#nathan tysen

[doyouknowthismusical]

[unwelcome-ephestion]

The cast for “Paradise Square” weren’t even paid for the cast recording! Which is why it hasn’t come out yet - and probably won’t be for the foreseeable future

Holy shit I just assumed they didn't have the money to record one, not that it was more lack of payment. That's utterly appalling. Also, selfishly, a shame, because I'd quite like to hear the full show 😅

[musical-theatre-encyclopedia]

Watch ""Spring Cleaning" U of M MT Helene Yorke" on YouTube

❤💛💚💙💜😍😘😻💖💕Valentine's Day Playlist😽💝🌹😙💋💌💓💞💘😚

[locallibrarylover]

btw. you guys should listen to fugitive songs, the burnt part boys, & tuck everlasting...

[bestmusicalworldcup]

The crowded Spring Broadway season has one more musical!

The Great Gatsby, starring Jeremy Jordan and Eva Noblezada, opens at the Broadway Theatre on April 25th with previews beginning March 29th.

The Great Gatsby features music and lyrics by Tony nominees Nathan Tysen and Jason Howland and a book by Kait Kerrigan. Marc Bruni directs.

This musical is NOT to be confused with Florence Welch, Thomas Bartlett, and Martyna Majok's Gatsby, which debuts at the A.R.T. in Harvard this year and is directed by Rachel Chavkin.

[leehallfae]

“stay,” amélie - daniel messé & nathan tysen // sk8 the infinity (2021–) s01 e09 “we were special back then”

[gremlines]

in "green light" daisy's line is "buried you in my heart / as i moved on" while gatsby's is "as i CARRIED on" which foreshadows the confrontation im act 2 where it's clear that gatsby has only loved daisy this whole time, simply carrying on, while daisy built a life with tom and had MOVED ON and can't pretend otherwise anyway lyricist nathan tysen u should be proud of ur work

[cosettepontmercys]

Ooh it's cool that you got to see Bea at Lolla or Maisie and whoever else! If anything, concerts have gotten more expensive than they used to be for me so there have been some I had to pass on too. I have been meaning to listen to the Japanese House album for a while and will soon. I've listened to most of the artists you named and will add the rest to my list too.

Oh I didn't know the Waitress proshot had come out already. Maybe I will check it out. I remember hearing about the Roman Holiday musical but it never went to Broadway or anything so I didn't know too much about it. I just heard the Notebook musical is coming to Broadway in spring so hopefully they've improved it. Those are also such good examples of movies into musicals. I do agree about the cash grabs and like just coming out with or rushing more musicals each year or just making everything a musical just because.

I honestly didn't know what to think of it cuz I didn't even hear about it until recently. I do agree he seemed a little old for her though..I wonder how he will pull off the part. But it at least has potential with the actors since I like them. I actually didn't know there was going to be two..but I remember hearing that Florence Welch was working on the music I think? Or is that the same thing? It could be cool and kinda reminds me of the same vibes as The Wild Party. I never actually read the book..but I remember liking the movie and how glam it was..so the sets could be similar..or have potential. The music might be similar to an older 50s musical or idk. Maybe it would be similar to Moulin Rouge too. I would be pretty excited for it though anyway I think! I would love to hear more about there being two versions too since I didn't know that.

i was telling one of my best friends that it's very unlikely i'll do another music festival soon (although that same friend wants to do a music festival at some point, so i'll probably go with her just so she has someone to go with) because while i had a blast seeing so many people (and was able to justify the cost that way), it was just ... too peopley and too hot etc etc. for my liking! but i love her, and i'll do anything for her, including braving crowds and the heat again haha. glad i did it though, just for the sake of having done one, and for seeing that many people i wouldn't have gotten to see otherwise! and i actually haven't really been a big concert person up until this year, but that's what i've been hearing, unfortunately :( and eeee! i hope you like them!! i'd love to hear your thoughts on their music later 🤍 roman holiday is one of my favorite, favorite movies of all time, so i was super excited for the musical and as much as i love it, it is definitely not broadway ready (and i don't think it ever will be, unless they do an original score). and yes!! here's hoping they reworked the notebook so it's stronger! it's been about a year since it did the tryout, so plenty of time to have worked on it! yes! so there's the gatsby musical by kait kerrigan, jason howland and nathan tysen that's premiering at paper mill playhouse — you might know of kerrigan from kerrigan-lowdermilk (sam brown/the mad ones), howland from little women, and tysen from amelie and tuck everlasting — and that's the one that jerjor and eva are in! i love mad ones (and just kerrigan-lowdermilk's songs in general), and really enjoyed little women, amelie and tuck, so i'm really excited to see what becomes of it! and then the one that florence welch is involved with is the one premiering at the ART in boston! i am just so so excited to see what happens with both, and i think there are a lot of directions they could go in! not to mention, the set and staging — i'm thinking of how they can play with lighting (green light) already and i am just soooo excited. and i just thought of wildhorn & murphy's scott & zelda musical that drew gehling and laura michelle kelly sang songs from too (i have/had audio ... somewhere, i think, and i remember liking what i listened to, but might've lost it when i switched computers). there's so much to play with, and i just think it's really exciting! and now i want to do a gatsby reread!!

[tenaciouspostfun]

Stories

Submitted

The Great Gatsby. Theater Review.





"The Great Gatsby" at the Broadway Theatre is a grandiose musical replete with fantastic sets and glittering costumes. Steadfast to both the book by F. Scott Fitzgerald and the movie, the songs complement its plot in this two hour and fifteen minute whirlwind of a show.This Broadway version had its book by Kait Kerrigan, music by Jason Howland and lyrics by Nathan Tysen

The show kicks into high gear whenever Jay Gatsby (Jeremy Jordan) is on stage. Jordan is both a phenomenal singer and actor; his "Past Is Catching Up to Me" brought the show to a halt, in fact, most of his songs had the audience in awe. His effort is one of the best, if not the best I have seen all season.

Directed by Marc Bruni and choreographed by Dominique Kelley, "Gatsby" never has a lull in it, the pace is wonderful and Paul Tate Depoo lll sets and projection design are incompatible to anything this season. From the fireworks on the sound to the palatial homes and the automobiles, Depoo brings us back to a by-gone era, an era of wealth,opulence and privilege.The lighting too by Cory Pattak adds to the the shows spender.

Little is known about Jay Gatsby, he went to war, he studied at Oxford, but little else is known about him other than he dated Daisy Buchanan (Eva Noblezada when he was stateside ready to be shipped off to war. Her cousin, Nick Carraway is reluctant to reunite them but has second thoughts after meeting her husband, Tom (John Zdrojeski). Unlike the book, it is intimated that Gatsby is a bootlegger and his extravagant parties, his home and Rolls Royce are ill gotten. The musical also shows the criminal element that both he and a gas station owner, George Wilson are involved with. The plot never really develops this very well, however.

The cast are all effective, but a few stand out... Samantha Pauly as Jordan Baker and John Zdrojeski as Tom Buchanan as well as Jeremy Jordon are staples throughout the show. Continually turning in dynamic acting, all three command the stage. The long awaited "The Great Gatsby" never disappoints and is a must see!

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"Gatsby" was reminiscent of the old time shows that used to grace "The Great White Way" The sets, costumes by Linda Cho and the projections were so deft and imaginative. It almost seemed that each set topped the next and so did the costumes. Even though "The Great Gatsby" had mixed reviews, I could not disagree more. The music was very good, it never over powered the plot, rather it complemented it.

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Next up is "Hells Kitchen" and "The Heart of Rock and Roll". After that with be a few off Broadway shows and some out of state. Both the fall season and the spring season has been a memorable one indeed! It will be very interesting to see who wins the Tony's this season. I guess that the judges will have their hands full.

www.nimbusmagazine.org, www.solarwind.org, No Bull With Raging Robert, www.broadwayworld.com, Tony Awards, Broadway, "Hamilton", "Wicked", "The Lion King", "Harry Potter", "Hells Kitchen", "A Sign of The Times", "Back To The Future", "The Great Gatsby", "The Heart of Rock & Roll", "Doubt", "The Notebook", "Water for Elephants", "Lempicka", "Uncle Vanya", NY Times, NY Post, CNN, Fox, Wall Street Journal, "Days of Wine and Roses, "Tommy", "Outsiders", Dramatists Guild, Mann About Town Magazine, Metropolitan Magazine, "Hamlet", William Shakespeare, off off Broadway, "Brooklyn Laundry" at The City Center, The Park Avenue Armory. My Life Publications, "Spring Awakening", Pirates of Penzance", "Twelfth Night", Webador, Wix, Vocal Media.

#no Bull With Raging Robert.

Words: 602

[o-the-mts]

Theater Review: Tuck Everlasting

Tuck Everlasting Book: Claudia Shear & Tim Federle Lyrics: Nathan Tysen Music: Chris Miller Performance at The Footlight Club, Jamaica Plain, MA – April 21, 2024, 2 PM Director: Katie Swimm Music Director: Jeff Kimball Choreographer: Alicia Powell Producer: Val Tracy Summary/Review: Based on the 1975 young adult novel by by Natalie Babbitt, Tuck Everlasting is the story of the Tuck family of…

[doyouknowthismusical]

*i can’t modify the poll, but it’s Tuck and not Tucker

[unwelcome-ephestion]

Garth Drabinsky is probably the most infamous name on Broadway right now thanks to Paradise Square. Whilst all the Broadway drama seems focused on Funny Girl, this is where it should be - drama of the highest order. It's difficult to judge the quality of Paradise Square as a show as there has been no cast recording, but it's a shame for them that the show has been eclipsed by scandal, particularly for a piece of new writing. There's a clip above of some fabulous choreography well worth watching - don't let the story to follow put you off the show!

Admittedly, the show has closed - it closed very dramatically in July 2022, with only a few days notice. Subsequently, a lot of the creatives filed a lawsuit against producer Garth Drabinsky, citing lack of payment. This would be bad under any circumstances, but it's particularly egregious here, because it turned out that Drabinsky has a lot of form in this regard - there is no way that he should have been allowed to produce another show. West End and Broadway legend Rebecca Caine had publicly warned as much when news broke that he was taking on the show - his previous theatrical endeavours had ended not only with no payment, but with a 7 year jail sentence for forgery and fraud.

The fact that he was able to produce again and hurt so many people again is beyond awful - he has since been added to Equity's do not work list, but this comes too late for those he worked with on Paradise Square. However, the initial court proceedings - to which he didn't show up - set a fascinating precedent. If Drabinsky doesn't make good on his payments, the rights to Paradise Square will pass on to those unpaid designers, making Paradise Square the show with probably the most interesting rights situation in Broadway history, even it does illuminate some of the most unethical working practices to grace Broadway at the same time.

[musical-theatre-encyclopedia]

❤💛💚💙💜😍😘😻💖💕Valentine's Day Playlist😽💝🌹😙💋💌💓💞💘😚

1. "Young Love" - Eli Lieb

2. "The First Time" - Matt Fishel

3. "Radio-Friendly Pop Song" - Matt Fishel

4. "When Boy Meets Boy" - Matt Fishel

5. "Unchained Melody" - Vito and the Salutations

6. "Finally" - Matt Fishel

7. "Poisoning Pigeons in the Park" - Tom Lehrer

8. "Spring Cleaning" - Chris Miller and Nathan Tysen

9. "Zeppelin" - Eli Lieb

10. "If You Hadn't, but You Did" - Kristen Chenoweth

11. "Growing Old on Bleeker Street" - AJR

12. "Buy You a Rose" - AJR

13. "Call Me Maybe & Hello, Goodbye" - AJR

14. "Love Again" - Pentatonix

15. "I Need Your Love" - Pentatonix

16. "Cruisin' for a Bruisin'" - Pentatonix

17. "Bang Bang" - Kurt Hugo Schneider

18. "You and Me" - Adam Wachter

19. "Halfway" - Ryan Scott Oliver

20. "Testament" - Matt Fishel

21. "Invisible Thread" - Matt Gould and Griffin Matthews

22. "Stay" - Steve Grand

23. "I'll Rust with You" - Steam Powered Giraffe

24. "Honeybee" - Steam Powered Giraffe

25. "A Way into Your Heart" - Steam Powered Giraffe

26. "Mecto Amore" - Steam Powered Giraffe

27. "Me and My Baby" - Steam Powered Giraffe

28. "Two Strangers" - Kait Kerrigan and Bree Lowdermilk

29. "Swing Lover" - Indigo Swing

30. "Junkman" - Debbie Shapiro

31. "Therapy" - tick, tick, BOOM

32. "Rocket 95" - Alien Fashion Show

33. "Repent" - On the Twentieth Century

34. "Blue Moon" - The Marcels

35. "Mooning" - Grease

36. "True Love at the Star-Lite Tonight" - Five Course Love

37. "Your Man" - Home Free

38. "Rhythm of Love" - Plain White T's

39. "So What" - P!nk

40. "Bei Mir Bist Du Schön" - GQ

41. "Forget About the Boy" - Thoroughly Modern Millie

42. "Hello Mary Lou" - Red Feet

43. "I Don't Have a Name for It" - Steam Powered Giraffe

44. "Shut Up and Dance" - Walk the Moon

45. "Come Softly to Me" - The Fleetwoods

46. "Marvin Gaye" - Charlie Puth

47. "The Black Dress" - John Jacob Niles

48. "Blue Suit Boogie" - Indigo Swing

49. "Vanilla Ice Cream" - She Loves Me

50. "Lollipop" - The Chordettes

51. "Mr Sandman" - The Chordettes

52. "Stars and the Moon" - Songs for a New World

53. "Heard it Through the Grapevine" - Musical Island Boys

54. "That's My Man" - Miss Benny

55. "Beyond the Sea" - Bobby Darin

56. "Sh-Boom" - The Crew Cuts

57. "Shangri-La/Rags to Riches" - Forever Plaid

58. "Cry" - Forever Plaid

59. "Alone at a Drive-In Movie" - Grease

60. "Those Magic Changes" - Grease

61. "Not a Day Goes By" - Merrily We Roll Along

62. "Boys Who Like Boys" - Eli Lieb

63. "Never Apart" - BENNY (Miss Benny now)

64. "Rice and Beans" - Cazwell

65. "Do You Love an Apple?" - The Dregs

66. "100 Easy Ways to Lose a Man" - Kristen Chenoweth

67. "Always a Bridesmaid" - I Love You, You're Perfect, Now Change

68. "Happy Together" - Lemon Squeezy

69. "Maria" - West Side Story

70. "Fifty Percent" - Ballroom

71. "I've Got Love" - Purlie

[naturecoaster]

Announcing the Cast of Tuck Everlasting

Announcing the Cast of Tuck Everlasting Below is the cast of Tuck Everlasting: Cast of Characters Winnie Foster…………………..…..Evelyn Mitten Jesse Tuck…………………..………Truman Rossiter Mae Tuck..………..………………..Abigail DePriest Miles Tuck..………...….…………..Micah Rossiter Angus Tuck..………...……………..Leif Rasmussen Man in Yellow..………..…….……..Caleb Gunn Hugo..………..……………………..Cam Kennedy, Titus Richards Constable Joe..……..……….………Ross Copeland Winnie’s Mother..…………………..Ava McCoy, Kaylee Umstead Frog…………………………………Amber Marino Chorus Ensemble Leader………..…Quincee Willis Dance Ensemble Alannah Allocco, Amber Marino, Madison Frassrand, Reese Monroe, Rachel George, Adelle Richards, Caitee Grace Gunn, Titus Richards, Jase Ivie, Zeke Richards, Cam Kennedy, Leah Robitaille, Remi Lay, Bella Rossiter Chorus Ensemble Natasha Berard, Nina McKissock, Leah Bolster, Jasper Monroe, Elyssa DePriest, Sarah Nguyen, Emily Ginther, Elli Noll, Kealy Hunter, Tatiana Peach, Katie Johnson, Molly Pianin, Noah King,Mia Quillen, Addie Ladouceur, Laurel Rasmussen, Cappy Lay, Samantha Sanborn, Eleana Lipidarov,Adah Stephens, Ava McCoy, Kaylee Umstead, Ava McKissock, Rowan Wilson, Cecilia McKissock The Acorn Theatre production of Tuck Everlasting is sponsored by the Brooksville Kiwanis Foundation.. Music Sponsor is Redmile Appraisals. Tuck Everlasting will be performed November 4, 6, 11-13 and 18-20 at the Carol and Frank Morsani Center for the Arts, 21030 Cortez Boulevard, Brooksville, Florida 34601. ADVANCED seats are $20 for adults and $10 for children ages 13 and under, when accompanied by an adult. Friday and Saturday evening shows are at 7:30 PM; Saturday and Sunday matinees are at 2:30 PM. Advanced prices are available up to approximately 24 hours before each performance. 24 hours prior to showtime ticket prices increase to $25 for adults and $15 for children with an accompanying adult. To purchase tickets, go to https://liveoaktheatre.square.site/  or email boxoffice@liveoaktheatre.org or call 352-593-0027. Please Note: If you purchase tickets under different names and wish to be seated together, you must email the box office at boxoffice@liveoaktheatre.org or call 352-593-0027. About Tuck Everlasting  Tuck Everlasting is based on the popular novel of the same name by Natalie Babbitt. It tells the story of a family who drink water from a magical spring and become immortal. When they encounter a young girl who lives in their rural New England town, she becomes friends with one of the sons, who soon offers her the secret to everlasting life. She then must decide if she wants to join her new friends in immortality, or if she will live out her normal life. Tuck Everlasting premiered in Atlanta, Georgia, in 2015 and began playing on Broadway in 2016 where it received positive reviews. A timeless story of family, loss, friendship, and love, Tuck Everlasting is sure to become a classic favorite. Book is by Claudia Shear and Tim Federie. Music is by Chris Miller and Lyrics by Nathan Tysen. About the Acorn Theatre Acorn Theatre is Live Oak’s Youth Theatre program for students ages 8-18.   This performance class meets to rehearse on Tuesdays and Thursdays from 4:00- 6:30. The class will run in 8-week periods with 6 performances at the end of each term.  The Acorn Theatre works together to produce and perform 3 shows each year as well as participate in Brooksville’s annual Tree Lighting.  The Acorn Theatre production team consists of rotating Directors/Instructors who are assisted by a team of apprentices in the areas of Stage Manager, Assistant Director, costumes, choreography, lighting, sound, music and set design.  Parent volunteers are always welcomed in these areas as well.  Acorn Theatre apprentices are chosen from regular performers of Live Oak who have “grown up” on our stage.  They assume leadership roles in the production and mentor the students of the Youth Theatre.   About Live Oak Theatre Company (LOT), Live Oak Theatre Company (LOT) is a not-for-profit 501 (C) (3) repertory company of local artists, located at the Carol and Frank Morsani Center for the Arts, 21030 Cortez Boulevard, Brooksville, FL 34601.  The Live Oak Theatre Company exists to enrich families, individuals, and the community by providing positive artistic experiences in the Performing Arts - including excellent, affordable, and edifying family friendly entertainment, performance, and educational opportunities for Theatre patrons and participants of all ages.  For more information about the Live Oak Theatre Company, including sponsorship and audition opportunities, go to www.LiveOakTheatre.org, email boxoffice@liveoaktheatre.org , or call 352-593-0027.   Visit us on Facebook at https://www.facebook.com/LiveOakTheatre. Read the full article

[bestmusicalworldcup]

The Great Gatsby opened on Sunday at the Paper Mill Playhouse.

[westcoastbroadway]

comedic musicals LOVE naming characters two similar names (like Varthur McArthur in A Killer Party) but you know what, I eat that shit up every time