#mutuals only obviously

[wintercosmickillsx]

a Bucky in bed

[sentada]

making a personal blog lmk if u wants it. I will be saying whatever

[born-to-lose]

You wanna live forever, get buried in black leather

[austerulous]

Discord? Discord. ♡

[gracedead]

since i’ve got drafts down quite a bit ; like for a starter ! if you’re a multi , let me know for who . lengths will vary . 

[hollerwitch]

Since I know people get nervous with romantic shipping, I'm just going to come out and say that if you want to try out a romance with this little witch this is your invitation to send all the shippy memes you want.

[ew-selfish-art]

Dpxdc Au - Tim and Danny are Twins, have been through all the introductions and after a few years decide to have The Audacity. 

At some point it hits the two of them, that they really do act alike sometimes. Like, mannerisms and small detail micro expressions, the whole nine, so Danny and Tim decide to take advantage of this.

Parent trap style swapping but all within the same household, they cut their hair and swap clothes, and get in a few practice runs around the halls of Wayne Manor. No one in the family catches them through at least 3 family dinners, so they go for the larger gambit. 

Tim wants to go to high school for a bit and get back into skate boarding with low stakes- Thats what he tells Danny at least, he really wants to spend the time dismantling the GIW from the epicenter in Amity Park. It works out that Tim accomplishes this in record time (explosives didn’t require ethics in his opinion) and does actually get to enjoy his hobbies again for a bit. 

Danny wants to tell off the WE board members and get some proper Red Robin training so he’s not so dependent on his powers when facing human enemies (they were squishier than ghosts, restraint was key)- That’s what he tells Tim when the reality is he’s going to lead a hostile takeover of DalvCo. and well, yeah, actually get some training in. 

No one catches on except for Kon. 

After they’ve swapped back and their missions are debriefed, Tim asks him why he never fell for it? Simply put: “Uh, dude. Your twin doesn’t have a heartbeat half the time, it was pretty easy to tell.” 

[rhinozilla]

Something has occurred to me.

Hob in 1889: "I'll be here in a hundred years' time. If you're here too it'll be because we're friends. No other reason. Right?"

Earlier in the episode...

Death: "How's [Hob] holding up after all this time?"

Dream: "I don't know. I was forced to miss our last appointment."

Forced to miss? That implies that he was PLANNING on going. He was going to prove Hob right, and he KNEW it.

[densitywell]

look i'm just saying, orym suggested fearne and ashton should bang last episode, and then later fearne tells orym "if you can't do it, i'll carry you." (which. 🥺.) and immediately follows it up with "well, [ashton] can carry you." so either they're both trying to hook ashton up with the other one in a hilarious sitcom scenario or they're conspiring to throuple this rock

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

[regallibellbright]

I think it’d be really, really funny if the Civilians of Twilight Town keep trying to guess what Roxas, Xion, Lea, and Isa’s deal is, trying to fit them into SOME sort of even remotely traditional family structure and end up with, like, six different competing rumors even before the polite blonde girl who divides her time between “the old abandoned mansion, which they guess she owns?” and “nowhere in the area.”

And then the visiting scientist.

And the other visiting scientist.

And the scientists’ apparent son (other son?), who spends his entire trip talking with Pence about something they’ve clearly been collaborating on for at least a year despite the fact that no one’s ever seen him before.

Xion introduces a boy who looks nothing like her, currently lives with his family (not, she specifies, her family,) and has no relationship with Roxas or Lea whatsoever. Apparently they’re both the children (okay, he says creations, but Even’s an odd one) of one of the scientists. Technically, they say. They look nothing alike. They’re pretty sure he doesn’t live with the scientist, either. He does know Namine (presumed to be the scientists’ mutual daughter) but they say they’re not siblings point blank. Someone crosses Xion and Namine being sisters off a whiteboard, then considers and puts a question mark there.

Roxas’s incredibly obvious identical twin shows up and they claim to be half-brothers. Roxas will skateboard away from all followup questions. On another trip, he’ll bring a third boy who introduces himself as “the other half of (Ven’s) heart” and then immediately refers to Roxas, Xion, and Ven (but not Lea or the other boy, who nonetheless knows him) as his siblings. He claims to have been born at the dawn of time and just after the worlds shattered and also sixteen years ago. (Vanitas knows exactly what he is doing and is THRIVING off the chaos.)

Based off similar hair colors, her apparent dislike of Lea, and sheer desperation, half the town is convinced that Aqua and Isa are siblings and she sided with him during the breakup. There’s no consensus about how Terra fits into this. (Isa’s not correcting them. About any of this. It’s not worth it.)

Seifer gets back from a journey of self-discovery and asks who the newbies are and gets shown eight different, mutually-contradictory conspiracy boards in the form of family tree/relationship charts. Lauriam and Elrena have been the source of multiple schisms among the gossip mill.

By the time Sora shows up again even Hayner, Pence and Olette are having trouble keeping everything straight, and they actually know the whole story.

[wyldblunt]

i am always thinking about that one asura in taimi's lab who, upon not recognizing the commander, snarks something like "oh, i'm sorry, i didn't bring my heroes of tyria flash cards with me today 🙄"

was he just joking or do those exist. heroes of tyria TRADING cards, even???? are children across the realm kicking and biting each other over a holographic trahearne

[taonpest]

Do you ever think about the fact that Vorador and Raziel were burning with rage the moment Janos died

[girlweepinginstairwell]

why are some of you just plain mean

[thealogie]

Saying ALL fic on AO3 post s2 are bad except for the ones your mutuals have written sound a bit pretentious and snobby doesn’t it? There are way better ways to express your love for your mutuals or rec the fics you like. All the fics out there are written with love for characters and shared with us for free. How about we don’t post these discouraging comments? Hm?

hskfkfo come on now be serious. Because art is free and made with love we should categorically never say anything negative about it? I mean I would never in a million years say anything negative about any one specific fic but to say the fic landscape post s2 is not good? That is simply reporting the facts

[fiveminuterice]

controversial take i think but i don’t like when artists say “don’t like without reblogging” on their posts or say they’ll block people who like their art without reblogging. i say this as an artist, if you feel upset often enough by people who like without reblogging then that’s not on them that’s on you. and i say this is gently as possible. you are not owed engagement.