Just gonna have to wait and see, right? Just wait and see! Just gotta wait and see! Who knows, we'll just have to wait and see! It's anybody's guess, we'll just have to wait and see! The future is exciting, we just gotta wait and see!
honestly i'd dig a fic where the Cat King (after getting blitzed by esther and reforming as a new cat) goes limping and pathetic to find Edwin only for Edwin not to recognize him in his new Cat appearance and who proceeds to take care of and exasperatedly fawn over this quiet new companion.
Charles and the New Cat have an inexplicable vendetta no one else in the office understands, Niko is obsessed with dressing the cat up, Crystal just wants the thing to stop shredding and shedding on her clothes. Edwin likes the way the cat purrs softly against his chest late at night when the others have gone to rest. He talks to it about everything and anything, and CK (now pretty well trapped in his sort of accidentalish ruse) has to figure out a way to come clean without totally fucking up whatever tentative thing he's managed to cobble together with his favorite Dead Boy.
something kind of gross to me is the way that some artists who post about how AI is going to take their jobs speak in a way that makes it seem like they think they are the first and only profession who has ever faced this kind of existential threat. they just seem fundamentally uninterested in relating the fear they're currently experiencing to the larger context of labor movements and the history of technological advancement/automation's effects on other fields.
they only ever discuss the problem with automating creative labor. there's this sort of implicit stance that when labor they view as not requiring The Divine Spark Of Creation Only A Human Can Possess gets automated that is just the natural course of technological advancement. But when it comes for their labor it's suddenly a completely new thing and a threat to the fabric of our Culture. The idea that creative work should be venerated above other forms of labor and is uniquely deserving of protections is just kinda shitty and stupid.
I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.
Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.
So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.
I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.
Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.
You can really see how desaturated and "white fluorescent lighting" the original color palettes are.
[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]
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ok so i know everyone knows the 87 turtles break the fourth wall (and that rise raph has done that too) but something all the rise characters can do is break the frame
like is it as powerful as a fourth wall break? maybe, maybe not, but they also have a fourth wall awareness abt them that i find very entertaining
i need more people to be insane over others very specific aus that are very far from the original. its fun i promise
i need to see more very fanon designs i need to see super specific aus please make the most self indulgent aus and self indulgent designs and please people reblog it i wanna see it i wanna see all of it can we REBLOG MORE ART PLEASE