#no really i barely go on here

[bacchuschucklefuck]

doing chibi is a good design exercise bc it forces u to think on shapes n essential details, essentially thumbnailing ur designs. its also a terrible design exercise bc it ends up looking cute no matter what

[blackkatdraws2]

This little NPC is lost. The Narrator [Black] has come to guide her back to where she needs to be. [Blank Scripts AU]

I imagine Black would be a lot more tolerant toward his NPCs since they're basically just the Dungeons spawns, and by extension, his own creations.

[If you're familiar with manhwas / manhuas that features the dungeon / system genre, you'd be able to understand this AU a lot easier. The majority of my inspiration for worldbuilding came from those specific genres.]

[NOTE: 'Dungeon' is just another term for the Parable. Technically, Black owns a Dungeon and the Parable is just a small part of it. The Dungeon itself is much, much larger.]

For context, the comic below references this post about the Dungeon's children/guard dogs.

[They're more like the immune system since all they do is make sure the (body) is safe.]

[The reason the Narrator [Black] considers them his children is that the Dungeon is feeding off his energy and in turn shares the 'nutrients' to the monsters it produces, which transforms them into an image that resembles his power.]

And the old man below is Joseph!

Joseph is NOT AN NPC! He is a person who exists outside of the Dungeon!

[There are two separate 'worlds' for this AU. Inside the Dungeon (where most of the game-like stuff is happening) and the world outside (pretty much their normal world.)]

[There is a secret third world, and that's our world. Our reality.]

These characters are not actually important or anything, I just made them to make the AU feel more lively. To make a world that exists, you know?

When the Narrator [Black] first established himself in their world, he found a growing problem with homelessness. Not understanding human norms or why this has become a problem in the first place, he offers (tricks) them into working for him as janitors for the Dungeon and they accept for the money.

Most of them left after they got paid, but Joseph was one of the people who stayed. He doesn't have anywhere else to go and has no ambitions in life. He just wishes to live a peaceful life with food and a roof over his head.

Joseph defaults to referring to the Narrator [Black] with feminine terms due to his appearance despite his voice. The Narrator [Black] is not the type to care for such terms anyway so he doesn't care how other people refer to him as long as there's respect.

--------------

This post focuses more on the worldbuilding and background aspects of the AU! There are a lot more in store for the Blank Scripts AU, and I want to explore more on how the characters might interact with their surroundings and how this would work to make a world that makes sense.

It would be so cool if people made self-inserts or OCs for my AU actually. I'd love to see how you guys would work with my stuff. Play around with it like a barbie world for your little barbie dolls. Be canon compliant, be canon divergent, who cares, have fun.

[horreurscopes]

my guy pretty like a girl & he got fight stories to tell; i see both sides like chanel

[mamawasatesttube]

it's like, i really do enjoy most of the bats as characters and i really do like a lot of their comics. but also i am sooooo tired of them being hailed as better than literally everyone else. both in fanon but also in comics (modern ones are esp egregious imo, like WHAT was that shit about batman and the joker being the most dangerous men on the planet. hi. have you heard of lanterns? speedsters? supers? actually if i keep listing groups who could kick batman's ass we'd be here all day). they're like kudzu. that shit needs to stay in its native environment (funky little neo-noir detective stories) and stop being an invasive species (putting down everyone else to make them seem cooler). put bruce wayne back into a murder mystery setting that isn't about saving the world but is about saving one person or one family that no one else would've saved right now or so help me god. the whole invasive species cross contamination thing is unhealthy for both him And the other ecosystems he keeps getting transplanted into. please. it's so dark in here

[twigsyy]

students

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[dromaeo-sauridae]

a dear visitor

heavily based off the max kurzweil painting of the same name :) i like to imagine arthur bullied kieran into bringing his horse over while he was covering from the o'driscolls incident. while grimshaw wasnt looking, of course

(reblogs>likes!)

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[surreal-duck]

happy kiss day 💌

[naamahdarling]

.

[blossoms-phan]

they’re going to kill my brain between being chronically online for tour content reading fic before I go to sleep having dreams about them and now waking up twice to ig stories bc of time zones they literally never leave my mind palace

[cyclogenesis]

Every Single Other Universe. Logan/Wade, post-Deadpool & Wolverine, Explicit. 12,470 words.

In which Wade and Logan and their variants are being hunted down by a hater from the Void and are thus tasked with hunting the hater back. Weirdly, all of their other variants are dating each other in their respective timelines. Does that seem meaningful to anybody else?

Read it on AO3!

[mainalias]

thinking about compiling screenshots of golden/silver age batman exclusively calling dick his ward to combat the allegations that it was “initially a father-child relationship”

[astrum99]

Someone PLEASE post the full video that Francis made on Twitter I am so unwell I need it on my blog right NOW

ImGOING TO DIE

Link:

https://x.com/francishsie/status/1760707232445153423?s=61&t=vtwWT2G2nDTtReawfvn-ug

[cerise-on-top]

Hi! Hope you're having a lovely day ✨️

Valeria and Gaz with a fashion designer s/o! Dressing them up and using them as a practice model to test new designs... this has nothing to do with my need to put Valeria in a suit, ofc not

Anon, you're so galaxy brained for wanting to put Valeria in a suit in all honesty! She'd look so good in one because women always look good in suits!

Gaz and Valeria with a Fashion-Designer!S/O

Gaz: He’d honestly be so flattered you wanna use him as a practice model. Don’t get me wrong, he’s a very pretty man and he’s well aware of that fact, but he didn’t think he’d ever get that sort of privilege. The first time you measure him he’s a bit confused, but complies, asking you with a chuckle about what you’re doing. However, as soon as you present him with a jaw dropping suit that leaves every other one in the dust, he’s a big fan. While he may have supported you from the very beginning as soon as he heard that you’re a designer, his support skyrockets as soon as you present him with the first piece of clothing for him to wear. He feels so very fancy wearing it. He may be used to wearing fancy clothing from time to time when invited to certain occasions, such as weddings, but he never really paid much mind to that sort of thing. Once you’ve put the first article of clothing on him, he’ll ask you if you wanna use him as a practice model again at some point. Only if you feel like it, of course. He hopes you’ll say yes, he loves how creative you are and the things you create. You’re a lovely designer who puts their heart and soul into it all, and it shows. Although unprompted and despite it being a bit silly, he’ll also pose and do that one walk models do where they sway their hips. He feels pretty in your clothing. If he can afford it, which he likely can, then he’ll even buy some of the things you’ve made. And yes, he will 100% wear them as well, doesn’t matter if it’s a fish tail or if it’s a shirt with a dragon on it. He unironically loves it and will wear it whenever he can.

Valeria: She chuckles a bit when you ask her to put on some clothing you made. Valeria is a very attractive woman, and she knows it, so she’s not at all surprised when you ask her to put on a suit. She’s worn those before, and every time she has she was turning heads left and right. If you blush while seeing her in a suit then she’ll chuckle and trap you against the wall before letting you continue whatever it was you were doing. Like Gaz she wholeheartedly supports you, and she’ll own every single article of clothing you’ve ever created. While she may not have the time to wear them all every time, you will catch her wearing your creations from time to time, if there’s no danger of them tearing. Valeria’s glad that you trust her enough to want her to try on all your prototypes and will gladly pose like a professional model for you and you only. The first time you measure her she, too, would be a bit confused and would ask you regarding what you’re doing, but afterwards she’s more than happy to model for you whenever she can. She doesn’t have a whole lot of time for that, but the things you do for love. If you ever want a real, professional model, she can arrange one, though, it’s no problem for someone like her. Besides, she has a pretty good eye for fashion as well, so she can give you some hints regarding what could look good and what might be a complete no go. You don’t have to do as she says, but she will point it out if you do. If she ever does find herself having the time and there’s a fashion show that shows some of your clothing, then she’ll watch it and jokingly tell you that she looked better in your clothes than all those models did. If you ever need some creative inspiration then I’m sure Valeria can help you as well, she’s seen plenty of things and is always more than happy to help you. Besides, she can get just about anything as well, so you really don’t need to fret if you wanna feel the fabric of something yourself.

[pathologising]

ok officially asking bc I do actually need some help </3 hi I'm angel and I'm trying to get out of this roach infested apartment !!!!!!! Management was really shady and didn't tell me about the massive roach infestation untill after I brought it up to them and now I have to pay first month's rent + lease break fee -_- (this is all on top of moving fees for the new place) !!!!! The roaches r making my eczema and sinusitis really really bad so I'd appreciate if anyone could spare some aid to help me move out or just so I can afford to eat this week pls ;_; !!!!!!

cshapp is $angelophie vnmo is @ angelophie and pypal is @ pathologising

Any and all help is appreciated bc I've been rly struggling this month ;_;