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disneyat34 · 4 years

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The Three Caballeros at 34

A review by Adam D. Jaspering

Mickey Mouse is, and always has been, the face of the Walt Disney Corporation. Perhaps it’s because of legacy or favoritism, because Donald Duck has often proven himself more popular. To expand on a quote from Walt Disney, it all started with a mouse, but a duck pays the bills. Never was this more apparent than in the 1940s.

As morbid as it seems, World War II was a great boon to Donald Duck’s popularity. Mickey Mouse represented an unflappable, upbeat everyman. He became popular during the Great Depression when people needed their morale lifted. Donald Duck was an angry fighter who got knocked down, and stood right back up, fists swinging. That sensibility was celebrated by many during the war. Seeing the influence he had, Walt Disney capitalized on his creation.

Donald was commissioned by many sources during World War II. The US Treasury, the United Way, and the Canadian Film Board all commissioned cartoons from Disney Studios. His likeness was merchandised in countless other places. Within months, Donald Duck was promoting war bonds and celebrating American resilience coast to coast.

Later, Donald joined the US Army, encouraging enlistment. As an act of patriotism, Disney produced seven of these shorts at cost for the armed forces. Why he opted for Donald to join the Army as opposed to the Navy, as is often suggested by his sailor outfit, is a mystery. Donald wasn’t the official face of the war effort, but not for lack of trying.

In 1944, three separate events lined up. First, World War II was still ongoing. Second, Disney Studios was celebrating Donald’s tenth anniversary. Third, the follow-up to Saludos Amigos was nearing completion. It was time for another cinematic saga of comradery in the western hemisphere, this time featuring Donald Duck front and center.

Saludos Amigos was a rush job. Disney Studios churned it out for immediate financial returns. The writers and animators had unused ideas leftover. Some ideas were more dynamic and required money and time, not available in 1941. Now with a foot-hold on the Latin American film market, the studio was able to make a proper follow-up. That was The Three Caballeros.

The Three Caballeros uses the 10th anniversary of Donald Duck’s creation as a framing device. Throughout the film, Donald opens a multitude of gifts from friends and well-wishers. Each gift prompts or frames a new vignette. Like Saludos Amigos, the vignettes of The Three Caballeros were created to foster international goodwill between Latin America and the United States.

The first gift is a projector and film canister. The movie is The Cold-Blooded Penguin. It features a penguin named Pablo who dislikes living in Antarctica. Pablo hates the cold, and wishes to live in a tropical climate. One day, he pools his resources, and sets out on an ice floe for warmer weather.

Astute readers will notice the error immediately. What on Earth is a cartoon about a penguin doing in a film about Latin America?

It’s true, Pablo’s journey takes him around some of the coastal geographic features of South America’s west coast. These aren’t so much landmarks as name drops. We hear the narrator mention the Straits of Magellan, Cape Horn, Juan Fernandez Islands, Vina Del Mar, Lima, and the Galapagos Islands. But what’s depicted onscreen are rather nondescript landforms. These could be any straits, any coasts, and any islands.

The Cold-Blooded Penguin’s ties to South America are incredibly tenuous. Plainly, it does not belong as part of the film. So much so, it’s not even worth commenting on the animation or story. You could make the greatest rotisserie chicken in culinary history, but if you serve it atop an ice cream sundae, no one will care how the chicken tastes.

The short shamelessly tries to mask itself as an extended cutaway from a larger feature called “Aves Raras,” or “Rare Birds.” The non-penguin half of this short does indeed focus on the indigenous fauna of South America. Somewhat farcically, but also with an informative nugget. This infotainment is what The Three Caballeros aspires to be, and achieves in certain quantities.

Unfortunately, the filmmakers either get lazy or distracted. Strewn among the cultural aspects are nonsense and unsupportive jokes. Either the filmmakers were padding the film or afraid of losing the attention of a younger audience. The end result bogs down quality with unnecessary jetsam.

The highlight of the Rare Birds segment is the Aracuan Bird. This bird has a high-pitched, sped-up voice, and a warbled laugh. He has a screwball sense of humor, and an innate ability to antagonize all those who he comes into contact with. He has a bright red crest, a yellow beak, and oversized eyes. He debuted four years after another cartoon bird with alarmingly similar characteristics: Woody Woodpecker.

Woody Woodpecker first appeared in the 1940 short Knock Knock. Walter Lantz created the character, and licensed him to Universal Studios. The similarities between The Aracuan Bird and Woody cannot be ignored. I can find no information explaining this coincidence. There were no complaints filed, and no legal action by Lantz or Universal. It’s rather unlikely Disney’s animators resorted to plagiarism; we can only assume it was an unintentional, subconscious reproduction.

The Aracuan Bird appears here, and in two more brief scenes. He then disappears for the remainder of the film. One would think he would be a running gag, appearing regularly throughout the movie. Or at the very least, he would be a main feature in his own vignette, his other appearances being callbacks. He would certainly be more on-theme than The Cold-Blooded Penguin.

The Aracuan Bird is an unpleasant reminder that The Three Caballeros was a pile of ideas leftover from Saludos Amigos. He is introduced, then subsequently forgotten. The movie was the production of different animators and writers, working independently. They each had their own ideas, and didn’t seek consultation. These ideas are threaded together as best as possible, but big gaps in style and substance exist.

The next vignette is The Flying Gauchito, set in the pampas of Uruguay. It is the story of a child, looking for the approval of the gauchos of his village. The boy goes on a hunting expedition, finding the rarest game of all: a winged donkey.

The donkey is named ‘Burrito,’ the Spanish word ‘Little Donkey’ (which existed long before the popular Tex-Mex dish). Gauchito returns home with his newly acquired winged steed. Rather than show him off, Burrito is entered in a horse race. It’s one thing to show-off your luck. It’s another thing to demonstrate your worth.

What makes The Flying Gauchito special isn’t its story. Will and determination overcoming the established norms is a common moral. The true strength of the short is its utilization of an unreliable narrator. Gauchito’s journey is narrated by his older self, narrating from an omniscient standpoint in the future. It would be easy for him to tell the story accurately. Instead, he’s forgetful, indecisive, and admittedly unsure of specific details.

This narrative style creates not only a humorous structure, but humorous accompanying animation. Whenever a detail is “corrected” or second-guessed, the corresponding imagery is swapped out. In quick succession, the characters onscreen are left helpless as their world is ad hoc corrected. They must endure a shifting landscape and environment before they can react accordingly. This gives them a sense of instability, like they’re wearing roller skates, or walking a tightrope. It’s an advanced narrative technique, and it’s executed well.

With two and a half shorts finished, Donald Duck moves onto his next present. Inside is his friend and Saludos Amigos costar Jose Carioca. Jose is just as jovial and passionate as ever, but now smoking a giant cigar shamelessly for all children to see. We’re a long way from the warnings of Pleasure Island.

Jose introduces Donald to the Brazilian city of Baia. In a combined mood of nostalgia and admiration, Jose begins a long musical serenade. As his memories and thoughts are manifest to reality, we are swept away in the romantic imagery. The pinks and purples of the city at sunset are wonderfully done.

The two avian friends find themselves at a celebration on the streets of Baia. They’re joined by singer and dancer Aurora Miranda, plus a small army of samba dancers. The interplay of cartoon and human is outdated by today’s standards, but to an audience in 1944, it must have seemed groundbreaking. The technique is used extensively throughout the remainder of The Three Caballeros, and to great effect. It’s a gimmick, but a gimmick employed and accomplished well.

Exiting the glory of Baia, Donald opens his next gift from a stranger in Mexico. The unfamiliarity is temporary. Inside the gift is the loud, ecstatic, pistol-packing Panchito Pistoles. This firebrand is so eager to meet both Donald and Jose, he declares the trio “The Three Caballeros.” Finally, forty minutes into the picture, well past the halfway mark, we meet the last of our title characters.

After a fiery song and dance number, Panchito introduces Donald to the piñata. Panchito identifies it as a Mexican Christmas tradition (The Three Caballeros was scheduled for a December release date). Until this point, Panchito has been a quite vocal and boisterous individual. Hearing him tell a reverent and humble tale of Christmas tradition displays his hidden depths. Panchito could have been a shallow and one-note character. Instead, we see him capable of many things.

Cracking open the piñata, Donald is treated to a tour of Mexico’s most popular sights. Panchito summons a serape, which flies like Aladdin’s magic carpet. The Three Caballeros visit the exotic locales of Pátzcuaro, Veracruz, and Acapulco.

Until this point, both Donald and Jose were nothing more than enthusiastic partygoers. They enjoyed the celebrations and sights of their destinations. And they never shied away from the pleasant company of a gorgeous woman. For whatever reason, upon visiting Mexico, something stirs in the mind of Donald.

Going forwards, every woman Donald encounters is an object of lustful desire. Singing girls, dancing girls, sunbathing girls; Donald wants them all. Jose and Panchito do their best to subtly remind Donald he is a cartoon duck in a G-Rated movie, but Donald is driven by his id.

It’s a common cartoon trope for a character to be so blindsided by a woman’s physical attraction, they lose control. From the works of pre-Hays Code Betty Boop shorts, to the then-contemporary Tex Avery, it was a well-established joke. Donald, however, is completely insatiable and unstoppable. It starts funny, gets ridiculous, and then turns downright disturbing. Donald Duck is insatiably in love with these Latin beauties, and cannot be tamed. It’s a running gag that runs far too long. Panchito shouldn’t have shown Donald a hot beach, he should have shown him a cold shower.

The movie ends in quite an interesting way. Instead of a traditional song and dance number celebrating Mexico, the remaining twenty minutes of film is a surreal, avant garde display. More than ‘Toccata and Fugue’ from Fantasia. More than ‘Pink Elephants on Parade’ from Dumbo. Things are odd, formless, wild, and baffling. And lots of fun.

The Three Caballeros’s primary problem is how unbalanced it is. Any ten minute stretch is vastly different from any other. But it is unbalanced in a linear fashion. As the movie progresses, it becomes more cohesive and more audacious. Things are always building towards the (literally) explosive climax.

It begins with one short that doesn’t belong in the film at all. It moves onto a second short that, while more appropriate, could easily be excised. Jose is introduced, giving the movie more structure and narrative harmony. With him, more advanced animation techniques are employed. Panchito is introduced, giving the film a solid shape and definition. Finally, we’re treated to a grand tour de force. Disney’s animators use every trick to deliver a mindboggling trip for the eyes and ears.

The Three Caballeros as a group existed as Disney second-stringers for many years. Donald Duck remained as popular as ever, but it was rare to see Jose or Panchito acknowledged by the studio. Early in the 21st century, the cult popularity of the film prompted a resurgence for the forgone trio.

The Three Caballeros are featured at the Mexican Pavilion of Epcot Center (despite only one of the three members being Mexican). Don Rosa wrote two sequels for the trio, published in comic form. They’ve appeared in Disney television shows, such as House of Mouse, and 2017′s DuckTales. They even star in their own series on Disney+, where they become globetrotting fantasy heroes.

The Three Caballeros expands on the ideas of its predecessor, Saludos Amigos. A multitude of animation techniques continues the celebration of harmony in the Americas. Music, laughter, and a love of exploration unite us all. While the end result is something of a mixed bag, the highs are demonstrably high. It will stimulate some viewers while outright confounding others. But in the end, the wild, surreal adventure is a voyage worth taking. Hasta luego.

Fantasia Snow White and the Seven Dwarfs Pinocchio Bambi The Three Caballeros Dumbo Saludos Amigos

#The Three Caballeros #Walt Disney #Walt Disney Animation Studios #Disney #disney studios #Film Criticism #film analysis #review #movie review #Disney Canon

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sick-raven · 4 years

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Ghosts of the past - Chapter 1

Batman fanfiction

Characters: Jonathan Crane, OC - Miranda Bradbury, Bruce Wayne, John Constantine

About: Miranda Bradbury moved to Gotham for a few reasons - to enjoy her career as an assassin, and to face her fears. Who else should help her with hallucinations that follow her than the fear expert Jonathan Crane? However, the doctor-patient relationship is very unstable one as both of them have to fight with their past, their present, and Batman.

Author note: I was trying to figure out some fancy way to describe the story. It's just a porn with a plot about two sick freaks. Enjoy.

Fair warnings: Suicide attempt, rape mentions, nsfw, violence, light bdsm

Status: Finished, will post next chapters when in mood.

Can also read at AO3.

Chapter 1

It was a dark evening in Gotham. Now, every evening was dark, but in Gotham with its never-ending mist of smog, it was especially dull and uncomfortable. Street lights wouldn’t break the darkness, windows only shined TV light out and painted pictures of entertained families, or dining families, or, as most common in Gotham, arguing families.

Gotham was also loud and Terry Borrows hated that fact. They’ve never got used to constant car noises – revving of engines and horn honking that all coming back twofold in echoes bouncing from walls of thin streets. Annoying, headache causing. Terry would rather listen to their boss shouting all day.

They were hyper focused on the noise. On their check-up doctor said it’s nothing weird and then asked for payment in amount of Terry’s two-month salaries. Thief.

That’s when they heard it. Soft, almost silent ding. As if you try to get attention at the wedding table and you hit the crystal glass with a spoon. Once. Carefully. It sounded almost magical in this grey place.

Ding.

Terry stopped. At the end of the narrow street they saw a shadow. It was a person kneeling next to something on the ground. Terry didn’t see any details, but dread climbed on their back. This is Gotham. Terry should run. It doesn’t matter what were they witnessing, the logical thing is to…

Ding.

The person looked his way. Every little move was followed by that soft jingle.

And then Terry realized they can’t move anymore. The jingle dinged louder. And louder. The sound vibrated through the streets catching them right by the soul. Terry realized they can’t breathe. Their heart was racing like crazy and their head hurt from wave of sound around them.

The person… a woman… walked straight to Terry, bringing the sound with her. In the dark Terry recognized a scarf on her face and… oh god… bloody knife in her hand.

Run! They tried to move their legs. Nothing.

The sound. The fear. The knife.

Finally, Terry’s body gave in and they fainted. They didn’t see the woman touching their neck for pulse. Nor did they hear the sound stop as the woman left without hurting them.

In the street, there lay another body.

***

Miranda Bradbury really liked Gotham. She felt like a character in gothic romance. Darkness, never-ending mist and bad weather, creepy architecture and constant danger. She enjoyed Gotham since she’s moved here two weeks prior. This city was crazy. Mental even! During the time period she tried to adapt to her new environment, she’s already seen the clown terrorizing city, the Riddler enslaving a whole block and some maniac with knives kidnapping people trying to lure in the Bat.

Oh, yeah. Batman. Before she didn’t understand. How can the police just let mask vigilante on loose? She understood after two days. This city…

This city also ruined her business right away. She moved here, opened a toyshop and that was it. The empty place flourished under her care, filled with toys, decorations and joy. The shop was in pretty good part of town, and yet – no customers. Too late she found out this used to be a toyshop of some crazy guy – calling himself the Toymaker – who tried to kill the city with explosive teddy-bears and sentient Barbie dolls.

Yes. This city was mental.

And she loved it. She always tried to blend in, be the grey mouse in her warm turtleneck and messy brown hair. After witnessing crazy punk-rock fashion of this city she realized she stood up more like this. At least she can pass for naïve outsider. That’s always a plus in her line of work.

The fourth day and finally two guys entered her shop. They looked around with deep uninterest in their eyes. Walked through isles touching stuffed toy here and there or picking up a toy car and putting it back two seconds later. Miranda waited patiently at the counter, small smile on her lips.

They finally stopped in front of her. She suspected they are twins as their expression were the same – dull and bored. They were dressed like gangsters from twenties. Gotham was weirdly stuck in time.

“G’morning, lady,” said one of them despite it being deep afternoon. “We’ve come to talk.”

“How much?” Miranda asked.

“Excuse me?”

“How much?” she repeated not losing her patience. She adored the confused looks. “This isn’t my first rodeo, gentlemen. How much is the protection fee?”

“Straight lass, huh?”

“Partially,” Miranda joked. “I hate beating around the bush.”

“Don loves people like you. Right to bus’ ya know? It’s ten percent if you don’t want’cha place to burn.”

Miranda overlooked the empty store. Ten percent of nothing is… probably not suitable for Don Falcone, one of the mafia leaders of the city. Before setting the shop, Miranda made her research on the city’s bad guys. Always ready. Don Falcone won’t care, he will just want his cash. She started to think she underestimated the marketing. Be better PR, Miranda, it’s not that hard.

“Tell me, friends,” she started with a nice voice, “how does Don Falcone feel about illegal businesses?”

***

Miranda moved to Gotham for various reasons. One of them was the fact she was constantly on the move. She’s never spent anywhere more than two years. The last city she was in was Star City and that didn’t go well for her with all the supers around.

The second reason was that she’s always heard about Gotham as this sick place. The city corrupted by illness eating itself out like a wounded animal. That intrigued her and she felt as if this is the proper place to hide and never be found. And if she is, it will be probably in the dumpster behind some chemical plant. She could live with that future in mind.

The third reason… the main reason she wasn’t afraid to admit, she just didn’t want to deal with it… was him. Professor Jonathan Crane. Miranda took years of stupid, non-working, useless therapy to end up here. Her… could she even call them fears?... were crippling. And she needed the best. Jonathan Crane was the best. The fear specialist with shady background. But that’s Gotham for you. You might do inhumane experiments on your students and don’t get your licence revoked.

Miranda should probably be afraid of someone like that. Ridiculous idea. He was still running decent psychiatric office and all reviews threw him five stars. She will be careful. She just really needed help.

This was the part she hated. Explaining. She sat in front of the professor. He was fairly young for the title. Miranda’s looked through his files too, though he has been careful keeping most of the information hidden. Star student, at least he used to be. Those climb the leader fast. He wasn’t even forty yet, his ginger hair hid possible grey hair very well. He was watching her with his intense blue eyes and almost never blinked. He waited for her to get everything out. Miranda hated those stories. Repeating them again always made her feel crazy. She probably was.

“It’s complicated. I will try to make it short.” Now, Miranda, where is your hate for beating around the bush, huh? Just tell the nice doctor you are a fucking madwoman.

The professor was silent. Waiting. Even sitting he was very tall, and she noticed his fingers being thin and bony, just like his whole appearance.

“I have a problem. I’ve seen tons of shrinks about it already. Most of them gave up on me or drugged me to no avail. The thing is I have this weird… I don’t know… Phobia. Causing me panic attacks, crippling me.”

“That is not uncommon for deep fears,” said the professor. Miranda wondered how can shrinks be so calm. If someone told her they are crazy, she would probably joke about it right away.

“Yes, I know. I was told that hundred times already. There’s a catch.”

“Do tell.”

Miranda shuffled in her chair. No matter how many times she has talked about this it still made her uncomfortable and she felt like an idiot. But she had to fight this. Or she might…

“It’s ghosts. I panic around ghosts.”

The professor opened his mouth to say something, but Miranda quickly stopped him.

“No, I don’t believe in ghosts. That’s nonsense. I just call these things ghosts. It’s like… hallucination I keep having. They appear and it’s like someone caught my heart and pulled it out of my chest. I feel dead. I cannot move, I cannot act, think, anything. But according to all the doctors, I am sane.”

“When do these ghosts appear?” Professor didn’t even flinch. Nor blinked. He heard crazy talk daily why should she be any more interesting?

“They first appeared a little over a decade back. This is when the first attack happened. Then I got a charm, see?” She touched her necklace. Simple round silver ball that jingled softly when moved. “It keeps them away. When I take this off, I see them. I get attacked right away.”

“May I see?”

She held the pendant firmly. “Sorry, I don’t take it off on the first date.”

Her joke created tiny smile on his face. “Understandable.”

He asked more questions and she tried to answer as truthfully as her crime record allowed. By the end of the session she felt like dried out sponge.

“Don’t be afraid, miss Bradbury. We will figure this out,” professor said when she was leaving.

“Funny you say that. I can’t really feel the fear,” she smiled and that ended their first meeting.

***

Terry Borrows way lying in the hospital bed. They hit their head during the horrid night which caused a mild concussion. The doctors were also worried about their heart because it showed signs of arrythmia. It disappeared a day after the incident, but everyone was head over heels with this situation.

“They keep me here because they want to blame it on me,” wrote Terry to their friend. “Because they have nobody else for the murder.” Terry believed that. This wouldn’t be the first time Gotham has fucked them over. At least they survived. Witnessing murder first hand was like being sentenced to death.

So, they were bored on the hospital bed, half asleep, half awake, back hurting from cheap bedding. Eyes closing and opening again just to see how far the sun has moved or whether the food was ready.

Closing. Opening. The sun was setting.

Closing. Opening. Darkness.

Closing. Opening. Shadow.

Terry’s heart nearly stopped. They shouted by surprise. They are definitely going to die now!

“Terry Borrows,” said the shadow with a deep voice. “I have few questions for you.”

Terry was struck by fear. The rational part of their brain wanted to scream. They didn’t. They watched a man dressed as giant bat and their voice trembled.

“Y-yes?”

“What did you see at the crime scene?”

“I already told the police everything.” There was panic in their voice.

“Tell me.”

“There was a woman, she killed someone. She had some sort of mask. She… ah!”

The door opened. The nurse stepped between the doorframe, looked at Batman and then strategically left closing the door behind her. Terry swallowed a curse.

“Continue,” demanded Batman.

“The sound. It was the sound that made me faint.”

“What else can you remember?”

“The jingle. She was jingling like some fucking Christmas tree.”

“What about her movement?”

“What about it?” asked Terry. Batman just waited to let them figure out what he means. “I don’t know. I saw her just for a few seconds. She was hidden in the shadows.”

“Thank you, Terry.”

“You are welcome?” answered Terry unsurely. Then the door opened again, and doctor stormed in ready to shun the uninvited guest.

But he was already gone.

Chapter 2

#jonathan crane #batman #fanfic #writing #writeblr #ghosts of the past #sick raven writing

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lilacsolanum · 5 years

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Who was your Shepard? What ending did they choose? Did it remind you much of the end of Animorphs?

Did you just– did you just give me an excuse to rant about my Mass Effect experience? WELL THANK YOU!

My Shepard was a fierce dark skinned woman with a penchant for a heavy eyeliner and a dark lip. She originally had a stern bun but I DID give her a haircut between ME2 and ME3 for the drama and she had a buzzcut. She ran around in a hoodie 24/7 and was my butch qween. I named her Ms Nesbit in ME1, but ME1 didn’t understand the space so she ended up being Ms Shepard which honestly was ideal. She was from the tragic Midnoir, and had the “soul survivor” psychological profile. I was absolutely role-playing her, giving her a strong “bright clear line” ruthless and practical moral code. She had. SO many renegade points. It was mostly a renegade play through, but I was always bros with my crew. Well. The crew members I liked. I killed someone on purpose in the suicide mission like. Bye.

I played these games blind and it was the best, not knowing how my choices would play out, not knowing what was coming next.

When I played the ending it was, like, 4 AM and I just wanted to be done so I could focus on writing and not be haunted by my love of this great video game I wanted to play all the time. So like. I wasn’t comprehending anything really, and Shepard was moving SO slowly, and I just went toward the pillar because it was shiny. TECHNICALLY I chose Synthesis, which was the cheesiest and worst ending.

I WANTED to choose Destroy, and would have if I was less of a sleepy bitch. Destroy was what we set out to do, and I don’t think the consequences of the literal universe existing beyond “the cycle” were going to be THAT bad. The Geth chilled out. Everyone calm down. Let’s rebuild.

Because I played a “war is hell, bright clear line” Shepard, the ending with her death DID feel right to me. It WAS very Animorphs-ish. Not everyone makes it out of war. Not everyone survives. But I understand why people hated it, especially if you played paragon. Like I told someone else, then the ending of ME is like if Sailor Moon ended with the gruesome death of Sailor Moon. Really, the thing that reminded me the most of Animorphs was the Krogans.

I wrote out, like, my entire play through under the cut because I was feeling myself and because I have SO MUCH TO SAY and played this video game like ten years after it came out so I only had one other person screaming with me. I (somewhat) restrained my boundless energy on their behalf. Cav is a patient soul.

In ME1, I killed the Rachni queen, because even if she was serving me some buckwild nonsense about songs and the general plot of Ender’s Game I was like bye gurl bye, your race died. It’s dead. It’s far too traumatizing for too many people to bring y'all back. Also, you are litterly a giant spider, absolutely not, no no, do not want, please leave.

I primarily ran Wrex and Kaidan because I very much enjoyed Kaidan’s idealistic banter where he’s just impressed with literally everything and then checking in on Wrex who was just bitter and full of hate. Wrex became my favorite character. I LIVE for a grumpy old man. I got his family armor and managed to chill him out on Virmire on the first choice, which was AMAZING, because I later looked up the other outcomes and found out Ashley would kill him and I would have been TRAUMATIZED. I zoomed in on Ashley being a racist and peaced her out, keeping my boy Kaidan around for another two games.

I accidentally romanced Liara even if I wanted to romance Kaidan, but I WAS flirting with them both for a bit (though I ultimately didn’t get the scene where they both confront me). I also slept with that random Asari lady.

I chose to kill the council in the end. It was the better choice for humanity. We needed to do something big to prove that we’re here, we’re not going away, and we’re just as important as the rest of you.

ME2 is just like Making Friends: The Video Game. Which was honestly so fun, I loved that it was an entire game devoted to character storytelling? I let Garrus break a dude’s legs, but I did not let him kill that man, even if I let him kill the guy in ME1. It honestly felt like letting that dude live was shittier. I killed the heretic Geth because, like, they’re machines, they’ve already been possessed by Reapers, they’re fine. I understand that Legion was doing it’s whole Breq thing but most Geth are just part of a whole. I was fine with it. I had enough Renegade points when I did Tali’s mission to allow her to be proven innocent without revealing her father’s treason, which I’m super glad I did because of it’s effects on ME3. The rest of the missions I basically just went renegade for the points. I loooved Thane, Miranda, and Grunt, fell deeper in love with Garrus and Tali, didn’t spend enough time with Legion but again, I saw the whole individual sentience storyline unfolding and appreciated it, Jack I liked ironically because Oh Boy Everything About Her (LOVED her in ME3 though), and Samara and Jacob were THUMBS DOWN.

And then Mordin. Holy shit. What an amazing character. First of all, he’s the best, second of all, he busts out in a musical number, third of all, his mission is SO BEAUTIFUL AND COMPLEX. But. I ended up destroying both Maelon’s data and Maelon himself.

The genophage was population control, not genocide, and while it’s a harsh method it was the kindest solution at the time. The Krogan really remind me of the Yeerks, actually. When it was pointed out that they were given technology before they had culture, I was like, yes, YES, my favorite children’s books series addressed this SAME THING! And like Yeerks, absolutely, I recognize that some Krogans were good, that they didn’t have the same bloodthirst as others, that they saw a better future. Wrex was one of those Krogans. Wrex had power. But was that enough power? How very easy would it be for a rogue group of Krogans to hide away, procreate, get strong, and go to war with the Urdnots. How very easy would it be to destroy the efforts of one man. It was idealistic to think that just because Wrex had influence, that the entirity of the Krogan race could be changed. Ms Shepard made a hard choice, but she did what she had to do.

Also, my renegade zombie face was fucking hilarious, the drama, the theatrics. When I came back from some mission with red eyes I laughed so much. What a choice. What an amazing choice Bioware made with that. I probed the planets and fixed my busted mug, but not after enjoying my glowing scars and bags under my eyes for a MINUTE.

I two timed Garrus and Thane for a minute, but ultimately I went with Garrus, because I texted my BFF, a normal person who does not write or read about alien fucking, with a photo of the two and he immediately replied with “zaddy with the scope for sure” and it was decided. Thane did call me sita for a hot minute and it was very very sweet. Oh and you knoooooow I flirted with Kelly Chambers HARD.

I played the suicide mission blind and I have this weird habit of overestimating video games when they are CLEARLY telling me what to do and trying to outsmart them, so I somehow lost Thane, Garrus, and Mordin. I broke my rule about not going back on any choice and replayed it to save everyone’s asses, except for Jacob Taylor, who I killed on purpose. No regrets.

And then shit went DOOOOOOOOWN in ME3.

First of all, fuck EDI’s robot body. I was already shipping her with Joker and in no way did they need a physical form, it’s called IMAGINATION. I might write a fic where EDI as a ship’s AI instructs Joker on how to get himself off, Dom style. *I* know how to write an AI/human romance without a robot that has FUCKING HIGH HEELS??? No. Nope. Also, why the hell does literally every male squadmate have to call her hot. What was the point. WHAT WAS THE REASON. WHAT WAS THE REASON BITCH.

I immediately went to deal with the Krogan genophage because I knew some shit was about to go on. This whole thing ended up being maybe one of my absolute favorite story experiences, ever.

It starts happening. Wrex rolls up. He is PISSED at me. He is saying he wished he killed me in Virmire, the first time I blocked a genophage cure. It’s heartbreaking. I loved him so much, and he’s SO ANGRY, and he has every right to be.

Mordin starts his research. Eve is there, she’s fucking ICONIC, her and her 50-year-old diner waitress smoker voice. Poor unfortunate goddamn soul, YES. I love her. But I also doomed her by destroying Maelon’s data.

Then the Salarian talks to me. And I know I’ve chosen this stance for Ms Shepard and that I’m not going back on it. When she says “You stop Mordin from spreading the cure, no matter what” I already knew what was going to happen. It’d been spoiled for his death, yes, but damn. The way it went down.

The first thing that happened that made me go “holy shit” was when we were all flying toward Tuchanka and I had an option to tell everyone about the sabotage. I actually took it. Even if I had this storyline, I had this moment of like, okay, I love these characters, I love Mordin and he’s so happy to redeem himself, I have to tell my friends about what the Salarian wants to do. And I chose that option AND I AM INTERRUPTED AND DON’T GET THE WORDS OUT. I mean WHAT a fucking amazing detail. When the option came back again, to lie to my friends or tell them the truth, I lied.

Watching to confrontation go down with Mordin just destroyed me. The voice actors killed it. I told Maelon about the sabotage. It was so fucking emotional. “I MADE A MISTAKE! I made a mistake. I focused on the big picture. Big picture made of little pictures.” Just. Holy shit. And I knew what was about to happen and what I would have to do, and even if it was a video game, I was IN IT. It was the fact that the renegade interrupt was in slow motion that absolutely got me. That there was extra time to think about it, to let him go. I closed my eyes and hit my mouse trigger and Shepard shot Mordin. The way she walked off and threw her gun to the side was devastating. And then the game made me watch Mordin drag his dying body across the tower to try and get to the controls, saying, “Not yet, not ready, not ready,” which was honestly very rude. And then the cutscene where Wrex looked out on his planet, joy and awe on his face, that was also incredibly rude.

I later watched the paragon version and just. “I’m the very model of a-” SUPER. RUDE.

I knew doing all this meant I would also have to kill Wrex. That wasn’t a spoiler, that’s just logic. So one day I go to the Citadel, lalala, fetch quest fetch quest fetch quest, and then I go back to my ship and BAM. Wrex. How fucking brilliant. There is no moment around his confrontation, no visit to Tuchanka. It hits you when you’re completely off guard. He also called me out on not doing the “Bomb on Tuchanka” mission because I did things out of order. Found Grunt, go cure genophage. I shot Wrex. Bailey would have, but it was my responsibility.

Later, Garrus called me out on everything during his “tough call” scene. I told him what I did. The way he then asks, “Did Mordin just go along with it?” and Shepard just walks off was so good.

So.

All of Legions missions were SO cool. I’m learning I have such a weakness for robots/AIs and sentience. “Do these units have a soul?” Also it’s little inner brain Tron world was great, and how the Geth remember the Quarians who were kind was just beautiful. When it came time to choose between the Geth and the Quarians, I was able to save both. Even if that wasn’t the most renegade-y choice, it came from my original mission statement: bright, clear line. Both forces living meant both forces could fight. The rest of my “storyline” was so super dark that this moment felt really triumphant it my little role play? It reminded me of The Doctor saying “This time, everybody lives!”

The rest of the game was just “How many people can Liana kill?”

When Thane died, he called me sita one more time, even if I didn’t commit to him, and it BROKE MY FUCKING HEART. What a great detail to bring back one last time. When Bioware is on, it is ON.

When Samara held a gun to her head I was just like “See ya later alligator.” What a boring character. btw, the whole Morinth thing could have been SO cool but ended up so lame. I didn’t have enough renegade points to get her and I don’t even care. Bye. I didn’t give Miranda Alliance support so SHE died. That was sad. Grunt survived because my baby boy was loyal, but he might have died since I didn’t deal with the bomb. I was supposed to get a poorly spelled message from him according to the internet, and I never did, so uhhhh oops. Sorry, my son. Kaidan didn’t die during his little freak out because we were besties.

When Liara asked me if we were still dating, I said yes, then I immediately went to Garrus and he asked me if we were still dating and I ALSO said yes, then I flirted with James Vega and Samantha Traynor a lot. Eventually, during Garrus’s personal quest, he asked me if I was ready to be a one Turian kind of woman. I said no and he took the rejection well. Then I went to see Kaidan, and he told me he had feelings, and I locked in with him. I love the idea of Kaidan, who is kind of sheltered and idealistic, attempting to protect and soothe this war torn woman, while accepting the darkness of war himself and questioning his place in it. I loved the idea of us breaking apart, but brief grounded moments with one another. Plus Garrus never even seemed THAT into me, like, yeah you’re awkward bro but idk give me a cute nickname or SOMETHING, and Liara was boring. Liara was SO PISSED AT ME LMAOOO she used A Tone when I would go visit her in her little office and like stopped talking to me. It was hilarious.

I can’t remember if anything else super relavant happed in ME3. I hated Cortez’s “bury your gays” storyline. Gays can do more than be sad. Samantha Traynor was such an afterthought. I still don’t understand why a femShep couldn’t romance Jack, who is canonically bisexual, and I wish that was an option in ME3. I love that Kaidan came back bisexual, like he was just on his little Barbarella journey. What happeneds on Horizon, stays in Horizon.

I have written too much that no one, if anyone, will read, and I must sleep now before I chose the Symbosis ending again.

#zarohk

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diveronaevents · 6 years

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The days and nights that follow the Trial come and go not unlike the trial itself-- strangely, and without a true sense of closure, any hint of justice lost to the currents beneath the Castelvecchio. The verdict on Alvise’s murder remains murky and Celeste remains hidden behind Capulet walls, her status largely unknown to the Montagues except for what slivers of truth her captors are willing to parcel out in their mercy. Violence continues, unfettered and everblooming, each day bringing rising casualties and minor destruction, each day there’s new smoke on the horizon, new ash littering the cobblestone streets. The Witches remain silent and unseen, absent from their usual posts at their properties, unfamiliar faces wordlessly taking their place.

The more superstitious of Veronans in the know must surely wonder what the price of a witch’s bruised ego is. Would they take their guests’ insolence in stride? Had the city lost its sentinels of centuries to their own pride and exasperation? Had a breaking point finally been reached? “Nonsense,” their more secular counterpoints scoff, “Not every silence is ominous.”

But the avid reader might have already learned that circumstances are not so simple, and something as tricky as fate is not so easily brushed off by mortals who fancy themselves gods. Luck and tragedy have a way of walking in tandem, one striking after the other, one wearing the other’s face while speaking in their own voice. If there was luck to be had, it would come bearing tragedy’s likeness.

There was only a light drizzle at first. Citizens walked with a quicker step, lifting their newspapers above their heads; most continued on in their business, as most would. But the drizzle quickened into a brisk pouring; doors closed shut, tables were taken in from outside; still, no one had any reason to be worried— and why would they? The weather has been sunny in Verona for months, a blessing upon the tenuous peace that had been so lasting. But every peace lasts only for so long.

It began with the whipping winds, the gales strong enough to shake windows and tear plants from their roots; debris flew, striking the shingles off rooftops, colliding with ancient monuments and shattering window panes. Then, the lightning. One great bolt, the thunder so deafening one would wonder if the gods themselves bore a grudge against Verona. All at once, darkness blankets the city. No power, no lights, all as evening arrives, the secondary player to the storm, indifferent to the destruction wrought.

But just as some may think a reprieve has finally come with the shadows, the flood begins. The Adige rises before anyone can beg for its mercy, filling the streets with rapidly moving water, first to the height of one’s ankles— then to their waists. The masses desperately make their way to higher ground, racing to cathedral rooftops, the very top of Lamberti Tower, anywhere to be shielded from the rain above and the rushing current below. It seems as if no one is safe in Verona, and certainly not either of the two most notorious families.

MERCUTIO and CELIA were in the middle of a skirmish on Capulet territory with MACBETH and PARIS when the storm struck. The four are forced to seek refuge in the The Dark Lady. The Capulets attempt to bar the Montagues out to strand them, but the Montagues manage to force their way in, enraged and hungry for blood. The power goes out— a dangerous game of cat and mouse ensues.

Elsewhere, VOLUMNIA encounters ANTONY in peril— the adviser was in the Gardens of the Twelfth Night Museum when a tree collapsed onto one of the standing statues, the fallen marble pinning him underneath. Not long after, BENVOLIO arrives, having heard the commotion from inside, and helps ANTONY regain the upper hand— only to earn the adviser’s ire against the Capulets manifested in a punch straight to his jaw.

CORDELIA and TITANIA, meanwhile, find themselves stranded on Montague territory in the midst of rising waters. Wading through, they find refuge in the first building they can find— the library of Montague headquarters. HAMLET and SEBASTIAN are waiting for them and take the opportunity to either separate the two or use one to get the other to talk about Alvise.

GONERIL, having accompanied ANTONY to the museum thinking CRESSIDA could have been hidden there, split up with the adviser to investigate the offices on the lower level. She runs into ROSALINE, who is prepping the museum for the storm, and the Capulet immediately goes on the offensive, to the soldier’s delight.

BIANCA, having been tasked with integrating herself in Montague contacts, finds herself in To Tame A Soup the hour the storm strikes. As the patrons realize the severity of the storm and begin to panic, she attempts to leave before the situation worsens. ROMEO spots BIANCA and gives chase— she realizes she can play dumb or own up and risk the consequences or explain herself by giving the appearance of a genuine interest in the soup kitchen and possibly gaining the Montague’s mercy as the storm worsens around them.

TYBALT, having left Measure by Measure not long before the storm hit, resorts to breaking into an abandoned building to reach safety, only to injure himself in the process, catching his skin on the broken glass. NICK BOTTOM, already having sought refuge inside, spots the Capulet and can’t help but taunt and provoke him into a fight, wanting to see if even the Tiger has limits. It’s broken up quickly when the water reaches inside and they’re forced to climb to the roof and find safety.

REGAN, having been sent to investigate Measure by Measure, finds herself and the rest of the fight club patrons plunged into darkness. Chaos erupts among the fighters laden with adrenaline, and there’s no clear way out in the confusion and dark. BRUTUS emerges, having recognized the Capulet, and is torn between throwing REGAN into the middle of it all or helping her gain control and command over the situation.

LAVINIA and LADY MACBETH are out near Montague territory when the storm strikes, LADY MACBETH intent on toughening up LAVINIA. They run across a stranded Montague who, having nearly been caught by the floodwater, scaled up to the rooftop of the Two Gentlemen. A rookie, they are, having just joined the Montagues as a drug runner, they tearfully confess. It’s too late to turn back from the filth of this life, Lavinia— this is war. However, a sudden appearance by CLEOPATRA puts a halt to their plans, and she steps in front of the Montague rookie, intent on making it clear that the Capulets’ antics stop here. Another target upon which to set our crosshairs, LADY MACBETH reminds LAVINIA.

At the Lamberti Tower, OPHELIA and IMOGEN have met to discuss the aftermath of Alvise’s death for a possible story to go to the press. As chance would have it, HIPPOLYTA was in the right place at the right time, catching sight of them meeting at the foot of the tower. As the storm worsens, she follows them up, suspecting them of working against the Capulets— she ambushes them both, emerging with her gun drawn, and grabs IMOGEN. OPHELIA, in all her grief and anger, refuses to let the situation spiral out of control. A shot rings out.

CELIA, following her skirmish, is crossing a treacherous path back to Montague headquarters when she finds VIOLA helping pull an injured Capulet free from flood waters. The Capulet recovers, only to pull a blade out at the sight of CELIA, lethal and full of newfound adrenaline. CELIA only has a split second to gather her bearings and ready herself for a fight; VIOLA realizes the situation needs to be diffused before anything worse comes from it.

JULIET is alerted to a massive crash in the area of Capulet headquarters where CRESSIDA is being held hostage. The wall had been partially damaged in the storm, enough for Montague to slip through, leaving the space she had once occupied empty. The heiress frantically runs out of the headquarters and runs into PORTIA who, sensing something is amiss, corners JULIET and demands answers.

HORATIO finds himself caught in a rapid current and barely has enough energy to stay afloat and breathe. He tries desperately to cling to whatever he can find, but to no avail. As the water takes him towards Capulet territory, MIRANDA, having found some higher ground, spots him and hurriedly goes to save him. Grabbing him, she is suddenly pitted against nature, and by sheer force manages to pull him to safety, the both of them exhausted beyond belief. Relief comes in the form of HELENUS, who was in the middle of conducting mass when the storm struck.

CRESSIDA, having not escaped very far In the storm due to a sprained ankle, runs into EDMUND who admonishes her attempt at escape. However, they catch the attention of FORTINBRAS who recognizes his chance to win Damiano’s favor. The Capulet draws his gun at FORTINBRAS, but is shot at before he can, a bullet grazing his wrist and causing him to drop his gun. PUCK emerges, balancing the scales for his offense against BEATRICE, and allowing FORTINBRAS and CRESSIDA to escape.

OVERVIEW: Welcome to the third scene of act one, dear friends and roleplayers! A terrible, ominous, almost supernatural storm has gripped Verona, and our Montagues and Capulets and in-betweens are caught right in the middle of it. Many muses were performing their daily duties when the storm struck, and now find themselves in precarious situations— please feel free to play out any of the above scenarios out on the dash! And just because your muse is in one location doesn’t mean they can’t be anywhere else before or immediately after the storm, which takes place on September 29th. Please date threads anytime from September 29th to October 9th, with the storm starting to affect Verona at 4:45PM on September 29th. As always, feel free to write any of your previous threads as well.

We also hope you all enjoyed FORTINBRAS and HELENUS’ introductions— their bios will be released in the next few days, so keep an eye out for them! We purposefully tried to keep their involvement to a minimum or at least made it possible for muses who have interactions with them to write threads prior to or following their involvement.

Thank you all for your wonderful activity, and we hope you enjoy this plot drop!

#literate rp #bio rp #crime rp #mafia rp #lsrpg #act 1 scene 3 #event: storm #date: september 29

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furederiko · 7 years

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A bit later than planned, but today's Random-News-Digest is MAINLY (yes, not all) occupied by Disney-related news. Owing that to the Disney D23 Expo 2017 that took place over the weekend, of course. So... as the San Diego Comic-Con International 2017 officially kicks off today (July 20th, PST), let's take a quick detour to see what hit the world by storm last week...

Disney Live Action

During the D23 Expo 2017, Disney announced and confirmed several of its upcoming live action remakes. Niki Caro's "Mulan" has entered production, as well as Tim Burton's "Dumbo". Dwayne Johnson is also set to headline "Jungle Cruise", while "The Nutcracker and the Four Realms" has been given an official release date.

Cast for "Dumbo" has been confirmed to consist of Colin Farrell, Michael Keaton, Danny DeVito, Eva Green, as well as Nico Parker and Finley Hobbins. Roshan Seth, DeObia Oparei, Sharon Rooney and Douglas Reith round up the set in supporting roles. Farrell is set to play Holt Farrier, a former circus star who has a rough life following the war, while Parker and Hobbins are set to play his children. DeVito's Max Medici is an owner to a struggling circus, who then hires Farrier to be the caretaker of Dumbo, the elephant with oversized ears. Keaton plays V.A. Vandevere, and Green plays Colette Marchant, both who are interested in turning Dumbo's aerial ability into fame.

A life-size statue of Dumbo was showcased during the panel, though I'm not sure if it's from the movie or just a replica from the 1941 animated movie. Burton is bringing MANY of his previous collaborators on "Miss Peregrine's Home for Peculiar Children" and "Alice in Wonderland" to work on this movie. That alone is enough to give us a sense of 'what to expect' from it. The movie will be filmed entirely in England, and it is set to be released on March 29th, 2019.

"The Nutcracker and the Four Realms" will star Keira Knightley as The Sugar Plum Fairy, Helen Mirren as Mother Ginger, Morgan Freeman as Drosselmeyer, and ballerina Misty Copeland. As the title suggests, the movie will feature four different realms, and two of them are called the 'Land of the Flowers' and the 'Land of the Snowflakes'. Charles Riley is in charge for CG creation and motion capture, and it will be released on November 2nd, 2018.

Three lead actors for Guy Ritchie's "Aladdin" have been announced. Will Smith has been confirmed to play the iconic Genie. Joining him are Canadian-raised Egyptian actor Mena Massoud... who will obviously playing the titular character, and actress Naomi Scott in the role of Princess Jasmine. While Massoud is poised to be getting a bigger buzz due to his upcoming involvement in John Krasinski's "Jack Ryan" series, Scott is the more well known one for the time being, having had her high-profile big screen debut through Lionsgate's recent "Power Rangers" remake.

Apparently, this casting was harder than it looks. A few days before the announcement (on July 11th), The Hollywood Reporter ran a coverage describing 'the struggle' that the House of Mouse faced in their global search to find the right actors for the characters. Around 2000 actors and actresses from London, Egypt, Abu Dhabi, and India have read for the lead roles, but without any easy result. The process even dragged the project so much, that apparently Ritchie had to go back to the drawing board multiple times. "The test process was a mess", said one agent... whose client obviously didn't go through. The team even consulted with musical veterans Marc Platt and Chris Montan to solve this issue.

Coming from a credible site that rarely made a mistake, this report obviously became a hot topic of debate, putting Disney's supposed-effort into a giant question mark. Because seriously though, was it really THAT hard to find natural brown-skinned Middle Eastern actors who CAN sing and dance? Especially considering Disney ended up casting an Egyptian actor and half-Indian actress for the role instead of going full-on Arabian? I mean, don't these countries have talent shows (like "India's Got Talent") that almost always features young aspiring talents who CAN dance and sing? Not just that, the glaring fact that Bollywood is FAMOUS for its MUSICAL movies had me scratching my head. No offense to Massoud, but we have so many aspiring young South Asian or Middle Eastern actors who ARE popular as both singer and dancer while also looking more appropriate for the part. Just throw in names like Shahid Kapoor, Sidharth Malhotra, Hritik Hroshan (who is yes, prolly too old, but he nails Aladdin's look perfectly), or even Turkish hot-throbs like Emre Kivilcim and Serkan Cayoglu with vast TV experiences. And I'm positive you'll find yourself slapping your own face in confusion for why Disney needed to even... 'struggle' to find one. They can even cast one of those young and undeniably handsome-looking Arabian princes from the royal palace! And I'm NOT kidding.

It's more than clear than Disney, Ritchie, and casting director Randi Hiller (also white) only searched those who have a North American and/or Hollywood presence, because the names being talked about was none other than the likes of Riz Ahmed, Dev Patel (which would've been fantastic), and Tara Sutaria. They've also seemingly focused more on non-natives who grew up in Western countries, like Dutch Achraf Koutet, American George Kosturos, and also Massoud and Scott themselves. This clearly made many questioned... why call it a 'Global Search' then? For the time being, the studio is also in search for a well known name for the antagonistic role of Ja'far. Should we even make a wild guess who they are going to cast? I won't be surprised if Disney returns to Sir Ben Kingsley for the part *sigh*. I mean... who else, right? Aaah... Riz Ahmed!

Anyways, let's just hope this casting is good and that it won't generate negative whitewashing feedback. I've repeatedly said that I do NOT think Smith is a good choice for the Genie, because even an Oscar-calliber like him would have a genuine hard time following the footsteps of the late Robin Williams' iconic performance. However... as much as I dislike that particular decision, I'm willing to let it slide if Massoud and Scott can nail their parts gracefully. According to Massoud, Williams was his inspiration to pursue acting, and I'm pretty sure that will be winning the hearts of "Aladdin" fans. If not one of the reason why Disney turned their heads towards him, of course. LOL. I'm now hoping we'll be seeing a different casting scenario with "Mulan", because I fully expect an ACTUAL global cast for that movie. Come on Hollywood, there ARE gazzilions of Asians around the world who CAN sing and dance! So if you're ever spout nonsense like 'difficult to find' and all, I'll belt out a tune and make a man out of you guys. For real! Crossing my fingers that Caro will get it... 'better' than Ritchie, though I'm not that particularly certain about it. It's a white world after all, right? "Aladdin" is set to begin production in August for a 2018 release. Probably for August 3rd.

Actress Emily Blunt and director Rob Marshall were present to debut the first look for "Mary Poppins Returns". The footage grabbed the crowd's attention, and despite being absent on stage, Lin-Manuel Miranda's performance brought out their wildest cheer. As has been widely reported, this movie serves as a sequel to Julie Andrews' original classic. The movie takes place in a familiar, but different setting: Chery Tree Lane. Ben Wishaw and Emily Mortimer are playing Michael and Jane Banks, the kids from that first movie who have grown up to be adults now. Michael is also a windower with three children. Colin Firth is set to play a heartless bank manager, who brings trouble to the dark and gloomy London, as well as the Banks family. Miranda plays Jack, a lamplighter who helps Michael's eldest son Georgie to get his kite. Meryl Streep is playing Mary's eccentric cousin Topsy, the great Angela Lansbury as the Balloon Lady, and Dick Van Dyke returns as the bank Chairman.

According to various report, the footage gave off an 'Old Hollywood' style with high production value, dance sequences, and grand musical numbers. There's also a 2D animation/live-action hybrid scene, sounding very similar to the first movie. Blunt said that she only saw 15 minutes of that movie, so that she can try to deliver her own version of Poppins. "No one is ever going to out-Julie Julie Andrews. She’s just unbelievable. There will never be anyone else like her. So I just had to do my version of her and I think we were very loyal to the books.", she said praising Andrews' performance. Will Andrews be making a special cameo appearance in the movie? This is Disney, so highly likely, but we'll see. "Mary Poppins Returns" will arrive in Christmas 2018.

Vying for attention, was Jon Favreau's "The Lion King". He didn't announce the cast (which I've been waiting for, particularly with that speculation of Hugh Jackman being approached to play the antagonist Scar!!!), but did bring out a footage to please and WOW the audience. Said footage was the exact mirror recreation of the 1994 animated movie's opening scene, where the baboon Rafiki introduced a lion cub Simba to Mufasa's animal kingdom, on top of the Pride Rock. Complete with Elton John's "Circle of Life" playing in the background too! The only difference was that it looked photorealistic, as if it's a scene taken from Favreau's massive-hit Oscar-winning "The Jungle Book" from last year. There were plenty of animals of all kinds depicted in their own nature, but an ultra-adorable baby Simba was undeniably the scene-stealer.

Favreau received similar, if not greater thunderous applause to when he debuted the footage for "The Jungle Book" two years ago. He made the audience went wild this time, eventhough it was Anaheim California, and not the African savannah. "We know how important this is", he said, assuring fans that his team will be delivering the best live action retelling they can muster. I'm a huge fan of "The Jungle Book", so I have huge faith in him. I personally can't wait to see this footage online, but I'm not sure it will be released in the near future. Not to mention, the movie itself is still two years away from release! Ouch!!! I guess we just have to practice patience and... wait. "The Lion King" arrives on July 19th, 2019.

The last but equally attention-grabbing piece of the panel, was Ava DuVernays' "A Wrinkle in Time". Buzz for this project have been really huge and loud even before production began, so expectation have been high. During the panel, DuVernay along with several core cast members delivered the first official teaser trailer while an official poster was released via social media. And it looked... weird but mesmerizing. We saw Storm Reid's Meg Murry, adventuring with brother Deric McCabe's Charles Wallace and classmate Levi Miller's Calvin O'Keefe to find her missing dad. Mr. Murry, played by Chris Pine, was seemingly trapped after discovering a new planet and travelled there using the 'tesseract'. Meg then encountered three Astral Travelers on her journey, Reese Whiterspoon's Mrs. Whatsit, Mindy Kaling's Mrs. Who, and Oprah Winfrey's Mrs. Which, who would somehow guide the trio in their journey. One that's likely involving the many other characters played by Zach Galifianakis, Michael Peña, and more. As well as CG actions with monsters and all... because the trailer suggests that.

Now... not unlike many folks, I'm not familiar with the novel, nor what it's all about. So I can't really describe how I feel about this. Somehow, those three Astral beings reminded me of the fairies on "Sleeping Beauty", if not the three Ghosts of "A Christmas Carol". That is, in both puzzling and creepy ways. The teaser also reminded me of "Doctor Strange" and/or "Legion" which was a good comparison, but at the same time, it also gave off a strange "Tomorrowland" vibe, which was NOT a good comparison. Then again, my mom immediately said "This looks amazing" (paraphrasing from our native language...) after seeing it... and that's totally saying much. As in, I'm definitely checking this one out when it hits theatres! For now, you can check out a few official stills from the movie, debuted by Entertainment Weekly as part of their 'First Look' season. "A Wrinkle in Time" will premiere on March 8th, 2018.

Disney Animation

It's Disney Animation Studios and Disney Pixar time! I somewhat expected Pixar's "Coco" to be getting all the big attention this year, but surprisingly that's not the case. Two other titles stole the attention on this Animation panel instead!

Fans have been asking for sequel to 2004's "The Incredibles" for many years, more than a decade even! Thus when it was finally announced, anticipation for "The Incredibles 2" has been growing like crazy. That must've been the reason why it's one of the two most talked-about title of the panel. Writer/director Brad Bird attended the panel alongside Disney Animation Chief John Lasseter, as they delivered official concept art, first raw footage, and give hints of what we can expect from Pixar's very own Fantastic Four-esque team.

For start, while many fans have been voicing their hopes to see a 10 years passed after the first movie (with all the kids grown up), Lasseter revealed that this sequel will instead works as a direct continuation. "It starts right as the first one finishes, so it just carries on", he said, confirming that only a minute have passed after the arrival of John Ratzenberger's Underminer. Family, is still the major theme of this movie. "One of the unique things about the Incredibles is it’s really a story of a family set in the world of superheroes. This one carries on that theme. It’s awesome, the idea we came up with — simple as that. … We love to really look at our own lives and look at what’s going on, and find themes that we know will resonate with the audience", he stated. Bird also reiterated that "It's fundamentally a story about family".

The main star for this one will also be Holly Hunter's Elastigirl alongside their children Violet and Dashiell (voiced by Sarah Vowell and Huck Milner, taking over from Spencer Fox), as Craig T. Nelson's Mr. Incredible will spend more time taking care of baby Jack Jack who's developing his unique powers. If it wasn't obvious enough from his social media shoutouts, Samuel L. Jackson has been confirmed to reprise his role as Frozone, while Bird himself will reprise his role as the famed superhero costume designer Edna Mode. "The Incredibles 2" opens in less than a year, on June 15th, 2018. Here's hoping Pixar will release a trailer soon! Perhaps on SDCC?

The other title that gained a huge amount of cheers and praise came from Disney Animation Studios, in form of "Ralph Breaks the Internet: Wreck-It Ralph 2". Similar to how "The Incredibles 2" put more focus on the female lead, it seems this one also shifts the primary attention to Sarah Silverman's Vanellope von Schweets. Namely, due to her being acknowledged as a Disney Princess... alongside, the previous Princesses! Yes, Silverman and directors Rich Moore and Phil Johnston presented a clip from the movie, where Vanellope stumbled upon a website called OhMyDisney.com. That's where she runs into all the Disney Princesses, who was having slumber party filled with rapid-fire meta jokes about their histories and tropes.

But that's not even the best thing, because most of the Princesses are voiced by their iconic voice actresses! To prove that, Disney brought out these dream team on stage: Jodi Benson (Ariel of "The Little Mermaid"), Paige O'Hara (Belle of animated "Beauty and the Beast"), Linda Larkin (Jasmine of animated "Aladdin"), Irene Bedard (of "Pocahontas"), Anika Noni Rose (Tiana of "The Princess and the Frog"), Mandy Moore (Rapunzel of "Tangled"), Kelly Macdonald (Merida of "Brave"), Kristen Bell (Anna of "Frozen"), and Auli'i Cravalho (of "Moana"). Creating a historic meeting, that obviously caused a prolonged ovation and wild cheers from audience of around 7000 people. I simply can't imagine how the audience would react, had other confirmed but absent voice actresses like Ming-Na Wen (of "Mulan") and Idina Menzel (Elsa of "Frozen") were able to attend as well! With the first movie focusing on the love of retro-video games that in a way also felt more directed for 'boys', this one is definitely a conscious and brilliant decision to captivate the 'girls' as well!

As for how and why John C. Reilly's Ralph and Vanellope get to meet them? That's because the plot forced them to. How is that possible? Apparently, the Sugar Rush game had an unexpected break down, so both Ralph and Vanellope alongside the other characters have to explore to the world 'wild' web to find replacement parts required to fix and keep it alive. There, they will run into Yesss, a trend-aholic algorithm who is voiced by Taraji P. Henson. Yess is the savvy, smart and sexy owner of a trending site called Buzzaholic (obvious nod/pun to Buzzfeed, eh? *grins*). According to Henson via an external statement, Yesss "knows about everything cool and on trend. And she does spell her name with a triple ‘s'". This is the character who would guide Ralph and Vanellope toward the various sites, including OhMyDisney (that also includes reference to other Disney's properties from Marvel and Lucasfilm). What a really interesting premise! The subtitle might have hinted that the sequel to 2012's favorite is set to break the internet, but to be honest, it already is... LOL. "Ralph Breaks the Internet: Wreck-It Ralph 2" officially breaks the theatres next year, on November 21st, 2018.

By the way, Bell and co-star Josh Gad refused to let it go, as they brought news for the sequel to everyone's favorite animated movie. The as-of-yet un-subtitled sequel of "Frozen" became the talk of the town, eventhough the duo's intention was totally to promote the upcoming "Olaf’s Frozen Adventure", a holiday-themed short set to debut alongside "Coco". A special clip from this short was screened, and Gad sang one of the four new songs set to debut in it. Directors Chris Buck and Jennifer Lee along with the core cast are all confirmed to return, and "Frozen 2" is set to hit theatres on November 27, 2019.

There were other minor bits from both Pixar and Disney Animation Studios. Dan Scanlon who did "Monsters University", is currently developing a personal project on Pixar based on his own experience of not knowing his father (who passed away when he was just one). This project is currently untitled, and doesn't have a release date for now. Scanlon was inspired to make this, after discovering a recording of his late father. It will be a mix of fantasy and mundance, set in a world where unicorns are said to be a norm of everyday's life. Josh Cooley has been announced as the sole director for "Toy Story 4". He was supposed to co-direct with Lasseter before. Lasseter himself remains as producer for the June 21st, 2019 movie. And Disney Animation Studios is working on a spin-off of "Cars", spotlighting a plane (but NOT part of the "Planes" franchise) that will go all the way into space. This untitled movie will be released on April 12th, 2019.

Last but not least, "Coco" did get the utmost privilege to wrap off the entire presentation via an elaborate musical number. Director Lee Unkrich, producer Darla Anderson, and writer Adrian Molina arrived on stage to preview a new clip from the movie. They revealed that music for this movie will combine the talents of songwriter Germaine Franco, the "Frozen" couple Robert and Kristen-Anderson Lopez, with Michael Giacchino composing the score. Newcomer Anthony Gonzales is playing the lead character Miguel, with Benjamin Bratt, Gael Garcia Bernal, and Edward James Olmos lending their voices to the others. "Coco" is set to arrive in a few months, on November 22nd, 2017!

Star Wars

Lucasfilm didn't deliver a new trailer for Rian Johnson's "Star Wars: The Last Jedi" during D23 Expo 2017 as fans expected. But the cast did bring a special behind-the-scenes video that... well, in a way showcased many things as well, and delighted avid "Star Wars" fans nonetheless. You can visit Collider to get screengrab images of this video. Official posters for the movie have also been released via social media. The one featuring late Carrie Fisher's General Leia seemed to breaking many fans heart. Overall though, there's a sense of danger looming through this posters, as everyone is shaded with the color of blood-red. Is it a sign of death? Oh no...! "Star Wars: The Last Jedi" will arrive on December 15th, 2017.

DC Films

Let's have a quick intermezzo from Disney, as we visit the other side of the... fandom. Yes, Warner Bros gets their category here! Though admittedly, I only included them to avoid postponing too much for the next R-N-D. LOL. Anyway, it'll be a quick one.

First, director Jaume Collet-Serra is said to be the frontrunner to helm "Suicide Squad 2". Yes, it's been an unanimous verdict that the first movie was... bad, and I personally don't see any reason for this sequel to exist. But money talks louder, especially to WB, so the studio is making one anyway. Think of it like the "Transformers" franchise. I'm not that familiar with Collet-Serra, and I haven't even seen "The Shallows". But even if I HAVE seen "Non-Stop", I can't really say if this is a right choice or not. Those movies and "Suicide Squad" are completely different in genre. Both Will Smith and Margot Robbie are poised to return though, so there's that.

Matt Reeves has publicly stated that he won't be using Ben Affleck & Geoff Johns' script for the tentatively titled "The Batman"! He said this himself on Josh Horowitz's Happy Sad Confused podcast while promoting the critically-acclaimed "War for the Planet of the Apes", practically confirming previous report by Slash Film that many had considered to be false. Perhaps, script issue was the problem that broke down Reeves' negotiation with WB before? With the script being rewritten from scratch, many have wondered what will happen to the news we have heard so far, particularly about the casting of Joe Manganiello as Deathstroke. There's always a possibility that Manganiello will no longer appear in the solo movie, right? I'm sure we'll hear more about this in WB's upcoming panel on SDCC 2017 tomorrow.

One last thing, WB have also somewhat bullishly announced two more release dates for the year 2020. Yes, they are now planning to release FOUR effing movies that year, as if making two bad ones a year wasn't enough. Looks like someone hasn't really learned from their past mistake, huh? I can't really remember the previous two dates (if I'm not mistaken, they were reserved for "Cyborg", and "Green Lantern Corps"), but the new ones are set for February 2nd, 2020 and June 5th, 2020. It is speculated that the June one will be a sequel to this year's "Wonder Woman", due to its achievement of inching closer to become the most successful Summer movie of the year. The February one, might be a bit tricky considering WB has so many DC Films projects on the works, that even I had lost count of it for a long time now. Could it be that "Gotham City Siren", because it's a Valentine's Day release? Or Joss Whedon's "Batgirl". How about "The Flash". Hmmm. Maybe SDCC 2017 will help enlighten us if this bad.... news. Not that I could care any less though...

Marvel Studios

Back to Disney! Let's first talk about the biggest news of them all. Because while items and props from "Thor: Ragnarok" and "Black Panther" were put on display at the Marvel booth, they weren't on par with what transpired on the Live Action Panel.

Yep, Kevin Feige attended the D23 Expo 2017, and as expected he wasn't alone. Nope, far from it, because he brought a HUGE number of guests. In order of appearance; Josh Brolin, Paul Bettany, Elizabeth Olsen, Pom Klementieff, Karen Gillan, Dave Bautista, Don Cheadle, Sebastian Stan, Anthony Mackie, Benedict Cumberbatch, Tom Holland, Chadwick Boseman, Mark Ruffalo, Chris Hemsworth, Robert Downey Jr., and co-director Joe Russo; all joined him on stage, because they were celebrating Marvel Studios' 10 Years. With a new Anniversary Logo... and also first teaser for next year's "Avengers: Infinity War" that easily brought the crowd of 7000 people on their feet, driving them wild and overpouring with emotions.

Said footage began with around two minutes of clips from roughly 13 previous movies that have been produced by the studio, before continuing with a completely new scene. It started of with Hemsworth's Thor crashing into the Guardians of the Galaxy's spaceship, followed by a reel of action-packed sequences, and was wrapped with Thanos having a fully assembled Infinity Gauntlet in his hand, about to pummel his enemies using debris in space. Various sites (ComicBook, THR, Daily Super Hero, Collider, Buzzfeed, and many more) have published their rundown of the sequence, revealing plenty of tidbits from the mindblowing Avengers sequel. Each one complemented the rest, by filling up missing details that was missed by one another, so do take your time to visit them and read them on spot. Seriously though, reading them alone has already made me giddy and anxious. So much that I'm actually really glad Marvel Studios hasn't put it up online. Otherwise I'd probably suffered an instant heart attack and died before the movie even arrives.

After the rousing panel presentation, the Marvel booth officially unveiled additional characters for the movie. Joining the huge life-size statue of Brolin's Thanos that has been decorating the hall since day one, were four of his right hands... the Black Order. Brolin himself was on hand for the official unveiling of the team, that will instead be called 'The Children of Thanos' in the movie. Confirming theories gathered by fans after seeing the set pieces in Scotland and Atlanta, this antagonistic team consists of Corvus Glaive, his wife Proxima Midnight, the super intellect with manipulative ability Ebony Maw, and the Hulk-like Cull Obsidian.

Some of the core cast like Chris Evans, Scarlett Johansson, Jeremy Renner (who suffered an unfortunate injury on set), Paul Rudd, and many others were notably absent, including co-director Anthony Russo who remained in Atlanta to work on tentatively-titled "Avengers 4". Yes, "Infinity War" had just wrapped on the first day of D23 Expo 2017 (the Russos announced this themselves), but the production team are now moving on with the next giant project! WOW, talk about marvelous dedication to work. But surely, we can expect them to appear this weekend on SDCC, right? "Avengers: Infinity War" opens less than a year from now, on May 4th, 2018.

Presumably because production has only begun for "Ant-Man & the Wasp", none of its cast were present at the D23 Expo. The event officially revealed the first look for Hope van Dyne's the Wasp on one of the hanging-banner though, and actress Evangeline Lilly herself happily shared this news. Also actor Walton Goggins has officially joined the cast. I'm not familiar with this actor, but I've read many folks were excited about him, because apparently he's a terrific actor. His role is currently undisclosed, and speculations are saying that he might be playing the villain of the movie. Clearly he's not playing that character rumored by That Hashtag Show, right?

Which reminds me... that site reported an 'exclusive' saying that the studio is actively looking for an African-American actor between the age of 55 to 65 for a highly intelligent role. Everyone's easy guess is Dr. Bill Foster, a.k.a. Goliath who's in a way connected to Giant Man. Since Rudd's Scott Lang did demonstrate that ability in "Captain America: Civil War", linking it to Foster would be fantastic. Then again, That Hashtag Show isn't particularly a credible source, having falsely reported many stuffs in the past (Shang-Chi? Pffftttt). So I wouldn't really bet on their horses. Anyhoo, here's hoping the cast will stop by on SDCC this weekend, if only to have an actual confirmation or two. "Ant-Man & the Wasp" will arrive on July 6th, 2018.

"Black Panther" didn't have a huge presence (Boseman and director Ryan Coogler had a signing session), but that's because it already made a separate headline earlier that week (on July 11th). By showing up as the cover story of EW! The magazine ran a detailed coverage of the movie, dishing out the many aspects from the many lores of Wakanda, the various characters, and what to expect from the story.

Wakanda produces and is riched with a nearly-mystical metal called Vibranium. The people has mined it, experimented, and used it to develop medicines, technology, and others. Its fields also grows the Heart-Shaped Herb, a plant that grants superhuman strength to its leaders. That's the reason why it has closed itself from the whole world. John Kani's T'Chaka's death in "Civil War" will shake the illusive African-country's ground, as threats coming towards Boseman's T'Challa from inside and outside. The outside refers to Michael B. Jordan's Erik Killmonger, an aspiring prince who is colluding with Andy Serkis' Ulysses Klaue (with a new hand, in form of sonic mining equipment) to bring down T'Challa from his throne. The inside refers to the turmoil that fears T'Challa might be engaging too much with the outside world, just like T'Chaka. This might be where Winston Duke's M'Baku (who will NOT be addressed as Man-Ape) enters the equation. Coogler compared his movie to politics, saying that there's an ambiguity of who's good and bad. "The film very much plays with those concepts, looking at conflicts and different motivations, and who’s with who", he stated.

Producer Nate Moore, likened the movie to a fusion of "The Godfather" and the "James Bond", serving as tribute to both franchises. It's "a big, operatic family drama centered on a world of international espionage. So hopefully we’re getting the best of both worlds", he hoped. Boseman also stressed out, that Wakanda is "a very matriarchal society", hinting that the female characters in this solo movie shouldn't be taken for granted. This refers to Angela Basset's Queen Ramonda, Lupita Nyong'o's Nakia who is an undercover spy with a knack on 'Ring Blades', Letitia Wright's genius and intellectual Shuri, to the Dora Milaje guards like Danai Gurira's Okoye and Florence Kasumba's Ayo. Meanwhile, Forest Whitaker is playing Zuri, a shaman who is also the keeper of the Heart-Shaped herb. His character roots the movie in a unique element of spirituality, the way it's always been depicted in the comics. "Black Panther" will premiere on February 16th, 2018.

Marvel Studios might have left quite a massive impression last week, with "Spider-Man: Homecoming" running in theatres, the EW cover story for "Black Panther", and a D23 Expo presence that many people might still be talking about until now. Not to mention the pairings of characters, on set interactions, talk of future movies, actor's fancasting, etc. But that doesn't mean its hype is ending soon. This Saturday (precisely tomorrow evening, US time), the studio will return to SDCC 2017's Hall H for a special presentation with extended duration. Perhaps, that "Infinity War" footage will be delivered online for every fans to see? Or should we hope for another version, because Rufallo had openly teased something mind-blowing in the event. I'm merely spitballing here, but I'm positive we'll at least be seeing the cast of "Ragnarok", "Black Panther", "Ant-Man & the Wasp", and most definitely "Infinity War" on the panel. All I can say, we need to brace ourselves for another tide (or tsunami) of Marvel Studios news in the next few days. Because whether you like it or not, it's a great time to be a Marvel fan! Excelsior!!!

Marvel TV

It was a bit odd that Marvel's "The Inhumans" wasn't heavily showcased in D23 Expo 2017. I mean, excluding that Lockjaw's goodies available on Marvel booth, or the only three character posters that can be found on their official Twitter account. After all, ABC is still part of Disney, thus it felt odd that it wasn't even getting proper 'spotlight'. Of course, the series will have its own panel at SDCC 2017, so that might be the case. Nevertheless, the cast of the series continued to share details about the mini series outside of the panel.

Eme Ikwuakor confirmed that his character Gorgon as well as Ken Leung's Karnak, will be similar to the comics. "I act 5 times before I start thinking. I think that plays into a lot of the dynamics as well, especially with Karnak who is the exact opposite who think 5 times before he acts" he said. Sonya Balmores likened her Auran's job as the Royal Family's secret service. She works very closely with the King and Queen, and acts as their eyes and ears eventhough she's not related by blood. Serinda Swan praised her character, because "The great thing about Medusa is that she’s taking on two roles, not molded into one. That’s what makes her such an interesting character". She also affirmed that audience can expect to see Medusa's hair-play in amazing action sequence, likely to ease fans' concerns that has been growing rapidly ever since EW debuted her first look. She even added that "You will definitely see her hair have moods. There will be some moody hair because that’s her". Let's just hope that she's not giving us false hope.

Anson Mount revealed that the intricacies of Black Bolt was the reason he was drawn to portray this character. That's why he immediately agreed when Marvel TV Head Jeph Loeb personally offered this role (outside of auditions), and has even dedicated time developing it with sign consultant and all. He stated that the major theme of the movie is about family, namely about his somewhat Shakespearean love-hate relationship with brother Maximus, played by Iwan Rheon. Rheon by the way, is the most famous actor on the show, hence we can expect him to be more than just an antagonist.

Problem is, Mount also talked about why his character and also the entire series needed to be 'grounded', in order for them to be... "more accessible to a viewing audience than a reading audience". This one, is easily the part that rubs me off the wrong way. Grounded this, grounded that? I'll be honest, all these 'grounded talks' is making me feel iffy. Why shy away from going all out bizarre and outlandish? It's okay to do that with the Inhumans on Marvel's "Agents of S.H.I.E.L.D." considering they are Earth-bound (then again, even they weren't afraid with the visuals)... but the Royal Family? They should be larger than life! Embrace all the weirdness and fun, not unlike the Guardians of the Galaxy. And don't ever forget! Scott Buck's idea of 'grounded' tends to be... 'different' or a 'bit warped' than what you and I had in mind. It means the mystical dragon Shou Lau is two bulbs of red-light for Marvel's "Iron Fist"! A proof that someone clearly didn't learn from the mistake done to that series.

Isabelle Cornish who plays Crystal, also brought a different but equally interesting notion. She revealed that audience can expect the IMAX 'movie'-size feature to be... "just really introducing us as a family and discovering the characters in the first 2 episodes. Seeing how we all mix together, how we intertwine, the different powers we all have. I mean, its such a large family. We’re essentially cousins. To have cousins that are brothers, its kinda cool and different.". Wait, WHAT? You're kidding, right? WHY would I waste my money on IMAX theatres just to see a prolonged intro? Isn't that like... NOT the point of filming a movie in IMAX format? I'm sure Christopher Nolan and his "Dunkirk", and even the Russo Brothers would be completely angry to hear this kind of treatment.

I've honestly lost all kind of goodwill and faith for this show. You can even say that I've joined a weird group among Marvel fans, essentially becoming a naysayer, because that's more or less accurate. The trailer, and every cast interviews so far, eerily reminded me of the whole "Iron Fist" scenario. Things haven't been looking good on my gut feeling, and I simply refuse to be fooled twice. But of course, my opinion doesn't necessarily apply to every Marvel fans out there. After all, there are those who actually enjoyed "Iron Fist" sooo much more than I did. With that said, perhaps it's indeed a wise decision for me to have such a really low expectation to this show. Who knows? It might flip me upside down and win me over instead...

Netflix

Similar to "Black Panther" that was featured by EW's First Look exclusive, Marvel's "The Defenders" got their share of publicity via a new poster released by the outlet, and also through UK's Empire Magazine. I'm sure we can expect the coverage from these magazines pretty soon. The EW poster, along with an exclusive one designed by Joe Quesada for Jon Bernthal's Marvel's "Punisher", are set to be available at Marvel's booth during SDCC 2017. Don't forget, "The Defenders" is also expected to have a huge presence at the Con, so prepare to hear more details as well as hopefully a new trailer for the mini-series. All 8 episodes of "The Defenders" will arrive on August 18th, 2017.

On a side note, actress Lucy Liu has been confirmed to direct the Season 2 Premiere episode of Marvel's "Luke Cage". Could she have a role in the series too? I certainly hope so. I personally want to see Liu joining a Marvel Studio movies for a significant role. But even if that's not the case, her appearing in one of the Netflix series sounds right too.

"Stranger Things" unveiled a sinister new teaser early last week, with a tagline "1984 only gets stranger". The teaser also confirmed that the 2nd Season will be available on October 27th, 2017. There weren't any details about this new season following that, but we can expect ones in the upcoming SDCC 2017.

Last but not least, I can't believe I missed this last month, but turns out the 3rd Season of "Voltron Legendary Defenders" has had an official release date! Via the trailer that... I oddly couldn't find on Netflix' official Youtube channel, it was revealed that the new season will arrive on August 4th, 2017. That's... really fast! Possibly due to the delay on Season 2 (it was meant to be released last year, but got delayed to January this year), I honestly didn't expect it to arrive so early. But who am I to complain! We need the 3rd season right away, especially after how the 2nd season abruptly ended. LOL. Also... if this teaser is any indication, things aren't looking good for the team. Because while the Paladins can't form Voltron, Emperor Zarkon's son Prince Lotor has taken command of the Galra Empire and starts brewing trouble in the galaxy. Here's hoping we'll get a longer and better trailer when the showrunners and cast members hit their SDCC 2017 panel this weekend!

Disney XD Series

New sneak peak clip for "DuckTales" was released during D23. Taken from the episode entitled "Daytrip of Doom!", the clip showed Huey, Dewey, and Louie having a dart gun fight against a very serious Webby, that caused plenty of... chaos in Scrooge McDuck's Manor. Many fans seemed to be annoyed with how the nephews sound when they saw the First Look before, a sentiment that was very understandable. For me personally, at least their new voices are growing in me, to the point that I no longer feel that much bothered by it. Many seems to have been voicing criticism to the Carl Barks-inspired design too, but I personally never had any issue about it. Most of the comics I've seen was drawn in that style anyway. LOL. "DuckTales" is set to premiere with a one-hour TV movie on August 12th, 2017, before starting its series on September 23rd.

Disney XD also unveiled the first look for "Big Hero 6 the Series". Based on the one and only Oscar-winning superhero movie so far, this much-anticipated series will tell the story of Hiro Hamada along with Baymax and friends, as they become the heroes of San-Fransokyo. Similar to "Tangled the Series", the design might not work with everyone, especially those who were expecting lush CG animation like the movies. The "Big Hero 6" one was very close, and clearly inspired by the actual 2D character designs from the movie's production though. So in a way, it's accurate. You can catch the series Main Title on Youtube!

Kamen Rider

The first official image for the 19th Heisei Rider "Kamen Rider Build" has been revealed! The image clearly showed that Build shared similar dual-colored design of "Kamen Rider W", but one that utilized a combination of technology and biology.

As rumored before, his initial form with the color Blue and Red is a fusion of Tank and Rabbit respectively. These powers will be accessed through the season's collectibles, Full Bottles, as the hero inserts a pair into his Build Driver. His transformation catchphrase for this initial mode will be "Using 2 Bottles, Find the Best Match! Are You Ready?! Moonsault of Steel! Rabbit Tank! Yeah!". Different Full Bottles can then be mixed and matched to produce a variety of forms. The biological side revealed so far includes Rabbit, Gorilla, Hedgehog, and Hawk, while the technological side includes Tank, (Vacuum) Cleaner, and Gattling. It's safe to say we can expect a lot more in the future. The picture also teased the antagonist Knight/Night Rogue, and the second Rider called Kamen Rider Claws/Close.

The story is said to take place in a post-apocalyptic world where souls are bound to bottles. "Second Build" is the cause, as it destroyed the world 10 years before. Kamen Rider Build will then have to deal with evil souls called "Builders" who seek to commit crime. Surprisingly, while it was previously assumed that "Build" will start airing as the "Kamen Rider" franchise changes timeslot in October, it has been revealed to debut much sooner. The currently airing "Kamen Rider Ex-Aid" has been confirmed to end with 44 episodes (with episode 45 serving as a bridge to the next), thus "Build" is set to begin in September. Is it because "Ex-Aid" isn't doing well in the toy department? Hmmm...

If you ask me, the overall concept, design, and story premise of this new series is solid, and they are more than enough to make me want to see it. I was actually sold thanks to the FireHedgehog form! LOL. Of course, execution doesn't always rhyme well with expectation, so it's still unclear if I will end up following to the end or not. Heck, the actor casting might also play as a make-or-break situation for me! So it's definitely not set in stones. But for now, I honestly want to see this show in action.

Square Enix

Since the "Kingdom Hearts" franchise is a mixture of their original characters as well as Disney world, of course Square Enix was present at the D23 Expo 2017. And as promised, the company introduced a new look and trailer for "Kingdom Hearts III". The new trailer particularly unveiled a new "Toy Story" world, while teasing an action adventure in the world of Disney's "Hercules"! Other confirmed new worlds include Disney's "Tangled", "Big Hero 6" and the "Olympus Coliseum" world.

The "Toy Story" part will have Sora, and his travelling companions Donald Duck and Goofy exploring Andy's room alongside Woody, Buzz Lightyear, and the other toy characters. They need to investigate the disappearances of their fellow toys, and also Andy himself. Both director Tetsuya Nomura and Pixar Animation Studios story supervisor Jason Katz have confirmed that it will be a brand new storyline, but is still on par with Pixar's standard of storytelling and animation quality. In terms of timeline, it will take place after the events of the "Toy Story 2" movie. Nomura expressed his excitement for this world, because he had always wanted to include one on "Kingdom Hearts II".

The company also confirmed that the game will be released in 2018, which is probably not a concidence. It will be available for PlayStation 4 and XboxOne, with Nintendo Switch being considered. A second playable character will also be available, but apparently the director thought that's information for another time. LOL.

Pocket Monsters

Niantic is set to hold their first "Pokemon GO" real-world event this very weekend, with the "Pokemon GO Fest Chicago" taking place on July 22nd, 2017. They have posted details surrounding the big event happening on location, revealing that players from all around the world will also be able to 'contribute' during the same timetable. During three Challenge Windows at the event from 11:00AM to 08:00PM Chicago Time, players worldwide will help attendees to unlock rewards, and vice versa. Later, if players at the Chicago event catch enough Pokemon during the Catch Challenge, a special Mystery Challenge will be unlocked for the last hour of the event. If said Challenge is completed, then an 'extra special bonus' will be given for players around the world in form of Global Reward on July 23rd-24th.

This sounds a bit complicated to understand, and the gap between time zones alone is already feeling unfair to some parts of the world who have to stay up during midnight to dawn to participate. Response to this has been mixed as well, due to various reasons. But despite constantly getting server issues over the past week, Niantic is working hard to appeal its players. One of it, is by directly flying high-level Pokemon GO Youtubers from all around the world into Grant Park Chicago to participate in the live event. Many have been speculating that the Global Reward will be the first official reveal of Legendary Pokemon. We'll have to wait and see if that's really the case.

Those in Europe can then participate in a "Pokemon GO Safari Zone" events, in partnership with Unibail-Rodamco shopping centers. Copenhagen and Praque will be holding one on August 5th, Stockholm and Amstelveen on August 12th, and Oberhausen, Paris and Barcelona on September 16th. These events will give European players the opportunity to catch variety of Pokemon, among them are those only available as region-locked like Kangaskhan and Tauros. Unique and powerful Raid Bosses will also be available. For the United Kingdom area, Niantic will be holding a "Big Heritage Festival" event in Chester on July 22nd-23rd. This is a joint collaboration with UK heritage organization, Big Heritage.

Last but not least, Yokohama area is set to have a "Pikachu Outbreak" event on August 9th- 15th. It has been an annual event for The Pokemon Company, but this time, it will also include a Pokemon GO experience.

Tekken

I did NOT see this coming!

Geese Howard, who was recently revived by SNK Corp for "The King of Fighters XIV", has been announced as the new DLC character for "Tekken 7: Fated Retribution"!!! Bandai Namco unveiled this via one thrilling and intense trailer, during the Evolution Championship Series 2017. It just felt... right seeing Geese pummeling the Tekken characters one by one (particularly Heihachi, who is a natural jerk just like him), and sending them to misery. LOL. Geese will be available in Winter 2017, along with his own unique 'Geese Tower' stage.

The company did already state that they will be adding exclusive guest characters from other video game franchise, following the game's release on June 2nd, 2017. But I honestly didn't expect them to actually go with fans' wishes that openly called out Geese with the reasoning that his fighting style and 'badass' mannerism will be a great fit to "Tekken 7" (it's accurate, though). With "Street Fighter" very own Akuma already in the title, "Tekken 7" is growing to be a rendesvouz spot for powerful characters from various franchises. Now... who will the next DLC be for Spring 2018? Someone from "Dead or Alive"? "Mortal Kombat"? "Guilty Gear"? This is exciting...

Street Fighter

The 4th "Street Fighter V" DLC character for Season 2 has been revealed! And continuing the trend since Gouki/Akuma, it's a supposedly-new character that is also NOT really a new one... *sigh*. NEW, because the "Street Fighter" franchise hasn't had them as playable characters until now, but NOT new, because they have already existed as either supporting characters in previous games, or from entirely different game. Proof? No explanation necessary for Akuma, Kolin was Gill's right hand in "Street Fighter III", and Ed showed up in "SFV" various Story Modes since the very beginning. The fourth character joining them, hails from CAPCOM's very own "Final Fight" series. In form of big brute Abigail.

Yoshinori Ono announced Abigail during the Evolution Championship Series 2017, and an official reveal trailer for the character immediately hit the internet. This towering Mad Gear Leader that's even taller and bigger than Hugo albeit with a goofy personality, has attacks based on armors. The face paint is said to be an homage to King Diamond, who is a heavy metal musician. He is set to be released next week on July 25th, 2017, alongside his unique new stage called the 'Metro City Bay Area'. You can visit Gematsu to read a detailed description of this new DLC character.

Intriguingly, this reveal didn't surprise fans, because his name has been repeatedly rumored and reported before. The Event Hubs user who goes by the name of Flowtron has gotten his 'leaks' proven with the reveal of Akuma and Ed, and now his street cred had just gotten much higher with the confirmation of Abigail. Assuming his leak are all true, then the remaining two DLC characters will be Menat and Zeku. Menat is supposed to be that Egyptian-looking 'Fortune Teller' who already and rather pointlessly debuted in Ed's Story Modes. I also had the exact same suspicion, the moment I saw her design on that ending sequence. Not to mention, it fits with CAPCOM's goal to increase diversity in the game (with Rashid's inclusion). Zeku on the other hand, is Guy's teacher. Meaning he's also a "Final Fight" alumn. I have a feeling we'll be seeing a confirmation to his inclusion in Abigail's Story Mode.

Flowtron also stated an insider information regarding the 3rd Season DLC characters. According to him, Sagat and Sakura Kasugano are pretty much confirmed, but they won't play out like their "Street Fighter IV" counterparts. The previously rumored characters like Oro, C. Viper, Q, and Necro aren't accurate. For now, these should be treated as rumor until proven otherwise. But let's just say, I will not be surprised if it turns out to be true.

As for the real deal, CAPCOM will be releasing new special stages and costumes on July 25th as well, as part of the game's 30th Anniversary. This includes: Classic Ryu's "Suzaku Castle" stage from "Street Fighter II", Capcom Pro Tour 2017 Exclusive "Ring of Pride" stage (the Kanzuki Family Stadium), Nostalgic Costumes (for Alex, Ibuki, and Juri), and The Champion's Choice costume designed by CAPCOM Cup 2016 winner Du "Liquid|NuckleDu" Dang (for Ryu, Ken and Guile). Do visit Event Hubs to see their pricings.

Marvel vs Capcom

Meanwhile, "Marvel vs. Capcom: Infinite" officially added Jedah from "Darkstalkers" series as playable character. This was revealed during the Evolution Championship Series 2017 tournament. Following this sequel's odd tradition, Jedah debuted during one of the fight and was not officially announced via individual trailers. You can visit Gamespot's Youtube channel to see him in action. "Marvel vs. Capcom: Infinite" is set to be released on September 19th.

ARIKA

Many fans have been itching to see characters from "Street Fighter EX" to spring back into action. But considering ARIKA no longer collaborates with CAPCOM, that seems like a wishful thinking. Well, until now.

A new currently untitled 'EX' Fighting Game was showcased during The Evolution Championship Series 2017. The teaser video (provided through ARIKA's official Youtube Channel) showcased favorite 'EX' characters like Kairi, Shirase/Hokuto, Garuda, Skullomania, and Darun Mister. ARIKA officially announced that it will be the newest entry in the 'EX' series.

It was announced that there will be a limited time beta/server test at the end of 2017, and it has been confirmed to be a worldwide PlayStation 4 release for 2018. It is expected to be playable on April Fools, and pre-order has been made available for Japan players. Considering the company DID first tease this several months ago on April Fools 2017, I think we can safely assume that April 1st, 2018 will indeed be the release window for the title. Hopefully we'll hear more about this in the near future...

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krissysbookshelf · 7 years

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