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devourer--of--books · 4 years

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I’m mad about Hunter being written off and here’s why you should be too

You: wasted potential.

Me, an intellectual: ah, Hunter and Nicola’s friendship

I have strong opinions about Hunter.

Yeah, you heard me right.

Look, I have strong opinions about many, many, things. Today, we are taking a dive on Hunter and Nicola. First I’d like to blame this post on Kate, as I decided to make it after I tried to articulate why Hunter being written off TCY makes me so angry in a huge comment under her latest OTK post but it ended up being too big and messy so I deleted it. I don’t think I’ve seen anyone elaborate on it, so if you were also mad about this, bro, not to be intense, but like, are we soulmates or...??

Before anything else, as I usually do with my text posts (which I haven’t done in a while, opsies), I shall provide you with arguably unnecessary context. Sit down, grab yourself some snacks, make yourself at home, I’m about to rant you into oblivion.

Since I know many accounts weren’t around back then, I’ll also give you the socio-political vibes of the time period, as any self-respecting half-baked essay written last minute should.

POV, you’re 14/15 year-old me. You flat iron your hair, you don’t use sunscreen, you think you’re straight and your school makes you wear those horrid low rise uniform pants, but at least you can somewhat do your make-up decently now that you grew out of your emo phase.

The year was 2016. The Ever Never Handbook has just come out. You re-watch the handbook trailer on youtube for the fifteenth time. Everyone is losing their minds over OcTObeR 14tH and “a student named Agatha ~ now Agatha of Camelot~”, as well as the portraits and the teasing for a new SGE book. Quests For Glory is announced just a few days later. 2016 tagatha ship week happens a few months down the line.

This is the SGE Tumblr Fandom Peak.

Now, let’s start right there, two-ish weeks after the release of the Handbook, right as the QFG announcement comes out.

We all knew Soman wasn’t done with SGE after TLEA. He definitely had been teasing something in his weekly blogs (lol, remember when I used to check the blog, what a time to be alive) and once we got the ENH, we got quite lot of info to theorize. Here’s some that I can think off the top of my head:

- The coven was going on a mission to find a new School Master.

- Tedros and Agatha were struggling financially in Camelot but were going to get married soon (even if Sophie doubted Tedros would have asked Agatha yet, as of the time of the Ever Never RoundTable, but we’re taking that with a grain of salt, because she was written to sound jealous here, and I won’t acknowledge that kinda of bs, she is happy for her friends okay, we’ve been though this-)

- Sophie had completely remodeled the School For Evil and was getting on Dovey and the rest of the faculty’s nerves (except for newly hired history teacher, Hort).

- The rest of the supporting cast had just graduated third year and was to be off in quests soon.

- The School was now accepting applications, and two of those applicants are Nicola and Bogden.

Now, I’m not even gonna bring up how it was mentioned in a video in EverNeverTv that Bogden would be an important character in TCY, and yet, I can’t think of anything relevant about him other than the fact that he knew tarot apparently, or how his application had more personality than him in the entire series, or how he was basically there so we could look at him and Willam and be like “oh, representation”, or how he’d be a good insight on how Galvadon perceives Sophie and Agatha post-TLEA, or- I’m just not gonna.

Oh, no. Instead, we are here to discuss Nicola’s application.

If your memory is foggy, let me remind you:

Nicola’s application is submitted, according to the Handbook, by her friend, Hunter. For convenience sake, we’ll assume Hunter is a guy (I’ll tell you why Hunter being a guy works better for me in a bit), but his gender is not mentioned anywhere in the ENH. I don’t think he has been gendered in any version (correct me if I’m wrong) or if there are any pronouns for him during TCY, but I’m fairly confident he isn’t mentioned at all.

Hunter tells us he is applying on Nic’s behalf, as she’d never apply for herself. He mentions that she is more or less the Galvadon equivalent of an activist for women’s rights, founding a rugby unisex team and campaigning for pants instead of skirts for the local school uniform, as well as having a feminist sounding book as her favorite book. It’s heavily implied that she is a jock, as he lists that, if marooned on a desert island, Nicola would want to have a soccer ball, a hockey stick and a set of dumbbells (“and none of this 5-lb nonsense”) with her.

Upon asked why Nicola should go to the school, his answer is: “because there’s a greater place for her in the world, where she can learn a girl’s true worth, and I don’t think it’s here.”

Then you have a note from (*rolls eyes* *suppresses a gag* *tears hair out*) the very late, long, long gone, absolutely dead, August Sader, telling the Deans to accept her application, despite having no reason to do so, as Nicola was to “play a crucial role in it’s [the school’s] survival.” Dovey and Sophie agree to flip a coin to decide which school will take her, which Sophie must have lost, as Nicola is accepted into the School For Evil.

By now, I think we all agree that Nicola was done dirty. If you check my QFG re-read you’ll notice that I complained about her there. As I had to go though her introduction chapter again to make this post, let me tell you why: Nicola wasn’t written to be likeable.

She simply wasn’t. That’s the one conclusion I can draw. Whether that’s intentional or not, I can’t tell, but the backlash she received was fairly useful, as it meant Soman could write her off the main story without much backlash from his target audience (aka, not us, pesky pretentious older readers).

The Nicola I was introduced to, not only in the Handbook but on her trailer for QFG was not the girl on QFG.

Nic is there to be the smart girl™, and while I do appreciate having a character who is a bit cocky about their brains, it just doesn’t work well there. Because her bond to other characters and the way she earns their respect feels so weak, she just comes across as pretentious. Characters like Hester and Agatha, who are supposed to be smart, feel dumbed down to show us how clever Nicola is. Agatha is supposed to be the resourceful thinker and Hester wanted to be class captain, you bet she studied like crazy, she probs knows every fairytale in existence.

Then you add that to the (*rolls eyes* *suppresses a gag* *tears hair out*) Nicola and Hort fiasco and Nic feels like a weirdly written OC insert.

Handbook!Nicola sounded like a smart jock kind of character (read, more Gryffindor than Ravenclaw). Handbook!Nic was a Reader who read the tales as a hobby, but her favorite book is not a tale, it’s a non-fiction book (as far as I can tell). She might not be the fairytale expert, but she sounds like a practical thinker, as sport requires strategy, which is not Hester’s strong suit, given she is rather impulsive, or Agatha’s, given she is often unwilling to make hard decisions due to her Good nature and her own insecurities. C’mon, Handbook!Nic would have taken one look at Hort and sent him running to hills, because she would be able to smell his bs three miles away. She’s no one’s replacement, least of all Sophie’s (whom she probably would not have gotten along with (at least they got this part right) given Sophie’s “my prince will sweep me away from an ordinary life” phylosophy). To be honest she doesn’t sound like she’d be interested in dating at all.

But this post is about Hunter right? Let me remind you, Hunter is not mentioned in Nicola’s introduction, when she talks about her life in Galvadon. Canon!Nicola tells us that she has two brothers who want to inherit her father’s pub in order to sell the place, but Nicola is close with her father and likes working there to some extent, even if she has bigger ambitions. She believes her brothers sent her application as a way to get rid of her.

Back when I still had some faith that Soman had an arc for Nicola that included resolution, I had my theories as to why she wouldn’t mention Hunter: maybe he was to appear in later books and they’d have a huge backstory explaining their friendship, as well as a dramatic confession that Hunter sent her application because he felt Nicola deserved to live an adventure, and Nicola would either realize that she was meant for something more or that she wanted to live a quiet life, honestly either would be nice. I would have taken anything. Truly, if Nicola’s k-pop boyfriend in the OTK epilogue had been replaced with Hunter, I might be able to hate it less.

Especially if they came to the (*rolls eyes* *suppresses a gag* *tears hair out*) school wedding as friends. Because you know what?

We are starved for male-female friendships in the SGE universe.

Tedros’s only female friends (all his friends in general) are Agatha’s friends (who all tried to get rid of him at some point, save for maybe Dot) and his actual friends are all dead (Bettina/Chaddick). Hort could be counted as Agatha’s friend, if only he didn’t bash her every five seconds like a moron (he literally pitched the idea that Agatha should be executed by Tedros in OTK, just because he was envious or her relationship with Sophie (not jealous, envious, because Sophie wasn’t his to begin with)) over his delusional sense entitlement of Sophie’s affections (which I hate, but as this is not a Hort-bashing post, I won’t get too much into), but the coven, Beatrix, Renna and co. would not touch him with a stick. Merlin’s friendship with Lady Of The Lake is gone, and Dovey is dead. Rhian and Kei both had that frenemies thing with Sophie in ACOT/beggining of OTK, but I think it was supposed to be romantic? It wasn’t ew (I hate Rhian but he’s also wasted potential, and so was Kei, whom I liked, rest in peace). Japeth hates women for??? Whatever. Willam and Bodgen are such background characters I could not care less about them. The new students weren’t memorable enough for me to remember their names. I think this about covers the main male cast.

There’s a lack of male friendships too, but we kinda have (*rolls eyes* *suppresses a gag* *tears hair out*) Tort and whatever was that rushed Tedros/Chaddick friendship. Rhian and Kei were gay friends (yeah, right, sure, very platonic). Tedros and Rhian could have been friends if Rhian redeemed himself, but otherwise no. Tedros and Filip… gay. Japeth literally killed Rhian, so also not very good friendship between brothers. Hort has no friends, because Ravan would so not be here for his bs. Willam and Bogden are a couple and (*rolls eyes* *suppresses a gag* *tears hair out*) so were Aric and Japeth, I guess.

Still don’t believe Hunter was wasted potential? Okay, let me tell you what my ideal Nicola arc would be, mixing Handbook!Nicola with some canon!Nicola and including Hunter.

- Nicola is the one inheriting the pub (once she gets married), despite Galvadon’s pre-TLEA sexism and conservative views, because she is her father’s only child and her brothers are actually her older half-siblings from her mother’s previous marriage.

- Her mom died at some point early in her childhood. Not a childbirth tho, because Callis, local witch gynecologist (have you checked my post on this yet? no? you should) was there for her, even if it was a high risk pregnancy because the mom was already older.

- Because of that, Nicola’s father actually sells bread to Callis for cheaper prizes, but don’t tell the elders, shhh

- Anyway, because her mom was gone so early, Nicola was raised by her dad, brothers and by the employees (mostly men, as I don’t think it was all that common for women to work jobs in Galvadon) of her father’s pub. Due to being a girl, most guys weren’t willing to befriend her (sexism, am I right), but because she was a tomboy she had difficulty bonding with the other girls at school, even when they weren’t outright hostile (cof cof Sophie).

- Example: she and Belle had a tentative bond over their love of cooking, but often ran out of things to talk about and the conversation fell flat.

- Which is how she ends up befriending Hunter.

- Hunter is the only boy in a family of many girls and his father works all day. He has a good heart and is rather emotional, but he always feels like he has something to prove, which leads him to being rather impulsive. Both Nicola and Hunter love sports and are very competitive people. Once Nicola gains his respect, he feels very protective of her and often feels the need to stand up for her, even if she doesn’t need it.

- Nicola knows Hunter feels overlooked in his family, so she is always inviting him over and taking care of him, keeping him out of trouble. Her father begins to see him as his own son, and soon he spends more time at Nicola’s house than at his own.

- Everyone thinks they’ll get married some day. His sisters tease him mercilessly about it, and so does Nic’s father, but frankly, Nic and Hunter see each other as family.

- You can bet Hunter is the one teaching Nic about periods after asking his sisters, so she wouldn’t have to suffer with Galvadon’s horrid Sex Ed. (go check the Callis headcanon’s okay, give me clout, that it my favorite post I’ve ever made)

- They tried to kiss once. Nicola vomited and Hunter gaged.

- Hunter is Nicola’s number one supporter and fan, 100% had those gender-equality pins she made for her campaigns all over his bags and jackets.

- Since most wedding matches are arranged by the elders before girls even graduate, it was settled that Nic and Hunter would get married to each other and then inherit the pub. It would of course, be a secretly platonic match and they would suspiciously have no children (Nicola even had a plan to visit Callis to get a potion for infertility, just in case the elders wanted to check on her... okay, I’ll stop).

- Hunter doesn’t tell her, but Nicola knows he wants to marry for love and have a family of his own. She tries to talk him out of marrying her, but he insists that he would be doing it out of love for her, even if not romantic, because Nic didn’t deserve to be matched up with some stranger she barely knows who would no doubt be less tolerant of her more radical views.

- She tells him it’d be fine for him to have a affairs then, but he insists he would never do that to her, because people would talk about Nic if that was the case and her reputation would be ruined.

- The night of Sophie and Agatha kidnapping Nicola tells him she would rather be taken to the School than to stay there and make him live an unhappy life.

- Hunter is horrified (remember, everyone thought going to the school was a fate worse than death) and makes her promise to never treat her life so fickly.

- Sophie and Agatha get taken, come back, but during Tedros’ reign of terror in Galvadon, right before they return to the Woods, Nicola’s father grows very very sick.

- Nic thinks he’s going to die, and she frets, not only because they’re close but also because she can’t inherit the place if she doesn’t marry Hunter. But, well, she sort of always knew, but now that feels very real, she thought she had some more time before that.

- They set a date for the wedding, but thankfully, Tedros and Agatha’s escape ends up causing the ceremony to be delayed.

- By the time the new date is set, there’s no more elders and Stefan is now mayor.

- But just because he is the mayor doesn’t mean the law and the sexism is gone overnight.

- Nic’s father is getting somewhat better, but she is still very worried about him, because of his old age.

- Once SGE starts having applications and has been proved to be, well, somewhat safe, Hunter suggests that Nicola applies, but after the scare that she might lose her father sooner rather than later, she tells him she can’t bring herself to leave him.

- Hunter doesn’t want her to throw her life away, specially now knowing that in the Endless Woods there were people like her and that progress would get there before it ever got to Galvadon

- (He also wants to not marry someone he views as a sister, pls).

- So he files her application in secret.

- Nicola gets accepted, upon Sader’s request and Sophie’s bad luck, into the School For Evil. She and Sophie still don’t get along, the Evil castle rejects her and she gets pushed to Good, becoming an Ever, but she’s only staying until Christmas, because she is worried sick about her father.

- She thinks the application was a plot from her brothers because she doesnt think Hunter would ever betray her trust like that, after she specifically told him she wouldn't go.

- There’s no Hicola, instead, she and Hort become friends and she talks him out of his delusions with Sophie, because as much as Nicola dislikes her, Sophie was a girl too, and deserved to have her feelings respected.

- She also punches Hort into giving up his envy of Tedros and Agatha while at it, because she is just that efficient.

- Everything else up to OTK can be pretty much the same because I can’t remember what happens, other than everytime Nicola is smart girl™, it’s not “because she reads”, but because she is practical.

- Example: on the boat scene where she very pretentiously sasses Agatha for not saying hello to her (canon!Nicola, girl, she just suffered six months of loneliness at Camelot because Tedros shut her out and is now on a quest to save her happy ending, probs didn’t get much sleep, maybe cut her some slack) and then tells her how to sail a boat (despite the fact that there are no boats in Galvadon and I’m sure you can’t just read Peter Pan and learn to sail a boat, unless I did it wrong or something, maybe the storian version comes with a crash course). Here, instead, Nicola presses Hort (who is a pirate’s son) to remember literally anything to help them (therefore making him not completely useless on this quest), and he does and they tell Agatha and she’s like sure and does it.

- Now, in OTK, I literally can’t remember where Nicola was for most of it and I read that book not too long ago, so I’m worried.

- Okay, so, have the Knights Of Eleven actually serve some purpose, include a scene where Tedros and Nicola stress-play rugby and get her some internal conflict.

- Nic now loves this world. She just spent the last few weeks fighting to protect it. She is now a Knight, and she loves the adventures and the new friends she made. Can she really go back to Gavaldon to take care of a pub? Well, she needs to, doesn’t she? That’s what a good daughter would do.

- After Japeth’s execution, Nic goes straight home.

- Her father’s condition is stable, as he is being treated by Hunter and his new wife.

- Oh boy, Hunter has some explaining to do.

- Nicola is furious that he broke her trust, but at the same time, she’s happy he’s happy and well, Hunter what do you have to say for yourself?

- “Damn, Nic, nice armour- ouch, my arm!”

- Apparently, since Nicola was taken, Stefan approved a law for people to be able to leave their inheritance to whomever they wanted. And since Nic was gonna be at the Woods, her father was more than happy to leave it to Hunter. Of course, unless Nicola wanted to stay at Gavaldon.

- Does she? She’s not sure.

- Hunter and Nicola attend the tagatha wedding at Camelot (what, like I wasn’t gonna fix this part?), Hunter is Nic’s plus one.

- There, Hester, Anadil and Dot show her Sader’s note, and ask her, not to become School Master, but to become Dean Of Good, because she would be perfect for the new brand of Good to match Sophie’s Evil. You know, since she is all for gender-equality, good manners, practicality and was particularly good at dealing with Sophie’s bs.

- Since Tedros has the Storian Ring, the pen doesn’t need actual protection, well, not more than it can get from Nic and Sophie.

- Sophie herself insists that Nicola accept the position, not because she doesn’t want to be alone at the school now that Hort and Dovey are dead, no, of course not, since when did Sophie ever need anyone, she was just asking cause… cause Nicola looked lonely. The pretty boy who came with her was not her boyfriend, was he? Sophie was prettier than him anyway. Who needs a boy when they can have her?

- Whether they become a couple or not, I’ll let you decide.

- Bonus: years later, Hunter’s eldest daughter is accepted at the School for Good. Nicola is her godmother, and her favoritism shows.

There, if nothing else, the reason you should be mad about Hunter and the Handbook in general is because this didn’t happen.

#school for good and evil #The School for Good and Evil #nicola of woods beyond #Sophie of Woods Beyond #Hunter of Woods Beyond

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chapters-of-mylife · 5 years

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Frozen Tides by Morgan Rhodes and Michelle Rowen {Book Review}

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GENRES:- Fantasy, Young Adult, Magic, Romance, High Fantasy, Adventure, Fiction, Witches

RATING:- ⭐️⭐️⭐️

———————————————————————————————————– Rebels, royals, and monsters wage war over the Mytican throne in the shocking fourth book of the Falling Kingdoms series, from New York Times bestselling author Morgan Rhodes.

CLEO: Reeling after a bloody showdown in Limeros ending with Amara’s abduction of the water crystal, and a vacancy in the Mytican throne, Princess Cleo must cast aside her feelings and look toward her kingdom with the eyes of a Queen.

MAGNUS: With the kingdom in chaos, Princess Lucia still missing and quite possibly in danger, and a shocking realization about Cleo, the steely prince is once again torn between love and duty, leaving him wondering whether he’s strong enough to rule his people.

LUCIA: The young sorcercess has had her vengeance after the cruel death of her first and only love. Heartbroken and unable to trust anyone, she allies with the awoken Fire god, who also seeks revenge.

JONAS: After escaping death by the skin of his teeth, the defeated rebel—along with a mysterious stranger–leader reunites with Princess Cleo, only to find himself a mere pawn in a dangerous hunt for the elusive Kindred.

KING GAIUS: Abandoned by Melenia and betrayed by his own children, Gaius flees Mytica and sails to Kraeshia, where he attempts to ally with the famously brutal emperor across the Silver Sea. ———————————————————————————————————–

I'm a little bit disappointed with this book! it was awfully long for a book with almost nothing worth noting happening in its first half!

I'm tired actually of all the death that's happing in this book! it somewhat feels like a waste! I'm feeling as if lots of these dying characters were just put in the book just to make more deaths! and that's is just annoying! all these lots of characters and sides and lots of death are only making me feel almost nothing when one of the characters dies which is really a bad thing!

this book had some interesting parts and development and some of this development I was waiting for them to happen for such a long time! but all the twisting and turning is just making me want to scream "finally" in frustration when they finally come! which means I'm already bored and don't feel a great feeling that I should feel when such development happens!

the characters weren't that much good too in this book!

Jonas, I keep saying in the next book he'll be better but each book I'm just as disappointed I don't want to keep my hopes up in case he disappoints me once again!

Cleo and Magnus for the first time I just wanted to get into the book just to smack their heads at one point, good thing they went back to be good or I wouldn't know what to do! I love these two but there was a moment when all I wanted is to scream because of them!

Lucia is just!!! It's starting to feel as if the whole purpose of Lucia is just for the author to make everything more complicated without any regard for what the character represents! Lucia from the beginning was told to be a soft gentle smart and kind princess! but every single action of hers from the beginning seemed like the actions of a spoiled selfish self-centered character to me! Nic too is one of the characters that annoy me!! can't he sees the big picture!! that everything is going to shit and he can't see anything outside of his pitty feelings!!

and lastly WHAT?! what is happening? good thing I have the next book because that end is just WHAT?

I'm sorry for the ranting but I can't see anything past these points right now! —————��—————————————————————————————–

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shirlleycoyle · 3 years

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Everyone Loves Attack on Titan. So Why Does Everyone Hate Attack on Titan?

When the anime Attack on Titan premiered, it was an instant smash hit and quickly became one of the most visible and popular anime series in the world. As time has gone on, though, the anime, manga, and its fandoms have run into issues with the messages in the text itself, which some say is fascist and antisemtitic.

Attack on Titan holds the same cultural space for younger anime fans that a show like Game of Thrones or even a book series like Harry Potter does for people a generation older than them. Its first volume of the manga is still topping the charts on Bookscan 10 years after its release.

"It's hard to overstate how important Attack on Titan is," Geoff Thew, who makes videos about anime on the YouTube channel Mother's Basement, told Motherboard. "It's not just this really good 24 episode action thing. Now it's this full fantasy epic that is coming to its culmination. It's probably the last anime that every anime fan either watched, or had a very strong reason not to watch."

The manga reached its final volume this month, and as fans are saying goodbye to the series, they're also revisiting some uncomfortable, and unresolved conversations about what the story is all about.

When Attack on Titan's anime adaptation came out in the summer of 2012, it was at the beginning of a shift in culture for anime. Prior to that moment, anime wasn't very accessible other than to people well versed in internet piracy, or had enough of a disposable income to buy expensive DVDs if the series they were interested in ended up being licensed in America at all. But by 2012, the world of streaming video had caught up with the world of anime in the west. Crunchyroll, which had begun to air series simultaneously with their schedule in Japan starting in 2008, had already had a hit on its hands that year with Sword Art Online, and Attack on Titan would go even further than that. Attack on Titan would catapult anime into the mainstream in a way few other series have been able to outside of Japan, at least not since Dragon Ball Z and Pokémon would air on cable television in the decades prior.

The premise of Attack on Titan is so enticing that I was completely unsurprised that the show was a smash hit when it premiered. The show takes place in a world where the last of humanity is living in a walled city, surrounded by giant human shaped creatures called Titans who live outside the walls. Titans love to eat humans—not even for sustenance, just for fun—so the people inside the walls live in fear of those walls being breached. In the first episode, they are.

It's one of the best opening episodes of an anime, ever. I remember watching it, and then inviting multiple groups of people over to try to get them to watch it with me too.

Image source: Funimation

The discomfort with the story of Attack on Titan began in earnest when the manga revealed where the Titans come from. When the lead character Eren Yaeger first left home to join the military and fight Titans, his father gave him a key to his basement, saying that he should return to investigate it when it's safe. In the basement there are books that reveal that the outside world isn't uninhabited at all, and that the Eldians, the race to which Eren and his father belong, are being kept in ghettos in a fascist society where they wear armbands to identify themselves amongst their oppressors, the Marleyans.

Although the Eldians are portrayed as being subjugated in the present day, in the past they are presented as oppressors themselves, and for some Eldians, the long term goal of all the Titan nonsense is to create a new world order.

"It should be uncontroversial to say that to a certain degree, Attack on Titan is about fascism because, I mean, they have coded Jewish ghetto," Thew said. "I think, given the resurgence of fascism globally in the real world, you can expect to see elements of that seeping into popular culture."

To some fans, it all feels a little too close to the broad arc of most antisemitic conspiracy theories, which say that the Jews rule the world through an ancient conspiracy. In some variations of the theory, Jewish people already secretly run the world government, just like the Eldian Tybur family does in Marley, where they live as honorary Marleyans and secretly control the other noble families. This aspect of the series has made other parts of Attack on Titan stand out, especially the character of Dot Pixis. According to the artist and writer of the series, Hajime Isamaya, Pixis, a military general in Attack on Titan, was inspired by real world World War II general Akiyama Yoshifuru, who is considered a hero in Japan, but also has committed war crimes against China and Korea.

These themes have been pointed out before, with some even saying that the work itself is fascist and antisemetic. While Attack on Titan boasts a huge audience, it also has a noted and vocal right wing fanbase as well; the New Republic even called it “the Alt-Right’s Favorite Manga.”

Image source: Funimation

Trying to understand the line between the allegory that the manga’s creator Hajime Isayama is playing with and his own personal beliefs is where anime fans have gotten themselves tangled up. If you search "Attack on Titan antisemitism" on Google, the first three results are articles discussing the show's fascist themes. Also on the first page of results is the rant of a frustrated fan on Reddit, complaining about people on Twitter shitting on their favorite show.

The question, then, as the series wraps up, is figuring out how to engage with it, and figuring out whether a show can deal with fascistic themes in the way it does without being fascistic and antisemitic itself. The manga’s creator Hajime Isayama, for his part, told the New Republic that he didn’t want to weigh in on the controversy, stating that “Being a writer, I believe it is impolite to instruct your readers the way of how to read your story.”

A big, recurring controversy in the fandom is figuring out how to discuss or even deal with these issues at all.

As a show, Attack on Titan has taken a position of reverence among anime fans. Even if you don't currently watch the show, or read the manga on which it is based, you've at least seen the iconography from the show, especially its military insignia, in the wild. For a lot of people this was their first anime, and their first introduction to a genre of fiction they love. It's the position that makes it uniquely difficult to criticize. In the case of Attack on Titan, not being able to discuss the issues in its fiction has led to a long simmering, never resolved conflict within the fandom itself.

At first glance, it would be easy just to dismiss Attack on Titan as being unambiguously pro-fascist. The anime plays into the militarism at the heart of the story; the show's first theme, a certified banger and classic meme, opens on the lyric "Are you prey? No, we are the hunters," sung in German.

"It’s important to note that the use of fascistic, war, or even Nazi imagery is not necessarily an endorsement of these ideas or regimes, as strange as it may sound," Joe Yang, who makes videos about anime at the YouTube channel Pause and Select, told Motherboard.

Both Yang and Brian Ruh, author of Stray Dog of Anime: The Films of Mamoru Oshii, suggested that multiple anime and manga series at least seemingly try to separate fascist iconography from the acts the horrifying regime committed. Whether they succeed—and whether this is even possible—is another question altogether. Yang noted that one of Isayama’s biggest influences is a visual novel called MuvLuv and its anime adaptation Schwarzesmarken, whose storyline includes an alternate universe German state that uses fascist imagery in its uniforms and also features a fictional version of the Stasi as characters.

"If you look up Schwarzesmarken and Muv-Luv Alternative, you can find images that are heavily reminiscent of the imagery you’d see in Attack on Titan," Yang said.

Image source: Funimation

Ruh cited the forward to one of Japanese critic Eiji Otsuka's books, Debating Otaku in Contemporary Japan. Otsuka writes, "Why do [anime fans] feel that the war machines of Nazi Germany are 'beautiful'? In Japan, as compared to the West, there is a tendency to detatch criticism of Nazism and the Holocaust from the cultural items that they brought about."

"In this way, when something like Attack on Titan makes historical references it may not be with the intent to evoke a full comparison," Ruh said. "Whether it's wise or responsible for a popular artist with a global reach to play with history in such a manner is another matter entirely."

It should not be controversial to suggest that Attack on Titan includes fascist and antisemitic themes. What the fanbase and critics must grapple with is how to talk about them and whether the show is actively causing damage.

Thew told Motherboard that he hadn't totally caught up on Attack on Titan because he was kind of dreading unpacking its controversial politics, especially on his channel. Part of it is because talking about Attack on Titan and its relationship to fascism is so complicated. Another part of it is because the fandom has, by this point, dug in its heels.

"It's because this conversation keeps happening, but it's also not," Thew said. "There's some really good criticism of Attack on Titan, and I think it's important to criticize it, but a lot of people come at it strong and condemn it. That does as much to kill the conversation as people being like, 'shut the up about politics,' because it reinforces the argument that people are just trying to cancel this good show that you like for flimsy reasons."

Image source: Funimation

For a long time, anime fans had no way of knowing what their favorite writers and artists even looked like, let alone what they thought about the world. Because anime was, until recently, a niche culture, and one that has occasionally been unfairly maligned for being pornographic and violent, anime fans in general have avoided talking about the politics of their favorite shows.

"Some Anglophone and American anime fans say that politics in anime is too foreign to comprehend, I think that's a minority position. A lot more people these days seem to have some accurate knowledge about sociocultural politics in Japan, but in my experience they're equally likely to combine a dollop of knowledge about current circumstances in Japan with their own preconceptions about Japan and Japanese society," Andrea Horbinski, an independent scholar with a doctorate in new media studies and history, told Motherboard. "Ironically, while it's never been easier to access cultural and political discussions directly from Japan thanks to the internet, relying on their own preconceptions and only taking on board information that supports them definitely does keep anime fans in this position from appreciating the range of views in anime generally."

This doesn't just affect how fans view shows like Attack on Titan, but also how some anime fans might view shows that deal with feminist themes or LGBT content. According to Horbinski, some right wing fans of anime insist that certain kinds of political themes must be imported from western culture.

"[These fans] insist that feminism and trans people don't exist in Japan and that any anime depicting either is 'woke garbage' or similar. These fans are extremely angry at attempts to discuss the depiction of female characters in anime as something that could often use improvement, or the inclusion of trans characters period." Horbinski said. "They may cite 'evidence' to support their views that is wholly out of context, or they may just insist that their views about Japan are correct because they're correct. Attempts by Japanese feminists and LGBTQ activists to provide corrective information online do not go down well, particularly on Twitter."

Image source: Funimation

Given the global reach of shows like Attack on Titan, framing anime as something that is not, or should not, be influenced by culture outside of Japan doesn't make much sense.

"Anime does come from Japan, but it’s been a global medium for a very long time," Yang said. "The problem with understanding anime as a distinctly Japanese media with Japanese politics is that it makes very specific claims about Japaneseness, that it is only Japanese, that it is only the Japanese who can understand this, and that this somehow absolves the text of its messages."

Shutting down conversation about the inspirations for Attack on Titan, its themes, and how fascist imagery is used, and whether it enhances the story to use it in the way that Isamaya does, means that gaining deeper meaning from the text just stops being possible.

Given its popularity, Attack on Titan clearly resonates with the people who live here beyond just fans of anime who are deeply enmeshed in its culture. The attitudes that some fans of the show have about Japanese culture and its politics have been predominant in the fandom so far, but Attack on Titan is so much bigger than just an anime. It's a sign that anime's space in broader mainstream culture is changing. Maybe it's time for anime fans to put away old ideas about how to read and interpret this text, ideas about Japan just being too foreign to understand. Clearly, hundreds of thousands of Americans have watched Attack on Titan and seen something that they relate to.

"I think it does hold anime fans back, because aside from veering pretty close to Orientalism, it also arms them with excuses on why they don’t need to seriously grapple with the messages that certain texts can convey," Yang said. "If someone presumes a text is sexist simply because 'that’s how Japan is, you wouldn’t get it' not only does it ignore some of the subcultural connotations or history imbued in these signs, but it also speaks volumes about that utterer’s beliefs about an Othered, 'far off' Japan."

Everyone Loves Attack on Titan. So Why Does Everyone Hate Attack on Titan? syndicated from https://triviaqaweb.wordpress.com/feed/

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pelikinesis · 6 years

Text

warning: this was a casual review of the movie Outcast, until it wasn’t (and then it kept going)

i just watched Outcast, because it was free on Tubitv and because it had Nicolas Cage and Hayden Christensen on top billing. the fact that it was supposed to be set in 12th century China was even more baffling, and probably racist. it has a 5% on Rotten Tomatoes. but...

but i had to know. i had to see this for myself. so i did.

and now that i have, i’m puzzled as to what exactly they were going for.

amongst other things, they literally forget about one character. there’s a random peasant girl, and i say that because that’s how she was first introduced, and given that she has virtually no other scenes and does literally nothing of significance, she’s still just a random peasant girl by the end of the movie.

the only thing she contributes is that, by rescuing her, Hayden Christensen’s PTSD Crusade veteran can be reminded he’s redeemable. she interacts maybe once with each main character afterwards in short, terse scenes. tomorrow i’ll wake up, remember watching Outcast, and struggle with my own memory on if there was a fourth character in that movie and call bullshit on myself. that might even be the main point of writing this, to prove it wasn’t a completely mundane embellishment on my part.

and i start off mentioning that, because it’s the only way to explain how Nicolas Cage is in a movie where he’s missing an eye, sports the most improbable and jarring hairstyle yet, and at one point wears live snakes on his arms while yelling in incomprehensible angrish at Hayden Christensen who is in a fever dream, and yet i have to remind myself of those details because his character is somehow forgettable.

and i may be biased, but i imagine it has to do with how little he is in the movie. I’d be surprised if he were in more than 30 minutes of the entire movie. he’s there in the prologue, appears in a handful of flashbacks, then shows up at the end to have a dramatic Boromir-esque final stand shortly after telling his whole “here’s what i was up to between the beginning of the movie and now, it’s very tragic, let me tell you, in words, in expository dialogue, in this incredibly visual medium, what happened to me and why you should care”

another thing i’m going to remember tomorrow is Nic Cage’s shockingly mediocre rousing speech to his troops ala King Theoden at Helm’s Deep (the LotR references are apt in the worst way, trust me), because no such thing happened, and yet it needed to, for the climactic battle of traitorous Blackguard vs. Nic Cage’s wacky mountain bandits. because otherwise, the mountain bandits have no incentive to risk their lives for the falsely-framed prince--it’s been established multiple times that no other group, not the palace guards, nor town inhabitants, nor merchant caravans from the Middle East, were willing to fight on behalf of the true heir to the throne against the patricidal tyrant prince.

but no such speech happened. there’s an incredibly bitter reunion between the two white Crusade veterans where they clear up a minor misunderstanding, become friends, and then suddenly not only Nic Cage but his entire mountain bandit gang are down to fight against impossible odds against the best soldiers of the empire. at the very least they needed a scene where they somehow agreed they were going to do this thing, but they didn’t even go through the motions.

i was actually confused when i saw them starting to collectively mess with jars and powder and stuff. i thought they might be deciding to flee or something, and then i was wondering if i must have misheard or misinterpreted the past several minutes of dialogue. What was their plan, exactly? I understand why it had to be a last, desperate stand with no possible escape routes (hence the Helm’s Deep reference)--because the prologue of the movie had to have a call-back at the end, with the turntables bieng turned. very poetic, yes.

but there’s no indication that this battle has to happen. They’re deep in the mountains. They’re being harried by a force of fully armed and heavily armored infantry. They had to cross a large river and were only seen getting across in a series of thin, canoe-like boats. there’s every indication that the main characters, aside from Anakin, had time to come up with a plan beside “last stand against hopeless odds” because while i can buy some of the Blackguard catching up to their general area, it couldn’t be the entire overwhelming force presented in the climactic battle.

on the other hand, if in fact several days or even weeks had passed and Anakin was unconscious for the whole time, as opposed to at most a day as all clues indicate, then Nic Cage would have asked the royal siblings and maybe even Random Peasant Girl what the hell was going on, and could have made preparations for escape well before the Blackguard could have arrived in force.

come to think of it, they basically started off a set of character arcs and only like one or two got resolved, namely between Anakin and Chinese Padme. i mean, the character is literally a princess so this analogy actually works. also, the actress clearly was doing the best she could with the script, much like Natalie Portman. it was the most okay thing about the movie. she even gets a feminist speech in on Anakin, though unfortunately his reaction scene is very rushed.

so i’ll always be in favor of gratuitous feminist speeches, as opposed to gratuitous sexist speeches, when it comes to both fiction and real life, and even though it seems rather bold for a 12th century Chinese princess to tell off a white Christian crusader about how the horrors of war also affect women, interrupting his guilt-ridden man-pain pity party at a perfect moment. and he pauses and then says ‘u rite’ which would be fine if the camera didn’t end the scene with a very short shot of his face turned away from the camera. should have been right on him shoving his foot knee-deep into his own mouth. for symbolism.

and when i say it’s gratuitous, i do believe that’s mostly a function of that scene ending so quickly. if that scene continued, it could have gone somewhere interesting, even flowed into their obvious romantic arc.

finally, the whole concept of a movie about white European crusaders finding themselves caught up in a royal coup in Song Dynasty-era China (unless i’m doing history wrong, which is very possible) after being disillusioned and traumatized by their war experiences in Jerusalem--that’s not a bad concept.

the prospect of following a character who started off galvanized by genuine religious fervor, to struggling with the reality that the Crusades, like the majority of other wars, is about greed and power, then ended up complicit in war crimes and massacres just by doing their job as soldiers and holy duty as Christians--as they go from that to becoming embroiled in the bloodshed of royal succession, that’s a jarring-ass thing. they’re completely difference worlds in every meaningful sense.

but the fact is, the writing isn’t very good, at least not in the state it was clearly cut into, and furthermore, the above concept would only be sufficiently meaningful if the film was done with a Chinese language, where Hayden Christensen and Nicolas Cage do their dialogue in the language of the setting the film is set in. there’s absolutely no way that subtext could be earned when it’s the presence of the two top-billed white males as part of the rationale for a film that was filmed in, set in, and made most of its money in China to have English be the spoken language.

and that’s super annoying because i hate the fact that I have to read the synopsis of a movie like Outcast and be correct in assuming there’s something racist about--because there didn’t have to be. this could have been--no, there COULD BE films featuring multicultural casts of characters set in the distant past that aren’t racist, or pandering, or whatever. i wish i didn’t need the skepticism that i have to that idea.

the whole prospect of different people from different places in the world suddenly cross paths, at a time when the world was so comparatively disconnected it was effectively much larger, and living in different empires were essentially living in different worlds, is always interesting to me, precisely because i’m so bad at history. Just looking at the wikipedia page for my birth year to see what events occurred at the same time i debuted my life, it’s overwhelming.

in 1989 the Showa era gave way to the Heisei era in Japan, a distinction i really only understand in the context of Kamen Rider; Ted Bundy was executed in Florida; the nation of Iran placed a $3 million bounty on Salman Rushdie for authoring The Satanic Verses; Exxon spilled 240,000 barrels of oil into the waters around Alaska; there were the Tiananmen Square protests; the Game Boy was released; The Berlin Wall is torn down; The Velvet Revolution begins in Prague; Salvadore Dali and Lucille Ball both died that year.

one thing that struck me is how simultaneously few and many names there are in the births and deaths lists. the pattern that emerges from these lists is on the one hand, unsurprising, but on the other, infuriating in a way. performers and politicians populate these lists. everyone else becomes relegated to memory. just like Random Peasant Girl. i could imagine a writer gave her a couple more scenes that would have made her a meaningful character in the movie. and those scenes got deleted, and her story doesn’t make it into the film that people saw.

i just realized how far this has gone from what was originally a review or rant of Outcast. I’ve been watching a lot of video essays recently, most of which are about video game franchises. they’re really well done, at least the one’s I’ve seen. Off of the top of my head I remember the name Noah Caldwell-Gervais, or something like that. Cadwell, maybe. I’d check, but then I’d probably keep writing, at least until the weed wears off completely.

it’s weird how listening and watching essays makes me miss writing/composing essays, giving speeches, and all that. or maybe it’s just weird how i like doing that sort of thing. or how i’m really impressionable. or maybe Outcast was weird.

Outcast *is* weird. I also hope that we’re reaching the tail end of the ongoing film industry convention of giving movies really bland, generic names. Outcast. Jumper. Shooter. mmm, no, i should take back that last point. i’d have to look at more lists of movies to see whether this is just confirmation bias or actually a thing. Jumper and SHooter are way older movies too i think. anyways, i hope that we’re reaching the tail end of a lot of things that are currently ongoing. like white supremacy and continuing to permit systems of governance that permit and entrench white supremacy and other bullshit.

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