#not saying this is my current situation

[sillygoofygoobersstuff]

you know the obsession with the character is bad when you start dressing like them..

[sameboot]

Simon petrikov coping FAIL compilation

[14dayswithyou]

💖 Day 3.5 is now available! 💖

For the last couple of months, only Server Boosters had access to the 3.5 update... Buuuuut now it's available for everyone to play in the 14DWY Discord — and soon itch.io once I'm happy with the QA and state of the game — so please don't feel pressured to join unless you want to!!

The full devlog + even more screenshots are under the cut ^^

What's been added to the 3.5 version?

📺 Streamer Mode!

I've been told that it's difficult to stream and monetise age-restricted videos on YouTube and Twitch, so I added an option to remove the sexual content and strong language used in the demo.

Now y'all can invite Ren into your bed for cuddles without putting your streamer career on the line /silly /lh

This won't affect the 18+ rating or dark themes/elements of the game, however! Although Streamer Mode will prevent you from seeing any "gruesome" CGs in the future, most of the core elements of the game will still be tied to the choices and decisions you make. So you won't miss out on the overall experience by using streamer mode!!

⚙️ Custom Pronouns!

It only took me one entire year to get around to it, but you can finally choose your own preferred pronouns (or use a set of pronouns instead)... At the cost of being able to change them mid-game ^^;

Since the original pronoun screen wouldn't update until a new scene was displayed, I temporarily disabled the feature. But once I find a workaround, I'll bring it back!

💗 Choose how others perceive you!

You can now choose how the cast and narration perceive you! Originally, the narration was kept strictly gender-neutral (outside of pronouns and genitalia picked by the player), but this will soon change in future updates.

For more clarity: you don't get to choose the words specifically, but you can choose between masculine, feminine, and androgynous terms!

📋 Separate top and bottom genitalia!

You can now choose your tatas and pps separately! >:3

Alongside that, you can also choose your preferred body type!

I removed the "both" genitalia option because a few players still assumed it was an obscure version of "intersex". That wasn't my intention and I don't want to mislead anyone, so I took it out for now ^^;

I also didn't want to include a screenshot of the new genitalia choices in action (because it's NSFW), so y'all get the same character menu screen for the nth time instead lmao

📱 Relationship Screen Overhaul!

You can now change your own status for more immersion, and long-term Server Boosters will eventually be able to submit and use their own icon within the game as well!

Stalking finding your friends has now become easier by using "Buddy Maps"; a new app that allows you to see the location of all the cast members!

I want to offer players more incentive to check the relationship screen since they tend to miss the status updates, so hopefully this might help ;v;

It also says it "updates every few hours" so folks don't go overboard and check every 5 seconds to see where Ren is gdsghf (also keep in mind that he's a hacker lol)

🖤 Additional Scenes Update!

Day 2 received a brand new CG!!!!! Originally, I planned on only adding a few CGs sporadically throughout the game, but it didn't feel right to leave Day 2 so... empty... so I added a brand new CG to (hopefully) make things feel more balanced and natural!

If you decline Teo's offer on Day 3, Leon will now call and try to convince you to reconsider. However, players are still allowed to decline, and if they do, they'll reach a dead end.

After listening to feedback on itch, I changed some of the dialogue during Days 1-3 to make it seem more consistent! They're only small changes though, so it's honestly not worth looking for sdgjssga

🎶 Updated BGM and SFX!

I wanted to try out a different style of music to see if it fits the vibe of 14DWY more! The BGM features more acoustics to suit the "beachy" theme of Corland Bay, though I made a conscious effort to include piano elements as well to stay true to the original!!

I figured it'd be better to give players a live example before I make a poll (to see if they prefer the change or not) and publish it to Itch.

Some new SFX have also been added, though it's very minimal and honestly not that noticeable.

How to download and play the update?

(warning: clicking on the following links will open Discord!!) To download the Day 3.5 update, simply join the 14DWY Discord server, verify your age, and visit the "14dwy-updates" channel!

Alternatively, you can also wait until the update is publicly released on Itch to play it as well!! (It normally gets released shortly after a round of QA testing/getting feedback from the server, though I may release it earlier if I feel like it hehe ^^)

Enjoy!!

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[greykolla-art]

Guys, Taskmaster has so many good quotes that fit them!😂

“I never know if you two are gonna fuck or fight!”

[batsplat]

pecco rant please please

*spins wheel on possible topics* absurdly underrated but in a dumb way. you'd think you can stumble your way into two premier class titles. I don't care he's on the best bike - let's be honest, how often this century have the title winners not been on the best bike? 2004 and to a lesser extent 2005 you can say clearly weaker bike, 2007 late 2010s 2021 there's a clear enough disparity with anyone else riding the bike that you can say clearly the rider is making the difference/it's an unrideable wreck one guy is making respectable, then there's a few seasons where it's at least very close whose machinery is best or they're fighting with people on equal equipment, which pecco has done! but generally speaking, good/promising riders end up on good bikes and then they win. that's how the game works!

the thing about 2022 is that it had such a massive mid-season swing that overhauling a ninety something point margin cannot come down to any single factor. is it fair to say fabio lost that title? on balance, it's a bit harsh - yes, there were a few too many errors post-sachsenring, yes, some were driven by desperation, but also you can't really expect anyone to ride a flawless season. but pecco did win that title as much as yamaha lost it. I don't care if you're riding a literal rocketship with two wheels, you can't win four races in a row if you're not extremely good at what you do! if we're saying that title was worth less because the yamaha turned to shit in the second half of the season, then let's keep going. let's put an asterisk next to 2013 because jorge and dani both got injured (let's not even get into the 'if marc hadn't been injured' asterisks because that's where you get into truly silly territory). is 2006 not a legit title because of all the bad luck valentino faced that year? let's say all titles between 2007 to 2015 were worth less because at any one time only 4-6 bikes had a realistic chance of winning races. throw out any title before 2009 because they were constantly fucking about with the tyres and there wasn't a level playing field. if you're motivated enough, you can play this game with basically anything, but it's dumb and pointless because that's not how sports works! you can only win against whoever you're facing. it has always been thus and it will always be thus

it's narratively fun and juicy that pecco has these insecurities himself - but within the context of everyone else doing discourse over it, the whole thing is massively overblown! linked to some of the worst sports discourse about how much people love to disparage late bloomers, because they need every single successful athlete to fit the same mould of the ultra-talented wunderkind, apparently. it's more interesting when it's not always the most 'talented' (whatever tf that means), naturally gifted, *fast the second he touches a bike* bloke who wins. sometimes they have to work hard for it, sometimes they have to improve themselves year on year and be smart about how they do it, sometimes they have to be in the right place and right time, sometimes they have to be very lucky. sports is all about competition, and competition is all about contrast. it's a contrast that can be generated in a whole lot of ways, and in fairness to motogp they have come up with a bunch of interesting narratively tense contests that don't rely on a massive fundamental 'talent' differential - but at the end of the day, that's one of the best ones you can have! the more ways you can have to win in any given sport, the better, both in the literal sense of how you go about the actual process of winning and how you even become a winner. none of this means that pecco isn't very very good, it means he got there in a different way than every other multiple champ this century has. it fundamentally flattens the sport if you want every top-level competitor to be an alien-level talent... one of the best things about this current era is that it has given us something new and exciting in that regard, where you well and truly believe some very different blokes might have what it takes to eventually be champion

anyway, pecco is absurdly adept at digging himself into holes and absurdly adept at digging himself out of them. he's one of the worst frontrunners imaginable in every sense, biologically incapable of dominating without at least a perpetual hint of jeopardy, both in the context of a race and a season. but when his back is against the wall, somehow he keeps finding performances you never imagined he was capable of. his mixed up and slightly odd skillset, his strengths and weaknesses, how he's better and worse than he has any right to be... all of it lends itself to perpetual momentum shifts and thrilling seasons - because you never quite know what you're going to get. love him or hate him, he's a gift to the overall competitive landscape! god knows the racing hasn't been much to write home about these last few years (though, yes, we did have a good little run this season), but somehow he's managed to get himself involved in two out of the six title deciders this century back-to-back. is that not the dream for the viewer, to have a bloke at the top of the sport with a little self-combust chip in his head every time he builds too much of an advantage? build a hundred of those guys! throw a marc marquez at him and see what he does! I can't wait to see what he'll come up with next

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it��s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[msburgundy]

i think society as a whole would be a million times normaler if we just never said the phrase "mental health" ever again. 99.99% of the time people actually mean "feelings", which are normal and non-pathogical and should be treated as such. even bad feelings are still normal.

[essektheylyss]

I know I joked about DVDs but in all seriousness, I'm really glad that there's an option for watching VODs that isn't on Twitch and YouTube. It's been mentioned a few times today, but both of the interfaces of these platforms have been increasingly enshittified. I simply do not use YouTube anymore because of how horrid the interface is. I caught up on campaign 2 entirely on YouTube (and sometimes via podcast) in 2019 with no issues, but it is straight up maddening trying to use it now, and I don't know that I would have made it through the campaign if I was trying to catch up today.

I absolutely understand being tired of additional streaming services and I am absolutely in the same boat, but I also don't know how many people really recognize how gutted media distribution has become in the last ten years in the name of convenience. We all kind of realize it, but it's hard to grasp just how extensive it is. We can talk about independent business choices separately, and we should, but when the only platforms on which you have the option to distribute your work are at best frustrating to use and at worst hostile to human life, when monetization services can censor anyone they please with little explanation and have been cracking down on any content they arbitrarily deem inappropriate, when it is not clear that centralized conglomerate social media sites will continue to exist in the next year let alone decade, it is genuinely crucial for independent creators to start building alternative avenues of distribution that they control now.

[king-of-moths-shoes]

I’ll take my turtles pissed off, thank u

Math doodles!

[muirmarie]

i do think one of the funniest things people do is, sometimes when we have a group of friends, you just know that someone doesn't like you. i don't mean they hate your guts or anything, but they just Do Not Like You. but you're in the same group of friends, so it's whatever, you're both nice and polite to each other, and if you ever told another of your friends, they'd be like nooo, don't be silly, so-and-so absolutely likes you! so you just don't mention it, and they don't mention it, and sometimes you end up in situations with just the two of you, and it feels vaguely like you're making polite small talk with your worst coworker, and the two of you never admit what you're both absolutely aware of, and this can easily go on for years. i just think that's a funny thing we do.

[toxooz]

Feel free to not answer this if its too invasive but what do you do for work? how do you manage your time to still create such awesome things while working? sorry if this comes off as weird I just want to find a way to work while still having time for my art

hoo boi ok i went into the job field hellbent on getting a more heavy duty job like welding and just do art as i please and preserve my passion for it so i dont get burnt out from an art job, but bröther ive realized the hard way my body just don't have the energy to balance working my ever sweatin ass off all day and Also have the energy to draw. I used to have a factory job building coolers but the management went to pure shit, all my good coworkers got fired or quit, and i was beginning to not trust myself holding a framing gun sOOO as of rn i '''technically''' don't have a job, my patreons payin the bills (and then some praise the lorTTTT) rn plus i got that mural gig that came at the most perfect time but im currently perfecting my craft at tattooing so i can get into that field eventually 🤙 i worked my ass off and drew my ass off for a while but my lack of energy made me crash and burn so i may not be the person to give advice on that AHHAAaa

[shadowslocked]

“The QSMP doing events and lore feels off given the admin situation especially since we haven’t had an update” and “we likely will not receive updates on what is being worked on behind the scenes and if we do it likely won’t be in depth, we’ll have to wait and see what happens” are two things that can co-exist

[thatoneweirdo14]

it's scary how accurately link click portrays broken homes

[icewindandboringhorror]

boy in silly sitting positions compilation

[alagaesia-headcanons]

I genuinely love Eragon, I think he's a good person, but his attitude towards Murtagh specifically has this distinct, almost cold lack of empathy. And it's strange he feels like that in this particular situation because Murtagh's fate- his capture, his torture, his dragon used like a hostage, their enslavement- that exact fate in its entirety is bearing down on Eragon through the whole story. Because that's exactly what would happen to Eragon if he's ever captured. That fate is snapping at his heels; it gets close enough to draw blood. Yet Eragon tends to act like he's above Murtagh's situation. He looks on it with pity, but also disgust, all with an air of distance and separation. There's never a horrified realization that this is what's waiting for him if Galbatorix captures him.

For that reason, I think Eragon's lack of empathy for Murtagh stems in part from a rather desperate optimism. He refrains from considering the worst possibilities to avoid despair over what he can't control. But that leads to this jarring disregard for the suffering of a man he is irrevocably connected to. Murtagh is a mirror of Eragon, reflecting what would become of him if the king ever gets his hands on him. Eragon is not above this; he is, in fact, so terrifyingly vulnerable to it. Even as he fails to imagine himself in Murtagh's place and understand him in that way, Eragon is the one most likely to end up in that place.

That alone should warrant empathy, but Murtagh is more than just a mirror. Eragon's luck has not held out, he has not been fortunate enough to outright avoid what Murtagh fell victim to, and the singular reason he's been spared that fate is Murtagh himself. Three times. Once outside of Dras Leona when he rescues him from the Ra'zac, again in Gil'ead when he'd been captured by Durza, and a third time on the Burning Plains when he lets him go despite his orders. Murtagh saves Eragon from capture, torture, and enslavement under Galbatorix and he does it over and over. Murtagh simultaneously exemplifies the worst fate Eragon could suffer while singlehandedly protecting him from it. And Eragon never once acknowledges it.