#no how about I create one super great thing

[gamergirl-niffler]

What if... there is more to Dabi?

Sometimes I sit and think about stuff because of that I often have weird ideas, theories, headcanons, etc.

For the last few days, I was thinking about Touya and Dabi. How he was super fixated on revenge, EVEN if there were less aggressive ways to solve all of this...

And came to the conclusion:

"What if Touya suffers from DID and Dabi isn't just a way to hide his true identity, but a personality that developed to protect him and seek justice for his harm?"

It's probably super wrong approach but hear me out!

(From what I read on Wikipedia)

Early childhood trauma, places someone at risk of developing DID.

Traumas like: childhood abuse, violence, neglect, or severe bullying, dysfunctional family dynamics were reported in people suffering from DID

We all know "hellish" Todoroki family and the way stuff went there.

Touya was a child "created" for greatness by Enji.

From the very being, Enji put into Touya's head that "HE will be the one to suppress All Might himself" and since he was just a child he believed in this.

He believed his father, he wanted to learn, he wanted to achieve this goal, make his father proud, proof he is worth his love and attention because his other siblings were no threat.

Then Shoto was born, and BAM, everything burst like a bubble.

THAT'S WHEN DABI'S DEVELOPMENT COULD START.

Once loved boy with SO many expectations put into him was thrown aside like a rag doll for the sake of little brother.

Neglectful and selfish actions of his own father, mixed with Touya's obsession on being THE CHILD his father once said he was, led him to that cursed mountain and when Enji didn't show up...

That's when Dabi came out.

When we see him wake up after 3 years - it's not Touya, but Dabi.

Dabi - The personality developed to protect Touya, to prove that Touya can be the very thing Enji told he will be, a personality made to PAY BACK for all the harm that child had to go through because of bastard father.

He is like an older brother stepping in front of the younger sibling to take all the harm on himself.

It's not TOUYA doing all those bad things while chasing Enji and going against Shoto - It just Dabi.

Dabi who wants desperately show what Touya is capable of while Touya is just tucked away from all the harm, just waiting to be again acknowledged but not out of pity or because his father feels bad for his own actions but because of what he can be.

Of course, Dabi is so fixated on achieving this goal that he takes EXTREME measures - but it's all for Touya's happiness that he deserved ever since he was born.

This may make no sens, but this was a train of thoughts that went through my head very recently. The post is probably messy because I am not the best at making such things and putting them 'on paper"

Feel free to comment and tell me what you think about this, BUT please don't be mine or anything. I didn't mean to insult anyone with my limited knowledge.

I am curious of your thoughts

[emberdew]

Be More Ghost Chapter 2: I Love Ghost Hunting

Summary:

A Be More Chill AU where Danny gets a Super Quantum Intel Unit Processor (or Squip) to help him become cool and win over Valerie, but things don't really go as planned.

Masterpost | AO3 Link | Word Count: 1,746

I love ghost hunting because it’s the best! Because it is fun. I love ghost hunting and I get depressed whenever I’m done.

As Danny stood in the doorway, he immediately wanted to turn back. He thought the classroom was going to be empty, but it wasn’t. Valerie was right there in the front row.

“Uh, is this where we meet for the ghost hunting club?”

Valerie turned to face him. “No, this is the play rehearsal.”

Danny turned to go. Valerie called after him.

“Wait, I was kidding, yeah this is the ghost hunting club!”

Danny turned back to face her and nervously sat at the desk next to hers. “Oh, um, cool.”

Valerie smiled at him. “I’m kind of surprised to see you here, Danny.”

“Haha, yeah…” Danny didn’t really want to explain himself. This was a really bad idea. Just being near Valerie made all coherent thought leave his brain. He was shaking a little bit. Valerie noticed.

“Are you nervous?”

“What? No I’m just…” Danny shivered. “I’m just cold.” He rubbed his arms. He wasn’t lying, he did suddenly feel a lot colder. Was the AC broken in this room or something?

“Oh, well it’s okay if you are nervous,” Valerie said. “I’m a little nervous about coming to this club too, but mostly I’m excited.”

“Yeah?” Danny probably should have expected this. She was the Red Huntress, after all.

“Yeah, I love ghost hunting!” Valerie said. “I think it’s the best! I mean, it looks fun.” Valerie didn’t know that Danny knew that she was a ghost hunter, so she was still trying to cover her secret, at least a little bit.

Danny just nodded. He wasn’t sure how he should react right now.

“I’m just really passionate about it, since those ghost scum really need to be eliminated,” Valerie started to rant. Danny looked intently into her eyes, though he wasn’t really listening anymore. Even though her wrath happened to be directed his way, he couldn’t help but love how passionate she was.

“Oh, I think the club should be starting soon,” Valerie said, glancing at the clock above the classroom door.

“Where is everyone then?”

“I guess it might just be us two-”

The classroom door opened and all the A-Listers walked in, chatting loudly as they moved to their seats at the back of the classroom. Mr. Lancer arrived shortly after and stood next to the desk at the front of the room.

“Hello, welcome to Ghost Hunting Club… I’m glad some of you are taking the initiative for this extra credit opportunity.” Mr. Lancer seemed to be staring directly at Danny. He cringed a little bit and slid back in his seat.

“When do we get to hunt the ghosts?” Dash asked loudly from the back of the classroom.

Mr. Lancer crossed his arms. “Mr. Baxter, please wait until the end of my explanation for questions. This club is going to be more about ghost hunting research than field work, since that is best left to the experts.”

Danny saw that Valerie looked disappointed at that information. He tried not to show that he was relieved. Ghost hunting research was something he could probably manage. Maybe this extra credit stuff wouldn’t be so bad.

Mr. Lancer started pacing as he continued. “Your assignment will be to create an informative presentation about ghosts and ghost hunting that will be shown to your classmates in one month.”

Danny looked over to Valerie as Mr. Lancer explained what the club was going to do. At least she seemed excited. Danny didn’t feel great about potentially having to present anti-ghost propaganda.

A shiver ran down his back and a cloud of cold air escaped his mouth. Danny straightened up in his seat and looked around, but didn’t immediately see what had triggered his ghost sense. No immediate threats, but it would probably be good to go check-

Danny’s thoughts were interrupted when he heard Valerie’s watch beeping. Her ghost sensor had picked up the ghost too. He and Valerie stood up at the same time. She glanced at Danny with a worried expression but he looked away and walked out of the classroom without saying anything. Valerie followed behind him.

Danny quickly walked around the corner out of Valerie’s sight and turned invisible before phasing through the door of a nearby storage closet. He heard her walk by as he took a second to wait before transforming and then flying outside.

“Hello, ghost child,” Skulker greeted as Phantom returned to tangibility few yards above the school’s roof. The large mechanical ghost was already pointing a missile at his face.

“Hey, Skulker. Got some new toys from Plasmius?” Phantom asked, whirling away as a missile launched a bit too close to his face for comfort.

Skulker just grinned in response as he fired more missiles. Phantom returned the fire with some of his own ecto-blasts in rapid succession. He was about to aim a blast right at Skulker’s head when a bolt of pain shot through the back of his left shoulder.

He turned and saw Valerie in her ghost hunting suit, floating on her board a few yards away from him. Smoke was still coming out of the gun she just hit him with.

Phantom waved with the arm she hadn’t just shot and gave her a smile. “Red! You’ve come to join the party?”

“You’re going down, Phantom!” The huntress glared at him through her red helmet, not lowering her gun from his direction for a second. Phantom sighed and started dodging around both Skulker and Valerie’s attacks.

He knew she was dangerous and literally shooting at him, but he still thought Valerie looked beautiful as she dove through the air on her hoverboard. Something was probably wrong with him. He felt one of Skulker’s missiles graze his leg as he took a second too long to fully dodge. He shook his head and tried to focus.

“Time to become ghost toast, Skulker!” Phantom charged a bigger blast in his hands and fired at the ghost’s neck. As he’d hoped, the strength of the hit was enough to knock Skulker’s mechanical head off his body, leaving the tiny green blob ghost plummeting to the ground.

With one smooth motion, Phantom grabbed his thermos from where it was attached to his belt, uncapped it, and sucked Skulker in before he hit the ground.

“Got him!” Phantom rattled the now-occupied thermos and then turned to look for Valerie. He winced when he felt the gun touching his forehead.

“And I’ve got you.” Valerie sneered at him. He gulped.

“I… kind of have something I need to get back to, think we can reschedule this?” He grimaced as the gun poked harder into his head.

“I don’t think so, ghost. I’m enjoying this too much to leave now.”

Phantom had to admit she wasn’t kidding earlier when she said she loved ghost hunting. She did seem to like it a lot and was also very good at it. Almost too good at it.

He heard the gun whine as Valerie tensed her finger on the trigger. He had to do something soon!

With a jerky flail, he grabbed the gun and whacked it away from his face and the shot blasted right next to his ear, hitting a tree behind him. He turned invisible and flew at top speed back into the school and into his familiar storage closet.

He sunk to the ground, panting as rings of light appeared from his waist and swept over his body.

“That was too close,” Danny muttered as he checked for any new injuries. Luckily, he had gotten through that fight without too much damage. He rubbed at his sore shoulder, then opened the closet door and started making his way back to the ghost hunting club.

Mr. Lancer didn’t acknowledge him as he walked back to his seat. A few minutes later, Valerie entered the classroom and took her seat again too.

“And that is it for this session. Start doing some ghost hunting research to get ideas about what you’re going to present!” Mr. Lancer concluded the meeting and walked out the door.

Danny grabbed his bag from the floor. He turned to Valerie, hoping to start another conversation with her but was surprised to see Dash standing in front of her desk. Valerie seemed surprised too.

“Hey, Valerie.” Dash seemed almost nervous. Why would Dash be nervous talking to Valerie?

“Baxter? What do you want?” Valerie put her hands on her hips.

“I, uh, wanted to apologize for how you got kicked out of the A-Listers. It’s super not cool that happened to you just because your dad lost his job.”

“Why are you apologizing now? That happened last year, Dash.” Valerie glared at him. He seemed to quiver under her harsh stare. Danny thought Dash was probably feeling the same intimidation he felt when she pointed her gun at him earlier. Man, she was so beautiful when she was angry.

“Yeah, I know. I just wanted to say it now. I think you’re still A-Lister material,” Dash adjusted his letterman jacket, “and I think it’s cool you’re in the ghost hunting club.”

“Really? I didn’t know you were interested in ghost hunting. I assumed all the A-Listers were here for the extra credit or something.”

“No, I am interested. I think it’s cool. Anyway, cya later Valerie.”

“Bye Dash.” Valerie waved and started gathering her things. She had a thoughtful expression on her face.

Suddenly a spike of pain seared his injured shoulder as Dash punched his arm. Danny gasped and turned to look at the bully.

“Hey, Fenturd, someone wrote ‘BOYF’ on your backpack,” Dash said and left the classroom, the other A-Listers trailing behind him.

Danny gritted his teeth and rubbed his shoulder. How did Dash always accidentally aggravate his injuries? Well, at least with the A-Listers gone, maybe he had a chance to talk to Valerie again. He looked back to where she had been but saw she was pretty much already out the door.

Right before she left the room, she turned back to where Danny was still standing by his desk and waved.

“Cya, Danny.”

“Oh, uh, bye.” Danny waved back weakly with his good arm. Valerie smiled at him and left.

Alone in the classroom, Danny got up and started to leave.

“I guess that could have gone worse,” he muttered, trying to reassure himself.

[amelikos]

Something about the way Spinel, Friede and Liko's first Pokemon all share (or will share) the Dark type under certain circumstances (Spinel's Blacky being Dark type, Friede's Lizardon becoming Dark type upon Terastalization, and Liko's Nyarote will eventually gain the Dark type if it evolves into Masquernya). And how all three of them craft strategies around diversions, creating distractions, observations and running away.

Also thinking about how Spinel's Orbem is a Psychic type, similarly to Liko's Tebrim. Psychic moves being used to restrain or limit movements, or stop opponent's moves and use them against them. (Liko's Tebrim using her Mind Power during the battle against Grusha to stop her opponent's Icicle Spears and send them right back at it really reminded me of Spinel using his Orbem's Psychic moves to restrain Friede's Lizardon's movements back in HZ014.)

[artsycloudysleepy]

Here it is :)

WOAH!!!! THE ELEANOR EVER!!!

SHE LOOKS SO UNHINGED AND COOL I LOVE IT :000000

THANK YOU SO MUCH I LOVE HER!! YOUR ART IS AMAZING /gen

also completely expected it to be a fragment so am really happy to be so surprised!!! she looks terrifying in your style!! /pos

[neverendingford]

.

[iraprince]

gonna show u guys a little opalescent highlight hack i threw together today

rainbow gradient above your main figure (i usually have all my main figure folders/layers in one big folder, so i can clip gradient maps + adjustments to it!). liquify tool to push the colors around a bit. STAY WITH ME I KNOW IT LOOKS STUPID RN I'M GOING SOMEWHERE WITH THIS

THEN: set it to add/glow (or the equivalent in ur drawing program), lower the opacity a bit, and apply a layer mask. then u can edit the mask with whatever tools you like to create rainbow highlights!!

in this case i'm mostly using the lasso fill tool to chip out little facets, but i've also done some soft airbrushing to bring in larger rainbow swirls in some areas. it's pretty subtle here, but you can see it better when i remove the gradient map that's above everything, since below i'm working in greyscale:

more granular rambling beneath the cut!

u could also just do this with a brush that has color jitter, but what i like about using layer masks for highlight/shading layers is how simple and reversible it makes everything. i can use whatever brushes i want, and erasing/redoing things is super low stakes, which is great when i often approach this stuff with a super trial-and-error approach.

example: have u ever thrown a gradient w multiple colors over an entire piece, set it to multiply etc, and then tried to erase it away to carve out shadows/highlights? it's super frustrating, bc it looks really good, but if u erase something and then change ur mind later, u basically would have to like. recreate the gradient in the area u want to cover up again. that's how i used to do things before figuring out layer masks!! but masking basically creates a version of this with INFINITE undo bc u can erase/re-place the base layer whenever u want.

anyway, back to rambling about this specific method:

i actually have TWO of these layers on this piece (one with the liquified swirls shown above, and another that's just a normal concentric circle gradient with much broader stripes) so i can vary the highlights easily as needed.

since i've basically hidden the rainbow pattern from myself, the colors in each brushstroke i make will kind of be a surprise, which isn't always great -- but easily fixable! for example, if i carve out a highlight and it turns out the rainbow pattern in that area is way too stripey, i can just switch from editing the mask to editing the main layer and blur that spot a bit.

also, this isn't a full explanation of the overall transparency effect in these screencaps! there's other layer stuff happening below the rainbow highlights, but the short version is i have all this character's body parts in different folders, each with their own lineart and background fill, and then the fill opacity is lowered and there's multiply layers clipped to that -- blah blah it's a whole thing. maybe i'll have a whole rundown on this on patreon later. uhhh i think that's it tho! i hope u get something useful out of this extremely specific thing i did lmao

[munch-mumbles]

o<-<

[luxuourr]

Why manifesting is your best friend + society is a bitch.

manifesting ?? my best friend ? hell no. i need to work so hard...

pookie it's not your work hard thing , your society you live in, we collectively live in , has told us fucked up shit we don't need to believe in, nothing of it is true. The only thing true is what's from the heart and it's the feeling , you didn't and god didn't and universe didn't send time upon us , we used our brains to create it ,

laws don't fail. laws are made laws because they're undeniable.

understand time is not linear , scientists found alphabets otherwise let's be honest , who would have known what's English is?? If Greeks and Egyptians didn't work on time. would we know today?

nuh uh! so I suggest you to remember, don't look at how much time or date you're at, don't look at how many hours until he (sp ) surprises ur enemy with date , how you fail

no time to think of this, think the best of every possible circumstance, I know and you should too, you're doing a great job

even if the last conversation with him ended in a divorce, breakup or failed situation ship, you can get it all back, even if life has not been kind to you and you could not keep up with the most important exam of your life AND you're a victim of domestic abuse or parental abuse. it's not too late, you're not doing anything right or wrong , just because you could not do more than you could because of circumstances, it'll not change your results , it'll not change you getting 100%, if you did everything positively and tried to slap your negative thoughts there's always hope. i say this as I have not prepared anything for the most important math exam of my life and it's 5 pm rn , I have 14 chapters and have the most biggest exam of my life tommorow at 1 pm, have severe depression and the most toxic and hurtful family you could ever imagine to have.

believe me, no one will care about you, until you make it happen.

do you know what your job is ?

- know what you want + assume you're that version, that super model , famous celeb, have that desired body s/o or whatever , fullfill yourself after that and BOOM you wake up in it, won't even take less than a 2-3 days if your belief is good enough, you're doing shit in a fun way to manifest everything you want

- failure doesn't exist , no you're not delusional for attempting nothing in exam and wanting 96% ,you're god remember. the others who have the exam aren't , if you assume you'll know everything without studying that's going to happen, it only depends on what you feed yourself with.

- gone is gone , it's like it'll never come back, if there is something attached , like up coming results from what happened, i suggest assume + accept and move on

- if you script, mediate, robotically affirm, visualize or do whatever, it is meant to happen

- do not worry, you're doing a good job, just try your best for certain things or assume , everything works in the best possible outcomes

- mountains and clouds , centuries and the equator will move for you to get your desires.

- no you're not cursed and shit, life's a rainbow sparkle colors it's all a roses of bed and not what society taught us, just assume and you'll wake up with it

- for example if you have important exams of your life , there's this girl in front of you doing so well in exams , u don't wanna cheat and there's no chances anyway but you realize, the best you're doing right now is trying your level best in the exam and if you have time or not , time doesn't matter it's just created by us, remember she's not better she has no idea about LOA It's , you it's me it's us. Why would she be better, she had to study 24/7 and then still assume about average grades and stress over what's wrong and right , instead you , who could visualize given it well, be the person who got 96% in these exams isn't it much more fun, less tiring and entertaining??

- you got to know manifesting for a reason, trust people who posted their success stories, trust yourself , be kind to yourself and don't let the old story walk over you, it was never there , failure never existed , you've always been the new story you created for yourself, understood.?

- beating yourself up is not going to reverse time again honey, it's gone , it's not coming back , like never so focus on yourself, your feelings , your intentions , your life. Try to know that manifesting is not about trying to get and doing methods to recieve , it's about KNOWING and feeling.

e. g Aliyah is a girl who's a manifestor she wants good grades, she has issues she cannot study because of and cause her to be burn out at home , so she decides , the night before finals.

she thinks " i will try my best and even if it's the point where it wasn't good enough, universe and manifesting has my back, the time that'll be taken by the institute to check my exams , I'll revise everything including all my wrong parts of exam and unfilled parts to fully filled correct answers because crying and whining won't do shit, but this feeling will change everything" , even her bsf in this case supported her and told her that she's manifesting for her and everything plays out in the best possible circumstances. You only assumed like that and made it happen

e. g there's another manifestor called Sara she is also giving the same exam as aliyah , but instead of working on her self concept , believing in herself

, she'd cry for hours everyday for three months so instead of reality giving her the 100% she's been hoping for , she fails she thinks 3D is everything( it's not ) , she doesn't believe in bloggers she's impulsive, thinks crying is the solution to everything , she spends 3 months crying and shitting about herself to achieve nothing in life

prior to this aliyah the master manifestor slays in everything she does, she accepts and moves on , every time bad thoughts get to her , she slaps them with " NO THIS IS MY WORLD IM AN ACCURATE PERFECT MANIFESTOR"

so who of them saved themselves despite abusive household and everything??? Sarah just spent all the time crying and whining.

you can either be her. ( Sarah) or HER (aliyah)

[gffa]

With the confirmation of The Acolyte not getting a second season, I can't say I'm surprised, the numbers for that show were really bad given what its budgets was, like I kept an eye on The Acolyte's numbers and they were really, really down across the board (Ahsoka's numbers aren't super great either but that's getting its second season because it's Filoni's pet show, I suspect), like set aside all the other complicated stuff, whether it was good or bad, how much of the fandom's reaction was pretty heinous and racist, it just was not getting the numbers it needed and it's making me wonder about how all of these shows are not doing well. Mando is doing all right, OWK did all right, Andor's doing okay, but none of these shows are setting anything on fire anymore (ratings-wise, that is), what would it take to create something that takes off again?

I strongly suspect that The Mandalorian only took off because of Favreau, who really does know how to make something really good and fun in the beginning. Filoni gets a lot of credit for that show, but I'd be willing to put ten dollars on the table that Favreau was driving the vast majority of the success of that series. And that makes me wonder about the future of these shows, because I don't think Filoni is strong enough to really carry a show on his own, most of his best work is when he has a strong partner actively working with him or when he was working under Lucas.

And the creators they bring in to create these shows aren't setting anything on fire, either. Yeah, the sequels made a billion dollars for each movie, but I think it's pretty telling that we're not getting comics or books or games about those characters anymore, the way we did for the prequels characters for more than a decade after they came out. Yeah, Tony Gilroy and Deborah Chow had shows that did solidly well, but they're not anything that Star Wars can build future content off of, they're already backstories for other movies themselves. And I don't think Skeleton Crew is going to light anything on fire, either.

Lucasfilm just doesn't seem to know what to do with Star Wars TV and movies. They had some really good early success with their projects, but almost everything ultimately fizzled out after a few years or ended really badly, and it feels like the only thing that's really hitting with audiences are more Clone Wars-era content and The High Republic novels and maybe still The Mandalorian.

Honestly, if I were Lucasfilm, I'd cut out the live action shows and go back to animation and think long and hard about setting up a new movie series. I think, with the right creative team (and not just who they think is a big name to write/direct), they could have a great trilogy with The Old Republic era stuff, because they have got to expand beyond the PT/OT and the Skywalkers, especially since the sequels put a bad taste in a lot of people's mouths about how Luke, Leia, and Han's stories ended.

(I mean, in my ideal world, we'd get an animated series set in between TPM and AOTC or set like 30 years pre-TPM and getting to see the backstories for characters like Mace and Plo and Shaak and Luminara and Yarael, but I'm not holding my breath on that one.)

[inconveniently-discorporated]

I think I have a potentially controversial opinion on Aziraphale and the ending.

So one of the things that made me smile so, SO much, was THIS:

That PURE ABSOLUTE UTTER JOY.

We have not seen ANYTHING like that from demon Crowley. We've seen him be drunk and silly, we've seen him be amused, but we've not seen this.

Now, let's consider what we know about Heaven:

It's never fully populated. ALL of the shots are completely devoid of angels, except for a few, who are almost always just getting somewhere and never really talking to each other.

Where I thought the archangels were a tight clan, it really looks like they're super catty and prone to jealousy. No doubt they would stab each other in the back happily if it came down to it. How much of Heaven is like that, if even the archangels all hate each other?

Aziraphale already has a nervous disposition when he meets Crowley. Is he perhaps an angel that NEVER fit in? Is he familiar with being ostracized by his peers? Just how lonely IS Heaven? Crowley seems to be a pretty powerful angel, and HE doesn't even know that it's all getting shut down in 6000 years -- it's like no one talks to anyone.

Aziraphale, during their whole meeting, looks absolutely smitten. At one point, Crowley goes, "Look at you! You're gorgeous!" and Aziraphale looks over with happy surprise, just before realizing he's not looking at him but rather at what he's created. And then, when Crowley starts going on about making suggestions and asking questions, Aziraphale is IMMEDIATELY concerned and doesn't want him to get into trouble.

Aziraphale is hooked on this angel, and I cannot help but think that this is perhaps the first angel who has ever WELCOMED Aziraphale into his company.

He is hooked on this angel, and the way Crowley smiles is with the light of all the stars he's just created, and it's infectious and it brings a smile to Aziraphale's face as well. And then this angel shields him from the oncoming falling stars.

He is hooked on this angel, and then this angel goes and joins the Great Rebellion, and becomes fallen himself.

"You were an angel once," Aziraphale said, softly, at the bandstand. He remembers.

I think it's reasonable to guess that Heaven has never felt so warm as it did in the presence of millions of exploding stars, next to the (arch?)angel that may perhaps be one of the few (only?) to pay him any positive attention.

I think it's reasonable to assume that Heaven was not the same after Crowley fell. I wouldn't be surprised to find out Aziraphale had wondered about the angel, wondered if he was okay. I would imagine that Aziraphale keeps that picture of pure, angelic, unbridled joy somewhere inside of him.

So, really, is it any surprise that threaded throughout EVERY interaction, Aziraphale has this deep-down feeling that Crowley is good? Would it be any surprise that Aziraphale, an angel who goes along with Heaven as far as he can (which isn't always), feels that if HE is still an angel, then what was done to Crowley was a great injustice?

I think it would make sense that we are shown "before the beginning" not just because it is fun, but because THIS is the foundational context for everything Aziraphale thinks Crowley is, everything Crowley enjoys. I think he remembers this moment and wishes he could live there forever. With Crowley. The two of them with this happiness, forever.

But nothing lasts forever, as much as he wishes it did.

I'm not saying Aziraphale was right with what he did to Crowley at the end of s2. There is a lot I think he did wrong. I think he held onto this picture so tightly, he didn't realize that Crowley had long since let it go, and painted a new one with Aziraphale with all the shades of grey he picked up as he sauntered (or plummeted) vaguely downward (into a pool of boiling sulfur).

I don't think he was right, but I do think he is understandable. I think there was a lot of selfishness, but also some misguided selflessness too. I watched that first scene with angelic Crowley and my heart actually broke a little, because I thought, "What a shame this joy was taken away from him."

I think Aziraphale is trying to right the injustice he feels has been done. But I also think Aziraphale doesn't realize that Crowley can never go back. The concept of falling never crossed Crowley's mind when he suggested that he ask a few questions, and he will NEVER get that kind of innocence back. And Aziraphale doesn't understand, because Heaven has clearly always just been that way for him (he is already aware of the danger of asking questions).

Crowley does not want to go back because he can never go back. He can never be the same angel he was when he thought he could build a universal machine that would crank out stars for eons and eons. He can never be the same angel he was when he thought he could make some suggestions and ask some questions and co-create with THE Creator.

Crowley understands that, and Aziraphale doesn't. But I can understand why Aziraphale would want to try. And I think it's all because of this:

[denimbex1986]

'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

[omgeto]

☆ I WANNA BE YOURS — GOJO SATORU

summary: your best friend was used to picking up the pieces of all your heartache. and he's been idly waiting for the day that he could have you all to himself — but when he you give him a chance just for you to snatch it away you realise you might just loose more than his heart.

w/c: 3.3k

cw: afab!reader angst to fluff, you break his heart and put it back together again by giving him a great big blowjob so mdni! also unprotected sex (its more like making love if you ask me)

an: I actually really fw this fic. id say it was my best one yet so give it a chance people, just like how you should give gojo a chance. since he's actually super loveable here. hope you enjoy!

gojo satoru was hopelessly in love with you, and everyone seemed to know that, but you. he was your best friend, someone that you relied on, depended on, its been that way since you were kids. ‘she’d never see me that way,’ he’d whine to all his friends about you, whenever they’d see you together, holding hands, cuddling, but still proclaiming the title as ‘just friends.’

you were currently crying in his arms, as he consoled you, caressing your back. gojo was used to this routine by now – you’d get a boyfriend, they’d break your heart, and he was left to pick up the pieces. “i just don’t get how this one failed, i thought i was doing everything right,” you mumble, your voice breaking as you sniffle against his chest.

“they just don’t appreciate how great you truly are,” he comforts you, a silent “i do though,’ left unsaid, as he stares down at your tear stained face.

“satoru?” you ask, pulling slightly away from him, “i'm pretty, right?”

“don’t even ask me that shit,” he scoffed, “you already know the answer.”

“just answer.” you did know what his answer would be already, but you just had to hear it, “i just need to know why all my relationships end.”

“listen to me,” he demands, tenderly holding your face in both of his hands, his gaze unwavering as he looks at you, “you're beautiful. you always have been, and it's not even just your looks, it’s your whole being, everything about you. there’s nothing wrong with you, you just have a terrible taste in guys,” he finishes with a goofy smile trying to lighten the mood.

“yeah, maybe you're right,” you reply with a soft sigh, your gaze dropping to avoid his intense stare. It was both comforting and unnerving how he could always see through your insecurities.

“i don't say things i don't mean, you know that.” he tilts your chin up gently, forcing you to meet his eyes once again. “anyways we should prob–” 

you press your lips against him, interrupting his sentence, and he eases into it, his lips moving against yours with no hesitation. but you pull away as quickly as you kiss him, your eyes widening as you realise what you’ve done. “shit im sorry satoru, i didn’t mean that.”

the air around you seems to shift, the atmosphere heavy with the weight of the unexpected moment. you can feel your cheeks flushing, and you look away, unable to meet his gaze. his fingers brush against your jaw, gently guiding your gaze back to his. the intensity in his eyes is undeniable, a silent acknowledgment of the shared feelings that had been hovering beneath the surface for so long.

"fuck that," he murmurs, his voice low and tinged with a mixture of determination and vulnerability. he closes the gap between you again, his lips brushing against yours in a gentle, lingering kiss. 

the softness of your lips against his is a sensation he’s dreamt of, and now that it's happening, it's even more intoxicating than he imagined. his hands cradle your face, his fingers threading through your hair as he deepens the kiss.

his lips move against yours with a skilled finesse, his breath mingling with yours, creating a heady mixture that leaves you breathless. your fingers find their way to his hair, tangling in the silken strands as you pull him closer, your bodies pressed together. 

“satoru, i need you.” you tug against the hem of his shirt, pulling it over his. you were desperate, craving his touch, “need you to make me feel better.”

gojo took your words seriously, aiming to make you forget about all the heartache you’ve ever felt with those other guys, and focus only on him. he lays you down on the couch, unbuttoning your shirt, pulling your tits out of your bra. 

“don’t worry, ‘m gonna take care of you,” he mutters, pressing kisses into your cleavage, until his lips eventually circle your nipple, suckling and pulling at it. you gasp slightly at the feeling of his tongue swirling on your tits. your hands go back into his hair, roaming through his scalp, tugging hard as he bites down on your nipple.

his mouth remains on you, his hand trailing down into your underwear, rubbing circles on your clit. you whimper at the contact, feeling yourself getting wetter as his fingers enter you, he starts off slow pushing his digits in you gently.

“is this okay?” he asks, he wanted to make sure you felt good, that was his priority. he grins as you nod, too caught up in your pleasure to verbally respond. his quickens his pace, gyrating his fingers into you, pressing another searing kiss on your mouth. 

you were dripping over his digits, as they pistoned in and out of you, but your hands reach out to his belt as you moan out, “‘toru i wanna feel you.”

“you wanna feel me huh?” he teases, unbuckling his belt with his free hand, he pulls out his hardened dick and strokes it a few times before rubbing it down your wet slit – teasing you with just his tip.

“c-c’mon,” you whine, grinding your hips down against him. he smirks at your excitement, forcing his dick inside you, your eyes widen as your pussy stretches and gojo can only bite down on his lips as you clench around him.

“you feel so good, y’know that right” he murmurs, forcing himself into you deeper, “so fuckin’ tight.” his eyes stay fixed on you, he loves you like this – pinned under him, clawing at his back, your mouth parting at the pleasure that he’s giving to you.

your legs wrap around his hips as he sinks into you further, you could feel his breath on your neck as he whispers in your ear, “you’re perfect, this is perfect.” he sucks on your collar bone, kissing and biting as he continues to thrust into you.

“‘you’re t-too much, i-it’s too much.”

“but you’re taking me so well,” he argues, with a grin. peppering kissing against your neck as he fucks you to a hilt. your hands find their way back into his hair, pulling and tugging at it as you moan out his name. 

his dick twitches inside you as you call at his name, you could feel that he was about to cum. his strokes were getting sloppier, and his mouth went from biting to sucking on your neck. you could feel yourself about to climax, scratching at his back, as he continues to hit your spot.

“toru, i’m about to–”

“cum with me,” he demands, thrusting into you a few more times before you both reach your peak. and just before he’s about to release into you, his whispers a barely audible “i love you” right in your ear. he sprays your walls and you cum all over him, mixing in with him. he slumps down on you, pressing his forehead against yours, his dick remaining in you as he catches his breath.

as you finally disentangle your bodies, gojo reclines on the couch, a blissful smile gracing his lips. his breathing gradually transforms into gentle sighs, a sure sign that he has succumbed to sleep. you weren’t oblivious to his feelings towards you – the way his gaze would linger a little too long, how his hugs would be tight and comforting. he was in love with you – and you didn’t know how to deal with that.

all of your relationships never lasted, they always had an issue with something you did. you ruined them. and you didn’t want to ruin gojo, you’ve been together since you were children and he’s always been so good to you. you couldn’t bear the thought of causing gojo pain.

your gaze lingers on him for a moment longer before you turn away, your mind racing with a storm of thoughts. you've been friends for so long, and the prospect of losing that connection is heartbreaking. but you also can't ignore the truth that's been staring you in the face – gojo's feelings have crossed the line from friendship to something deeper.

as you quietly gather your clothes, your heart aches with conflicting emotions. you've always been there for each other, and the thought of hurting him tears at your very core. with a heavy sigh, you dress in silence, your mind a whirlwind of thoughts. 

“you’re really just gonna leave?” he calls out behind you as you head to the door, your hand frozen on the handle.

“satoru,” you gasp, turning to face him guiltily, “i thought you were asleep.”

“you were actually just gonna leave?” he accuses further, ignoring your comments, “after this, after what we just did?”

“this doesn’t change anything,” you say shaking your head with your eyes closed, you couldn’t see his face.

“it doesn’t change anything?” he scoffs, standing up, walking over to you, “how can you say that? after i've given you my all, literally everything i can offer to you, and that still isn’t enough.”

"i was scared, toru," you ramble, the truth spilling out of you, your voice catching as you admit your own fear. he was upset, this was the last thing you wanted, him looking at you, his eyes pleading for you to choose him,"i've seen how my past relationships have crumbled, and I couldn't bear the thought of losing you too."

his gaze softens for a moment, his fingers itching to reach out to you. "but things can just go back to the way they were with us," you continue, your words wavering, unsure if they're just a desperate attempt to keep things safe and familiar.

“i think we both know they can’t,” he says bitterly, his hand clenches at his side, “just answer this. why was it never me?”

“i’d ruin you,” you explain, your hand reaching out towards his, a soft smile on your face, “you’ve seen how i am with all those other guys. you’re too good for me.”

"no, I'm not good enough for you," he concludes, his voice laced with a mix of frustration and sadness. he takes a step back, his expression conflicted, as if grappling with his own internal turmoil.

with your eyes brimming with unshed tears, you watch as he rushes past you, his departure leaving an ache in your chest. "you stay, I need to clear my head," he mutters, his voice strained, and then he's gone, leaving you standing there, torn between your fears and the feelings you've been trying to deny.

as gojo stormed out of the apartment, his emotions were a tangled mess within him. the mixture of frustration, hurt, and longing had him feeling like he was caught in a whirlwind. he couldn't believe how everything had escalated so quickly, how he had allowed himself to be vulnerable, only to feel tossed aside.

“suguru, i fucked up,” he cries into the phone to his best friend, his voice laden with distress, “i fucked up so bad.”

“satoru, calm down,” geto tries to soothe him, his tone steady, “what exactly did you do?”

“I fucked her,” he forces the words out, a mixture of regret and frustration in his voice, and he could sense geto wince on the other end of the line, “she kissed me, and i fucked her.”

"that's a good thing, isn't it?" geto's voice holds a note of confusion.

gojo's sigh came through the phone, heavy with a sense of defeat. "bro, she doesn't love me back," he practically wails, the weight of his realisation crashing over him, "she doesn't love me back. i got too greedy, she gave me an inch and i took it too far.”

"are you sure?" geto inquires, his tone thoughtful, "she wouldn’t have agreed to have sex with you if she wasn’t feeling something. i've seen you two together, i've seen how she looks at you. she loves you."

"if only it were that simple," gojo mutters, frustration lacing his words. "she said it doesn't change anything between us. that it was just a moment of weakness."

there was a pause on the line, geto processing gojo's words. "look, satoru, I know it's not easy, but maybe she's just scared. she literally just got out of a break up too, she’s probably just overwhelmed."

"but what if I've ruined everything?" gojo's voice was laced with uncertainty. "what if I've made things worse?"

"you won't know unless you talk to her," geto advises, his voice gentle yet firm. "honesty is the best way to navigate this situation. tell her how you feel, listen to what she has to say, and go from there."

gojo sighs, his tension slowly easing as he absorbs his friend's words. "you're right. i need to face this head-on."

"good, this whole ‘will they? won’t they?’ schtick that you two have going on, has gotten old. very old.” geto finishes, abruptly ending the call.

gojo takes a deep breath, feeling a mixture of anxiety and determination. he knew he had to confront the situation, to lay his feelings on the line and hope for the best. with a newfound resolve, he gathers his thoughts and prepares to have the difficult conversation that lay ahead.

“you came back,” is the first thing you say, when gojo enters the apartment. you couldn’t gauge his mood, his expression was off, and you didn’t want to upset him further. 

“well it is my apartment after all,” he spits out a bit too coldly, his words laced with tension. however, his face softens as he takes a step toward you, the coldness melting away,, “besides i didn’t go far, just outside.”

you nod in acknowledgement, not knowing what to say. your uncertainty making it hard to find the right words. the atmosphere is tense, and you're acutely aware of the weight of the situation between you.

"i had some time to think," gojo starts, his voice softer now, "and i realised that running away from this won't solve anything."

his words draw your attention, and you meet his gaze, searching for any clues in his eyes. "satoru, I'm sorry about what happened earlier. i shouldn't have acted on my emotions like that."

“it’s ok i-”

“no it’s not okay,” you insist, stepping towards him grabbing his hand, “i never should of acted that way, disregarding like you’re nothing. i was wrong.” you had time to think after gojo left, and you knew you were being unreasonable. there was a guy who was ready to love you, give you his all, and you were just going to throw him away without a chance. 

he weight of your words hangs between you both, the air thick with the shared acknowledgement of your mistakes. and as the intensity of the moment settles, a newfound sense of clarity takes hold – the understanding that your feelings for each other can't be ignored, no matter how much you try to suppress them.

“you really fucked w my feelings y’know,” gojo’s words hang in the air, heavy with hurt. his eyes bore into yours, his emotions laid bare.

“i know,” you reply softly, your voice laced with regret, “and i’m so sorry toru. i never meant to hurt you like that. i was scared, and i didn’t know how to handle my own feelings so i lashed out.”

gojo's gaze softens, a flicker of understanding in his eyes. "you were scared? of what?"

"of losing you," you admit, your voice quivering slightly as you reveal your deepest fear. "you mean so much to me. you're my best friend, and I was afraid that if we crossed that line, it would ruin everything we have."

a mixture of emotions passes over gojo's face – surprise, realisation, and something else, something that you can't quite pinpoint. "you think being with me would ruin our friendship?" he asks, slightly offended.

you shake your head, your eyes locking onto his. "no, that's not what I meant. I just... I've seen how my past relationships ended, and i didn't want the same thing to happen with us. i didn't want to hurt you or lose what we have."

“i love you.” he declares simply, “that’s all that matters.” you couldn’t even respond because he was right, nothing else mattered. he places a gentle kiss to your forward, wrapping his arms around you.          

“let me make me it up to you,” you whisper, looking up at him bashfully through your eyelashes, “let me show you how much i love you.”

“you don’t have to–” he starts, but he pauses, taking a sharp inhale as your hands slip into his jeans. you peck his lips before working his way down to your knees. you take his dick out, licking your lips as you stroke him, massaging his dick. you pepper kisses all over the tip, still keeping your eyes trained on him.

“c’mon don’t be a tease,” he whines as you focus on his tip, sliding your tongue around it as you continue to pump his dick with your hands. 

you take him into your mouth, its warm and wet as you suck him in. you move your hands to cup his balls with a firm grip, massaging them as you continue to twist your mouth on his dick. you can hear him lightly cursing, drying his best to moan out at the pleasure you’re giving him. but you were determined to get him to cry out your name.

he was loving the sight of you, mouth stuffed, slobbering all over him. you were sloppy, just how he liked it, using your saliva and his precum to glide your mouth over and over his dick.

“f-fuck,” he stammers, biting down on his fist, he usually last way longer than this. but the difference is you, he would’ve never had imagined that there’d be a day you’d be on your knees all pretty, swallowing his dick. but now that you are, he wanted to burst.

you could tell that he was close, so you jut your head faster, using your hands to pump what your mouth can’t cover. he thrust into your mouth, aiding you in reaching his climax, forcing his dick deeper into your inviting mouth.

“you’re mouths t-too good, it’s–” his hands rest on your head as he releases into your mouth. you swallow all of him, licking your lips, satisfied.

“now toru,” you coo, with a smirk standing up to face him, “can you see how much i love you now?”

the rest of the night was spent just like many others you had shared together over the years, wrapped in each other’s arms in the comfort of his bed. this time, however, it wasn’t masked under the guise of friendship, you now exchange kisses with ‘i love you’ said in between each one.

AN: and that is all folks, TELL ME YOUR THOUGHTS I actually dislike the friends to lovers trope, not gojos biggest fan, and I hate sucking dick BUT I LOVE IT ALL HERE. HE'S ACTUALLY REALLY REALLY SWEET, AND DONT U JUST WANT A GUY THATS DOWN TO JUST LOVE YOU! DIVIDERS BY @/CAFEKITSUNE.

[splatoonpolls]

a really long analysis about fanon Marina and the flanderization by fandom she has gotten

fanon marina (the version created by the fans) mainly focuses on two things, her being autistic coded and her being basically confirmed to be a lesbian. And I do think this has to do with her being VERY much like a typical splatoon fan in many people’s eyes. Her being a nerdy queer neurodivergent person. This is also why other parts, especially her relationship with her being an octoling gets often locked away. Subconsciously at least

if Marina was a book, several chapters would focus on her identity as a dome octoling. Her being autistic would probably pop up here and there, but it wouldn’t be a whole chapter. But her very much gay relationship with Pearl would definitely have a few chapters. But with people focusing on those few lines and chapters rather than the whole book. People would slowly ignore the other chapters, get shocked like Adam Sandler learning Pac-Man was the bad guy in the hit movie pixels.

the splatoon fandom’s western side is mainly white Americans and Europeans. Which is one reason why the fanon Marina doesn’t focus on her identity as an octoling, but also on how many details are not really told to the player. Marina barely shows her ears, which can both be read as her having sensory issues (which is a super valid headcanon(, but also her not feeling super comfortable with her body. With her ears being a reminder of her “you are with people who still think you are only going to steal stuff”. Her tentacles may be weird, she may lack the eyeliner an inkling has. But those things can simply be a stylistic choice. Her ears can’t be one. They are too different. I also know the DLCS focuses more on her identity as a dome octoling. However many can understand how her arc as a whole can be paralleled to the real life experiences of people belonging to marginalized ethnic communities. I also want to point, while writing this. I realized (which many people probably already did). Dome octolings you see outside of the domes (splatoon 2 octolings, Marina, Acht, Paul), are all refugees. They are all characters who grew up in a society that had been shunned for decades, even centuries. That society ended up being oppressive both due to external and internal issues. They know the society they’re living in is no longer a good place to live in. So they escape. Hoping to find a place that will take them on. For agent 8, Marina, and Paul. They found a safe place. Acht wasn’t super lucky however. They were told they could find a “promised land” only to be left in even more ruin before. So not only does Marina’s character arc focus on her being a part of an ethnic minority, but a refugee at that. so why does fanon marina usually avoid that part of her? Well as a mentioned before. Marina has three things that makes her very relatable. While the more backstory focused things are less relatable to a way smaller margin of the splatoon fandom. A way smaller part of the fandom are poc in a very white country. And a very small percentage are refugees.

if we removed Marina’s backstory. We would still be left with the fanon version. A nerdy autistic lesbian who deeply loves Pearl. I love how Nintendo got a game that also isn’t afraid to show a society that cares about queer people if not is queer centric itself. Which is probably why many people cling to that part of Marina. But if we removed that part. What would we be left with? Well, we would have an octoling refugee who is a trained soldier and can create weapons of destructions (and she would still be in love with Pearl, it is an important part of her backstory). im not saying the splatoon fandom’s openness to lgbtq and neurodivergent people is a bad thing just because they boil down one of the most plot heavy characters down to those things. It is actually a really great thing to have a fandom that is open to these marginalized groups.

i just want to say, due to this love for Marina being a character you can relate to. It feels like certain parts of Marina’s character (which can also be very relatable to some) is being drifted away to the more lore centric side of the fandom. Which will lead to a sort of fandom flandarization which is very unintentional and just done due to a love of Marina as a character.

If you’ve read this an disagreed, that is fine. Character writing is a very subjective thing

[joocomics]

ಬ scaredy cat

pairing: yeonjun x fem!reader

genre: smut — mdni! wc: 1.9k

contains: friends with benefits trope, sub!reader, dirty talk, pet names, fingering, overstimulation, hickeys

During the slow boring hours of work the other day you created a list with the pros and cons of possibly dating Yeonjun.

For a while now he’s been throwing you signals about getting serious (more often than not), so you thought it would be a good idea to look at this more thoroughly, and kill some time until your shift is finally over. Aware of the already strong feelings you have for him you grab a pen and start writing…

… funny and reliable

likes to cuddle but not clingy

great sense of fashion

(extremely) good at sex

has a super cool tv …

“Is this why you've been coming over more often these days?” Yeonjun returns into the living room with drinks in hand. After sitting down on the edge of the couch which he transforms into a comfy bed every time you're here, he turns to you with a raised brow. “To watch your disgusting movies on my new TV?”

“My disgusting movies are well written cinematic experiences that you're too big of a scaredy cat to recognize the full worth of.” You explain, crossing arms in front of your chest. “And they're even cooler on your TV, so to answer your question, yes.”

Yeonjun rolls his eyes at you, but you can notice there’s a half-smile creeping up on his plump lips as he looks away with amusement.

“Actually,” you say almost through laughter which brings Yeonjun’s attention back to you, “recently I made a list with your good and bad qualities and your new TV made it.”

“That's not a quality.”

Now you’re the one who rolls eyes before glancing back at the screen.

“Just be grateful it's there to fill up space in the pros column.”

“So what are my bad qualities?” Yeonjun asks intrigued just when the main character of the horror film screams hysterically at the sight of yet another body, causing his heart to jump. He flinches at the sudden sound and instantly turns his back to the screen. “Jesus fuckin’ Christ, who watches this kind of shit for fun?!”

You watch him scooting over and laugh at his attempts to avoid seeing the screen while doing so as the horrible scene unfolds on the large TV.

He positions next to you and now you're shoulder to shoulder.

“I still haven't gotten to them.”

“Don't waste your time,” he sighs, adjusting against the pillow, “I don't have any.”

“Don't be so sure about that.” You quickly respond, “I had to get back to work and then I forgot.”

“Because I don't have any.” He repeats after tittering. He finally dares to glance at the screen as it seems that the gory scene has passed.

“You get jealous pretty easily.” You state cautiously, wanting to shoot him a discreet look so bad, but you resist.

You also want to add, and pretty obviously, but you keep that detail for yourself as you remember how overprotective he was the other night at the birthday party you were invited to. It resulted into you getting asked the same question over and over again. Your friends were having a hard time believing you’re not dating.

Yeonjun remains silent for a moment as he tilts his head to see you. He leans in, just a little bit, to make your cheeks warm from the sudden closeness; to bring goosebumps across your skin from his mouth being close enough to your ear as he speaks through low voice.

“So it’s a bad thing that I don’t like sharing what’s mine?”

His gaze holds onto yours causing the fireworks into your stomach to ignite even harder. It’s like your heart stops for a second, and your brain as well, making the task to come up with a good answer on time challenging. It’s so obvious at this point that you’re taking too much time; too fumbled by the last word in his sentence. And especially by how much you like its presence there; how you’re already getting used to the sound of it in his voice.

Your lips part, not to speak, but to kiss him instead when another jumpscare makes him wince.

Too busy to hide his face into your chest, he only groans in despair, simultaneously pulling the blanket over your tangled bodies. One airy shit! slips from beneath it. The dramatic spine-chilling soundtrack overpowers the cussing, but you catch it nevertheless.

He sounds as if he's the one being tortured.

“Poor baby,” you tease him by cooing. “Is this too scary for you?”

He murmurs something about you shutting your mouth, but the anguish is making his frustrated words incoherent.

“How much left till the end?”

“Like an hour and a half,” you start running your fingertips through his dark hair as he adjusts even further into your arms. His head finds a comfortable spot onto your chest.

“I’ll just close my eyes for a little while…” his voice is slower than a moment ago, and you hum softly in agreement.

It’s almost like your familiar scent can lull him to sleep despite the scary movie playing in the background. He can feel his muscles loosen up, his mind relaxing with each peaceful breath you take.

Until the noise of a new jumpscare comes to frighten him again.

“I will add this in my cons list by the way.” You cackle.

Yeonjun’s brows furrow, but you can’t see his irritated eyes, because his face is hidden into your neck.

You can feel his warm breath caressing your skin once he speaks up.

“I know what will help me calm down.”

As the words slip lazily one by one from his lips, his hand slides down between your thighs. His fingertips feel the nice fabric of your little cotton shorts that seem too tight around your curves. They keep roaming around, rising your body temperature, until he guides them to your clothed clit, putting just enough pressure on it while his mouth nibbles on the skin of your neck.

“But… I want to finish the movie,” you whine softly before shutting your eyes at the thrill he’s causing you to feel kiss after kiss.

“You keep watching, baby.” His lips detach from your neck and curl up into a sinful smirk.

You centre your head again, watching him pull down your shorts as the screen behind him paints his silhouette in dark blue and purple hues, turning his features even more seductive.

Half of the fuzzy blanket is now almost on the ground as you keep your legs spread open. Yeonjun’s hand rubs in continuous circling motions that he synchronises with your breathing. Focusing entirely on your body helps him completely ignore the on going movie you keep watching with interest. He’s giving his full attention to your little squirming movements, to your rhythmical breathes, and to the erotic sounds that start escaping your mouth more frequently only to mix with the background noise in the room.

There are fresh bruises forming on your neck, but he continues to suck, making himself drool from how much he enjoys doing it. The only time he backs away is when he pushes two fingers inside you for the first time and he gets the urge to taste them, as it often happens when he’s pleasing you.

“Mmm, you always taste so good.” He humms after unwrapping his lips from his fingertips. His mouth has a red tint to it, glistening with moisture. “So fuckin’ wet for me, can you feel it?”

“Fuck, don’t stop—“ The only thing you’re able to say when he slips back into your arousal is to keep going. His fingers curl up perfectly, and aiming for the right spot they start thrusting in a steady pace causing your moans to shake. “Yeah, just like that... yeah—“

Yeonjun buries his face into the crook of your neck while starting to breathe more heavily too.

You keep closing and opening your heavy eyes at the screen where an intense moment is looming, filling the room with an intense instrumental music, but all he can register is the noises you keep losing control over. His hand flexes while increasing its speed in order to push you closer to the desired peak and it swiftly succeeds.

Your attention level drops and your head falls to one side with your eyes fluttering shut in bliss.

“Sounds so pretty,” he comments at your ear as the wet lewd noise keeps erupting with the nonstop slamming of his palm against your slick folds. Just the way you like it. “You’re close, doll.”

His fingers, stuck between your pulsing walls, get squished tighter as the seconds pass by. He keeps up the quick and smooth pacing until your breaking point comes in, forcing it to turn sloppy and rigid.

“Fuck, there you go,” Yeonjun’s chuckle rings out with a husky tone, only adding to the ecstatic effects of your intense climax.

Your whole body squirms as Yeonjun lets his fingers, wet and sticky, rest still on your throbbing clit. The fluids slowly spill out of you, forming a dark spot on the couch as the sensation turns more light and mellow, but he doesn’t mind it.

You’re still regaining your normal breathing when his fingertips start skidding rapidly along your soaked folds. You whimper at the unexpected contact with your clit that’s now extra sensitive, causing intense reactions from your body at even the smallest touch.

As he doesn’t show any signs of slowing down you whine his name, but without being able to utter any other word.

“Give me one more, baby.” He whispers, effortlessly sliding his fingers up and down your slickness in an indescribable way; so fast, so determined to receive more from you. “C’mon, doll.”

You pant uncontrollably under his tireless touch. The dancing of his fingers keep up the same energy, making you clench as they create another burning knot of pleasure in your core. Once it bursts, you’re not able to stay still and Yeonjun tries his best to keep his hand on your puffy lips so he can rub till the second orgasm washes over you.

Your legs tremble when he enters you with the same eager fingers, curious to feel how wet you are. The pool of arousal welcomes him with ease, and he cannot help but start fantasising how good it would feel to have his cock deep inside you right now. He can give it to you, but making you cum multiple times like this is just as exciting.

He notices your eyes are half-closed while gazing down between your thighs.

“Keep watching, sweetheart.” He says softly, but with a slight hint of demand which makes you look up on the instant. “You don’t want to miss anything from the movie, that’s why you’re here, right?”

He glides slowly through your tight walls and you both sense how they keep throbbing against him from lust and sensitivity. You take a deep shaky breath, trying to concentrate on the story line, but it’s so hard when he’s in the middle of building up a new wave of rush while hiding in the crook of your neck. Running his tongue over his own love marks now and then.

You bite your lip at the realisation of how much is still left from the movie that is about to become the reason your brain is going to turn completely numb and your pussy sore by the end of this Halloween night.

But the thing you will always associate it with first, from this day forward, is you officially becoming his.

! please do not repost, copy or translate my works

! please keep in mind that english is not my first language. i apologise for any mistakes i’ve might missed

[obscurevideogames]

Tumblr’s Core Prodct Stratgy

Here at Tumblr, we’ve been working hard on trying to keep our sinking ship afloat for as long as possible. This means desperately trying to copy every new fly-by-night social media app that some multi-billionaire sh*t out during their daily Peloton routine. What follows is the strategy we're using to accomplish the goal of user growth. If you find the things we say here worrisome, please understand that is our exact intention. You've outgrown our target demographic. Don't let the door hit you on the way out.

The Diagnosis

It's lookin' pretty bad y'all!

After somehow losing hundreds of thousands of users during the great pr0n purge of 2018, we started to wonder if anything could be done to get back to where we were. We even brought in a management consultant who charged us a ridiculous amount of money. It would make you sick if you knew how much, but we got a few nice meals out of it at least. Anyhow, we handed this guy the app, and HE HAD NO IDEA HOW TO USE IT! It was f*cking hilarious! But suddenly it all clicked -- our users are a bunch of stupid idiots who can't even do basic arithmetic. I mean, they spend all day looking at their phones, so what do you expect?

Tumblr’s best feature is its unique content and vibrant communities. But who cares, right? We're just as happy getting traffic from people sh*t-posting memes, vague-booking, giving out-of-context hot takes to news events, and spewing whatever random thought is in their head at the moment. Plus that stuff doesn't p*ss off Apple.

To keep this thing going we need new people. And by "people" we mean teenagers, like we used to have back in the good ol' days. Unfortunately we're all in our 40s now, so we have no idea what they want. But teenagers are so cool! Imagine if they talked to us like we're one of them? We're getting hard just thinking about it.

Our Guidng Principls

To make Tumblr cool again, we must address these huge glaring issues.

People can look at a blog without logging in. How is that fair to all the poor schlubs who had to fill out forms to get an account? Also we haven't figured out a way to force ads onto the personalized pages yet. But we swear that's not the main reason.

People can see content they are looking for or linked to. People can keep up with blogs they follow. But the problem with this is, people don't know what they want. We know what they want! We're smart. We wrote this damn site, remember?

Promote posts that incite pointless conversations. Posts that are guaranteed to bait every troll into responding. Isn't that why all your Magat relatives love Facebook so much? We can do that!

P*ss off your content creators in every way possible (see #2).

Create algorithms that throw an unending barrage of irrelevant content in your face. Have you seen Instagram lately? We could do that so easy!!!

The app is slow. The website is slow. Obviously this is because of GIFs. Facebook and Instagram don't allow them, so why should we?

Conclusion

Our mission changes on a day-to-day basis. Right now we're super jealous of all the attention that new Threads thing is getting. We're still not sure what it is, but we're gonna download it after work.

[netherworldpost]

@kernyen-xo /

Cheaply.

Watercolor sets made by Crayola. Acrylics made by Crayola. The brushes these kits come with are frustrating, cheap brushes are typically $3-5 each. You can spend as much as you want on a brush, the cheap ones are surprisingly good. This is extremely common advice, this isn't just from me.

When you find "ah I like this" go with a student grade of whichever you prefer. Or both! I find watercolor frustrating. I find acrylic doesn't look graphic as much as I want. I fell in love with a paint called gouache because it is very flat, layers nicely.

I would not start with oil paint. It is expensive, requires a lot of special care to keep you safe. Fumes, cleaning agents, etc. Fall in love with painting, then if you want, give oil a try. Be prepared for days (weeks, months, literally) for paint to dry. This isn't to scare you off it -- it's great -- but I wouldn't start here.

Oil has tremendous variety of things you can do with it.

Watercolor is ethereal.

Acrylic has great graphic qualities, lots of range.

I like gouache because it looks almost animated (there is a reason for that, it was/is used in animation background sometimes). It's tricky and tempermental.

Paint by numbers kits if you don't draw. Maybe even if you do and just want to dive into painting.

Mixed media sketchbooks. Lets you experiment a lot, cheaply. The big thing about sketchbook paper is it comes in a few forms -- very cheap (newsprint) and takes dry media (pencils, etc.) well, cheap (mixed media, lets you experiment quickly and a lot), and expensive (hot press has no texture, cold press has a texture).

Painting needs something that can get wet and not fall apart.

Start with a cheap mixed media sketchbook and see how you like it. Move on from there.

Ton of videos across lots of social media and much content. Has the advantage of multiple perspectives, you don't get trapped in "I think this is crap" or "This is the best" versus your thoughts.

Start cheaply.

Art stores and product manufacturers exist to make money. This is a neutral statement. The point is they are a store, they will sell you whatever you think you need, whether you need it or not.

Conversely!

Some things that are not universally useful but sold in art stores are great labor savers. Some people look down at disposable palette paper, others need the flexibility because they have a hard time washing palettes... etc.

Start cheaply. Look at hardware stores, lots of duplicate functions in items.

I come from a background of digital art and a lifetime of business where "ah where the BONES ARE WE GOING TO FIND MONEY FOR--"

Have fun.

Get in deep and frustrated and then drink the frustration (but not the paint water) because you realize you're frustrated because you can FEEL how it should look but you can't get there yet.

The journey is amazing.

I've started looking at the mountain of business problems I have been sorting through for the last few years.

"Okay. How is this supply chain issue with stationery compared to a painting I want to do of the piranha plants of Super Mario Brothers?"

This is literally something I asked myself.

It took me out of the problem (supply chain issue, boxes, our office size, the number of stationery items I want to design) and forced me to look at it as a painting (structure, where does it stay simple, where does it get complex -- what makes sense -- ah, PDF downloads).

Paint.

Learn by doing.

Start cheaply.

Keep going. Build up.