#nothing makes sense without you

[daddyxineedyou]

Pretty much everything that's left of you..

A lost best friend, a lost son. Questions over questions..

Some jewelry. Some photographs..

That's about all.

I would exchange everything for a last hand written letter by you.

Everything without a doubt.

You leaving without the two of us having a last conversation is the hardest thing I ever had to go through.

I can't go on without you. Without your strength, without your love. Nothing compares to you.

There are a lot of boyfriends, maybe even husband's.. But only one Dad..

And for me you were the most important person. And you ever will be the most important one.

I would exchange my soul, my grandma, my cat, even my own baby without a blink for you. YOU. YOU. YOU!

[thedreadvampy]

Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.

"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."

translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"

It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!

very this

[babybells123]

(ASOS, Sansa II)

(ASOS, Jon XII)

[fictionadventurer]

Have I mentioned lately that creating AUs is the most fun thing ever? You get to take a story you love and then mash it against another type of story you love and fit all their pieces together like they're a jigsaw puzzle. You get to find all the unexpected points of similarity where the stories fit together really well, and see the places where their differences change and make commentary on the original stories/genres in really interesting ways.

And then once you fit the pieces together, you get to look at the new world you've made and see how these characters in this specific world have different conflicts and explore new themes, and you get to play with another level of puzzles as you figure out what this means for this story.

It's the most fun ever. It's my favorite game.

[uncanny-tranny]

It's actually kind of heartbreaking how many people feel their life has ended right after high school or college, and honestly, the heavy romanticization of that period of time is so overwhelmingly predominant that it can be hard to avoid. It's insidious to constantly be told that ages 10-24 are the only worthwhile parts of life, that everything after is essentially meaningless and dull.

It's hard not to look around you and think that your life still is open and full of potential when you're told over and over again that the rose-tinted childhood is the last time you were alive. It's hard to realize that your life isn't over when you walk off the stage of your graduation.

We must realize that we will always be full of potentials. Your life won't be over until you take your final breath, and then? That's simply another chapter in your story, one of many. Let yourself realize that you're alive in the here and now. There will be good and bad, but never a complete loss of potential or hope.

[yannaryartside]

The table scene: I will hold the world for you

Promises and friends with insecurities

This scene was the culmination of their arcs in this season; their arcs, in some senses, had nothing to do with each other but everything about wanting each other and figuring out how this partnership was essential to each other. Another long one.

Under the table is their relationship, trying not to collapse under the burden of the table, the world, and their trauma. 

Sydney had started the season wanting to be a partner to Carmy and finding a partner with him; he was, for her, a vehicle/support to tackle the big wolf of her insecurities, thinking her failures were her own fault, her burden. She was tired of feeling alone and not enough to walk the path of hurt, trials, and disappointments that her life has been. Carmy was also tired of feeling alone, of feeling unlovable. He saw a way to heal that in Claire and took it. In the process, he disappointed Sydney in his lack of commitment to the restaurant (and her); both were jet to decipher the true feelings they hold for each other, a truth that was to be set in the background, simmer and simmer, and then explode.

The explosion for Sydney occurs inside; she realizes little by little how much Carmy reveals to Claire. The explosion for Carmy went the inside out, the panic attack scene showing him what he had suspected all along. He was forced to confront the fact that his bond with Claire, even if he had feelings for her, was not enough to push away his fears and trauma (this was not a secure attachment; it was never based on two people actually knowing each other, or healthily supporting each other). I LOVE Carmy's face in this scene btw; he is so happy to see her in his mind; the fucker is like, "Oh, there you are; wtf can you do this to me? But thank god you do"

Sydney experienced Carmy pushing her away more and more as the season advanced, all while Carmy grew in discomfort with his "relationship" with Claire. Carmy and Syd tried their ways to make the situation more bearable. Sydney tried to communicate her needs for support in this scary process of creating a restaurant (trying to ignore her feelings); Carmy, being a clautrofuck of emotions for getting what he wanted for so long, to still feeling shit about it, was terrified of losing Sydney and tried to create a menu "for her" instead of "with her." But they never reached each other truthfully, even after this point, because they were so afraid to lose that glimpse of security they provided each other that they never went to the core of their fears. (they abused the "I am sorry" sign, made assumptions, and held to reservations and resentment).

They are walking on shifting sands, uneven terrytiory=uneven table.

AND THEN, THE TABLE SCENE

The blocking of this scene is phenomenal. They changed positions when they were changing about subjects in the conversation. All while they are trying to fix an uneven table. It is uneven because neither of them knows where they truly stand as partners, and yet, the scene manages not to be about partnership, but about relasionship, and frienship.

In the beginning, when Carmy shares his "burden" for this season: his relationship with Claire, the fact that she is excellent, but he cannot separate his trauma from her, not knowing what even a secure attachment is. Carmy is lying on the ground, his being exposed and vulnerable, resting. Sydney is holding the table when he explains all this to her while he is fixing "his side" of the table, his trauma, and his mistakes that had damaged their harmony. He acknowledges it and promises his entire focus from now on. Sydney also takes a moment to recognize that whatever Carmy has with Claire is something that he needs at some level, regardless of how that makes her feel (helathy or not, she sees that at some level, he wants it). She is holding the other side of the table. She is preventing it from collapsing on him, like he is giving him a space to feel his feelings, regardless of the pressure they both endure, as she has done with her actions all season. 

This is not about why she is carrying the restaurant herself, and neither is a way to imply she had to do it in order to be a good friend, of course not, but that is not what this scene is about. I think the conclusion of service in Service in Friends and Family is a more appropriate conclusion for Carmy's absence, and a better "punishment" even if she has yet not expressed how abandoned she felt by him, and all the ways he failed her, and let his trauma handle his time and his partnership with Sydney like shit. They may not be ready to be able to talk about that, nor do they know how to fix it. The service scene served for him to understand how badly he was not around. Decorated with the fact Sydney was able to guide the kitchen relying on others, being the true leader the restaurant needed.

The table scene, for me, is not about resolving any of that, it is about promises. Promises to find answers and realizing what they provide for each other.

The table scene is about two friends talking about their insecurities.

She holds the table while he confesses something he has never said out loud to anybody. Sydney is providing Carmy in this scene something he has never had: "a person to trust, to understand and to understand him, a person to know everything about, a best friend," anybody that he tried to form this with has hurt him at some point, Mickey being the most painful example, whatever he has wit Nat, or even Richie, doesn't come close by miles, he still carries reservations around them. He seems to have tried to establish that with Claire, surprised at how empty it left him anyway.

But when Carmy says "say more," asking her to change positions, now she is the one underneath, fixing her side of the table, laying on the ground, vulnerable, while he holds the other side. She lays down her fears of her past failures collapsing on her all at once, all the reasons she has always suspected she is not good enough for this, and he is the one reassuring her, holding the other side of the table, preventing the world (the pressure/trauma) from collapsing on her, giving her a space to confess without judgment. He gives her exactly what she needs; not only is she good enough for this, but not only does he know the desire to help people that drives her, but if fear creeps in, whatever obstacle or failure they face, he will hold her, and "they" will work on it. All this, all the things he gets from her too, he sees her, understands her, believes in her, and promises to be there for her, a best friend.

If anything, regardless of the context of what they need to do this in the first place, particularly on Carmy's part, even if is only promises for the momment, the table scene is a beautiful description of a partnership: you are not on uneven territory anymore; I will be the ground you walk on, I will build you up, I will give you a space to feel your feellings.

I couldn't do this without you I wouldn't even wanna do it without you You make me better at this I wound't let you (fail)

The harmony is restored, the ground of trust is settled, the table (the world/the trauma) is not collapsing on anybody, they both are compromised on a goal: supporting each other, whatever that leads them. Whatever that will mean in the future, finding new boundaries, ways to complement and help each other, maturing emotionally. These feelings? I don't know how to deal with them, but I will stand beside you.

Most importantly, they both realized that this security they give each other...they want it; they only had an idea of what their partnership could be at the beginning of the season, and now it has been revealed to them, just a taste, enough to get their hearts...wanting for more. 

You are not alone

[morzowo]

so one character got to learn how to live again, how to reenter society after traumatizing event that will forever impact his life, got to heal and rebuild his relationship with his family even estranged father, reconnected with his old friends and was able to create reliable support system of people that also grew throughout this healing process and now can understand him more and be there for him, got to graduate and start his own business and now can even give inspirational speeches to help others

and the other one had to leave two closest people to him that were his only support after his family death bc 'friends' he had before weren't type of people worth reconnecting with, move out of his country abandoning everything he knew his whole life just to * checks notes * start a job he didn't really want and the main reason he needed higher pay was to establish financial stability for one of two people who he had to leave and that no longer wanted to be with him

okay yea okay sure both cases are about personal 'growth'

[mikesbasementbeets]

it’s a little frustrating sometimes to watch people try to “debunk” gay mike evidence by quibbling over things that are. kind of beside the point? like arguing that mike’s consistently negative (or even neutral, if you want the benefit of the doubt) reactions to girls aren’t “disgust” therefore they don’t mean anything. but like 1. yeah i agree, cates gate isn’t about mike being “disgusted.” mike’s face when el kisses him isn’t “disgusted.” mike’s reaction to el, to max, to girls in general doesn’t really read to me as “disgust” either. so 2. what DOES it read to you as? incredulity? confusion? discomfort? those…. still aren’t positive reactions.

the point is that mike actively and blatantly Does Not react positively toward el kissing him. and he also Doesn’t react positively to dustin’s description of a girl being “hotter than phoebe cates.” he asks “is she cute?” with maybe preemptive incredulity (in line with will's question "girls go to science camp?") over a girl who goes to science camp being cute, or perhaps just a neutrally curious state over dustin's new girlfriend, but then dustin doesn’t say “she’s hotter than phoebe cates.” he says, “think phoebe cates. only hotter.” that’s a prescriptive statement. you want to know if she’s cute, mike? think about phoebe cates, and then imagine someone hotter than that. and mike’s expression doesn’t improve in the slightest. think about someone hotter than phoebe cates, dustin tells mike. and mike? remains confused and entirely unintrigued. no, he’s not disgusted, but the point is not his negative reaction, it’s a complete lack of any sort of positive reaction. if he’s listening to dustin, he should have, in that moment, thought of phoebe cates. and his reaction?

nothing.

(but. this is also just to say... i don’t even think it's fair to call most of mike’s facial reactions “proof” of his sexuality in any argument… i think they’re fun little easter eggs that add an extra visual element to his gay characterization. but. it’s not WHY people think he’s gay. it's funny to point out BECAUSE he's gay)

[edit: AND this is not even to mention the direct line drawn to this in season four via stobin's discussion of fast times, linking phoebe cates to 'people who like boobies.' #notmikewheeler]

[rotisseries]

everyone debates about elmike like oh they're the best of friends no they would never hang out on their own they don't even know each other, when the true answer, much like everything else about them, is that there is so so much and also nothing at all

[ashermiss]

I didn't want to just tack this onto my last post, but. I also don't think I've been emotionally handling the Palestine situation as well as I thought. I've been intentionally not reblogging any images/videos of dead/dying children but I've very much still been seeing them. It's heartbreaking. It's fucking soul-crushing. To know that this is happening. To know that there are people deliberately doing it. To know that there are people who could help stop it but refuse.

Knowing that a significant amount of people are fine with what's happening in Palestine right now.... god. I don't know how to fucking reconcile that. I don't know how to even begin.

[thisishowgalaxiescollide]

Fuck the nhl

[hella1975]

me: yeah i didn't project too badly onto taob haha *sees a quote from taob randomly on a tiktok webweave about girlhood*

[cacturne]

“Carmine is not the worst” and “kieran is not the worst” are statements that can and should co-exist

[caffeiiine]

SODA IM GOING TO MAKE MYSELF CRY

So theoretically would you rather be a prop or actor in a play?

The props are used by others sure, but they are vital. You can't have a play without them and they can completely change the tone and mood of a scene.

The actors have a vague sense of freedom. They follow a script but they interpret it and make it their own. They're the heart of the play but live under stress and pressure, crumbling if taken to far.

Though in the end they're only really good when the director knows how to use them.

Thats Siglai. In this essay I will-

ooooo, i’d probably be an actor honestly.

[the fact i can’t tell which one is supposed to be sigma and which is meant to be nikolai bc i see bits of both in each description tells me this is a very good analogy and i agree wholeheartedly]

ANYWAYS, GOING BASED ON MAJOR DESCRIPTORS: im saying sigma is the prop based on his backstory and current uses plot wise. and Nikolai is the actor!!

THIS IS SUCH A WAY TO DESCRIBE THEM BTW

assuming sigma represents the prop: sigmas sky casino literally houses one of the stages for one of their terror plots, the coin bombs!! and not to mention his backstory being trafficked and used for his ability, being deemed a tool before a person. only to escape and end back in the same exact scenario with less visible strings. <3 but at the same time he is literally how the doa got the whereabouts for the page if i remember correctly, and their stuff wouldn’t have worked without him or just would’ve been more difficult to pull off. [if he defects i wonder what’ll become of the doa tbh. assuming fyodor is most likely alive, and they continue their original goals]

aaand assuming the actor represents nikolai: the only reason he feels that vague freedom is because he believes he proved it everything he does is for free will. he needs to prove it and he needs to know it himself. he’s, of course, a sane individual like everybody else; he, of course, feels the guilt that comes with his actions. yk eventually he won’t be able to put it off anymore he hears the cries, and the screams and everything that comes with proof. he endures. and he endures. and he endures. all the meanwhile he’s only creating more more ties back to his own humanity.

What happens when he finally has to face this humanity of his?

We don’t know, perhaps we’ll find out in act II.

[cocoabubbelle-newblog]

Do current Marvel Writers hate Professor Xavier or something?

[starsandthorn]

feel like i need a corkboard and red string to make sense of the narzissenkreuz stuff