One of the interesting things about doing these polls is seeing how going through each decade starts to feel like a countdown to some great cultural moment. I imagine the 60s polls will feel like a countdown to Beatlemania, the 70s to disco, the 80s to the MTV era, the 90s to grunge, the 00s to the mp3 era, and the 10s to streaming. And the 50s felt like a countdown to Elvis Presley.
So much has already been said about Elvis, from his "King of Rock and Roll" moniker; to his producer' Sam Phillips' infamous quote about making a billion dollars using a white man to make Black music; to the numerous controversies and legends that could only be attached to a figure of this level of cultural impact -- for better or for worse. As many know, one of the Elvis songs featured in this poll, Hound Dog, was a cover of the blues song originally recorded by Big Mama Thornton. For the sake of these polls, the songs will be voted based on the versions that reached the Billboard charts. However, I still found it important to highlight the song's origins. Many may also know that his rendition of Hound Dog lead to an outrage of controversy, because he had the audacity to move his h*ps on The Milton Berle Show.
If you disregard Elvis the Pelvis, however, the top of the 1956 charts may not feel all that different from prior years. We still see a lot of the traditional pop, vocal quartets, and jazz standards we've grown accustomed to. Which makes sense. Not only do changes rarely happen overnight, but the full snapshot of the culture at any given time can rarely be seen in the Billboard charts -- much less the top ten picks from said chart. However, something is definitely different.
In my opinion, the most telling evidence of this change isn't Elvis Presley. It's Kay Starr's Rock and Roll Waltz. For one, it's a novelty song -- a style of music popular in this decade and will only see more popularity as we move into the 60s. But it goes beyond that. The joke of the song is that the narrator of the song sees her parents try to dance the waltz to this new "rock and roll" music, and she's commenting on the absurdity of it. As the song says, "it's old, but it's new". Some less charitable modern listeners may even call it the "how do you do, fellow kids?" of 1956. That's how you know that something is shifting in the culture, and record labels are scrambling to catch up.
In addition to the change in sound, 1956 also brings us an expanded Billboard Chart to pull from. With more young people listening to their own music, charts began to focus more on retail record sales, rather than performances in public venues like previous years. However, we're still a few years away from the Billboard Top 100.
the longer I spend in my mother’s house, the more I remember why I was so eager to leave. have you done a web weaving about realizing you’ve been through more pain than you gave yourself credit for?
your comparatives are lovely and so well thought out; ty for your thoughts and this space 💚
sierra demulder today means amen: after googling affirmations for abuse survivors \\ gyobeom an image-face(model) \\ khalid khan pain \\ jennifer brown torn away \\ monster house (2006) \\ jandy nelson i’ll give you the sun \\ susan sontag as consciousness is harnessed to flesh (via @weltenwellen) \\ debra baxter
Written for Elvis by Gerald Nelson*, Elvis recorded the song on June 8, 1971 at the RCA’s Studio B Nashville. His recording of "If I Were You" was released in the album "Love Letter's From Elvis" on June 16, 1971.
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Guitar: James Burton, Chip Young, Elvis Presley. Bass: Norbert Putnam. Drums: Jerry Carrigan. Piano: David Briggs. Organ & Harmonica: Charlie McCoy. OVERDUBS, Guitar: James Burton. Organ: David Briggs. Percussion: Jerry Carrigan. Percussion & Vibes: Farrell Morris. Steel Guitar: Weldon Myrick. Trumpet: Charlie McCoy, George Tidwell, Don Sheffield, Glenn Baxter. Saxophone: Wayne Butler, Norman Ray. Flute, Saxophone & Clarinet: Skip Lane. Trombone: Gene Mullins. Flute & Trombone: William Puett. Vocals: Mary Holladay, Mary (Jeannie) Green, Dolores Edgin, Ginger Holladay, Millie Kirkham, June Page, Temple Riser, Sonja Montgomery, Joe Babcock, The Jordanaires, The Imperials.
Source: elvisthemusic.com
ELVIS, ONE DAY PRIOR TO THE SONG RECORDING: Los Angeles, June 7th 1971
"IF I WERE YOU" LYRICS
The sandman comes to my house late each night
But it's way in the morning before he turns out my life
It's times like this my darling I can see
If I were you I'd know that I love me
The great snowman I've been called by all
But it looks like this time I'm gonna fall
It's times like this my darling I can see
Oooh If I were you I'd know that I love me
Wind and rain and storm closin' in on me
I've walked the streets alone with my self sympathy
Can you hear me saying hopefully
Oooh If I were you I'd know that I love me
Wind and rain and storm closin' in on me
I've walked the streets alone with my self sympathy
Can you hear me saying hopefully
If I were you I'd know that I love me
Oooh If I were you I'd know that I love me
Lyricist: Gerald Nelson
* ABOUT THE SONGWRITER: Curiously, "If I Were You" is the only non-soundtrack song Gerald Nelson wrote for the King. According to Nelson, he was asked by Lamar Fike or Freddy Bienstock to write songs for Elvis' movies. Some were chosen and some didn't, naturally. The thing is: given the type of movies Elvis was in, in mid to late 60s, most of the songs Nelson wrote for him had to fulfill a purpose: fit the movie plot. Nelson wrote for Elvis some of the poorest tasted material of the King's music career (needless to say that's on the Hollywood producers), such as the song "Yoga Is As Yoga Does" featured in the soundtrack of the movie "Easy Come, Easy Go" (1967). Even though the songs Gerald Nelson wrote didn't turn out to be (not even close to) greatest hits for Elvis, some had a spotlight of their own, like "Clambake" and "Double Trouble", both title tracks to those 1967 films mentioned.
There's an interview with Gerald Nelson I found in an Elvis Forum. He speaks about what he thinks of the songs he wrote for EP, a little bit about the recording sessions and his reason why he chose to release an album with the demos he taped to send to Elvis' staff.
I thought it might be fun to put together a CD of the original demonstration recordings of songs that I wrote for Elvis Presley. Some he recorded, some he didn’t. He was such a good friend and I respected his friendship so much that I never ask him to record any of my work. Lamar Fike or Freddy Beanstalk put those that he did in his hands. Usually they would send me a script and say: ”Write something for this movie”. For the most part that was either fun or insane.
Gerald Nelson, lyricist
READ THE FULL 2010 INTERVIEW HERE
In 2003, Gerald Nelson released the album "Songs I Wrote for Elvis" in which demos of the songs he wrote for the King are presented. Below, the demo records of the song “If I Were You”, sung by Gerald Nelson.
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If you'd like to hear the FULL ALBUM to find out which songs Nelson wrote for Elvis or wonder how the King would sound in the ones he didn't, here's a playlist on Youtube.
John Kramer got to murder Cecil Adams. Mark Hoffman got to murder Seth Baxter. Logan Nelson got to murder Brad Halloran. William Emmerson got to murder Peter Dunleavy.
But Amanda Young tries to murder Eric Matthews, aNd SuDdEnLY iT's A pRoblEm.
365 Marvel Comics Paper Cut-Out SuperHeroes - One Hero, Every Day, All Year…
October 6th - Daredevil
Mathew Murdock was raised by his father in the Hell’s Kitchen neighborhood of New York City. Matt’s father was a semi-professional boxer known as ‘Battling Jack’ Murdock. He wanted better things for his son and impressed unto him the importance of studying and staying out of trouble. The cautiousness this instilled in young Matt earned him the teasing nickname of ‘Daredevil’ amongst his peers.
When he was an adolescent, Matt saw a blind man walking towards an oncoming truck. Matt pushed the man out of the way. The truck crashed and a radioactive isotope spilled out, striking Matt across the face and blinding him. While recovering in the hospital, Matt discovered his hearing, smell, taste, and touch were amplified to superhuman degrees. He also developed a ‘radar sense’ that formed a mental picture of his surroundings.
Matt came to realize that his augmented senses and radar sense more than compensated for his lack of sight; that it enabled him to performing incredible gymnastic feats. Matt was sought out by the ninja master known as Stick. Stick became Matt’s sensei and trained him to use his powers to become a near-peerless martial artist, acrobat and combatant.
Not long thereafter, Matt’s father was killed by mobsters after he refused to participate in a fixed boxing match. An enraged Matt used his powers to track down his father’s killers. The man responsible ended up suffering from a fatal heart attack.
Matt went on to college and then law school. He befriended Foggy Nelson and became romantically involved with the mysterious Elektra Nachos. At the same time, Matt continued to patrol the city as Daredevil, a costumed crime fighter who protected the innocent from criminals.
After graduation from law school, Matt and Foggy opened up the own practice providing legal council to the underserved populations of the city. An early client was The Fantastic Four who asked Murdock and Nelson to represent them in renegotiating the lease for The Baxter Building.
Matt’s activities as Daredevil led to his encountering numerous heroes and villains, including The Sub-Mariner, Spider-Man, Dr. Doom and Ka-Zar. He has had many enemies but perhaps known greater than Wilson Fisk, thyself-appointed ‘Kingpin of Crime.’ Daredevil and The Kingpin would match wits on countless occasions and the villain has been Daredevil’s most persistent arch nemesis.
Just as perilous as his adventures as Daredevil has been Matt’s love life. His college sweetheart, Elektra, would resurface as a ninja assassin working for The Hand. He has had romances with Karen Page, Heather Glenn, Natasha Romanova, Maya Lopez, Dakota North, Milla Donovan and many others. Many of these affairs have ended tragically as Matt’s enemies have often sought to use his loved ones as a weapon against him.
Along with his many foes Matt has also made powerful allies. He has been a member of both The Defenders and The Avengers and has had longstanding friendships with Spider-Man, The Black Widow, Luke Cage, Dr. Strange and fellow lawyer, Jennifer Walter (The Savage She-Hulk).
Actor Rex Smith portrayed the hero in the television move, The Trial of The Incredible Hulk; actor Ben Affleck also played the hero in the 20th Century Fox movie, Daredevil; and actor Charlie Cox has portrayed the character int he Marvel Cinematic Universe, debuting in the Netflix series, Daredevil. The hero fist appeared in Daredevil Vol. 1 #1 (1964).
Examples: Adrian Carsini (Donald Pleasence) in Any Old Port in a Storm, Emmett Clayton (Laurence Harvey) in The Most Dangerous Match, and Beth Chadwick (Susan Clark) in Lady in Waiting
Desperate and feral when cornered, these frantic but repressed killers often think of themselves as the true victim. They feel overlooked or threatened by someone more confident, more talented, or that frankly bullies them. This killer lashes out because they feel like the victim is about to steal their spotlight before they can even enjoy it. They’re terrified of Columbo, viewing him as a walking reminder of their guilt; but it’s maybe this guilt that makes them reach out to him for some kind of absolution.
See also Ruth Lytten (Joyce Van Patten) in Old Fashioned Murder
Shiv Roy - The Ambitious Killer
Examples: Oliver Brandt (Theodore Bikel) in The Bye-Bye Sky High I.Q. Murder Case, Kay Freestone (Trish Van Devere) in Make Me a Perfect Murder, and Milo Janus (Robert Conrad) in An Exercise in Fatality
Far more direct, cunning, and assured than the Sad Sack Killer. They appear confident and dazzling, and rely heavily on charisma and wit. They and their immediate companions are fully aware of the killer’s intellect and prowess in their chosen field, but their fatal weakness is overestimating these qualities. Infatuated with their own creative genius, they plan too much, and often reveal more than they wish when cornered. However, you can’t deny they keep their eye on the prize: anything to get ahead in their field, anything to cover up their crimes. These are the ones who look down the most on Columbo, and therefore are the most pissed off during the Gotcha moment.
See also Alex Benedict (John Cassavetes) in Etude in Black and any of Jack Cassidy’s characters
Roman Roy - The Impish Killer
Examples: Roger Stanford (Roddy McDowall) in Short Fuse, Nelson Brenner (Patrick McGoohan) in Identity Crisis, and Leslie Williams (Lee Grant) in Ransom for a Dead Man
These killers actively enjoy playing mind games with Columbo. They are eccentric and distinct personalities. They appear to enjoy their clever acts of murder more than the other two archetypes who simply view the murders as means to an end. To the impish killer, their murders are like entertaining set pieces, and they thoroughly enjoy watching Columbo seemingly trapped in their tangled web. They wanna have fun in everything they do in life, and if that includes murder, nice. While they have disdain for Columbo, they also kind of want his approval, too.
See also Dexter Paris (Martin Landau) in Double Shock and Joe Devlin (Clive Revill) in The Conspirators
i worked way too hard on this to be ignored, dan
BONUS ROYS
Logan Roy - The Protect My Legacy Killer
Examples: Col. Lyle C. Rumford (Patrick McGoohan) in By Dawn’s Early Light, Luis Montoya (Ricardo Montalban) in A Matter of Honor, and Maj. Gen. Martin J. Hollister (Eddie Albert) in Dead Weight.
This killer puts forth a front of icy control that can easily turn into reassuring charm that fades when they feel their legacy is threatened. They’ve internalized their own legend, convincing themselves they really are as dazzlingly heroic and in control of every situation as their reputation says. They are so protective of their legacy, their life’s work, that they justify murder as a necessary evil. Because of their age and experience, they tend to appreciate Columbo’s intelligence more quickly than the other killers. However, they are still so secure in their own invulnerability they can’t believe they won’t get away with it until the last second.
See also Dr. Marshall Cahill (Jose Ferrer) in Mind Over Mayhem, Viveca Scott (Vera Miles) in Lovely But Lethal, Nora Chandler (Anne Baxter) in Requiem for a Falling Star, and Commissioner Mark Halperin (Richard Kiley) in A Friend in Deed
Connor Roy - The No Business Being a Killer Killer
Examples: Nicholas Frame (Richard Basehart) & Lilian Stanhope (Honor Blackman) in Dagger of the Mind, Ward Fowler (William Shatner) in Fade in to Murder, and Tommy Brown (Johnny Cash) in Swan Song
Affable, personable, but often theatrical to the point of comical, these killers are near-sympathetic oddballs who develop a playful relationship with Columbo. They kill because they’re frail and not always too bright, and don’t know what else to do when past romantic entanglements, gambling debts, etc. catch up to them. They are either relieved when they’re caught or the pressure makes them go crazy.
See also Grace Wheeler Willis (Janet Leigh) in Forgotten Lady
I mean, on Earth-2, there was no apartheid, and post-Crisis, Kory was framed for the murder of a Nelson Mandela stand-in, so, the Mandela effect, even called that by Bonnie Baxter, is canon. But old timelines also feel like dreams, unless you're chosen to be the new Time Trapper or something.
Ben Grimm, aka The Thing, hires the services of Nelson & Murdock to help with the new lease for the Baxter Building while the FF are away in D.C. When Matt goes to check the building out, he finds Electro trying to rob it.
The Evil Queen Skeletor Scar Shredder Joker Jafar Ursula Cruella De Vil Gaston Mr Burns Plankton Elmer Fudd Maleficent Shan Yu Lex Luthor Hades Queen Of Hearts Magneto Claude Frollo Captain Hook Lady Tremaine Riddler Venom Sideshow Bob Mojo JoJo Him Chernabog Marvin the Martian Zira Sid Doctor Facilier Zim Vector Jessie And James Yzma Shredder 2012 Lots-o'-Huggin Bear Hans Angelica Kingpin Prowder Madam Mim Gothel Drizella Doctor Doofenshmirtz Doctor Doom Feathers McGraw Vegeta Doctor Octopus El Macho Tai Lung Smee Lord Shen Kai Anastasia Bill Cypher Ice King Slade Wilson The Lich Bane Cound Dooku Yellow Diamond Vitani Screenslaver Queen Beryl Ratigan Shenzi, Banzai & Ed Ra's Al Ghul Riddler Taskmaster Cell Light Yagami Fire Lord Ozai Darth Vader Maul Cad Bane Yosemite Sam Loki Frieza Eric Cartman The Giant Chicken Lust Rize Kamlshlro Scott Tenorman Trigon Azula Terrence Syndrome Princess Morbucks Green Goblin Will E. Ckyote Lord Farquaad Mongol Penguin Harley Quinn Poison Ivy Catwoman Vandal Savage Skullmaster Joker 2010 Riddler 2004 Sabretooth Lady Deathstroke Omega Red Deadpool Black Manta Ultron Modok Man Ray Cthulhu Stewie Griffin Ren Dr Lorre Grand Inquisitor Deadshot Charles Muntz Fairy Godmother Randall Boggs Mr Freeze Electro Ernesto De La Cruz Emperor Zurg The Father Mandark Kang And Kodos Thanos Skrulls Red Skull Baron Zemo Galactus Kraven Krang Kang The Conqueror Enchantress Mystique Magneto Yost Universe Sinister Six Red X Injustice League Kuvira Woodland Critters Delightful Children Viper Snowball Boggis, Bunce & Bean Rasputin Mom Robot Devil Jenner Doomsday Red Hood Hexxus Soto Vexus Sakharine Apocalypse Blackfire The Brain Brother Blood Robot Santa Larr Fat Tony Springfield Mafia Professor Chaos Sedusa Evil Morty Galactic Empire Galactic Federation Clayton Darth Sidious Queen La Hive Five Brotherhood Of Evil Gideon Blendin Blandin Masters Of Evil Juggernaut Abomination Giffany Frank Grimes Mister Ruckus Sir Crocodile The Major Envy Nagato Uzumakl Yohan Liebert DIO Alzen Vicious Uncle Ruckus Colonel H. Stinkmeaner Tom Cruise Barbra Streisand Krombopulos Michael Tammy Guetermann Lucius Needful Council Of Ricks Diane Simmons James Woods Evil Stewie Snake Jailbird Hank Scorpio Black Cat Count Vertigo Asajj Ventress The Monarch Phantom Limb The Son Barriss Offee Embo Bossk Savage Opress Darth Bane Inquisitorius Thrawn Van Kleiss Tiger Claw Bebop & Rocksteady Cheshire Suicide Squad Killer Croc Victor Quartermaine Winter Soldier The Hunter Black Cat Stinky Pet Darla Sherman Mad Mod Control Freak Terra Mumbo Fabrication Machine Klarion The Witch Boy Granny Goodness Sportsmaster Queen Bee Lobo Ocean Master Icicle Atomic Skull Black Beatle Prison Berry Duchess Nemesis Bendy Amoeba Boys Lenny Baxter Gangreen Gang Rowdyruff Boys Inque Shriek Blight Talia al Ghul Yubaba Lady Eboshi Colonel Muska Kushana Lord Darkar Valtor Trix Sebastian Saga Terrence Lewis Helga Von Guggen Nelson Muntz Terwilliger Family Shredder 2003 Grand Admiral Tarkin Carter Pewterschmidt Bertram Stickybeard Mr Boss Knightbrace Rob Miss Simian Zach Watterson Beatrice Horseman Doodlebob Bubble Bass Dennis Flying Dutchman Flats The Flounder Dirty Bubble Tattletale Strangler Saddam Hussein The Devil Scott The Dick Crab People Manbearpig Bill Donohue Trent Beyett Super Skrull Hydra Amos Slade The Bear Kent Mansley Rothbart Darla Dimple Dave The Octopus Makunga Squilliam Fancyson Hobgoblin Gabby Gabby Sabor Olivia Octopus Black Mask Parasite Clayface Killer Frost Bizarro Shade Giganta Sinestro Anti Monitor Atrocitus Larfleeze Ultra Humanite The Leader Annihilus Mole Man Red Ghost Frightful Four Terrax Klaw Maximus Ronan The Accuser Captain Boomerang Professor Zoom The Rogues Captain Cold Livewire Silver Banchee Aurra Sing Nightsisters Mother Talzin Pre Vizsla Death Watch Gar Saxon Jabba The Hutt Roberto Nudar Zapp Brannigan Walt. Larry And Igner Richard Nixon Donbot Flexo
Starring Abby Ryder Fortson, Rachel McAdams, Elle Graham, Benny Safdie, Kathy Bates, Echo Kellum, Isol Young, Amari Alexis Price, Katherine Kupferer, Kate MacCluggage, Aidan Wojtak-Hissong, Landon Baxter, Mackenzie Joy Potter, Olivia Frances Williams, Michael Platarote, Simms May, Zackary Brooks, JeCobi Swain, Eden Lee, Naida Nelson and Tahirah Harrison.
Screenplay by Kelly Fremon Craig.
Directed by Kelly Fremon Craig.
Distributed by Lionsgate Films. 106 minutes. Rated PG-13.
Judy Blume seems to be going through a pop culture resurgence. Just last week Judy Blume Forever, a documentary on the life and career of the author who pioneered young adult novels, started spreading through towns across the country. Now, after 53 years, we have the release of a film based on what is arguably Blume’s most beloved book, the sweet and refreshingly frank coming-of-age story Are You There God? It’s Me, Margaret.
Are You There God? It’s Me, Margaret has been a standard of school curriculums and a favorite of young girls for decades. It is a smart and funny look at growing up in the 1960s, trying to figure out all the important things in life for tween girls – religion, family, puberty, friendship, boys…. And, for better or worse, I have never seen a film which spent so much time subtly contemplating menstruation.
The film version is helmed by writer-director Kelly Fremon Craig, who has surprisingly been pretty much missing in action since 2016, when she released yet another fantastic coming-of-age film for young women, the original narrative The Edge of Seventeen.
It turns out that the mix of Judy Blume and Kelly Fremon Craig is a potent one, because Are You There God? It’s Me, Margaret is a delight. It is an intelligent, empathetic, humorous and not the least bit patronizing look at childhood.
Margaret (Abby Ryder Fortson) is a twelve-year-old girl in the midst of a lot of upheaval. It is the late 1960s (I’d say about 1968, on a guess.) Her parents (Rachel McAdams and Benny Safdie) have just moved from her beloved New York City to the suburbs of New Jersey. She’s left behind her friends and now must negotiate a new school. She misses her beloved grandmother (Kathy Bates) and her home.
And she’s not sure how she feels about her new friends, particularly Nancy (Elle Graham), who thinks she knows everything about everything, but deep down may just be a scared and mean little girl.
The film looks at Margaret’s search for faith – her dad is a lapsed Jew; mom is a lapsed Catholic. They have always contended that Margaret will decide on her own religious beliefs when she is ready – much to the disappointment of the grandparents. She is also negotiating junior high school (that’s middle school now) politics and whether or not the boy down the street is cute and likes her.
It's a simple story of growth, and yet it’s also layered and complex. Even the so-called villains (we’re looking at you, Nancy) are just confused and scared of what is coming at them way too quickly. And none of these kids, particularly Margaret, can just sit back and enjoy just being children, instead rushing growth that they will eventually come to all too soon.
Young Abby Ryder Fortson is a wonderful center to the story, and McAdams and Bates are delights as mom and grandmom.
Are You There God? It’s Me, Margaret isn’t trying to answer all of the questions of childhood and puberty, but it is a sweet and nostalgic look at the journey to young adulthood.
Bay City Rollers - Saturday Night
The Diodes - Shape of Things to Come
DJ speaks over Sandy Nelson - No Matter What Shape (Your Stomach's In)
The Ex - Prism Song
Scarecrow - Ouroboros
The Shitheads - Centroszóma Round
DJ speaks over Arthur Brown's Kingdom Come - Triangles
The Clean - Circle Canyon
Patsy Cline - Tra Le La Le La Triangle
Zero Boys - Vicious Circle
The Waitresses - Square Pegs
Personality Cult - Circles
The Satans - Lines and Squares
Brendan Behan - The Old Triangle
DJ speaks over New Order - Bizarre Dub Triangle
The Savages - The World Ain't Round It's Square
Linda Perhacs - Parallelograms
Unseen - Square
Einstürzende Neubauten - In Circles
Anorexia - I'm A Square
The Staple Singers - Will the Circle Be Unbroken
DJ speaks over The Village Stompers - Washington Square
David Bowie - The Width of a Circle (Live at Santa Monica Civic Auditorium, Los Angeles, CA, 10/20/72)
Radical Kitten - Full Circle
Eddy Current Suppression Ring - It's All Square
Celtic Frost - Circle of the Tyrants
DJ speaks over Ornette Coleman - The Circle with a Hole in the Middle
Hawkwind - Motorhead
The Spaceshits - Squarehead
Siam Sur - Squared
Les Thugs - Square of Lights
Young Wasteners - Stained Circle
Red Red Krovvy - Square Man
DJ speaks over The Electric Tomorrow - Sugar Cube
The Make-Up - I Am Pentagon
Emo Summer - Man Sitting in Chair, Staring at Cube
The Spiders - Walking Around in Circles
U.X.A. - Social Circle
Devo - Blockhead
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