Romulus and Remus, engraving by Wenceslaus Hollar (1607-1677) after Giulio Romano (1499-1546)
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Bernard Palissy (1510-1589), Platter, last quarter of the 16th century, lead-glazed earthenware, 52.1 x 39.7 x 7.1 cm, 2472.5 g, Metropolitan Museum of Art, New York
Source: Wikimedia Commons
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Parmigianino, Portrait of Galeazzo Sanvitale
Capidimonte, Naples
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“Peace guys! Gotta run!”
The Resurrection, c. 1545, by Giorgio Vasari and Raffaellino del Colle
Museo di Capodimonte, Naples
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Orazio Gentileschi (1563-1639)
"Young Woman Playing a Violin (Saint Cecilia)" (c. 1612)
Oil on canvas
Mannerism
Located in the Detroit Institute of Arts, Detroit, Michigan, United States
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Venus, Cupid, Folly And Time by Bronzino.
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Rosso Fiorentino, Cherub Playing a Lute, ca. 1522, oil/panel (Uffizi Gallery, Florence)
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More Kas Eddie.
Full resolution.
Cloud brushes by Yuumei and texture by Wesley Tingey
Work available only on Tumblr and under ArchiveOfOurOwn pseud of the same name (DecadentWorld) and Instagram (sugraonemocktail). Do not repost, edit, or redistribute. Do not use for TikTok or YouTube videos.
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Portrait of a Collector
is a painting by the Italian Mannerist artist
Girolamo Francesco Maria Mazzola
Artist: Parmigianino
Year: c. 1524
MediumOil on panel
Dimensions: 86 cm × 94 cm (34 in × 37 in)
Location: National Gallery, London
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Wip because I'm frustrated
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The Road to Emmaus, Altobello Melone, ca. 1516-17
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Bartholomäus Spranger, Sine Cerere et Baccho friget Venus, ca. 1590, oil on canvas, 161.5 x 100 cm, Kunsthistorisches Museum, Vienna
Source: Wikimedia Commons
The Latin proverb serving as title for the painting can be translated as “Without Ceres and Bacchus, Venus freezes” and is based on a quotation by the Roman comedian Terence. It inspired several paintings of Northern Mannerism and Baroque, in which its basic meaning (’love cannot thrive without food and wine’) is illustrated in a sometimes more, sometimes less moralizing way (Source: Wikipedia).
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Girolamo Mazzola Bedoli, Annunciation
Capidimonte, Naples
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Fisherman in Three Boats Catching a Sea Monster
Adamo Scultori (Italian; fl. 1547–1587) after Giulio Romano (Italian; ca. 1499–1546)
ca. 1547–87
Engraving
The British Museum, London | The Trustees of the British Museum
After a drawing by Giulio Romano, now in the Musée du Louvre, Paris , related to a tondo in the Sala dei Venti, Palazzo del Te
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Benvenuto Tisi (1491-1559)
"Saint Lucy" (1535)
Mannerism
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Perino del Vaga (Italian, 1501-1547)
Italian painter and draughtsman of the High Renaissance/ Mannerist period.
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