#new york observer

[harmoonix]

🎇Fairytale Dream🎇

• Astrology Observations •

2024 CELEBRATION 🎉🎉🎉🎉🎉

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾𓆉🌾𓆉🌾𓆉🌾

💎 - Natives with Midheaven (MC) in the 11th house can usually have a lot of friends because this placement indicates popularity, you can have friends even at your place/job

💎 - I just know people with Libra/Leo placements always wanted to live in a castle when they were younger, honestly you can't blame them because it's their thing with royalty

💎 - Cancer/Moon in the 6th house are very adorable when it comes to pets, they love animals a lot and they can create a special bound with the animals

💎 - Jupiter - Neptune trine/sextile/conjunct i know these natives are the fairytale themselves, they are dreamy, they are with their head in the clouds, they are magical, and they are kind. The perfect fairytale

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾🌾𓆉🌾𓆉🌾

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾𓆉🌾𓆉🌾𓆉🌾

💎 - Asteroid Medusa (149) - In Libra/7th house. Be careful because people are gonna be jealous/envy on your partners/partnerships/relationships, you gonna attract really good partners

💎 - Juno aspecting Medusa can be another indicator of attracting envy/jealousy because of your relationship/partners (boyfriends, girlfriends)

💎 - Psyche (16) or Vesta (4) in Water signs are artist souls. For them art is everything and their soul can embody "piece of art" definition. They can be so much attracted to music because their souls want that

💎 - I know Cancer/Capricorn placements love to spend time with their families a lot, for some of them their family can be the most important thing in their lives

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾𓆉🌾𓆉🌾𓆉🌾

💎 - Venus/Moon in the 3rd house can indicate a good relationship with your siblings, you can have that "you can always count on me" thing between you

💎 - Virgo Placements (esp Sun or Moon) love to words of affirmation, like tell them good things and treat then good and they are gonna be yours forever. They also love to hear people talking nice about them

💎 - Jupiter/Venus in the 4th house can make great parents (Moms and Dads) these placements can actually indicate a good family life and the one family you gonna create with your specific person

💎 - Aphrodite (1388) in the 5th house or Leo they are having such a beauty, you love life. You love yourself. They are very very verry royal/bold

💎 - Aphrodite (1388) in Gemini or in the 3rd house, I know one thing about them and that is their voice, their voice can charm anybody and they can be very flirty (I actually believe Aphrodite can feel good in these placements)

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾𓆉🌾𓆉🌾𓆉🌾

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾𓆉🌾𓆉🌾𓆉🌾

💎 - Aphrodite (1388) in Scorpio/8th house are very magnetic, they are having a charisma that can pull people close to them

💎 - Capricorn Sun/Moon/Rising = Good face structure. Also strong bones/body most of people with those placements can become models because of their body

💎 - Sun at 6°, 18° degrees can talk about a native who can prioritize themselves a lot, they can be very nurturing and sometimes can end up a bit criticizing probably as their dark trait

💎 - Sun at 2°,14°,26° degrees can talk about a native who may love to be grounded. Who may love to spend time in the nature and to love going in places where they can feel close to nature

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾𓆉🌾𓆉🌾𓆉🌾

💎 - Sun at 12°,24° degrees can talk about a native who dreams a lot and has a lot of wishes, they may having a lot of personal desires and a very free spirit

💎 - Sun at 8°,20° degrees can talk about a native who can be a very loyal person and a person who is very capable of keeping secrets, like with them or not them your secrets will not be heard by anyone else

💎 - Sun at 10°,22° degrees all I hear i money, dreaming money, sleeping with money 🤑💰, jokes aside they are very respectable by others and very serious when it comes to specific things

💎 - Mercury in 9°,21° degrees or in Sagittarius natives can have a really great humour and good jokes, they love to make other people to laugh and to make them feel good

💎 - Saturn in the 9th house/Saturn in Sagittarius natives may have to an important lesson to learn about their faith and the way they believe in things

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾𓆉🌾𓆉🌾𓆉🌾

💎 - Part of Fortune in Aquarius or at 11°,23° degrees can be successful/popular in online. The media can be so much focused on them

💎 - Part of Fortune in Scorpio or at 8°, 20° degrees can have a lot of fame because of their Image, they may also have some controversy in the media. You're magnetic girl don't worry about the controversy

💎 - "You got me feeling like a Diamond rich" - Leo placements esp Sun/Moon or Rising in Leo 🦁

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾𓆉🌾𓆉🌾𓆉🌾

💎 - Neptune in the 1st house can really have a soft skin. Also they can be sensitive to the sun's light, does it happen to have irritations of skin in summer?

💎 - "Is very important to let yourself free" - Aries and Sagittarius placements because they are the most adventurous people I i know

💎 - People with prominent 3rd house placements can like cars a lot, some of them may like cars some of them may have a love for other vehicles like a van for example

💎 - People with Mars - Uranus aspects are great at dancing and they have a good chance for becoming professional at some specific dances

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾𓆉🌾𓆉🌾𓆉🌾

🎇 HAPYY NEW YEARS EVERYBODY!!♥️♥️♥️♥️♥️♥️♥️♥️♥️🎉🎉🎉 OFFICIALLY THE FIRST POST FOR 2024!!!!🎉🎉🎉🎉🎉♥️♥️♥️♥️🎉🎉🎉♥️♥️♥️♥️🎉🎉🎉♥️♥️🎉🎉🎉🎉🎉🎉🎉🎉♥️♥️♥️🎉🎉🎉🎉

🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉

🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉

I hope everyone out here will have the best YEAR🎉🎉🎉♥️♥️♥️♥️♥️♥️♥️♥️🎉🎉🎉🎉🎉🎉

[pearlprincess02]

new york 🗽

new york city, new york

capricorn sun, aries moon, libra rising with jupiter & juno & vesta in 1st house, capricorn mercury, sagittarius venus, sagittarius mars

element: fire 39% air 31%

dominant planets: jupiter & sun & venus

dominant sign & house: sagittarius / libra & 3rd house

manhattan, new york city

taurus sun, capricorn moon, cancer rising, gemini mercury, taurus venus, cancer mars

element: earth 46%

dominant planets: moon & venus & mercury

dominant sign & house: cancer / taurus & 11th house

brooklyn, new york city

cancer sun, aquarius moon, libra rising with neptune in 1st house, cancer mercury, leo venus, libra mars

element: air 39%

dominant planets: venus & saturn & mars

dominant sign & house: libra & 9th/10th house

the bronx, new york city

leo sun, leo moon, taurus rising with pluto & ceres & pallas in 1st house, cancer mercury, virgo venus, leo mars

element: fire 35%

dominant planets: sun & pluto & mars

dominant sign & house: leo & 4th house

do you share any placements with these boroughs in new york city 🏙🍎 ? check your astrocartography chart to see how you'll do in these cities 🗽🍕🚕

all observations are done by me !!! @pearlprincess02

main masterlist

[thelcsdaily]

A Holiday Greeting

May the joy of the season envelop you and your loved ones with smiles and treasured memories as the holidays progress. I hope you have a joyous and festive Christmas.

Thank you for all your support this past year.

“It is Christmas every time you let God love others through you.”—Saint Teresa of Calcutta.

[newyorkthegoldenage]

U.S. Navy observation planes fly over the city on June 2, 1941, during ceremonies commissioning Floyd Bennett Field in Brooklyn as a naval air station. The planes are dropping USO leaflets shaped like aerial bombs, which can be seen flying from the plane at left.

Photo: Associated Press

[eretzyisrael]

by John Podhoretz

A day after Jewish college kids found it necessary to barricade themselves inside a library in the center of Greenwich Village while a mob of repugnant terrorist-lovers banged on the locked doors trying to get at them, the message is being broadcast that, on this Sabbath, Jews in Brooklyn had better remain at home.

Stay inside.

Lock the doors.

A pro-Palestinian protest is scheduled for 3 p.m. Saturday in front of the Brooklyn Museum.

That’s a mile from 770 Eastern Parkway, the headquarters of the largest ultra-Orthodox sect in the world, the Lubavitch Hasidim.

Roughly 20,000 observant Jews live around 770, in the neighborhood called Crown Heights.

“Jews should definitely avoid the area,” an ultra-Orthodox news site called COLlive.com said a “security source” had advised them and the Shmira, the local Jewish self-defense association.

“There’s no intel at this time in which direction the protest will head. Locals should definitely stay away from Eastern Parkway in that area.”

The Jews of Brooklyn feel they are at risk, and — this is the implicit corollary — they cannot be protected.

On the Sabbath, observant Jews do not use electricity or vehicles or screens of any kind.

To pass the time on a Sabbath afternoon, they often go on a long walk.

Not this weekend.

As the security source said, after all, who knows which direction the mob will go?

Better for the Jews to stay inside.

Just as it became a matter of life and death for them to stay inside back in 1991, in the very same neighborhood.

What everyone is afraid of is a repeat of August 1991.

In Crown Heights that year, a three-day anti-Jewish riot followed a tragic automobile accident that took the life of a 7-year-old black child after he was hit by a car being driven by a Hasidic Jew.

Not only were 38 Jews beaten, seven Jewish-owned businesses were looted and burned to the ground.

“Let’s go get a Jew,” a mob chanted, and then they did — they murdered an Australian doctoral student named Yankel Rosenbaum, stabbing him and smashing in his skull.

[adiaryonthemoon]

Pluto in 7th house

As an amateur who likes astrology I always believed that Carrie Bradshaw had Pluto in 7th house.

She's obsessed with any kind of relationship in her life. Love affairs are intense for better or for worse (big fights, cheating, always keeping her at her toes) and makes her discover parts of herself that she never knew they existed.

She craves drama. This is the lower vibe of someone who doesn't really know how to use Pluto in a productive way.

She throws away her power with Mr. Big. She totally forgets that she has the power to say "It's over!"

Magnetic. Pluto in 7th house can have a love hate relationship with the public and I think that Carrie is the only character in the show that you either love her or hate her.

[peterarklenews]

© Peter Arkle 2024 EYE TEE ON EAST THIRD STREET, Manhattan

[skylobby]

[canridauis]

some observational things from my current sketchbook. forget if i've posted any of these here before or not...

[corpusdiem-seizethedead]

Davey: Ok Jack, but just don’t…sing to them.

Race: That bitch is halfway down the street!

Davey: Is he-

Race: Oh, he’s dancing

Davey: *despairing groans*

[allanodyne]

Let's go higher

by AllanOdyne

[rudeflower]

FURTHER JESS IN NEW YORK OBSERVATIONS

First he is so comfortable. He seems so relaxed and more at ease talking to Rory, interacting with the space, and generally existing

SECOND

He is wearing a Hardkore Kidd No Mercy 2002 Tour. I haven't been able to figure out if this is a shirt production made or real merch, but Hardkore Kidd is an alter ego (?) of real world wrestler Aaron Aguilera.

Jess generally wears well fitting clothes, this shirt is about a size bigger than he would choose himself. This scene happens in 2002, Jess was in Stars Hollow until a week or two before this scene so

Either Jess is a closet wrestling fan who went to a match (?) in the past two weeks and parted with the little money he has for this very cool likely overpriced shirt OR

Jess is crashing with a friend who is a massive Hardcore Kidd fan and went to a show (??) in the last 5 months and got this shirt, which Jess borrowed that morning because he was out of clean shirts and this is a very cool shirt and he's hoping that Rory picked up on his hint, so he can go sit on the bench the closest to the end of the park she would walk to from the bus and he has to look cool JUST IN CASE

[lonestarbattleship]

USS COLORADO (BB-45) steams off lower Manhattan, New York City.

Photographed in 1932.

U.S. Navy National Museum of Naval Aviation: No. 2004.042.052

[astrangetorpedo]

‘Media Is the Third Parent’: A Conversation With Lucy Dacus

by Justin Joffe | 2/22/17

The music that we love is an accumulation of narratives. The stories those songs tell, the memories they create for us and the truths that their writers have lived all become an important rubber band ball of context and experience, informing our connection to them in ways we don’t always immediately get.

So when a young artist emerges from the formless depths of adolescence near-fully formed, the narrative starts taking shape even before we understand it. Cries of nepotism, entitlement, and business collusion often drown out the true origin story of someone who takes to a big stage so all of a sudden, whether or not those cries have any merit. And in the case of Lucy Dacus, a 21-year old singer/songwriter from Richmond Virginia with a remarkably deep and powerful voice, no such assumptions about her recent ascension ring the least bit true.

Adopted at a young age and creatively nurtured by her piano-playing mother, Dacus’ musicality was embedded in her home life from the get go. Her debut, No Burden, was recorded by her guitarist Jacob Blizard as part of his winter project at music school Oberlin and released by hometown label EggHunt Records last February. Almost immediately, Dacus’ husky alto caught the attention of larger labels—over 20 of them—requiring her to take some time sifting through the muck and the mud, fielding offers and inquiries guided largely by her convictions and her gut.

Six months later she signed with venerable independent label Matador Records, and their reissue of Dacus’ No Burden last fall gave hope to this whole generation of self-starters. Dacus’ reverb-drenched, alt-country-dusted songs cut to the question of how an artist in the public eye can still live away from what Sartre called “the gaze of the other”, free from expectations of beauty or lapses in trust, living and working only by the standards they set for themselves.

We caught up over the phone to discuss what it means to take personal agency over your work in a time when art and politics seem pretty much inseparable.

How ya doin’?

Good, I’m in Canada! Hopefully my connection will be good, but if it starts to break up I’ll blame it on that.

So, were you looking at a hearse or a limousine? That lyric of yours reminds me of one of my favorite Leonard Cohen lyrics, “Thought I saw an eagle, but it might have been a vulture, never could decide.”

Yeah, that one’s really good.

Much of your album speaks to trust and navigating uncharted waters, but can you unpack that rhetorical question for me?

I guess the point of that song, “Troublemaker, Doppelganger” is trying to navigate the worth of beauty, and if it’s hurtful or helpful to value beauty. If it’s a curse or a blessing. Is that something really negative and morbid, like the hearse, or is it the limousine—a glamorous symbol of enjoying life?

I’m trying to connect how your interest in the aesthetic side of media, between your time in film school and your time as a photo editor, has informed your perspective on our habits of consumption and decision making. Is that something that weighs on your mind often?

Yeah! The media, and how we’re taught to read it, has a huge impact on who we become as people. When you’re a kid you learn whatever your parents think, until you start taking in media. Because all your friends are your age as well, media is the third parent that you ever have. So I think about that a lot, what visual imagery is teaching us, and media in general having a huge impact. But it’s ambiguous—if you haven’t learned the cultural symbolism where media is coming from, it can be really confusing.

You said that you felt this record was possible because you went into it without any expectations, during the writing and recording process. But the minute any work is released to the public, media expectations become imposed upon us. I guess it’s what Sartre called “the gaze of the other”. How do you keep that purity of intention during your process while operating inside someone else’s media infrastructure, an infrastructure that you didn’t build? It’s something I feel that you’re in a particularly great place to help us with.

[Laughs] A lot of the songs for the next record were actually written well before we spoke to a label or had any kind of coverage, so at least for the next record, I haven’t had to deal with that. But of course I’m still writing, and I think the biggest aspect of it that keeps me from catering to our current infrastructure is not trying to write. I don’t ever sit down and say, “OK, I need to write a song” or “I need to crank something out” or “I have to make something that will satisfy the people around me.” That’s never been a concern, I don’t think that should be a concern, and it means I maybe don’t write at a quick pace anymore, but everything that I do write is stuff that just comes to me the way any other thought does. So far it doesn’t feel like anything that I’ve written is compromised by the fact that we have a label now.

You’ve spoken about how you had to develop a bit more business acumen after this album was finished and you were shopping your project around a bit. Do you almost learn those things so that you can know when you don’t have to use them, in a way? When you don’t have to have your guard up with them?

Yeah, I really enjoy navigating the business aspect of having a band, and there is a great amount of instinct. You don’t wanna work with people who make you feel weird, even if they’re super qualified. You don’t want to feel like you’re being used by anybody, even though you are submitting to that in some way, in some mutual using of whoever you end up working with. But there’s a fine line that’s hard to describe between being taken advantage of and having a partnership. I feel like that might be different for everybody, but I would just suggest that anyone getting into this take their time and compare a lot of different companies or whatever you’re choosing. Be comparative about decision making , because you don’t have to rush into things.

That ties into the themes of trust on this record, too, which is funny because you wrote these songs before having to navigate those waters. You wrote, “I wanna live in a world where I can keep my doors open, but who knows what’d get in and what’d get out.” Would it be a stretch to connect that lyric toward your path of ascension in the music sphere, toward your approach to how you present yourself? Are you talking about trust in the abstract here?

Absolutely. The more you learn the more wise you’re supposed to be, but I still reflect upon myself as a child, or even just myself pre-audience, kind of contemplating on where my creativity came from at that point and always trying to stay connected to why I originally started writing. I did write that song a while ago, but luckily it still rings true.

I talked to Joe Steinhardt of Don Giovanni a few weeks ago, and he’s of the mind that the big three media companies are turning into the big three tech companies, insofar as Apple, Google and Amazon are eating whole industries of art, commerce and media. It got me wondering what we can do. Now obviously you’re on Matador, and they have a great reputation around doing right for their artists’ sustainability. What are you, and they, doing right when it comes to giving artists some agency over their own work?

I guess there’s two ways to approach this question. There’s technically retaining the rights to your own music, being structurally independent and not feeding into major labels or major companies, but then there’s also this idea of retaining agency in a more metaphysical sense.

I think both are important. Matador’s an independent label, which was part of the reason that we chose them. Myself, I feel like I still have ownership over my own work. Like I said, you just have to retain your writing process and not force anything. That’s what helps me feel like I still have a handle on what I make—it’s coming from me because of me, not because of anything else.

On top of that, I really like and respect bands that do more than just the typical structuring of recording, releasing and touring an album. Bands that are socially active, bands that are not afraid to talk about their belief systems explicitly. I’ve been inspired by that, and that feels like not just taking agency over your own work, but taking agency over the responsibility that you’ve been granted by a fanbase. Really contemplating your fanbase and being present with the people who listen to your music.

That begs the very timely and topical question, too—if all art comes from culture, and cultures are being stigmatized right now, then isn’t all art political? The question’s kind of irrelevant when the creative class is kind of a marginalized community in its own right, but I guess I’m just wondering how your value system responds to right now, as you come into the creative class professionally at a time when a lot of people are freaking out about the abolishment of the National Endowment of the Arts and similar public-funded avenues for creative programs or dialogues. What’s your role in pushing back against that?

The solution we came up with as a band for this tour was raising money for local charities at each of the shows that we’ve been playing. That feels like a pretty effective form of activism so far, but beyond that, I would hope that the music we make and tour causes people to consider not necessarily the specific current events happening around the world, but what’s behind them—power struggles, contemptment and these other things behind the negativity that we see, a lack of fulfillment in people.

It’s nobody’s actual job, but I personally admire people who see it as their responsibility. Whether its actual resources going to real life projects, charities or charities, that’s one piece of it. But like I said, the content of the music can really change people’s mindset, and I know that I’ve definitely been changed by some musicians and lyrics that I’ve heard. Like I said, media is the third parent to anybody. I would just hope that people write things that call for more thought instead of less thought. That could make a huge difference.

(x)

[newyorkthegoldenage]

Pedestrians and traffic at Fifth Ave. and 42nd St. come to a halt for a minute of silence at 11:00 a.m. on November 11, 1936.

Photo: Wurts Bros. via MCNY

[aryburn-trains]

New York Central observation car Hickory Creek brings up the rear of the Toys for Tots train at NYS&W's Hawthorne Station. The U.S. Marine Corps Reserve, Toys for Tots train, made stops on the NYS&W between Rochelle Park and Butler, NJ collecting donated toys. December 7, 2013