he asked for yet, just staring at him, and he repeats his demand.

"Kiss me. Right... Here," he mumbles, tapping a shaky finger to his forehead.

You oblige, pressing a gentle kiss to his skin, pushing his bangs aside. He sighs, closing his eyes. And when you pull away, "Again," he says almost immediately.

You happily oblige, kissing him there once more.

He stops for a moment, breathing shakily, before getting up from your lap abruptly and wrapping his arms around you tightly. In the process of doing this, his unsteady movements cause the both of you to fall onto the bar stools beside you, so that Arataka is lying down comfortably on top of you; your noses almost touching, your lips just inches away from each other. He's so... Drunk, and so, so cute...

The bartender gives you a stern look, and you flash him an apologetic smile.

Arataka's eyes, half-lidded, fall down to your mouth, and he brings an unsteady hand to cradle your chin as he runs a shaky thumb over your bottom lip.

"...Can I...?" Arataka asks in a low, mumbly slur, his eyes unblinking as he stares at your lips.

You heart races as you nod, and it's barely a moment before he's pressing his lips tightly to yours, shifting and moving them until they're slotted comfortably against each other. His eyes flutter shut as he gets comfortable lying on top of you, getting more accustomed to the soft cloth of your clothes as he runs a hand down your side, getting more used to the soft strands of your hair that he's been itching to run his fingers through.

Arataka tastes... Sour, mostly from the drink he had a few moments ago. There's the faint, sharp tang of the alcohol, too; a sweet, distinct flavour, a rich undertone to the myriad of tastes you manage to sample as his lips shift against yours.

His lips are cracked, chapped, and dry, but you couldn't care less as he tangles a hand in your hair, the other holding your head in place as he tilts his own head to press his lips even more into yours. He grunts, seemingly not satisfied, and pushes his lips onto yours until the kiss is almost bruising.

Your face is flushed when you break the kiss. Though it's short, sweet, and chaste, it's clear that Arataka wants more. You both do.

Just as he's leaning in to kiss you again, the bartender taps your shoulder, glaring at you sharply and jabbing a thumb in the direction of the door. You blurt out a mumbled apology, scrambling to get up, Arataka nearly falling. As promised, he slips the bartender about one and a half times more money than owed.

You both wordlessly exit the bar, and as you walk, Arataka stumbles behind you. He's unsteady; his path is a winding zigzag in comparison to yours, struggling to keep to a straight line and nearly falling onto the road multiple times — and as a way to counter this, you wrap your arm securely around his waist. Arataka responds by leaning his weight onto you, and you both continue on without much issue or argument.

It's much later in the night now; the cars on the road are whizzing past the two of you, the shops all closed with their shutters pulled down over the windows.

The air is heavy with humidity, and you can feel Arataka's sweat from where he presses himself against you. Arataka himself smells of that familiar sharp, sour smell of sweat; the faint scent of salt; and that sweet, sweet cologne he wears. The fabric of the suit is soft as you grip him tightly, every step he takes making him sway more and more until it's clear he's going to either vomit or pass out.

A few moments later, he calls your name in a mumbly, shaky voice, before hurriedly pushing you off him as he staggers to the drain. Before you know what's going on, you're at his side as he vomits a sickly green bile.

You pat his back reassuringly, now only registering that he's vomiting.

Wiping his mouth with the back of his hand, Arataka grins at you, though his eyes are struggling to open and his smile is lopsided.

"We're staying... At your house, right?" He mumbles, though he stumbles slightly, and alarm flashes across his face as he swings his hands about to get balanced before he manages to stand straight again. He widens the skewed grin in his face, trying his absolute best to look charming, and failing. It's still adorable, though.

You snicker, nodding in response.

"Let's go, Arataka."

You slide your arm around his waist, and he leans nearly all his bodyweight on you as the two of you walk to your flat.

The walk is quiet as Arataka struggles not to vomit again, barely being able to stay awake to avoid falling unconscious in your arms — it would be a shame if you held him tenderly and he wasn't there to experience it. Nobody's on the streets, so it's just the two of you, save for a car that comes every so often.

The only sound you can hear is the steady tap, tap, tapping of your shoes on the pavement, followed by the much more unsteady beat of Arataka's shiny black dress shoes as he walks beside you.

Neither of you say anything when you walk, neither of you speak when you unlock your front door, neither of you argue when you lead him to your bedroom.

You set him down on the bed slowly, slipping off his grey coat and undoing his necktie. The whole time you're doing this, Arataka's just... Watching you. His eyes, fixed on you, are glassed over, unfocused — but full of so, so much love.

He doesn't say a word as he gets comfortable in your bed, and when he holds you in his arms, falling asleep, it's silent.

★ ★ ★

thanks for reading!!

second chapter !!

[fiendishartist2]

its been so long since i first shared my designs for them, so i thought i would try again with my new art skills :3

[whereismyhat5678]

I haven’t drawn Fake Peppino in AGES

For any Fake Peppino lovers out there that I’ve disappointed I’m so sorry- 💀🙇‍♀️

And for anyone WHO HASN’T EVER SEEN me actually draw him I’M EVEN MORE SORRY 🙏🙇‍♀️🙏🙇‍♀️🙏🙇‍♀️

Now I personally don’t want newer viewers seeing my cringe ass Fake pep art but if anyone who does wanna see it- (HEADS UP FOR INTENSE BODY HORROR-) take these few links (I’m sorry I can’t scroll through my entire blog again just take some examples- 🥲):

Here, here, here, here and here.

The first one is my first ever drawing of him, I did not draw him normal- 💀

Anyways….this means have I changed how I draw him? Yes!

Look at the silly goober!! I may draw him just like this for now however…It was fun drawing him like the slimy disaster he was but it’s fine-…It always took a bit of time to draw those 🤷‍♀️

But just for the fun of it, and for old times sake, take a body horror Fake Peppino: (Warning, it looks kinda bad- 💀)

[hypogryffin]

i cant believe i wasn't following u b4,,,,,ive just been silently scrolling through your blog for like a solid YEAR and just haven't even noticed????? n e ways what are tha thoughts on literally anyone in p4 being trans bc i live for that 🎤

the way my brain decided that this was asking for pronoun headcanons and did not reread to make sure that was what you were asking before drawing all of this…... well anyways

[momomallowart]

Imagine if you will... Ray with a tongue piercing ʕ ꈍᴥꈍʔ 💭

A more "messy" version under the cut bc I wanted to practice tears and stuff.. 👀

[fras-redacted-shapes]

Alright let's go - Ramblings regarding Saga, in comparison to Jesse and "The World"

if anyone feels like expanding on any point please do, I'm gonna leave this text as it is because otherwise it's gonna torment me for weeks

I don't recall in which interview, a couple writers said Casey was developed because Saga needed someone to bounce ideas off of and/or because she needed something to externalize her personality without relying on awkward exposition (or something along those lines).

And that's kind of noticeable if you compare Saga's and Jesse's treatment from a writing/presentation stand point:

Jesse as a character is far more obscure and details about her inner life are limited, while Saga is established and very detailed without relying on exposition.

Jesse, from a technical standpoint, suffers the "new character introducing an audience to a new IP" syndrome if you will.

Jesse's past is presented in vague details and a general sense of direction: finding Dylan who is a stranger to the audience. Her inner monologue is to Polaris and it works as exposition but by Polaris' nature there's no back and forth.

When Jesse talks to a character it is always a one-to-one conversation, and an important portion those are about the history of the FBC, asking questions that require exposition. Not to mention there's no interaction between the main cast other than with Jesse.

Some information can be inferred from Jesse's "epilogue" lines after the end of the game. But that's about it regarding the main text.

And that goes in line with the thematic difference I feel between Control and Alan Wake games - the former (heh) is about The World, the later, about the people in it.

Overall it can feel quite isolated and lonely, or well, mechanical. You have to fill in a lot of info yourself. And I believe the writers identified this and tried to change where they could with Foundation and AWE - with the way Jesse and Emily are far more comfortable with each other as they joke and tease during their dialogue, and getting a deeper look into my beloved Langston's personality (which is quite self-aware because lmao, finally it's Jesse who's at the end of a one-way "conversation").

But Saga's has an already established and rich life before the story and details bleed all through the text.

A partner and friend she's known for years and their history is spoken and written, there's no need to infer and fill in details yourself that much.

Their relationship is detailed enough in "side tidbits" (all of her Mind Place stuffs) and in actual conversations, which often enough involve a third party.

Casey works as exposition for Saga's character but, by virtue of Casey being character apart from Saga, the information is introduced far more organically (and arguably, in a more detailed way).

Remedy also gave Saga a huge advantage Jesse didn't have: The Collectible and Missions menus are hers.

So not only we get to hear Saga's thoughts on the current situation, we also get a sneak peek into her mind and inner life.

Some people in Saga's life also have a detailed enough history that they stand on their own rather than solely working as Saga's motivation because the story requires them to be at stakes.

Dylan is, technically, a stranger to Jesse, she's clinging to the past idea of him: we are motivated to find Dylan because we're told to care about him. While Logan and Casey are present in Saga's life and we get more details upfront to care for them.

Saga got curious, shit started to go down and we want them to be safe because otherwise it'd be painful for Saga.

Unlike the ghosts that Trench and Darling were to Jesse, Saga gets to actually talk to Tor and Odin. And well, the entire plot of the game is her undoing and confronting Alan's work on her life, rather than cleaning the mess done by the previous administration that are now gone and cannot be held accountable for.

And I suppose that's another improvement in the writing: the Hiss as the antagonist force is basic (and if you've played Mass Effect they're nothing new, and to me they're the least interesting part of the wolrdbuilding). There's not much room to maneuver, so Jesse's got one way to fight them (so far).

Saga could've gone several ways in dealing with Wake, and we see her struggle when she's about to give the Clicker to Alan/Scratch, she didn't mince her words in that confrontation and she had all the right to go even further. And yet she kept it together, unwilling to fully give herself to despair.

AND!

She chose compassion in the end!

And, honestly? Their final conversation is such a good and rich detail.

Saga's motherhood could've remained as basic reminders to the player that she has a daughter who's the victim and that's your motivation girl! As well as her silly jokes because parents do that sometimes teehee.

Saga's compassion is informed by her motherhood but not limited to it. As a mother she knows that everyone needs someone who believes in them unconditionally, as a daughter she knows how good a reminder of your good qualities can be, and as a detective she knows how to gather, read and act on information.

So when she reminds Alan that he had defeated the Dark Presence before and that he can do it again, she's not saying it because she's desperate, and she's not being patronizing due to Alan's loneliness and isolation.

She's saying because it's true.

And she doesn't rub his missteps and mistakes on his face. She knows how to get the point across without being mean.

She needed very little guidance: information to fill in the blanks of her life from Tor and Odin, short and vague phone calls from Alice, and a portal to the Writer's Room from Ahti. (Rose's lunchboxes were technically not necessary but she gets a honorable mention.) I don't know if there's enough information to conclude whether the reminders that helped her find a way out of the Mind Place were sent by someone else or came solely from her own resilience, and either would be neat, but I would like to think there's someone who's been looking out for her the same way she's been looking out for other characters.

And she's not flawless, but in working her flaws I believe the writers treated her with well deserved respect. She's not a caricature and the story has enough characters being tortured, any more and it'd feel cruel and it'd be permission granted by the horror genre anyways (although, to be honest, I believe Cynthia's treatment was a tiny bit too cruel and that's mostly due the last stage of her boss fight).

I love her first conversation with Norman because she's being a bit patronizing (I believe that's the correct word?), but he's like, nope! No dementia here! Not cool you brought it up :]

Her Nightmare Mind Place is as explicit as it gets. And the few times she loses it are not unearned. I love it when she gets frustrated with Rose and her "Oh fuck this", as well as her pained "My daughter is dead because of you. What is wrong with you?" to Alan in the holding cells.

Her biggest flaw is being a fed.

She's an extremely well put together person and integral, rich character. Her pain and suffering are palpable and the developers did an excellent job in showing it without being cruel (or well, knowing where to place the cruelty *cough* the white man *cough*).

And that's, in general, where I'd call attention to the leaps in improvement to Remedy's writing, right alongside the development and treatment Alice got, and the departure that is from Marshall in Control (the one character of color of any sort of relevance to the story, who got the least dialogue or details about her life and involvement despite being part of the old guard, and that gets killed in the end).

-

I have the same criticism (affectionate) with Control and Quantum Break: the world, its history and other characters are more interesting (to me) than their protagonists.

I wanted to get far deeper into the inner lives of Beth Wilder, Paul Serene, William Joyce and Martin Hatch than Jack's. William's and Beth's specifically, the one who ruined everything and the one who's struggling with the fact it can't be fixed, respectively. Sure I got my fix from the novel, but that is not part of the main text, so my comment still stands.

Ahti and Polaris/Hedron's goals, The Oldest House and all the places and events and phenomenon it connects to is what makes my mind wander. Jesse's involvement with all of them and her relationships with other characters remain only as possibilities at the end of the game.

I would feel far less affection or attachment to either Jesse and Jack if it weren't because of the sibling element. That's my huge bias/weakness there I'll admit.

But with Saga, I do care about her entire world, everything and everyone that surround her. She likes weird, morbid stuffs and romance stories, she's extremely curious which got her in trouble but was responsible enough to go deal with it.

As a new protagonist character that stands right next to a well established one as Alan Wake, I think there's very little Remedy could've done to make her better.

She's just amazing, Remedy and Melanie Liburd deserve so much praise for her.

-

The only gripe I have about her treatment is extremely petty and it's the same I've had in previous games, which is technical - she could've had more animations that showed her body language given she didn't have as many live action scenes (and also watching some of previous Melanie's work, she's got an incredible voice range for certain emotions that weren't explored in the game). But that's a matter of presentation and technical development.

AND

Remedy flexed the leaps in improvement they've gone through already! I mean, Saga's animation of picking up things anyone???.

So here's hoping they got more plans for her and they include more live action.

[recallback-art]

You know that joke, about how dogs can't recognize themselves in the mirror, and see a different dog entirely when it's really been them the whole time?

[storywestistrash]

i am actually so tired of the way westerners treat eastern europeans

[feline-evil]

Dick or no dick confirmation Pickles was always going to be trans to me anyways; if he's swingin' somethin that's phallo babes, if he's not then his t-dick fat. What's not to get.