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#medieval key
aeaeaexxzd · 6 months
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artschoolglasses · 15 days
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Various keys, German, 15th Century
From the Met Museum
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389 · 2 years
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Medieval Keys
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aroaessidhe · 2 months
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2024 reads / storygraph
The West Passage
medieval fantasy set in a giant crumbling palace of traditions with forgotten origin, ruled by giant eldritch Ladies
when winter weather comes in the middle of summer, and a beast below the palace begins to rise, two teens from Grey who have suddenly gained a lot of responsibilities set out on separate journeys to the other towers to find a way to stop it, and meet all sorts of strange people and creatures along the way
world where pronouns/names are based on people’s roles
tons of cool medieval-style chapter illustrations by the author
#the west passage#aroaessidhe 2024 reads#ooooh this is really interesting!!!#it’s like. you take those weird medieval illustrations and add some eldritch horrors and some alice-in-wonderland weirdness#and turn it into a strange fable-like adventure#it took me a little to get into it - I wasn’t sure about the writing style or characters initially- but it grew on me!#There’s very little detail about the world in the beginning but once I got a bit more into it and was like oh there’s just#weird and quirky little guys scattered all over this.#I was having trouble envisioning things and looked up the author half way through to find his art for it!#(I listened to the audiobook so was unaware there are also illustrations in the book) - that definitely refined my understanding of the vib#I didn’t actually have a look at all the chapter illustrations in the book til after and oh my god - obsessed#There’s so many of them and they’re perfect. I also enjoy the chapter titles.#And I think it’s one of those books that (for me) could teeter on the edge of like or dislike depending on surface level elements#and it went in the right direction 👍#there’s a tiny bit of romance (or: a relationship that has a romantic element) but not very much. and it is queer#also the worldbuilding kinda reminded me of keys to the kingdom (vaguely)#but like if the House was less populated and ur just following a random denizen who knows nothing travelling around. i should reread kttk#I know it means Ladies like Saints. but also every time my mind reads it as *sleasey man voice* ladiesss#oh also moment of appreciation for kuri huang cover art too
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illustratus · 2 years
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The Keys by Edmund Blair Leighton
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endreal · 2 years
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Hey medieval musicologists! Was B-flat minor one of the allowed keys Back In The Day? Trying to answer a question for a coworker
edit: please feel free to reblog!
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tiffanysabrinatattoo · 4 months
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Devises Heroïqves (1591) Claude Paradin
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o-rb · 2 months
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Medieval door
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icycoldninja · 11 months
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Sora vs Sephiroth in a nutshell:
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hauntedaugust · 10 months
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Gojo x reader
WC: 434
Summary: medieval AU part 2, reincarnation AU.
Part 1
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How long had you lingered on the edge of his subconscious?
Fleeting as autumn leaves, hot as a flickering flame.
Whispers of past conversations, of past lives, and past loves.
How long had you lingered in his life?
Subtle as the wind, invisible yet changing everything.
Your influence in his life was as stark as the contrast between light and shadow and yet he never knew you were there.
Why did it take him this long to piece together his past, your past?
Sweet words and soft nights, a stark contrast to the last time he truly saw you.
But how true is it? He dreams of you, of having a kingdom to protect along with a secret.
How had it taken him this long to realize the weight of the nightmares he had? You were always in his dreams, much like his life, slipping in and out like a ghost through walls. Always present, never permanent.
Every night before he woke, he found you falling into his arms. Your face bathed in both fear and firelight, and every night before he woke he found himself pleading with the universe for another chance, a redo, and when his pleading didn't work his words slurred into promises.
Pledges of affection and protection poured from his mouth like blood from your wound.
And as his desperation grew, his grip tightened and his whispers turned to shouts.
And every day without fail, he woke with that familiar desperation running through his veins. His memory of his dream, and subsequently you, would fade like the light in your eyes.
And yet, when he saw you in the waking world, there was no way he couldn't know. He was drawn to you as water is drawn to the bottom of a mountain, your pull was incontestable.
And so he set to work to win your heart. And after hundreds of questionable jokes, of daisies pulled from sidewalks, of long walks through meadow and forest, he had you by his side.
Often times he would pull you to him as he sat in front of the fireplace. And as you lay your head on his shoulders, he would tell you stories, stories of forbidden love and war.
It was only after you had fallen asleep, lulled by his gentle murmur, that he allowed himself to truly thank the universe for your presence in his life.
And so with you sleeping soundly at his side, he laid his head on yours and closed his eyes. No longer plagued by the nightmares of his past, he dared to dream of your future.
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wonder-worker · 4 months
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"...Walsingham, the monastic author of the St. Albans Chronicle, was by far [Alice Perrers'] harshest contemporary critic, who in his venom has (somewhat ironically) left us with the longest and most detailed account of her background and personality, her influence as Edward’s mistress, and her subsequent trial. He describes Alice as a shameless lowborn meretrix (a word variously translated as mistress, whore, or harlot), who “brought almost universal dishonour upon the king’s reputation […] and defiled virtually the whole kingdom of England with her disgraceful insolence.” Although Walsingham was not always accurate and, specifically in this case, clearly heavily biased against Alice, he nevertheless provides a truly contemporary account, and his importance as a source should not be underestimated. Likewise, the anonymous monk of St. Mary’s York recorded that in the Good Parliament the Commons (represented by their speaker, Sir Peter de la Mare) stated that it “would be of great gain to the kingdom to remove the said dame [Alice] from the presence of the king both as a matter of conscious and of the ill prosecution of the war.” During the same assembly, the bishop of Rochester, Thomas Brinton, preached from St. Paul’s Cross that “it is not fitting nor safe for all the keys of the kingdom to hang from the belt of one wife.” Although the word wife (uxoris) is used, it is widely accepted that this is a reference to Alice.”
-Laura Tompkins, '"Edward III's Gold-Digging Mistress": Alice Perrers, Gender, and Financial Power at the English Royal Court, 1360-1377", "Women and Economic Power in Premodern Courts" (edited by Cathleen Sarti). Italics by me.
#alice perrers#historicwomendaily#my post#edward iii#@ anon who asked me how much faith should we put in Walsingham's account of Alice#Walsingham is undoubtedly vicious and prejudiced (and thus not always accurate - perhaps deliberately so) where Alice is concerned#But he is also a direct contemporary eyewitness and is thus invaluable as a source. His importance can never be emphasized enough.#More importantly however - the image of Alice as a transgressive woman with improper influence who 'hijacked' the kingdom#is not merely painted by Walsingham or limited to his account#It's how these other sources - the monk at St. Mary's and the Bishop of Rochester - depicted her as well#('it is not fitting nor safe for all the keys of the kingdom to hang from the belt of one wife' is pretty telling in more ways than one)#as did contemporary literature of the time like Chaucer's 'Wife of Bath' and William Langland's Lady Meed in 'Piers Plowman'#the whole point of the Good Parliament & the Parliament after Edward III's death was to simultaneously restrict her influence & punish her#So...I'd say Walsingham's image of Alice (unfortunately) tracks with how she was widely perceived at the time#Of course that doesn't mean that this image shouldn't be reassessed and recontextualized#Misogyny and classism very demonstrably played a huge role in how Alice was regarded by contemporaries#Ormrod has also pointed out that no matter the extent of Alice's influence she would ultimately always be limited by the practical#reality of being a woman and a commoner#'Her sex and status simply did not allow her the regular and acknowledged access to power enjoyed by politically ambitious male favourites'#It is not impossible that she was 'a symbol rather than a cause' of the crisis in Edward III's late reign#And of course it's true that WERE people who defended her publicly and privately even after Edward's death as Walsingham himself admits#She can't have been as universally detested as most people think#(we should also consider Walsingham's deriding comment about her 'seductiveness' ie: she was probably very witty and charismatic)#But ofc none of this change the fact that Walsingham's image of Alice's 'impropriety' transgressiveness was a widespread one#Nor does it change the fact that this image was fundamentally rooted in the very real and impressive power she had#Alice WAS proactive and acquisitive and wildly influential (Edward III listened to her over several of his own children ffs)#She DID have more power and visibility than any other royal mistress in medieval England#She DOES seem to have acted in ways that would have been perceived as 'inverting queenship'#*That's okay*. Alice's actions & image should absolutely be recontextualized and given more sympathy than they are#but I have absolutely no intention of diminishing or downplaying them either. That's why I love her so much.
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389 · 2 years
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Late Medieval; 14th century Iron key: broached stem; pentagonal bow; large web.
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corbenic · 4 months
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WIP Tag Game
RULES: Make a new post with the names of all the files in your WIP folder, regardless of how non-descriptive or ridiculous. Let people send you an ask with the title that most intrigues them, and then post a little snippet or tell them something about it! And then tag as many people as you have WIPs.
Thanks for tagging me, @andiatas!
ACTIVE WIP: Princess Imperial
Now, here's the fun thing about Princess Imperial... I don't have any post drafts in progress right now. But I do have 160,500 scrapped words. So let's mix up the game a little! If you send me an ask with any of the following prompts, I will post the entire corresponding deleted scene:
Evie and Julien as grad school classmates (1,500 words)
Evie in the archives (3,250 words)
Garden proposal (4,250 words) (shared! also has 10k words of follow-up: part one, part two, part three, and part four)
Banquet and a ball (5,750 words) (shared!)
Gallery opening (1,500 words)
Evie is invited to Compiègne (1,750 words)
Evie at Compiègne (1,250 words)
Cent-Garde, Élysée Palace Division (2,500 words) (shared!)
for bonus fun I can make a poll about which scrapped element should be added back into the story... but the only poll options are from deleted scenes I share here, meaning you only get the full voting experience if I get asked for all eight scenes
WIPs ON HOLD: literally everything else
LionNovel
StormKingNovel
This Strange Labyrinth
Trollmarch
Tagging: @widowsresolve, @colonelcaroldanvers, @pocket-size-cthulhu, @sea-dukes-assistant, @blossomgracei, and anyone else who wants to play!
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illustratus · 1 year
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A Knight and Cupid Before a Castle Door by Eleanor Fortescue-Brickdale
Cupid, the god of love, is the custodian of the keys to this castle. The knight, who wears a laurel wreath around his helmet indicating victory, must convince Cupid that he is fit to enter. Slung at the side of the knight’s charger are a crown, another laurel wreath, and a sleeping (or dead) dragon.
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This is a key, in the name of Sultan Al-Malik Al-Nasir Faraj ibn Barquq. I’m not sure what it being “in the name of” really means; it appears to be a sort of tribute or votive. It’s tagged “religious furniture” in the record, which amuses. The inscription gives the name of the commissioning Sultan and offers prayers that his first and last sins will be forgiven and he will be directed on the right path. 
[ID: A large metal key covered in beautiful gold and silver decoration, including an inscription on the shaft in Naskh Arabic; rather than having a grooved shaft and teeth, like modern keys, it has a flat oblong shaft with a protrusion at the end, a four-armed shape designed to fit in and turn a lock.]
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1850’s German replica of Armor from the 14th Century 🗡️🛡️
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