#my standards are too high now

[26aspen-edits]

Stede killed people for Ed

Richie ripped off Pennywise's arm for Eddie

Loki gave up his free will for Mobius

Aziraphale left to protect Crowley

[namleeea]

i really really so love this new mason’s photoshoot and the interview 😩😩 he’s so fine

[ofsunhillow]

i cant stop thinking about this song

[kisuga]

ima just accept that i’ll never be with a man

[utilitycaster]

Sort of a distant tangent off my post about Ashton, but I'm growing more and more suspicious of the fandom claim that there's no time for small RP moments in Campaign 3. I do think that it's been challenging to get deeper party bonding or serious conversations that aren't about the big philosophical questions they're facing, since those do take much more time; but then I think about Calamity, or Candela Obscura. I can genuinely give you at least a couple paragraphs about pretty much every relationship in the two Circles, or in the Ring of Brass. I can also point to no shortage of small moments between characters in the Mighty Nein Aeor or Vox Machina Vecna endgame episodes, which were all extremely plot-heavy and fast-paced, and D20 consistently nails character relationships in a fraction of the time.

I think it really does come down to, as Brennan Lee Mulligan always says, the character creation phase. Laying down a solid groundwork in which everyone has a detailed, rich backstory and sense of personality and relationship history (in the case of characters who knew each other prior to the start of the series) is absolutely crucial, and even in the case of characters who don't know each other before going in, a good amount of time spent in character creation ensures that it's easier for them to develop those interpersonal relationships on the fly. I know in actual play there's some degree of finding the character as you play, but there are games for which there is a very short runway, and I don't think it ever hurts to do more extensive character prep than the bare minimum. And if there are gaps, I think it also helps to go back and fill those in mid-way, away from the table - Travis clarifying Chetney's backstory being a great example that allowed the history of Chetney and Deanna to feel realized and full, despite only a few episodes.

I'll also be blunt: most of the time when people complain that there aren't moments because the plot keeps moving...they're mad about shipping. Which has always rung hollow to me. It was a common complaint in C2, that no time was taken for character relationships, despite them taking an entire half of an episode for the Beauyasha date and despite no shortage of moments for all three of the other couples (and plenty of platonic moments between friends). The issue was never a lack of time; it was that the characters they wanted to talk to each other didn't actually have the relationship in canon that the fans had dreamed up, and so, when the chips were down, they went to other people.

It takes two seconds to say something like "I hold their hand", even in the middle of plot-heavy adventuring. If someone doesn't say it, it's rarely the GM rushing them; it's the player either choosing not to do so, or not remembering to do so, and either of those is quite revealing regarding how the player feels about that relationship and where it stands in their priorities.

[crownedwille]

I've come to the conclusion that loving young royals doesn't mean I can't be critical about it, maybe especially bc I love the show so much I have such strong feelings about it, good and bad and I can love parts of canon and agree with it and appreciate it but I don't have to love it all. I have accepted that it's okay if I don't accept the ending and I don't have to force myself to support it. It's okay to not agree with all of canon and it's okay to not side with all of the creators' intentions/views. Loving a show doesn't mean you have to take everything the writers say on face value and that's the only version that is allowed to exist. Canon isn't everything and fandom is about curating your own experience that makes you happy and not miserable. You don't have to dismiss canon in every aspect and ignore it entirely, that's certainly not what I want but there is a fine line between being canon respectful, allowing some parts to exist and sometimes, yes, you just have to say "fuck canon" and move on for your own sanity and wellbeing

[venn-ila-ve]

i know itll take AGES to happen,, but i need the percabeth underwater kiss.. like that altered my brain chemistry when i was 11..

[oh-cramity-its-amity]

trust the process

trust the process

trust the process

trust the process

trust the pro- WHY IS WRITING SO HARD. THIS IS SO BAD!!

*proceeds to backspace half of the document*

[carnivalcarriondiscarded]

I'm piggybacking a bit off of the last ask of asking for writing tips but I have an odd question... Am I the only person that struggles actually PICKING a book? It's the absolute bane of my existence because I feel like I can be so picky... Don't get me wrong, I love being a bookworm, and I'm trying to get back into reading physical books but it's so difficult to find a real taste of what the book is like without being completely spoiled or something... I miss when backs of books had an actual summary and not just NO.1 NEW YORK BESTSELLER!!!! It's so frustrating... I've been trying to get back into it by re-reading fond chapter childhood books read to me (The Miraculous Journey of Edward Tulane & A Wrinkle In Time). But at the same time I'm also trying to get into more "adult" books that isn't... Well, you try googling "adult books" and see how that goes, I didn't think too hard about what a poor decision THAT was. But I'm working up the courage to read Cat's Cradle right now to start with "Classic Authors" I guess!

Anyway I'm rambling here, I guess my question is... How do you pick out the books you read? I don't really have friends that read many books to recommend to me :')

Thank you in advance, Bog! I hope you get a callback from that interview soon!

no ok actually you've mentioned something that's been bothering me for a while - What The Hell Do Y'all Mea, Books Don't Have Summaries Anymore???? i have not once in my life found a book that didn't have a summary. i was in barnes & noble recently and everything i looked at had a summary. i have literally never seen a book without one in my life of reading & looking at new books on a regular basis

softcovers have theirs on the back. hardcovers are on the inside of the sleeve - lift the cover and it should be printed right there on the inside flap! summaries aren't legally required but both the author and Especially the publisher(s) know that no one's gonna buy a book without a summary. trust me, all books worth reading have a summary. if a book doesn't have one, it's probably not worth your time anyway. you just gotta know where to look!

so my answer to how i choose books... i read the summary lmao. if it seems interesting, ill either write it down to get later or ill get it there and then.

Before the summary though, i look for any titles that jump out at me from the shelf. then i look at the thickness. i like a bit of meat in my literature, so i tend to shy away from thinner books. thicker ones grab my attention more easily. then i look at the cover - if it interests me, then ill read the summary. i don't have specific tastes in title or cover. as long as it makes my brain "hm" thoughtfully, ill take a gander!

and really, if you have access to a bookstore (chain or not, ive found plenty of bangers in tiny used bookshops) or library, the best way to find a book is to physically browse. even if you dont buy anything, you can take pictures of books / write them down to buy online. but going to the store lets you search them out, examine the length, cover, title, summary - and easily put it back on the shelf or keep it. i hate shopping online bc there's ads, you can't examine the product, nothing really stands out since it's all portrayed similarly, there's limited pictures instead of the physical thing, and photos can lie.

plus, everything is (typically) meticulously sorted by genre & age range. when you go into a section with literature aimed at adults, you'll find exactly that instead of smut novels lmao. real life bookstores can be more accurate than online searches. & there's just something so good about walking through shelves, searching for that one book before you know it exists, smelling the paper... yeah...

[hopeless-astronaut]

Found an old unfinished piece of my mc making cove a flower crown! I'll likely never finish it but I still think it's cute 💕

[courfee]

"i miss writing fics" is say while having written fics every single day for the past 9 months

[yoonia]

So I'm supposed to just go about with my day with this inside my head????

[ganondoodle]

consider this a vent post

[waitineedaname]

thought I should collect my vague fma/mp100 thoughts here to make it easier to have them all in one place !

basic plot/character stuff

ed and al are both talented young psychics who got their powers when they were pretty young. ed got his powers around the time their dad (a CRAZY powerful psychic) left, and al got his shortly after their mom died :(

they thought they could use their powers to bring their mom back as a spirit, but it went. very bad. instead, an evil spirit took advantage of them and started fucking Eating Their Life Forces. al freaked out and astral projected out of panic, but his entire body was consumed so now he's. stuck like that. ed managed to exorcise the spirit, but not until after his arm and leg are devoured too

their motivation is to get rid of evil spirits that take advantage of people and hurt them like this, which is what takes them to roy mustang's door

roy mustang is a fake psychic pretending to have pyrokinesis (he just has a flamethrower behind his desk) because I think that's funny. he's running an exorcism business like spirits and such, except he has a larger crew -- mostly his friends he can call up to do odd jobs for him, like fixing the leaky pipes that make noises that make people think their house is haunted or whatever. he's also the only exorcism business that's willing to hire a teenager, so that's how the elrics end up working for him

in addition to mustang's crew of non-psychics, he also has hughes, who is tragically a ghost. there is definitely some tragic back story here that I'm still working on hashing out, but they've kind of come to terms about it now. he still haunts his family, who know he's there, and he agrees to help out mustang with Actual Spirit Issues when the elrics are unavailable

the elrics' quest to deal with manipulative evil spirits leads them to encounter the sins, who are all very powerful evil spirits. one of the first ones they deal with is greed, who they mostly exorcise, but he manages to just barely survive, dimple style. he's looking for ways to bring himself back up to full power

enter: ling yao, recently awakened psychic who is also looking for ways to become more powerful. he keeps over-exerting his psychic powers and exhausting himself, which is how the elrics come across him mostly unconscious. he's very excited to meet another esper, but he makes the mistake of asking why al doesn't possess ed, since he knows that can enhance someone's psychic powers. the elrics are both Very Sensitive about that kind of topic and tell him to fuck Right Off

bad idea, because then he goes and finds a spirit of his own. both he and greed approach their mutually beneficial consensual possession situation for self-serving reasons. both of them look at each other and think "yeah I can definitely manipulate this guy into making me more powerful" [fast forward a couple months to when they've become Extremely attached to each other] oopsies

lan fan is a telepath. ling did not know this, so he tried to act soooo normal about being possessed around her. that didn't work for long, jackass! she got so fucking angry with him when she heard a literal devil on his shoulder, and even though ling stopped her from destroying greed, that evil spirit is on THIN ICE.

scar's family was killed in a psychic terrorist incident (think kimblee if he was part of claw). he's one of those really late bloomer espers -- it wasn't until this traumatic event that his psychic powers awoke, and he hates them because of the link to the event. now he's on his vengeance based quest, going after psychics that abuse their powers

things I'm still working out the details for

mustang was involved in some high profile fuck-up. kind of like separation arc reigen except uhhh people Died. hughes was likely one of those people. no one has enough proof to outright prove he did it, but he is definitely linked to the event, especially because he was a pretty public psychic figure at the time. in reality, it was the fault of the sins, but it's harder to find evidence when it was evil spirits doing it

olivier + the rest of briggs are an anti-psychic terrorism government agency (kinda like joseph) and initially scar is one of their targets, but they end up recruiting him bc they have a common goal

eventually scar starts working at spirits and such (olivier's assignment so he can keep an eye on mustang) but he fucking hates it. oh my god I cannot emphasize how much he hates it. imagine reigen serizawa and mob at spirits and such except none of them can stand each other. that's mustang, scar, and ed having to work together.

mei is also a psychic! she kind of latches onto both scar and alphonse (separately) because she needs some help killing someone. they have very different reactions to this.

the someone she's trying to kill is father, a super powerful psychic who's been orchestrating much of the psychic terrorism, as well as directing the sins. he's like if toichiro had a specialty for spirit wrangling like matsuo

miscellaneous au details

ed and al's auras (and al's spirit form) are mostly gold, ed's leaning more coppery and al's more of a green-gold. ed's kind of has the look of fire crackling around him. ling's aura is a blend of red and purple and has a kind of watercolor/bruise look. it's more vibrant and has more purple when greed is possessing him. mei's is mostly pink with some red.

mob psycho spirits range from completely abstract to mostly humanoid and frequently have multiple forms in between. hughes looks mostly humanoid most of the time, but can go simplified and silly when gushing about his family. al has a more powerful form that looks like the full suit of armor but he doesn't like using it very often, so most of the time he's a long blob that's just kind of armor shaped (like when the armor is simplified for silly moments). greed at full power looked like the ultimate shield, after being weakened he looks more like a dimple-like blob that resembles the face in ling's mindscape. when possessing ling and both of them are using their powers, ling gets lines on his face like on the ultimate shield (like dimple's cheek spots!)

other spirits: pride looks how you'd expect. horrible shadow spirit. envy bodysnatches a lot. wrath has been possessing a politician for Literal Decades. it's no good. I'm not sure about the other sins

people's feelings on possession range from the elrics (Fuck No), to hughes and mustang (if necessary to get a job done), to greedling (they like it like this actually)

the rockbells aren't psychics but they live kinda adjacent to the psychic world bc theyre family friends with the elrics + hohenheim, so they know more than most about psychic powers

[evignonita]

uhghhg buzz grunt..... 😢..

[kugisaaki]

mera kutta kutta, tumhara kutta tommy?????