it could just be me but i just imagine jimmy stewart having a montage akin to the one in ‘mr. smith goes to washington’ where he just goes around to punch people after they drag him in the papers in our version of dracula
he also just gives me massive “no thoughts, head empty” vibes - just not even phased with a permanent 😃 look on his face and i love that
people don't talk about it enough but jimmy stewart truly could go fully unhinged whenever he wanted to.
Before the Castle (bright as a button! shiny young solicitor!)
During (there are draculas in this dracula?!)
After (notice the madness in his eyes! that's some good madness.)
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Voice actors are NOT the same as actors.
It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.
Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.
The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.
This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.
Actors are not the same as voice actors.
And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.
I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.
People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.
Voice Actors ≠ Actors.
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Matt Smith is trending on Twitter because of this. ... and it's because people don't think he can do an American accent or something? Which is just wild to me.
Reed Richards is a character that I don't really care about. Like I know some people love him, and good for them, but I am like "Ew, he's all bendy." My opinion is that Matt Smith is too cool and good looking to play this nerd. (Maybe they could have him grow a beard so his very recognizable jaw line could be softened? IDK.)
IDK. People are weird. I'm surprised he'd entertain more Marvel movie projects. I know he said Karen Gillan convinced him to do Morbius and that shit backfired.
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Propaganda
James Stewart (It's a Wonderful Life, The Philadelphia Story, Mr. Smith Goes to Washington)—the thing about Jimmy Stewart is that for a weird-enough looking guy, he is yet somehow SO hot and SO believable, ALWAYS. He always plays the same person—he's always, well, Jimmy Stewart—yet that person can be a murderer, a dark cynic, a naive idealist, the boy next door or an old man who knows better, and every one of those is hot. I would jump his bones in a heartbeat
Toshiro Mifune (Rashumon, Seven Samurai, Grand Prix, Stray Dog)—i love and respect my boi tab hunter (rest in peace you beautiful, beautiful man ❤️), but after i watched like 12 of his movies in a row on tcm last year, i ALSO love and respect toshiro mifune, son of a literal actual hatamoto’s (a high-ranking samurai) daughter, also very possibly related to the best judokan EVER, AND, he’s the guy who SHOULD have been obi-wan kenobi. the fact that he’s ALSO hot as hell just adds to his appeal.
This is round 4 of the bracket. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage man.
[additional propaganda submitted under the cut.]
James Stewart propaganda:
"Ough I saw him first in It's A Wonderful Life, where he is very charming as a suicidal family man being absolutely crushed by capitalism. But then. The Philadelphia Story, in my opinion, should get the same kind of press The Mummy does for being a bisexual dream. Now I'm not really bi (not into women) and it's honestly up for debate whether i'm attracted to men or not, but COME ON!! The movie stars James Stewart as well as Cary Grant and Katharine Hepburn (and Ruth Hussey). Stewart plays a common working man, a journalist, to contrast with Grant's character, who is mega-rich. He is scrappy and hates rich people. Hot! They have a whole scene together where he's super drunk and being really physical with his acting, which I love because he is kinda wet noodle shaped. Hot! He carries Hepburn in his arms while singing Somewhere Over The Rainbow. Hot! He gets punched in the face by Cary Grant. Hot!!! In The Man Who Shot Liberty Valence, we get to see him portray an alternative type of masculinity, opposite John Wayne doing John Wayne. He is even more wet noodle-y, to put emphasis on his incompatibility with the rugged masculinity of the cow-boy, he wears an apron for a lot of the film, again, to blur his masculinity, and he gets shot. Hot! Also he's older here, if that's your thing. Long story short: He's giving librarian chic and The Philadelphia Story made me want to be poly."
“Here he is next to Grant, in what I believe to be a promotional shot for The Philadelphia Story. Please don’t get distracted by Grant (or do, i’m submitting him next).”
“He’s a nice guy and a good guy and deserves all the happiness and joy ever! Classic boy next door/class president kid that everyone loves for real. Stand-up for the Little Guy vibes. With a charming fun side!!”
Toshiro Mifune propaganda:
"In addition, he spoke fluent mandarin and every time he was casted in foreign films, he said his lines in the language of the movie (although they ended up dubbing him. He wasn’t happy about it though).”
Submitted: this gifset
Also submitted: this video (yes, that one)
"Crucial Toshiro Mifune propaganda: THOSE LEGS."
"That is hella muscle. Go watch The Hidden Fortress, aka Star Wars A New Hope. His thighs deserve an award."
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Ooh! A wonderful interview with Rich Keeble who played Mr. Arnold (the one with the Doctor Who Annual :)) in S2! :)❤
Q: In Good Omens 2 you play Mr. Arnold, who runs the music shop on Whickber Street. Were you a fan of Good Omens before joining the cast, and is it challenging to take on such an iconic story which is already loved by a huge fanbase?
A: “There’s always pressure if you’re working on something with an existing fanbase and people might have an idea already as to how you should be approaching something. To be honest I was aware of the show but I hadn’t actually seen it before I was asked to get involved. I knew it was something special though! I remember talking to Tim Downie [Mr. Brown] about how when you tape for certain things you know if something’s a “good one”. Of course by the time I was on set I’d watched Season 1 and read the book.
I had an interesting route into the show actually: I was asked at the last minute to read the stage directions at the tableread on Zoom, and Douglas [Mackinnon] the director called me up to discuss pronunciations of the character names etc. To prepare further I quickly watched the first episode on Prime Video, and I was very quickly drawn into it. A couple of hours later I was on a Zoom call with David [Tennant], Michael [Sheen] (with his bleached hair), Neil [Gaiman], Douglas and the whole team, including Suzanne [Smith] and Glenda [Mariani] in casting. After that readthrough I asked my agent to try and see if she could shoehorn me in and she came back with a tape for Mr. Arnold saying “you play the piano don’t you…?” They wanted me to demonstrate my musical playing ability, so I rented a rehearsal studio room in Brixton for an hour and filmed myself playing piano (and drums just in case), then I did my scenes a couple of different ways and I guess it wasn’t too terrible!”
Q: During episode five you mimed to music written by series composer David Arnold alongside a real string quartet – this must have been very immersive! How did it feel to work with David, and bring the ball to life?
A: “I actually didn’t meet David Arnold sadly, but I did work with Catherine Grimes, the music supervisor who is lovely. David was at the London screening but I missed an opportunity to go and say hello to him which I kicked myself about.
I remember before I was in Scotland there was a bit of uncertainty as to whether I would need to play anything for real or not, so I practised every day playing loads of Bach and other music I thought was era-appropriate just in case they asked me to do anything on the fly. So yes, it was very immersive as you say! They sent me three pieces of music to learn which I practised in my Edinburgh apartment on a portable folding keyboard thing I bought. They introduced me to the string quartet (John, Sarah, Alison and Stephanie) and I tried to hang out with them when I could. On the day we all had earpieces to mime to. I had to mime while listening out for a cue from Nina [Sosanya] from across the room, then deliver my dialogue and carry on playing, which was tricky! The quartet and I helped each other out actually: Douglas would say something like “let’s go from a minute into the second piece of music”, I’d look at the sheet music and whisper “where the hell is that?” and one of the quartet would say “we think that’s bar 90” or something. Here’s a little bit of trivia: the shooting overran and the string quartet couldn’t make the last day, so they found some incredible lookalikes to replace them for the scene when we get lead out of the bookshop through all the demons, although I think they also kept them deliberately off camera.”
Q: What did you think of your music shop when you first saw the set? Did you have a favourite poster or prop?
A: “I thought it was incredible! It could’ve been an actual music shop with all the instruments hanging up with the “Arnold’s” price tags on. The attention to detail was incredible, well IS incredible as I understand it’s all still there. It’s hard to pick a favourite to be honest. I did a little video walkaround on my phone at the time so maybe I’ll post that if I won’t get in trouble. Interestingly the shop interior itself was elsewhere on the set to the shop entrance you see from the street. You walk out of Aziraphale’s shop, over the road, through the door of the music shop and… there’s nothing.”
Q: Mr. Arnold is tempted into the ball by a Doctor Who Annual and is playing the theme in the music shop scene – are you a fan of Doctor Who in real life? And what was it like making those jokes and references in front of the Tenth Doctor David Tennant?
A: “I’ve always dipped in and out of Doctor Who over the years since Sylvestor McCoy, who was doing it when I first became aware of it when I was growing up. Even if you’re not a fan it’s one of those shows you can’t really get away from, so doing that particular scene in front of David was really fun, and of course Douglas had directed Doctor Who as well. Apart from the amusing situation of two supposed Doctor Who fans talking about Doctor Who without realising they’re in the company of a Doctor Who, I also seem to remember Michael being the one to suggest that he would deliver his “due to problems at the BBC” line directly to David.
Oh, and I think it was actually my idea to grab the annual off the harpsichord before joining the queue behind Crowley at the end of the ballroom scene (which we’d shot weeks earlier at this point). When we were blocking it out and rehearsing I knew I had to leave my position and get to the front for my “surrender the angle” line, and then later it just felt like I wouldn’t leave without the annual so I ran back through everyone to grab it. Nobody seemed to have a problem with me doing that so I just carried on doing it when we shot it! I do remember it being a fun set with Douglas and the team being very open to suggestions.”
Q: How did you balance filming both Good Omens and BBC Ghosts at the same time?
A: “Luckily both shows were a joy to work on, and everyone seems to know about both of them. We were shooting them in early 2022 and I also had a little part in an ITV drama called ‘Stonehouse’, starring Matthew Macfadyen. I usually never know when I’m working next so to have three great TV jobs at once was very unusual. There was all this date juggling and I actually almost had to turn down Ghosts due to clashes. Luckily both shows had to move some dates so it worked out. But yes, I spent two weeks up in Scotland shooting all that Good Omens ballroom stuff, then I came back down to London to do Ghosts, knowing I’d be back up to shoot my scenes in the music shop in a couple of weeks. Now, when I found out who was playing my wife in Ghosts I couldn’t believe it: Caroline Sheen – Michael Sheen’s cousin! She was amazing and that was another great set in general. I say “set”, but it’s all filmed in that house which surprised me. I’d worked with Kiell [Smith-Bynoe] and Jim [Howick] before, and Charlotte [Ritchie] was in the Good Omens radio play a few years ago and a big fan of the book. Charlotte’s very musical of course and we got talking about my folding keyboard I had for practising my Good Omens stuff, and she ended up setting it up in the house for us to have a play on!
Now, when we’d shot all our internal scenes there was this big storm forecast, and our external scenes were scheduled for the day of the storm, so that had to be moved into the next week. It meant I ended up shooting those scenes outside the house, then going straight back up to Scotland to shoot the Good Omens music shop scene the next day! When I mentioned to Michael I’d just worked with Caroline he said “ooh she’s in Ghosts is she!” and revealed that she’d texted him about me which was rather surreal. Then later after the Ghosts wrap party Kiell gave me a part in his Channel 4 Blap, so at the time I felt like I was killing it career wise, but the industry quietened a bit after that and my workload eased off over the year so I was in my overdraft by November.”
Q: What are your plans for the future – can we expect to see you in something else soon?
A: “This year, after a bit of a quiet start, I was very fortunate to work on a Disney+ show called Rivals which stars… David Tennant! I think I’m allowed to say my character is called Brian, and I shot five episodes so that was another really amazing job, and great to work with David again (I told him he must be my good luck charm, although I hope he’s not sick of me). That should be out at some point in late 2024. Other than that I’ve filmed a few other bits I presume will be out next year, one of which is called Truelove on Channel 4 which actually looks really good. That starts early January. Of course now Season 3 of Good Omens has been greenlit, I would love Neil and the gang to have me back on that… but I can only keep my fingers crossed!”
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