#most famous old hindi songs

[monicascot]

Tum Pukaar Lo | Khamoshi | Covered By Karthik Mohan

Tum Pukaar Lo is a wonderful song from the movie Khamoshi. The song has a melancholic vibe but its all about hope. A hope that wounds will heal and those strained relationships, those strained friendships will come back to how they used to be. The protagonist is saying that I hope against all odds that you will come back and we will be the way we used to be... Tumhaara Intezaar Hai.

[elxgantcaptain]

FULL NAME. Captain James Bartholomew Hook NICKNAME. James, Captain, Hook, Jim ALIASES.  Captain Hook, Captain, Cap'n, Hook, Mutiny Red, Scarlet Jim, Codfish, old man, Ol' Feather Hat, worlds most famous crook, Captain Crook, Captain Codfish, Jim, Jimmy PRONOUNS. he / him / his SIZE. 6,7 feet AGE. 49 ZODIAC. virgo SPOKEN LANGUAGES. English, Latin, Spanish, Arabic, Fairy (not spoken but understands), French, Hindi

𝐏𝐇𝐘𝐒𝐈𝐂𝐀𝐋 𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑𝐈𝐒𝐓𝐈𝐂𝐒 ―

HAIR. black, curly/wavy FACIAL HAIR. Moustache, sometimes stubble SKIN TONE. Olive, sometimes darker/tanned BODY TYPE. Muscular (or dad bod? xD) BOOTY TYPE: Flat? Round? xD idk man VOICE. 'Proper' and well spoken, though susceptible to the pirate slang and dialect. Sing song sort of voice. DOMINANT HAND. right hand, though also left when he had a hand. Though he can still use it well with prosthetics. POSTURE. Straight, though he can appear smaller by haunching over. BIRTHMARKS. On his left ankle he has a birth mark shaped like a rapier sword MOST NOTABLE FEATURES. Pointy moustache, olive green eyes, long black curly hair, scars across his body and missing hand

𝐂𝐇𝐈𝐋𝐃𝐇𝐎𝐎𝐃 ― PLACE OF BIRTH. England, London, most likely in an ally, brothel or shack HOMETOWN. London, around Mayfair SIBLINGS. NONE (that we know of) PARENTS. Father - James Thomas Benedictus Jackson. Mother - Sophronia

𝐀𝐃𝐔𝐋𝐓 𝐋𝐈𝐅𝐄 ―

OCCUPATION. Captain and pirate CURRENT RESIDENCE. Jolly Roger/Neverland OR Agrabah (verse dependant) CLOSE FRIENDS. Smee? FINANCIAL STATUS. Rich but hordes treasures DRIVER’S LICENSE. No, man can't even ride a horse without falling off. CRIMINAL RECORD. Yes. He's been wanted, searched for, tried and freed many times VICES. Finding contractual loopholes, or creating them. He gets rather dastardly and unhonorable when he's desperate in a battle. He can be whiny and clingy and has a short temper amongst other things.  

𝐒𝐄𝐗 𝐀𝐍𝐃 𝐑𝐎𝐌𝐀𝐍𝐂𝐄 ―

SEXUAL ORIENTATION. Bisexual, leans stronger towards men PREFERRED EMOTIONAL ROLE. Wifey PREFERRED SEXUAL ROLE. Bottom. Major bottom. But he can be quite the strong dom when he wants to be. TURN OFFS. Whips, piss, puke and poop :), calling him 'daddy' or codfish. TURN ONS. Power, dirty talk, dominance, commands/orders LOVE LANGUAGE. Quality time, hand holding, snuggles, gift giving, surprise sex. RELATIONSHIP TENDENCIES. He can be very clingy and needy, he CAN do one night stands but not without wanting to cuddle and stay the night first. He craves love and being wanted in such a relationship. When someone wants him back, he attempts to do everything they want in order to keep them there.

𝐌𝐈𝐒𝐂𝐄𝐋𝐋𝐀𝐍𝐄𝐎𝐔𝐒 ―

CHARACTER’S THEME TUNE. Captain hook's theme / The Elegant Captain Hook / I'll give you one Guess HOBBIES TO PASS THE TIME. Writing and sketching in his journals, reading (mostly romance novels and poetry), fishing, free diving, playing his piano. LEFT OR RIGHT BRAINED. Right brained SELF-CONFIDENCE LEVEL. 9/10, only cause he can sometimes be self conscious about his scars and stump

tagging: @veldinstar / @shiningsilverarmor and anyone else

[bollywoodirect]

Today, we remember Pandit Narendra Sharma on his birth anniversary. He was a famous poet, wrote songs for Hindi movies, and started the radio channel Vividh Bharati (02/28).

Pandit Sharma was known for his beautiful poetry, songwriting, and deep knowledge of Hindi and Urdu languages. He brought a special style to Indian movies by mixing old Indian poetry styles with the beauty of Urdu poetry. He played a big role in making the radio channel Vividh Bharati very popular when it was struggling, bringing its listeners to nearly 35 crore people.

He wrote unforgettable songs for movies like “Jyoti Kalash Chhalke” from “Bhabhi Ki Chudiyan” in 1961, and both “Yashomati maiya se bole nandlala” and the main song “Satyam Shivam Sundaram” from the movie “Satyam Shivam Sundaram” in 1979.

Pandit Sharma was born on February 28, 1913, in Jahangirpur, Uttar Pradesh. He studied English literature at Allahabad University and was part of India’s fight for independence. He was friends with famous poet Harivanshrai Bachchan and wrote poetry in Hindi that many people loved.

In 1942, he was invited to Bombay (now Mumbai) to write songs for movies. His first movie as a songwriter was “Hamaari Baat” in 1943, starring Raj Kapoor. He also suggested the stage name ‘Dilip Kumar’ for the actor Yusuf Khan, a name that became very famous in Indian cinema. His songs, especially when sung by Lata Mangeshkar, became very popular.

Apart from movies, Pandit Sharma’s work in radio was groundbreaking. In 1952, India’s Prime Minister Jawaharlal Nehru asked him to help start Vividh Bharati on All India Radio, which became a huge success and had a massive audience by 1970. Some famous radio shows, like Binaca Geetmala, became very popular because of him. He worked with Vividh Bharati until he retired.

Pandit Sharma also wrote many religious songs and poems outside of movies. One of his most famous songs is the title track of the movie “Satyam Shivam Sundaram,” which talks about beauty and truth. This song got him a nomination for a Filmfare award.

He passed away on February 11, 1989, but his work continues to inspire many with its deep messages about life and beauty.

[indiejones]

THE FILM 'TIS BELIEVED….NO, 'TIS KNOWN…GOD HERSELF MOTHERED & NURTURED FOR MORE THAN A YEAR….IN INDIAN THEATERS ! …… - THE STORY OF THE ONLY INDIAN FILM THAT'S ON SEVERAL POLICE RECORDS, FOR HAVING CREATED A SERIOUS LAW & ORDER PROBLEM ACROSS THE LENGTH & BREADTH OF INDIA ! …….. - HOW A FILM LITERALLY MADE ON STARVATION BUDGET, BECAME THE 10TH MOST MONETARILY SUCCESSFUL FILM IN INDIAN HISTORY! ………. - THE ONE MOVIE THAT REACHED THE HEIGHTS OF 'MOVIE DHAM' ! …….. - THE FILM THAT ANNOUNCED ADVENT OF A NEW GOD ON PLANET EARTH ! - “JAISA GANESH, VAISI USKI BETI!” … - THE STORY OF THE UNPRECEDENTED, UNPARALLELED, & HISTORIC BOX-OFFICE SUCCESS OF 'JAI SANTOSHI MAA' !

Film actor Ashish Kumar & his actress wife Bela Bose were happily married for a while yet childless. Among the many 'totkas' women adopt, she also came up with one such desire to follow a once-a-week 16 week 'fasting' pattern for the Goddess Santoshi, that was recommended to her. And within a few weeks of this fast, she conceived & bore a child! Some time elapsed, & Ashish on one of his many story sittings, in a general chat happened to mention this miraculous feat to his producer friend, Satram Rohara. Satram heard it, & jumped up, for he too had exactly the same story to tell with his own wife! So moved were they, that decided to make a film tributing Goddess Santoshi. Despite knowing how mythos despite being a safe commission earning bet thru 30s-60s, were surefire b.o flops. in mid 70s. Anita Guha who'd made a name for herself as mytho queen way back in 60s, but long retired, was chosen for the Goddess's role & a famous Gujarati & Bhojpuri heroine Kanan Kaushal as the leading lady, Music Dir & Playbacks too being the supposed B-rung of then. All this supposed 'sidie' line-up you see, for they knew how this film was doomed to lose money, yet that they just had to make to thank the Lord! … But something interesting started happening as the film was being made. The songs that were coming to the sets from the studios, were far superior than what anyone'd bargained for! Much that huge crowds began gathering around the area it was being filmed just to hear them! This level of live support heightened excitement among the crew, much that began working super efficiently to complete it well. Now to the next sequence of events..This buzz affected Anita ji on her first day too, who in her earnestness it turns out forgets to have breakfast, & while trying to learn her next set of heavy-duty lines, misses lunch too. When producer organizes a buffet dinner for all at night, Anita ji who was available for just a few days, & had to shoot post dinner too, realizes this might entail removing all her make-up & re-applying it, & to avoid all that fuss, decides to skip dinner as well. On her way home, a thot strikes her! - This was the first time in all her working yrs this'd happened..& what if it was a sign from God! At that very moment she decides to observe a fast for all her days of shoot on this film! & Thus the film very amiable & efficiently gets to verge of completion. But another, it seems important part of The Good Lord's plan was yet to take it's position.

Edward Theaters at Marine Lines was historically known for only showing re-runs of decades old Hindi films. But when it's owner heard that a film by name 'Jai Santoshi Maa' was being readied for theatrical release, & with just 14 prints, he strangely volunteered to be the first to release it in his theater, the only time over it's 110 yr existence, something like this 'tis known to've done!..need it be said, to thank the sweet Goddess himself. Now Edwards was unique for showing some of the lowest-priced films anywhere, thus causing many villagers on daily wage trips to Mumbai frequenting it at evenings. The film's released, but as expected you know, earns Rs. 56 across it's 14 prints in 1st show, Rs. 64 in 2nd, Rs. 92 in 3rd, & Rs. 100 in last. This roughly carries on Friday, Saturday & Sunday. Makers know its a flop, yet happy at having done their duty.

NOW COMES MONDAY…AND THE MIRACLE IS AFOOT! You see many of the villagers who'd seen the film at Edwards, each go to their resp villages, & make mention of this lovely film on Goddess Santoshi they've just seen..TO THEIR LADIES! AND MADNESS BEGINS! It seems Goddess Santoshi, not a very popular Goddess in India then, had bestowed her blessings on many families sporadically across India, incl very many villages. And many ladies of almost every village were her quiet yet ardent devotees. And they began coaxing their hubbies & families to collectively make a trip to Mumbai, & watch their Goddess on screen! People tell of how that Monday saw endless streams of bullock carts from every conceivable (pun intended I guess) village of Maharashtra entering Mumbai to watch this one film alone! Media ofcourse gets to hear of it, & flashes it on front pages the next day! BY TUESDAY, WHOLE OF INDIA KNOWS 'JAI SANTOSHI MAA' IS RUNNING IN MUMBAI, & STARTS PLANNING A TRIP! Similar stories emerge of 100's of villages emptying out to reach nearest cinema halls, even 100s of kms away! Police across all states are out on high alert..A UNCONSCIOUS MASS MIGRATION IS BEING SEEN ACROSS INDIA ALL AT ONCE! Producers are sent urgent calls, not just from distributors & exhibitors, but law enforcement, to send more prints! How many?? As many as you can..300-400! "WE DON'T WANT RIOTS!" "But this will cost atleast 30 lakhs" .. "Beg, borrow, steal..but do this for your nation". 600 PRINTS ARE RELEASED! THE RETURNS? …. 208 TIMES OVER PRODUCTION & PUBLICITY COST (PER RECORDS..THE ONLY TIME EVER IN HISTORY! WE TODAY INFLATION-ADJUSTED ESTIMATE 'JAI SANTOSHI MAA' AS HAVING EARNED RS. 3,120 CRORES AT THE INDIAN BOX OFFICE!

TILL TODAY REGARDED AS THE 10TH & 22ND MOST MONETARILY SUCCESSFUL (IE BIGGEST BLOCKBUSTER) FILM OF INDIAN & WORLD CINEMA RESPECTIVELY!

What you just heard was public record. What you're about to hear next, is nothing short of real-life mythology in itself.

Women not just from villages but also small & bigger towns, started making visits to this film a near daily event. The cottage tourism industry starts picking up all of sudden, for the now routine mass bookings made by kitty parties across India, to their nearest 'Santoshi Maa Theaters'.

What starts drawing interest next, is not the repeat & mass value of this film, but the manner of visitation. Women & even men, in their millions, started bringing flowers, fruits & even sweets along, males generally entrusted with the 'prasad' distribution duties to every visitor as exited the film, while women left to their 'prayers' inside the hall, once each & every song began, taking turns in groups to come to the space at the front, in their hundreds, with none of the admin staff daring to stop any! Reason being, what'd happen next! - You see each of the ladies after their flower & fruit sacrifices, would also generously remove their coin-wallets from inside of their blouses, all coins to be thrown as forcefully as could so to veritably touch the silver screens!- the farther the more blissed & more blessed..& all this money btw meant for that cinema staff alone ! (Many of who's families that owe their decent prosperity till today to this one film) Paid shoe stalls now started privately springing up outside many theaters..for how wear footwear be spending half your time praying & singing Lord's praise at! Hey, temples too built in places where open lands across halls! Now in all this euphoria, we've almost forgotten Santoshi Maa, I mean Anita ji herself! .. People leaving cinema halls, be all so taken, began craving a personal 'darshan' of that image for real. And Anita Guha's Bandra house soon became public knowledge, people first watching the film, next making their way to below her house! Anita ji herself recounts umpteen stories of women throwing their new borns into her arms, as left home each day! Anita Guha,mind u,was ranked among Top 10 Heroines of 1950s & Top 5-6 of 1960s. Yet remembered by most post 70s only as 'Santoshi Maa'! THAT'S LIFE! ..WONDERFUL!

'JAI SANTOSHI MAA' RAN MORE THAN A YEAR & CELEBRATED A MOST UNFORGETTABLE GOLDEN JUBILEE AT ALL CINEMA HALLS IT RAN ON!

& AS TRIBUTE TO THE ONE FILM THAT CHANGED THEIR LIVES, EDWARDS & MANY MUMBAI THEATERS ~50 YRS ON, KEEP MEMENTOS OF IT'S 50TH WEEK RUN TILL TODAY… MARKING THE ONE YEAR, GOD CAME TO LIVE WITH THEM!

And just as inauspicious & bad events have their aftermaths, greatest events leave their aftermaths too!

Here's recounting some of them:

See as news of this unbelievable level of mass hysteria & success were naturally going to cross all borders, also reached leading & most renowned sociological researchers around the world, incl leading world historian Michael Brand, Prof John Hawley of Barnard College, Columbia Univ, Prof Cathleen Arnold of Florida State Univ, Prof Philip Lutgendorf of Iowa Univ, famous writer Stanley Kurtz, & many other leading historians & international journalists of the times, who all came to India, conducted several interviews across the board, collectively pooled their heads to try make sense of this most unique phenomena they'd just witnessed..and alongside Indian sociologists like Veena Das, published their own research papers on it! The only other time sociologists have been known to enter the film arena for wide-scale research, was to deconstruct Rajesh Khanna's magical 2 decade reign over Bollywood, again from India!

2. The culture of fasting in name of Maa Santoshi, that began after this film, continues as c/f tradition till today across India.

3. There was a practice of writing 'Om Shubh Labh' atop letters till then. That was soon replaced enmasse by "Jai Santoshi Maa!"

4. A new, slightly devious side-culture/biz of sending Santoshi Maa's 16-chain postcards sprang up,to maximize blessings…& POSTCARD SECTION OF INDIA'S POSTAL SERVICE SHUT DOWN, FOR PAUCITY OF RESOURCES!

5. Only time ever, a full LP of a mythological film was released worldwide by music cos!

6. Now to makers- Producer Satram Rohara & Distributor Kedarnath Agarwal, both went bankrupt, Satram people say for no favorable profit-sharing contract with Dist at time of release, & Distr in turn being duped by own brothers. Film's leading light,Anita Guha,too didn't exactly meet most peaceful end-suffering heart ailment & leucoderma (skin whitening), she would die in her old age unwilling to be seen w/o make-up. People say,atleast first 2 suffered for promising temples on Maa yet failing to build,yet most believe Good Goddess actually fast-tracked karmas of all it's makers,a great blessing in disguise!

7. Ganesh's daughter didn't have many sites in India till then..but everything would change post 1975, & Santoshi Maa temples became regular feature of every city & town!

8. & WE NOW KNOW FIRST-HAND..HOW GOD WORKS TO ESTABLISH HIS OR HER KINGDOM, WHEN SEES FIT!

[mavidin]

Happy New Year!!!

No photos to attach. Just thoughts and prayers of hope, healing and fortitude. And this song.

No matter how festive the Holidays is, December has recently always gotten me down. It is a season of love and family - and usually I am not bothered, love-just-ain't-enough or family-are-people-we-choose and all. But lately, I must have been having a mid-life crisis of sorts, or perhaps in the late thirties, I have a better view of the past and how it sort of paved the now.

And even if they say that we don't need to mark yesterday as the end of something, or today as the start of something, I wanted to write this as a reminder that I have somehow:

Quarter 1:

Went to the world-famous Destileria Barako that very few Aklanons know of 🍻

I managed to sustain Maharlika Tribe last year and made one of the most beautiful banner yet. That talk with Nong Rodel, could be the last since he is currently in the hospital now. But I will always remember that night and be thankful that I was able to literally write that history with him.

Quarter 2:

I experienced the wonderful serenity of alone-ness and independence for three weeks in Manila and miraculously (through prayers) topped our vascular training. And had five new acquaintances! It was such a blessing that I went with a group of people who help each other and do not compete with each other.

I made a dream come true! It is not often that I make my dreams come true, I do not even think about dreams anymore, but I have been to the culture-filled ten-peso bill church that I have looked at so often in my childhood. Oh, Barasoain.

I experienced the country's longest procession with Renee!

I stupidly, hungrily lost my phone and funnily found it!

Quarter 3:

The heart-breaking moment that tested my credibility have gone. I ended so many friendships because of this quarter. I built even higher and thicker walls than I already have. I realized that time and shared experiences do not define the strength of a relationship and so, I am now even more wary of humans. Doc M asked,

So nanghinayang ka sa friendship ninyo?

I actually did not think of it that way. I thought I wasted my time and investment in a person who should not be a friend in the first place. But the friendship, I could do away with that.

Quarter 4:

I discovered how to listen to podcasts (Short History of, Catholic Saints and Everything Everywhere) and liked it (especially meeting Saint Thomas in a new light and shedding a tear for Vincent van Gogh)!

So if Doc E did not notice 2023 pass by, I have a few milestones at least.

I heard this song played thrice yesterday. First, I saw an old woman who looked to be in her sixties sing this in a karaoke. So I played it again in Spotify. And third, as I was sitting with Tay Upong. And I thought, how simple and yet so fitting.

🎼🎵 Okay lang naman ang ating usapan

Hindi na lang babalikan ang nakaraan, ang nakaraan

Ayos lang, basta't kasama

Konting alak lang kahit walang pulutan

Ang minsan, naaalala

'Di magtatagal, tayo ay liligaya 🎶🎤

Tay Upong is the single living good influnce in my life. Tati was gone. He is the only person I know that gave me thoughts like, "Gusto ko mag asawa sa ulihi it makay Tay Upong," the only male figure I love completely, the only person in my childhood that showed me love and stayed the same.

The nakaraan in the song is not about hate and bad memories with Tay Upong. I remember afternoons when I would get white hairs in exchange of five pesos. I remember playing with his skin tag. I vaguely remember riding in his beaten and rusted motorcycle while I was a kid. I remember that afternoon when I told him I will go home but he asked me what's wrong and took that worm crawling in my leg. I remember being so high sitting in his shoulders. I remember einabog he would cook for me.

With Tay Upong, there is only kindness and love. The one and only remaining good in my life. The only one that makes me look back in the past and not fear the ghost there. And I was so glad we were together yeterday. And I pray that 2024 would be good to us, to him especially.

[bollywood143114]

Oscar winner Naatu Naatu singer Rahul cut her hair at a hair salon and mortgaged her mother's jewelry to become a singer.

Naatu Naatu Singer Rahul Sipligunj: The Telugu film RRR was the most discussed topic at the 95th Oscars in Los Angeles. The song Naatu-Naatu in this movie is on everyone's lips. The name of Rahul Sipligunj, who became world famous with the song Natu-Natu, is now circling in everyone's mind. Everyone is not only a fan of his songs, but very happy to know about him. The name of Rahul Shipligunz, who won an Oscar and became famous overnight, is currently the most searched for on Google. Under such circumstances, it tells the success story of Rahulsi Fligunz, who worked at his father's barbershop and struggled for a long time to reach the Oscar stage. Who is the singer of Naatu Naatu song Rahul Sipligunj? There are many stars related to the film industry with a thick fan base not only in Korea but also abroad. At this time, the song “Natur-Natu” rang out on the stage of the Oscar ceremony. In that situation, everyone wants to know about the singer who sang this song. The singer name of this song is Rahul Sipligunj. The story of their struggle is very interesting. Rahul Sipligunj was born in a small area near Dhulpet in the Old City of Hyderabad in Telangana. Rahul Sipligunj's father worked as a barber. Rahul's father, Raj Kumar, was a barber by profession and earned a living by cutting people's hair. Rahul Sipligunj's father always wanted his son to do good and with this hope he dreamed of teaching his son, but from the beginning, Rahul preferred cricket, kabaddi and singing to studies. Rahul Sipligunj used to work with his father in a beauty salon. Since childhood, Rahul Sipligunj has sung in Ganesh pandals during the Vinayaka Chaturthi festival. Under such circumstances, his father also started supporting his son and sending him to a singing academy. Rahul worked in a salon with his father in his spare time and spent the rest of his time practicing music. In the meantime, he used to go on stage and perform at these events held at his home. His sole purpose on stage was to sing in front of people so that hesitation would disappear and he could perform without the slightest hesitation. How Educated Was Rahul Sipligunj? After studying the intermediate level, Rahul Sipligunj decided to fully focus on music, which led to him dropping out of his studies. In order to make his name known in the music industry, he visited many filmmakers one after another and interviewed them. He initially got dubbing jobs in Telugu films. Later, he started pouring in suggestions to sing in the background. During this process, Rahul also got the opportunity to lend his voice to the chorus and background songs composed by renowned music directors. Rahul started his career with his playback songs. I made an album by sending my mother's jewelry. Rahul Sipligunj then raised money by mortgaging his mother's jewelry and borrowed money from his father as well. He collected this money and started making video albums. Along with this, he also uploaded many videos of himself on YouTube. People loved Rahul Sipligunj's voice and his YouTube subscriptions started to increase. Rahul later got a chance to sing in Naga Chaitanya's film Josh and soon after sang in Rajamouli's blockbuster film Eega. Natu Natu songs brightened the fortunes of Rahul Sipligunj. When the opportunity arose to lend the voice of Naatu Naatu in the RRR film with music director MM Keeravani, he sang this song in Kannada and Hindi versions excluding Telugu. The peak of his fame today is that Rahul Sipligunj will soon be seeing his debut in the acting world as well. According to media reports, Rahul will make his debut in the acting world through the next film, Ranga Marthanda, by renowned Telugu director Krishna Vamshi. ALSO READ- Anjali Arora new video went viral and she left her boyfriend and was seen with a new guy DISCLAIMER We’ve taken all measures to insure that the information handed in this composition and on our social media platform is believable, vindicated and sourced from other Big media Houses. For any feedback or complaint, reach out to us at bollywoodofindiaa@gmail.com Read the full article

[all-datmatterz]

Best Bollywood Old Songs list 1970 | Evergreen Old Songs You Must Listen

love and the lyrics of old Indian songs turn the music into a beautiful melody. our bollywood industry is famous for its dance sequences and songs. India has many legendary singers like kishore kumar, lata mangeshkar, ar rahman etc. India has a tremendous history in music.

Are you one of those people who like to listen to old songs?

The love and lyrics of the old songs turn the music into a beautiful melody. Our Bollywood industry is known for its dance sequences and songs. India has many legendary singers like Kishore Kumar, Lata Mangeshkar, AR Rahman, etc. India has a remarkable history in music.

In this article, we will discuss the best enduring Bollywood songs of all time. We have tried to create a list of 21 Oldest Hindi Bollywood Songs. I assure you that you will fall in love with these timeless Bollywood songs.

List of old Hindi Superhit songs of all time that you must listen to

Kabhi Kabhi Mere Dill Mein (1976)

This song is one of the most romantic old songs in Bollywood. This song features two big superstars, Amitabh Bachchan and Rakha Ji. This song won 3 Filmfare Awards for Best Male Singer, Best Lyricist and Best Music.

If you love someone, you should sing this song.

Lag Jaa Gale (1964)

These old classic Hindi songs were written by Raja Mehdi Ali Khan and sung by the great Lata Mangeshkar. This song has almost 172 million views on YouTube. Lata Mangeshkar said that this song is always etched in her heart.

 Pal Pal Dil Ke Pass

Pal Pal Dil Ke is a super hit song which is passed down from legend Kishore Kumar. This song is from the 1973 film Blackmail.

The moral of this song is that a man never leaves the woman he loves, no matter how far he is from her. This is one of the best old bollywood songs.

Yeh Dosti (1975)

It is an old Indian friendship song sung by legend Kishore Kumar. It's a perfect song for best friends. This song is from Bollywood superhero movie Sholey.

"Yeh Dosti Hum Nahi Todengay, Todengay Magar Tera Sath Na Chordenge" This line is awesome if you hear it with your best friends.

In Aankho Ki Masti Ke (1981).

This song is sung by the amazing Asha Bosley and directed by the beautiful actress Rekha Ji. This song is from the 1981 movie Umrao Jaan.

Asha Bhosle won the National Film Award for this song. This is one of the best lazy romantic songs.

Ek Do Tin Char (1988)

This enduring old Indian song is breaking records thanks to the performance of beautiful actress Madhuri Dixit. This song is sung by Alka Yagni and Amit Kumar.

This song is from the movie Tezaab and has recently been recreated in the movie Baghi 2.

Mere Samne Wali Khidki Mein

Another old superhit Bollywood song. This song is from the movie Padosan, which means neighbor. Well, this is another famous song sung by legend Kishore Kumar. This old romantic Hindi song features Sunil Dutt and Saira Banu.

Lyrics of this song are penned by Rajendra Krishan.

Gulabi Ankhein (1970)

This wonderful old Hindi song is a pure love song sung by the legend Muhammad Rafi. This song is a completely different way of feeling. It is still the most popular song among young people.

This song is from thriller Train.

Badan Pe Sitare Lapate Hue (1969)

Another great performance by the legend Mohammad Rafi from Prince. This is a great Bollywood song from the 60s.

Inteha Hogyi Intezaar Ki (1984)

This song was sung by the wonderful singer Asha Bosley and star Kishore Kumar with Amitabh Bachchan and Jaya Prada. Kishore Kumar won the 7th Filmfare Award for this song.

This song is from Bollywood movie Sharabi.

Khaike Pan Banaras wala (1973)

The best song of the seventies. This song is popular not only in India but all over the world. Once again this song is sung by the legend Kishore Kumar from the movie Don. The same was recreated in 2006.

Mere Sapno Ki Rani Kab Aogi Tum (1969)

Kishore Kumar sang the classic Bollywood superstar song Aradhana from the Bollywood superhero movie starring Sharmila Tagore and Rajesh Khanna.

Sar Jo Tera Chakarai (1951)

This song brings Mohamed Rafi national fame. Sar Jo Tera Chakkaray has the attention of millions. Even today people want to hear this song.

Mere Hathoon Mein (1989)

This song is sung by Legend Lata Mangeshkar and penned by Anand Bakshi. This song is from the movie Chandni and Sridevi G.

Pyaar Kia Toh Darna Kya (1960)

This song is from one of the most powerful movies in Indian history, Mughal-E-Azam. This song is sung by the great Lata Mangeshkar. This song represents the love between a prince and his love Anarkali.

This song was shot at Sheesh Mahal, Lahore Fort.

Rang Barse (1981)

Bollywood's most famous old song was played during Holi festival. This song was sung by Amitabh Bachchan and penned by father Hrivansh Rai Bachchan. This song is from the movie series. This is one of the best Hindi folk songs.

Jumma Chumma Dee Dee (1991)

This song was sung by Sudesh Bhonsle and Kavitha Krishnamurthy. This song is from the movie Hum starring Amitabh Bachchan and Kimi Katkar. This song has over 21 million views on YouTube.

It's still the most popular song of 2021.

Mera Joota Hai Japani (1955)

This song was sung by Mukesh and rendered by Bollywood legend Raj Kapoor. This super song is from the movie Shree 420. This song has reached the whole country because of its national song lyrics.

This song was released at the time when India got its independence.

Pyaar Hua Ikraar hua

It is a song from the movie Shree 420 sung by Lata Mangeskar and Manna Dey. This timeless old bollywood song expresses the love between Raj Kapoor and Nargis.

Yeh Reshmi Zulfien (1961)

This is a song from Bollywood romantic movie Do Raste. This song represents the love between Rajesh Khanna and Mumtaz. This song is sung by Mohamed Rafi.

List of the best old Hindi songs from the 1950s

Joota Hai Japan – Shree 420 Movie

Bhooli Surat Dil Ke Koothay – Albela Movie

Sab Kuch Seekha Humne - Anari movie

Jalte Hai Jiske Liye – Sujata Movie

Yeh Raat Yeh Chaandni – Jaal Movie

Duniya Mein Hum Ayye Hai – Mother India movie

Maan Dolle Mera Taan Dolle – Nagin movie

[softgotheory]

Kuch kuch hota hai tina

The film is a poignant story of two friends, a guy and a girl, who understand they actually love each other perhaps too late. The film introduces Johar's famous statement that the first step towards love is friendship and does it in a slightly cheesy yet rather convincing way. This is an enjoyable and charming picture which can make you laugh, cry, at times even cringe with annoyance, but then it will keep you consistently entertained. It is one of those beautiful Hindi romantic comedies that actually form the unique cultural and artistic style of Bollywood's most famous mainstream flicks. In spite of being a bit of a fairy tale, it works very well within its limitations. I asked him (through gestures) to look back and clicked the button on my camera.Karan Johar's directorial debut Kuch Kuch Hota Hai is one of those films you can always watch and enjoy with your family and friends. He went on chattering gleefully while changing radio stations. He wasn’t disappointed when I told him (through gestures) that I didn’t know his language. ‘Ten Dollars.’ I tried to talk to him through gestures, but failed. I got in and soon realised those were the only two English words he could speak. I stretched my arms wide like Christ the Redeemer and exclaimed, “I want to meet Jesus. I told the driver that I wanted to go to Cristo Rei. I saw this rickety yellow cab outside my hotel and waved. At first, I thought I could cover the 11 km distance by foot, but then I decided to experience a Timorese cab ride. On a tropical Timorese weekend afternoon, I got some ‘me time’ to venture out alone. One of my most memorable days in the country was the visit to Cristo Rei of Dili, which had been modelled on the iconic Christ the Redeemer of Rio de Janeiro. I have written numerous reports about the mission in Timor-Leste, therefore I wouldn’t go into the professional aspects of the visit. It was my first international exposure while working in the WASH (Water, Sanitation and Hygiene) sector.

I was in East Timor for a project commissioned to my previous employers. More than 75% of the country’s infrastructure was destroyed by Indonesian armed forces before they left in 1999. When Kuch Kuch Hota Hai released in India, East Timor was under Indonesian occupation which saw brutal incidences of human rights violations. It was amazing to see the popularity of Bollywood films in the second youngest democracy which got its independence in 2000. “Wow! So nice meaning…Indian movies most romantic.” I struggled for a romantic translation of the title and trying not to sound awkward I said, “Something, Something Happens…in Love.” Once a young Timorese guy in a Superman T-shirt asked me during a workshop, “Kuch Kuch Hota Hai. I have beautiful memories of East Timor and the number of times I was asked a variety of questions about ‘Kuch Kuch Hota Hai’. He stamped on my passport and pushed it back through the tiny window with a smile, “Welcome to Timor-Leste!” Of course, I couldn’t tell the visa official all of that. I never saw him again, and that was perfectly okay, because the chapter of ‘Mayuri and the Series of Crushes’ had begun. Soon, I experienced my first crush on an unknown guy with a dimpled smile and the songs from the movie played inside my head. I was coming to terms with puberty and this film happened. The songs played everywhere and chiffon sarees were a rage during the festive season. When it released, I was 11 years old and everyone in school either tried to dress up like Kajol’s Anjali or Rani Mukherjee’s Tina. Yes, yes I’ve watched! I LOVE that movie. “Oh, India… Kuch Kuch Hota Hai! You watched? You like?” he exclaimed with wild delight. I clearly remember facing the serious official behind the visa-on-arrival desk and pushing my passport through the tiny window.

[monicascot]

Tore Bina | Kahaani Songs | Covered by Karthik Mohan

Tore Bina is a semi classical song from the movie Kahaani. The song has a wonderful base which allows for transposition across many genres. I am exploring the rock genre with this song. It is a an experiment of sorts, hope you all like it.

[bollywoodirect]

Birthday greetings to the living music legend of the Hindi film industry, Sri #Pyarelal Ramprasad Sharma (03/09).

The iconic music director duo #LaxmikantPyarelal is synonymous with Hindi film music, particularly its popular hits. Born on September 3, 1940, Pyarelal Ramprasad Sharma is the son of the renowned trumpeter, Pandit Ramprasad Sharma, also known as Babaji. Under his father's guidance, Pyarelal started learning the violin at just 8 years old, dedicating 8 to 12 hours daily to practice. He further refined his violin skills under Goan musician Anthony Gonsalves. The song "My Name Is Anthony Gonsalves" from the film Amar Akbar Anthony is a tribute to Gonsalves, featuring music by the Laxmikant–Pyarelal duo.

At 12, Pyarelal began playing the violin in various studios, including Ranjit Studios, to support his family financially. His brother, Gorakh Sharma, also contributed by playing guitar for songs composed by Laxmikant-Pyarelal.

The duo first gained widespread recognition with their music for the 1964 film Dosti, produced by Rajshri Productions. Despite relatively unknown lead actors, the film's memorable songs like "Chahoonga Main Tujhe Shaam Savere" and "Rahi Manwa" made it a hit. Many initially thought Laxmikant–Pyarelal was a single person. They won their first Filmfare Award for Best Music Director for Dosti, beating industry giants like Shankar–Jaikishan and Madan Mohan. Their subsequent work in films like Lootera, which featured famous Lata Mangeshkar songs, also gained fame.

By 1966, Laxmikant–Pyarelal had firmly established themselves in Bollywood. They continued to earn acclaim for their music in films like Aaye Din Bahar Ke and Pyar Kiye Jaa. In 1967, they had a series of hits, including the Golden Jubilee musical hit Farz, and other big-star films like Anita and Shagird. They won their second Filmfare Award for the film Milan.

Laxmikant–Pyarelal, along with contemporaries like Rahul Dev Burman and Kalyanji-Anandji, represented a new era in Bollywood music, overshadowing earlier composers. They were frequently chosen by major film producers and consistently delivered exceptional music.

Their significant collaboration with lyricist Anand Bakshi led to some of Bollywood’s most iconic songs, appearing in over 250 films. Anand Bakshi wrote the lyrics for all the films that earned Laxmikant–Pyarelal Filmfare Awards, except for their first. #RajeshKhanna also had a long-standing professional relationship with the duo, choosing them as the music directors for 26 of his films.

Another fruitful partnership was with singer Asha Bhonsle, who voiced numerous hits composed by Laxmikant–Pyarelal, including chart-toppers like "Dhal Gaya Din" and "Hungama Ho Gaya." The latter song was re-recorded for the 2014 film Queen and became a massive hit again. Between 1980 and 1986, Asha Bhonsle was often the lead vocalist for their compositions. Laxmikant–Pyarelal also scored music for the Telugu film Majnu in 1987, which was well-received for its musical numbers.

[indiejones]

THE FILM 'TIS BELIEVED....NO, 'TIS KNOWN...GOD HERSELF MOTHERED & NURTURED FOR MORE THAN A YEAR....IN INDIAN THEATERS ! - THE STORY OF THE ONLY INDIAN FILM THAT'S ON SEVERAL POLICE RECORDS, FOR HAVING CREATED A SERIOUS LAW & ORDER PROBLEM ACROSS THE LENGTH & BREADTH OF INDIA ! - HOW A FILM LITERALLY MADE ON STARVATION BUDGET, BECAME THE 10TH MOST MONETARILY SUCCESSFUL FILM IN INDIAN HISTORY! - THE ONE MOVIE THAT REACHED THE HEIGHTS OF 'MOVIE DHAM' ! - THE FILM THAT ANNOUNCED ADVENT OF A NEW GOD ON  PLANET EARTH !- “JAISA GANESH, VAISI USKI BETI!”  - THE STORY OF THE UNPRECEDENTED, UNPARALLELED, & HISTORIC BOX-OFFICE SUCCESS OF 'JAI SANTOSHI MAA' !

Film actor Ashish Kumar & his actress wife Bela Bose were happily married for a while yet childless. Among the many 'totkas' women adopt, she also came up with one such desire to follow a once-a-week 16 week 'fasting' pattern for the Goddess Santoshi, that was recommended to her. And within a few weeks of this fast, she conceived & bore a child! Some time elapsed, & Ashish on one of his many story sittings, in a general chat happened to mention this miraculous feat to his producer friend, Satram Rohara. Satram heard it, & jumped up, for he too had exactly the same story to tell with his own wife! So moved were they, that decided to make a film tributing Goddess Santoshi. Despite knowing how mythos despite being a safe commission earning bet thru 30s-60s, were surefire b.o flops. in mid 70s. Anita Guha who'd made a name for herself as mytho queen way back in 60s, but long retd, was chosen for the Goddess's role & a famous Gujarati & Bhojpuri heroine Kanan Kaushal as heroine, Music Dir & Playbacks too being the supposed B-rung of then. All this supposed 'sidie' line-up you see, for they knew how this film was doomed to lose money, yet that they just had to make to thank the Lord! ... But something interesting started happening as the film was being made, The songs that were coming to the sets from the studios, were far superior than what anyone'd bargained for! Much that huge crowds began gathering around the area it was being filmed just to hear them! This level of live support heightened excitement among the crew, much that began working super efficiently to complete it well. Now to the next sequence of events..This buzz affected Anita ji on her first day too, who in her earnestness it turns out forgets to have breakfast, & while trying to learn her next set of heavy-duty lines, misses lunch too. When producer organizes a buffet dinner for all at night, Anita ji who was available for just a few days, & had to shoot post dinner too, realizes this might entail removing all her make-up & re-applying it, & to avoid all that fuss, decides to skip dinner as well. On her way home, a thot strikes her! - This was the first time in all her working yrs this'd happened..& what if it was a sign from God! At that very moment she decides to observe a fast for all her days of shoot on this film! & Thus the film very amiable & efficiently gets to verge of completion. But another, it seems important part of The Good Lord's plan was yet to take it's position.

Edward Theaters at Marine Lines was historically known for only showing re-runs of decades old Hindi films. But when it's owner heard that a film by name 'Jai Santoshi Maa' was being readied for theatrical release, & with just 14 prints, he strangely volunteered to be the first to release it in his theater, the only time over it's 110 yr existence, something like this 'tis known to've done!..need it be said, to thank the sweet Goddess himself. Now Edwards was unique for showing some of the lowest-priced films anywhere, thus causing many villagers on daily wage trips to Mumbai frequenting it at evenings. The film's released, but as expected you know, earns Rs. 56 across it's 14 prints in 1st show, Rs. 64 in 2nd, Rs. 92 in 3rd, & Rs. 100 in last. This roughly carries on Friday, Saturday & Sunday. Makers know its a flop, yet happy at having done their duty. NOW COMES MONDAY...AND THE MIRACLE IS AFOOT! You see many of the villagers who'd seen the film at Edwards, each go to their resp villages, & make mention of this lovely film on Goddess Santoshi they've just seen..TO THEIR LADIES! AND MADNESS BEGINS! It seems Goddess Santoshi, not a very popular Goddess in India then, had bestowed her blessings on many families sporadically across India, incl very many villages. And many ladies of almost every village were her quiet yet ardent devotees. And they began coaxing their hubbies & families to collectively make a trip to Mumbai, & watch their Goddess on screen! People tell of how that Monday saw endless streams of bullock carts from every conceivable (pun intended I guess) village of Maharashtra entering Mumbai to watch this one film alone! Media ofcourse gets to hear of it, & flashes it on front pages the next day! BY TUESDAY, WHOLE OF INDIA KNOWS 'JAI SANTOSHI MAA' IS RUNNING IN MUMBAI, & STARTS PLANNING A TRIP! Similar stories emerge of 100's of villages emptying out to reach nearest cinema halls, even 100s of kms away! Police across all states are out on high alert..A UNCONSCIOUS MASS MIGRATION IS BEING SEEN ACROSS INDIA ALL AT ONCE! Producers are sent urgent calls, nor just from distributors & exhibitors, but law enforcement, to send more prints! How many?? As many as you can..300-400! "WE DON'T WANT RIOTS!" "But this will cost atleast 30 lakhs" .. "Beg, borrow, steal..but do this for your nation". 600 PRINTS ARE RELEASED! THE RETURNS? .... 208 TIMES OVER PRODN & PUBLICITY COST (PER RECORDS..THE ONLY TIME EVER IN HISTORY! WE TODAY INFLATION-ADJUSTED ESTIMATE 'JAI SANTOSHI MAA' AS HAVING EARNED RS. 3,120 CRORES AT THE INDIAN BOX OFFICE!

What you just heard was public record. What you're about to hear next, is nothing short of real-life mythology in itself. Women not just from villages but also small & bigger towns, started making visits to this film a near daily event. The cottage tourism industry starts picking up all of sudden, for the now routine mass bookings made by kitty parties across India, to their nearest 'Santoshi Maa Theaters'. What starts drawing interest next, is not the repeat & mass value of this film, but the manner of visitation. Women & even men, in their millions, started bringing flowers, fruits & even sweets along, males generally entrusted with the 'prasad' distribution duties to every visitor as exited the film, while women left to their 'prayers' inside the hall, once each & every song began, taking turns in groups to come to the space at the front, in their hundreds, with none of the admin staff daring to stop any! Reason being, what'd happen next! - You see each of the ladies after their flower & fruit sacrifices, would also generously remove their coin-wallets from inside of their blouses, all coins to be thrown as forcefully as could so to veritably touch the silver screens!- the farther the more blissed & more blessed..& all this money btw meant for that cinema staff alone ! (Many of who's families that owe their decent prosperity till today to this one film) Paid shoe stalls now started privately springing up outside many theaters..for how wear footwear be spending half your time praying & singing Lord's praise at! Hey, temples too built in places where open lands across halls! Now in all this euphoria, we've almost forgotten Santoshi Maa, I mean Anita ji herself! .. People leaving cinema halls, be all so taken, began craving a personal 'darshan' of that image for real. And Anita Guha's Bandra house soon became public knowledge, people first watching the film, next making their way to below her house! Anita ji herself recounts umpteen stories of women throwing their new borns into her arms, as left home each day! Anita Guha,mind u,was ranked among Top 10 Heroines of 1950s & Top 5-6 of 1960s. Yet remembered by most post 70s only as 'Santoshi Maa'! THAT'S LIFE! ..WONDERFUL! 'JAI SANTOSHI MAA' RAN MORE THAN A YEAR & CELEBRATED A MOST UNFORGETTABLE GOLDEN JUBILEE AT ALL CINEMA HALLS IT RAN ON! & AS TRIBUTE TO THE ONE FILM THAT CHANGED THEIR LIVES, EDWARDS & MANY MUMBAI THEATERS ~50 YRS ON, KEEP MEMENTOS OF IT'S 50TH WEEK RUN TILL TODAY... MARKING THE ONE YEAR, GOD CAME TO LIVE WITH THEM!

And just as inauspicious & bad events have their aftermaths, greatest events leave their aftermaths too!

Here's recounting some of them: 1. See as news of this unbelievable level of mass hysteria & success were naturally going to cross all borders, also reached leading & most renowned sociological researchers around the world, incl leading world historian Michael Brand, Prof John Hawley of Barnard College, Columbia Univ, Prof Cathleen Arnold of Florida State Univ, Prof Philip Lutgendorf of Iowa Univ, famous writer Stanley Kurtz, & many other leading historians & international journalists of the times, who all came to India, conducted several interviews across the board, collectively pooled their heads to try make sense of this most unique phenomena they'd just witnessed..and alongside Indian sociologists like Veena Das, published their own research papers on it! The only other time sociologists have been known to enter the film arena for wide-scale research, was to deconstruct Rajesh Khanna's magical 2 decade reign over Bollywood, again from India! 2. The culture of fasting in name of Maa Santoshi, that began after this film, continues as c/f tradition till today across India. 3. There was a practice of writing 'Om Shubh Labh' atop letters till then. That was soon replaced enmasse by "Jai Santoshi Maa!" 4. A new, slightly devious side-culture/biz of sending Santoshi Maa's 16-chain postcards sprang up,to maximize blessings...& POSTCARD SECTION OF INDIA'S POSTAL SERVICE SHUT DOWN, FOR PAUCITY OF RESOURCES! 5. Only time ever, a full LP of a mythological film was released worldwide by music cos! 6. Now to makers- Producer Satram Rohara & Distributor Kedarnath Agarwal, both went bankrupt, Satram people say for no favorable profit-sharing contract with Dist at time of release, & Distr in turn being duped by own brothers. Film's leading light,Anita Guha,too didn't exactly meet most peaceful end-suffering heart ailment & leucoderma (skin whitening), she would die in her old age unwilling to be seen w/o make-up. People say,atleast first 2 suffered for promising temples on Maa yet failing to build,yet most believe Good Goddess actually fast-tracked karmas of all it's makers,a great blessing in disguise! 7. Ganesh's daughter didn't have many sites in India till then..but everything would change post 1975, & Santoshi Maa temples became regular feature of every city & town! 8. & WE NOW KNOW FIRST-HAND..HOW GOD WORKS TO ESTABLISH HIS OR HER KINGDOM, WHEN SEES FIT!

[gzbanana]

Purana vidmate 2014

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[secretearthquakecheesecake]

🎼💓🎹🎤🎺🎻🎸 My all time favourite. Old most famous melodies hindi songs, sung by the female playback singers.

There is something very soothing about these old songs that the modern songs simply cannot be replaced. .. Use 🎧

🌼𑜞᭄with ℒℴѵℯ 🌹💞

[wordsmithic]

Indian tunes in Hellenic music

Hellenic Indian remakes of songs from the time of flowering of Indian cinema (Bollywood) in Hellas became classics by one of the leading voices of Hellenic popular-folk song, as Stelios Kazantzidis.

The song Μαντουμπάλα (Madhubala) became very loved and a music center with the same name opened in Athens. Madhubala was a very famous Indian film actress, film producer and playback singer who worked in Indian films.

Over 100 remakes of old Bollywood songs have been found in Hellenic music of the 50's and 60's. The adaptation was easy because of shared rhythms and similar sounds (as those produced with the local Hellenic lute).

On January 24, 2021 in the Hellenic TV show “Salt of the Earth” the music band LAIKINDIA (meaning “folkIndia”) presented a selection of “Hindi style songs”.

The band “Laikindia” consists of: Kinjal Vora from India (vocals), Violette Boulanger from France (violin-vocals), Eva Mylona from Greece (accordion-vocals), Salvatore Conticello from Italy (lute-vocals) and Maro Panagi from Greece (percussion). The guest of the band is the singer of Rebetiko Anatoli Margiola from Greece.

You can listen to some of those songs by Laikindia by clicking here .

Timestamps:

1:04:32 Ulfat ka saaz chhedo / Αυτή η νύχτα μένει From the movie Aurat (1953)

1:11:40 Man Dole / Ποιος σου είπε κούκλα μου From the movie Νaagin (1954)

1:19:40 Aa Jao Tadapte Hai armaan / Μαντουμπάλα From the movie Awara (1951)

1:27:45 Umango Ko Sakhi / Νυφούλα σε στολίζουνε From the movie Amar (1955)

1:33:09 Char Aaya Mera Pardesi / Είσαι η Ζωή μου From the movie Awara (1951)

1:39:10 Ae Chand Kal Jo Aana / Πριν μου φύγεις γλυκιά μου From the movie Devta (1956)

1:44:45 Duniya Wallon Se Door / Όσο αξίζεις εσύ From the movie Ujala (1959)

Indian films (mostly Northern productions) have been a sensation in Hellas for many decades now, from old releases to the most recent ones, including those on Netflix.

Following, the cover of the book “REVELATION OF HINDI-STYLE SONGS IN GREECE“ by Eleni Abadzi and Manolis Taoulas. You can download it in English or Greek here.

India and Hellas continue to have a strong cultural bond, not only through their centuries-old trade and media but also through cultural organizations such as the Indian Society for Greek and Roman Studies and the Hellenic-Indian Society for Culture & Development.

[cipher-dorito]

What do you mean by the desi disaster of 2nd September?

Ooooooooo

Okay so, September 1st was the official Desi Disasters blow up which started with chai's brilliant yet horrifying post about yo yo singh's song. Aadya answered a similar question in this post yesterday.

After an entire day of drunken merrymaking, which mostly included dropping Baadshah and Yo Yo Honey Singh's lyrics in each other's inboxes and people getting to know each other through the holi posts (@aadya-said-chal-be made them!), the party spilled over to 2nd November - The Afterparty.

And boy what an afterparty that was.

So on 2nd November, things REALLY blew up. People were extremely invested in the ironic song threads, and I guess @mango-pickle made a post on Durga Pooja too! (It was really cool)

I made a post saying that the biggest desi disaster yet was actually Binod, and people got the insane idea to spam it in everyone's askbox. @secrets-ill-take-to-my-grave was literally notoriously famous for flooding inboxes, and yes, we flooded hers too.

Then, the FOOD discourse. (I am splitting these into paragraphs for my own brain's sake, although these didn't particularly follow an order that day. It was all chaotically simultaneous, and we just couldn't recognise our dashes.)

So basically there were many food discourses going on, but the most prominent one was the war between chai and kaapi. People were emotionally attached to certain beverages, accusations flew, memes were posted and the general public just couldn't stop watching. (Finally I guess they declared a truce by announcing doodh soda as the true enemy)

YES. After that, we had the Kolaveri Di threads! The afterparty actually went on till 4th (i think?), and things randomly happened in those few days, I'm just trying to get all the events covered. So people were participating in song threads of the amazing song by Dhanush - Why This Kolaveri Di, which was a major highlight of the afterparty.

Also we were basically hijacking old posts and making them all about desi tumblr. We also had a nice meme thread where we all made and posted memes about desi teachers!

Now, although a lot of fun stuff happened in the afterparty, there were some people who were acting sorta condescending towards people who didn't know hindi or certain hindi songs. But I was really happy when Aadya and Mango and many more made PSAs to talk about how desis don't only include Indians. South Asians are all desi, and Hindi isn't the ONLY language they are all expected to speak and understand.

We used to have a Samosa group on tumblr, which really grew after the desi revolution of 1st September followed by the afterparty, and then it became a discord server too, as we became a giant Hum Saath Saath Hain™ corporation, ready to take over the internet buhuhaha.

Anyways, this was just the beginning. Through our posts we still get to meet new desis, and they are still as much a part of desi tumblr as the witnesses of the Desi Disasters revolution of 2nd September.

I hope this was a helpful explanation of all that happened in those few days, anon!

Other desis, please do add stuff if I missed out on anything.

[monicascot]

Tum Pukaar Lo | Khamoshi | Covered By Karthik Mohan

Tum Pukaar Lo is a wonderful song from the movie Khamoshi. The song has a melancholic vibe but its all about hope. A hope that wounds will heal and those strained relationships, those strained friendships will come back to how they used to be. The protagonist is saying that I hope against all odds that you will come back and we will be the way we used to be... Tumhaara Intezaar Hai.