#might also be next artbook cover

[prinnay]

Fingerpainting

[munchboxart]

Un-official masterpost for MOST (if not all) Splatoon 3 promotional artwork

Date last updated: August 26, 2023

NOTES:

I will update this as it the game's lifespan goes on OR I forget/get lazy, so forgive me if I do miss some pieces (feel free to link it to me or submit it to me). Although, if their official gallery does get updated, I will stop updating this post.

I will not include pieces from the artbook. I will also not include isolated character stills (basically if it's just a characting standing still on a simple background) UNLESS it's put in a composition like the Return of the Mammalians piece where they're all together). Lastly, I will not include 3D pieces UNLESS it's put into a composition (basically designed like a poster).

I will try to get most of these from official sources (so mostly either their JP Twitter account or news sources, but most likely just their Twitter because it's easier for me OR Inkpedia). These will be ordered (mostly) chronologically on when they were uploaded.

Section links:

[Part 1 Link]

[Splatfest promotional art link]

[Part 2 link]

PART 1

2021 Summer art

Return of the Mammalians promotional piece (horizontal source)

C-Side Album Cover art

2021 Halloween art

2021 Holidays art

Salmon Run: Next Wave promotional art (horizontal link)

Front Roe Album Cover art

Off The Hook World Tour outfits/DLC art (??? I don't know if that's what it is, I don't care there's so much artwork to sift through)

2022 Summer art

2022 October 9 Nintendo Music Live promotional art (horizontal link)

Splatoon 3 Countdown (Day 3) (Day 2) (Day 1) (Release day)

Salmon Run: Next Wave Big Run posters (I'm including this because I think it's neat)

2022 Holidays art (they missed Halloween...)

Splatoon 3 Japanese Artbook promotional art

2023 Fresh Season poster

Horrrorboros Sighting (I'm including this because I think it might easily get lost or forgotten)

Crusty Sean ft. Mr. Coco piece

Yoko & The Gold Bazookas Album Cover art

2023 Summer art

This concludes the Part 1 section, any future pieces will be linked to Part 2.

[Splatfest art pieces link]

[Part 2 link]

[rockmiyabideusexmachina]

Megaman Production Art Scan of the Day #808:

Shingo Adachi's Story of Meteor Artbook: Front and Back Covers

Finally, this now closes the book on my first sorta attempt at a full scanlation of something. Yes, it's been posted online by many others over the years in some form, but I tried to make my attempt at it as clean and nice as possible, due to how much I adore this art.

15 years after it first came out, I was personally just learning what was actually said in it myself for the first time, so hopefully I did it some justice. Thanks for being patient with it over the last 2 and a half months. For those who don't save my stuff daily (how dare you not! ;p), I guess I'll make a zip available of it as well, for your convenience. You can get that here. (746 MB) As I alluded to last week, going to take another short hiatus from Scan of the Day posts so that I can fully focus on Secret Santa art. Whether I'm back before Christmas or not depends on how well I do on that with my free time. Otherwise, I should be back posting at the end of December.

Already have scans started, but I will be diving into storyboards from Axess Ep. 6 (The Most Dangerous Ball Game!) next. Let's Bowling! Because I have the whole episode for this one, that is a lot of pages. Also, the storyboard art is not as detailed this time around. So I might do 2 pages a day or more, just to speed through it a bit faster. Otherwise, it would be 4 months worth, if I do a page a day. ^^; We shall see.

Full Resolution Scans: (Front): https://imgbox.com/sdiU5vLF (Back): https://imgbox.com/uEN4XXdN

[solradguy]

Still one dlc char to be announced in 2023, when do you think it'll happen?

According to the timestamp on this ask, you sent this like literal hours before the new Developer Backyard dropped and answered your question haha December!

Link to the post: https://www.guiltygear.com/ggst/en/news/post-2013/

Relevant text from the DB:

The next update is coming up in December 2023. In addition to a new character, this update will introduce the second round of new special moves, this time for 2 characters. There's also a small-scale balance update in store, focused on adjustments to the new mechanics Wild Assault and Deflect Shield. This will include the aforementioned changes to input options for some characters' new moves such as Giovanna's Chave as well as fixes for issues.

In the Q&A section they teased the possibility of a future artbook that collects all the works between Xrd to now. Fingers crossed it happens!!

The other Q&A responses said that they would consider putting in a way to toggle things like Jack-O's mask and Sin's eyepatch (?!) like how you can toggle Johnny's beard or between the two Asukas, though they said they can't promise anything. They also said that they would like to hold a character palette contest OR survey some day and that they're looking into refining the input for Deflect Shield

The upcoming qualifier tournaments for Arc World Tour are: FIGHTERS SPIRIT (November 18 to 19) in Korea; Battle Coliseum (November 24 to 26) in Brazil; Ultimate Fighting Arena (November 24 to 26) in France; Frosty Faustings (January 25 to 28) in the USA.

So far they've only done big character announcements at events either in the USA or Japan so I'm not sure they'll announce who's next at any of these. There might be another big event going on that I don't know about though. Guess we'll find out soon!!

They also covered the survey results in this entry, which are always interesting. These results stretch this post a bit so I'm gonna slip them behind a readmore.

Lots of young players!! No wonder I get Dadguy'd on here so much lol

Bridget is also the current most favorite character globally, followed by Sol and then Ramlethal in 3rd:

Regional favorite character poll for just Strive's cast. These votes were limited to just one character and the DB entry suggests they may allow two votes for this part in future polls:

I've posted this one on here before when it was shown at Tokyo Game Show earlier this year, but here's the overall favorite character rankings by region. A.B.A., Elphelt, Slayer, and Dizzy are the highest:

[ruemxu]

HI sorry to not ask a silly question via here but i coukdnt find a non business email so sorry!!!recently got back into the newsprints world after i reread it for ghe first time since 6th grade a few days ago(i am now a junior☹️ and decided to purchase headlines but noticed that the quality on all the pages except for the first and last one isnt the best;;which sucked while trying to see the little notes and text next to concept art,,was wondering if there was any other way to view headlines in better quality??ive tried exporting it to google drive and files to no avail im so sorry to bother😭 but if not totally ok i understand!! i get that 1:1 fan issue stuff shoildnt be discussed on your Tumblr Page so if i have to be redirected to someone else my dms r open!!if youre not comfortable with that i completely get it either way thank you for making one of the defining books of my preteen years!!!!!<33

Hi there! I'm glad you like the NewsPrints series enough to support the little indie artbook I self-published over half a decade ago! I super appreciate it!

I don't think it's a silly question! This is actually kind of a semi-interesting story in book production, if you're interested in the backstory...

HeadLines was originally a limited print run (only 100 were sold), so it was easier to see the notes and art as spreads in a book you could flip through. After they sold out, I was asked to release it in digital, so I did. It sounds like the font size relative to the images is annoying in digital, though, which is a fair critique!

Unfortunately, 2015-16!Ru decided to use That font in That font size because it Looked Nice in print. I didn't even considered digital at the point, so this book is kind of a time capsule of my aesthetic decisions at that point of my life, the good ones and bad ones. x'D

(That reminds me, I remember the physical edition was $30 and personally signed and sealed. I'd be curious to see if any popped up on ebay over the years.)

The digital version is at screen resolution rather than print resolution to prevent someone from printing bootleg copies at the same quality as the official physical book after buying the PDF for $9. The best view size is around 100% in any PDF viewer, ideally on tablet or desktop. You might still have to zoom in a little to read it, though.

Sorry, let's keep the blame on past!Ru. I'm a new person. :'DDD

(The reason that the covers look like they're 2x higher in resolution is that they're actually twice as wide as the interior pages. The covers are 2-page spreads, but I didn't split them like I did the interiors. When the PDF viewer shrinks them to half their size to fit the PDF viewer's format, it does make the resolution seem twice as high, if that makes sense.

I should have probably also halved them so they looked like the interior spreads. You live and learn!)

TLDR: Sorry. The text-image layouts of the book were intentional for print reading, but they require some zooming in and out in digital resolution, but not too much past 100%.

Thank you again for the words of encouragement! I'm glad that Blue's world stuck with you for so long! Looking back at this project does evoke some ~Feelings~ and memories of growing pains. Next time I make another proper artbook like HeadLines, I'll use bigger fonts and/or get someone else to help me do the layouts!

[artbookisland]

What I’m reading these days #5

Previously:

* What I’m reading these days #01 * What I’m reading these days #02 * What I’m reading these days #03 * What I’m reading these days #04

Hey everyone, I hope you're doing all right! It's been a long while since I wrote one of these posts, almost 5 years actually... Yeah, recently I've been more focused on sharing scans than texts like these or artbook reviews, sorry!

Anway, these days I'm reading four cool books at once so I figured I could make you (re)discover something, so let's go!

What a surprise, yes, I'm reading Dragon Ball again, last time was 6 years ago so I thought I could revisit this cool universe that always brings me back to my childhood. In France we have a "Perfect Edition" which has a bigger format than usual mangas, a new translation and all the original colour pages so it's a great pleasure to read! I'm always in awe when looking at Toriyama's watercolours, they were absolutely beautiful.

I'm not going to dive much further into Dragon Ball because I've already talked about it a lot, maybe take a look at this old article. 

///

Now something completely different, if you are an avid TV show enthusiast, you might have watched the sci-fi show The Expanse. I discovered it after a few seasons had already aired and really enjoyed it (except maybe the last two seasons which had some flaws in my opinion). I quickly learned that before being on TV it was a very good series of books by a couple of authors writing under a single name: James S.A. Corey. So naturally I started buying and reading these books, loved them and realised that the adaptation was quite good. It took some years but I eventually finished reading the nine books and at that moment, just when I thought I was out of this amazing universe, I saw that there was a collection of The Expanse short stories published under the title Memory's Legion.

So that's what I'm reading right now and just like the rest of the series, it's very cool and definitely fills some interesting holes in the Expanse's lore (plus I always enjoy good sci-fi short stories)! You will learn a little bit more about the guy who came up with the Epstein drive that made space travel a lot easier in the story, the backstory of a cruel but intriguing character (Cortazar), the life of a young Amos (even before he was called Amos), etc. It's a very good read if, like me, you've finished the main series and still want more!

///

Let's keep our heads towards the sky for this next book: Moonfire by Norman Mailer. I stumbled upon it in a bookstore in Lyon, France and the cover immediately caught my eye. It's a small but thick book which contains as much text as photos from NASA's Apollo 11 mission (the first time humans beings walked on the Moon back in 1969). Being an astronomy and space exploration fan I just had to buy it and I'm glad I did!

Actually I thought it would be a historico-scientific recollection of this incredible event of the XXth century but that's because I didn't know Norman Mailer! I will let you read his Wikipedia page but he wasn't "just" a writer, he also was a journalist, a poet, an essayist and so on. So instead of simply telling us what happened in that important period of human history, he includes himself in the story as a character and shares his thoughts about the situations, the people, the technology, etc. It makes for a surprising yet very interesting read as he takes this unique opportunity to analyze, criticize even our modern society and more specifically the USA's society of the time.

I'm about halfway through the book and I really enjoy Mailer's way of telling the story but also the incredible photos of the event, most of them taken during the mission itself by astronauts Armstrong, Aldrin and Collins, I cannot stop looking at these shots and wonder what their experience was like. They freakin' walked on another celestial body (actually only two of them did while Collins was busy being the loneliest person in the history of Human life, flying above the far side of the Moon)!

///

A couple of my friends work at a local comic book shop and thanks to them I often discover very cool comics, mangas and bandes dessinées (what we call european comics in France). Also it's worth mentioning that the french publisher Urban Comics (they publish a lot of american comics here) is trying to make a selection of their books more affordable and compact for people who don't have much money or space in their home that they can dedicate to comic books. And so in this effort they have started a collection called "Urban Nomad" in which all prices are below 10€ (approx. 10 USD). The first one I picked is Watchmen.

I have watched the movie adaptation when it came out... 14 years ago (ouch!) and really liked it but kind of forgot about it, which is a good thing because now I can re-discover the story in its original format: on paper!

And what a story! Since the first pages I was sucked in by the strength of writer Alan Moore, artist Dave Gibbons and colorist John Higgins. The story is so good and feels so contemporary that I have to keep reminding myself that this was made in 1986-87! If you don't know anything about Watchmen I won't spoil it for you but the story takes place in a version of our world where masked vigilantes are already has-been, one of the reasons being the accidental transformation of a man into a God-like version of himself. Because of this event, the course of history is different from the one we know and live in, and in this context one of the few remaining masked vigilantes (pictured on the cover) is investigating a series of murders among his former colleagues. This is all extremely well integrated into the politico-historic context of the time (though once again it's somewhat different from our reality) and it's easy to recognize the quality of Moore and Gibbons' work!

///

Well, that's it for now, I hope you've discovered something, if so let me know! And I'll try not to wait five more years to write a "What I'm reading these days" again. See ya!

[velvetiivenus]

*UPDATED* Evolution of Miraculous!

Note: so somehow I completely missed out on the 2010 "Miraculous Lady Bug" era, so I had to remake this pist with it included. Sorry! (Also, I'm sorry I haven't posted after my first post, I've been extremely busy since then, but I have lots of ideas for posts for you all!)

Hello! This post is basically the evolution of Miraculous, from The Mini Menace Ladybug in 2005 to the current show today! I'll be explaining each "generation" of the show's production, the fandom surrounding it, and where to find more information. I hope you enjoy! 😊

The Mini Menace Ladybug (2005)

Thomas Astruc first came up with the ideo of Ladybug when he was working on animating the show W.I.T.C.H and met a women with a ladybug shirt. They started passing notes, and one of them was a drawing Astruc made of her as a ladybug-themed superhero. This insipired Astruc to make more fake comic book covers, and he was originally going to make it into a comic book series similar to Spider-man. I don't think there were going to be any magical girl elements at all.

Marinette was actually named Marietta, and the series was going to be much darker, as we can see from covers like "Insecticide". Marietta was probably an adult (in an unamed cover, she is seen driving a car) . She probably didn't hide her superhero identity (her car is literally red with black spots...). Cat Noir's design looked much more similar to Snake Noir's from Miracle Queen. Then Astruc met Jeremy Zag, who was interested in making a cartoon about this concept, which leads on to the next generation. Sadly, there's barely any information about the fake comic book covers out there, and all I could find was the Miraculous Wiki page and a small paragraph on Wikipedia. I don't think there's much of a fandom out there, if at all. Moving on...

Miraculous Lady Bug (2010)

Around 2010, plans started to be made for a movie (and possibly a spin-off series) about Ladybug (at the time named "Lady Bug"). The movie would have been part of a trilogy and there were even plans for a comic book series based on these films. It's unknown if Chat Noir even existed in this concept, and I don't think Tikki and Plagg existed since they were probably introduced by Toei (who probably also introduced the transformations and all the other magical girl stuff). Félix didn't exist, and instead we had a character called Nathan. There is no concept art or information about Nathan apart from his name and that he was part of "the gym club", and since we don't know if Chat Noir existed in this concept he probably wasn't Chat Noir. I don't think there's any information on this era in the Ladybug Artbook, all I could find was the picture above and a page on the Miraculous Wiki.

Super Lady Luck/Early Development Era (2012)

So this one is kind of hard to explain, since it overlaps with later stages of development a lot. The concept was very vague, but this is when we first started seeing Félix...

(Note: the picture above might not actually be from this era. Some people believe that the top half of the picture shows Nathan instead of Félix (and that the art was later redrawn in the PV style), which means that Nathan could have been Chat Noir.)

Once again, since this overlaps with other stages of development a lot, I can't really explain it. Information on this "era" is even harder to find than on The Mini Menace Ladybug. There's actually much more information/concept art/whatever out there, but it's really hard to find. The two main sources for information about this era are the Ladybug Artbook and the game Super Lady Luck. Sadly, Super Lady Luck (also known as "Miraculous" or "Ladybug Adventures") was Flash-based and became unplayable in 2020, and the Ladybug Artbook is only available in Korean and is extremely hard to find (SAMG said they'd publish an English version in 2017, but they never did >:(... )

Quantic Kids (2012)

The Quantic Kids (also known as The Quantic Squad or The Quantic Team) was an early concept where Ladybug and Chat Noir were part of a team of superheroes. Originally the team consisted of Ladybug, Chat Noir, Melodie (a music-themed superhero), Mercury (a superhero with super speed), and Sparrow (who was brought back in the New York Special). Later another member, Gavroche, was added, and Sparrow was replaced by Kid Mime. The concept didn't help sell the idea to producers, whic resulted in Ladybug and Chat Noir staying as a duo. The Quantic Kids actually have a small fandom, with many people coming up with headcanons for their civilian identities. Once again, most information about this era comes from Super Lady Luck and The Artbook. (Please, SAMG, just give us the English version already...)

Miraculous PV (2012-2013)

This is probably the most well-known stage of development. Two trailers were released, one in 2012 (the one that everyone knows!) and one in 2013 (basically the same as the original, but in a different order, with added text and new music). Funnily enough, the original leaked video was never referred to as "Miraculous PV"- it was actually titled "Lady Bug Japanese Version". This was going to be much darker than the current show. Félix wasn't actually related to the PV version of Hawk Moth, Papillon (also known as The Butterfly or Monarch). The concepts of the miraculous were good luck (sometimes called "pure luck" by some sources) and bad luck, instead of creation and destruction. Félix wasn't originally in love with Ladybug- he was cursed with bad luck, and the only way to get rid of it was by getting Ladybug to kiss him- but eventually, he would end up actually falling in love with Ladybug. Sadly, this version was never produced because of worries that it wouldn't sell, and animation problems, like Ladybug's spots. Obviously, the best source of information is the original videos, but there's lots of info in The Artbook, as well (I know I've said this before, but PLEASE SAMG GIVE US THE ENGLISH VERSION. OR AT LEAST A REPRINT. ANYTHING. PLEASEEEE).

(Also, Bridgette was never actually a character. It was Marinette all along. I'm not hating on Bridgette, I love her as a fanon character, just thought I'd point this out).

Later Development (2014)

Around this time it was decided to switch to CGI, and we got this cute, alternative CGI-style transformation (if you want to watch it, you can find it on YouTube, but I forgot what it's called). Around this time, Félix was replaced by Adrien, because he came off as an "anime cliché" and it was thought that Marinette would never fall for someone like him.

Originally Adrien was supposed to walk with a cane, but this was scrapped as the writers didn't trust themselves to write him well. This era has the smallest amount of information on it. Apart from the CGI transformation, the only other information we have is a very short trailer in the alternative CGI style and a few pages of The Artbook (I'd say something about it, but I don't want to annoy you all:)).

Current Show (2015-Present)

I'm not going to say much here, since I'm assuming you already watch Miraculous if you're reading this post! 😁

I hope this post helped explain the basics about the development of Miraculous!

[syzekrom]

Kirby Translation Docs Masterpost

I was told on Discord I should really compile these somewhere. I may post these directly to Tumblr or WordPress or something eventually, but for now here is a masterpost of links to Google Docs.

These are various documents I've made translation sections of content from the Kirby series.

Please note that I do not consider myself fluent in Japanese, or even a Japanese speaker/able to read/write in Japanese in the first place. At best, consider these a step above some cleaned up machine translations.

𒈯𒈯𒈯

(09/07/2023) Triple Deluxe Miiverse Behind the Scenes Developer Posts, as well as for Drum Dash Deluxe and Fighters Deluxe.

(07/15/2023) All boss pause descriptions and dialogue from Kirby: Triple Deluxe, redone.

(03/11/2023) Return to Dream Land boss pause descriptions, for both Deluxe and Wii

(05/08/2022) Team Kirby Clash Deluxe August 2017 Issue Nintendo Dream Interview with Kumazaki, including info on King D-Mind and the Parallel bosses. Also talks about Planet Robobot and making games as a student.

(04/02/2022) Kirby and the Forgotten Land masterpost.

Master post for Kirby Star Allies: The Original Artbook translations:

𒈯𒈯𒈯

Older Translations

𒈯𒈯𒈯

(08/24/2021 Though apparently I never shared it after I made it until now whoops) Descriptions mentioning Galactic Nova. If anyone can find a scan of the Japanese Super Star Ultra manual's description of Milky Way Wishes, please send me a message or tweet at me @dsgiratina.

(06/07/2021) All Kirby Fighters 2 text.

(06/04/2021) All boss pause descriptions and dialogue from Kirby: Planet Robobot. Note that Kai-alone released his own version of this which I'd recommend trusting over mine, but feel free to use this as a second opinion. Please check that out here.

12/28/2021 Edit: Included the Pres. Haltmann 2.0 description which I forgot, and fixed an error in Galacta Knight's description due to accidentally deleting a character in the Japanese text.

(01/01/2021) All text relating to Another Dimension across all Kirby games. Please note that this is the oldest document, so if these descriptions appear in my later ones above, please check those instead since I might forget (or just out of laziness) to update this doc with better made translations.

https://docs.google.com/document/d/1ETFQB_joXKdPfALyVtGy3xDFZu_Wbm6lohlwN9fETVI/edit#heading=h.4rtrqzvic6gr

[yakocchi]

Tonight, Love Me Kindly and Cruelly (Collection Event) // Count

t/n: The idiom is literally “Candy and Whip”, which is equivalent to the use of “Carrots and Sticks”. “Carrots and Sticks”, as in the idiom that people use to describe when one uses both the promise of a benefit and a punishment to manipulate someone to do something. random ex: a person says that if you let them stay at your house for a while, they’ll buy you a new phone... but if you reject them, they say they’re going to set your car on fire. well carrots and sticks don’t make for a pretty mental image so I changed it. lol

In common ikevam fashion, this is a collection event to coincide with the release of Faust’s Main Route. imo the route is doing a better job at showing his chara positively than Will’s route, but..... faust was never my type to begin with so u know LOL but im only on like chapter 12-ish anyway so yea nothing really significant has happened

anyway, i am pleasantly surprised that the Count got to partake in this one!! it might seem like a really long time since the last Count appearance under the context of this blog, but that’s only really bc ive sat out on covering Count-involved events (namely the AU scenario event w/ a shared route with Leo and the “caring for a child” collection event). i don’t think they’re super bad or anything (i actually like the latter for treading newer ground on event topics for once)…. im just chillin. ive never been a very active blog regardless 

Spoilers under the cut!! Please credit if you take any of it, thenk u (･ω･*)

…

[Kara]: “ah-… Mn-…” In one of the rooms of the party venue— the air was stained obscenely by the breathless sighs of me and Count. With my arms pinned against the rippled sheets, my head grew lightheaded as he roughly kissed me over and over again. [Kara]: “nh- Why are…”

(Why has the Count become like this, I wonder? Until a little while ago, he was sweet and gentlemanly.)

Bewildered, I stared back at his golden irises, and a smile faintly seeped through his lips…

[Count]: “When I thought about you possibly being touched by those fingers, my blood ran cold. You do not mean to say that you do not understand my own feelings, I presume?” (‘Those fingers’…?)

…

I recalled something that had happened a few moments ago at the high society party we had been attending. I was conversing with one of the Count’s acquaintances when it happened:

[Gentleman]: “Oh, My Lady— Your exquisite ornament has shifted out of place, you know.” (Huh…?) Before I could fix it myself, the gentleman reached out his hand—

[Count]: “Indeed.” The Count, who had been standing next to me, hugged my shoulder with his arm as if to move me away from that hand. Then— [Count]: “How about this? Mhm, yes… Beautiful.” [Kara]: “Thank you, Count.” Of course, I also gave my thanks to the one who initially noticed it, but…

…

(Does he mean that time?) [Count]: “By the look on your face, it seems that you have finally realized it.” [Kara]: “Ah-…” Something resembling both sensuality and sharpness flashed within his eyes, and he firmly ripped the hair ornament off with a single swipe.

[Count]: “Well, then. I shall retrain this body— that the only thing that may touch you, are my fingers.” His fingertips trailed down my lips, my neck, my collarbones… before pulling down my dress, the fabric sliding off my breasts. Then, those very fingers touched the reddened peaks…

[Kara]: “-ngh, hah…. nh, ah-“ [Count]: “Do you make this same adorable reaction no matter who pinches you?” He pinched more forcefully, and my body leapt with a shudder. [Kara]: “ah-…! N-No, not, at all… Abel, please…” [Count]: “Really? I still have my doubts, given that your body so easily makes these dirty reactions...” While he played with my breasts, the fingertips of his other hand then slid inside the soaked part of me with a wet sound. [Kara]: “ahn… ngh, haah…”

[Count]: “I shall thoroughly train you, that the only thing that can bring you to ecstasy are these fingers. …And train you, all night.”

And just as he had proclaimed, indecent cries continued to fall from my lips throughout the night.

FIN

me thinking abt how this could’ve been the start to a veri sexi epilogue of a scenario event. next time, next time!!

this was kind of interesting bc the event actually places this one above leo’s (leo is the story before, which puts him at “4th place” out of 7 if we call arthur “1st”). this is weird bc even tho occasionally they’ll mess with story order not coinciding with character popularity if they feel that the story in question is more ( ͡° ͜ʖ ͡°), but putting leo’s story that early is rly weird. leo’s story being given before even mozart is like…. wow someone’s not too proud of that story LOL ill be honest tho…. the leo story is pretty basic, past stories in the leo sexi man canon considered. well i get it – leo is not the type to take out his negative emotions onto others, which is more or less related to the theme of this event.

this collection event is only a week long, so im wondering if they have anything interesting lined up. man i hope so…… clearly they kno ppl who like the count exist bc they bothered to move his story up. but where’s the respect!! (jk… partly)

“You really do get a lovely look on your face when you’re with the other manse residents. …I am, just a touch, jealous. Tonight, let me have you all to myself.”

“(…) …I want you to like me very, very much, so I work hard to achieve that. Though it may appear otherwise, I’m desperate (to have such).” – Artbook-based Gacha Card

as always, thanks for reading!

[oumakokichi]

hello! could you talk a bit more about the original (as in jp, not localization) ouma's personality and speech patterns? you've mentioned that he tends to trail off or speak more softly when it is implied he is speaking the truth, etc. and how he is not so loud/intentionally obnoxious. //btw when does he call himself a fairy? that's so cute

I got a couple of questions asking about the fairy line Ouma has, so I don’t mind sort of rolling them both into one! And I’m more than happy to talk a little more in-depth about Ouma’s speech patterns and personality in the original game, too!

Since I’ll be covering some late-game spoilers, I’ll put the bulk of this under the cut, so be careful when reading!

First off, I cannot stress how much I recommed playing ndrv3 with the Japanese voices enabled. If you’ve already played through the English dub but never experiened the original voice acting cast, I promise you won’t be disappointed. The Japanese cast are all fantastic, incredibly talented VAs who, unlike the dub, were hired specifically for these roles and not just re-casted from previous DR games.

Hiro Shimono as Ouma gives an absolutely incredible performance. The localization might still have many flaws in its translation and omission of certain lines or punctuation, but you can still very much get a feel for how Ouma’s character was intended by listening to Shimono’s performance. Re-playing the game with the Japanese voices will definitely let you hear how soft and tonally different Shimono’s performance is in places from the English dub, and compare it to the way in which many lines are written and punctuated as if Ouma’s yelling at everyone.

That isn’t to say that Shimono’s Ouma is never loud or excited: Ouma is a character whose moods and façades are all over the place, and therefore his performance requires a voice actor who can similarly change moods and intonation on a dime. Ouma is very much loud and haughty and deliberately annoying when he’s supposed to be, but his voice is also low and ominous at other points when he’s trying to be scary. And again, it’s soft and hesitant in places where he’s considering divulging some of his information, or when he’s insisting that all the things he does are for everyone’s sake, because he cares about them and doesn’t want anyone to die.

These moments feel so much more genuine in the Japanese version of the game--because they’re meant to be. As fantastic of a liar as Ouma is, it’s much easier for us, the player, to tell when he’s lying on a re-play, knowing the information from chapters 5 and 6 that we do, and looking at cues like his sprites (often his blank-faced ones) and, yes, his delivery of certain lines.

This probably sounds like me just gushing about what a fantastic voice actor Hiro Shimono is, and in part that’s exactly what it is, but I want to stress that pretty much every single voice actor in the Japanese cast is just as fantastic and that they all do their jobs incredibly well. With all that gushing out of the way, I’ll move on to talking about some of Ouma’s actual speech tics and the way he refers to other characters.

Like most things about him, Ouma’s speech patterns are sort of an interesting mix and even seem a little contradictory at times. He uses the very masculine pronoun “ore” (オレ), but he also refers to nearly everyone (with only a handful of exceptions) by their surnames and the much more childish honorific “-chan” (i.e. “Saihara-chan,” “Akamatsu-chan,” “Amami-chan,” etc.)

The use of “-chan” is very interesting. Honorifics in Japan are extremely complicated and tend to mean different things depending on who is using them. Typically, “-chan” is seen as a very feminine way to refer to someone else, commonly used in close-knit friend groups among school girls.

There are, of course, a few notable exceptions to this however: often times, middle-aged or elderly people will call a child “-chan” regardless of gender, as a way of showing they find them cute and endearing. And sometimes, people will use “-chan” to refer to other things they find cute, such as pets, or even to refer to themselves in a sort of informal, tongue-in-cheek way.

The fact that Ouma uses “-chan” as an honorific to refer to nearly everyone in the game stands out quite a lot: by and large, boys don’t use this term to refer to other boys. Using “-chan” to refer to anyone you’ve just met or don’t know very well is already somewhat frowned upon, but a boy using it to refer to other boys is especially rare. This helps set Ouma’s character up as someone who is both incredibly casual and informal with others (not to mention, you know, quite coded). Considering childishness and lightheartedness are traits Ouma values, and how much emphasis is put on him having “a very innocent, childish streak that’s hard to hate,” it makes sense then that he would talk like this.

Not counting Monokuma and the Monokubs, the only characters who Ouma doesn’t refer to with “-chan” are Gonta and Kiibo, who he simply calls by name. This also says some interesting things about his character.

Gonta is easily the character who Ouma interacts with the most often, as well as the charater he hurts the most in the end. Ouma’s choice to exclude Gonta from his usual way of calling people is, I think, a testament to how much Gonta really wanted to be friends with him, even if their friendship was never exactly on equal footing.

Meanwhile with Kiibo, I feel the choice to exclude him from his usual way of addressing others is indicative of how much Ouma tried to remind himself that Kiibo “wasn’t human,” and therefore how suspicious he found his presence in the killing game. We know Ouma suspected Kiibo and likely even had an inkling of his role as the audience proxy/camera in the game, due to how Kiibo’s picture is one of the only others set aside on his whiteboard besides Saihara’s, with the word “weird” written next to it (he also clearly guessed about the cameras after Gonta’s line in chapter 2, as we see from how he commissioned Miu for the bug-vac).

Ouma clearly enjoys teasing Kiibo a lot, and their banter reads very much like a manzai comedy duo; I feel like Ouma often tried pushing himself to remember that Kiibo “wasn’t human” on purpose in order to not get too attached to him or too distracted from his goal of ending the killing game. I don’t think Ouma’s decision to exclude Kiibo from the way that he very particularly referred to most of the rest of the group was just an accident or a coincidence.

Honorifics aside, Ouma also refers to several characters in interesting ways. He often uses “daisuki na ___-chan” (大好きな) to refer to some of the other characters, a phrase which more or less equates to “my beloved.” He uses this phrase with Saihara more than any other character of the game, but there are a few other instances where he does use it with Amami, Momota, and (if I’m remembering correctly) Kaede. Pretty much every single instance where the localization put, “because I love you” or “because you’re my favorite” whenever Ouma was talking to Saihara was usually a point where he would specifically call him “my beloved Saihara-chan.”

In chapter 4 during the scene where Ouma is alone in the parlor of the VR world, he also specifically, exclusively refers to Saihara as “suki ni natta hito” (好きになった人), literally: “the person I fell in love with.” This line was changed in the localization to, “when there’s a person I like,” which is more or less literally correct--however, the phrase “suki ni natta” is much heavier and more loaded with explicitly romantic implications than “suki” would be on its own, as it’s often used in Japanese love songs and shoujo manga love confessions.

Worth noting in my opinion is the fact that this is the exact same phrasing Maki uses to describe her romantic feelings for Momota. Since Maki’s feelings for Momota are considered canonically confirmed because of this, Ouma’s feelings should be considered equally canon, but a lot of people don’t know this because, well, it’s sort of been lost in translation.

And now, on to the fairy line! Ouma calls himself a fairy in chapter 3, when he pops up in the middle of Saihara and Korekiyo’s discussion of the katana in Korekiyo’s lab. Full of enthusiasm, he decides to touch the sword and examine it for himself; Korekiyo starts to object, but Ouma interrupts and says:

“Come on, it’s not a big deal! I’m like a fairy, so it’ll be fine!”

I’ve always really loved this line and thought it was super adorable, both as a nod to how fairies aren’t supposed to be able to touch steel in most fae mythos, as well as the fact that fairies tend to also have a love for mischief and pranks and lies. The localization apparently didn’t like it so much though, because this line is simply changed to, “Come on, would I lie to you?” instead.

One final thing I can think of as far as Ouma’s speech tics go is that his laugh in Japanese is romanized as “nishishi” instead of “neeheehee,” as this is closer to the Japanese onomatopoeia for the sound horses make--but I actually don’t mind this localization change at all! “Neeheehee” definitely looks a lot closer to the word “neigh” and helps capture that horse joke in a way that I feel like western players can more easily understand.

All in all, while I still definitely feel people can like and enjoy Ouma’s character from playing the localization alone, I still stand by my opinion that listening to the original Japanese voices helps give a much better picture of how the character was intended to come across, and really shows how much depth Hiro Shimono put into his performance. He’s quoted in the official ndrv3 artbook as saying that he believes Ouma is someone who’s actually “really meek if you take away his strong wish to outwit everyone” (credit to @kaibutsushidousha for the art book translation), and I think this interpretation of Ouma really shows through in so many of his lines.

Thank you both for the really fun questions! I hope I could provide some more interesting information about Ouma and the translation!

[ichika27]

OnS Chapter 106

Well... this chapter is making me ask questions lol. At last though, we’re back to seeing what Mika is doing but is also continuing from where the previous chapter left off. So many things happening at once.

The 2nd Progenitor Rigr Stafford vs. 3rd Progenitor Lest Karr and 5th Progenitor Ky Luc. Lest is having trouble and is worried due to facing a 2nd progenitor while his companion Ky is enjoying himself and feels confident he could win against a their enemy. Rigr realizes in the middle of battle that Ky is probably Urd's right hand man since Ky's ability surpasses that of a regular 5th progenitor.

Rigr aims at Ky's eye. Ky realizes he can't dodge it anyways so he just went straight ahead to land an attack himself. Now the two of them are too connected to each other which worried Lest since he's about to use a lightning attack. Ky just tells him to go for it.

Ky gives his sword as much blood as he could give to make sure Rigr couldn't get away when Lest uses Heaven's Fan. When the attack is done, Ky sustained a lot of injuries.

It seems the attack had worked and had injured the 2nd progenitor as well. I felt pretty suspicious at this moment cause there’s no way these two could easily beat a 2nd progenitor. Plus Rigr wasn’t really that worried despite saying so cause he doesn’t always mean what he tells them. I thought there must be a trick.

2nd Progenitor Urd Geales finally makes an appearance! Lest tells him of what had transpired and Urd isn't amused and tells him that it's impossible for a vampire to escape the cell (he made it so himself). He then tells Rigr to stop messing with his subordinates.

With a clap of the hands, Rigr is back in the cell. Rigr reveals that the entire fight was nothing but an illusion that he learned from humans. lol I knew there was a trick but I didn’t think it was all an illusion. I thought he’d easily regenerate or something.

You know what, Rigr’s teasing nature and laid-back attitude in the middle of battle reminds me of Ferid. They might not be blood-related but he is the one who turned Ferid into a vampire so it’s close.

The two former friends have a little reunion. Ky apologizes for the trouble but Urd tells him it wasn't his fault as Rigr is of a higher rank and can't be helped.

It seems he still cares...

Rigr asks Urd what the latter has in store for him and Urd says that if Rigr doesn't answer his questions, he might just kill him. Urd asks what Rigr’s plan is and Rigr tells him that his revenge plan against the 1st Progenitor hasn't changed yet after all these years so there’s nothing to say.

Urd says that in betraying the 1st, Rigr had also betrayed him and Rigr offered to be killed. He mentions he hasn't forgotten about Urd and has thought about him everyday when they were separated.

I’m sorry... these lines are getting to me. They must’ve been really close friends for them to be this way with each other. They kinda remind me of Mika and Yuu in a way except these two sort of became rivals or something.

Urd then asked Rigr about this revenge plan and how it's going.

I’m guessing the original question is asking about what the plan is specifically but it’s changed to asking if it’s going well. I wonder if Urd had realized what it might be before asking?

Meanwhile, Mika is still inside Yuu's heart. In front of him is a strange eye and he's trying to figure out what this one is exactly.

Mika touches the eye to peek into what's in it. He's then transported to this strange place and in each of the containers inside is an eyeball each. Mika finds himself possessing one of these eyeballs.

I’m sure I wasn’t the only one who recognized this from the Ancient Greece flashbacks several chapters ago.

It’s tiny Yuu-chan! It confirmed that this is Mikaela's room from back in Greece thousands of years ago from the flashbacks. Yuu visits here many times to try and wake up the "sleeping" Mika inside the glass. This is probably a later scenario from Ashera’s flashbacks cause this Yuu isn’t borderline emotionless and acts like an excitable child unlike the Yuu that Ashera first met.

Noya tells him it's pointless as Mika is dead but Yuu tells him that Mika will certainly wake up. It's Yuu's job to wake him after all. Noya comments that Yuu's exact duty is to be the sacrifice to awaken Mika. Yuu didn't hear this and continues to call Mika which annoyed Noya enough and in the end, Yuu was killed.

Okay, so I don’t remember if Yuu had been calling Sika Madu “Father” from before or if this is some new development because I think he just called him “Master” back then? Also, I guess this means Yuu and Mika are connected more deeply than we thought. I wonder how Yuu would be sacrificed.

Noya then uses one of the eyeballs and turned it into another Yuu. The new Yuu could talk but knows nothing. He kept asking so many questions that Noya got annoyed again and killed this one, too. Ashera tells him that it's not right and Noya just says that he just has to get used to it. Plus no one would notice how many had been killed if they made another Yuu.

We’re finally shown how they make Yuu-chan clones. I wonder what changed or how this is done as the new Yuu clone acts like the previous one: loud and excited. He’s totally not like the Yuu that Ashera met who is quiet and sort of emotionless. I thought they would start out like that quiet Yuu first and then learn to be normal but it seems the clones are more like the new version of Yuu.

The next Yuu Noya had created is the one Mika is currently possessing. Of course, this “Yuu” wouldn’t act the same as the others since Mika is possessing it. Noya didn’t question this or at least, he seems to not and just leaves this Yuu be.

So either he’s just faking and realized that there’s something really different (as that look is suggesting) or the personality of the Yuu-chan clones differ from one another that this is a possibility. Also, since Yuu-chan is a clone, who was he cloned from? Was there an original Yuu-chan? What was he then? So many questions...

The 1st Progenitor and the others have arrived. Raimei scolds the kids for entering the room without permission but Byakko just tells her to go easy on them as they're just kids.

The group (minus the 1st Progenitor) looks like their demon selves: from the outfits to the horns). Does this mean they’ve been turned to demons at this point? Also, Byakko’s personality doesn’t look as serious as he seems as he currently is as Byakkomaru. By the way, I don’t think I’ve ever heard their original names being used so not sure if these are right. I got them from the wiki when I was looking at the correct name spellings for the other characters.

Back to the present, Rigr offers Urd the choice to join him in revenge. Rigr tells them that his preparations are ready and apologizes for taking too long with it. He asks Urd if the latter has any hostages and it's revealed that the people Urd was carrying earlier are Shinya and Kureto and so Rigr asked about their demons (which are their former vampire companions).

This is making me wonder what Urd’s plan is. At first of course I thought he’s asking Rigr about this revenge thing cause he wants to know if he could stop it or change Rigr’s mind. But now I’m confused cause the way he’s asking seems like he’s... interested? And Rigr asked about hostages which Urd already has and coincidentally (or not...?) they are Shinya and Kureto who are the contractors of Byakkomaru and Raimeiki. Rigr even asked about the demons.

Like if Urd turned out to switch sides and becomes Rigr’s ally, I don’t think I’d be surprised. The current arc is just everybody switching sides and backstabbing everyone else or having ulterior motives in the stuff they do. How many opposing groups do we even have now lol.

Switching back to the past, Mika continues to observe the others through the clone Yuu. Sika Madu seem to have realized what he really is though and addresses him directly.

I’m betting this is the real Sika Madu cause he’s already left Shinoa. Plus if his other demon companions could go to another demon’s world, there’s no doubt he could do it, too since he’s the most powerful of them all.

Sika Madu tries to put Mika to sleep. A struggling Mika hears Yuu's voice telling him that in order to escape they must work together. If they devour one another, Mika would become Yuu's demon. As Sika Madu continues to use his powers on Mika, Mika finally accepts and lets himself become Yuu's demon.

--

Finally! I guess if this goes well (which there’s a high chance this would go well unless the author decides to prolong the drama), Mika would finally become a demon weapon. it’s also another sword if I remember correctly. I wonder if Yuu will use it now that Asuramaru can’t be trusted? Speaking of which, I suddenly remembered the cover art for one of Owari no Seraph’s artbooks wherein Yuu is shown with his sword and the reflection in it is Mika. Foreshadowing or coincidence? Probably coincidence since it’s the reverse in another artbook. Still it’s cool.

The Vampire side of the story is slowly connecting to the protagonists’ side of the story. It looks like whatever it is that Rigr is planning, it’ll involve the demons residing in a majority of the main casts’ weapons. They’d cross paths sooner or later.

Shinya and Kureto got caught but where are the others? Where are the rest of Guren’s squad? I wonder who the demons are that’s inside of the weapons of the others...

I’m still sad they chose not to use the nickname Mika had for Yuu. “Yuu-chan” is distinctly Mika’s nickname for him (it’s even Mika’s favorite phrase according to one of the fanbooks haha). Plus since they never use any honorifics for the way everyone else calls Yuu (Yoichi’s “Yuu-kun” and Shinoa’s “Yuu-san” are just “Yuu/Yu” now), there’s no difference. Mika calling Yuu by a specific nickname even became a plot point when one of the human soldiers trusted Mika because of how he calls Yuu. Like, I get why they’re not using honorifics in the official translation but it’s still a shame. Now everytime I see Mika call Yuu or refer to Yuu, my mind fills in the missing honorific. It will always be “Yuu-chan” to me.

Anyways, the last page of this chapter never said when the next one would come out. I wonder why? I’m hoping it’s not a hiatus but it can’t be helped if it is. I’m kinda excited for what’s to come next. I wonder what happened to everyone else? Are we ever gonna get POVs from them or are they also just left to the side since they’re not part of the main conflict? I mean they seemed to have completely dropped Narumi since I haven’t seen him in a while.

Thanks for reading this if you did!

[brickme]

Tokimeki Tonight sorekara ch. 1

Hmmmm not entirely sure yet where this story will go... 🤔 Seems like Ranze will be threatened somehow, but by who and why? We don't know yet.

The previews say ch. 2 will be in the next issue, which is nice! I was a little worried there might not be a chapter in every issue :D The preview also says we'll see more of the characters we know and love in ch. 2, so I'll write my wishlist here: George, Sari, Sand, Aron, Tsutsui-kun, Kaede-chan, Yurie, Hino, Futaba, Kota! Well okay that's just my list of some of my favorite Tokimeki characters, I guess if I had to narrow it down I want to see Tsutsui-kun because we haven't seen him since the Narumi arc where he was doing some radio DJing, I think? :'( Tsutsui-kuuuuuun

Also it was really nice that the Cookie cover featured a handful of old color art from the original series :D Artbook soon?????

[airisu7425]

October shopping - part 2

First of all, don’t judge me. 😅 It’s not my fault so many figures came out lately. And also, some of them were waiting for me to upgrade the SAL shipping finally (since only God knows when its suspension will be over...)

My first calendar for 2021 has arrived! It’s the BnHA comic one and it is really dope. The photo can’t give it back but some parts of the cover page are actually shiny - like their eyes and some other details. Originally I wanted to give this to my nephew as a Xmas present but I might actually keep it. XD

I finally got the Spoon 2di that features Fugou Keiji Balance:Unlimited & Umibe no Etranger. I got the second artbook/mook that was published for Given as well - called ‘memory of’.

I’m grateful for SuBLime for keeping their publishing schedule and I can keep getting the BL mangas I love. I also got my first BTS CD (Japanese release), guess I’m becoming an ARMY member now? 💜 So far I spent hours and hours on Youtube watching them, now it’s time to support them.

I found a few second-hand figures on eBay from Japanese sellers, including a beautiful altered Rei (the body is of a One Piece girl it seems), my first Kirishima, a Todoroki and a Deku one, along with an Inosuke figure.

But the most beautiful of all - is the Lio Fotia figure. I have a couple of figures by now, many beautifully crafted one, but this, this rules them all. It is absolutely gorgeous, all the details are perfect, not even a single painting mistake.

The latest Kimetsu no Yaiba Onemutan set was released as well, still adorable, as the rest of this series of gachas.

Speaking of adorable sets - the 2nd set of the Kimetsu no Yaiba Oyasumi acrylic straps (the first one is still on the way) are insanely cute. I love this Oyasumi theme so much, have the YOI, the Kekkai Sensen, the KHR and the AoEx ones and they never disappoint.

Yes, another mug came to my collection as well, a chibi Promare one.

Last but not least, 4 nendoroid newcomers: Kirishima, Natsume and the KawoShin ones. ♥

tbc... (Will get my Victuuri Premium Set next week! ♥ Customs held them hostage for almost 2 weeks, but next week they’ll be home finally!)

[arecomicsevengood]

Notes On The Dirty Plotte Box Set

Kind of embarassing I haven’t really dug into Julie Doucet and Dirty Plotte but that’s just how things go sometime. Maybe growing up a reader of superhero comics Doucet felt like the deeper end of the alternative pool, offering zero concessions to the kind of kid I was. I think the first Drawn And Quarterly comic I bought when I was in high school was their reprint of Ed Brubaker and Jason Lutes’ The Fall. And then when I wanted to look into it, in college, I think I was confused because the book I’d heard was good, “Lift My Leg My Fish Is Dead” is actually the English translation of a book that’s title is in French. Dream comics and autobio continue to sound unappealing, as pitches, and then by that point I think there was also sorta fancy artbook stuff coming out. It’s been an overwhelming or confusing prospect for quite some time. Now, what’s available is this big box set: Dirty Plotte: The Complete Julie Doucet, two hardcovers in a slipcase, for me to place on my bookshelf next to the Gary Panter Picturebox set. It’s a big-ticket purchase, but justifiable on account of how much crap I buy for cheap I end up not enjoying as much I would hope. (Also currently you can find discounted versions. but it might go out of print at some point.)

It turns out to be a pretty good format to read it in. I haven’t read The Complete Eightball hardcover, but I have a bunch of Clowes books — Caricature, Ghost World, Like A Velvet Glove Cast In Iron, Twentieth Century Eightball —- that work great. I’m not certain if Doucet’s books work as well. The only one I’d read before this is The Madame Paul Affair, which is incredibly short. From what I can tell reading this, My New York Diary is also really short, but it also depicts her drawing comics that had run in the series years before, and I feel like it makes the most sense to read them in close proximity to each other.

Of course, once you start grouping the My New York Diary material with the work drawn during the time period depicted, you isolate out the intervening work, done after the move to Seattle but before the creating of a longer autobio work. Issue 8, for example, which had pages by other artists — J Bradley Johnson, Jeff Johnson — that are not reprinted here, which is fine and understandable, even if those are two artists whose work I wish was more accessible. It’s weirder to me to not include the back covers other artists did for two issues, so the glossy stock just goes to blank pages. The second book in the slipcase includes a lot of testimonials on Doucet’s work by other artists and ephemera like a letter from Gary Panter asking for a page for an anthology that never came out. I guess what’s a bummer about this is this element of “history being written by the winners” where people who are successful now get to say this work was important, but the people who were Doucet’s peers (or that she was championing, offering a platform to) don’t get a seat at the table in the canonization process. It is cool that John Porcellino is in here from having struck up a correspondence during the late eighties zine days and now he’s at Drawn And Quarterly. They try to sell John Porcellino as being similar to Chris Ware and that’s funny to me.

It’s also funny framing Dirty Plotte as the first solo comic book D+Q put out when it’s so much more wild than most if not all of what they currently publish. In that context, the luxury-item production values seem weirder, like it’s walling the work off, or pitching it to art museum gift shops whereas their other books go to Barnes And Noble. I would like this work to be accessible to the next generation of burgeoning young artists but I think there’s an unspoken understanding that zoomers would not tolerate, like… Doucet advertising a back issue of Answer Me on a back cover. While these are explicitly feminist comics and there’s a back-cover blurb by Kathleen Hanna it’s also firmly in the tradition of underground comics whose legacy of transgression people are uncomfortable with. Still, while I might bemoan the sense that embracing the bookstore market was a mistake because actual “alternative” voices aren’t embraced, Dan Nadel’s lengthy introduction did remind me that  the most successful alt-comics were sold in record stores, including the chain Tower Records, and that’s not a viable path anymore. He does mention PJ Harvey as a part of the nineties feminist alt-cultural moment — I would like to directly compare Doucet’s frequent castration references to this appearance of PJ Harvey getting laughs from Jay Leno’s Tonight Show audience.

Doucet’s comics themselves are great. I don’t really feel qualified to write about them. But they read well. It really does feel like a modern take on classic comic newspaper strips, in terms of what the sense of humor is vs. how it’s conveyed in this detailed cartooning. I love the deep focus foregrounds, I love the occasional silhouettes. Good inky drawings. This is maybe a shitty criteria to judge a cartoonist by but out of all the big-name high-profile nineties alt-comics cartoonists Doucet seems like the only one who could do a good Paper Rodeo page. The earlier stuff looks like Anke Feuchtenberger.

I want to read Renee French’s pre-Grit-Bath minicomic Sociopath. Sounds dope.

[silvermoon424]

Hello, I am a huge Precure fan and was wondering that how many art books do you have for Precure? I am asking because there's a revised version of Akira Takahashi's art book. I really want it but I am someone that can wait for scans due to the book being 200 pages long. Also, do you have any plans on buying the art book? I know you probably won't be able to get it due to the Pandemic causing delays and whatnot. Also, I feel that you are someone that can do something for the Precure fandom :)!

I only have one artbook for Mahoutsukai Precure, which I am currently scanning and will upload soon. As much as I love Precure I haven’t really bought much from the series aside from some dolls, figures, and a couple of doujinshi. 

I don’t really have any plans to buy the artbook you mentioned. I checked my usual buying site and it’s around $25-$30, which isn’t too bad but still kinda pricey for an artbook I wasn’t planning on buying to begin with. Moreover, when I buy stuff from Japanese sites I usually do it in bulk and make a big order. I usually only do this a 2-3 times a year, and I just did a big order back in January (meaning that not only do I not really want to spend the money right now, I also don’t have a lot I want to buy at the moment). I’m not going to say I’ll never scan this but I’ll be honest, the odds are pretty low right now. But I might at least pick the artbook up on my next big Japan order, it does look really pretty. 

You can always buy your own physical copy if you have the funds! I found it on Surugaya, and I wrote a guide on how to buy with a proxy site here (it covers how to buy doujinshi in particular, but it also applies to anything you can find on Japanese sites). I personally recommend using the proxy site White Rabbit Japan, their interface and customer service is excellent and they’re fortunately still shipping out of Japan via FedEx and DHL (if you didn’t know, Japan’s national postal service has suspended shipping to most countries so that’s impacted a lot of proxy sites). 

Hope this helps!

[shandian-go]

Unfortunately, the July batch packages won't get here until next week but I did get one package that mostly contained merch that I helped some of my IRL fandom friends buy. It also had the Eno artbook I ordered waaay back in June (before I started this GO, actually!) and since quite a few of you ordered it as well, I thought I'd share some pics as well as my initial thoughts about it!

The book is a lot wider and longer than I expected but the thickness is only about half the height of a Cigalong lipstick, as pictured. The cover is a soft type of cardboard (so not a regular hardcover) which means there are some creases along the edges and the corners, despite the fact that it was completely bubblewrapped.

The paper seems glossier in the photo than it actually is, and is on okay thickness but not as matte and thick as the Legend of Hei artbook that is my pride and joy haha. I don't have my other Eno artbooks with me for comparison but it's pretty similar to what I remember.

As for the art, there's quite a few of the MDZS pieces she painted, though not all are present. However, I'm first and foremost a fan of the artist herself and was definitely blown away by how much her art style has grown and matured. There's a refinement to her watercolours in this book that I personally didn't notice in her previous books and overall, her pieces have this quiet beauty that feels more solid (?) than the fantastical dreaminness of her older works.

(Also, this is a minor detail but I'm very relieved that the book just smells like new paper, as it should. I've definitely bought artbooks in the past that had weird, funky smells to them but thankfully, that isn't the case for this one LOL)

Anyway, that's just my take on it and you guys might feel differently when you see the book for yourself! :)