The power is let this man have over my own autonomy. I’d let him have full control of my diet, my clothes, weeks, he’d always tell me what to do, the cries and whines he could pull from me and he wouldn’t even have to touch me.
I’d let him pound me in front of everyone until I’m stupid. I’d be his little arm decoration, he could ruin me and fix me and I’d thank him. He could order all the Ghouls to fuck me in a single setting and just get pleasure from watching be ruined by his orders.
Just. Down. Bad.
Ok. Can I just be real? As I was reading thing I was covering my face and smiling so big because this is exactly the type of dynamic/relationship I picture with him.
This is simply who he is. Control and protection that comes from a place of love and deep understading. Natural, effortless, mutual devotion. It comes easy with him, and he doesn't have to try hard at all to make you feel deeply for him... Much like he melts at mere sight of you.
A glance would be all it takes for me to become a puddle, fall down to my knees and look at him expecting instructions.
Mind, body, soul. Thoughts. All belong to him. All shame and reservations go out the window the moment he steps in the room.
If it was possible to be near him, I'm 100% sure I wouldn't be able to breathe properly.
And yes, of course... getting pounded during meetings... please!!, his hands firmly on your hips as a way to control your moans, your mewls. His face barely letting out the deep pleasure he is feeling, as cardinals, deacons and the higher clergy blush in their best efforts to ignore the display in front of them. Nothing they can do when their Papa is enjoying his dear beloved... Nothing they can do when Secondo is enjoying what is rightfully his.
4 notes
·
View notes
To input another pov to the s2e5 conversation, I personally brushed off the single dad comment from earlier in the ep, chalking it up to clunky exposition dialogue (oh they need to show how he has his hands full in one line and make it make sense) and THEN the fit check happened and my eyebrows raised to the my hairline, and THEN Don dropped that "[...] or did you follow me home? ;)" line with THAT attitude, and my had to cover my mouth going, what's going on...?? lmao from an extremely jaded tv watcher who almost never ship anything except canon events.
Truly think the world collectively shook that night thanks to the number of viewers leaning forward in their seats with hands over their mouths and awe in their eyes 😂💖
But really though, there will NEVER be proper explanation for what happened in ep 5 other than Loki's canonical impulse to impress Mobius at any given moment finally extending to 90s Hugh Grant rom com territory (as anything should, tbh) or it being a hint that on Don's timeline he'll eventually meet *his* Loki and the two of them will settle into suburbia with the kids and jet ski off into the sunset as fandom intended and I'm personally fine with either option lol
15 notes
·
View notes
Your stance on the Dunmeshi queerbait stuff is a bit selfish. Wanting this one manga to go exactly the way you want is a dangerous path - the way you phrase it is so entitled, making it clear it's not about consuming media about lesbians, but making one specific work suit exactly what you want. So many yuri mangas are written by sapphic women. It's a shame your stance is how it is.
And bastardizing the term queerbaiting does no good, either. Neither does the japanese manga market. You should research more before making such hurtful posts.
Hope you have a great day anyway.
[Anon is referring to this post, I believe.]
I mean, one of us certainly IS acting very entitled and weird about the media they like, and it ain't me. Like, I think you just have associated this piece of media with your own identity in an unhealthy way that makes you react to criticism of it with intense defensiveness. You don't own Dungeon Meshi. You aren't Marcille. Dungeon Meshi is NOT a yuri manga; it's a beautiful manga with either sapphic queerbait or a woefully underdeveloped queer relationship at its center.
Maybe if you had an argument besides "it does no good" to criticize it, but you don't. So.
Smh, it's a "dangerous path" - I'm screenshotting that bc I know it'll make my wife laugh. Like, friendo, wanting a piece of media to be better isn't dangerous. But calling someone selfish and hurtful for criticizing media while offering no clarifications as to who I've hurt or how (any fellow sapphics bleeding out in here? Or is it just me with my bonkers-heavy period??)... it's overstepping a social boundary in a bizarre way.
Like, I'm sorry that I'm better at media analysis than you (not actually sorry - I am being petty! :D), but I actually have studied queerbaiting!! I am willing to bet I have done more research than you! (Are you from twitter? You have that vibe. - Again, pettiness.)
... and I spend every day with my wife (the best writer I know; I'm so honored to share stories with her), talking of nothing but our shared special interest all day - i.e. media analysis. (I honestly don't know what neurotypical couples talk about lol)
And I've done enough research to know that one of the side effects of queerbaiting is that fans are often in denial about it and then get REAL MAD when someone points it out. I was there for the Sherlock/Supernatural fandom. Shit was crazy. (Not saying Super-who-lock bc my man Russell Davies was like MAKE THOSE BOYS SMOOCH! 😎)
Also like, my apologies to Ryoko Kui - I really do love Dungeon Meshi - but like, I'm just better at writing and illustrating queer rep than she is. I make real gay protagonists who do gay shit and are gay, and I will never queerbait my audience. Womp womp.
Also, honestly, even if I turn out to be wrong about the queerbaiting by the end of the series, this message was still rude and entitled and weird. We have a lot of issues facing our queer community that endanger real people; someone calling a story queerbaiting mistakenly is not one of them.
3 notes
·
View notes
I came across your story "Flypaper" about the superhero convention (Fun read! Highly recommend!) and I was just wondering if you had any other interaction headcanons that didn't make the final draft?
Oh thank you... and oh, yes. I didn't include him because I knew no one would know who he is, but I love one special, incredibly charming boy... King Off-Putting himself... Bruno :)
He is so very... uncomfortable to be around.
I had one line referencing Bruno and Danny in "Flypaper" but hhh... Dead Boy Duo, my beloved... I want them to be friends so bad, I want them to be sassy partners in the field, I want this with all my soul. They're brothers in spirit... Their moms have the same voice actor... Please, they would be so funny together.
I know there are oodles of fictional spy agencies in media, but I've always been a Bruno the Kid fan at heart. Ever since I first watched Danny Phantom, I've loved the idea of Globe getting in touch with Danny post-"Phantom Planet" and inviting him into the agency... Sometimes Bruno's villains canonically die instead of going to jail and I think Bruno and Danny would be a silly pair. Two "dead" (they got better!) cartoon boys goofing off and takin' names.
Specifically, Chick E. Love would have a flippin' field day burning holes in the Ghost Zone, unleashing wave after wave of ghosts into the world, and I just really want Bruno to do his "If I ever use a spy gadget the way it's intended I will die" schtick while Danny keeps dumping all the Fenton ghost-hunting gear on him...
I want the sassy boys to drive everyone up the wall. Bruno tolerated being bullied for about 5 seconds and then ruined that kid's life slkdjf. Cheerfully told Cy what he wanted to put on his tombstone. He does not mess around. I want Bruno to straight-up kill a man again and Danny to lose his mind.
Bruno is the boy who ran gleefully towards an electric fence with intent to climb it. He literally targeted HIMSELF with a missile in an attempt to win a chess game. I want the crossover joy of Danny throwing himself at everything that might kill Bruno and Bruno just Does Not Sweat It... Stupid.
[More under the cut]
Anyway yeah I have very normal feelings about "Dead Boy Walking" as an episode. Bruno's enemies pinning him down and injecting a terminal disease in his system... Bruno stumbling around until he hallucinates his best friend giving him self-care advice... Bruno quietly sitting down and staring into the void, separating himself from the ongoing conversation, instead of engaging in his usual banter... Boy crosses Australia on borrowed time, his legs give out beneath him at the worst moment, he's still wheezing about how he's going to do everything in his power to save others, just a little kid lying on the cold floor alone while Sydney gloats that he only has minutes left to live... His enemies making out over his unmoving body... I am so normal about this episode.
I just want Bruno and Danny to be friends :) I think they would vibe with each other even though they'd both want to bonk the other on the head. I so very badly want to see the first moment Danny realizes "Oh... Oh, this guy's, like... serious. He will kill people if I take my eyes off him." sldkfj Bruno's so intense and I love him. Danny is so tired and I love him. I want to see the first moment Bruno blearily wakes up to realize Danny just saved him from a ghost's revenge attack in the middle of the night. I love the Dead Boy Duo.
I only threw one line about these two hanging out in "Flypaper," but in my heart they spent the whole convention together because they're co-workers... they are buddies, your honor.
I do not think WordGirl would like Bruno at all because he comes off as a smarmy, know-it-all creep to those who aren't familiar with his sense of humor... Kid Math should not be left alone with him because he's very impressionable and Bruno is a terrible influence slkjdf.
Here's a little deleted scene I had:
I also had a loose draft for a scene of WordGirl and Super Why getting milkshakes with some other hero friends when Kid Math finds them again. WordGirl greets him like "Oh, how's your day going?" and Kid Math is just... very overwhelmed from his experience of interacting with two fast-paced sassy kids while he's still struggling to grasp the concept of superhero banter. Like. Bruno and Danny would destroy him. Blow his mind. There's no coming back from that.
So yeah, Bruno was definitely at the convention... I just didn't show him apart from that one-liner about him hanging out with Danny. "Flypaper" was really fun to write. I don't plan to do a crossover like this again any time soon, but the convention was a cool setting to explore and I'm glad you enjoyed! <3
One of my favorite stupid jokes in "Flypaper" is that Romeo was being a troublemaker in the daytime and WordGirl asked if he was "even allowed to do that" since he's supposed to be a "nighttime villain" in the PJ Masks lore... But tbh I watched a lot of Romeo clip compilations before this story and ?? apparently it's just a thing that Romeo regularly commits crime during the day and the PJ Masks literally hang back and wait until nightfall before they fight him?? That's SO funny to me.
(I also don't understand when the PJ Masks sleep and if anyone has the answer, please drop it in my inbox because I'd love to know but I also don't want to binge the series over this, ha ha)
I also wanted to make a joke about Alphapig being 5 years younger than the rest of the Super Readers because the amount I lost my mind when I saw that on the [unsourced] Super Why wiki was indescribable. POV: One of your friends is a princess, at least one is in college, and you're starting high school.
(I'm dying at the idea of three 10-year-olds running around Storybrook Village and there's a 5-year-old tagging along with them. The mental image of 7-year-old Whyatt taking a 3 or 4-year-old pig under his wing as his new friend... Such a good boy.)
After Tobey launched Romeo off his robot, I had WordGirl catch him, but I'd originally hoped to have Kick Buttowski catch him because I thought writing cool skateboard rescue mission would be fun. It seemed like it would just be shoving in an extra character who didn't need to be there, though, and it risked dragging down the scene with introductions and descriptions, but in my heart, Kick was at the convention too. Extreme.
I think another of my fave dumb jokes was just... WordGirl approaching the superhero panel she's supposed to speak on, she looks out into the crowd, but then she's like "Oh no the entire Paw Patrol are watching me, this is so much pressure."
Nothing to see here, just Baby Dog Squad taking notes... I still think about that randomly throughout the day and giggle. I love this 'fic.
13 notes
·
View notes
cannoli - how does your muse express love? how do they act when in love that differs from how they act around others normally?
PASTRY LOVE HEADCANONS ・ not accepting!
hrm hrm hrm ... under the assumption that love, at least for the first question, extends to its platonic and familial forms, then the simple answer would be the phrase from her inspiration tag, "love is pain. pain is punishment". the third part would simply repeat, "and punishment is love".
although I've discussed her view on romantic love in small headcanons, I do not think it would stray too far from her ideals surrounding familial and platonic love. after all, are all forms of love not customary for obligation? is there not something to be given and laid in your partner's hands no matter the bond?
while I highly disagree with the notion that Zephia had any actual love, whether romantic or any, for Sombron, as she debunks this thought when speaking to Griss in Chapter 23, the way she behaves towards him is what she would expect from her partner; obedient, eager to please, and attentive to all she says. since he was the one to find her, centuries ago, she is the one who owes him all she is. servitude is the only expression of love that she believes is genuine.
anyone can say they love you. anyone can perform grand feats of public love. anyone can open their coin pouch and buy a gift in your name. but only a few can, without hesitation, throw themselves at your feet to make you smile.
the only difference between romantic, familial, and platonic love is the degree of affection; and how much you would sacrifice and lose in their name. "love is pain. pain is punishment. and punishment is love." can you really love someone if you are not willing to cut out their heart at the happenstance of betrayal? what of infidelity? failure? pain and punishment will always have a place in Zephia's heart, and, as such, will be equally taught to those she loves.
if you do not commit to the part, then you will be punished. if you do not reciprocate, then you will be hurt. to be loved, and be able to love, is the consent to withstand the inevitable pain that follows any relationship. and because Zephia will only love someone she sees as worthy, first, then her approach calls for their servitude, not the other way around.
love is pain, but that pain is not a two-way street until you tilt the scales of the hierarchy and step out of line.
2 notes
·
View notes