#ndk rules

[beardedmrbean]

Protests of various organizations, having social demands, will block the center of Sofia today. A trade union motorcade is also coming up.

People with disabilities came out first. They are protesting in front of the Council of Ministers on "Dondukov" Blvd. because of the lack of life-sustaining drugs in pharmacies, as well as insulin, and because of the long periods in which they are deprived of their disability pensions. The second happens because of the rules for conducting medical examinations in TELK. From the expiration of a decision to determine the degree of disability until the release of the new decision, months pass, during which people remain without their disability pensions.

The protesters are demanding to shorten the period from the expiration date of an expert decision to the new decision to 45 working days. They also insist on the availability of concomitant therapies.

Their protest will last until 12 o'clock.

At 11 o'clock, another protest begins: on the yellow stones in front of the National Assembly. It is organized by the trade unions KNSB and KT "Support" with a request to increase incomes, adoption of a budget for 2023 (which would avoid the risk of freezing the minimum wage at its current level despite inflation), support for energy-vulnerable people on the eve of the winter season, protection of trade union rights of workers.

Minutes before 11:00 a.m. several dozen protesters gathered in front of the parliament building, including from the teachers' union and workers in "Mini Maritsa-East".

The demands - described in a joint declaration of the two unions - will be submitted to the National Assembly.

The protesters will include people from all over the country, including medical workers.

An hour later, at 12, a protest motorcade departs along the route: "Narodno Zabranie" Square - "Tsar Osvoboditel" Blvd. - Orlov Bridge - "Tsarigradsko Shose" Blvd. - Orlov Bridge - "Evlogi i Hristo Georgievi" Blvd. - NDK - "Bulgaria" Blvd. - "Acad. Ivan Geshov" Blvd. - "Tsar Boris III" Blvd. - "Russian Monument" Sq. - "Gen. M.D. Skobelev" - "Oplchenska" St. - "Todor Alexandrov" Blvd. - "Nezavisimost" Square - "Atanas Burov" Square - "Al. Batenberg" - "Tsar Osvoboditel" blvd. - "15 November" st. - "St. Alexander Nevsky".

President of KT "Podkrepa" Dimitar Manolov expects over 1000 cars to be involved. "There is a need to increase people's incomes because their standard of living has increased. Period," the union leader told BNR.

In order to join the protest, at 8:30 a.m. 20 cars left Blagoevgrad - BGNES reports. The protesters are from the city hospital, the teachers' union and the district road department.

"We want decent pay for our work, we also want privileges for food, overtime work, clothing. The duty in the department is busy due to the presence of major road arteries, we serve two areas, and we receive a minimum wage for this work," said Anka Chergarska, medical nurse in the Emergency Department of the Medical Center Blagoevgrad. According to her, the payment of BGN 800 for this tension is "too little".

"The salary of medical personnel is currently minimal, we are also fighting for better working conditions, I hope we will succeed," added Yordanka Yordanova, also a nurse from the Blagoevgrad hospital.

"We want a 20 percent increase in the uniform expenditure standard for education, we also join all the demands of the Confederation of Independent Trade Unions to increase the income of all working people to cover inflation," Bonka Ichkova, regional coordinator of SBU, told BGNES.

Cars drove off in the fog towards Sofia with "Protest" stickers on the windshield.

[rollielectro]

Android studio gitignore

ANDROID STUDIO GITIGNORE FOR ANDROID

ANDROID STUDIO GITIGNORE ANDROID

ANDROID STUDIO GITIGNORE CODE

ANDROID STUDIO GITIGNORE MAC

To make the Wrapper files available to other developers and execution environments you’ll need to check them into version control. Note: It is recommended to check-in the gradle wrapper scripts ( gradlew, gradlew.bat) as described here. The only thing that should be in your (Gradle) project folder after repository cloning is this structure (at least for the use cases I encountered so far): app/ I would recommend ignoring the complete ".idea" directory because it contains user-specific configurations, nothing important for the build process. gitignore file will contain the following.

ANDROID STUDIO GITIGNORE ANDROID

If you create a Gradle project using Android Studio the.

ANDROID STUDIO GITIGNORE MAC

This folder is Mac specific and should not be versioned.Īdditional note: You probably also want to add a directory to put your signing keys in when building a release version. gradle to ignore the gradle caching stuff that should not be versioned (thanks Vasily Makarov).Įdit 2: Added. The local.properties files points to an absolute path on the file system for the SDK, so it definitely shouldn't be versioned.Įdit 1: Added. Since this is also a generated file, why version it in the first place? If the *.iml is versioned a new user will have to name the project exactly the same as it was when committed. The adle will run on the developers's local when they first check out the project, so why do those XML files need to be versioned? Android Studio will also generate the rest of /.idea when a developer creates a project using Check out from Version Control, so why does anything in that folder need to be versioned? I got sick of constantly seeing messages about the various library.xml files that Gradle creates or deletes in /.idea. I think almost everyone agrees about /build.

/.idea (with possible exceptions, see comments in dalewking's answer).

The following configuration is working great for our organization's app. gitignore snippet that incorporates all of the above rules: # Android Studio / IntelliJ IDEA

ANDROID STUDIO GITIGNORE FOR ANDROID

While these instructions are for IntelliJ IDEA, they hold true 100% for Android Studio. iws file as it stores user specific settings idea/libraries in case they are generated from Gradle project

user dictionaries folder (to avoid conflicts if other developer has the same name).

You may consider not to share the following:

In IDEA 13 and earlier dataSources.ids, datasources.xml can contain database passwords.

Android artifacts that produce a signed build (will contain keystore passwords).

iml module files that can be located in different module directories (applies to IntelliJ IDEA) idea directory in the project root except the workspace.xml and tasks.xml files which store user specific settings This format is used by all the recent IDE versions by default. Here is the definitive source from JetBrainsĭirectory based project format (.idea directory) If, on the other hand, you are using a third party library that includes these files, you may wish to remove these lines (*.o and *.so) from your.

ANDROID STUDIO GITIGNORE CODE

# built native files (uncomment if you build your own)Īlso note that as pointed out, the built native files section is primarily useful when you are building your own native code with the Android NDK. gitignore, and after reading through documentation on the Intellij IDEA website and reading posts on StackOverflow, I have constructed the following file: # built application files Updated answer according to attached source and suggestionsīuilding on my normal Android. If your project is based on Gradle: in the new open/import dialog, you should check the "use auto import" checkbox and mark the "use default gradle wrapper (recommended)" radio button. Since version 0.3+ it seems you can commit and push *. This file should be located in the project's root folder and not inside the project's module folder. Since Android Studio 2.2 and up to 3.0, new projects are created with this gitignore file: *.imlĭeprecated - for older project format, add this section to your gitignore file: #.idea/workspace.xml - remove # and delete. # Local configuration file (sdk path, etc) So, here's our gitignore file: #built application files A late answer but this alternative answer was not right for us.

[justopti]

Android ndk tutorial

#Android ndk tutorial for android#

#Android ndk tutorial android#

#Android ndk tutorial code#

#Android ndk tutorial license#

#Android ndk tutorial iso#

#Android ndk tutorial android#

The prebuilt LLVM/Clang toolchains are covered by the LLVM "BSD" license.īasically, licensing rules are the same as for Google's Android NDK - i.e., both commercial and non-commercial usage allowed. For details, see the files COPYING and COPYING.LIB under

#Android ndk tutorial license#

Or the GNU Lesser General Public License (LGPL). The prebuilt GCC and companion binaries (GDB, binutils etc) are covered by either the GNU General Public License (GPL) (you can use the build script to download it automatically). The source codes for the toolchains are available at GitHub Note that the CrystaX NDK release packages also contain prebuilt binaries for the compiler, linker, archiver, etc. See the copyright disclaimers in each respective file for details. The content of the CrystaX NDK is covered by various open-source licenses. You can also use our issue/bug tracker to report bugs or feature requests.Īnd, of course, your contributions are welcome! If you don't see a great feature here, don't hesitate to contact us and ask for it. When we fix anything in libcrystax, we ensure it works on all Android versions. That a libcrystax implementation is being used instead of a Bionic (except for the fact that the behaviour has been fixed).Īlso, using CrystaX NDK, you'll never run into a situation where a bug fix is available only for specific Android versions. Compilers/linkers use libcrystax transparently for developers so one won't even know Without altering the typical development work flow. In CrystaX NDK, we've implemented our own versions of such buggy functions in libcrystax and have done so This significantly increases time for development or porting of native Android With them or implement their own workarounds. Some of these bugs are fixed over time, others aren't.Īnyway, even if some bugs are fixed, such fixes don't affect previously released Android versions, so developers are forced to live

#Android ndk tutorial iso#

Input string formats and fails for others required by ISO C Standard. It's a well-known fact that Android libc (Bionic) has many bugs in its implementation of standard C functions.įor example, one of the most notorious bugs is strtod implementation, which works properly only for the simplest Void printtime ( const char * locale, time_t t ) See below the key features of the CrystaX NDK.

#Android ndk tutorial for android#

Nowadays, CrystaX NDK offers numerous great features, making native development for Android easier. Since its beginning in 2009, numerous open-source and commercial projects have used the CrystaX NDK for porting and development (C++ exceptions, RTTI, and the Standard C++ Library) to the Google's Android NDK, but with time, many additional needs were discovered,Īnd it turned out that improving the CrystaX NDK step-by-step was in fact the best way to force an evolution of native Android development. This project was initially started as a personal project of Dmitry Moskalchuk with the intention to just add missing C++ support Most importantly, with the help of libcrystax, the application behaves the same on all Android devices regardless of Android version.Īnother goal of CrystaX NDK is to make some great features available for the Android native world.įor example, support of Objective-C and another programming languages. Hide such differences between Android versions or even re-implement many of libc functions. With CrystaX NDK, developers can forget about such problems, since CrystaX NDK provides complementary libcrystax, which is used to Have been forced to take into account all its peculiarities, detecting in run-time which specific Android version the application is running Unfortunately, Android libc (Bionic) has very limited functionality (which differs from one Android version to another), so developers (or even write separate Android-specific implementations of functionality already implemented for another platform if a detected problem (iOS, OS X, Windows, Linux, etc.) instead of distracting developers with Android's peculiarities and forcing coders to try to workaround them

#Android ndk tutorial code#

The CrystaX NDK dramatically decreases development time allowing usage of standard code working on multiple platforms The main goal of the CrystaX NDK is to allow Android developers to produce standard conformant code and thus make Android native development This is a distribution of the CrystaX NDK, which has been developed as a drop-in replacement for Google's Android NDK (Native Development Kit).Ĭompared to Google's NDK, the CrystaX NDK provides the same functionality as well as several great features and tons of fixes

[homunculusalphonse]

the ppg eps is when mojo makes a machine that turns everyone into dogs to rule the world ? and later on the girls turn into puppies as well ndk it was one of my favorites

omg thanks! it's weird that i don't remember it since ppg was my favorite show when i was a kid, but oh well

[moonpie1220]

What even is a confidence?

I had so much fun with this video I accidentally put off another video I was gonna submit to NDK instead

The rules were that we had 2 weeks to edit a video using 3 different requirements that were set up at random. For this contest, we the wheels decide on a video theme, a genre of music, and one random element. This time, the wheels determined we would make:

-An action video

-With a 2010's song

-And at least 10 seconds of the beach episode

ENJOY! :D

[dmgice]

I can't bring my tripod to #ndk this year, hotel rules, so I took some pictures with her too help her feel better before putting her in the trunk. #ndk2018 #tripod #manfrotto (at United Artists Denver Pavilions 15) https://www.instagram.com/p/BnKEsRPAUZ0/?utm_source=ig_tumblr_share&igshid=2u6brx9s1ava

[derviann]

Gamers Giving at NDK! Selling art kindly donated by Michael Surbrook, Chaz Kemp, Aionk Kreations, and Vee Hume to raise funds for this years charity. I was manning the booth when the pic was taken (and since I could obey at that point the unmasking rules I was briefly maskless for this pic.) Wearing my #dice. #ndk2021 #ndk #ndkpilgrim #gamersgiving (at Colorado) https://www.instagram.com/p/CThRsIELtGy/?utm_medium=tumblr

[apkalbum]

Android Apps: What You Need to Know About Them

Android applications will be applications that have been normally concocted with the Java programming language, as a team with the Android Software Development Kit. In any case, there are other advancement units, for example, Android NDK or indigenous devices for expansions or applications in C/C++ download android Apps. 

There is a visual setting which is known as Google App Inventor which the apprentices and student engineers use. This is additionally utilized by the numerous telephone online application system. 

The end-clients can get Android applications in two techniques. They can get them from an applications store like the Amazon App store and Google Play. They can likewise download them and set up the APK document of the application from an outsider site. 

In the event that you are utilizing the Google Play Store, you can surf through, download, and change applications that are made by the designers and dispatched by Google. These applications are highlighted on Google Play Store and can be pre-introduced on devices which adhere to the similarity rules of Google. The rundown of uses that are appropriate to the device is screened by the application. Likewise, the application engineers may restrict their applications to explicit conveyors or carriers for business purposes. 

Till the period of September 2012, the quantity of uses accessible for Android crossed 650,000 and the extended figure of applications which have been downloaded from the Google Play Store outperformed 25 billion. Insights state that the quantity of gadgets where Android OS was introduced crossed 400 million. 

Performing various tasks of Android Applications 

The performing various tasks highlight of Android application has been overhauled with the dispatch of Android Ice Cream Sandwich 4.0 rendition. On the off chance that the clients continue squeezing the performing various tasks button or the home catch of an Android device, an assignment administrator will come up which includes a rundown of the applications which have been opened recently. The clients may decide to begin utilizing the application in the state it was utilized on the past event. 

Android programming improvement 

This is where new applications are being produced for the Android OS. A review directed in June 2011 proves that over 67% of mobile phone engineers have used the Android stage for distributing applications. Versatile designers are finding the stage very easy to use. In the second quarter of the year 2012, roughly 105 million Android cell phones have been sold which speaks to a general portion of 68% of cell phone marketing projections until that quarter. 

Android application improvement devices 

The accompanying devices are utilized for the application improvement measure: 

Android Software Development Kit (SDK) 

Android Open Accessory Development Kit 

Local advancement pack 

HyperNext Android Creator 

Application Inventor for Android 

The Simple undertaking 

Straightforward DirectMedia Layer (SDL) 

Basic4android 

It merits referencing that the application designers consistently face difficulties related with Java norms since no set standard is utilized for creating them. For this issue, numerous instruments have been created which help in Android transformation exercises. At the point when you survey the certifications and possibilities of Android application designers, you should try to think about after tips, including experience, area, aptitudes and so forth 

Android Application Development organization have group of talented and experience Android Developer and iPhone Developer who creates applications for some stages that suit for business needs.

[creativinn]

EXPO ARTCO19, open-air art exhibition, opens in Bulgaria’s capital on September 26

EXPO ARTCO19, described by the organisers as the largest and first of its kind open-air art exhibition in Bulgaria, will be held on September 26 and 27 2020 on Platform A6 of the National Palace of Culture, NDK, in capital city Sofia.

The project is implemented by Artco19 Ltd. with the financial support of the Ministry of Culture.

The event opens at 10am on September 26 and will bring together under one roof artists from all over Bulgaria.

The rules for participation have been already posted in the Facebook group “Buy art, Support an artist” (https://www.facebook.com/groups/BuyArtSupportAnArtist), and those interested may submit their applications until September 10.

Participants who apply early will have the advantage of being located near the entrance of the event for better visibility, the organiser said.

Only copyrighted works are accepted.

The large number of participants, the opportunity for artists to sell on the spot and issue signed certificates of origin, the accompanying programme of presentations and thematic discussions and the expected numerous visitors, the exhibition is the first art expo in Bulgaria of this scale.

The organizers are Nadezhda Rozeva, who came up with the idea and concept for the event, and Petko Durmana, founder of the Facebook group “Buy art, support an artist”.

“The name ARTCO19 encodes the connection with the pandemic, which gave a new charge to artists and the need for art, rearranged market mechanisms, postponed major world art exhibitions, imposed new rules for galleries, imposed online territory as the safest and most accessible for artists,” the media statement said.

“The participation of artists unknown before the pandemic, along with renowned ones, and members of the group ‘Buy art, support an artist’, will present for the first time a real and living picture of contemporary Bulgarian art.”

This is especially important both for the profiled galleries and for the art market in Bulgaria in general, the statement said.

Please support independent journalism by clicking on the orange button below. For as little as three euro a month or the equivalent in other currencies, you can support The Sofia Globe via patreon.com and get access to exclusive subscriber-only content:

Become a Patron!

This content was originally published here.

[jewelslover]

Rules: You’ll have to tag 15 people at the end of this challenge.

Tagged by: The fabulous crime duo of @jungkookienoona and @tragicshadows

Five things you’ll find in my bag:

 My headphones

A journal or notebook of some sort

Chapstick

My wallet

Kleenex

Five things you’ll find in my bedroom:

My moose pillow pet

A box set of all the Harry Potter books

My ukulele

School books/binders/supplies

Dirty dishes (I have at least five cups on my window sill right now)

Five things I’ve always wanted to do:

Attend a red (or magenta- wink) carpet event

Fluently speak and write in two languages 

Skydive

Visit a professional movie set

Tour the world with a friend for the summer

Five things I’m currently into:

Fanfic (writing and reading)

K-Everything

Harry Potter books

Voltron

Scorpion (A TV show on CBS)

Five things on my to do list:

Finishing the first chapter of a series I've been working on FOREVER!

Learn at least one BTS dance (at the moment, it’s Save Me or Fire)

Prepare a monologue for an audition

Practice driving with my dad (I recently got my permit)

Prepare a Pidge (Voltron) cosplay if my mom let’s me go to NDK with friends this year.

People I Tag: @gochujangseasalt @xseokjiin @jinamor @ilysmjhope @kimvitae @menacemaknae @messijoahae @cinnamonsuga @existentialjimin @drevoluti0n @seokjinings @93-jpg @leeskyung @sugaidc @meanyoongis

[musicaspade108]

So a friendo and I are planning a panel

Panel Type: Bungou Stray Dogs

Our Request: We are looking for individuals who think they know and can cosplay Bungou Stray Dogs characters. We are hoping to host a BSD panel at Nan Desu Kan 2018. We want this to be a fun and entertaining event, but we obviously must have a few rules and requirements. If you are interested, please read on.

Rules:

    -No Drama - We are going to be a close knit group for at least an hour. Any drama with other cosplayers inside or outside the group is strictly prohibited.

    -Age - We would prefer everyone be 18 or older, but everyone should be at least 16 years old. No exceptions.

    -Age - If you are 21 or older, you should or rather will not be allowed to enter the panel hungover. We are fine with drinking, but being hungover will be a nuisance for everyone.

    -Knowledge - You must be caught up in the anime AT LEAST. Many of the characters grow and change throughout the anime, and you must be aware of these things

    -Knowledge - You absolutely MUST know your character and how they interact with others. Dazai would not interact the same with Yosano and Chuuya…

    -Character - You must at all times during the panel stay in character. Nothing kills a panel more than people out of character.

    -Character - Keep ships to a minimum unless asked a question on it.

    -Character - Your gender does not matter, but you absolutely must be convincing. If your character has facial hair, you must have the facial hair and vice versa.

    -Quality - You don't have to go out and buy a $150 cosplay, but you do have to have a good quality cosplay.

    -NDK - You must be able to attend NDK. If we have a good amount of people we will discuss sharing rooms at the Sheraton to cut costs but you must be able to be there.

    -Deciding - This will be a first come first REVIEW style of choosing. If you contact us first we will be more inclined to choose you due to the punctual qualities, but we can only have one of each character and we will be choosing based on cosplay quality and bsd knowledge.

~If we still haven't scared you off, read on for how to be reviewed~

Review Process:

    You will be sending us virtually a resume with information we need in order to decide our people.

-Name

-Date of Birth

-Character you are cosplaying

-Pictures of you in the cosplay before March 30th if possible

-Contact info (email address and textable phone number)

-Social Media info (Facebook, Tumblr, Instagram, etc.)

- Proof of NDK registration (screen shot your registration number) (this we need before March 30th if possible) If you don't have it, but everything else is good, just tell us and we will work around it.

    Character List:

    These are the characters in our ranking of demand. If you wish to cosplay someone unlisted, contact us and we will consider it.

-Must Haves (1st Rank)-

Dazai

Atsushi

Ranpo

Akutagawa

Fitzgerald

-Preferred (2nd rank)-

Kyouka

Kenji

Poe

Twain

Steinbeck

Lovecraft

Kyu

-Extras (3rd rank)-

Any characters not listed above.

-Already In-

Yosano

Chuuya

We need between 6-10 more people to be ideal. If you have any questions or are interested, please contact us. Thank you!

Contact Info: atrashmanga@gmail.com

[t-baba]

Develop an Android App with React Native & Publish on Google Play

This article was originally published on the Okta developer blog. Thank you for supporting the partners who make SitePoint possible.

As mobile app usage is expected to continue to grow, now is as good a time as any to get into the market. Android is by far the most popular OS worldwide and the dominant way to get Android apps to phone users is the Google Play Store. In this tutorial, you’ll build a React Native app and I’ll walk you through everything from how to pick a design, as well as setting up your React Native environment, tips for getting the most out of your editor, and publishing it on Google Play.

This is what the eventual app will look like:

For this tutorial, I checked out Karan Goel’s Mega Project List for project inspiration. You’ll be building the Prime Factorization problem which takes a number and returns its prime factors.

Determine Interface Theming for Your React Native App

Outside of application logic, UI and theming decisions are some of the most important that you’ll make for your app This includes the controls like dropdowns and buttons, as well as the layout on the screen. Since we are using a React-based technology, we’re going to use Styled Components which is a popular, light-weight approach to theming React applications (and it also works great on React Native). There’s an entire page listing components and component-systems based on Styled Components. In this tutorial, you’ll be using Styled Components to build up components yourself.

Set Up Your Android Production Environment

In order to build the eventual APK (the format of the app you’ll upload to the store), you need to install Android Studio. Once done make sure you have SDK version 27 as this is what React Native uses.

Install the JDK

You also need to make sure you have a recent Java Development Kit installed (like version 8). The installation differs depending on your platform. You can use Oracle’s Java SDK or use SDKMAN to install other options, like OpenJDK.

Add the React Native CLI and Initialize the Skeleton

Next, you should install the React Native Command Line Interface. For this, you should make sure you have Node installed which varies depending on your operating system. (I am using version 8.12.0).

npm install -g react-native-cli@2.0.1

You should have a command react-native available to you, which includes the init option.

react-native init prime_components

This will create the prime_components directory and put a React Native project inside, with a runnable skeleton. Change to the directory, connect your Android phone or run an emulator (after having installed Android Studio), and run the project.

NOTE: If Android Studio prompts you to open a project before you can create an emulator, you can point to the prime_components/android directory.

cd prime_components react-native run-android

To see the output you’ll upload to the Play Store, go to android/app/build/outputs/apk/debug. You should see an app-debug.apk that is around 8MB in size.

Reduce the Output Size of Your Android App

You want to make sure your users have the smallest download possible. It’s already quite small (around 8MB) because you’re using the command line (something like Expo produces 25MB for even basic apps) but we can reduce it further. Go to android/app/build.gradle and change the following variables to be true:

def enableSeparateBuildPerCPUArchitecture = true def enableProguardInReleaseBuilds = true

You’ll also have to remove the ndk section of defaultConfig to removing the conflicting configuration in ndk abiFilters error:

ndk { abiFilters "armeabi-v7a", "x86" }

Now after re-running react-native run-android you should see two (much smaller - between 4MB and 5MB) APKs in the output directory.

Add Linting to Your React Native App

Writing any JavaScript (like React) requires tools to ensure you haven’t made any obvious mistakes which can be a big help for beginners. The most common of these is ESLint which can be plugged right into your project and editor.

First, add the linter using NPM:

npm install -D eslint@5.9.0 babel-eslint@10.0.1

One common set of plugins is Airbnb’s configuration so add those too:

npm install -D eslint-config-airbnb@17.1.0 eslint-plugin-jsx-a11y@6.1.2 eslint-plugin-react@7.11.1 eslint-plugin-import@2.14.0

Now put the following into .eslintrc.js (you’ll need to create this file):

module.exports = { 'extends': 'airbnb', 'parser': 'babel-eslint', 'env': { 'jest': true, }, 'rules': { 'no-use-before-define': 'off', 'react/jsx-filename-extension': 'off', 'react/prop-types': 'off', 'comma-dangle': 'off' }, 'globals': { "fetch": false } }

Now you just need to add the plugins to your editor. For Sublime there’s ESLint which gives you an output of errors (or issues) with CTRL + ALT + e (Cmd + Option + e on Mac). There also one for VSCode.

A lot of these errors can be fixed automatically using the eslint --fix command which you can run from your editor with the ESLint Fix package.

Add Styled Components for React Native

React and React Native build interfaces using web technologies, i.e. HTML, CSS, and JavaScript. One very popular library to use with React (and React Native) is Styled Components which clean up how one adds CSS to your components.

For example, take a look at the following code, taken from the React Native sample app (which is what you get with react-init):

export default class App extends Component<Props> { render() { return ( <View style={styles.container}> <Text style={styles.welcome}>Welcome to React Native!</Text> <Text style={styles.instructions}>To get started, edit App.js</Text> <Text style={styles.instructions}>{instructions}</Text> </View> ); } } const styles = StyleSheet.create({ container: { flex: 1, justifyContent: 'center', alignItems: 'center', backgroundColor: '#F5FCFF', }, welcome: { fontSize: 20, textAlign: 'center', margin: 10, }, instructions: { textAlign: 'center', color: '#333333', marginBottom: 5, }, });

You declare your DOM elements (View, Text), linking them to styles, and then create the stylesheet later.

With Styled Components you would do the following:

const Container = styled.View` flex: 1; justify-content: center; align-items: center; background-color: #F5FCFF; `; const Welcome = styled.Text` fontSize: 20; text-align: center; margin: 10; `; const Instructions = styled.Text` text-align: center; color: #333333; margin-bottom: 5; `; export default class App extends Component<Props> { render() { return ( <Container> <Welcome>Welcome to React Native!</Welcome> <Instructions>To get started, edit App.js</Instructions> </Container> ); } }

It’s both cleaner and more portable (CSS names don’t clash, etc.).

To install it, run npm install styled-components@4.1.1 from the root directory.

Add Custom Fonts to Your React Native App

To get a custom font like Racing Sans One into your application you first need to download the ttf and put it into assets/fonts (you will need to create this directory). Then add the following to your package.json:

"rnpm": { "assets": [ "./assets/fonts/" ] }

Finally run react-native link from the command line. You should now see your font inside of android/app/src/main/assets/fonts. You should be able to use it now. Create a components folder and put the following inside of components/Header.js:

import styled from 'styled-components/native'; export default styled.Text` color: black; font-family: RacingSansOne-Regular; font-size: 32px; margin-top: 120px; background-color: transparent; text-align: center; `;

Then, import this into your App.js and add <Heading>Welcome</Heading> above the Text nodes:

import Header from './components/Header'; ... export default class App extends Component<Props> { render() { return ( <View style={styles.container}> <Header>Welcome</Header> <Text style={styles.welcome}>Welcome to React Native!</Text> <Text style={styles.instructions}>To get started, edit App.js</Text> <Text style={styles.instructions}>{instructions}</Text> </View> ); } }

And you should get a nicely formatted header:

Adjust Your App to be Fullscreen on Android

To get your app to not show the title bar, go to android/app/src/main/res/values/styled.xml and add the following inside the <styles> element:

<item name="android:windowFullscreen">true</item>

Now when you re-run you should see the navigation bar is gone.

Create the Android App Components

It can take a long time to decide on a final design, with layout, colors, and fonts. This is often an iterative process. Here you’ll go through how to build up the final result you saw at the start - which was inspired by related online tutorials and styling examples - but remember that it takes time to get to something you like.

Change App.js to the following:

import React from 'react'; import { Container, Header, Input, Keypad, ButtonRow } from './components'; const App = () => ( <Container> <Header>Prime Components</Header> <Input>123456</Input> <Keypad> <ButtonRow keys={['1','2','3']} /> <ButtonRow keys={['4','5','6']} /> <ButtonRow keys={['7','8','9']} /> <ButtonRow keys={['0','Clear','Go']} /> </Keypad> </Container> ); export default App;

You can see here how clean things are with Styled Components. We have a header, an input and a keypad (all names you choose) all surrounded by a container. No superfluous information. The styling happens in the components.

Create the components directory. Inside components/index.js put the following:

export { default as Input } from './Input'; export { default as Container } from './Container'; export { default as Header } from './Header'; export { default as Keypad } from './Keypad'; export { default as Button } from './Button'; export { default as ButtonRow } from './ButtonRow';

This is just a convenience module that allows for the importing as in App.js, i.e. ` import { Container, Header, Input, Keypad, ButtonRow } from ‘./components’;`. Otherwise, you’d have to import each component on a separate line.

Put this into components/Container.js: (Note: you must use capital letters for your components in React Native!)

import styled from 'styled-components/native'; export default Container = styled.View` flex: 1; `;

Very simple: you are extending a View component and assigning a flex value of one (which in this context means “take up everything”).

components/Header.js:

import styled from 'styled-components/native'; export default Header = styled.Text` flex: 1.5; font-size: 80px; font-family: Chathura-ExtraBold; background-color: rgb(29, 31, 33); color: gold; text-align: center; `;

Also, a styled text component, with large, centered fonts, a gold color, and grey background. Make sure you install the Chathura font from Google Fonts as before!

components/Input.js:

import styled from 'styled-components/native'; export default Input = styled.Text` flex: 2; text-align: right; font-family: Audiowide-Regular; text-align-vertical: center; font-size: 70; color: firebrick; background-color: gold; `;

Similar to before except now with the Audiowide-Regular font (also available from Google Fonts).

components/Keypad.js:

import styled from 'styled-components/native'; export default Keypad = styled.View` flex: 6; background-color: rgb(29, 31, 33); padding-top: 10px; padding-bottom: 10px; `;

Also just a styled view (essentially a container like a <div> in HTML).

components/ButtonRow.js:

import React from 'react'; import styled from 'styled-components/native'; import { Button } from '.'; const RowBox = styled.View` flex: 1; flex-direction: row; `; export default ButtonRow = ({keys}) => ( <RowBox> { /* https://stackoverflow.com/a/32157488 */ } {keys.map(key => ( <Button text={key} key={key} /> ))} </RowBox> );

Here, things get complicated. You are importing a Button from the current directory (which you’ll create in a second), creating a component called RowBox which is not exported, and then ButtonRow is defined having a React property called keys.

Then you are mapping each key to a button component. This is a clean way of looping through an array as with for each and using the value to set both the text and key attributes (you must set a key attribute to make the DOM object unique!). You’ll be using the text to render the button.

components/Button.js:

import React from 'react'; import styled from 'styled-components/native'; /* https://kylewbanks.com/blog/react-native-tutorial-part-2-designing-a-calculator */ /* https://github.com/styled-components/styled-components/issues/149 */ const ButtonBox = styled.TouchableHighlight.attrs({ underlayColor: '#193441', })` flex: 1; align-items: center; justify-content: center; background-color: rgb(39, 41, 43); border-radius: 10px; margin: 5px; `; const ButtonText = styled.Text` font-size: 30; font-family: Orbitron-Bold; color: ${props => props.text=="Go" ? "green" : "orange"}; `; handleButtonPress = (value) => { }; export default Button = ({text}) => ( <ButtonBox onPress={() => handleButtonPress()}> <ButtonText text={text}>{text}</ButtonText> </ButtonBox> );

This is the last component. You start by creating a ButtonBox which just acts as a container over the whole button. It is using TouchableHighlight which is a React Native component that will change color when touched. The styling is normal except for the underlay color (the color you see when touching) since this needs to be hacked to work in Styled Components.

The post Develop an Android App with React Native & Publish on Google Play appeared first on SitePoint.

by Karl Penzhorn via SitePoint http://bit.ly/2Hs4z54

[insert-witty-saying-here]

rules: 1. post the rules 2. answer the questions given to you by the tagger 3. write 11 questions of your own 4. and tag 11 people

So i got tagged by both @alturkabuterimon and @shanghai-doll so ill answer both of your questions in one post lol, itll be under the read more. (also im bad a questions so im just gonna answer, and not tag anyone sorry...) 

alturkabuterimon‘s questions:

1) Do you enjoy eating fruit? 

I do! my favorites are watermelon and peaches.

2) Favourite song at the moment? 

tbh the mob psycho 100 opening song, its j ust. so g ood

3) Do you keep any plants in your room? 

I have several, but mainly because we don’t have much room in our apartment and my room has the most windows. 

4) Do you read a lot? 

I mean, does manga and fanfics count? because i haven’t read a real book in like, a few months lol oops. unless really bad free kindle books count as well, because i love doing that.

5) Do you have an accessory you wear often? 

I have this amethyst necklace and a ring i normally wear.

6) What’s your favourite type of cake? 

Carrot cake! its been my favorite since i was little.

7) How do you drink your coffee? 

I normally don’t drink coffee, but when i do i have a decent amount of creamer in it, and its usually iced coffee.

8) Favourite outfit? 

I have this really nice black and white paisley shirt w/ a built in shawl and some black leggings, and my black doc martens. its hell to wear in the summer but fuck if it isnt cute.

9) Do you own any plush toys?

I have a rowlet plush! i had a lot more of but i feel my brother probably destroyed the rest of them, because i cant find any of them.

10) Favourite animal? 

I love barn owls so much, even though my best friend finds them creepy i find them cute beyond belief.

11) Any pets? 

I have several! I have two cats, Cheese and Frea, three parakeets, Quincy, Butters, and Blitz, six gold fish and a koi fish( most of the gold fish dont have names, one is named japan because hes white with a red/orange dot on his head, and the koi is named Fou) and then 4 rats, three boys and their mother, Nezumi, Shadow (the hedgehog ™ ), Harley, and then Blaze! 

----------------------

shanghai-doll’s questions:

1: Your normal, everyday clothes?

man, anything thats clean honestly, mostly shorts and a tanktop or a tee

2: CD/album you’ve spent the most time listening to?

Right now i think its Set It Off - Duality 

3: Drugs you’ve tried?

Ive had pot gummies, I live in Colorado so my mom gets them to sleep and she’s let me have a couple.

4: A fanfic you’ve read multiple times?

oh man, I think itll have to be Hot for Justice by indirectkissesiniceland, its Klapollo and i love it so much.

5: Do you believe in soulmates?

Ehhh, maybe. but you have to work for it. since i dont do anything i dont think ill have anyone anytime soon lolol

6: Have any piercings?

Just my ears, im not sure if i want to get more or not. 

7: Your time zone?

Mountain Time Zone

8: The first computer OS you used?

windows 98!

9: Gotten 100% completion on any games?

No sadly, the closest ive gotten so far is Hatoful Boyfriend. which sounds kinda sad l o l

10: Go to any cons?

I do! Im actually going to NDK in Denver this coming September~

11: Do you eat breakfast?

Im usually up around noon, and i usually dont eat until 2 am?? im really bad at everything that would keep me healthy oops (im actually running on about 4 hours and im still not going to bed)

[kc-fanfics]

NDK 2018 Panel Request

Panel Type: Bungou Stray Dogs Our Request: We are looking for individuals who think they know and can cosplay Bungou Stray Dogs characters. We are hoping to host a BSD panel at Nan Desu Kan 2018. We want this to be a fun and entertaining event, but we obviously must have a few rules and requirements. If you are interested, please read on. Rules: -No Drama - We are going to be a close knit group for at least an hour. Any drama with other cosplayers inside or outside the group is strictly prohibited. -Age - We would prefer everyone be 18 or older, but everyone should be at least 16 years old. No exceptions. -Age - If you are 21 or older, you should or rather will not be allowed to enter the panel hungover. We are fine with drinking, but being hungover will be a nuisance for everyone. -Knowledge - You must be caught up in the anime AT LEAST. Many of the characters grow and change throughout the anime, and you must be aware of these things -Knowledge - You absolutely MUST know your character and how they interact with others. Dazai would not interact the same with Yosano and Chuuya… -Character - You must at all times during the panel stay in character. Nothing kills a panel more than people out of character. -Character - Keep ships to a minimum unless asked a question on it. -Character - Your gender does not matter, but you absolutely must be convincing. If your character has facial hair, you must have the facial hair and vice versa. -Quality - You don't have to go out and buy a $150 cosplay, but you do have to have a good quality cosplay. -NDK - You must be able to attend NDK. If we have a good amount of people we will discuss sharing rooms at the Sheraton to cut costs but you must be able to be there. -Deciding - This will be a first come first REVIEW style of choosing. If you contact us first we will be more inclined to choose you due to the punctual qualities, but we can only have one of each character and we will be choosing based on cosplay quality and bsd knowledge. ~If we still haven't scared you off, read on for how to be reviewed~ Review Process: You will be sending us virtually a resume with information we need in order to decide our people. -Name -Date of Birth -Character you are cosplaying -Pictures of you in the cosplay before March 30th if possible -Contact info (email address and textable phone number) -Social Media info (Facebook, Tumblr, Instagram, etc.) - Proof of NDK registration (screen shot your registration number) (this we need before March 30th if possible) If you don't have it, but everything else is good, just tell us and we will work around it. Character List: These are the characters in our ranking of demand. If you wish to cosplay someone unlisted, contact us and we will consider it. -Must Haves (1st Rank)- Dazai Atsushi Ranpo Akutagawa Fitzgerald -Preferred (2nd rank)- Kyouka Kenji Poe Twain Steinbeck Lovecraft Kyu -Extras (3rd rank)- Any characters not listed above. -Already In- Yosano Chuuya We need between 6-10 more people to be ideal. If you have any questions or are interested, please contact us. Thank you! Contact Info: atrashmanga@gmail.com

[afishtrap]

The article argues against the widely held modern understanding of birthing practices in premodern Japan: that birth took place in ubuya, or parturition huts, which were constructed away from the home in order to contain birth-related pollution; that this practice finds its historical origin and authentication in the ancient texts, the Kojiki and Nihon shoki; that the practice was universal and continuous from ancient times through the early twentieth century; and that birthing women, polluted and isolated as they were, were miserable and oppressed. Through the examination of writings from ancient through early modern times, we found that the "ubuya trope" proponents had misread and misinterpreted passages in historical texts. The ubuya in the Kojiki did not connote birth pollution. The term ubuya in aristocratic writings did not refer to an isolated birthing hut. The instances of ubuya that can be observed in early modern times were few and located specifically in coastal and mountainous regions. Moreover, far from turning women into passive victims of an oppressive "tradition," the ubuya structure sometimes seemed to have met purposes other than giving birth, such as committing infanticide and sexual liaison, and thus invited the warrior government's censure and order for its removal. Irrespective of ubuya, however, the notion of birth-related pollution developed and expanded in accordance with the evolving power relations of the imperial, aristocratic, religious, and warrior institutions. Not a simple story of female oppression, the actual history of the institution of ubuya points to the misconceived universality in the modernist construction of the "unchanging tradition" and to the need to appreciate women's agency in giving meanings to their birthing process. 

Hitomi Tonomura. "Birth-giving and Avoidance Taboo: Women's Body versus the Historiography of Ubuya." Japan Review. No. 19 (2007), pp. 3-45.

This image of the ubuya that shows women’s agency and autonomy dramatically differs from the usual representation, which emphasizes its oppressive physical isolation, the misery of its occupants, and by implication the polluted status of women. By displacing the notion of pollution (kegare 穢れ or fujō 不浄) with sacrality and that of isolation with restful solitude, the Ōbara ubuya website not only inverts the meaning of ubuya but also rescues women’s alternative voice from the dark history of birth-giving practices.

[...]

Based on her extensive research and oral interviews, Segawa concludes: “From these examples, we understand that the ubuya had to be built far away from human habitation (hito zato 人里). It was a separate and temporary building that would be destroyed in time. [Staying in the ubuya] was an excessively wretched and restricted life.”14 The ethnographer’s attitude toward her subject is extremely sympathetic, as expressed in her usage of dramatic phrases such as: “in a hut all by herself in true solitude; desolate and alone, amidst the field, as the cold wind blows down from the mountainside,” and “a solitary and wretched condition that keenly touches us.” She also comments on how she realized that “all women in the past spent nearly half of each month in this hut, and although I tried to feel their fate as they experienced it, I was simply shocked and dismayed (akirerubakari 呆れるばかり) by the appearance of lonely isolation and the subservience of the women of old who had accepted such wrongful treatment.”15

The miserable conditions described here must have been a reality for some women, but these examples come from island, coastal, or mountainous communities. Despite these limitations, Segawa eagerly generalizes from them in her other writings and claims a uniformity of cultural rules related to ubuya or kariya throughout the country.16 In Segawa’s construct, not only did ubuya cover the Japanese archipelago from corner to corner, but they also existed continuously from time immemorial. In seeking “the silent flow of the ways of living and thinking of the Japanese people from ancient times,” she considers that the “problem of ubuya should find its point of departure in the world of ancient myth.” She identifies “the myth of Toyotamahime 豊玉毘売 in the Kojiki 古事記 (Record of Ancient Matters; comp. 712)” in which the ubuya is a significant motif.17 Thus, in Segawa’s citation of Japan’s oldest extant writing, the work that chronicles the country’s origin from gods to the imperial line, is born a powerful trope of timeless ubuya that the inhabitants of the nation have commonly shared throughout Japan’s history. The ubuya trope is a totalizing discourse that fuses the analytically distinct notions of women, pollution (kegare), parturition, isolation, misery, and disempowerment into an unbroken circle of timeless Japaneseness that is tangibly confirmed by its very physical form and ontologically sustained by its imagined mythical origin.18

[...]

Ubuya, both real and imagined, played a crucial role in this modernist construction of tradition. Folkways researchers such as Yanagita’s followers sought out ubuya structures that remained and documented them. Once some had been found, their existence proliferated in the imagination of a universal folk. The ubuya, whether or not it still stood, was everywhere, and the same meaning and purpose were ascribed to it: to contain female-specific pollution. From this formulation, it was a short step to defining the universal female, whose undeniable biological essence was pollution. The analytical distinction between cultural interpretations of the essential quality and the essential physiological make-up itself often was blurred. Modern ethnologists constructed a “history” that was more normative than descriptive, and strongly influenced the way society viewed the female gender. Meanwhile historians of premodern Japan whose professional goal was to investigate premodern sources rarely discussed the topic of ubuya precisely because their sources scarcely mentioned it.

[...]

In one Niho n sho ki variant, the Heavenly Grandchild had been living under the sea with his wife Toyotamahime. She announces: “I have already conceived. I should not deliver the Heavenly Grandson’s child in the sea. Therefore when I give birth, I will go to your land. If you would build an ubuya for me on the beach and wait for me, that would be just what I wish.” Hiko hohodemi returns to his homeland, and applying cormorant feathers, builds an ubuya. Even before the roof is completed, Toyotamahime arrives on a tortoise, accompanied by her younger sister. Because her delivery time is imminent, she enters the structure without waiting for the thatching to be completed. She declares to her husband: “I beseech you not to look when I am in delivery.” The husband-prince becomes suspicious, peeks, and sees that she has transformed into a large crocodile (ōwani 大鰐). When Toyotamahime learns of this violation, she feels deeply ashamed. Nonetheless, the husband asks her “what name should be given to this child?” Having named the child, she leaves for the sea, and the prince writes a love poem and appoints various women as wetnurse, hot-water giver, food-giver, and bath-giver.26

The same story in the Kojiki, to which Segawa refers in establishing a lineage to contemporary ubuya, is more elaborate and graphic. It includes Toyotamahime’s initial observation that “All persons of other lands, when they bear their young, revert to the form of their original land and give birth. Therefore, I am going to revert to my original form (moto no mi 本の身) and give birth. Pray do not look at me.” The prince then sees her “crawling and slithering around.” Awe-struck, he runs away. Realizing that her “form has been seen, [Toyotamahime is] exceedingly ashamed” and returns to the sea, leaving the child on the shore and forever separating the land and sea. “Later, although she was bitter at him for having looked at her,” she still longed for him and sends her younger sister to nurse the child. 27

At both the descriptive and symbolic levels, the depiction of the ubuya in any version of the story differs greatly from the meaning given in NDK: “A house structure built separately in or der to avoid birth pollution and isolate the birthing woman.”28 In the story, the ubuya is a structure built to accommodate a birthing woman, away from outside elements and from peering eyes, and to allow her to return to her “original form” in her moment of delivery. Nowhere does the story state, or even suggest, that birth pollution was the reason why the ubuya was built. Moreover, it was Toyotamahime who requested that it be built. At variance with this, the dictionary’s definition situates the woman as an object of containment instead of as a constructive agent. In the source texts, Kojiki and Niho n sho ki, it was a self-initiated solitude, not an externally-imposed isolation, the purpose of which would be to protect the prince from contamination. Toyotamahime’s wish not to be seen is explained in the Kojiki version. Her comment on “returning to the original form” can be read in many ways, but considering that the words come from a woman about to go through the arduous labor of child delivery, and gauging from her later reaction to having been visually violated, her words in the original text likely expressed her desire for privacy in the hours of contraction and pain. Giving birth is an occasion that transforms a woman to a bodily condition that divests her of the physical qualities typically described as enticing to men. Interpreted from the birthing woman’s body-centered perspective, Toyotamahime’s request to secure what we would call privacy seems reasonable and sensible. Did she not want an undisturbed place to concentrate on her own bodily process and manage the pain, an act that is graphically expressed in terms of “crawling and slithering”? Did she not want to secure a place that keeps an outsider’s gaze away from bodily discharge and her exposed body parts—vagina and surrounding areas—that in other circumstances are the focus of male-directed sexual desire?

Perhaps a princess of the sea such as Toyotamahime is constructed differently from a human woman. Even so, instead of pollution, the ubuya in the myth accommodates the symbolic expressions of the practical and pragmatic needs of a woman facing moments of labor and delivery. Toyotamahime’s apprehension that her laboring form would frighten or repel the prince was indeed proven correct, as it astonished him so much so that he ran away.

The meaning attributed to the story by the dictionary’s reference misconstrues the broad implication of the source narrative. In the story, it is Toyotamahime who gives the ubuya its functional significance. The entire childbirth episode, from the building of the ubuya to the naming of the newborn, rests on her knowledge and authority. The story endows her with the authority to navigate the birth, create a baby who would carry the prince’s patrilineal line, and delimits the boundary of that rule by drawing the line between the worlds of the sea and the earth. The prince defers to Toyotamahime in the naming of the newborn, which reflects the ancient practice in which mothers named children, and magnifies the idea of a female-centered perspective that underlies the story.29 More prescriptive than descriptive, the twentieth-century dictionary reshapes the meaning of the story to fit the modern discursive agenda; it transforms Toyotamhime’s ubuya from a place of protection to the architectural proof that the ubuya isolated the birthing woman in order to protect others from her kegare.30

[windows98tips]

New Development Tools for Android Developers

New Release for Android Developers ADT 20.0.0

Android SDK r20 and ADT Plugin 20.0.0 is released for the developers to develop the new applications with Android 4.1 (Jelly Bean). This post will list the features of the ADT 20.0.0 Plugin for eclipse for developers. The following dependencies for the ADT 20.0.0 is required to install Java 1.6+ Eclipse Helios (Version 3.6.2) + New FeaturesThe new and improved features in Android ADT Plugin for Eclipse. Application Templates Added new application templates by which you can create the specific type of applications faster using the Android-recommended best practices. Performance The performance is improved in ADT 20.0.0 now the SDK data should be up to 30% faster. Tracer for Open GLES 2.0 New tracing support for OpenGL calls for an application and track the visual results for each call. Lint Enhancements Defined new Lint rules for manifest registrations,duplicate activity registrations,security checks,Fragment class initialization and handler leaks. Created a tighter integration of lint with the layout editor.Added execution of Lint tool on save option for java files. Layout Editor Improved Layout editor with highlighting of important attributes (in bold) , inline preview of colors and images,display attribute tips,better categorization of layout param and much more. XML Editing Added go to declaration support for theme references. The version descriptions are displayed for eachof the API levels.Code completion in XML editor is enhanced. Build System The build system is improved with following features Added automatic merging of library project manifest files into the including project's manifest. This feature could be enable using the manifestmerger.enabled property. Added automatic ProGuard support for the aapt -G flag. This will reduce the overall size of APK file.Added support for building and debugging the NDK projects.Added a new Asset Studio Wizard for padding and turning off background shapes.Added color support in LogCat.Support the application run for multiple devices in single launch. The target tab in the launch configuration dialog includes an option to allow launching on all connected devices. Now boost your development using the new plugin. You can update or install the ADT Plugin from the steps defined on http://developer.android.com/sdk/installing/installing-adt.html Please provide your valuable comments to improve the post. Creative Android Apps