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#north wales
uroko · 3 days
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˗ˋˏ ♡ ˎˊ˗
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ancientsstudies · 11 months
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Gwrych Castle by wander_linaa.
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allthingseurope · 8 months
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North Wales, UK (by Elissar Haidar)
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pangeen · 10 months
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“ Point of Ayr Lighthouse “ // Aled Lewis
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howlsofannwn · 7 months
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Welsh Folklore
Black cats, often considered banes and the companions of dark entities elsewhere, are welcomed in Wales as felicitous granters of bright fortune and good health.
"Cath ddu, mi glywais dd'wedyd,/ A fedr swyno hefyd,/ A chadw'r teulu lle mae'n byw/O afael pob rhyw glefyd."
"A black cat, I've heard it said,/ Can charm all ill away,/ And keep the house wherein she dwells/ From fever's deadly sway."
- Welsh folk-lore: a collection of the folk-tales and legends of North Wales by Elias Owen, 1896
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huariqueje · 8 months
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Llandudno Pier - Clare Wrench
British , b. ?
Acrylic on canvas , 15.5 x 11.5 cm.
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jason-1971 · 4 months
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mostlyuk · 8 months
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North Wales by Catherine
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gluepoo · 1 year
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vintagecamping · 1 year
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Three friends climbing on top of a bluff.
North Wales
1931
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fabforgottennobility · 3 months
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LLANRWST
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doublebill · 2 years
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angiethewitch · 11 months
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went for a little walk the other day around llyn geirionydd
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TINN will be hosting in person Social and support groups in Bangor over the next months, At Fran Wen Nyth on Fordd Garth.
5pm to 7pm 18/03/24 15/04/24 20/05/24
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howlsofannwn · 4 months
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Happy Winter Solstice and Merry Christmas from North Wales.
Heuldro'r Gaeaf Hapus a Nadolig Llawen o Ogledd Cymru.
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schweizercomics · 1 year
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As of this week, I'm back from the Welsh mountains of Snowdonia, where my family and I went three weeks ago for a harp festival in which my daughter was participating. We spent most of our time in the castle city of Caernarfon, where the festival took place, and stayed across the street from a really big, really lovely old church at the base of Twthill, “Wales’s smallest mountain,” site of a Yorkist victory during the War of the Roses.
One of the days that we were there, I took a bus to nearby Bedgellert, ostensibly named for a noble but unjustly murdered 13th century dog, and set out to reach the top of Dinas Emrys, which lay outside the town and near a defunct Victorian copper mine (which I also crawled around in).
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(outside the mines, before I started walking)
I wandered through a lot of countryside, woods, and sheep farms. The standard Welsh joke is "Don't like the weather? Wait five minutes," and that was the case - ten minutes heavy wind and rain, ten minutes sunshine, off and on for about four hours.
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In the next pic, you can see the hillock of Dinas Emrys from before it crests upwards...
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...and here it is from the top. The tree sits just outside the tower ruins (the pit to its immediate left).
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I've never had such a beautiful walk to such a satisfying end. Not only was the peak gorgeous, but it also had the bonus of being a historical/mythical destination right up my alley.
The top of Dinas Emrys is where the oldest English/British histories (the 9th century Historia Brittonum and Geoffrey of Monmouth's famous History of British Kings* place the tower of Vortigern (and subsequently Ambrosius, in many versions the older brother and predecessor of Uther Pendragon), which in the legends had to be rebuilt numerous times because of the red and white Dragons that fought at the pool below it and which were taken by a (then young) Merlin as an omen for Welsh/Briton victory over eastern invaders.
*My pal Benito Cereno is currently translating Geoffrey's book from Latin, with some commentary, on his Patreon, and you can read his translation of the story here.
The sun was finally (consistently) shining by the time I got to the top, so I took off my shoes and socks to dry them, lit my pipe, set up my easel, and did some sketches of both the tower ruins and, once I climbed down to it, the hidden pool below.
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I was quite happy with the travel easel I'd built and carried for the last eight or nine miles, until the heavy wind took it off the side of the mountain and broke it. It's fixable, but not without tools that I didn't have in the mountains, so that was that.
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I haven't finished most of the Dinas Emrys sketches - like a lot of my travel stuff, I pencil (and sometimes ink), throw a couple of spots of color, and take photos to use as reference, so that I can do more pieces on a limited traveling schedule. But I'm looking forward to finishing the drawings of the pool especially - it felt like I was in a fairy tale down there, and I hope I can convey it (although the leafless, windswept [I think] hawthorn trees, reaching toward the pool like hands, aren't like any trees I've ever tried to draw before this trip, and trying to get them right is part of the reason I ain't yet done).
The trip back down was less idyllic, partially because going down over wet rocks is, while less strenuous than going up, more demanding of care and attention, so I had to watch my feet more than the surroundings, especially having taken a fall up by the ruins. But I'd count the trek as one of the genuine high points of my life. I was elated and in awe for hours at a stretch, and absolutely overcome with the beauty of it. And, while the rain might've been unpleasant and chilly at times, it meant that the sun fought through water and clouds to create the most incredible vistas, and the rain meant that the colors of the mosses and grasses were at their most vivid.
I'll have castle drawings down the line, too, and some others from around the harbor town, and I can't stress how much we enjoyed our time in Wales.
I did take a few days to go up to Leeds, do a signing at Traveling Man, and visit the  Royal Armouries a few times to do drawings. One of the folks who came to the signing, Dr. Tzouriadis, is a currator at the armouries and was kind enough to give me a tour on my last day in Leeds, including getting to see the research library, which I now know to make an appointment for visiting the next time I'm there (I likewise learned about the British Library reading rooms and research collection, and got a card for it for the next time I'm in London).
Dr. Tzouriadis was incredibly generous with his expertise, and I learned or clarified a lot of really neat things that'll influence how I draw swords and armor in the future. And I've had some practice this trip thanks to the incredible collections with which I had a chance to spend some time.
Each day over the month of May, I'll be posting one drawing of a sword (or other edged weapon) from either the Royal Armouries, the Tower armory, or the British Museum. It's jumping the gun a bit, but here's a sneak preview of the first one:
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They're toned with a single color (indigo) so that I can collect them into a book in black and white and make both its manufacture and selling cost a bit less than I could were I to do color - it also cuts down on the time spent making them. I'll likely put them up for sale each day as I post them, likely for the same price (50 plus shipping?), as a means by which to recoup some of the (substantial) cost of the trip.
While in Leeds I also got to meet cartoonist James Lawrence, have dinner with cartoonist John Allison, and briefly stop by OK COMICS in the arcade, which was an incredible store with an amazing selection of books.
After Wales we went to London (Penny's first time), and Penny was unfortunately ill for a couple of days, so I spent time at the museum doing sketches, and visiting the library treasures gallery. We saw a couple of musicals that Penny was keen on seeing, went to Charles Dickens's house, visited the Tower, ate some cheap meat pie with jellied eels in Greenwich, toured Westminster and St Pauls (I went to a Eucharist service at the latter, as well as one in Wales in a lovely little church built into the castle wall more than seven hundred years ago), and a handful of other things, including seeing the Tempest at the Globe Theater - my first time seeing a play at the Globe, and my first time seeing the Tempest performed.
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I also got to visit a whole store devoted to Tove Jansson's MOOMIN, where I got a mug and a biography of Jansson, and it was next door to the Benjamin Pollock's Paper Theater shop. I went to London disappointed that the Pollock paper theater museum had closed only months before after decades of operation, and didn't know that there was an (unaffiliated since the 80s) shop, so stumbling upon it was a real treat (stumbling is how I like to do cities - I walked crisscrossed the town between the Euston and the river and found some great shops, including a lot of bookstores).
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Now that I'm home, I'm very keen to get back to work. I'll be doing Patreon commissions, coloring a book for my friend and frequent collaborator Kyle Starks, and just settling back into being able to work, which I missed an awful lot despite the wonderful trip.
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