Gojo and Geto with bad bitch Chubby Reader
Guys, I tried to avoid being a Gojo stan...I tried so hard to hate him...but the pull was too strong. He got my ass. He's too silly. He's too cute the little shit. He's too perfect. Geto's great too before he lost his shit and went psycho the two are just too great to pass up.
2024 WILL BE THE YEAR THAT I GET YOU BITCHES TO PREACH STRONG, CONFIDENT, INDEPENDENT but not too independent bc these men are still yummy af CHUBBY READER! No longer will I be insecure about my weight because these men LOVE to see me coming AND going, I can tell you that.
WARNING: Fatphobia (happens when first meeting Gojo & Geto—they’re teens trying to bully Reader, but she handles herself because they’re idiots), A little angst with the small amount of bullying but I hope I made up for it, Cursing
✧༺♥༻✧
Imagine you, Gojo, Geto, and Shoko being classmates and friends during their schooling at Jujutsu High. All of you are powerful threats not to be taken lightly. The boys were undoubtedly freaks of nature with how strong they were—though, you had doubled over laughing alongside Shoko a couple of times when you heard them deem themselves "the strongest duo", as if they were some cool loner wolf types. Shoko was a master in the medicinal field; she made any injury look like a breeze to clean. She'd stitch them up no problem with her cursed energy and send them merrily on their way with a swift kick to their backside.
You definitely have more proficiency with cursed energy usage for combat more so than healing, but you could manage healing yourself just fine. You’d been born into a clan, not as highly revered as the Zenin or Gojo clans but still notable, so you’ve been taught from an early age how to wield cursed energy. Sacrificing yourself for the greater good of the world has been drilled into your head since birth, and you agreed with it. The world’s innocence needs to be protected from the cursed dangers life creates. Sure, there are bad people in the world, but the good people make life worth living. At least, that’s what you choose to believe.
While you’re just a normal—aside from the slight infinite power and jaw-dropping strength—girl, you are different in one more physical way. You’re chubbier than most, and not by a small bit.
Are you insecure about it?
Hell fucking no!
You’re a bad bitch. Fantastic face, banging body, stunning smile, bright eyes, a kind but strong heart, and even a cute butt to top it off. You knew this world inside out with how cruel it could be to plus sized folk, and while you took the beating for far too long without fighting back, you took a couple of steps back a few years ago to look at the situation. Why let people push you around like you didn’t matter? Why let them speak to you like you’re lesser than them simply because you weigh more? You were done being talked to like you were filth underneath their boots.
Since that new perspective, you’ve chosen the road of self love and hands rated E for everyone. You’re kind and sweet to those who reciprocate the respect. To those who try you, you beat their asses with a smile. “Education on Human Decency” is what you’ve begun to call the smackdowns since many want to try casting judgment in snide remarks or sneering looks. They can try these hands instead :)
That’s where Jujutsu High and the headaches you know as Gojo Satoru and Geto Suguru fit into this philosophy of yours.
You were homeschooled by your clan in the first year of your sorcery high school. Though, after much begging for a change of scenery and yearning for social interactions other than your family and neighbors, they allowed you to go to a high school centered on jujutsu sorcery the next school year.
When you started Jujutsu High in your second year, that is where you met Shoko, Gojo, and Geto, your classmates. The first thought to cross your mind was how small this crowd was. Sure, it wasn’t like the classes you’ve had before had many students in them either; the world of curses and cursed energy wasn’t exactly a booming population to start with, especially when every year is the same class roster composed of the few brothers and sisters you had. Considering that, three new faces was much better than before! You introduced yourself with a joyful tone and an eager handshake.
You started with Shoko since she was the only other girl. You’re glad you did. Shoko, who you originally thought would be tricky to get along with since she gave off “rebel” vibes with that unlit cigarette dangling from her lips and you were nothing of the sort, held a grin and took your handshake with grace. She told you she liked your spunk, that it was nice to be around another girl rather than more stinking boys. You agreed with her with a relieved sigh. You two shared a laugh and chatted some more, each of you discussing your thoughts of the school and figuring out your mutual interests.
Soon enough, you were interrupted by someone giving a very noticeable and forced cough behind you. You turned and were met with two boys, one with jet black hair and a sly grin and the other one with silvery moonlight colored strands sharing the same expression hidden behind circular sunglasses. The white haired boy was leaning heavily on the black haired boy with one arm propped on his shoulder as the black-haired boy crossed his arms in front of himself. Seems like the two are close. No matter.
You stuck your hand out, another smile—admittedly, this one was a little more forced than the one you shared with Shoko—and gave your name. Suguru was the first to bite. He grabbed your hand with a smooth, warm grip, and exchanged his name. His shake felt sincere, though the cunning smirk still laid on his lips.
You tried to shake the other boy’s hand after letting Suguru go, but he decided otherwise. He swiftly with no mercy said he wasn’t going to shake hands with the likes of “you”. You raised an eyebrow, already sensing the insult he would try to hurl at you. One thing bullies are is predictable. None of them have any creative bone in their body, they’re like leeches, in a way. Mooching off other clever remarks they’ve heard used before through the Internet or their idiot friends. Though, they alway reproduce it much shitter than the first time they heard it.
He leaned in with a smile and yapped about how if he touches you, some of your fat might rub off on him. Gojo tries to drag Geto into bullying you too by shamelessly asking if Geto is worried that will happen to him now that he’s so brazenly touched you. As much as you wanted Suguru to be his own person, to be better than the loser clinging to him like a koala, he chimed in that while Gojo’s afraid of that, that that could never happen to him. He sneered while looking down at you that he actually has the discipline to keep the weight off. The two of them share an evil snicker together.
Oh, so that’s how they wanna play it.
Okay. You don’t mind showing a bitch their place.
As Shoko pipes up and tells them to shut the hell up, you stop her. You give her a kind smile that says “I love you, but please back the fuck up as I rock these bitches world”. Her eyebrows jump up in surprise, but she gives you a nod. She quiets down.
You choose to laugh with them. They slowly shut their mouths, finding laughing at you not that funny when you don’t crumple under their taunts like they’d expected. You then explain to them that what you find so funny is that punks like them are so easy to read and, subsequently, ruin. You told them they need to find better insults to steal if they wanna cackle like they’re some kind of drunk hyenas and, unless they get more creative, they’re not worth the air they take from others. You turned to walk away, but since you just couldn’t help yourself, you gave the both of them a swift kick to the chest. Unprepared for the action, they both were sent careening back, but remained standing. You also snarkily nagged that being “undisciplined in weight loss” gave you the extra weight to knock their scrawny asses back that far.
Shoko gave you a hearty high five while laughing at them getting what they deserve. Gojo, though baffled at your defiance, is ready to start throwing punches, as he spews half-assed insults left and right. Geto manages to keep his thoughts to himself, but you do note his expression has definitely become sour. This little scrap is swiftly interrupted by your new teacher, Masamichi Yaga, when he enters and orders the class to settle down. He also snuffs Gojo’s babbling tantrum with a merciless smack to his forehead.
You give a small grin stuck your tongue out at the two when Mr. Masamichi turned his back. From then on, it was war.
You, Geto, and Gojo fought constantly in the beginning
When they (mostly Gojo now) tried to stir shit with you, you’d fling their rudeness right back at them
Whether they tried to pick on your weight, or cheery personality, or strength (which they couldn’t make too much fun off since you were only a little less strong than they were, but so was everyone else compared to their insane powers), you were always ready to kick their asses
You didn’t resent them for their teasing, mostly since you had a good head on your shoulders and you know that Gojo’s only deflecting all the shit he hates about himself onto other people, but they sure got on your nerves sometimes
So, you decided soon into your acquaintance with these dopes that instead of simply beating their asses every time they said some wack shit and never correcting the behavior, you’re going put an end to their bullying of based on others appearances
Because, who knows. You have enough self love and confidence to defend yourself against their rude remarks, but not everyone does. What happens if they target other plus sized people who maybe can’t or won’t defend themselves?
So, when they’d try to make fun of you, you’d correct them with sincerity and help them understand why that would hurt to someone
Geto pretty much never made a passing comment like that again towards you. You’re happy to see that change in him
Gojo huffed and puffed after what he called “your lecture”, but you also saw change in him
After that, it was slow progress to all be friends
Shoko and you were doing great! Hanging out outside of school, dragging her along with you to do some window shopping, eating a sit down lunch together, going to the nearest bookstore, grabbing a yummy sweet treat, stargazing—you did it all together!
She always made a fuss that she had “no interest” in what you would force her to do, but you could secretly tell she liked doing girly stuff together. As long as she could have a smoke break in between these hang outs, she was all good
The first time you, Geto, and Gojo made a recovery in your rocky relationship was when they asked if they could come along with the two of you to get a treat together
You were a bit hesitant to share the thing that brings you joy with the two people who tried to make you the butt of the joke, but you threw them bone and agreed
You four walked down the sidewalk, mostly you chit chatting with Shoko, when Gojo butted his way into the conversation at your mention of Kikufuku.
You and him bonded over your mutual love of the delicate, bouncy sweet treat and you watched as his eyes sparkled like a little kid when you said the place you were going to had an excellent Kikufuku
You know, when Gojo isn’t being a menace, he’s actually nice to share a conversation with
Geto teased Gojo for his astounding sweet tooth, and explained to you an embarrassing story of Gojo losing his mind one time when a dog stole one of his dorayaki treats and ran off
You laughed as Gojo tried to hit Geto as payback for sharing the “secret” but Geto fended off his flailing
Maybe I'll come back to this idea one day when I'm not hung up on the bullying. If you guys like this idea, I might continue it with less bullying. I am a baby when it comes to angst lol. I really do love these boys, I just don't think my heart is ready for the subject matter I wrote.
✧༺♥༻✧
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LOL I can imagine for vampire au Lando starting to third wheel Carcar and so even though turning Franco is a complete accident he can’t feel too guilty bc he uses it as an excuse to hang around someone else, and somehow he learns more about vampirism lore through a human grad student than he’s learned in his whole life (he’s lived a long time, lots of info to absorb). Then also, if you don’t mind my ask, what do they all do for jobs/how do they get money and would Franco keep studying ?
HELP this is so cute. ok. norpinto-frando vampire au for those who aren't up to speed...
Lando starting to third wheel Carcar and so even though turning Franco is a complete accident, [Lando] can’t feel too guilty bc he uses it as an excuse to hang around someone else -> screaming cus, absolutely. random associated headcanons for this... i'll rewind a bit:
carlos is the oldest vampire, like, moorish/medieval era. he met lando while they were both at a masquerade ball in the early 1600s and smelled each other right away (carlos like wood and ink, lando like gas lamps and wet stone).
lando is an tudor era vampire. like he actually knew shakespeare and said he was one of the best viral marketers of the era
oscar was turned in the early days of the australian penal colony, he's like first or second generation white australian but he refuses to be called british. he moved in to the house because the rent was cheap and he doesn't feel the need to live extravagantly -- even though he, too, is $$ loaded $$
oscar didn't move in until about two decades ago - very short by vampire standards, to them it feels like yesterday - but carlos and oscar are basically They Were Roommates atp even though they squabble con-stant-ly
their neighbours think they are a new age-y polyam group but because the people who live opposite them are students, nobody ever hangs around longer than a year to remember them or dig deeper
so franco definitely brings a fun funky fresh dynamic
he learns more about vampirism lore through a human grad student than he’s learned in his whole life (he’s lived a long time, lots of info to absorb) -> things that baby vamp!franco teaches lando include
tiktok trends, like how to make ur teeth comically large in photos. lando finds this hilarious
how to use venmo
creating a roster on google docs for who needs to do what house chores
jailbreaking an apple watch so it doesn't read their pulses (they don't have any), but it will remind them of the moon phases and when they might be extra hungry to feed
at one point franco actually puts his academic skills to use and helps lando hunt down some of his family tree, because since lando was turned and it's been so long, he doesn't remember much about them : ( so one of franco's little gifts to lando is helping him trace his heritage
what do they all do for jobs/how do they get money and would Franco keep studying ? -> i love how practical-minded you are. um well let's say this fictional supernatural creatures' market mostly runs on barter trades and goodwill agreements. the entire house sometimes just gets lazy tbh so lando or carlos will just dig into one of the old chests of random shit and pull out an antique and go: "do we think this is worth anything?" then they take it to an antiques dealer who is also a mage (alex albon) and there is a 1 in 25 chance that the antique is actually is worth something, so that bankrolls them for another half a year or whatever.
carlos makes a lot of noise about being "an art dealer" just because he sold a goya painting to a museum once.
oscar is a man of industry, of the "newer" world (australia) etc etc so he spent the 80s and 90s learning C++ and Java and Python so he legit just codes for a living. or when he feels like it. oscar has helped launch at least a dozen startups under various pseudonyms and one of them is even a blue chip company by now. he doesn't do it for money tho. he just does it cus he likes a challenge, and otherwise fights with carlos too much. when he isn't coding he likes to tinker and fix things just for fun. like, he legit knows how to fix a boiler and stuff. his familiar is definitely a grumpy orange neighbourhood cat.
franco keeps studying!! he is such a nerd that he's like "i can totally learn everything about anything now, and i could in theory do like 20 masters degrees, and nobody can stop me"!! then lando is like, "well you might get bored of it after a while or burn out". but franco insists he will not. in fact with his enhanced neurological abilities he goes on an academic bender trying to fast forward through an entire harvard's undergrad degree's worth of material in a week, and he ends up faceplanting on his desk. and then poor lando has to go and find a fresh chicken or something to kill and revive franco 'cus franco wore himself out too fast being a bb vampire with accelerated mind powers.
franco promises never to do that again (but of course he will continue to do it once in a while, and everyone still looks after him in his lil study hangovers because he is so very nice. also he taught them how to use venmo.)
and. one time. franco is like. "i can't find this rare sonnet do you know what library i could maybe locate it in" and lando is like "wait i know that one" and pulls out an honest to god original copy that he at some point got laminated in the early 80s. and franco is like. "um i think this should be in a museum??" and lando is like "yeah but i gave them a copy of this, cus i spilled ink on the corner of this in 1603 after a really good night out" and franco is like "???? ok ????"
then lando swans off to moodily stare at the moon or some shit.
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Fenglian week Day 3&4: Day + Unspoken - AU where feng xin finds xie lian in the mortal realm as nan feng and keeps his identity secret, thinking that xie lian doesn't want to see him anymore. xie lian falls for him again without realizing who he is, until he does.
remember to check out @fenglianweek to see everyone's beautiful works!!
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is this your card? ♦️♣️♥️♠️
it isnt but you dont wanna hurt his feelings
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okay, bc i have seen this argument alot now (and it also seems to be the view point of aonuma himself..) is that "zelda cant do everything link does bc whats the point then"
and i take personal offense on that bc its a stupid argument (in. my. very. personal. opinion.- not judging people for liking it. its a ME thing)
whats the point? its that its her.
its still a different character, different in story, background, personality, but i WANT to play zelda and she can do everything link does, why does she have to be so restricted and be bend over backwards to find some new way to make her 'useful' when link gets to do basically everything no questions asked (the only thing thats hers is like .. sealing power and sacrificial maiden, which i find a little underwhelming to say the least), if theres no point to it why are there always modders that model swap link with someone else, and in that case it has even less impact bc its an artificial model swap with no changes to the story (which can and should still be different when its the vanilla game with a different protagonist... its still a different character), clearly theres joy in just the model being a different one- and that isnt even to mention the story possibilities, since, again, its stil a different character
if we ever (never ... i know who we are talking about here) get to play as ganondorf i want to him to be just as versatile and active as link is, if we got a point and click adventure game for him instead bc 'whats the point' id be disappointed too- you can find any sort of excuse/explanation for zelda to be singled out but the fact remains it tracks with how female characters are often treated, and that hits a very sore spot for me
i guess i am unfortunately one of those annoying people that want to see female characters be treated exactly the same as male characters, possibly bc i am myself afab but identify as agender and have a deeply personal dislike for anything 'traditional' feminine bc i cannot and never will be able to truly live as myself in real life, it influences all of my work, my work is as just as much as my opinion on this, very personal
and in line with my point about modding, i see theres joy in just beign able to play as her even if its like this, i get that, i also get it for the creative aspect (though that mechanic worries me even more for the future bc it really seems to be the path now that -freedom = good, linear anything = bad-) it is a different idea and its not like i cant see that value-
im not trying be "right" either, just bc i have that opinion doesnt mean i need everyone to agree, its a very personal thing, if you like it good for you! not for me though, and i think both of that is equally valid
i just personally wish she was allowed to be just like link, fight just like him but be different bc its still her and not him in the end- to be physically/playstyle like jsut like him, but you know ... as her, i dont think shed stop being zelda if she could wield a sword just like him
i dont really know how to get my point/feelings across, i dont want to step too much into personal stuff nor spam people with something that ultimately doesnt interest me alot, im just saddened by it really
(EDIT: bc i forgot to add this on here again; this isnt as much of a problem as it might sound like here, just the main topic i wanted to talk about; why im so uninterested in it is MAINLY bc i dont trust them to write anything interesting/care about lore anymore after totk, im always on the more pessimistic side that thinks its most likely worse than id hope and i know even the past games arent perfect or super interestingly written, but now its much more just a general distrust, together with everything like the price ... im just much less hopeful and cant get excited until i see more of it, like im waiting for the game to get out and reveal that its just as much of a mess and money i regret spending- kind of fear)
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couple of mello + near doodles
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I've only now noticed Eva Yan's scars on your drawings of her, is there any story or headcanon behind them?
keeping it real babygirl [gender neutral] the story is that this woman canonically kills herself, canonically contemplates suicide, quite explicitly mentioning the method she intents on using to you (with implications that she has, at the very least, thought about it/thought it through before), and lives with broken mirrors so she cannot (/doesn't have to) see her face like i just think She Is Mentally Unwell. like as a long-term, enduring, persistent thing, She Is Mentally Unwell and the plague is just worsening her condition, while it didn't cause it. the storey/headcanon is that she is mentally ill, openly and canonically has self-destructive tendencies, so. the scars are here because she lives with a lil something something in her mind which drives her to plenty of destructive acts in ways big and small. ywkim
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★ | * ⋆ - - - – INBOX ! * ﹡
﹡ ✧ * ☇ ( @nocentis ! )
Suddenly, the walls feel like they’re [ closing ] on him – and Jellal is suddenly much, much too aware of the GRIDS OF METAL that surround him - them.
He feels trapped.
Not by any binding, nor by any cuffs - but by an all too familiar gaze of hazel.
.
Ever since his identity had been ( accidentally ) revealed, the children’s behavior toward him changed drastically - and UNDERSTANDABLY. His disguise was one of their jailers’, but his face is the one of a friend ; ( regardless of how the years had changed it. )
And while his heart fills with fondness at the way Millianna and Sho run to hug his leg & at the awe in Erza’s eyes, it is not enough to dissipate his apprehension. Looking at his younger self has been harder ever since. Jellal knows the child has questions – can SEE IT in his body language, FEEL IT in the weight of his stare, and HEAR IT in his voice. && To these inquiries, he has no wish to answer.
But the ghosts of the past have never failed to catch up to him.
WHY WOULD THIS TIME BE ANY DIFFERENT ?
.
He gets cornered at the end of his “mission”, once the dust has settled back down. When the threat is no more, and they can all breathe a little easier.
While checking up on the wounded - taking advantage of the first aid supplies he always carries and knows are scarce within these walls -
He feels a shy tug at his cloak, and turns around to cobalt strands, a familiar marking, and a [ request to talk ].
Right there and then, he knows he cannot run from this anymore.
Alas, even though the Heavenly Body mage had started preparing, as much as he could have, for this discussion to occur - this was him, this had been him, he should know better than anyone what he could ask . . . and yet,
he still finds himself at a LOSS FOR WORDS.
" … "
What is he supposed to say ?
He swallows thickly. His tongue feels HEAVY in his mouth, burdened with the knowledge of the last decades. He knows that child is DOOMED ; from the peek he had gotten in the office, it was only a matter of weeks… days even, perhaps.
These eyes – HEAVENS, he was so small; pale skin upon frail bones, muscles built from years of labor and stolen childhood. He looks so fragile, but his eyes, despite it all, burn alight with a ferocious SPARK ; one that has not shone in his own gaze for a very, very long time.
His fingers crackle with starlight. He tastes an anger the likes of which is foreign to him – old, bygone. He feels an urge to defy the flow of time - to let the stars bring JUDGMENT upon this wretched island, sending this ATROCITY of a R-system crumbling to the ground, and take him - take them, all these poor innocent children, so so very far away from here. & yet he cannot ;
Why here ? Why now ? Why him ?
What is he doing here ?
Memories of this time are nothing more than movie sequences in his head now, decades later ; so far away, so distant. This part of him has been laid to rest alongside the WICKEDNESS of his teenage years, and both only ever come back to haunt him as a form of torture. As a result, this child was no more than an ACQUAINTANCE, a figure erased by time, wrath, grief and BLOOD.
But being there, quite literally face to face with his past - it all comes back to him. Flashes triggered by the long-gone architecture of these walls, by the stench of rot sitting heavily across the perimeter, by the crackles of electricity, the whirring of heavy machinery & the haunting sound of children sobbing a few cells further - quietly, by fear of being whipped into silence –
He now remembers being that boy. Forcing a smile every single day of his life, for the sake of the young who looked up to him. He would tell stories upon stories, wiping tears while holding his own grief tight on a leash. ( because those stories had been his brother’s, and his mother’s, and the village elder’s, && they had starred his cousin, his neighbor, the shop clerk and the fishermen – and all these people were DEAD, by now BONES buried underneath stone and charred wood and ash. )
... What was HE doing here ?
He thinks he’s struck by all five stages of grief simultaneously.The thoughts crossing his head are a blur. He feels dizzy, knees one gust of wind away from buckling.
Blaming yourself for your own weaknesses is easier when you don’t have the 11 years old version of yourself standing before you.
Looking into your eyes with – one last sliver of hope.
––– How could he ever put the blame of his anger upon him?
HE WAS A CHILD.
He was a child.
( It hits him all at once. )
.
He knows the intricacies of time travel. He knows he doesn’t remember going through this. He knows his younger self will not walk away with an answer, nor with a solution. This is Fiorean history – and it is set in stone.
That doesn’t mean he wants to LIE to him.
( Not when he’s been standing wordlessly for this long. Not when he has let silence stretch so far. Not when the tiny, fragile version of himself is catching on to what it means.
Perhaps, if he’d been quicker, it could have been an option. )
.
And so Jellal does the only thing that, amongst all the possibilities offered to him, feels undoubtedly, irrevocably right.
He closes the distance between them with a few steps and crouches down to meet himself at eye-level. Looks – really looks at him, commits every detail to memory. From the slope of his nose to the tangled, soiled strands of blue decorating from his head ; from to the fainter scars he still sports to the swirls of angry red framing his eyes, pools of sage & amber in his irises. And then he reaches out, wraps his arms around the scrawny frame and gathers him slowly, carefully, in a hug.
He hides him in the crook of his shoulder; gives him a shelter, an adult, where the hastily-built foundations of his mask of strength can crack, if he so wishes.
He lets him be a child once again.
――――― Just for a moment.
.
━━━ ━━ ━ ╸╺ . * ✰
“ is all this countless suffering for my own good? ”
.
Later on, shortly after finding his way back in the present, Jellal will ponder this further. The Heavenly Body mage will stand on a beach, amongst speckles of sand, and watch the sun gradually DISAPPEAR beyond the vast sea that once held him
[ hostage ] ― painting the sky in shades akin to the burning fire that took everything away from him.
He will think of his younger self - so far away in time, yet now so close in memory.
He will close his eyes,
push open the door to his history,
rush past the whispers and shadows crawling its walls,
and find that child still within him.
He will dig him out from the grave he was buried within, and he will give him his SIGHT - his HEARING - his TASTE - his EVERYTHING.
He will let himself feel breeze upon his skin, breathe in the smell of sea salt, taste the freedom of a boundless life.
And when his eyes open again,
he will gaze upon that landscape, && he will find it beautiful.
.
✔ ― ACCEPTING
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When it comes to hygiene tasks and self care with disability and chronic illness, its pretty much a constant case of: don't let perfect be the enemy of the good.
Basically: it's better to do something, than to do nothing at all.
TLDR: Just because you can't do something "properly" doesn't mean you shouldn't do it at all. Do it half-way. Do it shitty. Do it barely. Do it on a technicality. But do what you can. Just try, because doing something will help you.
If you don't have the energy to scrub your body with a sponge, just rub soap over your skin with your hands.
If you don't have the energy to wash your whole body with soap, just hit the places where sweat accumulates, or where you're smelliest.
If you don't have the energy to wash with soap AT ALL, just sitting in water is better than nothing. It will wash away dirt and oils.
If you can't bathe or shower at all, a warm wash cloth is your new best friend. If that's too much, then try bath wipes. They're a bit bigger than regular wet wipes, and a bit more heavy duty. They're designed to help keep bed ridden patients clean in hospitals.
If you don't have the energy to dry yourself after a bath or a shower, just put on a bathrobe and get into bed. If you don't have the energy to get dressed afterwards, just don't. It can wait until you can.
If you don't have energy to brush your teeth for two minutes, honestly, just a cursory scrub is better than not doing anything.
If you can't brush your teeth twice a day, brush in the evenings. It will help take away the build up of food from the day.
If you don't have the energy to brush AT ALL, honestly, just take a cloth and wipe the plaque off your teeth. Rinse with mouth wash after if you'd like. Something is always better than nothing.
If you can't floss twice a day. Try once. If that's too much, try a few times a week. If that's too much, try setting aside a day once a week as a goal. If you can't keep a schedule, do it when you're able to. Hell, I keep some floss next to my bed so that if I forget and don't have the energy to go get it, I can just reach over.
If you can't iron your clothes, don't bother. Wrinkles are fine. Wear jumpers over wrinkly t-shirts. No one will know, and honestly, most people won't even care. If it's really wrinkly and it's A Big Deal And It Needs To Be Ironed, here's my life hack. Step 1: take a spray bottle, and spritz the item of clothing (while you're wearing it is easiest) until it's lightly damp. Step 2: use a hair-dryer on the clothes until they're dry. It gets rid of creases like nobody's business, it's easier than lugging out the iron and ironing board, and you get to have nice toasty warm clothes afterwards.
If you can't fold your clothes, try just hanging them up. It's less commitment. It's quicker to do. Granted, you need to have the space in order to do this, but it is also good at helping you downsize, and lets you visualise exactly what you have.
If you can't put your clothes away, invest in a couple of laundry baskets, and then just keep your clean clothes in the baskets. You can then separate washed clothes into underwear, pants, and shirts baskets. You can just leave them like that. I'm giving you permission to never fold your laundry again if you can't. Just leave it unfolded. Who's going to care? Something is better than nothing. If you can, try to put those baskets into your closet so that you can keep the clutter out of sight, and give yourself a more restful environment.
If you can't separate your clothing out into different categories and wash them "properly" (whites, warm tones, cool tones, darks, delicates / switching between hot & cold washes / paying attention to laundry instructions on the label) then just don't worry about it. If you cold wash your clothes, colours won't bleed. Maybe gradually over the course of dozens of washes there'll be some changes in hue, but it's really not as high stakes as the One Red Sock In The Whites Turns Them Pink trope makes it out to be.
I've pretty much come to the point in my life where if a piece of clothing can't survive the washer and dryer, then it's just not meant to be. I colour separate my clothes, and if I have the energy/remember I'll take my bras and jumpers out of the washing machine to drip dry. But otherwise, I leave it to the universe.
If you can't separate out your recycling, then don't. If you have a large amount of rubbish you need to get rid of but the idea of separating it out properly is stopping you from doing so, then just don't worry about it. I know it's not ideal, but if you have garbage in your room/house and you need to get rid of it, please just get rid of it. Don't let the problem get bigger and harder to deal with. Don't let "doing something properly" get in the way of keeping your living spaces clean. Please. Give yourself understanding.
If you can't wash your dishes, get paper plates. Obviously, it's not ideal, but it is better that you eat food than skipping meals. It is better that you have a clean kitchen, rather than having dishes piling up and making it harder to look after yourself.
If you can't prepare meals for yourself keep making the tasks easier and easier. If you can't do recipes, then simplify. Use pasta sauce from the jar instead of making it. Eat canned soup. Buy food you can just stick in the oven. If you eat fish fingers and microwave veggies every night, it's better than not eating anything at all. It's better than having to fork out money on take-out. If you need ready-made meals, then get them. If you're literally just eating a raw cauliflower for dinner; 1) I see you, 2) me too, sis, 3) something is better than nothing.
These are the basic things you need to do every day to function as a person. They are your activities of daily living. Brushing your teeth. Bathing or showering. Using the bathroom. Getting dressed. Eating. Drinking. Sleeping. Keeping your environment clean. You don't need to do these things perfectly, but they need to happen in order for you to have a decent quality of life.
And it breaks my heart, because I know that so many disabled people can't do these things every day. I'm not saying this to guilt or judge, I'm saying that these are basic needs; you deserve these things. These things bring dignity. If a disabled person is unable to do these things, it diminishes their quality of life. It robs them of dignity.
If you need help to do these things, Its okay to ask for help. It's okay to need help. But if you can't get that help and you have to do these things by yourself -- or you just plain want to be independent and do it without help-- then don't hold yourself to standards you can't meet.
Don't let perfect be the enemy of the good. Doing something is always better than doing nothing. Even if it's not perfect. Even if it's not done well. Do what you can.
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SOOOOOO hard to go through everyday life trying to ignore the never-ending feeling that im just irreparably fucked up and therefore should just give up on everything
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the customer who makes you want to kill yourself😍😍☺🤗
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hang on are cougars like panthers
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oh yeah i’ve got a bunch of loz aus that i haven’t really talked about. a few of them are listed and slightly explained in this poll and explanation reblog but i haven’t gone out of my way to actually list the aus i have and really explain them. so that’s what this post is for. here are some... decently simple explanations of my major aus and what they're generally about
i have two kinds of aus: original aus (loz aus that are set in their own kinds of worlds with their own stories and twists on character roles) and then crossover aus (we all know how this works i just mash loz and a thing i like together)
original aus: (many currently dont have actual titles, so the titles will often just be concept shorthand)
in the court of the crimson king/crimson king au: probably the most developed and closest to being written out. it's got one of the longer premises; set in a industrial-esque hyrule city, following linebeck as the main character, as the adoptive older brother of link and aryll, living with them and their grandmother as the only one able to reliably make money to pay for rent and food, leaving every other week to do jobs, but he moonlights as the 'demon of the gray moon', a masked persona he'd created as a child that had long since become a city-wide urban legend, anonymously taking unsavory jobs from whomever can contact him and offer pay, often working directly for bellum, a childhood friend, the one who enabled and trained him to become the demon, and one of five anonymous leaders of the city. linebeck effectively lives a double life, and tries to stay out of too much trouble to avoid drawing attention to himself or making his adoptive family worry, but he gets dragged into more and more danger as bellum becomes curious about the identities of the city's other leaders, and linebeck falls in love with a man named ganondorf, suspected to be one of those other city leaders. ive got a few posts related to it already: this one being another vague concept descriptor, this one being an actual scene i have written out.
'gimmick' au: i cannot explain the gimmick without spoiling the au. put simply, in this au, hyrule as a whole has been at war for ten years, every race and kingdom taking sides in a conflict that seems to be going nowhere. link joined the hylian army young, and has made his way up the ranks to become trusted by queen zelda herself, and things in the war take an interesting turn as he and zelda discover a new faction, unaligned with any particular kingdom and with unknown motives, and zelda decides to set out to the different parts of hyrule, link and a chosen group of trusted allies in tow, intending to try negotiation one more time before things take a turn for the worse.
sci-fi/space au: the fun one that probably would need to be done in a visual medium. it takes place in a solar system of a few planets, link growing up on the planet hyrule and occasionally traveling to the others as a knight specializing in investigating and taking down dangerous bounty hunters, working for zelda as a friend. he and zelda uncover a plot by the yiga clan to accumulate a number of highly dangerous research and weapons held by each species as they aim to resurrect a demon to wreck havoc on the solar system- the b plot being about the top bounty hunters in the solar system screwing around, eventually colliding with link and zelda's a plot as it begins to involve them.
murder mystery(?) au: one of the older ones, maybe one of the oldest that i still stick with. this might actually be one of the first ones i tried writing. the plot begins when zelda returns to hyrule city years after her father- the former mayor- was murdered, finding that he has been replaced by ganondorf and that while things seem fine enough on the surface, random and organized crime run the show, and she begins a private detective agency as 'sheik', a masked young man, and with the help of impa, and old friend and confidant, she moonlights as sheik and uses her daytime identity as zelda to help chip away at some of the city's biggest problems and finds herself drawn into a long string of murders that appear to be anything but random violence.
ruined hyrule 1: i have two au’s with the premise of hyrule being ruined. neither of them have more specific names yet. this one begins with the majority of greater hyrule's population having long since locked themselves in hyrule castle town in order to escape the increasingly dangerous wildlife. zelda, a young girl at the beginning, becomes curious about what lies beyond the city walls, and makes friends with many other children within this sheltered hyrule, and as they grow up together, aim to eventually venture out into the wilderness to see what may have caused the outside world to become so incredibly hostile.
ruined hyrule 2: the other ruined hyrule. set in a devastated hyrule, roughly ten years after the royal family was killed, link failing to save them or hyrule in the time since. he now resolves to set out and indiscriminately destroy every demon that plagues the ruined hyrule, meeting and bringing along various allies, each of which has been uniquely affected by and have different lived in this altered, dangerous shell of hyrule.
modern (school): i also have two modern aus. this one isn’t plot driven, just a concept i have, would work best as little vignettes or something. essentially just the idea of a group of loz characters hanging out together in a modern high school (or college?) setting.
modern: this is the one with an actual plot. follows the general idea of zelda characters living in a modern world only for the typical legends to begin resurfacing and heralding dark events. plot specifics are murky, but that's the general idea.
dark mage: this is the au that where the seas meet the sands takes place in. basically just ganondorf x linebeck shenanigans in this alternate hyrule while actual plot sneaks up on them. named 'dark mage' mostly because the initial idea behind this au was that linebeck would learn magic.
horror au: doesn't have the best name, and it's ended up just being a personal sandbox for me. constantly changing, with the cast and setting often altering if i find that something isn't working or sticking. it's an au i've considered (and even briefly tried) writing in the past, but it's still too fluid, and writing horror effectively is difficult. it's a fun au, though.
mecha au: spawned because i watched neon genesis evangelion. a lot of this au's basic concepts can be found here: x but the short version is that hyrule is being besiged by massive monsters, but each race has created their own mechs to combat them. link is just a farmer who happens to have a strange knack for being a mech user, so is brought in by zelda as a gamble to bolster their chances, and he is tasked with working with a new and less-than-trustworthy crew to help fight those monsters.
'amnesia link' au: an au that sprang up in about a day and hasn't gotten too far since. basic premise being that three years prior to the story, link and a group of allies has faced off against ganondorf and, despite their best efforts, lost, with link being presumed dead by their enemies. now, link has woken up from his coma, his memories gone and hyrule taken over, and, with guidance, must once again travel across hyrule, aiming to rediscover his allies and try to face ganondorf once more.
A quick list of crossovers: I won't explain these in length, since they can range from having their own plot to just being a fun mental concept. So, the things I have made crossover aus with are:
Warrior Cats
Batman
Jojo's Bizarre Adventure
Persona 5
Pokemon
(there are other, smaller ones, these are just the ones i consistently pay attention to)
So! These are the majority of my legend of zelda aus, some of which I may write, some of which just exist in my mind for fun, all of which I wouldn't mind talking more about if anyone is curious!
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babygirl i can construct fearplay scenarios u couldnt dream of
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Fanny, my sweet, beautiful girl
17.11.2012 – 14.04.2019
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