What blends does Puukko put in her pipe... I wonder...
Back in her pirate days, it was pretty much just whatever got plundered from other ships! She didn't do much experimenting aside from trying whatever she got her paws on. These days, living in the lonely mountains, she tries to get dried or fresh herbs and unique blends from wherever her travels take her or from the odd traveling salesman. Usually, she'll mix up a big batch to have on hand for a while. Something like 3 parts tobacco, 1 part lavender buds, a pinch of rose petal, and 1/2 part mint for a little tingle on the back. But what she has on hand and the ratio she uses varies.
Ahhh I'm so glad people are taking an interest in her again lately, makes me all sorts of giddy when someone asks me about her! Thanks for the ask! ❤️
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I'm putting together my approach to go back to the doctor again for the first time in 5 years to have the My Body Has Chronic Don't Work Syndrome Please Diagnose Me
however I'm really struggling to put into words the Why I Want A Diagnosis of it all. If you have a chronic illness (I'm specifically pursuing an EDS diagnosis), particularly if it's one for which there's no direct cure or treatment, what's your reasoning for wanting a concrete diagnosis? All takes are useful - physical impairment/pain stuff is the most useful but anything (other physical issues or neurodivergences) will help me get my brain moving.
I mostly tbh just want to know what it is and what to expect. I want to be able to say 'i have these symptoms bc I have EDS.' when Ido physical activity or start a new job or seek medical attention I want to be able to say 'here's a heads up about what my needs are and why.' and tbh I want. validation for the fact I've been in nearly constant pain or neuro fog since I was like 8 years old. bc even though I know it's real there's a big difference between a set of subjective symptoms and a label. like. feels like every few weeks I discover another thing that Isn't A Problem For Anyone Else and it's been literally 20+ years I've been just Getting On With Things.
(it would also help a lot with my sibling's diagnosis, if either of us can get a formal diagnosis it'll smooth the road a lot for the other one and they're a Lot iller than me)
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gonna show u guys a little opalescent highlight hack i threw together today
rainbow gradient above your main figure (i usually have all my main figure folders/layers in one big folder, so i can clip gradient maps + adjustments to it!). liquify tool to push the colors around a bit. STAY WITH ME I KNOW IT LOOKS STUPID RN I'M GOING SOMEWHERE WITH THIS
THEN: set it to add/glow (or the equivalent in ur drawing program), lower the opacity a bit, and apply a layer mask. then u can edit the mask with whatever tools you like to create rainbow highlights!!
in this case i'm mostly using the lasso fill tool to chip out little facets, but i've also done some soft airbrushing to bring in larger rainbow swirls in some areas. it's pretty subtle here, but you can see it better when i remove the gradient map that's above everything, since below i'm working in greyscale:
more granular rambling beneath the cut!
u could also just do this with a brush that has color jitter, but what i like about using layer masks for highlight/shading layers is how simple and reversible it makes everything. i can use whatever brushes i want, and erasing/redoing things is super low stakes, which is great when i often approach this stuff with a super trial-and-error approach.
example: have u ever thrown a gradient w multiple colors over an entire piece, set it to multiply etc, and then tried to erase it away to carve out shadows/highlights? it's super frustrating, bc it looks really good, but if u erase something and then change ur mind later, u basically would have to like. recreate the gradient in the area u want to cover up again. that's how i used to do things before figuring out layer masks!! but masking basically creates a version of this with INFINITE undo bc u can erase/re-place the base layer whenever u want.
anyway, back to rambling about this specific method:
i actually have TWO of these layers on this piece (one with the liquified swirls shown above, and another that's just a normal concentric circle gradient with much broader stripes) so i can vary the highlights easily as needed.
since i've basically hidden the rainbow pattern from myself, the colors in each brushstroke i make will kind of be a surprise, which isn't always great -- but easily fixable! for example, if i carve out a highlight and it turns out the rainbow pattern in that area is way too stripey, i can just switch from editing the mask to editing the main layer and blur that spot a bit.
also, this isn't a full explanation of the overall transparency effect in these screencaps! there's other layer stuff happening below the rainbow highlights, but the short version is i have all this character's body parts in different folders, each with their own lineart and background fill, and then the fill opacity is lowered and there's multiply layers clipped to that -- blah blah it's a whole thing. maybe i'll have a whole rundown on this on patreon later. uhhh i think that's it tho! i hope u get something useful out of this extremely specific thing i did lmao
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