Ah yes, the "evil" family.
I thought it would be even more funny if it was Luke, of all people, the one who wanted to watch Bloodbath in the Black Moon of the Dragon System.
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can’t believe that the FNAF movie single-handedly multiplied and reawakened the thirst and everyone’s crushes on josh hutcherson. bro played the part of a traumatized pathetic man so good that now we all collectively want him.
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Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.
Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!
AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).
Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.
All of this, of course, is why the ending hits so damn hard.
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listen I expected literally Nothing from the D&D movie okay, like I can't make it clear enough that I expected the most soulless money grab with a good cgi budget imaginable, I went in having already gone through every stage of grief and landed on acceptance and LISTEN
I fucking CRIED during this dumb RPG movie. it wasn't just "not terrible" it was objectively good with a clever plot and compelling characters and sincere emotional beats. this movie loves D&D so fucking much and it NAILS the "a bunch of goobers try to be cool and accidentally discover The Power Of Friendship And Also Great Violence" classic D&D party vibe. their barbarian's last name is fucking Kilgore and my entire family cried in the theater.
I hope they make twelve of these motherfuckers.
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What New Films to Watch in August 2024
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What I love the most about atsv is the spots design, his limbs are a little too long and his chest and torso are a bit stubby and this is amplified in a fun silly way by how he holds himself the first time we see him, he’s awkward and clumsy and yet when his demeanor switches suddenly his anatomy makes you uncomfortable, when he’s sprinting towards miles all you can do is hold your breathe as a foreboding feeling sinks into you’re gut. He becomes imposing as his elongated limbs suddenly feel sinister and inhuman instead of goofy. He goes from “hehe his arms and legs are lengthy” to “oh god his arms and legs are lengthy”
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“are we siblings in every universe?” Sure..
(bad fnaf doodles at 3am)
michael designs inspired by @chloesimaginationthings <3
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