#missouri farmhouse

[samandcolbyownme]

This story will get dark and contain things that some readers might find unsettling and/or triggering.  PLEASE DONT READ IF THIS IS SOMETHING YOU'RE NOT COMFORTABLE WITH!!

Summary: Things get a little out of hand as you explore the Missouri Farmhouse with Sam and Colby.

Warnings include: talk of death and suicide, mentions of good and evil spirits, mentions of a brothel, reader being touched, spoken to, and tormented by spirits, mentions of being scratched, pushed, shoved, mentions of blood and puking, Estes method and other things some readers might find unsuitable - please read with caution my lovelies!

Disclaimer: everything in this story is completely off the top of my head, meaning I made it all up and also, y/n has a little thing going on with both Sam and Colby, but nothing is official. Enjoy!

Word count: a little over 16k | NOT edited

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"Yeah, okay. Thanks." Sam nods his head, "Alright. See you in a few days." He hangs up and sits down, "So." He ruffles his hair and looks between you and Colby.

"What's up, man?" Colby leans forward, elbows resting on his knees, "Was that Trevor?"

Sam nods, "Yeah it was."

"Who's Trevor?" You ask looking between them. You could tell something was up, but you didn't know what, "Sam. What's going on?"

"So.. Trevor is the owner of the house we're going to in a few days, and he said that we should rethink about bringing you along."

"Bringing.." Colby points to you, "Y/n along? Why?"

Sam leans back, "I guess having a female there just won't be a good idea according to Trevor."

"Why?" You shake your head slightly and sit up. Sam shrugs, "I guess when other female investigators that went, they left pretty banged up."

You raise your brows, "Well it's a good thing I can handle a few bumps and bruises."

Colby pulls on the corner of your sweater and you look at him. You can tell that he is only concerned for your safety right now, so anything you say will just go in one  ear and right out of the other.

You look back at Sam, "So what? I'm just going to be excluded from this?"

Sam sighs, "Trevor said that it's all up to you. If you want to go, no one will stop you."

"Well I wouldn't say no one." Colby chuckles slightly and looks up at you and Sam staring at him. He quickly covers it up, "She's our best friend Sam. Why would we potentially put her in danger? Especially since the owner of the house is telling us not to bring her?"

"He said it's her choice so I mean-"

You cut Sam off, "Yes. Exactly. And I want to go."

"Have you read up on the place we're going to?" Sam raises his brows and you stare at him, "No.. but I can."

He gets up, "Look, I'm all for you going with us y/n. You're a vital part of the team, you see things we can't sometimes, so of course we want you to go." He sighs, "Just read up on it then decide whether or not you want to still go. I'm going to go make sure we have all the equipment we need."

You watch as he walks away and then you turn to Colby, "why am I getting an irritated vibe from Sam?"

Colby shrugs, "Probably because of what Trevor told him, and because he cares about you." He turns towards you, taking your hand in his, "We don't want to put you in any harms way, okay?"

"Colby." You laugh slightly, "Everywhere I go with you guys, well not everywhere but the investigations specifically.. anything could happen. I've be targeted before. I've been scratched before. I honestly think I've been through it all with you guys."

He smiles and nods, "Yeah, no you're right, I just." He pauses and lets out a sigh, "We just don't want you getting permanently affected by anything."

You nod, squeezing his hand, "How about this.. I'll go read up on the Missouri Farmhouse and then I'll get back to you guys after?"

He smirks and nods, "Okay."

"What's that smirk for?" You tilt your head and he shakes his head, "I just.. I just know that you're going to still want to go even after reading up on it."

You purse your lips together and blink a few times.

"I know you so well." Colby smiles and stands up, "I'm going to go help Sam." You watch as he walks away before reaching forward for your laptop.

The keys clack in the silence as you type in Missouri Farmhouse.

You click on a link with the same image that Colby texted you and your eyebrows raise at the first headline.

Uncovered: Multiple Prostitutes Found Dead, Miles From Missouri Farmhouse

Your eyes scan over the paragraph, Arlon Wheeler has been named leader of the satanic rituals involving the sacrifice of female prostitutes.

"Satanic rituals?" You shake your head, scanning back over the old news article, Arlon Wheeler's wife, Cordelia Wheeler, came front with authorities and confessed to everything her husband and others involved have done.

You click back, trying to find a more recent one, mainly one about people investigating it.

"Oh, yes." You click on a link and your eyes widen at the second headline.

Scratching the Surface: Ghost Investigators Leave Missouri Farmhouse Scratched and Bruised.

You scroll down, eyes widening as you read, 'Yeah, we went in knowing that it could get a little wild, but I honestly didn't think that I would be leaving with five scratches and a few bruises. I partially can't recall what happened after entering the barn, but other than that, I can tell you that if you are a female ghost hunter, please proceed with caution.' Lyvie said. I asked her about the barn and she said, 'Oh yeah.. the barn. That's where the brothel - I guess, took place. Along long with the said rituals.'

A chill is sent down your spine as you sit up, taking in what you just read, but it just seems to get worse and worse.

'With further research, it has been found that Arlon and Cordelia Wheeler would plan for Cordelia to go into town and to pick up naive females and return with them for Arlon Wheeler's sadistic needs.'

You pinch the bridge of your nose and let out a sigh.

"That doesn't sound like a sigh of relief." Sam jokes as he sits next to you. He leans over, eyes scanning over your computer, "Mm, I see. Reading up on what you're getting yourself into?" You laugh slightly and look over at him, "Yeah, yeah."

You shake your head, looking back down at your computer, "I just.. That place is full of hatred."

"What do you mean?" Sam leans back against the couch and you point to the screen, "Between Arlon being sold out by his wife to all of those innocent girls being slaughtered for absolutely no reason." You look at Sam, "It's going to be a good video, but at what cost?"

You close your laptop and lean back, "I don't want you guys going in something like that alone." You smirk slightly, "What kind of friend would I be?"

"Friend.." Sam chuckles as he extends his arm over the back of the couch, "I'm just super anxious, because with you being a living female, I just have this weird feeling as to why there's so many reports on other investigators getting injured."

You lean in and rest your head on his shoulder, "Jealousy?" You turn your head to look up at him and he looks down at you, "Oh yeah." You smile, "Why's that, Sam?"

You can see his cheeks turning red as he tries to keep his composure, "Because.. As a pretty girl walking into something like that I-"

Colby cuts him off as he walks down the steps, "I'm looking at plane tickets. How many do I need?"

You sit up, looking from Colby to Sam. He smirks and holds up three fingers, "Three."

.·:*¨ ✘ ¨*:·.

""What's up guys.. It's Sam and Colby." Colby motions to the empty spot where Sam should be. He looks at the camera again and sighs, "What's up guys. It's Colby Brock, And today, we are currently at the airport, waiting to board our flight to Missouri." He tilts his head, giving a confused look, "Now, you're probably wondering, guys why are you at the airport waiting to go to Missouri? Well, we'll tell you."

Sam moves into frame and gives an awkward stare into the camera, "Hi." You laugh quietly, shaking your head as they continue the intro for the video.

"Sam, do you want to tell the people why we're going to Missouri?" Colby motions towards the camera and Sam looks at Colby, leaning in to mumble, "Why are we going to Missouri?"

You and Colby laugh at Sam and he sighs, "We are heading to a massively haunted farmhouse there. It is known for leaving a, figurative and literal mark on the people that go there to investigate."

"We're super nervous about this, considering what Sam says, I will be majorly surprised if we all make it out unscathed." Colby grabs the camera, turning it around on you, "We also have the very risk taking y/n here for this trip."

You smile and wave to the camera, "Nice intro for me, Colby." You laugh and he turns the camera around on himself, "I thought it was pretty bad ass, but okay." He laughs, "See you guys on the plane." He lays his hand on the lense and turns the camera off.

Sam sits down next to you, "Is anyone else actually kind of excited about this?"

You look over at him, "I'm half and half."

He leans forward, and you both look at Colby, "What about you?" Colby leans forward and shrugs, "I'm.. here." He laughs and you nod, "Yeah, that sounds about right."

"Hey, you cou-"

You cut Sam off, "I didn't want to stay home." He raises his hands, "Alright." He laughs, making you smile. He shake his head, "We couldn't get you to stay home even if we tied you to-"

"Oh my gosh!" A girl squeals, inconveniently cutting Sam off, "Are you guys really Sam and Colby? Like is this happening right now?"

Sam points to himself, "Yeah, I'm Colby and that's Sam." He points to Colby and Colby waves with a smile, "Yeah, my hair is a little darker than usual."

You smile and look up at the girl. Her jaw drops, "Oh my g- You're y/n! Are you guys making a video right now?"

You're shocked that she knows who you are, because you don't really get recognized much, "Yeah." You laugh slightly, "It's me." You glance over at Sam and he nods, "Yeah, were actually heading to Missouri right now to shoot a video."

All the girl can do is smile, "That's so freaking cool. Can I get a picture with all of you, please?"

You all agree and stand up as she finds someone to take the picture. You stand next to Colby as the girl stands between him and Sam. Colby wraps his arm around your waist, fingers gently rubbing your side as the stranger takes a few pictures.

"Thank you so much. oh my god, I can't wait to show my friends." She looks up from her phone, "They love you guys so much, they're going to freak."

"Thank you for stopping!" Colby smiles and gives the girl a hug, same with Sam, "Be on the lookout for this video. It's something you're not going to want to miss."

She nods, "I won't I promise." She looks at you, "Can I get a picture with you?" You look from her to Sam and back to her, "Of course, yes." She hands her phone to Sam and moves to stand next to you so Sam can take a few photos.

"Thank you so much, have a good flight!" She waves as she walks away and you turn to look at Colby, "Did that just happen?" He nods with a smile, "It sure did."

"Have you ever gotten stopped like that?" Sam asks as you all sit back down. You shake your head, "Nope. But I love it." You laugh slightly and Colby stands up, "I'm going to go get a drink, do you need anything?" You look over him and shake your head, "I have my water."

He motions to Sam, and Sam nods, "Just get me what you get."

You watch Colbt walk away before looking at Sam, "So what were you saying before all of that?"

He smirks and shakes his head, "About what?"

You smile and sigh, "oh you know, about me not staying home no matter what you did?" He laughs and sighs, "oh that.. Yeah, I was just saying how even if we tied you up at home you'd still find a way to come with." He leans in, "But something tells me that if we were to do that, no one would be going anywhere."

You sit up straight as his words send an intrigued shiver down your spine. You smile and look over at him, "This isn't some sort of I better say what i want now incase we don't make it back kind of thing is it?"

He laughs at your tease and shrugs, "I mean.. if it was.. I wouldn't say that and I definitely wouldn't be saying it here." He looks up as Colby walks back over, reaching up to take his drink.

Colby sits down next to you and sighs, "So what are we talking about over here?"

"Oh you know.." You look over at him, "Sam was just confessing his unprofound love for me, no biggie." You look at Sam and right before he can say anything, your flight is announced over the speakers.

"Oh look at that, perfect timing." Sam smirks and stands up. You look over at Colby and stand up, "Ready to fly into some spook-tacular fun?"

He laughs and points to you as he stands up, "You are definitely saying that on camera."

.·:*¨ ✘ ¨*:·.

The plane ride was quick, considering you fell asleep as soon as the plane took off. You woke up on the shoulder of a sleeping Sam.

"Morning sleepy head." Colby whispers with a smile. You wipe the little amount of drool from the corner of your mouth and smile, "Isn't it like four p.m?" He laughs and nods, "Yeah, I guess you're right."

The flight attendant annouces that you'll be landing shortly so you reach over to nudge Sam, "Hey.. Hey.. Sam. Samuel. Samuel John.." You look at Colby and back to Sam, "Samuel John Golbach."

You laugh slightly, "If you don't wake up, Colby will have no choice but to kiss you."

Colby leans forward, "What now?!"

"I'd like it better.." Sam sits up straight and looks at you, "If you kissed me instead."

You smirk, looking away to hide the blush growing on your cheeks and Colby holds his hand up, "Whoa. I think it'll be fair if she just kisses us both."

"You would like that wouldn't you?" You smirk at him and he nods, "Very much so." You lean back in your seat, the anxiety of going to that house tomorrow sets in.

The news articles flash in your mind, images of the the scratches and bruises people have received slip into the mix as well.

You didn't know your leg was bouncing a mile a minute until Sam lays a hand on your knee, "You good?" He asks with a slight laugh and you look over at him, "Yeah, I just got to thinking about the house."

Sam wants to suggest you staying at the hotel, but he and Colby both know that that isn't going to happen.

"I'm just.. what you told me about what Trevor said, it's just circling in my mind and I mean, maybe.." you shrug,"..I'm having second thoughts but I just can't let you guys go alone."

Sam smiles slightly and nods, "No, I know what you mean."

You all get up and get off the plane, making your way to the baggage claim. You yawn, laying a hand over your mouth, "Thank god we don't have to go until tomorrow."

You walk up, picking up your suitcase. Sam and Colby follow behind you, "Yeah, we all need to rest up before going there." Sam says, looking at Colby, "Do you want me to film or you?"

Colby shrugs, "Doesn't matter to me." Sam nods and you follow him over to a bench before he pulls out the camera, "Well guys. We have landed here in Missouri. Going to head to the hotel now and that's where we'll give you the rundown about everything that's going on tomorrow night."

"Colby, y/n." Sam turns the camera to face you guys, "How are we feeling?"

"Tired." You say with a laugh, "And kinda nervous, because we're only a few hours away from the house and I'm just.." you shrug, "Anticipating the scariness of it, I guess."

Colby nods, pointing his thumb towards you, "Exactly what she said." He laughs and nods, "But I'm ready."

Sam turns the camera back to himself and points, "See you guys in a few." Sam turns the camera off, putting it back in his backpack, "Alright, let's get to the hotel."

You make your way to the car that they rented and throw your stuff in the trunk. You get in and shut the door, waiting as they get in.

"So how far from the house will we he once we reach the hotel?" You lean over and look forward in between them.

"Um.." Colby thinks, "About an hour and a half, two with traffic maybe?"

You nod, "okay." You get on your phone, typing in the house you're going to into the search bar again. You click on a link you haven't looked at yet and rest your head against the headrest as you bring your phone up to read.

We got in contact with a group of ghost hunters to talk about their experiences at The Missouri Farmhouse. One said, 'Yeah, I was walking towards the barn and all of a sudden I was on the ground, almost like something came barreling behind me and I was in the way.'

Another said, 'I was standing on the porch of the home, just looking out over the dark cornfields when I felt something wet on my back and my shirt was kind of sticking to me. We went in the summer so I thought maybe it was just sweat - I was wrong. I had my friend shine her light on my back as I lifted up my shirt and I still can't get the way she gasped in shock out of my mind. I had two scratches going down my back and what I was feeling wasn't sweat - it was blood. My blood. I left right then and there and I don't plan on ever going back.'

"This person said that they were scratched so bad that blood was drawn." You look up and Sam and Colby both glance back at you, "I'm reading more on the house, and everything I'm seeing just gets worse."

"It's not going to be an easy night. That's for sure." Sam shakes his head as he comes to a stop at the red light, "We have to go in with a positive mindset, because if we go in with negative one, all we're going to get is a negative reaction."

Colby nods, "That's why I'm super thankful we came a day early. Just so we can rest up and really prepare ourselves for this."

You go back to reading.

'What would you say to anyone who plans on going to see the house for themselves? Would you try to persuade them from going?'

'Personally..' Darion starts, "..I wouldn't necessarily try to persuade anyone from going, because at the end of the day, if they really want to go, they're going to go. So what I'd say, is go in there with an open mind. Don't expect the worst right off the bat because if you do, you'll get the worse right off the bat. Treat the ground you walk on with as much respect as you humanly can and don't, don't underestimate the spirits that are trapped in that house - especially the barn.'

You lock your phone and look out the window. You don't really say much because of not only being tired, but because you're really thinking about whether or not you want to go.

You wanted to go, of course, but you didn't want to put the burden of being worried about onto Sam and Colby, considering they'll already be worried about each other.

You reach the hotel and make your way inside to check in before going up to the room. You sit down on the bed and fall back, "Finally."

Colby laughs, sitting down and falling back onto the bed next to you, "Tell me about it."

Sam sits down on the other bed and falls back, "So who's sleeping where?"

"I could honestly fall asleep right here." Colby laughs slightly. You nod, "Same." Sam sits up and goes to his backpack, "I forgot. We have to do the backstory stuff."

Colby sits up, "Oh shit, that's right." He gets up, moving over to the other bed, right in front of where Sam set the camera up.

You heave yourself forward with a groan and stand up slowly. You walk over, moving onto the bed behind them.

Sam looks back at you, "You can lay down if you want."

You shake your head, "I'm good."

Colby laughs and looks at you, "You just want to say that spook-tacular line don't you?" You roll your eyes as you laugh, looking at him with a serious look, "Maybe."

He laughs and looks forward as Sam gets the camera on. Sam sighs, "we made it to the hotel." He motions around before clapping his hands together, "We are about an hour and a half, two hours give or take, away from the Missouri Farmhouse."

He motions towards Colby and Colby takes over, "So the Missouri Farmhouse was known for a few things. One thing being that it was owned by two of the richest people in this town at the time, Arlon and Cordelia Wheeler. Second thing, the barn right behind the house."

Sam looks from Colby to you, "Y/n, you were reading up on it on the way here, why don't you fill everyone in?"

You nod, slightly shifting to face the camera, "So over the last few days and even today, I've been reading different articles pertaining to the house itself and the barn." You pull up your phone, unlocking it, "The barn is where a brothel was held for a few years. Multiple people from this town, and even family members to both Arlon and Cordelia, would come and pay them to engage in sexual activity with, as the article stated, naive prostitutes that Cordelia would pick up from town and bring back."

You look at Sam and he smirks slightly, "Keep going."

You smile and shake your head, "Not only did the sexual activity take place, but the same prostitutes would then be sacrificed to bring good fortune to the very greedy couple, and to also try and bring a miracle, or whatever of fertility onto Cordelia."

"Oh yeah, they didn't have any children." Colby snaps and looks at Sam, "I read that they tried multiple times, but nothing worked so I think it was a cousin, maybe, of Cordelia who was big into secretly doing witchcraft, that told her about the human sacrifice thing and yeah."

"So it was the cousin of Cordelia that started it all?" Sam asks and Colby nods, "I'd say so. Because what I was reading, they convinced her, promised her safety after she made a deal with the devil I guess and that's when they started sacrificing everyone, but I don't know how they could have saved her from everything."

Colby shrugs, "Bottom line, this place isn't going to be like any other place we've stepped foot into before."

"Oh!" You snap your fingers, "I also read some other investigator's personal experiences and the one got shoved, knock over on to the ground hard and the other one I read, she had two.. not one, but two scratches on her back.. and they were bleeding."

"I just hope that we leave with our skin in tact." Sam rubs his arms and Colby looks over at him, "I think I would rather leave unpossessed or something of that matter."

He laughs and Sam nods, "Yeah." He laughs, "You have a point with that one." He claps his hands, "Let's just hope that we all leave the same way we go in."

Colby and you nod and he looks back at you, "Anything else you want to add in?"

You stare at him and sigh, "We'll see you tomorrow on this spook-tacular adventure."

Sam and Colby cheer and Sam reaches up to turn off the camera, "That was great. I love that." He looks back at you and you laugh, "alright. I'm going for a shower."

You grab stuff from your suitcase and walk into the bathroom.

Once you're done, you come out to both Sam and Colby asleep on the same bed in positions they probably were expecting to fall asleep in.

You pull out your phone, recording as you walk over to them, "This is how I found them when I came out from the bathroom."

You zoom in on Sam, "I don't know how that's comfortable." You move over to Colby and quietly laugh, "again, I don't even know how that's comfortable."

You stop recording and tap Sam's knee, "Hey." He opens his eyes and smiles up at you, "Hey." You laugh and motion to his position, "How is that comfortable?"

He sits up, almost falling off the bed completely, "I honestly don't even know." He looks over at Colby, "Is he kneeling on the floor?"

You nod, drying your hair with the towel, "That he is." You toss the towel onto the floor and walk over to Colby, "Hey, Colbs." You tap his shoulder and he snorts, "Huh?"

You smile, "I think lying in the bed will be more comfortable.." you laughs slightly, "Better for your knees."

He laughs as he pushes himself back from the bed, "You would know."

Your jaw drops, "Hey now. I've never fell asleep like that." He glances up at you, a smirk comfortable on his lips, "Wasn't talking about that."

You roll your eyes, "Keep it up and you won't know." You make a face at him, smiling as he shakes his head, "Don't say that."

You hold your hands up, "Sorry." You go to walk to the other bed but Sam stops you, "whatcha doin'?"

"Going to bed." You point and pull the covers back. Sam pouts, "All alone?"

You smile at him and glance at Colby, "what? Are you scared or something?"

"Oh yeah, don't you see me shaking in my boots?" Colby pretends to shake and you laugh, "Fine. You've convinced me enough."

Sam grabs your hand and pulls you over him, laying you in the middle between him and Colby.

This wasn't anything new to you guys. You shared toddler beds as kids and it just stuck. You knew the moment you came to live with them that you liked them both.

They both seem to like you, and even though nothing is official, it just works for you guys.

Almost like a well oiled machine with no labels, all three of you just know.

"Goodnight." You roll onto your side and Sam turns the light beside the bed off, "Goodnight." He lays down next to you, laying his arm over your waist.

"Goodnight." Colby turns his light off and lays down facing you. He lays a hand on your hip and with them next to you, it doesn't take long for you to fall asleep at all.

.·:*¨ ✘ ¨*:·.

You hear talking, but you try to ignore it as you don't really want to get up yet.

"Today is the day we go to the Missouri Farmhouse."

Your eyes snap open the instant those words leave Colby's lips. You lift your head, slowly looking around before sitting up.

"Oh, look. She's finally awake." Sam jokes and you cover your face with a pillow, "No." you groan, "I'm not ready."

Sam goes back to talking as you sneak away to get ready for the day. After a little bit you come back out and see Sam and Colby sitting on the bed talking.

"You still up for today?" Colby looks at you and you nod, "Yeah. Why wouldn't I be?" You set your bag down and walk over, sitting in the chair across from them.

"Just making sure." He smiles and you nod, "I mean, I'm nervous, but I'm trying to shake that away."

"It's normal to be nervous, especially when investigating something like this." Sam starts, "You just need to go in there with knowing that you're in charge of yourself."

You let out a breath, "I'm just.." you shake your head, "When do we have to meet Trevor?"

"He said he'll meet us at noon, but if you want we can go get something to eat." Sam suggests and you nod, "Yes. Please, I'm starving."

You make your way out to the car, debating on whether or not you should tell them about the dream you had last night.

You didn't want to freak them out, but at the same time, it felt so real, like you need to tell them.

"Hey, so.." you start out, laughing slightly when Colby looks at you, "I had a weird dream last night, and I debated on not telling you but it was something about the house."

"The house?" Colby questions and you nod, "Yeah, the farmhouse."

"Do you mind if I record this?" Sam asks holding the camera up and you shake your head, "No because it might be a good thing if you do."

You wait for Sam to do his intro, "We are currently on our way to get something to eat before going to meet, Trevor. He's the owner of the Missouri Farmhouse, but first, y/n here told us that she had a dream about the house so I'm just going to let her take it away."

He turns the camera back to you and you sigh, "Okay, so first off I don't even remember falling asleep so that's kind of weird because usually I do, you know what I mean?"

Sam and Colby both nod and you nod back, "Okay, so once the dream started, it was us, standing on the front porch of the house, it's nighttime mind you."

"Extra creepy." Sam laughs and you nod, "Oh yeah. Definitely. So we go in, and for what ever reason, Colby wanted to split up and I just had this absolute gut feeling that we shouldn't. So I kept telling him no, Colby. No we can't split up and he like got, I don't even want to say mad because it was worse than that."

"Almost like something took over him?" Sam asks and you hear Colby whine from the drivers seat, "Why me!?"

You shrug as Sam puts the camera back on you, "That's what I'm saying, like you were told that you were intimidating to the ghosts, and Sam.. well.." you laugh and he moves the camera to frown into it.

"Anyway, so we stick together, but there's all these shadow things moving around and at this point in the dream, I've had enough I want to go home, I'm clinging to Sam.." you see his lips form into a smirk and you try not to smile, ".. screaming to let me go let me go."

You point to Sam, "You, Sam, You're just looking around, watching these things fly and move around us and then all of a sudden everything goes dark, it feels like you're pulled away from me. I'm pushed backwards, and then I woke up. I don't know what time I woke up, but you guys were still asleep and it was still dark out."

Colby glances back at you in the rearview, giving you a why didn't you wake us up? look.

You frown slightly and sigh, "So I don't know if that has anything to do with what we're about to experience or what but it kinda has me shaking a little bit."

"I honestly don't even know what to say to that." Sam laughs slightly, "We wanted to record that just in case anything like that happens tonight at the actual farmhouse, so."

Sam turns the camera to Colby, "Click that like button if you think it will happen and hit that subscribe button if you think it won't." Colby smirks and winks into the camera and Sam smiles as he nods his head, "I see what you did there. Nice."

You laugh and lean back against the seat, your dream replaying in your mind over and over again as you make your way to the restaurant.

After lunch, you guys head to meet Trevor and Colby starts recording as Sam takes a turn driving.

"We are now on our way to meet up with Trevor. He's going to give us the whole run down." Sam looks over at the camera and back to the road, "My hands are sweaty. I'm actually getting more anxious the closer we get to going to the house, you know?"

"No, man. I know what you mean." Colby laughs and nods. You lean over, "We can just pull up to it, you know. Snap a few pictures then leave, I mean we can still say we seen it, right?" You laugh nervously and sigh, "Fuck. I cannot believe we're doing this."

"Well, believe it. We're here." Sam pulls into a driveway and Colby leans forward, "This doesn't look like the Missouri Farmhouse."

Sam starts laughing, "That's because this is Trevor's house, you fuckin' dummy."

You lay your hand over your mouth and Colby sighs as he nods, "Yeah.." He looks down at the camera and nods, "Okay." He turns it off and looks at Sam, "Thanks for embarrassing me, Sam."

"You did that yourself." Sam laughs and gets out, opening your door for you, "Ready?" You look up at him as he shuts the door, "Yeah. Let's go get some more horrific information." Colby walks around the car and stands next to you, "Did he say if it's alright to record this?"

Sam shakes his head, "I'm going to ask him."

You follow them to the door and Sam knocks. A few seconds later, the door opens and what you assume, Trevor smiles, "Hey, Sam?" He holds his hand out to Sam and he takes it, "Yes sir, I'm Sam." He points to Colby, "That's Colby."

"Hey, how are you?" Colby shakes his hand and steps out of the way as he motions to you, "This is y/n." You step up and shake his hand, "Hi. How are you?"

Trevor nods, "I'm good." He smiles, "I'm good. Please.." He steps out of the way and motions for you all to come in. You walk in, followed by the boys and Trevor closes the door, "So what do you want to know?"

"Oh before we start, do you mind if we film this for our video?" Sam holds up the camera and Trevor shakes his head, "Not a problem at all, whatever you need." He takes you guys into his dining room and Sam sets up the camera so you're all in frame.

"These look.. old." Colby reaches out and slides a paper over towards him, "What are these names?" He looks up at Trevor and Trevor sits down, "So this right here." He points to the paper in front of Colby, "We think these are the names of the prostitutes that were taken to the house."

"Like the ones that were sacrificed?" You lean over and look at the paper. Trevor nods, "Yes. We think this was kept by Cordelia as a way for her to have leverage over Arlon."

"Almost like blackmail?" Sam asks as he looks up and Trevor nods, "Exactly. Now these.." He opens a manilla folder and slides papers next to each other, "Lean in and read this. Tell me what you think it is."

All of you lean in, eyes scanning over the semi blurred words that read;

By signing this, you have gradually acquiesced to the demands of our leader, A.W. You must now obey order. If orders are not obeyed, there will be acts of retribution.

A.W. C.W

"Was this like a contract or something? Something that the women were, I'm assuming, forced to sign so they couldn't run and tell the truth about what was happening?" You ask as you look up at him.

Trevor nods, leaning back in his seat, "Precisely."

"Its such a short contract." Colby shakes his head, "But it actually worked? Like it was a valid thing?" Trevor shrugs, "I don't think there was such thing as a notary back then, but with enough people believing in Arlon, I'm sure that didn't make much of a difference."

"Can we take a picture of this name list? Just so we know who to try and talk to?" Colby taps his finger next to the paper and Trevor nods, "Oh yeah, of course. Take a picture of it all if you'd like."

Colby works on taking pictures while you and Sam talk to Trevor, "Can you tell us about any personal experiences that you or anyone else close to you have had?" Sam asks resting his elbows on the table.

Trevor blows out air, "Gosh, I don't even know where to start." He chuckles and you sit up more, "What about the girl that got scratched so bad she bled?"

Trevor's eyes widen as he nods, "Oh shit. Yeah. The panic in her voice when I got the call about them leaving, was not a call I wanted to receive at two a.m."

You nod, "Oh I can imagine. I was reading up on the house over the last few days, and some of the stuff I've read is just.. horrifying."

Trevor nods, "They're not exaggerating it at all, either. The barn, that's where everything was held for a majority of its time. That is where most of the crazy shit happens."

He shuffles through the folder and slides over a blown up picture of a wooden beam sticking straight up out of the ground, "My brothers and I were working on patching up some of the holes in the roof of the barn one day when I suddenly got this really bad, dizzy feeling. I stepped, maybe three steps, and that beam fell straight down onto the exact spot I was standing."

You all look at Trevor in shock and he nods, "Another time, I was in the house looking around to see what we could really remodel. I was standing on the stairs and it honestly felt like someone was trying to throw me over the banister."

"What the hell." Colby shakes his head, holding up hid pointer finger, "Note to self. don't stand too close to the stairs banister."

You and Sam laugh and Trevor nods, "Another don't you should follow." He looks between the three of you, "If you go into Arlon and the wife's room, don't let the door close on you."

"I know.. I'm probably going to regret asking this.." Sam sighs, "Why?"

"I've never had it happen to me, I even went there to see for myself, but I've had multiple reports about some crazy shit happening if you let the door close. For instance." He sits forward, "Someone called me and told me that their hearing.." He puts air quotes, "Stopped working."

"Oh shit." Colby shakes his head, "Almost like they isolated them." Trevor nods, "Yeah, they also said that they've heard things being screamed into their ear. They could never tell me what they heard. Every time they thought about it, it was on the tip of their tongue but they just couldn't ever say it."

"Now that is really freaking weird." Sam shivers, "I have the goosebumps just thinking about that, like being the only one in a room, a dark room at that, and just having something scream shit into your ear that you definitely make out, but you forget about it even though you know it? Does that make sense?"

You nod, "That would drive me absolutely insane." You lean back, stretching your arms out behind you.

"Did you get pictures of everything?" Sam asks Colby and he nods, "Yes, I did. I'll send them to both of you, just in case something happens to my phone." He sends out the pictures to you and Colby and you swipe through them as they finish up talking.

"Thank you so much for meeting with us." Colby holds his hand out to shake Trevor's hand again, "We truly appreciate all the information." Trevor shakes his hand then moves onto Sam's, "Not a problem at all. Again, call if you need anything and just be cautious around and in the barn if you do go in. You never know what can happen."

You nod and walk over to the door with them, "Wait." You turn to Trevor, "You told Sam on the phone that I shouldn't come? Why is that?"

"I found that the females that come to the house are targeted the most, probably out of the dead being jealous of the living." Trevor opens the door, "Just be extra careful, sweetheart. The pretty ones get more attention."

"Oh.. Okay. Thanks." You look from Trevor and Sam and Colby are both staring at you, "Again. Thank you for the information." Colby walks out, stopping to wait for you.

Trevor hands Sam the key, "This will open the front door. Call if you need anything."

"Thank you." Sam grabs the key, "I'll be sure to let you know how it goes." He lays a hand on your back as you walk in front of him.

"Good luck." Trevor yells before closing the door.

You get in the car after Sam open's your door, "He was fine up until the very end. I didn't like that." Colby looks back at you, "I don't think he meant it in the way that we took it, bu-"

Sam cuts him off, "I still didn't like it."

You laugh slightly, "It's fine. We have something bigger to worry about now." You take a deep breath, "The Missouri Farmhouse."

.·:*¨ ✘ ¨*:·.

"Stop here so we can get a shot of the entrance." Colby points and you lean around, "That's actually very fucking creepy."

Colby nods, "I know, all of the trees and then just this dirt, gravel road." he rolls his window down and holds the camera out, recording as Sam drive onto the long driveway.

Your heart drops into your stomach as the house comes into view.

"There she be." Sam says and you shake your head, "I already don't like this." You laugh nervously and Colby puts the camera on you, "You nervous or something?"

You roll your eyes and clear your throat, "What? Me? No. Not at all." You look at him serious, "Yeah, very much actually."

Colby laughs and turns the camera to Sam, "Well, brother. Now that were here.. how are you feeling?" Sam parks and takes a deep breath, "I honestly don't know." He laughs and looks over, "Y/n's dream kind of has me freaked out."

"Tell me about it." You run a hand through your hair, staring at the house as Colby records it, "Well, guys. This is .. The Missouri Farmhouse."

"We are going to get our things together and we will take you guys on a tour before it gets dark out, just so you can all see how old this house really is." Sam looks into the camera and Colby tilts his head, "You mean to show them how creepy this place actually is?"

Sam nods, "Same thing." He laughs as he turns the car off. Colby shuts the camera off and gets out, opening your door for you. You move at a slow pace, not rushing to get inside. You slip on your jacket, "How cold is it supposed to get?"

"I believe low forties." Sam says as he pops the trunk. You nod as you pull the hood from your sweatshirt out of the back of your jacket. Colby walks up next to you, "You ready?"

"As I can be." You smile up at him and he lays a hand on your hip, "At anytime-"

"You tell me this every time I do an investigation with you guys, and you know that if I absolutely cannot handle it anymore, I'll tell you." You smirk as he smiles and nods, "Just like to remind you."

"I appreciate that." You smile and turn to look at Sam, "So were just going to do a walk through?" He nods, "Yeah, I figured that with it still being daylight, we can get footage of how everything looks normal because I honestly feel everything is going to intensify when the sun goes down."

Colby puts his jacket on and sighs, "Ready?"

You and Sam look at him with a nod, "Ready."

Sam starts rolling, "Alright guys. So we are on our way into the house. This is what it looks like on the outside." Sam turns the camera around, panning it over the huge farmhouse standing before you.

You walk up to the door and Sam hands Colby the camera as he pulls the key from his pocket. He slips the key into the old looking lock and turns it, "Alright." Sam looks back as the door cracks open, "We're in."

"No going back now." Colby chuckles and hands the camera back to Sam so he can walk in first. You follow, Colby right behind you.

You trip on the step and fall into Sam, "I tripped." You announce quickly, "Sorry."

"You okay?" He turns around, laying a hand on your side and you nod, laughing slightly, "Yeah. I'm good." You look away from Sam, eyes scanning over the house.

Sam pans the camera around, "It's so old, yet so beautiful."

"Whoa, look at this." Colby walks over and Sam follows him. Colby points to a portrait on the wall, it's old and kind of ripped, "I think this is Arlon and Cordelia."

As Sam and Colby are talking about the portrait, you get this unsettling feeling that you're being watching, "Guys.." your voice is almost inaudible.

You reach out, tapping Colby's arm and he turns around, "Did you just- what's wrong?"

"Something is watching us." You swallow and turn around.

A shadow moves from the top corner of the doorway and you point, "That door. There was something in the top corner."

"Oh fuck." Sam walks in front of you, camera pointed at the door, "what did it look like?" He looks back at you and you shrug, "It was just a shadow, like a head shaped shadow."

"Jesus Christ." Colby shakes his head, "So we won't be going that way." He laughs and points the other way. You nod, "Yeah, that room.. gives me a bad feeling."

"What kind of feeling?" Sam looks at you and you take a breath, "Dark, evil kind of feeling."

Sam and Colby just stare at you for a second, "Okay." Sam says breaking the silence, "Moving away from that room."

You walk down the hall, staying as close as you can to them while holding your arms around yourself. Sam and Colby explain some backstory while you can't help but continuously look around like someone else is there.

"So there's what? Two three floors to this?" Colby asks.

"Three, but the third is the attic, but I guess it's huge." Sam answers. He looks over at you, "What's going on?"

You shake your head, "It doesn't feel like we're alone. Like don't you feel that weird feeling like someone is standing like right.." you wave your hand up and down behind Sam, "Here."

Sam turns around as Colby walks over, standing right where you motioned to, "Here you said?"

You nod and Colby looks at Sam, "I don't feel-" he moves back, "Whoa." He looks around quick and moves to stand next to you, "swear to god something just pushed me."

"We saw it." Sam looks from you to Colby, "Are you okay?" You lay your hand on his arm, "You were pushed backwards, so whatever that was, it was between us."

"Fuck." Colby shakes his head, "Do you still feel like someone else is here?"

You take a deep breath, shaking your head, "No. it vanished right as you got pushed."

"You moved next to y/n. What if they think that we're trying to -" Sam puts air quotes, "-protect her?" He shrugs, "I mean, we were told that they'll go after her more because she's a girl and the spirits can have some sort of jealousy towards her."

You shiver slightly, "That just send a chill down my spine, Sam. That's honestly so bizarre to hear out loud."

You snap your head to the left, eyes focused on the staircase, "shh." You hold your hand out, frozen for a second until you look at Sam, "There was walking, like heavy footsteps on the stairs."

There's a sudden loud thump only a few feet away from you that causes you all to jump and yell out, "Oh shit."

"What the fuck!?"

"Goddammit."

It happens again, and this time you jump towards Colby, grabbing onto his arm as you look at Sam, "What the hell was that?"

He shrugs, "I don't know but we should keep moving." He nods towards the hall and you and Colby follow him, making sure to stay extra close to them.

They continue talking about the place, making sure to give you reassuring glances every so often as you explore the rest of the house.

Soon enough, you're face to face with the barn.

"I mean.." Colby starts out as he takes the camera from Sam, "It doesn't really look all the scary in the daylight."

Sam laughs slightly, "It looks, kind of pretty with the light shining down through the beams."

You get dizzy, and it happens quick.

"Oh god." You mumble as you hold your head. Sam is right next to you, arm around your waist and you lean into him.

"What's going on?" Colby asks confused and you feel Sam shrug. You take a deep breath, slowly lifting your head, "I got, really dizzy."

Sam looks up at Colby and back to you, "Are you still dizzy?" You can tell there's concern in his voice, "Do you need to sit down?"

You shake your head, blinking a few times, "No. I think I'm okay." You brush hair from your face, eyes moving past Colby to look into the death filled barn, "That's not a good place."

Colby turns around, pointing the camera at the entrance, "If you wouldn't know anything about this place, it honestly looks like a normal barn that was abandoned, you know?"

Sam nods, arm still around you, "I'm actually kind of scared for when the sun goes down."

Colby nods, "I'm sure we're all feeling that way." He looks at you then to Sam, "I'm going to walk up, get a shot of the inside, you guys stay here."

"Colby." Sam warns, "I wouldn't."

"Yeah, don't go up there alone, please." You practically beg. Colby shrugs, "I'll be fine, I'll just run up and run back."

You tighten your grip on Sam's jacket as you watch Colby walk up towards the barn. You were preparing yourself to run and help him.

You had to be on your toes while here, this place is so unpredictable.

"Yo Colby." Sam yells, "Are you okay?"

"Yeah, I got it." Colby yells back, "Coming."

Your eyes are focused on Colby as he walks towards you and Sam, glancing behind him every so often. He wants up, pointing his thumb behind him, "It sounded like someone, you know those loft spaces in a barn where they store the hay?"

You and Sam nod and Colby looks back before continuing, "It sounded like someone was up there, scuffling around."

"That's not surprising. That's the most active spot out of everything." Sam shakes his head, "alright. So I'm thinking we go get something to eat, calm our nerves and really prepare for what we're going to be facing tonight."

Colby nods, "That's a good idea." His head snaps towards the house, "There's no fucking way."

"What?" Sam takes the camera, "What happened?"

You stay close to Sam, looking to where Colby is staring, "Did you hear something?"

"It sounded like someone yelled back here in the distance, like they were telling someone to get back here? You know what I mean?" He looks at Sam, "We're the only ones out here right?"

"We should be." Sam pans the camera around the old farm, "Take one last look, because when we get back. Everything will be engulfed with darkness."

"Isn't it already?" Colby asks, "With the spirits and all of that?"

Sam sighs, "I mean. Yeah, I guess. But I was trying to make it thrilling." He pouts and shuts the camera off as you and Colby laugh.

"Let's go take a minute." Sam lays his hand on your lower back, "We can go over the plan of where we want to start and where we want to end while we wait for the sun to go down."

.·:*¨ ✘ ¨*:·.

After dinner, you're in the car heading back to the farmhouse and you can't shake the nervous feeling.

All of the news articles pop back up into your head, flipping through like pages in a book.

"Y/n?" Colby's voice makes you jump, "Fuck." You laugh slightly, "Sorry. I was thinking about everything I read."

"Yeah, us too." Colby looks to Sam and back to you, "If things go south, we're getting out of there. No questions asked, no it'll be good content, nothing."

You nod, "Deal."

"If you at anytime don't feel like you can do it anymore.." Sam starts, "Same for you Colby, we're done."

Colby nods and you sit up, "I just can't wrap my mind around the fact that that girl had blood drawn."

"Spirits are powerful things, y/n. If they don't like you, they'll make it known." Colby quickly sighs, "Sorry. I wasn't thinking. I know that's probably something you don't want to hear after-"

"No, Colby." You lay your hand on his shoulder, "You're fine. I'm fine. We're all going to be fine."

You lean back, taking a deep breath as you see a familiar sign that lets you know you're almost to the beginning of the dirt road.

"We're almost there." Sam says, "Do you want to get the camera out Colby? We need to get a shot of this." He motions to the windshield, and you look out at the dark road that's only lit by the headlights of the car.

"Oh fuck me." You breathe out, laying a hand on your forehead, "This is sketchy as hell."

"I'm going to stop and turn the lights off." Sam comes to a slow stop, looking over at Colby, "Ready?"

Colby nods, "Rolling." He points the camera forward and Sam flicks the lights off, leaving the three of you in total darkness.

"Oh m- that is fucking scary." Colby laughs, "What the hell."

"Now imagine I turn the lights on and there's something just sta-"

"Sam!" You yell, tapping his shoulder, "Don't say that!" You laugh, "I'm already peeing my pants back here."

"Are you really?" Sam teases. Even thought you can't see him, you can tell he turns around and you scoff, "No, not really."

He flicks the lights back on and thankfully there's nothing there. You let out a sigh of relief as Sam starts driving again.

Sam and Colby go back and forth about the darkness, laughing and joking like they normally do. You weren't sure if it was your dream keeping a tight hold on you, or the fact that you're a girl going to this no girls allowed club, or what.

But you were scared, and you knew that you had to pretend that you weren't and it was going to be hard.

"Alright." Sam taps the wheel, "We meet again."

"The sun going down has definitely amplified the creepiness by a thousand times." Colby adds, "I have goosebumps."

Your eyes stay on the house and you squint, "Did you guys light that candle when we were in there?"

"What?" Colby turns around and Sam comes to a stop, "I didn't light anything."

You look back up at the house and the light you thought you seen wasn't there anymore, "It's not.. maybe it was just the headlights."

"I wouldn't be surprised if anything was on in there, so maybe you did see something lit." Sam assures you, "Let's get everything ready and take final minute before going in."

Colby shuts the camera off and gets out with Sam. You sit there for a moment before Sam opens your door, leaning down to look at you, "You okay?"

You turn your head to look at him, "Yeah. Yeah. Just taking a minute for myself." You slide over, swinging your legs out, "I'm ready."

You look up at Sam and he grips your chin, "That's our girl." He winks and helps you get out, closing your door behind you.

You walk around, grabbing your backpack from the trunk. You make sure you have everything that you planned on taking, along with the boys.

"I'm good." Sam says zipping up his backpack.

Colby nods, swinging his around to put his arms through the straps, "Me too."

"Yep. Let's go." You put your backpack on and step back so Colby can shut the trunk. He sets the camera on top and turns it on.

He back up, standing on the other side of you, "We are here."

"It's dark." Sam adds before Colby picks up, "It's finally time to explore the famous Missouri Farmhouse."

You look around, nothing but the light from the camera illuminating the short distance around you.

"Did you hear something?" Sam looks at you and you look at him, "No. I'm just looking around." You laugh and look at the camera.

"So we came up with a game plan of where we want to go first, and where we want to go last." Sam claps his hands together, "We all agreed that the barn is the last place we want to go, so stay tuned for that and we'll see you in a second."

Colby walks up, cutting the camera, "alright. Let's head up."

As you walk up to the house, you look behind you, squinting at the sight of a possible figure standing still at the back of the car.

You blink and it's gone.

You shake your head, looking forward as you're met with the farmhouse door. You look up, turning to look out into the darkness.

Colby opens the door and walks on, Sam lays a hand on your back, nudging you slightly so you walk in.

I'm not scared, you think, mind over matter. I'm not scared.

The camera light shines on the dark interior and Colby bumping into you causes you to jump, "Colby!" You yell quietly with a laugh.

"Sorry. Sorry." He laughs and lays a hand on your shoulder. Sam spins around, pointing the camera on you and him, "should we bring out the Epoch box?"

"Yes. That's a good start." Colby says, "Do you have it or do I?"

"I think you do." He points to Colby and Colby nods, "Okay." He pulls his backpack off and you wrap your arms around yourself, feeling a chill creep down between the multiple layers of clothing.

You let out a sigh, stepping closer to Sam.

"You alright?" He whispers looking over at you. You nod, "Just cold. I got a chill standing over there."

"I'll get this thing going." Colby stands up, walking over to the small end table, "So this is called the Epoch box. It isn't motion censored, but it's similar to the Ovilus as it uses a sophisticated algorithm to read the environment and converts the energy into yes or no responses."

"I'm Sam, these are my friends Colby and y/n. We're here to ask some questions and with those we come in peace. We mean absolutely no harm to anyone here so if it's okay with you.." he pauses, looking between you and Colby, "Can we ask you some questions?"

The box flickers a few times before lighting up green for a few seconds then stops.

"Okay. Is Arlon here with us?" Sam keeps the camera on the box as you all wait.

The box lights up red for a few seconds before shutting off. It flickers before going dark and you sigh, "I'm y/n. I mean no harm to anyone here." You step forward, "Is this Cordelia?"

The box flickers before lighting up green for a few seconds.

"So it's her." You look at Sam and then to Colby and he nods. He looks down at the box and furrows his brows, "Sam."

"What?" Sam walks over, making sure you go with him, "did it just turn off?" Sam looks up at Colby with a shocked expression.

Colby lifts it, "That says on, right?"

"So it.. what? Died?" Sam asks confused, "what the fuck?"

A loud thump makes you jump and you look behind you. It catches Sam and Colby's attention too because they turn after you, "What was that?" Colby whispers, "Sounded like a-"

Thump!

"That." You point, "That sounds-"

Thump! Thump!

"Okay." Sam sighs, "Lets move to the den area." Sam lays his hand on your back and turns back to Colby, "Just switch it off. Maybe we can get it to work somewhere else."

Colby nods, picking it up, "You said the den area?" Sam nods and Colby pulls out his phone. Sam looks at you and you look at him, shrugging before both looking back to Colby.

He holds his phone up, "I knew I remember seeing something about a den. Look." He shows you and Sam his phone and you nod, "so he had favorites."

"Looks like it to me." Sam says as he shows the camera Colby's phone, "Hold on, I'm trying not to get a gla- oh here we go."

Colby puts his phone in his pocket and sighs, "So. To the den we go?"

"The den we go." Sam nods before you all walk towards the end of the hall. Colby opens the door, announcing that it's you guys before walking in.

You get a weird feeling, almost like you're uncomfortable.

You shift around, pulling down your sweatshirt and jacket, "This room feels.. uncomfortable." You look at them, "Like I think I can tell what happened here just by how I'm feeling."

"If he had favorites, I'm sure we can all figure out what happened in this room." Colby points to you, "Do you want to leave? Are you okay?"

You shake your head, "No, I think I'll be fine. Do you have any names?" Colby pulls his phone back out and nods, "Edith Macentire, Daisy Lovell, Lydia?" he zooms in and shakes his head, "I can't read the last one."

"I'll get out the REM pod." Sam hands the camera to Colby before swinging his backpack off. He gets out the pod and looks around, "I'm not going to put it by the door, I'll put it.." he walks over to the small stand that's in front of the window and sets it down.

"Hello, I'm Sam. Just want to ask you a few questions, I mean no harm. I just want to try and figure out what happened in here." He gently claps his hands together, "there's a light on that pod there, if you get close enough to it, a light will flash. If you want to answer any questions, all you have to do is just make that light up, okay?"

A few minutes goes by before the light turns on.

"Okay. Is this Edith Macentire?" Sam keeps his eyes on the pod, "Just touch it once for yes or-"

The light flashes once time and turns off. Sam looks back at you and Colby, "Edith, did bad things happen in this room?"

The pod lights up one time and you move your hand to tap Colby, "don't we have a spirit box?" He nods, "Yeah." You look at Sam and back to Colby, "I think we should use it. I just feel like we need it right now."

"Okay." Colby nods, "I think it's in your bag." Sam walks up behind you and the REM pod goes off constantly.

Sam leans out from behind you, "What the fuck." Colby shrugs, looking back at him, "I don't know, man." Colby keeps the camera on the pod as Sam walks over, "I'm going to shut this off." Sam grabs the REM pod and holds it in his arm as he sets the little radio box on the stand, "You will be able to tell us things through this."

Sam step back, taking the camera from Colby so he can move up, "I'm Colby, I mean absolutely no harm, neither do my friends. Can you tell us what happened in this room?"

The static sounds for a few minutes, "..Man.."

"Man?" Colby questions, "Are you talking about Arlon?"

"..Evil!.."

"Arlon was an evil man." Sam shakes his head, "Are we still talking to Edith?" The static plays in the silence for a minute longer, "..Lydia.."

"Lydia. Can you tell us what the evil man did?" Colby rests his fingers on his chin as he watches the box, "..he said.. wouldn't die.."

"Did he tell them that they wouldn't die?" Sam whispers and you nod, "I think that's what she means. Maybe he promised them a good life since he was-"

Your words are cut short by the box, ".. he wants you.."

Your eyes go wide and your heart sinks into your stomach, "Huh?" Colby looks at you, Sam, then back to the box, "Who wants who, Lydia?"

You can feel your heart starting to race and it feels like something is creeping up behind you. You glance behind you, seeing nothing as you move closer to Sam.

Sam looks down at you and wraps his arm around your shoulder as he holds the camera on Colby. Colby shake his head, "I think she's gone."

Instantly after Colby stops talking, "..run!"

You feel a gently tug on your jacket before it feels like a yank and you're pulled from Sam, both of you yelling at the same time. He grabs your arm pulling you back to him as Colby comes over, "What the fuck just happened?"

You cling to Sam as he hands the camera to Colby. Colby keeps the camera pointed down, "Sam wh-"

"..I told you.."

Colby walks over, shutting off the box, "Okay that's enough for now." He walks back over, camera still down at your guy's feet , "Are you okay?"

You keep your head pressed against Sam's chest, "When it said he wants you.. I got this feeling that there was something, I don't know." You sigh, "Creeping up behind me and then right after run was said, I got yanked backwards."

"I don't.." Colby shakes his head, letting out a sigh, "I don't want to say anything, but I know we're all thinking it.."

"He wants her." Sam says nodding down to you. Colby nods, "Mhm." You lift your head from Sam's chest and sigh as you try not to laugh, "This is insane."

Sam takes the camera back and you walk towards Colby, taking a deep breath, "Okay. Where to next?"

Colby smiles slightly and shakes his head, "You want to keep going?" You nod, "I'm not tapping out yet."

"We hit two of three places down here, I don't really want to go into that room she saw the shadow figure in. Not at night, gives me a very bad feeling." Sam says and you nod, "So, upstairs then?"

"I think we should go into Arlon and Cordelia's room." Colby raises his brows and you nod, "Just please don't let the door shut."

You make your way out of the den and into the hallway. Colby shuts the door and you all freeze as you hear something in the hallway.

You wait a few seconds before starting to walk, "So.." Colby says to the camera, "We are currently making our way up to the bedroom that housed the ring leaders to this whole shabang."

You laugh slightly, "Shabang." Sam smirks and Colby rolls his eyes as he chuckles.

Each creek of the stairs is unsettling to you. You're jumpy, really jumpy. So every little sound causes your body to feel like you're going to jump out of your skin.

"Alright." Sam breathes out, "We have reached Arlon and Cordelia's humble abode." He takes a deep breath, "We should find something heavy to put in front of the door so that way if it moves we can hear it."

Colby reaches for the handle, looking between you and Sam, "Ready?" You and Sam both nod and you walk up behind Colby as he pushes the door open slowly, "Okay. I don't see any-"

Something falls right into the door way and you gasp while jumping back. Sam groans, "Jesus Christ." Colby squeezes his eyes shut and open them, "I may have peed a little bit."

You look down and step towards Sam, "Oh gross."

"I didn't.. actually.." Colby sighs and shakes his head, "Let's just go in." Colby steps in and turns around, "The atmosphere in here is.. different."

You walk in and look at Colby, "You're right." Sam follows you and looks around, "That's actually super fucking crazy."

Colby keeps his hand on the door while you look for something kind of heavy, "Would this work? If we just pull this over in front of it?" You point to a small table and he shrugs, "I can stay by the door just in case."

You push the small table over, freezing as you hear footsteps in the hall.

"Did those come from up here or down there?" Sam whispers and Colby shrugs, shaking his head, "I-I don't-"

What sounds like running in the hall causes you and Sam to move by Colby. Sam leans forward, aiming the camera into the darkened passage, "I don't see any-"

"Did that just move?" You say cutting Sam off as you point to the bed, "The blanket. Wasn't that tucked up by the pillows nice and neat when we came in?"

"I have no idea, I didn't really look." Sam says, "It could have-" he tells jumping slightly, "Fuck."

"What what what!?" Colby yells quickly, "you good?!"

Sam nods, "Yeah, just something like drug up the back of my leg."

"Do you feel like you're scratched?" You take the camera from him and he just stands there staring at the ground, "Sam." You snap your fingers and lean in to look at his face, "Sam. Hey."

He blinks as you wave your hand in front of his face and looks up at you, "No. I'm good."

You look at Colby and Colby shakes his head, "Where'd you go man?" He looks at Colby confused, "What do you mean? I've been right here."

You slowly shake your head, gasping loudly when you see something in the slightly dusty mirror, "Oh my god. The mirror." You aim the camera at it, the light from the camera reflecting off, "A woman, was just standing there."

"Cordelia?" Colby asks and you shrug as you look to Sam, "You with us?" You reach out, wrapping your hand around his wrist.

He slides his hand into yours and squeezes it, "Yeah, no. I just. I'm dizzy. Like really dizzy."

Colby lays a hand on your back, "Let's get out of this room." You hand Colby the camera as you guide Sam out. He walks over to the wall, resting his back against it and you look back at Colby, watching as he closes the door.

"Hey, you alright?" Colby asks walking up, "Did you see anything when you spaced out?"

Sam shakes his head, "No, I just couldn't look up from the floor." He runs a hand over his face, "I could hear you calling for me, but I just-"

"Frozen." You say and he nods, "Literally, yeah. That. I didn't hear anything other than you and Colby." You step towards him and lay your hand on his shoulder.

He tilts his head back, resting it against the glass, "I'm not dizzy anymore."

"Well that's good." Colby sighs, "do you need a water or anything?" Sam shakes his head, moving to stand up straight, "No, I'm alright."

You glance to Colby and he nods, "Let's take a minute. It's been a lot for all of us right now."

"No let's just keep going." Sam insists, "I'm fine."

Colby nods and you sigh quietly, "Okay. Where to next?" Sam points down the hall, "Arlon gave Cordelia an office like room to keep things organized, I guess. We can do that then we can go outside for a minute."

"Whatever you want to do, Sam." Colby says and Sam nods, "I'm good." He smiles, "I promise."

You nod, following him down the hall to one of the doors, "Okay, so." Sam points to the door and Colby shows it to the camera as Sam continues to speak, "This is where all of the information they could get about each prostitute was kept. Cordelia, Arlon's wife was in charge of getting them to come back here."

"Do you think she talked them up wherever she found them or kind of did like an interview situation?" You look from Sam to Colby and Colby points, "That's actually a really good point, we can get the spirit box or something out and ask."

"We can try the Epoch box again. See if downstairs was just a bad spot for it." Sam says before reaching for the doorknob, "it's just us again."

He steps in and turns around, making sure you're behind him. Colby follows and pans the camera around the room, "It really is like an old timey office."

"Look, this is that same list of names, do you think this is the original?" You move over to the desk, looking at the old looking piece of paper. Sam walks over and check it out, "This might be a copy? I mean, it looks pretty real to be a copy, so I don't know."

Colby moves over, shining the light from the camera over the page so you can see it better, "I wouldn't mess with it, you know just, to be on the safe side."

You nod and hold your hand up, "Do you hear that?" Sam and Colby look to you before turning towards the open door.

The sound of a door opening and shutting echos through the hallway.

"What door is that?" Colby whispers and Sam shrugs, "Could it be the bedroom?" Colby walks over, peaking out as he aims the camera.

He leans back in quickly and exhales, "Holy fucking shit." He looks to you and Sam, "Holy. Fucking shit."

"Did you see something?" Sam asks, "Colby. What did you see?"

"The door, to the bedroom, was cracked open and a shadow came up the steps and went into the room then it shut." Colby's breath is shaky.

"No fucking way." Sam lays a hand on his mouth, "Are you serious?" Colby nods, "Swear to fucking god, Sam. I'm not shitting you, it- here." He hands Sam the camera and reenacts what he saw, "It came up the steps like this, slow. Then just turned like this.." he turns his body, "And then just went into the room."

"Jesus Christ." Sam sighs and you lay your hand on your forehead. You feel like you're sweating, "Do you guys, feel.. hot?"

Sam turns to you, "Are you- what's going on?" He feels your forehead, "Colby, she's sweating."

"How? It's like forty degrees outside." He walks over to the other side of you and you lean against him, "I think we need to take a break." 

"Yeah. I agree." Sam nods, taking the camera from Colby before Colby wraps his arm around your waist, "Come on." He walks over to the door, looking out before rounding the corner with you.

The only light you have is from the camera that Sam has behind you. He pulls his phone out, switching on his flashlight as you reach the steps.

"Careful." Sam says as you and Colby step onto the first one. These steps were old, so you had to go up and down with care.

You reach the bottom as just as you are about to make it to the front door, it feels like something grabs your arm and tries to pull you away from Colby.

A faint, "Stay.." is whispered as you pull your arm back.

"Something just grabbed me and told me to stay. It was super quiet." You grip Colby's jacket and he opens the door, "You're good. We got you." 

He walks you outside and Sam shuts the door behind him with a loud, "Holy fuck."

"Yeah. Yeah." Colby nods as he walks you over to the car, "Here." He opens the door, "Sit for a second."

You sit down and let out a sigh, "Sam, are you okay?" You look up at him and he walks over to you, "Yes, sweetheart. I'm fine."

You smile slightly and nod, "Okay." He brushes hair from your face, "Are you?" You nod and he turns to Colby, "Are you okay?"

Colby nods, "Yeah." He shakes his head, "Maybe we should do a recap before anything else." Sam nods, looking back at you, "Stay here."

"You don't have to worry about that." You laugh slightly, watching as Sam walks to the back of the car. You rest your head against the seat, listening to them talk to the camera.

.·:*¨ ✘ ¨*:·.

You stand up, slinging the back pack over your shoulder, "I know it wasn't really in the plan, but I think we should do the Estes method in between the barn and the house."

Colby looks between you and Sam, "Do you think that that's really a good idea?"

Sam puts his backpack on, moving his hood out, "I mean, it can't hurt to try. Two of us will be able to see and hear."

Colby shakes his head, "I don't know. This place just makes me nervous for something like that." Sam nods, "No I understand, but I was honestly going to say something about doing that too."

Colby chews on his cheek for a few seconds, "Who ever does it, has to be prepared, that's all I'm saying." Sam sighs, "Yeah, Colby. I know."

This place was doing something to them.

To all of you.

Tensions are usually never this high. You knew you all wanted to do this for the video, but you also knew that you all didn't really want to be there anymore.

"Let's just.." Colby sighs and you cut in, getting out of the car, "Let's just take it one step at a time because we really don't know what is going to happen."

"She's right." Sam says, we can just go back, maybe set up flashlights? I don't know where but we can try that?"

Colby nods, "Yeah." He grabs the camera, "Come on." He switches the camera on as you start to walk back towards the house.

Tap. Tap. Tap.

You all stop, looking at each other before the sound of something tapping against the glass catching your attention  again, tap. Tap. Tap.

"Okay.. that's freaky." Sam laughs slightly, "What window is it?" You shrug, "It sounds close." Your eyes scan over the windows that are lit up by the camera light.

You point to the middle window, "The curtains moved in that one." Colby steps towards the window, holding up the camera to see inside when all of a sudden he jumps back after a loud thump on the glass scares him.

"What the fuck!" He yells stepping back, "That was literally right fucking there."

"There's no way that wasn't on video. Holy shit." Sam walks up to the window and looks in, "I don't.. see.. anything.."

He shakes his head and looks back at you, "Lets go around to the back." You and Colby follow him as you walk around to the back.

Colby shines the camera over towards the bar, "There it is." He shivers slightly, "Just looking at it sends a shiver down my spine."

"So what do we want to do?" Sam asks as he looks between you and Colby. You shrug, "I'm all for doing the Estes method."

Sam nods and looks at Colby, "Colby?"

Colby sighs, "I guess we can do that, but who-"

"I'll do it." You raise your hand and they both just look at you with a solid look. Sam sighs, "We can all do it. Take turns."

"I'll go first." Colby says handing Sam the camera. Sam looks at him, "You sure?" Colby nods, swinging his back pack off, "Yeah."

You look at Sam and back to Colby, watching as he digs in his bag to pull out a bandana and the equipment.

You had an eerie feeling creeping in again, maybe it was just your nerves about doing this method with the barn right there.

"Okay. So are we thinking like right in the middle?" Colby asks and Sam reaches out, pointing to a specific spot, "Yeah I'm thinking something like right in here. It looks about halfway."

Colby sets his bag on the ground and sits down next to it. He takes a deep breath, "Okay." He wraps the bandana around his eyes and ties it behind his head.

Sam sets the camera down on top of his backpack, angling it so you're all in frame as you sit on either side of Colby.

Sam leans over, showing the camera how loud the static plays through the headphones. He hands them to Colby, "Here you go."

Colby takes them and puts them on, shaking his head slightly as he gets used to them, "Pain."

You look at Sam with your eyes wide, "What the fuck."

Sam shrugs, "I know you were and still are in a lot of pain. Can you tell my friend, Colby here who is talking to us."

Your eyes move to Colby as he tilts his head, "Why?"

"Are you asking us why we're here?" You ask and Colby answers, "Yes, why?"

"We're here to figure out what to the women Cordelia brought back to this farmhouse." Sam says and Colby taps his knee with his hand, "There was like.. a scream?"

"Who are we talking to?" Sam asks looking around, "Are we talking to one of the girls?"

"In the barn." Colby says, "He wants.. you in the barn."

"Who wants us in the barn?" You ask, "Does Arlon want us to come into the barn?"

"not all." Colby states, "Just one."

Sam points to you and you shake your head, "I'm not going in there alone. I'm not."

"Yes. You are."

As soon as the words leave Colby's lips, the hood on your sweatshirt is pulled back and you slam your hands behind you to catch yourself as you let out a scream, "What the fuck?"

Sam taps Colby and Colby pushes the headphones off, "Right before you tapped me, there was a deep, manly like laugh."

"Right after you said yes you are, she got pulled backwards." Sam looks over at you, "Are you okay?"

You nod, "Yeah." You sigh, "Yeah. That just, I let my guard down for a second." You run a hand through your hair and move closer to Colby, "That barn just.." you glance back at it and your eyes focus on the dark inside.

You can't tell if your brain is playing tricks, or if you actually see things moving.

You look away, trying to focus on Sam filling in Colby on what you and him asked, but you just can't seem to stay focused.

You rest your elbows on your knees, holding your face in your hands.

You feel Colby's hand on your shoulder, but you just can't acknowledge it. You take a deep breath and manage to lift your head, "I just.. couldn't get focused there for a second."

"You good now? What happened?" Sam asks and you nod, "I looked at the barn and I just couldn't look away. It's like I was supposed to be looking at that and only that. So I just rested my head down until the feeling went away."

"Fuck." Sam whispers as he looks to the left, "That place is more powerful than people think."

"Here." You take the bandana from Colby, "I'll go."

He lets you take it, "Are you sure?" You nod as you untie it, "Yes." You wrap the bandana around your head, completely blocking your vision. You take a shaky breath as you feel Colby lay the headphones in your hand.

"Whenever you're ready." He assures and you nod before putting them on, static completely drowning out everything else.

Sam takes a deep breathe, "Can you tell us who we're talking to?"

"Sam." You straighten your back as his name rolls off your tongue, "Colby?"

"What do you want with y/n?" Colby asks, eyes glued to you, "Why do you want her?"

You try and keep your breathing under control as you do your best to listen, "You can't have her."

"No." Sam says sternly, "You're the one who can't have her. She isn't yours to touch or have, just like the innocent women that you killed years ago."

You tighten your hands into fists, "They weren't good."

"Why weren't they good? Can you tell us what was bad about them?" Colby asks as he looks around, "Arlon. Can you tell us why?"

You listen few seconds, "Arlon. He's here. It's him. Help."

Colby takes a deep breath, "Should we pull her out?" Sam shakes his head, "Not yet. Arlon, why are they so scared of you?"

You tilt your head, "Bad things happened. He did it."

"We know he did bad things. We know it was him. Can y-" Sam stops talking as you cut him off.

You speak normally, "It's almost like they're arguing with him."

Sam looks at Colby, "Arguing? Like one do the girls and Arlon?" Colby shrugs, "Can you tell us why he killed those women?" Colby pauses for second, "Why did he kill you?"

Words are shouted loudly in your ear, "He says he had to."

"Was it the cult he ran? Can you tell us about that?" Sam asks, watching you.

You shake your head, " He wanted to."

Sam and Colby look at each other, "Did Cordelia bring you to the house?" Sam runs a hand through his hair, glancing at the camera before snapping his head back to you.

"You don't love her."

"who? Who are you talking about?" Colby asks, "Who doesn't love who?"

"Sam. Colby." You pause for a second, "Y/n."

"Holy shit." Sam sighs, "Why do you want y/n?"

"Mine."

"Not a chance." Colby says looking at Sam, "I'm going to tap her leg."

"Mine. No!"

"Colby. Her hair." Sam points to your hair that's lifting off your shoulder and Colby taps your leg a few times, kinda rough.

You jump as you feel the tapping and you push the headphones off before ripping the bandana off of your head, "Okay. What the fuck?"

Sam has a shocked look on his face and Colby lays a hand on your back, "Did you not feel your hair lifting up?"

You shake your head, "Um. No." You run your hand down over your hair, "I was only focused on the arguing I was hearing, what were you guys asking?"

They fill you in and you raise your brows, "So it makes sense as to why it sounded like it was arguing." You shake your head, "That's.. actually kind of scary, not going to lie."

"I don't think you going any closer to the barn is a good idea." Colby says, "I don't want to risk you getting hurt or anything."

You nod, "No I agree. I don't even like looking at it." You look to the barn and away, shaking your head as you close your eyes, "Anyway. Sam. Are you doing this?"

Sam nods, "Yeah. Yeah." He takes the headphones, sitting down in the same spot you and Colby sat. He ties the blindfold around his head and takes a deep breath before putting on the headphones.

Instantly, his words are loud, "Help.."

"What do you need help with?" Colby asks as he sits down next to him, "Who is asking for help?"

You freeze, eyes moving from Sam to Colby as soon as Sam just starts listing off names non stop, "Kathleen, April, Eloise, Bethany, Rita, Liza, Sarah, Taylor.."

"Are you the girls Arlon sacrificed?" You ask and Sam responds instantly, "Yes, he's evil."

"Is he with us right now?" Colby asks and Sam tilts his head, "He went out."

"Where did he go?" Colby asks, and you'rere frozen with fear as you see a black shadow figure move a little being Colby, "C-Colby."

"Outside." Sam says and Colby looks at you, "Where outside?" He looks back at Sam, "Is he with us?"

Sam doesn't say anything for a few minutes.

You reach over, tapping Colby's leg, "there was a shadow figure behind you." He turns around quickly and looks back at you, "Where?"

"It was like a foot or so back from you. I don't know, I just seen it and then it was gone." You wrap your arms around your tighter, "Mayne we sho-"

"No." Sam says, "Don't go."

"Why?" You ask, "Why do you want us to stay?"

"You know."  Sam says and you shake your head, "we're not staying." You go to tap Sam's leg but it's almost like something grabs your wrist to prevent you from disturbing him.

"I can't.." you try to pull your hand away but it's like stuck there, "Colby."

"They can't help you." Sam says and then he rips the headphones off, throwing them away from him. He pushes the blindfold up and your hand drops, "Fucking no. No fucking way."

"Are you okay?" Colby grabs your hand and your hand goes to wrap around it, "My wrist is burning." Sam crawls forward, grabbing the flashlight from his bag. He shines the light on your skin and you all become shocked when you see finger marks on your wrist.

"I went to tap Sam, get him out of it, and something grabbed my wrist, I couldn't move until Sam threw off the headphones." You explain, pulling your wrist to your chest.

"No, we're done. We're leaving." Colby stands up, grabbing his backpack and it sounds like something heavy falls in the barn, causing all of you to move back a little bit.

"What was that?" Sam asks quietly and you all just stare at the dark opening of the barn, "I don't know and I really don't want to find out." Colby walks over to you, helping you stand up, "We can come back in the daytime, try something then."

"Yeah, right. Okay." Sam gets up, bending down to grab the camera after slinging his backpack on. You start to walk around the way you came, a lot slower than normal, just to be cautious if there was anyone else there.

"Right before I threw the headphones off, it was a loud, clear as day, man voice yelling death like three times in a row, like boom boom boom." Sam explains, "Ive never.. had that happen." He lays a hand on his chest, looking over at you.

He reaches out, grabbing your wrist to inspect it, "Is it still burning?" You shake your head, "No. thankfully."

"Alright. I haven't heard any-" Colby stops talking and instantly switches the light to the camera off when the sound of branches breaking sounds from the woods next to you.

"Should we call out? What if it is people?" Colby whispers leaning in to you and Sam. Sam wraps an arm around you as you huddle next to him, "We should just go."

"we're going, but like.." Colby sighs, "I think we should acknowledge that we hear it, them, you know what I mean?"

"I get what you're saying but like.." Sam pauses and there's a bang on the window, causing you all to jump and move away from the house, "we can just try to make it to the car?"

"Okay." Colby whispers, "Stay close together."

You move along the house more, your grip tightening into Sam's jacket as you see the car in view. Colby stops, "Should we just book it?"

"Yeah, but at least turn the light on." Sam says and Colby switches the light on, but it suddenly goes back out. He tries switching it on a few times, "It's not.. turning back on."

"Fuck, okay." Sam digs into his sweatshirt pocket, pulling out a flashlight. He switches it on and it stays on, "Okay. Lets go."

His arm stays around you as you guys start for the car. Sam's grip is suddenly ripped away from you when he falls to the ground with a groan.

"Sam!" You yell, turning around to go down to him, "Are you okay? What happened?"

Sam gets up as quick as he can, "I tripped or what tripped?" He shakes his head, "Let's just get-"

The door slamming shut on the front door of the farm house causes him to snap his head towards it, "Get in the car."

Colby reaches for the door handle, pulling on it a few times, "Keys. Keys. Keys."

"I thought you had them." Sam yells quietly as he pats his pockets, "Shit." You check your pockets frantically, hoping that some miracle will happen and one of you will find them.

"Backpacks. Check the backpacks." Colby drops his bag to the ground and sets the camera down before digging in his.

You and Sam do the same and you shake your head, "I checked each pocket." You sigh, "What the fuck."

"You didn't drop them in the house did you?" Sam asks as you grab the flash light. You shine it around the car and point with a slightly loud, "Ah ha. There! There."

"How did they get under-" Colby reaches under the car, pulling them out, "The fucking car?"

"We can talk about it when we get in, just unlock it." Sam says as he throws his stuff back into the backpack.

Colby unlocks it, causing the lights to flash. You all rip open the doors and get in, shutting them with a slam.

"Fuck that." Sam says.

"I honestly can't believe we stayed that long." Colby sighs, "What the fuck is that place?"

You take a few deep breathes, trying to remind yourself that you're in the car now. You're safe.

"Okay. Let's just.. Go back to the hotel and we can figure out everything there." Sam turns around to look at you, "You good? You okay?"

You nod, "Yeah. Yeah. I'm good." He nods and turns back around, buckling up as Colby starts to drive, "I just want to know if people were there. That was fucking weird."

"That whole place is fucking weird. You have to be out of your mind to go there at night." Sam pauses before laughing slightly.

You and Colby join in laughing. The feeling of relief settles in the further you drive down the gravel driveway.

.·:*¨ ✘ ¨*:·.

I'm sorry that it's so long but if you made it to this point, I truly appreciate you so much. Thank you for reading.

I figured this was a good place to stop. When the time comes, I’m thinking of doing a part 2 where they investigate the barn during the day? What is think?

Love you so much 🖤

[kodachrome-net]

Somewhere in the Midwest, May 1981

[macfrog]

jet

🎉 thank u guys so much for 1k followers 🎉 i don’t know how we got here but i love you all endlessly and can’t thank you enough for all the love n support. here’s some smutty joel to celebrate 🤩 this might become something, it might not. i dunno. wanted to try it out tho. lmk your thoughts ✨

pairing: joel miller x fem!reader

summary: you and joel have an agreement: follow his movements, follow his orders, stay alive. what happens when, one night, he asks you to break the deal?

warnings: 18+ (minors dni!!!) post-outbreak!joel, pining i guess?? when don't i pine for this man, praise kink, light bondage, fingering, unprotected p in v sex (don't u dare), creampie, dom!joel, soft!joel, age gap (late 20s reader, late 40s joel), cursing, cute horsies

word count: 6.9k

main masterlist

Somewhere between Missouri and Illinois, last time you checked. Joel has the map, and you don’t bother asking him to see it much. You’ve been following the Mississippi north, on his orders, looking to hit St. Louis sometime tomorrow. Provided you don’t run into any trouble, that is.

It’s been three days with no safe refuge. Camping out in deserted houses with wood for windowpanes, stores infested with rats, office buildings with infected roaming. Joel figures the outskirts of the city are a good spot to stop for a couple nights, regain your strength, find supplies.

You’re a few paces ahead of him, only turning your head slightly when you notice an offramp, and looking back ahead when he doesn’t give any direction. You weave in and out of abandoned cars, hips swaying with the clipping of your horse’s hooves on broken asphalt, Joel’s horse in time at your heels.

You’d untethered the pair of them on a farm back in Nebraska. Joel had told you to stay put while he cleared the house, but you’d wandered over to the field when you spotted them. Timid, skittish, starving.

Five minutes hooked over the fence and they were both eating grass you’d pulled from the earth, right out of your hand. Joel’s heavy footsteps approaching had spooked them back a few steps, but you’d petted their muzzles and when he did the same, they soon warmed to him, too.

He’d jerked his head in a nod and muttered, “Good job,” before finding two saddles, strapping them on, and helping you onto the chestnut brown one – who you’d named Jet.

Joel had found tins of food in the farmhouse, and a switchblade for you to carry. He had a new stain on his shirt.

“Infected?” you asked.

He grunted in reply. Then rolled the tins into his backpack and hoisted himself onto his own horse, giving her reins a tug.

You knew that meant that yeah, there’d been infected inside. And recent, too, going by how well-kept the horses looked. It can’t have been longer than a week.

Joel’s silence as you both wandered down the farm track probably meant that there weren’t just adults in the house, either.

You’d glanced over to him, giving him a small smile. Bent over and reached for his horse’s ears, scratching where her soft black coat met her mane. The reins lay loose around Joel’s knuckles.

Protecting and providing for you was more important than some infected kids in a farmhouse. Joel had made that more than clear over the time you’d been with him. But somewhere, buried deep underneath years of fighting and killing, tucked away under a dusty flannel shirt, you knew his heart was hurting.

That was two weeks ago. Joel hasn’t talked about it, and you���re not interested in bringing it back up. Y’all got to the farm, took everything it had to offer, and you left.

Jet clicks her way along the highway somewhere south of the city. It’s still bright out; Joel reckons probably a few more hours of sunlight, so you know he’ll be scouting for places to camp out soon.

You lean back to stretch your spine, hand steadying yourself on Jet’s rump, her tail swishing as she walks. Her head bobs, looking from left to right, from the trucks with smashed windows sprouting moss, over to the trees losing leaves in the fall breeze.

It’s peaceful. Not much is, these days.

It’s quiet enough that Joel can listen for any sound of oncoming threat, and quiet enough that you can shut your eyes and pretend like you’re on some trail in the Texas country, on a warm summer evening; not exhausted, covered in dirt, weeks since you washed, days since you slept.

You’re humming gently to yourself, imagination taking you down by a creek where Joel pulls you by hand off the horse and you sit down to a picnic or something. He’d bring a basket. Maybe a bottle of wine, or a cheese board. Maybe he lays you back and kisses you on the blanket. Maybe his hand starts to wander up your thigh, skirt ruffling as he goes…

“Not much out here, is there?”

His voice startles you, bursting the seams of your daydream. He isn’t much of a talker, not unless you start it. You sit up straight and give your head a shake, as if dislodging the fantasy from your mind.

You twist around to look at his face; squinting under the bright white sky. Tired, same as you, lined, flecked with years and sun and survival.

“Hm?” he asks when you still don’t reply.

“Not a lot,” you finally say, clearing your throat and turning back to the road.

Finding the horses isn’t the only thing that’d happened two weeks ago.

Joel hadn’t wanted to camp in the farmhouse, hadn’t wanted to have to shift the bodies. Too much effort, or too much for you to see, maybe. You’d protested, heart set on a night’s sleep in an actual bed, but he hadn’t budged.

And you knew not to push him.

The sun was setting, though, so Joel led you down a dirt track toward a barn and burst the padlock. He tied the horses up just inside the door, used bundled up hay as a makeshift mattress upon which he laid out a blanket for you.

He barricaded the door as you lay back, did a walkaround of the place just in case any infected – or worse – were waiting to surprise y’all, and then sat down next to you.

Your head by his thigh, you put a hand on his knee.

“You can lie down, too, y’know.”

He grunted in response, breathing deep and steady.

“Joel.”

You took his shoulder and tried to pull him down to you, but the man is stronger than anyone you’ve ever met, even in his late forties, and you were convinced he’d only pretended to be yanked toward you so as not to hurt your feelings too much.

He remained upright. “Just want to keep watch for a while.”

Joel’s like this when you’re on the road. He’s cautious. On high alert. Always watching ahead, always listening out for whatever he thinks he might hear in the distance. Sometimes you can say something to him and have to give his leg a kick for him to answer you.

You’d sighed and pushed yourself up to lean your bicep against his. He furrowed his brows and scanned you from your jeans to your jaw.

“If you’re up, I’m up,” you told him.

“You need sleep,” he replied flatly.

You shrugged. “So do you.”

“What good is both of us tired?”

You sighed again and shook your head. You weren’t gonna argue with him.

Good thing he didn’t feel much like arguing, either. Ten minutes later he was on top of you, jeans loose on his thighs, head buried in your shoulder, fucking you senseless. Grunting and groaning into your skin.

You’d scored marks into his shoulder blades with your nails that you’re sure, if you peeled back his shirt right now, would still be there.

It’d tired you both out enough that Joel settled with your head on his chest, his hand in your hair, eyes trained on the barn doors. You don’t know if he slept a wink. You never know if he sleeps these days.

Joel hears the hoarseness of your voice and knows that you’re tired, ‘cause he clicks to his horse and she trots up alongside you and Jet. He pulls the map from his backpack. You tilt your head to take a look.

“Keep ridin’ for another hour,” he mumbles. “’m sure we’ll find somewhere soon. Looks like we’re still a little way out of St. Louis.”

You nod, rolling your head back. The cloudy sky burns your corneas as you watch a bird fly overhead. Joel slips the map back into his bag and you feel his hand on your thigh.

“You okay?”

“Mhm. Tired,” you whisper.

“Only a little while longer.” He gives your leg a small squeeze and his hand returns to the reins. He doesn’t fall back, instead, stays ambling along by your side. It feels like company. Feels nice. Feels…normal.

Two weeks is a long fucking time. Especially when your adrenaline peaks on the regular, sometimes multiple times in one day, and you’re alone with Joel all day and all night. Trusting each other, relying on each other. Saving each other time and time again. It was only natural that you began to rely on each other for…more than just survival.

You can’t remember when you found him. It was in the QZ, back when you believed in stability and structure. When you believed in people. Now, the only thing you believed in was Joel. Broken, hurt, shut-off Joel, who’d grumbled an apology when his shoulder brushed yours in the hallway and changed everything.

You like to think you were something new to him, something different. A challenge, maybe. Something worth holding onto, anyway, for reasons he was yet to let you in on.

He had an apartment of his own, with a bed of his own, which was something you weren’t used to. You shared a cramped apartment with Luce, a single mom with a two-year-old. Joel’s was where you went when the tantrums, the screaming in the middle of the night, the ration cards being destroyed either by ripping, by eating, or else by other means, became too suffocating.

Joel didn’t believe in anything or anyone, either. That’s what kept you coming back.

He’d just open his door and step aside to let you in. Barely a word. He’d ask if you’d eaten, and share his plate with you either way. Wordlessly picking away at the same food, making sure you got the last spoonful of soup, the last strip of jerky.

Most nights he’d fuck you until your mind went blank, nothing but the smell of him, feel of him, sound of him. No talking, no kissing, no touching. Just the sound of the bed springs, Joel’s soft groans as he bottomed out inside you. The feel of his hot skin, hips rubbing against the inside of your thighs. The bare, cracked brick walls of his apartment would fade away with each thrust, and then slowly seep back in when your orgasm began to wash away.

You knew it was time-wasting, for both of you. Scratching an itch. But some nights, it felt like more. The nights when he’d be so caught up in what he was doing, so caught up in you, that he’d forget to pull out. The nights his hips would snap messily and suddenly he was spilling inside of you, a deep groan humming against your skin between his teeth.

He wouldn’t care to ask, and you wouldn’t offer the information for free, but you remember every fucking time he did it. Where it’d happened, the position he had you in, how long it took for him to finally peel his body off of yours.

And afterwards, he’d let you sleep with your head on his chest. Let you play with his fingers. Let you talk to him; let you ask questions.

Didn’t mean he answered all of them. Didn’t even mean he answered much. Some, he’d give away more openly than others, but you soon got used to clocking when he was keeping a secret. Make a mental note of it, remember to chip away at it.

He trusted you, though; you knew that. Knew it by the way his fingers knotted safely in your hair, the way he’d lie naked with you until the sun came up. The way his breathing would slow, the way he’d mumble in his sleep.

You never talked to him about the incoherent words he’d breathe – but you could piece them together well enough to understand him better than his waken self would ever reveal.

When you brought up leaving, one rainy night weeks ago, he thought about it maybe twice over. Asked how he was supposed to keep you safe.

You do that already, you told him.

‘s different outside. You don’t understand.

It can’t be any worse than in here.

You’d taken a step forward, and he’d flinched, but allowed you to take his strong jaw in your hands. You tried to form a sentence, and when your throat closed up, eyes flitting between his, he took your wrists and lowered them. The shadow of a rain-spattered window doused in a sickly amber glow across his face.

You’d wanted to kiss him. And had he left your hands where they were just a few seconds longer, you think you might’ve. Joel saw it in your eyes, and stopped it.

Whatever. It had still convinced him. He packed his bag and you snuck down the fire escape the following night. Joel’s fingers were hooked around your belt loop the entire time, keeping your hip in stride with his all the way until you were at least a hundred feet away from the QZ wall.

His other concern was his age. Why someone like you would want to run away with someone like him. Forty-something, graying, past his peak. He has, like, twenty years on you. Once he made some reference about Bruce Springsteen and, when your face blanked, he sighed and took the bridge of his nose between his fingers.

I know who Bruce Springsteen is, asshole, you’d said, just didn’t get that reference.

He’d shaken his head and given you a sly, twisted smirk, then pushed you out the door of the apartment block you guys were searching.

Still, despite the years between you, you have one major thing in common.

You’re both good at getting each other…there.

Joel knows exactly what to do to make you tick. You know exactly how to push him until he does it. It’s in the way you look at him, the way you touch him. Things you say that make his stony eyes flit once down your body, and then you know you’re in.

It’s a little harder to do while on horseback, you gotta admit. The best you can do is look at him, say a sentence or two laced with want and need. Hope that he reads through the lines.

It’s worked a few times, when Joel’s suddenly found a shed or basement you can camp out in and then made it difficult for you to walk for the next couple days.

Right now, you feel too tired to even bat your eyelashes at him, never mind coming up with lines to turn him on. You’ve been on the highway for a few hours by this point, little sign of shelter anywhere nearby. Joel holds his hand out and you bring your horses to a stop in view of a hospital a couple miles ahead.

“That’s gotta be teemin’ with them,” you say, looking over to study his expression.

“Hm,” Joel agrees, and glances to the right.

“What you thinkin’? Sun’s getting lower.”

He takes a deep breath, pulls on the reins. “Know somewhere nearby.”

He heads off the highway with a click of his teeth, and you follow. You shut your eyes, chin burying beneath the collar of your shirt. You’d kinda hoped that he’d offer to clear even a small part of the hospital for you to rest up, maybe more, but you trust him enough to lead you somewhere safer, somewhere quieter.

That trust begins to wear thin, though, when the sun disappears behind the trees, drowning you guys in a low dusk, and the temperature begins to fall. Joel’s using what’s left of the gray light to guide him, slowing down to take a hold of Jet’s reins and line her up with his own horse.

“I thought you said an hour,” you mumble, grip becoming slack on the leather.

“Changed my mind,” he replies. “Almost there.”

Your eyes start to roll with exhaustion, hips aching from the position you’ve been sat in for hours now. It’s not until you notice the silhouette of a tall sign in the clearing, black against the fading purple sky, that you blink yourself awake.

Joel pulls you and Jet off the road to a deserted parking lot, shadowed by a motel. He slows the horses down, listening for any signs of life, leading them to the side of the building.

“Easy,” he whispers, pulling on the reins. Both animals come to a halt.

He slides off the saddle, hitting the ground with a thud. He takes your hands, pulling you down to him, and you glance around.

“Stay here,” he tells you, and you don’t have the energy to argue back.

He makes off, pulling his gun from his holster. You stand with a hand on each horse’s muzzle, gently petting. Joel’s gone for a decent amount of time, his silhouette slowly sneaking in and out of every room, spending a couple minutes in each before he clears it.

He returns with a box of pills, some gauze, and a bottle of water, which he hands to you. You take a long swig and pass it back, and he does the same.

“What will we do with Jet ‘n…?”

“Huh?” he asks, replacing the cap on the half-empty bottle.

“What’s your horse called?”

“She ain’t got a name.”

You tsk. “Bad owner.”

“We ain’t their owners.”

“Mine’s is Jet. Pick a name.”

Joel sighs and shakes his head, but you know he’s gonna spend all night thinking up some name to go with yours. “We’ll tie ‘em up out here.”

“What if something happens to them?”

“Well,” he says, leading them toward the shelter, “if somethin’ happens to them, it only means it’s about thirty seconds away from happenin’ to us.”

He jerks his head toward the first room as he ties them up, and you know the conversation is over.

You wander into the small, dingy room, pulling your jacket from your shoulders. It smells of damp, the wallpaper’s peeling off the wall above the bed. The sheets are in disarray, a little dusty, but they look clean enough. The bathroom walls are covered in grime. Drawers empty, closet doors missing, entire place ransacked.

It’s as good as you get, these days. At least it has a solid roof.

Joel settles the horses and closes the door gently behind himself. You’re already tugging your boots off, sat at the foot of the bed.

He rests his gun on the nightstand and straightens up, stretching his back with a quiet groan.

“’s cozy,” you offer, and he nods.

“Better ‘n risking that hospital.”

The bedsprings creak when you shimmy up the mattress, resting your back against the hardwood headboard. It ain’t the most comfortable, but then it’s not meant to be, is it? It’s only meant to be safe, which Joel’s made sure of.

He stands at the bottom of the bed, watching you as you bounce up and down a couple times, laughing quietly at the sound of the springs beneath you. His expression clouds over under low brows.

“Y’okay?” you ask, tilting your head.

He nods again. Eyes flitting up and down, from your face to your neck, back up, and then lower still. Your chest. Your stomach. Your legs. You feel your heartbeat quicken when he takes a step forward.

“Just had to find somewhere better.”

“Better?” You smile. “Have you seen the world, Miller?”

He leans his knee against the foot of the bed. His brown eyes darken even more, and his jaw tenses.

“Had to find somewhere better,” he mutters, “so I could fuck you in peace.”

Your breath catches. You stare from his lips back up to his eyes. His fists are balled tight. His chest heaves with steady panting. There’s something flickering in the depths of those warm eyes; an ember, drawing you in. Tantalizing you.

You sit forward, pushing onto all fours, and crawl down the groaning bed to him, rising onto your knees when your hands meet his shirt. Your chest against his stomach, you look up into his eyes.

His rough hands knot in your hair and he pulls down, yanking your head back and your chin up to him. He studies your face, outlined in the moonlight seeping through the window. Then he lowers his jaw and lines his lips against yours.

“That what you want?” he hums against your mouth. You swallow his words – they claw at your throat as they go.

“Uhuh,” you breathe back, trying to connect your lips. He doesn’t allow you; steadily dodges your jaw like you’re a pair of negative magnets, repelling off one another. You moan.

“Needy girl,” Joel whispers. “Two weeks too long for you?”

“Mhm.”

You’re not tired anymore. You’re fucking desperate. You feel your cunt dripping, seeping through your underwear, worsened when Joel’s hand reaches down between your legs and cups you through your jeans.

You gasp and grab his arms to steady yourself.

“Tell me what you want,” he says, hand tensing around your core.

Your lip trembles as you watch the way his mouth moves, how he shapes the words. His teeth locked between soft lips, dappled with brown hair, ends singed gray. The way he almost spits the words.

Your chest meets his torso when you breathe in, a deep, shaky breath. Joel notices; the corners of his mouth twitch, holding back a smile.

“Want you to…want you…”

He doesn’t wait for you to finish your sentence. He pushes you back and falls on top of you, strong body pinning you against the mattress, hand still clamped to your crotch.

His head dips to your neck where he bites, scratches and sucks, mumbling against your hot skin, “Tell me, baby. Use your words.”

Your head begins to swim, body starts pulsing with electricity. Baby. Joel’s pet names are limited to one thing. One activity.

“Want you to f– fuck, Joel – fuck me.” Fuck me fuck me fuck me.

His hand begins wrestling with the button of your jeans. Thick fingers fumbling with your zipper, taking your waistband with both hands and hauling it down. The force of it pulls you down the mattress too, squealing as Joel rips the denim from your legs. You lower your hands to help him, but once they’re tossed to the floor, he bats you away.

He’s shaking his head, tsking, then takes both your wrists in one of his huge hands. Fingers twisted around your delicate skin, pinning them above your head. The bed sighs around you when he pushes your hands into the mattress. Your back arches, your chest rising to meet his.

Your legs part, knees settling either side of his waist. Of course they do. It’s what you know now. It’s basic fucking instinct at this point.

His free hand returns to cup your sex, feeling how wet you are through your now soaked underwear.

“Baby,” he coos, “this all for me?”

You nod a little too eagerly, not that you’re present enough to care. But it beckons a smug smile from Joel, who begins sliding your panties down your thighs.

Your hips lift to let him drag the fabric down, biting your lip, not willing to wait another fucking second for him. Lace meets denim on the torn-up floor, and you sigh, settling back against the rusty bedsprings and mottled sheets.

Joel’s free hand ghosts from your wrist down to your elbow, teetering along the sleeve of your t-shirt over to the collar, where he pulls it so far down into the valley between your breasts that a small noise passes your lips.

“Hm?” he asks, fingers pausing against your breastbone.

“’s my only shirt. Don’t…”

He kisses his teeth. His gaze never lifts from your heaving chest, skin damp with sweat right underneath his fingers. You can see him tossing it over in his head. What he wants to do, versus what he probably shouldn’t.

He blinks. Decision made.

“Give you one of mine,” he growls, and hooks his fingers, dragging the fabric of your shirt lower and lower until the collar tears open and it’s another scrap lost to the motel room floor.

And then there you are, naked and writhing underneath him. He’s still in his dusty flannel. There’s sweat lining his forehead. He holds himself over you, hovering, taking every inch of you in and storing it behind his eyes.

You jerk your hands, trying to break free just to touch him, feel him, but he pulls away again, tutting.

“No, pretty girl,” Joel coos, “gonna take my time with ya.”

You moan in protest, still wriggling under his body. His grip on your wrists doesn’t loosen, not even when his free hand dips to undo his belt. The cold metal kisses your naked thighs when he pulls it through his jeans; the leather drags up your torso and across your face as he lifts it.

He takes your hands individually, careful and yet rough, urgent, and slots them between the slats of the headboard. Your head turns up to watch what he’s doing. The silver of his belt buckle knocks against the wood as he slips it under your wrists, feeding it between your skin and the mattress, wrapping it around the slat between your hands.

Then he slips the belt through the buckle, and pulls. Tight. Your hands come together, wrists kissing, the leather burning your skin the tighter he pulls. You whine, head rolling back to meet his gaze, fixed on yours.

“Since you don’t wanna listen.”

The drip in his voice, sweet like honey, smooth as whiskey, forces your legs open wider. Joel smirks, pushing himself down the mattress and out of your view.

Staring up at the gray ceiling, you’re left just to feel him. Feel him as his palms splay out on your knees, pushing them into the bed. Feel his stubble graze the inside of your thigh as he drags his tongue up, leaving a trail of wet behind.

Feel when he breathes a whisper across your aching cunt, something you can’t hear over the ruffling of sheets around your head as you toss around. And feel when his fingers part your lips, opening you up wide for him to really fucking see.

“Fuck, baby,” he says, and you find the strength to lift your head to watch. He’s leant over you, one arm hooked around your left thigh, holding it open, the other fucking…playing with you. Like you’re some fancy gadget. Like you’re brand new to him.

“So,” he runs two fingers from your clit through your folds, “fuckin’,” lines them up at your entrance, “pretty – for me.”

He pushes up into you, and your head hits the pillow with a stifled groan. You’re panting through your teeth, back arching the deeper he goes, stretching you out and rocking waves of sparkling heat through you. Waves that hit the other end of your stomach and come rippling back, throbbing around his thick fingers.

His arm bears down on your thigh, forcing your legs wide open for him. His hand cups your clit and you buck your hips, rutting against the base of his palm. Joel laughs softly.

“Patience, darlin’. Don’t want it to be over ‘fore it’s even started.”

Your head rocks back and forth, eyes tight shut. It’s all you can fucking do, tied tight to the bed. Joel pumps his fingers in and out of you, adding a third when you’re wet enough, thumb never leaving your clit.

You can feel your orgasm brewing in your stomach. Feel the tension between your hips. You’re chasing it, eyes shut, focusing only on Joel’s hand fucking in and out, in and out. You’re coming close, body pushing into the mattress, legs widening even more to let him slip a fourth finger inside you.

“Feel good?” he asks, almost with a laugh. There’s a smirk painted across his lips, you know it, even though you can’t find the energy to open your eyes.

You whimper in response, some small, muffled sound roughly shaped like yeah.

“Yeah,” Joel agrees, and his wrist flicks harder.

You moan every time his fingertips kiss the edge of your cunt, pushing against the soft walls. You moan when he drags them out, leaving you empty. Again, when he pushes them back in, rough and fast. And then when he lowers his lips to your ear and tells you how good you’re being, how pretty you look, how hard he’s gonna…

It’s like he changes his mind in an instant.

Withdraws his hand, slick-covered and still hooked. Pulls it away as quickly as he pulls your orgasm from your body. It drains from you; reduces back to an ache you can’t reach.

Joel slips his fingers between his lips as he readjusts himself, repositioning on the squealing mattress. Sucks them clean as casually as he would at a cookout or something, then takes your hips in both hands and straightens you up.

His jeans are tugged down barely past his ass. He’s not prepared to waste any time ripping his own clothes off like he did yours. Just leans forward, pulls his solid cock from his boxershorts, and spits into his hand.

You watch through eyes glazed with lust as he strokes himself a couple times, eyes always on your swollen cunt, groaning as his spit coats his shaft. Then he lowers himself to you and does the same, only running his length through your folds.

You whine, feeling that familiar thickness separate you so close to where you need him, and yet so fucking far.

“Joel…” you whisper, but he’s not listening.

Transfixed on the sight of his cock moving against your soaked cunt. Listening to the sweet, wet sounds the pair of you make. His tip catches on your entrance a couple times and you gasp. Just fucking do it already.

“Fuck,” Joel growls under his breath, and then…

It’s been months. Might even be years. But the feeling of him pushing inside you for the first time is still the same. Every. Fucking. Time. He’s bigger, thicker than anyone you’ve ever slept with before. And he knows it, because every single time, he glides into you without hesitation. No time for you to adjust. Just fills you up straight away, lets you deal with it later.

He’s cocky like that. Too careful when you’re on the road, and too careless when you’re between the sheets. Not that you’re fuckin’ complaining.

Your mouth falls open in a choked moan. Your lungs are gasping for air. Joel’s all you can feel.

Your elbows lift into the air, arms desperate to break free just to grab onto him, ground yourself, feel him close against you. Your wrists lock against the hardwood, leather digging into your skin as punishment for trying to break free. You’re stuck; nothing but the overwhelming feeling of him between your legs, filling you up and leaving you empty over and over again.

“Good girl,” he’s panting, still watching where his cock lines up with your cunt, and then disappears inside.

He leans down and his lips find home on your shoulder, sucking sweet marks into the skin like he always does. His tip bumps against your cervix, jolts of sensitivity pushing through you each time he bottoms out causing you to whine into his flannel.

“Fuck, Joel.”

“I know, I know. I got you. I’ll get you there again, baby.”

You had a routine. Follow his movements, follow his orders, stay alive. Deviate slightly from that routine, even for a minute, and you threw the whole agreement into jeopardy. One misstep on a crowded street dotted with cars once had a sniper open firing at you both for nearly two hours until Joel found him and put a bullet between his eyes. That time your curiosity got the better of you and Joel almost lost a hand stopping you from walking down an alleyway and straight into a wire trap.

Repeat it, Joel had said that night. Crouched by his apartment window, rain battering off the glass. Hands on the frame, ready to hoist it up and let you slip out any second. Repeat. It.

Do as you say, you whispered back. And only then did he pull the sash.

This is not the fucking routine. This is not the agreement. You fucked, of course you did. But that’s all it ever was. Hungry, touch-starved, desperate sex. Bored sex. We-almost-died-today sex. Not this.

Not: clear an entire motel just so nothing within a two-mile radius gets to hear you fuck me senseless. Strip me down, tie me up, push me to the edge with your hands, but don’t let me go without you. Curl your lips around my ear while you’re buried inside me and whisper praises. Whisper baby. Whisper…anything you like. Anything you wouldn’t say when the sun’s up.

This feels like it means something. To both of you. Feels like Joel’s looking for something in you, asking something of you. And you want to give it to him, whatever it is.

And maybe that’s the point.

He’s proving that he could make you do fucking anything. Let him tie you to a bedframe, push you close enough to the edge that you can feel the pressure of release beckoning you forward like the wind circling your ankles.

And you’re proving that you’ll do it. You’ll do what he says. Follow him to the edge, refuse to jump. Pull his body into yours, make it feel like home for a night.

He’s proving that he’ll take care of you, and you’re proving that you’ll let him.

Your wrists are burning. Leather digging marks, searing skin, then rubbing over it again and again to cut it deeper. It’s starting to hurt, if you’re honest with yourself. Your face probably gives it away.

Probably, possibly. Definitely.

Joel notices you quieten and lifts his head from the crook of your neck. Studies your face for a fraction of a second and knows.

“Hey,” he says, reaching up. He loosens the belt with one hand whilst still deep inside you, hips thrusting slowly just as a place marker.

When your hands slip free, Joel’s clasp gently around your wrist, fingers delicate over the sensitive, reddened skin. His eyes almost glisten at the sight.

“Baby…” he whispers.

“’s okay,” you reassure him, loosening his grasp on you and settling your shaky hands on his jaw. “I’m okay. Liked it.”

Joel lowers his forehead against yours and picks his pace up again, and you moan into the space between your lips. Your legs lift higher, knees bumping against his shoulders. His hips snap into yours, his jeans rutting against the inside of your thighs, the bed creaking with each messy thrust.

“Close, baby,” his voice vibrates against your lips.

“Yeah,” you whine, chest pushing against his. “Fuck. Right there. Fuck.”

Your arm drapes over his shoulder blades, nails dig into the rough cotton of his shirt. Your left hand is still at his jaw, fingers caressing his cheek. Joined together at your hips and your brows, gaze never really meeting for longer than a second, but still. You’re right there. Joel – he’s right there.

It’s new, it’s intimate. It’s almost…sweet.

“Gonna cum with me?” he asks, sincerely. He’s not trying to coax it out of you. He’s checking that you want to fall over the edge. Not for him, not because of him, but with him.

You nod and he returns it, sweat sticking his dark hair to his forehead.

With his eyes on you, flitting between your parted lips and your batting eyelashes, too scared to settle on either place for too long, he lifts your hips and fucks into you fast. Deep. Fucking – hard. Skin slapping against yours, breath hot and tangling with yours between your lips.

The pressure between your hips begins to build again, rapidly, Joel adding to it with every movement. Every push of his thick cock against your walls only draws them in tighter, closing around him, holding him closer to you with each moan escaping both your lips.

“Darlin’…” he murmurs in a broken voice, and you know. He’s starting to falter. Thrusts weakening.

“’m there too,” you reply, gasping for breath.

“Let me – feel you,” he says, “pretty girl.”

Maybe it’s the fact you don’t normally talk. Maybe the fact he never touches you the way he has tonight. Maybe it’s him wanting you to cum first, before he will.

Or maybe it’s pretty girl, that finally sends you over.

You look so good to him. You’re being so good for him. ‘n he can’t help it, has to let you know. Has to let every thought that passes through his head slip out past his tongue.

Pulling his chest flat against yours, you throw your head back to the pillow with a moan so filthy, so guttural that you’d be surprised if you don’t have company in five minutes.

Joel’s at your heels, face buried between your breasts, groaning into your chest as his cock twitches deep inside you and you feel him fill you up.

Your orgasm’s still knocking you senseless, every nerve in your body electrified. You’re holding Joel tight to your body, his ear flat to your chest, and you know he can hear your heartbeat. Know he’s listening to it throwing punches from behind your ribcage.

He’s still groaning through his breaths, heavy and thick with his release. Cock still deep inside you, still, softening. You lay like that for…well, you’ve no idea how long. But after a bit, Joel pulls himself up off of you and wanders into the bathroom.

You sit up on your elbows, taking deep, steady breaths, and let the stars in your vision dissipate. Joel emerges a couple minutes later and finally tugs his jeans down. He lifts both his shirt and the tee underneath off in one motion, tossing them onto the sideboard, then slips back under the covers, wordlessly hooking a hand around your upper arm and pulling you down onto his chest.

Your legs intertwine with his. There’s cum seeping out of you onto his thigh. Both of you, mixed up as one. His fingers sift through your hair, doing little to untangle it but trying all the same. His breathing in time with yours, his lips pressed safely to the crown of your head.

Before you know it, you’re sleeping.

Dawn breaks early. Too early. You’re still tangled up in Joel, feeling his chest rise and fall. Listening to his heartbeat – slow, calm. The drapes – not that there’s much left of them – are too thin to stop any light from flooding in. It’s only a matter of time before he wakes up.

The rough sheets sting against your wrists – red marks scoring them where Joel’s belt had been. You wince, running light fingers over the grazes, hissing at your fingertips as they go.

It hurts way less than it thrills you. This little reminder of what you did last night. What Joel did. The pain subsides the longer you touch the scars, knitted brows melting into a smile.

You slowly lift your head, propping yourself up on your elbow. Just watching him. The dust in the room frames him in a sea of white glitter, the slow-emerging sun lights across his face and dips where the scar on his nose sits.

His arms are still around your waist, cradling you. Holding you to him. You know he’s stirring when they tighten, and then fall loose. Façade back up. Walls slowly rebuilding.

You dress yourselves in silence. Run out of words to say. There ain’t nothing to say – nothing that wasn’t said last night. Joel sinks into the mattress beside you to tie his laces, and your arms brush against one another a couple times. It’s like fire on ice.

He’s first to leave the room. Just pulls his jeans over his boots and stands, unlocks the door and lets the light flood in. You check once over for anything left behind, and slip out. The air is cool, twilight still slowly washing away. You sling your jacket over Jet’s back and pull yourself up.

Joel’s t-shirt is loose over your shoulders. He gave you a fresh one from his bag. It smells like him, but you don’t let him see when you bury your nose into it to breathe him in. The hem bunches up over the top of your thighs once you’re sat on the horse.

His eyes scan down you once, surveying you in hisshirt. Then he swerves off back toward the road, silhouette cutting between the rays of sun streaming between the pine trees.

“Ghost,” he tosses over his shoulder.

“Huh?” You click to Jet to follow.

“Horse’s name. Ghost.”

“How come?” you ask when you’re side by side with him.

He shrugs, upper lip turning. “When it’s dark, you can’t hardly see her. She’s like a ghost.”

Joel’s hand surfs gently across Ghost’s mane, fingers scratching her shining coat. Your bodies rock in time with the sway of the horses’ walking. The echo of their hooves on the asphalt masks the silence for a few moments.

“Alright,” you eventually accept, turning away to watch the sun lift above the prickly treetops.

And to hide the smile tugging on your lips.

----------

taglist: @earthtogrogu @sexygaypalpatine @serenaxpedro @brittmb115 @jediknightjana @mrsquill @uncassettodiricordi

(lmk if i’ve missed you out & check my taglist info for how to be added!)

[hometoursandotherstuff]

Do you remember this post of McDonald’s takeover of a former Art Deco hotel in Australia? Disappointingly, the interior was reno’d to look like a typical McDonalds. Well, here are some other buildings that McD’s should have left alone.

McDonald’s Paris. The building dates back to 1892 and is a listed historic monument.

They took over this old steamboat on the Mississippi river in St. Louis, Missouri. It closed after flooding.

They opened the McBarge, that they built for the World Expo in Vancouver, Canada.

It was abandoned after the Expo. 

This one, in an old theater on 42nd St. in New York City also closed down.  McDonald’s did not respond to questions about the fate of the 7,000 light bulbs that comprise the restaurant’s sign.  

This one in Independence, Ohio looks like a McMansion, but it must’ve been a mall or some sort of industrial building.

This one’s more elegant inside.

The one in the spectacular Galleria Emanuelle Vittori, Milan, Italy’s oldest shopping mall, built in 1861, was there  20 yrs., when the mall finally refused to renew its lease- they were the only tenants that were denied. McDonald’s has sued the city of Milan (their landlord) for €24 million in damages and were replaced by the mall’s 2nd Prada store.

When they bought the Denton House, in New Hyde Park, New York, the 1795 Georgian mansion, a former farmhouse and funeral home, was on the verge of collapse. They had planned to knock it down, but the locals complained, so it’s been made an historic site and they can’t demolish it.

Yangshuo, province of Guangxi, China, famous for its amazing karst landscape and a haven for rock-climbers and backpackers from all over the world.

An 1850s Greek Revival colonial and former sea captain’s house in Freeport, Maine. They were going to knock to this one down, but residents complained.

Kristiansand, Norway. It dates back to 1897 and looks like it probably used to be a bank.

In Landau, Germany, McDonald’s set up shop in one of the finest examples of handsome Bavarian historic architecture. The 15th century historic building still has its original stepped gables and colorful facades.

A New York townhouse on Canal Street, New York. Is this McDonald’s trying to be hipster? What makes them choose these buildings? Who knows. 

https://www.messynessychic.com/  and others

[myhauntedsalem]

Jesse James Haunted Farm

It is said that the James farm in Kearney, Missouri where the notorious outlaw Jesse James grew up is haunted. Jesse James’ parents moved from Kentucky to Kearney in 1842.

His father was a Baptist minister who wanted his boys to be well educated. However, in a trip to the California gold fields he died leaving his sons without a father, Jesse was just 3 years old.

His mother, Zerelda lived on this farm for the rest of her life, through three marriages and eight children.

During the Civil War in 1863 the James’ farm was brutally attacked by Union soldiers. Shortly afterward Jesse age 16 and his older brother Frank became Confederate guerilla soldiers, riding with William Quantrill and Bloody Bill Anderson.

Quantrill’s Raiders as they later became known operated out of Missouri. They ambushed Union patrols and supply convoys. They seized the mail and occasionally struck towns on the Kansas-Missouri border. Their main focus though was against the local pro-Union civilians, which they tried to drive out of the territory.

After the Civil War the James brothers, Jesse and Frank now officially outlaws started to attack trains, banks and stagecoaches that were controlled by the Northern side which bought brutal control to the Missouri legislation.

From 1860 to 1882, the James gang was the most feared band of outlaws in America. Responsible for 20 bank and train robberies they murdered countless individuals that stood in their way. They stole an estimated $200,000. Despite their ruthlessness they became folk heroes to some. They literally became legends in their own time.

The local citizens of Kearney kept quiet when they were home on the farm during this period of time. Clay county where the farm is located was in a part of Missouri called Little Dixie, the entire state was 75% southern sympathizers. Both Jesse and Frank were devoted husbands and fathers who spent a lot of time with their families. They were not modern Robin Hoods though, for they kept the money they stole.

In 1869 the gang robbed a bank in Gallatin, Missouri. Jesse shot the banker through the heart feeling he was responsible for the callous murder of Bloody Bill Anderson. The James gang lost some public favor after this. Local newspapers started to call for the capture of this blood thirty gang.

Frustrated at how the locals protected them, Governor Crittenden had the railroad place an enormous price on the James brother’s heads. Pinkerton detectives hired by several bankers raided the James farm in 1875 thinking the older brothers were there. They threw a bomb in the window killing Jesse and Frank’s younger half-brother, Archie as their mother watched. She lost part of her right arm and hand during this struggle.

In one bank robbery several members of the gang were killed. After this the Youngers, a part of their gang were sent to prison for 25 years.

In 1882 the brothers planned one last robbery with Charley and Bob Ford. They did not know these brothers intended to betray them for the large price on their heads.

On the morning they were to commit this robbery Jesse ate breakfast with the Ford’s, placed his gun on one of the farmhouse beds and stopped to straighten a picture that hung on the wall. Bob Ford shot Jesse in the back of the head. He died instantly and was buried in the side yard of the James’ farmhouse. His remains were later moved to the family plot at Mount Olivet Cemetery in Kearney.

The locals did not appreciate what the Ford brothers had done. Bob Ford who was pardoned by Governor Crittenden was driven out of Missouri known as the coward who had shot Jesse. He traveled around in a Wild West show ironically about the James gang. He was shot and killed in Creede, Colorado in 1892. His older brother Charley stayed in Missouri but was shunned. He committed suicide ten years after his brother was murdered.

Frank James gave himself up after Jesse was killed. He was tried several times but there never was enough evidence to convict him. He lived peacefully for the rest of his life at the farm. In later years he charged tourists money to give them a tour of the place.

The James farm and house have been considered haunted for over 100 years. Located off James Road in Kearney, Missouri the farm is a museum today. Employees at this farm still report odd occurrences. After the museum closes for the night many have spotted lights going on and off in the farmhouse. Others report that doors have slammed shut in front of them without cause.

Several witnesses have reported hearing horse hooves stomping outside on foggy nights. When investigated nothing has been found. Others have reported hearing whispered conversations inside the house when no one is there. Some have even heard the bomb going off or cries and gunshots as if a Civil War battle is happening outside. Many staff at the museum today will not go into the house alone. They state that they feel an unnatural intense presence in the home that scares them.

[beardedmrbean]

A man suspected of killing his girlfriend and her unborn child and then hiding their bodies in a Wisconsin farmhouse was arrested in a Missouri traffic stop after three years on the lam, according to the Gladstone Police Department. 

Jose Eduardo Dominguez Garcia, 26, was pulled over shortly after midnight on Nov. 23 when an automated license plate reader indicated that the red Ford Fusion he was driving northeast of Kansas City, Missouri, was stolen, the department wrote in a press release. 

The driver reportedly had a number of fake ID cards on his person and gave officers several different names around 12:34 a.m. on NE Englewood Drive in Gladstone, police said.

Ultimately, police identified him as Jose Eduardo Dominguez-Garcia, 26, who was wanted on first-degree murder, murder of an unborn child and hiding a corpse charges in Missouri's Chippewa County, per the release.

Dominguez-Garcia was issued those charges on Dec. 12, 2021, after a dark-haired, pregnant corpse recovered a year earlier in an abandoned farmhouse in Wheaton was positively identified as Rosaly "Cindy" Chavarria Rodriguez, 24.

An informant reportedly told officers about the body's location during a drug investigation, per the Leader Telegram.

The corpse, found hidden in a purple suitcase on the abandoned property on Oct. 14, 2020, was found wearing a shirt that read "Sprecher's Restaurant and Pub," per NBC 15. 

Staff at the restaurant told police that Chavarria Rodriguez had worked there as a pantry cook for two weeks and was last seen there on July 2 before she stopped showing up for work and, ultimately, the corpse was found, per the Leader Telegram.

Dominguez-Garcia also worked at the restaurant, according to KMBC. He reportedly picked her last paycheck up for her on July 23, according to the Leader Telegram.

In an interview with the Reedsburg Police Department on July 23 that year, Dominguez-Garcia told detectives that he had broken up with Chavarria Rodriguez on July 4 after he learned she had been cheating on him, per the Leader Telegram. He said he knew the woman was pregnant, and that she had told him the unborn child's father was a different man. 

Investigators found Dominguez-Garcia's abandoned 2003 Volkswagen Jetta in the Wisconsin Dells area on Aug. 26, 2020, per the Leader Telegram. In the trunk, they noted fluids that indicated a decaying body may have been stored there at one point, per the outlet. 

Surveillance footage captured the same car along 2655 Highway T, in the area where the woman's body was uncovered, on July 23. 

Chavarria Rodriguez's ex-husband had reported the Peruvian national missing on July 21. 

Dominguez-Garcia is currently behind bars at Clay County Detention Center in Liberty, Missouri, jail staff confirmed to Fox News Digital. It is unclear when he will be extradited to Wisconsin to face the charges against him. 

Former Chippewa County Sheriff Jim Kowalczyk said Chavarra Rodriguez's was the only unresolved murder investigation he left before his retirement, and that he was glad to see an arrest made. 

"This has been a very long and intense investigation," Kowalczyk told the Leader Telegram on Friday. "A lot of time and effort was put into this investigation by many agencies, and as a result, he will be brought to justice." 

The former sheriff said he was surprised Dominguez-Garcia was arrested in the United States, as "all indications… led us to believe he went back to his country of origin."

Fox News Digital could not reach the Chippewa County Sheriff's Office, the Chippewa County Prosecutor's Office or the Gladstone Police Department at press time.

[icleanedthisplate]

I finished the year with 421 meals from 234 restaurants in 2023 – up from 394 last year. These were my favorites – photos not in order. You can find my notes from each meal in the archives. And you can follow my food-ranking blog all year long at icleanedthisplate.tumblr.com. Also, the Arkansas Times published my top meals in Arkansas list, which you can read here.

Fried Spanish Mackerel, Roasted Carrots, Carrot Sticky Toffee Pudding. Peche. New Orleans, Louisiana. 1.19.2023.

Premium Tasting Menu (Garlic Souffle[?], Beet Salad, Tagliolini, Venison Loin, Fried Apple Pie). The Crossing. Clayton, Missouri. 11.15.2023.

Baleados Con Todo w/Carnitas. El Sur Street Food Co. Little Rock, Arkansas. 2.19.2023.

Cantonese-Style Char Siu Ramen. Gold Bowl. Little Rock, Arkansas. 11.13.2023.

Sauerkraut Balls, Sauerbraten, Cherry Strudel. Edelweiss. Colorado Springs, Colorado. 5.18.2023.

Roasted Beets Salad. Root Down (Airport). Denver, Colorado. 4.14.2023.

Farmer’s Hash, Sweet Potato Pancake. Farmer’s Table Café. Fayetteville, Arkansas. 9.22.2023.

Summer Tomato Pie, Sweet Corn Ribs & Shishito Peppers, Gulf Tilefish a la Plancha & Blue Crab, Banana Pudding (Shared all). Helen. Birmingham, Alabama. 7.28.2023.

Grilled Octopus, Marinated Beet Salad, Manchester Farms Quail, Carolina Peach Cheesecake. Soby’s. Greenville, South Carolina. 7.27.2023.

Vichyssoise Soup, Choppy Chop Salad w/Salmon. Gary Rack’s Farmhouse Kitchen. Delray Beach, Florida. 5.12.2023.

See previous top 10 meals here: 2022, 2021, 2020, 2019, 2018, 2017.

[katytrailcreations]

Farm on the Right/ThursdayDoors

TheBadge Joining Thursday Doors this week. I always feel bad when I miss one. Just being my own best critic is the name of that tune. But I’m here this time and hope you’ll enjoy the simplicity of rural America–specifically in central Missouri. Trees are bare but still not the best view This is a cozy little farmhouse with plenty of outbuildings and barns. I counted 6 buildings in this shot,…

[arsonistsam]

Good Samaritan/ Pre Season 11 Eileen fic for 20k notes on @eileenguy’s 30k Eileen! Read on ao3 or under the cut. :)

2006

There’s a woman pulled over on the side of the deserted road. Long, dark hair disappears behind her shoulders as she hunches over the hood of her car.

Eileen pulls up behind her and the woman turns around, bright eyes and brighter smile turning Eileen’s way.

It’s sunset, the slowly darkening sky parts into pink and purple and orange as the fields of wheat behind the two women sway in the breeze.

“Are you lost?” Eileen doesn’t sign as she speaks, the woman jumps at her words, seemingly shocked out of whatever stupor she’s in.

She waves, “Car broke down.”

Eileen thrusts one hand in her pocket and walks towards the woman, “I know a thing or two about cars.” Her other hand waves in the air like so-so.

The dark haired woman nods, “I could use some help, if you’re offering.”

Eileen laughs and the lines around the lady’s eyes crease, deepening her smile.

“I’m offering.”

Her back tire’s flat. Eileen tells her so and the woman looks like she’s found revelation. She didn’t even bother to check around her car?

“I don’t know what to do, I’m afraid AAA doesn’t come out here.”

Eileen flashes her a grin and puffs her chest out, proud to help. “Lucky for you, I’ve got a spare in my trunk.”

It fits like a dream, Eileen’s tightening the lug nuts on the new tire when she feels a tap on her shoulder, she turns around, shielding her eyes from the setting sun. There’s a water bottle in her face, uncapped. She looks up into dark eyes. The woman shrugs, “You weren’t answering when I called your name.”

Eileen points to her ears, “I can’t hear.”

The woman blushes, “Oh.”

“What’s your name?” Eileen grabs the bottle, thankful to have a break. The heat wave is no joke. She gulps it down, just barely missing spilling water all over her t-shirt.

“Sarah,” Sarah watches Eileen wrestle the cap back on the water bottle with a strange interest, “What’s yours.”

Eileen finally gets the cap on, “Eileen.”

The woman, Sarah, sticks out her hand. “Nice to meet you, Eileen.”

Eileen shakes it, she has smooth hands. No rough calluses and dry skin. Her hand is cool despite the late summer heat that rages on, even in the evening. “You too.”

Sarah finally brings her hand back down to rest by her side, Eileen takes another sip from her water.

“What brings you here?”

Eileen looks around. The road is empty, they’re seemingly the only two people here.

“Business.”

“Oh,” Sarah’s interest in piqued, “What type?”

<em>Demonic omens. Whole herds of cattle slaughtered and mutilated a nearby farm. Bad harvests and missing townspeople in this little sleepy neighborhood.</em>

“Real estate.”

Sarah nods her head. “Lots of empty houses down this way.”

The only house in view is a huge three-story farmhouse with a weathered light blue exterior. A single crow opens and closes its beak on the roof.

Sarah sighs, “That damned crow won’t stop crying. It’s bringing all sorts of bad luck.”

Eileen’s water is almost drained but she’s still thirsty, “You’re superstitious?”

“Not very, just something someone told me once.”

Eileen nods her head, she’s collected enough of her own superstitions over the years, from Lillian, from all the random psychics and mediums she visited over the years. Her heart still hurts at the thought of Lillian although it’s been half a decade since her death. Half a decade of hunting on her own. One woman she visited, a Missouri Moseley, warned her there were big things coming. Bad things.

The house’s shadow creeps further as the sun lowers in the sky. Eileen’s head and throat throb like a bitch, she drains the plastic water bottle.

Eileen brings her eyes back to Sarah’s, “Do you live nearby?”

Sarah shakes her head, “I’m also just stopping by for business.”

“Anything interesting?” Her vision is staring to blur at the edges, she shakes her head to sharpen it but she’s knocked off balance and onto the car.

“You probably don’t think so. It doesn’t matter, you’ll see anyway.”

Eileen sags against the car, eyes completely closing before she feels an arm slip under the legs and a hand on her back.

She’s foisted into the air and breath brushes over forehead.

Water drips onto the top of her head.

Drip.

Drip.

Drip.

Right against where her scalp is tender.

The coldness of the pipe she’s tied to she shocks her eyes open. She’s in a dark room with no windows, sitting on a concrete floor with her arms behind her and her back to freezing metal.

Her eyes adjust the small sling of light pouring in through a crack in the door up a small set of stairs. A shadow moves behind it.

Eileen snaps her eyes shut.

She tests the rope she’s in, it’s a fairly good knot but the water dripping from around the pipe smoothes some of the friction when she tries to wiggle out of the hold.

The door opens before she gets a chance, light pouring in through her eye lids. She opens them reluctantly to find Sarah pulling a string and turning on the lightbulb hanging from the ceiling.

“Good, you’re awake.”

“Why did you bring me here?” Eileen’s head lolls on the pipe as she tried to stay focused on Sarah’s- or the whatever’s wearing Sarah’s- lips.

The monster steps closer, bending down to brush its palm against Eileen’s cheek. The skin is rougher now and wet with the smell of blood. “Poor thing, it will all be over soon, I promise.”

Eileen wrenches her head out of its grip, “What are you?”

Its eyes flash black, “I’m a demon.”

Eileen’s never encountered a demon before. She was just going to scout the town out, she what she could find before shooting an email to Rufus, a hunting buddy who says he knows people that know people that kill demons. She hadn’t planned to get involved.

Shit.

The demon grins, “Don’t be sad. I just need you for tiny little spell. Your suffering will end soon.”

Eileen’s not suffering, she’s pissed. This demon thinks it’s doing her a favor. Just like banshees she spends her life hunting. She spits a huge wad of saliva onto the demon’s nose. Probably a bad idea, though, because she’s met with a hard slap to her face that knocks her sight out of wack for a moment. She watches blurry shoes walk towards the back of basement, and it is a basement not some fancy dungeon, and return with a tissue in hand.

Blood trickles down Eileen’s cheekbone where a ring split her skin. She snorts snot back up through her nose.

Her vision clears, “What did you do to me?”

The demon stoops back down to where Eileen is bound. “Put a little something in your drink. I didn’t even have to convince you to help me out, did I? You hunters are so easy, I smelled it on you the second you crossed town lines.”

Eileen’s eyes water, she smiles with teeth, “I’m a regular good samaritan.”

“Shame it didn’t do any good this time.” The demon laughs, “At least not to you. There’s a whole world of benefit for my kind.”

Eileen looks over to the makeshift set-up behind the demon. Dull-red cooking bowl on a barstool and table full of various jars next to it. She looks back up into the demon’s black eyes, lips twisted into a- well- a devilish smirk.

“What’cha cooking up back there?”

“That old thing?” A manicured hand points to the bowl, “Just your classic spell. Opens up a crack in ground for a shot of us to come pouring through. The only ingredient left is the blood of someone pure.”

Eileen’s stupefied, “Well, you’re wrong, lady. I’m not pure. You’ve got the wrong blood-bag.”

“What is it you said? You’re a regular good samaritan, how many people do you think passed me before you stopped to help Sarah out?”

Eileen shakes her head.

The demon continues on, “Ten. And all people who have known little miss Sarah for decades. They wouldn’t stop by to even see what was wrong!”

Eileen wants to close her eyes and shut the whole world away but the demon grasps her chin and makes her look, “You’re all I got, buttercup.”

“You’re sick!”

“I’m a demon, it’s in the contract.” Eileen is let go. She says back onto the pipe, breathing heavily.

The demon turns around to her table, picking out different jars and placing their contents into the mixing-bowl.

Eileen sets on working her hands out of the rope. The cold makes her hands stiff but the rope is becoming brittle. She pulls until threads start to snap.

Eileen freezes when the demon comes back. The sharp edge of a kitchen knife travels down the slope her cheek, the one without the cut. A warm wet tongue licks the small trail of blood on the other side. Gross.

The demon brings its face back into view so Eileen can read its lips, “Are you ready to change the world?”

Eileen nods like she’s resigned, subtly working her hands behind the pipe.

“Good girl.” The demon uncorks a vial with the knife set down at its thigh. Eileen eyes the blade but stays still.

The cup is set down and the knife picked up. It makes its way to Eileen’s outer thigh, right under the hem on her cut-offs. Quickly, a line is sliced through her skin and blood starts to dribble out onto the floor. The demon brings the lip of the bill to rest against Eileen’s skin, collecting the last ingredient for its spell.

The cold makes the process slow going but when the small vial is filled up a third of the way the demon caps it and brings it towards the table, reading from a book to the side.

Eileen’s out of it with pain and blood loss and whatever’s running through her system but she manages to completely free her hands. She gets to her hands and knees finding the knife carelessly left to her side.

The demon doesn’t even look her way.

Eileen roses to her feet, knife in hand. She charges towards the demon knocking them both to ground and spilling the bowl’s contents on the floor.

Her head threatens to drop as she holds her position over the demon.

“Sarah’s still in here, y’know? You send me back to Hell and I’ll kill her.” The tip of the knife brushes the demon’s stomach through the dress. It smiles.

Despite never expecting to encounter a demon, Lillian hammered the latin into Eileen’s head. Making her recite it daily as a teen.

“Exorcizamus te, omnis immundus spiritus, omnis satanica potestas, omnis incursio infernalis adversarii, omnis legio, omnis congregatio et secta diabolica…”

The demon screams, it’s mouth opening in wide terror. “Stop!”

“…Domine. Ut Ecclesiam tuam secura tibi facias libertate servire, te rogamus, audi nos!”

Eileen finishes the exorcism right as the demon thrusts itself into the tip of the knife, impaling the vessel. Sarah. Blood spreads out behind the body onto the concrete floor as black smoke settles down into the ground.

The demon is gone, all that’s left is Sarah, shuddering on the ground with blood still spreading behind her. Eileen hands are wet around the knife embedded in Sarah’s stomach.

Sarah flops, it would be funny if not for the way she looks down at Eileen’s hands on her torso. She looks back up, brown eyes staring into brown eyes.

“Thank you.” Her eyes fill with tears before he head rolls to the side, leaving her at an awkward angle. Eileen tries to gather Sarah up to her chest but her breath has gone completely still and she’s heavy.

Eileen stays hovered over her body and sobs, she sobs until no more tears fall from her face and she’s dry heaving onto the ground. She tears off a piece of Sarah’s dress and uses it as a makeshift tourniquet to stop her leg from bleeding. She pulls the knife wedged in Sarah’s corpse out with a force she’s surprised she still has.

Eileen carries Sarah’s body up the stairs through the back door of the big blue house she saw what must have been hours ago. The sun has set and is now beginning to rise.

There is no time for a proper burial before someone discovers their cars on the side of the road. Eileen digs a shallow grave and salts Sarah’s body before she lights it on fire. She hopes Sarah won’t return as a ghost, tied to some object. Eileen hopes she won’t have to hunt her.

The walk back to the side of the road is short but Eileen is so woozy with pain and grief it takes thirty minutes before the door is shut behind her.

She left the basement a mess, spread of blood and spell ingredients still spilled all over the floor. There must be traces of her dna is everything. She’s not too worried, she’s not in the system- always just barely been able to get away.

Eileen pounds her head against the wheel of her car. There’s a few missed texts on her phone, one from Rufus. Just checking in. She should get out and move Sarah’s car but she’s so tired. She fires up the engine and gets the hell out of Dodge.

If anyone ever finds out what really happened here, she’s in for some deep shit.

[samandcolbyownme]

I wasn’t going to drop the cover for my next one shot until it was all said and done, but I figured that since it is an Adventures with Sam and Colby one shot, it’s going to be a long one and will probably take me a day or two, so here’s something to think about while you wait patiently for it 🫶🏻🖤

This one isn’t going to have any smut in it maybe not sure yet, so I plan on it being more kinda scary, spooky, silly you know the vibes.

[sunsetbeachfans]

Hit the RoadSoap Opera UpdateFebruary 18, 1997

Yeah, you read that right. In a move unusual for soaps, which usually operate on tight budgets, the LA-based Sunset Beach recently clicked its ruby slippers and headed off to the land of farmhouses and tornadoes to film a few -- albeit key -- scenes. Why the trip to Kansas? Simply put, there's no place like it.

"We were looking around for a California location to match Kansas and we just couldn't find anything that didn't have mountains or palm trees in it," says co-executive producer Gary Tomlin. He's speaking about the scene in the show's first episode, in which the corn-fed Meg ditches the wedding and heads out West. "What we wanted was a vast place with a little church in the middle of nowhere."

Wait a minute. Weren't there other churches in closer states that could have fit the bill? "We could have shot somewhere else," Tomlin agrees. "But the script said Meg was from Kansas. So I said, 'Let's go there'."

The 24-hour whirlwind shoot in the small town of Paxico included only actors Susan Ward (Meg) and Dax Griffin (Tim), plus a hairstylist, a make up artist and a costumer.

"I directed the scenes myself because I'm cheap," adds the producer, who used a local camera crew instead of flying out people from LA. He also went on a fast hunt to track down the location's only prop: the red Mustang convertible in which Meg was to drive off, her Nolan Miller wedding gown blowing in the wind.

The only problem was, Tomlin couldn't find that specific car any rental agency in the state. The only one available was six hours away in St. Louis, Missouri. Undaunted, someone rented it there and drove it to the set.

Then there was the weather to contend with. It was the middle of winter and as Susan Wars was driving off with the top down, it started to rain.

"I've never been so cold!" says the actress. Even so, she was happy with the outcome. "I'm glad we did it," she says, "because you had the feeling of actually being in Kansas."

And if future story calls them to go back to that location? Tomlin won't hesitate to pack up and go.

[chrissygoheenremaxbestchoice]

The Ultimate Weekend Itinerary If You Love Spending Time Outdoors In Missouri 🌲🪨🐾

Mina Sauk Falls

Johnson’s Shut-Ins State Park

Elephant Rocks State Park

The Old No. 102 Tap House (sit on the brick sidewalk outdoors for a unique dining experience).

Silo Farmhouse (for a relaxing nights sleep).

#hiking #exploring #biking #swimming #fishing #horsebackriding #birdwatching #scenicviews #nature #rocks #breathtaking #pictureperfect #magical #naturephotography #mouthwatering #signaturepizza #beer #oneofakind #silo #farmhouse #adventures

https://www.onlyinyourstate.com/missouri/great-outdoors-month-2023-mo/

[hometoursandotherstuff]

We love colorful decor, but I didn’t expect the interior of this 1960 farmhouse style home in Fenton, Missouri. It has 3bd, 2ba and is listed for $524,900.

It has a lively red door which is typical of farmhouse style.

I like how that added that funky touch to the shape of the door. 

But, the first we see when we enter is a vintage stair railing painted light blue, some mosaic flooring, and a pool table in front of the fireplace.

What a fun living room- look at design in the wall-to-wall carpet. I wish they would’ve shown the flat screen TV made to look like a giant vintage console TV on the right wall. 

I also see blue walls and ceiling with a turquoise accent wall. 

And check out the blue tiled fireplace. It looks very nicely don- look at the design in the middle of the mantle.

The made a picture wall out of the stair wall.

Off the living room is a sunroom that’s being used as a home office. Notice the floor.

They did a lot of mosaic work in this house- look at the floor in the dining room. Why would they do all this and then sell it?

Lovin the kitchen. Cool orange cabinets and matching mosaic floors.

This is the added sunroom that we saw from the outside. What a great conservatory this would make. 

The laundry room doubles as a closet and storage. 

Check out the mosaics in this bath. Wow, that was a lot of work, and it’s beautifully done, too. Doesn’t look like an amateur job.

Look, they put that design around the window up here, too. Very cool. 

This bd. is large- look at all the office equipment they have in here. Looks like they gave all the windows on this floor the geometric look.

The 2nd bd is also a large size. 

I would say that this is the main bd. 

And, this is the newly renovated 2nd bath on the 2nd fl. 

Beautiful grounds on .74 acre.

Plus, there’s a huge driveway and garage.

https://www.redfin.com/MO/Fenton/801-Bowles-Ave-63026/home/93629057

[myhauntedsalem]

Jesse James Haunted Farm

It is said that the James farm in Kearney, Missouri where the notorious outlaw Jesse James grew up is haunted. Jesse James’ parents moved from Kentucky to Kearney in 1842.

His father was a Baptist minister who wanted his boys to be well educated. However, in a trip to the California gold fields he died leaving his sons without a father, Jesse was just 3 years old.

His mother, Zerelda lived on this farm for the rest of her life, through three marriages and eight children.

During the Civil War in 1863 the James’ farm was brutally attacked by Union soldiers. Shortly afterward Jesse age 16 and his older brother Frank became Confederate guerilla soldiers, riding with William Quantrill and Bloody Bill Anderson.

Quantrill’s Raiders as they later became known operated out of Missouri. They ambushed Union patrols and supply convoys. They seized the mail and occasionally struck towns on the Kansas-Missouri border. Their main focus though was against the local pro-Union civilians, which they tried to drive out of the territory.

After the Civil War the James brothers, Jesse and Frank now officially outlaws started to attack trains, banks and stagecoaches that were controlled by the Northern side which bought brutal control to the Missouri legislation.

From 1860 to 1882, the James gang was the most feared band of outlaws in America. Responsible for 20 bank and train robberies they murdered countless individuals that stood in their way. They stole an estimated $200,000. Despite their ruthlessness they became folk heroes to some. They literally became legends in their own time.

The local citizens of Kearney kept quiet when they were home on the farm during this period of time. Clay county where the farm is located was in a part of Missouri called Little Dixie, the entire state was 75% southern sympathizers. Both Jesse and Frank were devoted husbands and fathers who spent a lot of time with their families. They were not modern Robin Hoods though, for they kept the money they stole.

In 1869 the gang robbed a bank in Gallatin, Missouri. Jesse shot the banker through the heart feeling he was responsible for the callous murder of Bloody Bill Anderson. The James gang lost some public favor after this. Local newspapers started to call for the capture of this blood thirty gang.

Frustrated at how the locals protected them, Governor Crittenden had the railroad place an enormous price on the James brother’s heads. Pinkerton detectives hired by several bankers raided the James farm in 1875 thinking the older brothers were there. They threw a bomb in the window killing Jesse and Frank’s younger half-brother, Archie as their mother watched. She lost part of her right arm and hand during this struggle.

In one bank robbery several members of the gang were killed. After this the Youngers, a part of their gang were sent to prison for 25 years.

In 1882 the brothers planned one last robbery with Charley and Bob Ford. They did not know these brothers intended to betray them for the large price on their heads.

On the morning they were to commit this robbery Jesse ate breakfast with the Ford’s, placed his gun on one of the farmhouse beds and stopped to straighten a picture that hung on the wall. Bob Ford shot Jesse in the back of the head. He died instantly and was buried in the side yard of the James’ farmhouse. His remains were later moved to the family plot at Mount Olivet Cemetery in Kearney.

The locals did not appreciate what the Ford brothers had done. Bob Ford who was pardoned by Governor Crittenden was driven out of Missouri known as the coward who had shot Jesse. He traveled around in a Wild West show ironically about the James gang. He was shot and killed in Creede, Colorado in 1892. His older brother Charley stayed in Missouri but was shunned. He committed suicide ten years after his brother was murdered.

Frank James gave himself up after Jesse was killed. He was tried several times but there never was enough evidence to convict him. He lived peacefully for the rest of his life at the farm. In later years he charged tourists money to give them a tour of the place.

The James farm and house have been considered haunted for over 100 years. Located off James Road in Kearney, Missouri the farm is a museum today. Employees at this farm still report odd occurrences. After the museum closes for the night many have spotted lights going on and off in the farmhouse. Others report that doors have slammed shut in front of them without cause.

Several witnesses have reported hearing horse hooves stomping outside on foggy nights. When investigated nothing has been found. Others have reported hearing whispered conversations inside the house when no one is there. Some have even heard the bomb going off or cries and gunshots as if a Civil War battle is happening outside. Many staff at the museum today will not go into the house alone. They state that they feel an unnatural intense presence in the home that scares them.

[sweetlifeandfarmhousewicks]

Sweet Life & Farmhouse Wicks

Website: https://www.sweetlifeandfarmhousewicks.com

Address: 10514 E Dalton Rd, Rich Hill, Missouri 64779, USA

Sweet Life & Farmhouse Wicks, nestled in Rich Hill, MO, offers a serene shopping experience with a focus on enhancing your living spaces. Specializing in hand-poured 100% soy candles, a variety of loose-leaf teas, and unique farmhouse-style home decor, our store is dedicated to helping you create a personal paradise at home. Our products, crafted with care and quality, aim to bring joy and comfort to your daily life. Visit us to discover items that reflect your style and make your home a haven.

Facebook: https://www.facebook.com/p/Sweet-Life-Home-Decor-100071703348846

Instagram: https://www.instagram.com/sweet_life_home_decor/

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[icleanedthisplate]

Dine-Out Meals of May 2023, Ranked (Part 1)

I ranked the following based on taste alone. I made no consideration for ambiance or the general dining experience or whatever. I included meals I got to go. I included food trucks, catered meals, and fast food.

I haven't confirmed, but I believe this is the most restaurant meals I've ever eaten in a single month, mostly due to time spent on the road. So many meals that I've apparently hit the character limit for Tumblr. I'll have to break it up into two posts. This is the top 20 meals; the next post will be the rest. The top four meals will be in consideration for best of the year

Should you be interested in the pictures or reading the few words I had to say about each meal, click on the home page and scroll down or see the archives.

Sauerkraut Balls, Sauerbraten, Cherry Strudel. Edelweiss. Colorado Springs, Colorado. 5.18.2023.

Filet Mignon w/Brussels Sprouts and Horseradish Mashed Potatoes, Donut Bread Pudding w/Espresso Ice Cream. Packard’s. Oklahoma City, Oklahoma. 5.25.2023.

AB Tuna Pizza (shared), Hot Mess Roll, Brother From Another Mother Roll, Pop Rockin’ (sampled), Apple Harumaki. Akira Back. Delray Beach, Florida. 5.11.2023.

Vichyssoise Soup, Choppy Chop Salad w/Salmon. Gary Rack’s Farmhouse Kitchen. Delray Beach, Florida. 5.12.2023.

Chopped Salmon Salad. Samantha’s Tap Room. Little Rock, Arkansas. 5.22.2023.

Chopped Salmon Salad. Samantha’s Tap Room. Little Rock, Arkansas. 5.1.2023.

Watermelon Gazpacho, Citrus & Gorgonzola Salad. Range. Denver, Colorado. 5.17.2023.

Rotary Club Lunch (Chicken, Salmon, Asparagus, Fruit Salad, Dark Chocolate Peanut Butter Cup?). 42 Bar & Table (Catering). Little Rock, Arkansas. 5.29.2023.

Salmon Skin Roll, Dragon Roll, Drunken Noodles. Sen Thai Asian Bistro. St. Louis, Missouri. 5.6.2023.

Rotary Club Lunch (Chicken, Squash Casserole, Pineapple Bread Pudding?). 42 Bar & Table (Catering). Little Rock, Arkansas. 5.2.2023.

General Cho’s Chinese Chicken Soup Dumplings, Spicy Tuna Roll, Stir-fried Malaysian Noodles w/Tofu. ChoLon Modern Asian (Central Park). Denver, Colorado. 5.17.2023.

Chicken, Vegetables, Rice, Cake. Balli’s Terrace Catering. Harlingen, Texas. 5.16.2023.

Baleada Con Todo w/Cauliflower Chorizo. El Sur Street Food Co. Little Rock, Arkansas. 5.13.2023.

Three Fold Salad w/Chicken. Three Fold Noodles + Dumpling Co. Little Rock, Arkansas. 5.15.2023.

Beef Liver & Onions w/Corn, Pinto Beans, Tomato-Cucumber Salad, Mashed Potatoes, Pineapple Cake. South Park Diner. Clarksville, Arkansas. 5.26.2023.

Onion Pakora, Bendi Masala, Chilli Garlic Naan, Chef’s Signature Lamb Curry (Shared All). Desi Flavors. Tampa, Florida. 5.9.2023.

Blue Crab Wonton Nachos, The Spread (Kim Chi Quesadillas, Chicharrónes w/Hummus, French Fries w/Lump Crab, and Smoked Salmon Crostini), Tuna Poke Niçoise. (Shared all.) Ciao Baci. Little Rock, Arkansas. 5.15.2023.

Stuffed Flounder w/Broccoli, Salad. Mike’s Grill. Bartow, Florida. 5.10.2023.

Southern Fried Chicken Salad, Cherry Fried Pie w/Vanilla Ice Cream. Boomarang Diner. Checotah, Oklahoma. 5.24.2023.

Poblano. Rosa Mexican Kitchen. Thornton, Colorado. 5.18.2023.