#my rant for today

[necroromantics]

Jumping on this, but yall Kate is not canonically mute LMAO she literally has voice lines in the game. The Chaser is mute and only makes noises like hissing and growling, but Kate is perfectly capable of speaking and coming out of her Chaser state.

Calling people ableist for not adhering to your headcanons/interpretations of the game is INSANE. This is exactly whats wrong with the Creepypasta fandom. Forcing people to follow neatly in a box of conformity because of a made up standard you created. Insane.

And on a bit of a different note, the amounts of times I have seen people headcanon or write about characters who they HC to have disorders I personally suffer from, and its just really harmful/inaccurate shit. Id rather someone not write a character with a certain disorder like bipolar or ASPD than do it incorrectly cuz misinformation and stigmatization, even unintentionally, causes MUCH more harm than not having any representation.

And we don't need to go around giving characters all these different labels of disorders and disabilities like it adds any depth to their characters. If you can't write for a character without being like THEYRE BIPOLAR! THEYRE MENTALLY ILL! To give them depth, I highly recommend taking a step back and understanding that people are not defined by their disorders/disabilities

While having representation is amazing, you shouldn't force people to do it for you because you think its the "right way" to do it. Let people have creative freedom. Enough of this 1984 authoritarian bullshit telling people they can't do or write something because you don't personally agree with it

[theoddsideofme]

The insanity is unreal. I seen this lady today with one of these tacky bitches hanging on her mirror in her gigantic suburban. I swear to fucking god. What is the obsession with monograms? Do you need to be reminded who you are in your own car? Inside your home? On your fucking purse? Is your soul that dead? The insanity is unreal. Please if I start putting monograms up everywhere, get me to a mental health profession.

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[sourlemonadez]

Congrats on YOUR autistic license

This whole thing was made because of the new interview of Kellen Goff (the dca's va). Said video is down here along with the link to it

[hyacinthsdiamonds]

I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️

[neptune-scythe]

Breaking my slience (again ... I've ranted about this at least twice already but I keep thinking of fun new ways to word it whoopsie)

When Inej says she'll have Kaz without armour, she's not saying she wants a physical relationship from him

She is asking him to trust her enough to know that he doesn't need to protect himself around her, that she'll never cross his boundaries, that if he took off his armour he would be safe with her.

Thank you for coming to my TedTalk

[xlocalkatzx]

I’m so sorry I think I starved you guys for WAAAY too long ohmygod HEGLP!! I ran out of drawing ideas and motivation for the LOOONGEST TIMEE and only decided to draw recently…..,,, please take this as a incredibly sincere apology

do.. do I have to credit all the creators

Please don’t cancel me I CANT DO IT OHMYGOD PLEASE there’s too many of them and I’m so tired

[noxious-fennec]

Watch it man you got a kid on board

[ricky-mortis]

Have some Ted doodles- as a treat.

[canterbury-bell]

Bunnydoll Week 2023

Day 4: Apologies

[irishmammonagenda]

Belphie blinks at you in greeting as you slide under the covers with him, only humming gently when you hold onto him for dear life. Dark indigo eyes noticing with interest that you haven't even started getting ready for RAD yet---not that he was one to talk---the Avatar of Sloth merely gives you a lazy smirk and wraps his tail around you under the covers as you whisper a strangled out, 'hide me'.

He nods slowly, his throat feeling much too heavy, and he himself feeling much too lazy to use his words. A pale hand pulls the covers over your head, just in time too, as Lucifer bursts into the room, ruby red eyes shining like a wolf on the hunt.

"Have you seen MC?" The eldest asks, paying no mind to the usual sound of morning chaos coming from the rest of the house.

Belphie lets out a strangled, lazy, "Nope." all the while his tail tightens around you.

Lucifer shakes his head. Looking at the you shaped lump under the covers. Merely pinching the bridge of his hooked nose and sighing, "MC. If you wanted a break from RAD, you could've just asked instead of opting to hide."

You pop out from under the covers, eyes wide like a deer in headlights, Belphegor's arms wrap around you from under the covers, his eyes sleepily tracing the features of your face as you speak.

"Right.....yeah. Sorry Luci?" You tilt your head, the Avatar of Pride's eyes soften a fraction.

"Be sure to catch up on your schoolwork, we only have room for one academic failure in this house and I'm afraid that spot has permanently been reserved for Mammon." Lucifer says sternly, though you can see the faintest upward quirk of his lips.

"Aye aye Captain." You nod, sleepily saluting the eldest.

"Belphegor."

Belphie turns to look at his eldest brother.

"Just because MC has a day off school, it doesn't mean you have one. Your uniform's hanging up by your desk." The ebony-haired demon walks out of the room.

"...Diavolo fucking dammit."

[evilkaeya]

domestic skk

[aroaceleovaldez]

I HAVE BEEN REMINDED OF SOMETHING i think i've made a post about it before but maybe it's just sitting in my drafts. idk, whatever, I will ramble again. Said thing that reminded me was a tiktok by madison_murrah about how the PJO TV show doesn't get the balance between mundanity and magical correct for pjo and I want to expand on that cause while a.) it totally is a problem in the show and i take issue with it, b.) it is also a problem in later books and i ALSO take issue with that too and i would like to elaborate on it

this got long so ramble of the day below the cut:

so the thing is that PJO is actually pretty unique in it's approach to hidden world modern fantasy. like, hidden world modern fantasy is a decently established genre with a ton of examples, but there's a reason why PJO stands out so much, and that's because technically it's NOT "hidden world." There is very intentionally no distinction between the mundane world and the mythological, at least in first series. They 100% overlap. And you do not necessarily need to be "special" to see the "mythological world-" some mortals are totally naturally clear-sighted, a lot of kids are clear-sighted, and it's like 50/50 for if mortals can become clear-sighted. In fact, most demigods aren't immune to the effects of the Mist, all that really matters is if you're actually thinking about being able to see through it. And there's a reason for that!

In general, this format of the "hidden world" modern fantasy serves two purposes: One, as the series is meant to introduce people to Greek mythology and explain why it is relevant and how it can be relatable in modern contexts, it intentionally juxtaposes myths against modern concepts: Medusa runs an apparently average garden statue store. Procrustes runs a mattress store. The entrance to the Underworld is in LA at a record store. Circe lives on an island paradise that's secretly dangerous. Hydras are like chain donut stores that seem to pop up on every corner. Perseus and his mother struggle in Perseus' childhood but get a happy ending. Calypso has an island paradise where the challenge for the hero of our story is being tempted to leave behind his goals. The plot of Sea of Monsters is blatantly the Odyssey, and it's about Percy trying to get to his best friend (who he shares a literal psychic link to) who is in danger of getting married to someone awful (a literal monster) to help you understand Odysseus trying to get back to Penelope and how important to each other and in sync they are. Battle of the Labyrinth is Theseus and the Labyrinth and it's Percy/Theseus trying to protect his home and his people and fellow kids (like Nico) from the dangers in the maze. These are all supposed to help us understand what is actually going on in those stories.

We also still see how Greek mythology influence shapes and influences western culture in general in their world (which is supposed to be our own and so uses real-world examples) - in government, in architecture, in pop culture - Mythomagic is clearly supposed to be your standard TCG like Magic The Gathering. And in general there is no distinction between where the mythological ends and mundane begins - Camp Half-Blood is both a magical training space for demigods and your run of the mill underfunded summer camp, complete with cheesy camp songs and t-shirts and crafts. Olympus is located on top of the Empire State Building which is operating completely as normal except for when a demigod asks to go to a non-existent floor. Your best friend with a muscular disease in his legs is secretly a satyr. Your brother with down syndrome is a cyclops. Your teacher in a wheelchair is secretly an immortal centaur. Your crappy algebra substitute is a literal fury. But also they're still your teachers. The satyr is still your best friend, the cyclops is still your brother. And that brings me to the second aspect of all of this (which i have talked about before [here] and [here]) - the other purpose it serves is that it is an extension of the overarching disability themes that form the core of the series.

The entire reason that meshing of mundanity and magical is so intertwined is entirely because it's part of the disability metaphor, specifically inspired by early 2000s parenting/teaching concepts for children with disabilities, particularly learning disabilities, as trying to reframe disabilities as "superpowers" to empower kids (and still exists in some more modern forms - like referring to disabilities as "being differently-abled") (I talk about it in my previous post on the subject but this generally fell out of favor due to many kids/students finding it belittling of their struggles) - this is why we get the description of ADHD and Dyslexia being framed as "demigod superpowers." In the series this structure is intentionally made to encourage kids to reframe how they view disabilities in general as not something negative but something interesting and fantastical that they may be more open to engage with - and PJO does this in a really nice way where a lot of the disability struggles are still acknowledged and treated sympathetically. Kids still get bullied, Percy and Annabeth struggle in school or with reading/spelling, they grapple with both internal and external ableism. The entire reason for the titan war in the first series, at least from the demigod perspective, is criticizing flawed systems meant to support disabled people that don't do their job effectively or let too many people fall through the cracks. The Mist "hiding" the "mythological world" from mortals (and even some demigods) is about how most abled people (and some undiagnosed people) don't recognize disability struggles until it affects them personally. None of these things are glossed over! It's handled with nuance and care! The series says "you can be disabled and you can be like these fantastical heroes - not in spite of your disability, but alongside it. Neither negates the other." The series was explicitly made so Rick's disabled son could see himself in a hero and learn about mythology for school. Those are the two pillars of the entire franchise: Disability and learning about mythology.

So, when you mess with that "hidden world" structure, the entire thing falls apart and it immediately doesn't feel right, because it's no longer serving either of those two purposes when it needs to be fulfilling both. Late-series Riordanverse has a tendency to compartmentalize the mythological and keep it entirely sectioned off from the mundane. Think about first series and even TKC versus later series - how many mortal characters are there? what do they do? are they just in the background or do they interact with the main cast frequently? are they more than just family or an extension to the main cast? First series we see Percy's classmates frequently, Percy talks about his mundane experiences at school, multiple mortal parent characters (and other mortal characters like Rachel) are active participants in and vital to the plot. We even see a lot of background mortal characters. In TKC, not only are all the magicians technically mortal, but also Sadie's completely mundane best friends help her out. Now think about HoO, or ToA, or even MCGA. Think about the mortal characters in those series. How important are they? Out of the important ones, how much are they in mundane situations versus being almost entirely involved in something mythological? How many aren't related to any of the main cast? How many aren't actively working for a god? The answer is basically zero! Why is that? Because Rick stopped letting the mundane exist. The entire draw of the main series is that Percy does continue to live this mundane life and that adds to his mythological life and makes the balance and meshing between them interesting, but basically all mundanity ceases to exist by HoO. Camp Jupiter is an isolated entirely magic town. Percy and Jason's schools are full of mythological beings as basically the only people they interact with. The Tri's headquarters is an entire giant building in New York City that they completely control that just so happens to ALSO be directly across the street from the local Oracle's house, because even where Rachel lives isn't allowed to be mundane anymore. Why is Olympus just at the top of the Empire State Building versus the Tri having an ENTIRE building? That feels weird and unbalanced, particularly given the difference in importance between those two! Because one is playing into that balance of the meshing of mundane and magical and the other isn't! The show continues this trend. It doesn't allow any of the mythological to exist within mundanity like it functions in the books, which creates a completely different atmosphere and doesn't allow those spaces or scenes or characters to serve their actual narrative purposes, either making it easier to understand mythology contextually or what disability metaphor or representation is occurring there.

It's part of the problem with show!Percy being too mythologically-savvy - Percy is supposed to be the mundane lens unfamiliar with mythology that the audience is learning by proxy through. That's the entire point of the series! If you have Percy already know everything because he's already too ingrained into this mythological environment from the start, and he just exists in this entirely magical world where he understands everything immediately then the literal target audience of the entire franchise (students being introduced to mythology) is left behind! That's part of why the pacing of the show feels so bad! It's rushing through every scene that's more or less the same as the books, particularly anything mythological, because the show is assuming you've already read the books and already know enough mythology to know what it is and what happens and that you don't want to see it again, so it rushes through. The show doesn't explain things that it presumes you already know - worldbuilding, character decisions, basically any mythology, etc, so it doesn't even bother with it.

Later books in the franchise do this too - as long as it's tangentially Greco-Roman mythology, or if it's anything to do with the main series like a reference in TKC or MCGA or etc, it's not going to elaborate much if at all. HoO speeds through Jason's introduction to CHB, and the only reason we get much introduction to Camp Jupiter is because it's actually new. We're no longer trying to contextualize or learn about mythology, it just all becomes set-dressing and references thrown at you rapid-fire as filler. By late HoO and into TOA and TSATS and such, we're not longer even within the realm of pretending like we're adhering to mythology at all. Why is Iris a vegan? Why is Rhea a hippie? Dunno, don't care! Literally doesn't matter! Why are the pandai panda/elephant-monsters and the troglodytes frog-monsters when that's not part of their actual history at all? Well a.) literally just word associations and b.) possibly a little bit of racism (they're supposed to be humans from India and northern Africa, and you made them monsters. cool. okay. and their plotlines totally aren't horrible within those contexts. awesome. please try thinking literally at all next time, thanks). We're not even bothering to look at mythological instances anymore for a basis, a lot of it's written like we're just going based on the first results on google (hi Menoetes and the cacodaemons - the latter of which is not even spelt correctly once in the entire book - which is weird because they do say "daemon" so they know the word. Not that the cacodaemons are mythologically accurate at all because then they would be humanoid. Instead they seem to just be inspired by the things from Doom). None of it serves the purpose of the narrative at all; we're literally just making random choices, some of them quite distasteful! In large part due to refusing to acknowledge the actual contexts of the myths and how that might translate into something similar or equivalent a modern setting to help conceptualize it - something the first series did inherently by design. And we need this! A.) So that you're less likely to make bad decisions because you are inherently thinking about the historical and cultural contexts of these things and how to compare/explain it, and b.) because the audience for later books/the other series and the show is going to be the same as the first series! Those nonsensical references may be at best cameos to people who are already familiar with them, but if your intended audience is new to mythology then making references like that is just going to leave people out of the loop! You don't shift your target audience in the middle of a franchise!

Later books in the series and the show are failing to understand what the first series was actually doing narratively and how it was approaching these subjects and its audience. When you fail to do that, it completely messes up the general worldbuilding and the core themes and intentions of the franchise as a whole. Once you lose touch with that you might as well just be writing a completely different franchise. You need to approach it from the same lens or else it will feel completely off, because otherwise you've lost all base touchstones that make the series what it is.

[pachnychnyszek]

insane Australian postmaster outside storage room window. normal Tuesday evening in hermitcraft server.

Drawn during Skizz's last (20-2-2024) stream!

[time-slink]

i need to put this thing in a bug jar

[sioneve]

Today marks the 10th anniversary of Nicomaki duet song "ずるいよMagnetic today" release! 🩷❤️

At this point I treat the song’s release date like nicomaki couple anniversary 💀 i mean!! a duet song!! WITH VERY PERSONALIZED LYRICS ABOUT THEM TOO….. pls let me have a long life so i can make it every year 😇🙏

the last time i made anniversary art for zurui yo magnetic today was in 2019! It’s getting the biggest number i’ve ever posted on tumblr lol (but that is definitely cuz of the wild almost-to-kiss-tension-pose lol)

enjoy the meal for every nkmk shipper if you’re still breathing?? nicomaki will be forever my top, it surpasses all my ships across the universe. I love you both my dumbass magnet 🩷❤️

imagine applying physics reference to your art

process (lots of skipped parts i forgot to save)