#nysf

[nysf2024-archive]

Sights and buildings around Australian National University in Canberra

[britannyxoxo]

[social-yogi-shyam-satish]

#Yogasana_Sports included in Central Civil services Sports Board केंद्रीय सिविल सेवा सांस्कृतिक-क्रीड़ा बोर्ड द्वारा नेशनल योगासन #NYSF फेडरेशन के प्रस्ताव को मंजूरी दे दी गई है! अब केंद्रीय कर्मचारी भी भाग ले पाएंगे! इनका खेल अंतिम सप्ताह मार्च 2023 में होगा! आप सबको बहुत बधाई ! https://www.instagram.com/p/Cpfh8y7jyHZ/?igshid=NGJjMDIxMWI=

[flockofdoves]

was assigned to read the sams/macdonald translation of threepenny opera and then listen to the song recordings from either the 1976 nysf version (translated by maheim and willet) or the 1954 original broadway cast (translated by blitzstein) for my costume design class

and i've been really wanting to watch or read something by bertholt brecht for ages and i always get down a huge rabbithole of comparing translations with stuff i'm interested in so i ended up reading multiple articles about translation differences before i read or listened to anything. and in the end even though she said not to bother with reading the lyrics in the script we were given and to just use it for the dialogue and stage directions, i ended up comparing the translation of all three versions of the song and listening all the way through for every single song lol. and it was kinda insane like of course there was the HUAC era self-censorship happening in the translation of the blitzstein version but also there were some fascinating modernizations in the sams version i read that i'm trying to place because they seem a bit too modern for even when i read it was initially released so i'm wondering if they were specific to the production that was credited at the beginning of the script my professor gave us?? but even beyond the obvious stuff like that there were just so many subtle wording differences that totally changed what it felt like the lines were hinting at throughout. and something like this where its written by a marxist but also has a lot of people interested in it for its place in musical theater history and stuff, theres just so many different ways people could be coming into it and prioritizing things in how they translate different lines. so like. time to learn german ig lol if id ever want to get to the bottom of this

but god yeah. would like to watch/read more brecht plays. i really liked the music too and its kind of insane realizing how much this obviously had an influence on some of my favorite musical theater songwriters like kander and ebb

[tadsweep]

It seems everything has changed. How do you want me to proceed? Do you still consider me an ally, a companion? Are you okay with me using nicknames for you as I have before? How do you want me to speak to you now?

Afi nysf, rbf C'dn wcnfgy

speak to me as you wish. not much has changed. i still love you.

just in a slightly different way.

[realtvfilms]

James Shanklin, Publish or Perish Movie from RealTVfilms on Vimeo.

James Shanklin was born and raised in Baltimore Maryland. During his undergraduate time he would spend his summers working as a member of the Ocean City Beach Patrol as a lifeguard on the beach. The first professional theatre job was in David Hare's MAP OF THE WORLD at Center Stage in Baltimore, MD. Along with other roles at Washington, DC's Folger Theatre where he performed with Stacy Keach in RICHARD III, Arena Stage where he was directed by the legendary theatre director Liviu Ciulei. From there he went on to do several plays with The New York Shakespeare Festival and The Public Theatre. From there he went on to the prestigious Yale School of Drama where he did a multitude of productions including John Guare's LANDSCAPE OF THE BODY with Laura Linney. Upon graduating from Yale he went on to do more plays with the Public Theatre and the NYSF including the world premiere of Thulani Davis's EVERYBODY LOVES RUBY with Viola Davis. James never stopped his passion for doing theatre even after his film and television work began to increase. After doing multiple roles in NYC produced television shows and films, he moved to Los Angeles in 2004 where he has had the pleasure of working with actors such as Brad Pitt, Tom Cruise, Eddie Murphy, Alfre Woodard among others and directors such as David Fincher, Barry Sonnenfeld, JJ Abrams, Tyler Perry and many others. James has always been a passionate advocate for animals and at one point had five dogs. More recently he has three extraordinary creatures he shares with actress Eileen Wesson.

Graduate of the Yale School of Drama where he received an MFA. Summer's during undergraduate years, served 3 years as an ocean lifeguard with the Ocean City Beach Patrol in Ocean City, Maryland. "Three of the best years of my life. I learned discipline and responsibility, two things that have served me well in life.". In 2010, 2011 & 2012 was in 3 films nominated for Oscars, The Social Network, Moneyball and Argo. The third, Argo won the Oscar for Best Film in 2013. Unfortunately, the scenes in which he performed the character Mike Touzani (a retiring CIA agent) did not make the final cut of the film. Though shared no scenes, worked on two films in which Philip Seymour Hoffman starred. In 2013 was cast as Aaron Hatch a one-episode guest star in season 3 of the AMC series Hell On Wheels. That one episode turned into 3 seasons on the top-rated AMC series. Is passionate about animals and animal rights. As of 2017 has 4 dogs. 2014 performed in the West Coast premiere of Bethany at The Old Globe Theatre in San Diego, CA. 2015 performed in the West Coast premier of The Twenty-Seventh Man at The Old Globe Theatre in San Diego, CA. 2018 played Stan in the Mark Taper Forum production of Sweat. 2018 Beginning rehearsals for Anna Karenina at The Denver Center. Mr. Shanklin lives in Los Angeles.

SYNOPSIS - Facing impossible deadlines and an adversarial relationship with his boss, a professor obsessed with getting tenure accidentally kills a student. The cover up causes his life to spiral out of control in this award winning dark comedy.

WEBSITE publishorperish.movie/ @publishorperish_movie WATCH MOVIE youtube.com/watch?v=a8ww86mXkqs

#publishorperishmovie #jamesshanklin #altaglobalmedia

[mewaruniversity]

A Glorified Moment for Mewar University.🏅

Mr. Prem Rajpurohit a student of M.Sc. Yoga Science got Gold medal 🥇 & Bronze medal 🥉 in National Yogasana Championship (NYSF).

#FacebookPage #rajasthan #facebookpost #mewaruniversity #future #Congratulations #careers #Twitter #proud #yoga #nysf #champion #goldmedal #goldmedalist

[nycannabistimes]

@nysmallfarma Come celebrate the day NY legalized adult-use cannabis and homegrow by joining @nysmallfarma and partners at the event: Creating Opportunities for Social Equity in NY Cannabis Cultivation. Friday March 31, 2023 9:30AM – 5:00PM 299 Scholes Street Brooklyn, NY   9:30 - 10:00 Introduction to Cultivation 10:00 - 10:45 Opening up Cultivation to Social Equity 11:00 - 12:00 Exhibiting 12:00 - 1:00 Lunch break – Introduction to Homegrow 1:00 - 2:30 Cannabis Plant Science and Terpenology Training 2:45 - 3:30 Budtender Training - Certification 3:30- 5:00 Exhibiting Although the agricultural economy has grown, the share of Black farmers in the United States has declined over the last century. Today, just 1.4 percent of farmers identify as Black or mixed race compared with about 14 percent 100 years ago. Federal programs and policies that excluded Blacks from land purchases were passed prior to passage of the 14th Amendment, the absence of legal protections such as wills that could have facilitated transfer of property to the next generation, and limited access to capital through discriminatory lending practices have all contributed to this decline. Taken together, the inability of Black Americans to fully participate in the land market has resulted in a lost opportunity for generational wealth creation. We must increase representation of Black and traditional market cultivators in cannabis farming. To do so, we must address issues of land access, resource availability, and incubators for social equity in cultivation. Addressing these opportunities could generate measurable economic and social value. Please come out to join NYSF and partners to begin the discussion of what framework, resources, policies, and practices need to be in place now to address the inequity in the agricultural sector and how to create viable and level pathways for those populations who have been historically underrepresented in U.S. cultivation (BIPOC, women, and LGBTQIA + communities). Continued in the comments. (at Times Square, New York City) https://www.instagram.com/p/CpnixnAsk0u/?igshid=NGJjMDIxMWI=

[yogkanti]

योग का बनता मज़ाक रोकने के लिए जरूरी है योग कानून।

पढ़ें लिखे योग शिक्षकों की आवश्यकता तो है ही परन्तु जरूरी है उनपर निरन्तरण का भी। वरना जो योग निडर और सांस्कृतिक विरासत है वह योग NYSF जैसे संगठनों द्वारा मज़ाक का पात्र बनाया जा रहा हैं। कभी जानवरों पर योग करने लग जाते हैं कुछ लोग तो कभी ऐसे योग का उपहास बना देते हैं। ऐसे ही नही योग कानून की अवश्यकयता। अगर कानून होता तो योगिक संस्कृति और आस्था पर प्रहार करने वाले इस लड़की के कोच पर कारवाई सम्भव होती। पता नही यह NYSF करना और दिखाना क्या चाहता है। योग की संस्कृति और आस्था को ही टारगेट क्यों किया जाता है। ज़रा सोचें।

इसमे बच्ची का कोई कसूर नही कसूर है उसको गाइड करने यां गलत करने से न रोकने वालों का । इसमे प्रत्येक उपस्थित व्यक्ति उतना ही ज़िमेदार है जितना कि कोच। कारवाई सब पर होनी चाहिए परन्तु कानून कहाँ है?

[dritaartists]

Fulfillment susannah flood

FULFILLMENT SUSANNAH FLOOD SKIN

FULFILLMENT SUSANNAH FLOOD FULL

Otherwise, we find ourselves in these characters’ heads - which is actually more interesting than finding ourselves almost in their beds. The show, well-directed by Ethan McSweeny, is funniest when the situations become increasingly heated while the tone remains matter-of-fact, as when Michael and Sarah go straight from earnestly discussing A.A.’s “Big Book” to sex.īradshaw falters mainly with Michael’s condo-board president (Denny Dillon), a caricature whose behavior makes no sense. or for a receiver on my estates, or for any distribution of my estates, my express will is that. You can see how Michael would be stressed, especially since he’s a perpetually dissatisfied type - particularly in restaurants. SUSANNAH CRADOCK (1668-1743) AND THE BANNER FAMILY 9. He’s just as powerless against his obnoxiously loud upstairs neighbor, Ted (Jeff Biehl). years of making the kind of content that brings no creative fulfillment.

FULFILLMENT SUSANNAH FLOOD SKIN

But is he being held back because he’s black, or because he drinks? With the support of his colleague and girlfriend, Sarah (Susannah Flood), Michael’s able to get sober, but he can’t do much about his skin color. Leonard Knox (Reg-Jean Page), Kate Littlejohn (Susannah Flood) and their. Here, the plot revolves around Michael (Gbenga Akinnagbe), a lawyer who’s yet to make partner after nine years at his firm. What hasn’t changed is Bradshaw’s concern with race, gender and power.

FULFILLMENT SUSANNAH FLOOD FULL

“Fulfillment” is also one of the playwright’s most accessible and entertaining works - a pretty funny comedy, but with full frontal. At least here the sex is consensual and shared by adults who aren’t related to each other, which wasn’t always the case in his earlier shows. This is actually pretty conservative by Thomas Bradshaw’s standards. Conn (Tiny Dynamite), Denny Dillon (SNL, My One and Only), Susannah Flood (Scenes from a Marriage, Love and Information), and Peter McCabe (Prophet). Indeed, Yehuda Duenyas had his hands full with “Fulfillment,” which features graphic intercourse, erotic spanking and choking. Burns (Playwrights Horizons) The Sonic Life of a Giant Tortoise (Pla圜o) Fulfillment (The Flea) As You Like It (The Public/NYSF), Bird in the Hand (Fulcrum). A heavy drinker since he was a teenager, he also decides to swear off liquor, with the assistance of his new girlfriend and co-worker, Sarah (Susannah Flood), who initiates him into Alcoholics. When a show has its own “sex choreographer,” it’s best to leave the kids at home. In Chapter three, Nature stood still: The Poetry of Susannah Hawkins, I.

[nysf2024-archive]

Burgmann college memories and decorations.

[inexplicablesatsuma]

Full Review of CBD Vegan Gummies from JustCBD

So many brands have been selling CBD products and singing praises about its mind-blowing after-effects. Am I going to do the same? Well, I would like to believe that I am better than that, but yeah, probably. At NYSF, we focus only on the edible ones, fun vegan recipes, and those you can mix in […]

The post Full Review of CBD Vegan Gummies from JustCBD appeared first on New York Street Food.

from New York Street Food https://ift.tt/dINA6f5

[social-yogi-shyam-satish]

🚨Be Cautious🚨 We would like to inform you that some unauthorized Federations/Associations are duping Yogasana athletes, Officials & Judges by conducting unauthorized Yogasana Competitions. We're taking stringent actions against such misleading activities. Please beware of these fraudulent activities. For any official updates, follow www.yogasanasport.in #fraudalert #caution #beware #notice #publicinterest #Yogasanasports #nysf #Patanjali #RMsArogyalayam #nysap https://www.instagram.com/p/CiXnXhfDQn7/?igshid=NGJjMDIxMWI=

[flockofdoves]

have been really getting into playing songs from threepenny opera recently after having to work with it for my costume design class and

really need to watch/read more brecht plays!!!!!

unlocking new levels of black sails insanity by playing the mac the knife reprise (nysf revival version) and thinking about it as a song i could put on a black sails playlist. does anyone understand my vision

[bastillemxfans]

“New York So Far”

📸 Dan

[shakespearenews]

Actors (C) Jeffrey Nordling and Joan Cusack in a scene from the New York Shakespeare Festival production of the play "Cymbeline." (New York)